Paris

Library edition from the Bibliothèque de La Pléiade printed on Bible paper.
Publisher's full green grained sheep binding, smooth spine decorated with gilt fillets.
Handsome copy complete with its glassine wrapper.

First edition.
From the Revue des deux mondes.
In sheets, in chemise.

First edition.
From the Revue des deux mondes.
In sheets, in chemise.

First edition.
Extract from the Revue des deux mondes.
In sheets, under chemise.

First edition.
Extract from the Revue des deux mondes.
In sheets, under chemise.

First edition. Extract from the Revue des Deux Mondes. Loose leaves under chemise.

First edition.
Extract from the Revue des deux mondes.
Unfolded sheets, under chemise.

First edition. Extract from the Revue des Deux Mondes. Loose leaves under chemise.

First edition.
Extract from the Revue des deux mondes.
In sheets, under chemise.

New edition, with some parts in first edition, printed in a small number of copies on laid paper.
Half brown shagreen binding, spine with four raised bands decorated with double gilt cartouche ornamented with gilt and blind typographical motifs, dark green shagreen title-label, headcaps worn, joints rubbed, gilt fillet on moiré paper boards, moiré paper endpapers and pastedowns, bookplate pasted to verso of front board, original wrappers preserved, top edge gilt.
Preface by Paul Bourget.
Frontispiece portrait of the author engraved by Abot as an etching.

First edition.
Extract from the Revue des deux mondes.
In sheets, under chemise.

First edition.
Extract from the Revue des deux mondes.
In sheets, under chemise.

First edition.
Extract from the Revue des deux mondes.
In sheets, under chemise.

First edition.
Offprint from the Revue des deux mondes.
In sheets, under chemise.

First edition.
Offprint from the Revue des deux mondes.
In sheets, under chemise.

First edition, one of 250 numbered copies on vellum, the only printing with 30 China and 70 Holland.
Work illustrated with 20 original etchings hors-texte by the author.
Our copy is enriched with a 2-page autograph letter signed by the author addressed to Prosper Blanchemain, envelope included and pasted on an endpaper.
Worming affecting mainly the first cover and endpapers, a small marginal lack on the last endpaper.

First edition on ordinary paper.
Half red sheep binding, smooth spine, red cloth boards, original wrappers preserved.
Signed autograph inscription by Jacques Chardonne.
Handsome copy in a modest binding.

First edition of the French translation by Claude Therni, one of 435 numbered copies on Arches laid paper, the only deluxe copies along with 65 other copies on Arches laid paper.
Work illustrated with original color illustrations by Frédéric Bourdin.
Covers uniformly and lightly sunned without gravity, handsome interior condition.
A full-margined copy.

The finest and most complete edition of Regnard, when it properly contains the fifth and sixth volumes, printed in small numbers (as Cohen indicates), and which are rarely found together with the first four.
It is illustrated with a portrait of the author by Rigaud engraved by Tardieu and 11 fine figures by Moreau and Marillier, engraved by Delignon, Duponchel, etc. The remarks and prefaces are by Garnier.
Contemporary full tree calf binding. Spine with raised bands decorated with 4 stars and fillets. Red morocco title and volume labels. Framing fillet on covers. Lacking at foot of volume 1 and at head of volume 3. Joints of volume 2 cracked. Despite some defects, quite a handsome...

The rare first edition. Printer's device on title page.
Contemporary glazed blonde calf binding. Richly ornamented raised spine. Red morocco title label. Triple gilt fillet frame on boards. Roulette on edges and turn-ins. Gilt edges. Cracked joints with various lacks at head and tail. Worn headcaps. Lacks between raised band and title label. Pages fairly yellowed. Corners slightly bumped. Quality binding with numerous defects, but still of handsome appearance.
A highly interesting study which distinguishes itself in this field through its focus on the material and value of medals and coins, whereas the great majority of studies deal essentially with effigies and figures. It becomes...

First edition.
Half blue sheep binding, spine lightly rubbed with gilt fillets, some surface wear, edges and headcaps rubbed, small lacks to the sheep, contemporary binding.
Le Journal amusant was a French weekly publication created by Charles Philipon on January 5, 1856 in 8 large-folio pages and perhaps disappeared in December 1933, representing 86 years of publication. The journal was composed three-quarters of illustrations around social satire then comedy of manners with an increasing place given to theatre and fashion. In the 1860s, the editor-in-chief was Nadar.
Numerous illustrations by Grévin, Henriot, Forain, P. Léonnec, Crafty, Mars, Baric, Stop, Marais, Attinger...

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Contrary to what the title page indicates, this volume contains all issues from December 1859 to November 1860.
Very handsome copy in its rare publisher's binding.

First edition.
Half brown cloth binding, marbled paper boards, corners slightly bumped, edges scuffed, headcap torn. Contemporary binding.
Each issue retains its four pages, some light marginal tears not touching the text, as well as some creases.
Contributions by Marcel Prévost ("Cousine Laura", "Grace!", "Au cabaret", "L'Abbé Pantalon", "Maxime"), Aristide Bruant (numerous songs), Georges Courteline ("Margot", "26", "Boubouroche", "La Pendule", "Exempt de cravate", "Je m'en fous", "Un mal de gorge", "Ferme ta malle !", "Premières armes", "L'Honneur des Brossarbourg", "Le Mauvais cocher", "Suggestion"), Jean Richepin (numerous poems, as well as prose texts: "Ch'tiote", "La...

Original color lithograph executed specifically by the artist for l'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by a poem by Henri de Régnier, an excerpt of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specifically for the journal by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque"...

Original color lithograph executed specifically by the artist for l'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by "La Maison d'exil" by Edmond Pilon, an excerpt of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specifically for the journal by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle...

First edition.
Half beige cloth binding, marbled paper boards, corners slightly bumped, leading edges scuffed. Contemporary binding.
Each issue contains its full four pages, some light marginal tears not touching text.
Contributions by Willy [Ernest Willy], Edmond Char, Jules Lévy, Tristan Bernard, Maurice Leblanc and J.-H. Rosny ("Le Baiser de la Reine") notably; drawings by Sandy-Hook, Jacques Villon, Steinlen, Weiluc, Moriss, Georges Redon, Gottlob, Prejelan among others.
Journal illustrated with numerous drawings in color and black and white, sometimes full-page, as well as musical scores.
Gil Blas was a former French weekly newspaper, founded by Auguste Dumont...

First edition.
Half brown sheep binding, marbled paper boards, corners slightly bumped, leading edges scuffed, lacks to boards and spine torn. Contemporary binding.
Each issue contains its full four pages, some light marginal tears not touching text, as well as creases.
Contributions by Anatole France ("La Messe des ombres"), Charles Baudelaire (posthumous publication of "La mort des pauvres", "La Corde", "Ciel brouillé", "Chanson d'après-midi"), Georges Courteline, Jules Renard ("Poil de Carotte"), Marcel Prévost ("L'Abbé Pantalon", "Torchonnette", "Jeunes époux"), Edmond and Jules de Goncourt ("Le Passeur de Maguelone", "Le Père Thibaut"), Aristide Bruant ("Fins de siècle"...

Original color lithograph executed specially by the artist for L'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Published by Ch. Masson and H. Piazza, the two years of L'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.

Original color lithograph executed specially by the artist for L'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by a passage from Germinal by Emile Zola.
Published by Ch. Masson and H. Piazza, the two years of L'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Handsome copy.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne form one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Handsome copy.
Lithograph inspired by a poem by Paul Verlaine ("Fêtes Galantes") reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne form one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by "Traité de 9h47" by G. Courteline, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque"...

Original lithograph in black executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by "La Danse et les Ballets" by J. Reading, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and...

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Handsome copy.
Lithograph inspired by "La Chanson des Gueux" by J. Richepin, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the magazine by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle...

Original sepia lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Handsome copy.
Lithograph inspired by "Nos petites filles" by Alfred Le Roux, an extract of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the magazine by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque"...

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Handsome copy.
Lithograph inspired by "La Mer" by Jean Richepin, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.

Original lithograph in black executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Handsome copy.
Lithograph inspired by a poem from "Les Fleurs du Mal" by Charles Baudelaire, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist...

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by a novel by J.-H. Rosny, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by a poem by Armand Silvestre, an extract of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period.
Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque"...

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate.
Very handsome copy.
Lithograph inspired by a poem by Francis Vièle-Griffin, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque"...

Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on strong laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin.
Artist's signature in the plate. Very handsome copy.
Lithograph inspired by a poem by Max Elskamp, an extract of which is reproduced on the print's tissue guard. Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque" movements.

First edition.
Half red shagreen binding, boards stained, spine with four raised bands decorated with gilt motifs, publisher's binding.
Contributions by Champfleury, Charles Blanc, Philippe Burty, Emile Galichon, Albert Jacquemart and Paul Chéron among others; etching by Jean Achard.
Review illustrated with numerous black and white engravings.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years, it was a worldwide reference in art history.

First edition.
Half red shagreen binding, split headcaps, spine with four raised bands decorated with gilt motifs, publisher's binding.
Contributions by Louis Gonse, Ludovic Lalanne, Duranty, Anatole de Montaiglon, Charles Blanc, Champfleury, Charles Yriarte and Paul Chéron among others; etching by Paul Renouard.
Review illustrated with numerous black and white plates.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Full red cloth binding, marbled edges, publisher's binding.
Contributions by Paul Mantz, Alfred Darcel, Louis Gonse, Ludovic Lalanne, Charles Yriarte, Alfred de Lostalot and Paul Chéron among others; original etching by Léon Bonnat.
Review illustrated with numerous black and white plates.
Our copy is incomplete: it lacks the original etching by James Whistler (p367).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps torn, spine with four raised bands decorated in blind, minor lacks to boards, publisher's binding.
Contributions by Charles Clément, Georges Duplessis, Paul Mantz, Louis Gonse, Champfleury, Alfred Darcel, Emile Galichon, Alfred Michiels, Duranty and Paul Chéron among others.
Our copy is incomplete, lacking the engraving by Adolphe Appian (p 47).
Journal illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a...

First edition.
Half red shagreen binding, corners bumped, headcaps damaged, boards worn and stained, minor lacks, spine with four raised bands decorated in gilt, publisher's binding.
Contributions by Alfred Michiels, Philippe Burty, Charles Blanc ("Ingres, sa vie et ses oeuvres"), Albert Jacquemart, Alfred Darcel, Emile Galichon and Paul Chéron among others.
Journal illustrated with numerous black and white plates, as well as one folding plate (see photo).
The Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a...

First edition.
Half red shagreen binding, split headcaps, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Alfred Darcel, Anatole de Montaiglon, Duranty, Ludovic Lalanne, Paul Lefort, Louis Gonse, Paul Mantz and Paul Chéron among others; original etching by Edwin Edwards notably.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a world reference in art history.

First edition.
Half red shagreen binding, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Louis Gonse, Sully Prudhomme ("Quelques oeuvres décoratives inédites"), Alfred Darcel, Albert Jacquemart, Champfleury and Paul Chéron among others.
Review illustrated with numerous black and white hors-texte engravings.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a world reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, paper on boards very slightly detached, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Charles Blanc, Eugène Guillaume, Paul Mantz, Anatole de Montaiglon, Alfred Darcel, Georges Duplessis, Louis Gonse, Charles Yriarte and Paul Chéron among others; etching by Alphonse Legros, heliogravure by Baldus and etching by Delaunay among others.
Review illustrated with numerous black and white hors-texte engravings, as well as a folding engraving after a drawing by Puvis de Chavanne (see photograph).
La Gazette des beaux-arts is a French art review, founded in 1859 by...

First edition.
Half red shagreen binding, corners slightly bumped, covers scratched, headcaps worn, spine with five raised bands gilt and blind-tooled, publisher's binding.
Contributions by Charles Blanc, Albert Jacquemart, René Ménard, Louis Gonse notably, drawings by Gavarni among others.
Review illustrated with numerous full-page black and white engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, covers scratched, headcaps worn, slight crease on upper board, spine with five raised bands gilt and blind-tooled, publisher's binding.
Contributions by Charles Blanc ("Eugène Delacroix"), Albert Jacquemart, Champfleury, Edmond and Jules de Goncourt ("Chardin") and Victor Hugo ("Les Rues et les maisons du vieux Blois") among others; engraving by Héliodore Pisan.
Review illustrated with numerous full-page black and white engravings, as well as several folding plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased...

First edition.
Half red shagreen binding, corners slightly bumped, covers scuffed, headcaps torn, spine gilt and blind, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others.
Journal illustrated with numerous black and white engravings hors-texte, including one folding plate (see photograph).
La Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half chocolate shagreen binding, corners slightly bumped, covers scuffed, headcaps torn, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others.
Journal illustrated with numerous black and white engravings hors-texte.
La Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half chocolate shagreen binding, corners slightly bumped, covers scratched, headcaps severely damaged, relatively significant lacks to both covers, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others; fine heliogravure by Eugène Sadoux printed separately from the text, as well as several heliographies by Honoré Daumier.
Magazine illustrated with numerous black and white engravings printed separately from the text, including one folding plate (see photograph).
La Gazette des beaux-arts is a French art magazine, founded in 1859 by Édouard Houssaye, with Charles Blanc as...

First edition.
Half red shagreen binding, corners slightly bumped, leading edges scraped, headcaps torn, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Duranty, Paul Mantz, Champfleury, Ludovic Lalanne and Louis Gonse among others; fine etching printed hors-texte by Emile Boilvin.
Review illustrated with numerous black and white engravings hors-texte as well as a facsimile of a watercolor by Ingres in colors.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide...

First edition.
Half red shagreen binding, corners slightly bumped, headcaps torn, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Charles Blanc, Duranty, Ludovic Lalanne, Paul Mantz, Louis Gons, Champfleury and Paul Chéron among others; original etching by Paul Renouard notably.
Review illustrated with numerous black and white engravings hors-texte, notably an engraving representing Alexandre Dumas (see photo).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide...

First edition.
Half red shagreen binding, corners slightly bumped, split headcaps, boards worn and stained, minor lacks, spine with four raised bands stamped in blind, publisher's binding.
Contributions by Charles Blanc ("Ingres, sa vie et ses oeuvres"), Paul Mantz, Edmond and Jules de Goncourt ("Gravelot") among others; several facsimiles by Eugène Delacroix and Goya.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference...

First edition.
Half red shagreen binding, corners slightly bumped, spine with four raised bands stamped in blind, publisher's binding.
Contributions by Charles Yriarte, Charles Blanc, Louis Gonse, Champfleury, Paul Mantz and Paul Chéron among others; etchings by Arthur Evershed among others.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, spine with four raised bands stamped in cold gilt, publisher's binding.
Contributions by Henri Delaborde, Georges Duplessis, Charles Yriarte, Paul Mantz, Louis Gonse and Paul Chéron among others; facsimile of an etching by Eugène Delacroix.
Review illustrated with numerous black and white plates.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, corners slightly bumped, spine with four raised bands stamped in cold gilt, publisher's binding.
Contributions by Charles Blanc, Paul Mantz, Duranty and Paul Chéron among others; etching by Augustin Feyen-Perrin notably.
Review illustrated with numerous black and white plates, as well as a folding plate (see photograph).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, some minor lacks to boards without consequence, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Emile Galichon, Charles Clément, Philippe Burty, Henri Delaborde, Alfred Michiels, Champfleury, Charles Blanc, Paul Mantz, Georges Duplessis and Paul Chéron among others; fine etching by Bracquemond.
Review illustrated with numerous black and white plates, as well as one folding plate (see photograph).
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one...

First edition.
Half red shagreen binding, headcaps severely damaged, some minor lacks to boards without consequence, spine with four raised bands gilt in blind and detached, publisher's binding.
Contributions by Paul Mantz, Alfred Michiels, Philippe Burty, Charles Blanc, Emile Galichon, Albert Jacquemart, Charles Clément and Paul Chéron among others; etching by Léonce Chabry among others.
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide...

First edition.
Half red shagreen binding, headcaps torn, spine with four raised bands gilt and blind-tooled (with some lacks), publisher's binding.
Contributions by Charles Blanc, Charles Yriarte, Louis Gonse, Anatole de Montaiglon, Champfleury, Duranty, Ludovic Lalanne, Paul Mantz and Paul Chéron among others; original etching by Joseph Israëls among others.
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps torn, some minor lacks to boards, spine with four raised bands gilt and blind-tooled, publisher's binding.
Contributions by Paul Mantz, Edmond and Jules de Goncourt ("Eisen"), Charles Blanc, Alfred Michiels, Henri Delaborde, Champfleury, Philippe Burty, Georges Duplessis and Paul Chéron among others, etching by Bracquemond, by Léonce Chabry
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide...

First edition.
Half chocolate sheep binding, spine uniformly worn, boards lightly scratched, joints scraped, corners slightly bumped, spine decorated in blind, publisher's binding.
Volume complete with its volume cover page, each issue comprising eight pages.
Contributions by Charles Baudelaire, Théophile Gautier ("Goya") and Alexandre Dumas notably, drawings by Cham, Gustave Doré and Edmond Morin among others.
Review illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly current affairs magazine published from 1847 to 1940 and from 1945 to 1956, notably directed by Paul Dalloz and Charles Yriarte. From its launch Le Monde...

First edition.
Half red cloth binding, edges rubbed, corners bumped, headcaps lightly damaged, publisher's binding. Complete volume with its volume title page; each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings notably by Karl Bodmer, Gustave Doré and Edmond Morin, engravings by Chapon and Méaulle among others.
Journal illustrated with numerous full-page black and white engravings, some double-page engravings, as well as several folding plates.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles...

First edition.
Half light blue cloth binding, corners bumped, edges rubbed, spine lightly sunned, publisher's binding. Volume complete with its volume title page; each issue contains eight pages.
Contributions by Amédée Achard, Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings by Cham and Gustave Doré notably.
Journal illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas...

First edition.
Half brown shagreen binding, corners slightly bumped, edges scuffed, boards lightly sunned and heavily damaged, edges torn, spine worn and publisher's binding. Volume complete with its volume cover page; each issue contains eight pages.
Contributions by Amédée Achard, Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings by Cham and Gustave Doré notably.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the...

First edition.
Half blue sheep binding, corners bumped, edges scuffed, spine decorated in blind, publisher's binding. Complete volume including its volume title page, each issue contains eight pages.
Contributions by Amédée Achard, Alexandre Dumas (serial "Le Capitaine Richard"), Hector Berlioz, Paul Féval, Méry, Emile de Girardin ("La Fille du Millionnaire") and George Sand notably.
Periodical illustrated with numerous full-page black and white engravings, some double-page engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré...

First edition.
Half red cloth binding, corners bumped, edges scuffed, publisher's binding. Complete volume including its volume title page, each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré, Edmond Morin and Cham among others, engravings by Chapon, Méaulle and Bellanger among others.
Periodical illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the...

First edition.
Half red sheep binding, corners bumped and two torn, covers scuffed, board lightly sunned and stained, some lacks to spine, publisher's binding.
Volume complete with its volume title page; each issue contains eight pages.
Contributions by Gustave Aimard, Charles Baudelaire, Paul Féval, Méry and Charles Yriarte notably, drawings by Cham, Gustave Doré and Edmond Morin among others.
Review illustrated with numerous full-page black and white engravings, as well as several double-page ones.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, notably directed by Paul Dalloz and Charles Yriarte. From its launch Le...

First edition.
Half aqua green cloth binding, covers scuffed, boards lightly sunned, joint cracked without severity, publisher's binding.
Volume complete with its volume title page; each issue contains eight pages.
Contributions by Gustave Aimard, Charles Baudelaire, Paul Féval, Méry, and Charles Yriarte among others, drawings by Cham, Gustave Doré and Edmond Morin among others.
Review illustrated with numerous full-page black and white engravings, as well as several double-page ones.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, notably directed by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré...

First edition. Half spinach green sheep binding, corners slightly bumped, headcaps split, edges scuffed, publisher's binding. Volume complete with its title page for the volume. Contributions by Alphonse Daudet, Joseph Doucet, Paul Féval, Théophile Gautier ("Le Baptême de la Neva") and Méry among others, drawings by Carjat, Gustave Doré and Edmond Morin notably. Review illustrated with numerous full-page black and white engravings. Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul...

First edition.
Red half-cloth binding, corners slightly bumped, covers rubbed, publisher's binding. Complete volume including its title page, each issue comprises eight pages.
Contributions by Eugène Muller, Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré, Cham and Edmond Morin among others, engravings by Chapon and Méaulle in particular.
Magazine illustrated with numerous full-page black and white engravings, sometimes even double-page spreads, as well as a large folding plate.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz...

First edition.
Red half-cloth binding, corners slightly bumped, covers rubbed, publisher's binding. Complete volume including its title page, each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré, Edmond Morin and Cham among others, engravings by Chapon, Méaulle and Bellanger among others.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the...

First edition.
Volume complete with its volume title page.
Contributions by Amédée Achard, Chamfleury, Paul Féval and Charles Yriarte among others, with drawings by Cham and Edmond Morin notably.
Illustrated magazine with numerous full-page black and white engravings.
Le Monde illustré was a weekly news publication that appeared from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured collaboration from authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

First edition.
Volume complete with its volume title page.
Contributions by Amédée Achard, Chamfleury, Paul Féval and Charles Yriarte among others, with drawings by Cham and Edmond Morin notably.
Illustrated magazine with numerous full-page black and white engravings.
Le Monde illustré was a weekly news publication that appeared from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured collaboration from authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

Third edition.
Full anthracite embossed paper boards, smooth spines lightened, headcaps rubbed, cherry red shagreen title and volume labels, minor rubbing to spines and boards, corners slightly bumped, marbled endpapers and pastedowns.
Complete set in four volumes, illustrated with a portrait of C.H. Millevoye as frontispiece to the first volume.
Some foxing.

First edition.
Half red cloth binding, spine rubbed, corners bumped, headcaps slightly damaged, publisher's binding. Complete volume with its tome cover page; each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings notably by Karl Bodmer, Gustave Doré and Edmond Morin, engravings by Chapon and Méaulle among others.
Magazine illustrated with numerous full-page black and white engravings, some double-page engravings, as well as several folding plates.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles...

First edition.
Half aqua green cloth binding, covers scuffed, publisher's binding. Complete volume with its title page; each issue contains eight pages.
Contributions by Gustave Aimard, Paul Féval and Charles Yriarte notably, illustrations by Cham, Gustave Doré and Edmond Morin among others.
Journal illustrated with numerous full-page engravings in black and white, some double-page engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile...

First edition.
Half aqua green cloth binding, covers scuffed, spine slightly sunned, head slightly split, publisher's binding. Complete volume with its title page; each issue contains eight pages.
Contributions by Gustave Aimard and Charles Yriarte among others, illustrations by Cham, Gustave Doré and Edmond Morin notably.
Journal illustrated with numerous full-page engravings in black and white.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile...

First edition.
Half sea-green cloth binding, covers scratched, spine lightly sunned, upper joint of upper board slightly split, publisher's binding. Complete volume with its volume cover page; each issue contains eight pages.
Contributions by Alexandre Dumas, Paul Féval, Méry and Charles Yriarte among others, drawings by Bayard, Cham, Gustave Doré and Edmond Morin notably.
Review illustrated with numerous full-page engravings in black and white.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and...

First edition.
Minor lacks without gravity to margin of first cover. Complete volume with its volume cover page; each issue contains eight pages.
Contributions by Eugène Muller, Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré and Cham among others, engravings by Chapon and Méaulle in particular.
Review illustrated with numerous full-page engravings in black and white, as well as folding plates.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of...

First edition.
Complete volume with its tome cover page; each issue contains eight pages.
Contributions by Amédée Achard, Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings by Karl Bodmer, Gustave Doré and Cham notably, engravings by Chapon and Méaulle among others.
Review illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand...

First edition.
Complete volume with its tome cover page; each issue contains eight pages.
Contributions by Amédée Achard, Eugène Muller, Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Gustave Doré and Cham in particular, engravings by Chapon and Méaulle among others.
Review illustrated with numerous full-page black and white engravings, some double-page engravings, as well as a large folding plate.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such...

First edition.
Half sea-green cloth binding, corners bumped, covers scuffed, spine lightly sunned, publisher's binding. Volume complete with its title page; each issue contains eight pages.
Contributions by Amédée Achard, Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings by Cham and Gustave Doré notably.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch, Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul...

New edition for each of the three volumes.
Bradel binding in full navy blue boards, smooth spine, burgundy Russia leather title-label, headcaps rubbed and worn, minor scuffing to boards without consequence, corners slightly bumped.
Some light foxing.
Rare collection of these three works.

First edition.
Half brown calf binding, corners slightly bumped, lower headcap slightly damaged, chases scuffed, publisher's binding. Volume complete with its volume cover page.
Contributions by Paul Féval, Théophile Gautier ("Le Baptême de la Neva") and Méry among others.
Review illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly current affairs journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave...

First edition.
Half pale green cloth binding, corners bumped, edges scuffed, publisher's binding. Complete volume with its volume title page, each issue containing eight pages.
Contributions by Gustave Aimard, Charles Baudelaire, Alexandre Dumas, Paul Féval and Charles Yriarte among others, drawings notably by Cham, Gustave Doré and Edmond Morin.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas...

First edition.
Half pale green cloth binding, one corner bumped, edges scuffed, publisher's binding. Complete volume with its volume title page, each issue contains eight pages.
Contributions by Charles Baudelaire (English translation of "The System of Doctor Tarr and Professor Fether"), Alexandre Dumas, Paul Féval, Théophile Gautier and Méry among others, drawings by Cham, Gustave Doré and Edmond Morin notably.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured...