Paris

First edition.
Half red shagreen binding, split headcaps, spine with four raised bands decorated with gilt motifs, publisher's binding.
Contributions by Louis Gonse, Ludovic Lalanne, Duranty, Anatole de Montaiglon, Charles Blanc, Champfleury, Charles Yriarte and Paul Chéron among others; etching by Paul Renouard.
Review illustrated with numerous black and white plates.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Full red cloth binding, marbled edges, publisher's binding.
Contributions by Paul Mantz, Alfred Darcel, Louis Gonse, Ludovic Lalanne, Charles Yriarte, Alfred de Lostalot and Paul Chéron among others; original etching by Léon Bonnat.
Review illustrated with numerous black and white plates.
Our copy is incomplete: it lacks the original etching by James Whistler (p367).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps torn, spine with four raised bands decorated in blind, minor lacks to boards, publisher's binding.
Contributions by Charles Clément, Georges Duplessis, Paul Mantz, Louis Gonse, Champfleury, Alfred Darcel, Emile Galichon, Alfred Michiels, Duranty and Paul Chéron among others.
Our copy is incomplete, lacking the engraving by Adolphe Appian (p 47).
Journal illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a...

First edition.
Half red shagreen binding, corners bumped, headcaps damaged, boards worn and stained, minor lacks, spine with four raised bands decorated in gilt, publisher's binding.
Contributions by Alfred Michiels, Philippe Burty, Charles Blanc ("Ingres, sa vie et ses oeuvres"), Albert Jacquemart, Alfred Darcel, Emile Galichon and Paul Chéron among others.
Journal illustrated with numerous black and white plates, as well as one folding plate (see photo).
The Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a...

First edition.
Half red shagreen binding, split headcaps, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Alfred Darcel, Anatole de Montaiglon, Duranty, Ludovic Lalanne, Paul Lefort, Louis Gonse, Paul Mantz and Paul Chéron among others; original etching by Edwin Edwards notably.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a world reference in art history.

First edition.
Half red shagreen binding, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Louis Gonse, Sully Prudhomme ("Quelques oeuvres décoratives inédites"), Alfred Darcel, Albert Jacquemart, Champfleury and Paul Chéron among others.
Review illustrated with numerous black and white hors-texte engravings.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a world reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, paper on boards very slightly detached, spine with four raised bands decorated with gilt ornament, publisher's binding.
Contributions by Charles Blanc, Eugène Guillaume, Paul Mantz, Anatole de Montaiglon, Alfred Darcel, Georges Duplessis, Louis Gonse, Charles Yriarte and Paul Chéron among others; etching by Alphonse Legros, heliogravure by Baldus and etching by Delaunay among others.
Review illustrated with numerous black and white hors-texte engravings, as well as a folding engraving after a drawing by Puvis de Chavanne (see photograph).
La Gazette des beaux-arts is a French art review, founded in 1859 by...

First edition.
Half red shagreen binding, corners slightly bumped, covers scratched, headcaps worn, spine with five raised bands gilt and blind-tooled, publisher's binding.
Contributions by Charles Blanc, Albert Jacquemart, René Ménard, Louis Gonse notably, drawings by Gavarni among others.
Review illustrated with numerous full-page black and white engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, covers scratched, headcaps worn, slight crease on upper board, spine with five raised bands gilt and blind-tooled, publisher's binding.
Contributions by Charles Blanc ("Eugène Delacroix"), Albert Jacquemart, Champfleury, Edmond and Jules de Goncourt ("Chardin") and Victor Hugo ("Les Rues et les maisons du vieux Blois") among others; engraving by Héliodore Pisan.
Review illustrated with numerous full-page black and white engravings, as well as several folding plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased...

First edition.
Half red shagreen binding, corners slightly bumped, covers scuffed, headcaps torn, spine gilt and blind, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others.
Journal illustrated with numerous black and white engravings hors-texte, including one folding plate (see photograph).
La Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half chocolate shagreen binding, corners slightly bumped, covers scuffed, headcaps torn, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others.
Journal illustrated with numerous black and white engravings hors-texte.
La Gazette des beaux-arts is a French art journal, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half chocolate shagreen binding, corners slightly bumped, covers scratched, headcaps severely damaged, relatively significant lacks to both covers, spine with five raised bands, publisher's binding.
Contributions by Paul Mantz, Alfred de Lostalot and Duranty among others; fine heliogravure by Eugène Sadoux printed separately from the text, as well as several heliographies by Honoré Daumier.
Magazine illustrated with numerous black and white engravings printed separately from the text, including one folding plate (see photograph).
La Gazette des beaux-arts is a French art magazine, founded in 1859 by Édouard Houssaye, with Charles Blanc as...

First edition.
Half red shagreen binding, corners slightly bumped, leading edges scraped, headcaps torn, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Duranty, Paul Mantz, Champfleury, Ludovic Lalanne and Louis Gonse among others; fine etching printed hors-texte by Emile Boilvin.
Review illustrated with numerous black and white engravings hors-texte as well as a facsimile of a watercolor by Ingres in colors.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide...

First edition.
Half red shagreen binding, corners slightly bumped, headcaps torn, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Charles Blanc, Duranty, Ludovic Lalanne, Paul Mantz, Louis Gons, Champfleury and Paul Chéron among others; original etching by Paul Renouard notably.
Review illustrated with numerous black and white engravings hors-texte, notably an engraving representing Alexandre Dumas (see photo).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide...

First edition.
Half red shagreen binding, corners slightly bumped, split headcaps, boards worn and stained, minor lacks, spine with four raised bands stamped in blind, publisher's binding.
Contributions by Charles Blanc ("Ingres, sa vie et ses oeuvres"), Paul Mantz, Edmond and Jules de Goncourt ("Gravelot") among others; several facsimiles by Eugène Delacroix and Goya.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference...

First edition.
Half red shagreen binding, corners slightly bumped, spine with four raised bands stamped in blind, publisher's binding.
Contributions by Charles Yriarte, Charles Blanc, Louis Gonse, Champfleury, Paul Mantz and Paul Chéron among others; etchings by Arthur Evershed among others.
Review illustrated with numerous black and white hors-texte engravings.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, spine with four raised bands stamped in cold gilt, publisher's binding.
Contributions by Henri Delaborde, Georges Duplessis, Charles Yriarte, Paul Mantz, Louis Gonse and Paul Chéron among others; facsimile of an etching by Eugène Delacroix.
Review illustrated with numerous black and white plates.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, corners slightly bumped, spine with four raised bands stamped in cold gilt, publisher's binding.
Contributions by Charles Blanc, Paul Mantz, Duranty and Paul Chéron among others; etching by Augustin Feyen-Perrin notably.
Review illustrated with numerous black and white plates, as well as a folding plate (see photograph).
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps damaged, some minor lacks to boards without consequence, spine with four raised bands gilt in blind, publisher's binding.
Contributions by Emile Galichon, Charles Clément, Philippe Burty, Henri Delaborde, Alfred Michiels, Champfleury, Charles Blanc, Paul Mantz, Georges Duplessis and Paul Chéron among others; fine etching by Bracquemond.
Review illustrated with numerous black and white plates, as well as one folding plate (see photograph).
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one...

First edition.
Half red shagreen binding, headcaps severely damaged, some minor lacks to boards without consequence, spine with four raised bands gilt in blind and detached, publisher's binding.
Contributions by Paul Mantz, Alfred Michiels, Philippe Burty, Charles Blanc, Emile Galichon, Albert Jacquemart, Charles Clément and Paul Chéron among others; etching by Léonce Chabry among others.
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide...

First edition.
Half red shagreen binding, headcaps torn, spine with four raised bands gilt and blind-tooled (with some lacks), publisher's binding.
Contributions by Charles Blanc, Charles Yriarte, Louis Gonse, Anatole de Montaiglon, Champfleury, Duranty, Ludovic Lalanne, Paul Mantz and Paul Chéron among others; original etching by Joseph Israëls among others.
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, headcaps torn, some minor lacks to boards, spine with four raised bands gilt and blind-tooled, publisher's binding.
Contributions by Paul Mantz, Edmond and Jules de Goncourt ("Eisen"), Charles Blanc, Alfred Michiels, Henri Delaborde, Champfleury, Philippe Burty, Georges Duplessis and Paul Chéron among others, etching by Bracquemond, by Léonce Chabry
Review illustrated with numerous black and white plates.
The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide...

First edition.
Half chocolate sheep binding, spine uniformly worn, boards lightly scratched, joints scraped, corners slightly bumped, spine decorated in blind, publisher's binding.
Volume complete with its volume cover page, each issue comprising eight pages.
Contributions by Charles Baudelaire, Théophile Gautier ("Goya") and Alexandre Dumas notably, drawings by Cham, Gustave Doré and Edmond Morin among others.
Review illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly current affairs magazine published from 1847 to 1940 and from 1945 to 1956, notably directed by Paul Dalloz and Charles Yriarte. From its launch Le Monde...

First edition.
Half red cloth binding, edges rubbed, corners bumped, headcaps lightly damaged, publisher's binding. Complete volume with its volume title page; each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings notably by Karl Bodmer, Gustave Doré and Edmond Morin, engravings by Chapon and Méaulle among others.
Journal illustrated with numerous full-page black and white engravings, some double-page engravings, as well as several folding plates.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles...

First edition.
Half light blue cloth binding, corners bumped, edges rubbed, spine lightly sunned, publisher's binding. Volume complete with its volume title page; each issue contains eight pages.
Contributions by Amédée Achard, Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings by Cham and Gustave Doré notably.
Journal illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas...

First edition.
Half brown shagreen binding, corners slightly bumped, edges scuffed, boards lightly sunned and heavily damaged, edges torn, spine worn and publisher's binding. Volume complete with its volume cover page; each issue contains eight pages.
Contributions by Amédée Achard, Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings by Cham and Gustave Doré notably.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the...

First edition.
Half blue sheep binding, corners bumped, edges scuffed, spine decorated in blind, publisher's binding. Complete volume including its volume title page, each issue contains eight pages.
Contributions by Amédée Achard, Alexandre Dumas (serial "Le Capitaine Richard"), Hector Berlioz, Paul Féval, Méry, Emile de Girardin ("La Fille du Millionnaire") and George Sand notably.
Periodical illustrated with numerous full-page black and white engravings, some double-page engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré...

First edition.
Half red cloth binding, corners bumped, edges scuffed, publisher's binding. Complete volume including its volume title page, each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré, Edmond Morin and Cham among others, engravings by Chapon, Méaulle and Bellanger among others.
Periodical illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the...

First edition.
Half red sheep binding, corners bumped and two torn, covers scuffed, board lightly sunned and stained, some lacks to spine, publisher's binding.
Volume complete with its volume title page; each issue contains eight pages.
Contributions by Gustave Aimard, Charles Baudelaire, Paul Féval, Méry and Charles Yriarte notably, drawings by Cham, Gustave Doré and Edmond Morin among others.
Review illustrated with numerous full-page black and white engravings, as well as several double-page ones.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, notably directed by Paul Dalloz and Charles Yriarte. From its launch Le...

First edition.
Half aqua green cloth binding, covers scuffed, boards lightly sunned, joint cracked without severity, publisher's binding.
Volume complete with its volume title page; each issue contains eight pages.
Contributions by Gustave Aimard, Charles Baudelaire, Paul Féval, Méry, and Charles Yriarte among others, drawings by Cham, Gustave Doré and Edmond Morin among others.
Review illustrated with numerous full-page black and white engravings, as well as several double-page ones.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, notably directed by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré...

First edition. Half spinach green sheep binding, corners slightly bumped, headcaps split, edges scuffed, publisher's binding. Volume complete with its title page for the volume. Contributions by Alphonse Daudet, Joseph Doucet, Paul Féval, Théophile Gautier ("Le Baptême de la Neva") and Méry among others, drawings by Carjat, Gustave Doré and Edmond Morin notably. Review illustrated with numerous full-page black and white engravings. Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul...

First edition.
Red half-cloth binding, corners slightly bumped, covers rubbed, publisher's binding. Complete volume including its title page, each issue comprises eight pages.
Contributions by Eugène Muller, Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré, Cham and Edmond Morin among others, engravings by Chapon and Méaulle in particular.
Magazine illustrated with numerous full-page black and white engravings, sometimes even double-page spreads, as well as a large folding plate.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz...

First edition.
Red half-cloth binding, corners slightly bumped, covers rubbed, publisher's binding. Complete volume including its title page, each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré, Edmond Morin and Cham among others, engravings by Chapon, Méaulle and Bellanger among others.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the...

First edition.
Volume complete with its volume title page.
Contributions by Amédée Achard, Chamfleury, Paul Féval and Charles Yriarte among others, with drawings by Cham and Edmond Morin notably.
Illustrated magazine with numerous full-page black and white engravings.
Le Monde illustré was a weekly news publication that appeared from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured collaboration from authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

First edition.
Volume complete with its volume title page.
Contributions by Amédée Achard, Chamfleury, Paul Féval and Charles Yriarte among others, with drawings by Cham and Edmond Morin notably.
Illustrated magazine with numerous full-page black and white engravings.
Le Monde illustré was a weekly news publication that appeared from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured collaboration from authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

Third edition.
Full anthracite embossed paper boards, smooth spines lightened, headcaps rubbed, cherry red shagreen title and volume labels, minor rubbing to spines and boards, corners slightly bumped, marbled endpapers and pastedowns.
Complete set in four volumes, illustrated with a portrait of C.H. Millevoye as frontispiece to the first volume.
Some foxing.

First edition.
Half red cloth binding, spine rubbed, corners bumped, headcaps slightly damaged, publisher's binding. Complete volume with its tome cover page; each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings notably by Karl Bodmer, Gustave Doré and Edmond Morin, engravings by Chapon and Méaulle among others.
Magazine illustrated with numerous full-page black and white engravings, some double-page engravings, as well as several folding plates.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles...

First edition.
Half aqua green cloth binding, covers scuffed, publisher's binding. Complete volume with its title page; each issue contains eight pages.
Contributions by Gustave Aimard, Paul Féval and Charles Yriarte notably, illustrations by Cham, Gustave Doré and Edmond Morin among others.
Journal illustrated with numerous full-page engravings in black and white, some double-page engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile...

First edition.
Half aqua green cloth binding, covers scuffed, spine slightly sunned, head slightly split, publisher's binding. Complete volume with its title page; each issue contains eight pages.
Contributions by Gustave Aimard and Charles Yriarte among others, illustrations by Cham, Gustave Doré and Edmond Morin notably.
Journal illustrated with numerous full-page engravings in black and white.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile...

First edition.
Half sea-green cloth binding, covers scratched, spine lightly sunned, upper joint of upper board slightly split, publisher's binding. Complete volume with its volume cover page; each issue contains eight pages.
Contributions by Alexandre Dumas, Paul Féval, Méry and Charles Yriarte among others, drawings by Bayard, Cham, Gustave Doré and Edmond Morin notably.
Review illustrated with numerous full-page engravings in black and white.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and...

First edition.
Minor lacks without gravity to margin of first cover. Complete volume with its volume cover page; each issue contains eight pages.
Contributions by Eugène Muller, Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré and Cham among others, engravings by Chapon and Méaulle in particular.
Review illustrated with numerous full-page engravings in black and white, as well as folding plates.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of...

First edition.
Complete volume with its tome cover page; each issue contains eight pages.
Contributions by Amédée Achard, Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings by Karl Bodmer, Gustave Doré and Cham notably, engravings by Chapon and Méaulle among others.
Review illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand...

First edition.
Complete volume with its tome cover page; each issue contains eight pages.
Contributions by Amédée Achard, Eugène Muller, Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Gustave Doré and Cham in particular, engravings by Chapon and Méaulle among others.
Review illustrated with numerous full-page black and white engravings, some double-page engravings, as well as a large folding plate.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such...

First edition.
Half sea-green cloth binding, corners bumped, covers scuffed, spine lightly sunned, publisher's binding. Volume complete with its title page; each issue contains eight pages.
Contributions by Amédée Achard, Champfleury, François Coppée, Paul Féval and Charles Yriarte among others, drawings by Cham and Gustave Doré notably.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch, Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul...

New edition for each of the three volumes.
Bradel binding in full navy blue boards, smooth spine, burgundy Russia leather title-label, headcaps rubbed and worn, minor scuffing to boards without consequence, corners slightly bumped.
Some light foxing.
Rare collection of these three works.

First edition.
Half brown calf binding, corners slightly bumped, lower headcap slightly damaged, chases scuffed, publisher's binding. Volume complete with its volume cover page.
Contributions by Paul Féval, Théophile Gautier ("Le Baptême de la Neva") and Méry among others.
Review illustrated with numerous full-page black and white engravings.
Le Monde illustré is a weekly current affairs journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave...

First edition.
Half pale green cloth binding, corners bumped, edges scuffed, publisher's binding. Complete volume with its volume title page, each issue containing eight pages.
Contributions by Gustave Aimard, Charles Baudelaire, Alexandre Dumas, Paul Féval and Charles Yriarte among others, drawings notably by Cham, Gustave Doré and Edmond Morin.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas...

First edition.
Half pale green cloth binding, one corner bumped, edges scuffed, publisher's binding. Complete volume with its volume title page, each issue contains eight pages.
Contributions by Charles Baudelaire (English translation of "The System of Doctor Tarr and Professor Fether"), Alexandre Dumas, Paul Féval, Théophile Gautier and Méry among others, drawings by Cham, Gustave Doré and Edmond Morin notably.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured...

First edition.
Half cloth binding in sea green, corners slightly bumped, edges scuffed, joints lightly split, margin of front cover lightly sunned, publisher's binding. Complete volume with its volume cover page, each issue contains eight pages.
Contributions by Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré, Edmond Morin and Cham among others, engravings by Chapon, Méaulle and Bellanger among others.
Illustrated review with numerous full-page engravings in black and white.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and...

First edition.
Half sheep binding in red, corners slightly bumped, edges scuffed, headcaps damaged, publisher's binding. Complete volume with its volume cover page, each issue contains eight pages.
Contributions by Amédée Achard, Alexandre Dumas (serial "Le Capitaine Richard"), Hector Berlioz, Paul Féval, Méry, Emile de Girardin ("La Fille du Millionnaire") and George Sand notably.
Illustrated review with numerous full-page engravings in black and white, some double-page engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré...

First edition.
Half red sheep binding, corners slightly bumped, joints scratched, headcaps very damaged, publisher's binding. Complete volume including its volume cover page, each issue contains eight pages.
Contributions by Amédée Achard, Alexandre Dumas (serial "Le Capitaine Richard"), Hector Berlioz, Paul Féval, Méry, Emile de Girardin ("La Fille du Millionnaire") and George Sand notably.
Review illustrated with numerous full-page engravings in black and white, some double-page engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde...

First edition.
Half-bound in sea green percaline, corners slightly bumped, spine edges rubbed, publisher's binding. Complete volume with its cover page; each issue contains eight pages.
Contributions by Gustave Aymard and Charles Yriarte notably, drawings by Cham, Gustave Doré and Edmond Morin notably.
Review illustrated with numerous full-page black and white engravings, some double-page engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval...

First edition.
Half sea-green cloth binding, covers scuffed, spine lightly sunned, crease to corner on upper part of lower board, publisher's binding. Complete volume with its volume cover page; each issue contains eight pages.
Contributions by Gustave Aymard and Charles Yriarte notably, drawings by Cham, Gustave Doré and Edmond Morin notably.
Review illustrated with numerous full-page black and white engravings, some double-page engravings.
Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and...

First edition.
Half green cloth binding, covers scratched, corners slightly bumped, headcaps torn, cloth detached at foot of spine, publisher's binding. Complete volume with its title page; each issue contains eight pages.
Contributions by Amédée Achard, Hector Berlioz ("Mémoires d'un musicien"), Alexandre Dumas, Paul Féval, Emile de Girardin, Méry and George Sand among others.
Review illustrated with numerous full-page black and white engravings, some double-page engravings.
Le Monde illustré is a weekly current affairs journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch, Le Monde illustré...

First edition.
Half red cloth binding, corners slightly bumped (lower corner of upper cover torn away), spine partially torn, publisher's binding. Volume complete with its tome cover page.
Contributions by Joseph Doucet, Champfleury, Paul Féval, Méry and Alexandre Dumas notably, drawings by Gustave Doré and Honoré Daumier among others.
Review illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news magazine published from 1847 to 1940 and from 1945 to 1956, notably directed by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval...

First edition.
Half aqua green cloth binding, publisher's binding. Volume complete with its tome cover page.
Contributions by Charles Baudelaire, Théophile Gautier ("Goya") and Alexandre Dumas notably, drawings by Cham, Gustave Doré and Edmond Morin among others.
Review illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news magazine published from 1847 to 1940 and from 1945 to 1956, notably directed by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

First edition.
Half brown cloth binding, corners slightly bumped, spine and headcaps torn, publisher's binding. Volume complete with its volume title page.
Contributions by Théophile Gautier, Alexandre Dumas and Charles Yriarte notably, drawings by Gustave Doré and Edmond Morin among others.
Magazine illustrated with numerous full-page black and white engravings.
Le Monde illustré was a weekly news magazine published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham...

First edition.
Half water-green cloth binding, corners very slightly bumped, publisher's binding. Volume complete with its volume cover page.
Contributions by Amédée Achard, Paul Féval, Champfleury and François Coppée notably, drawings by Karl Bodmer, Gustave Doré and Cham among others, engravings by Chapon and Méaulle among others.
Journal illustrated with numerous full-page black and white engravings, sometimes even double pages.
Le Monde illustré was a weekly news magazine published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such...

First edition.
Half chocolate shagreen binding, smooth spine decorated with gilt and blind fillets as well as blind fleurons, headcaps very lightly rubbed without damage, marbled paper boards, corners slightly bumped, a few small tears to the leading edges, marbled endpapers and pastedowns.
Some light foxing, gift inscription in pen at head of half-title page.

First edition, one of 650 numbered copies on laid paper.
Half red shagreen binding with corners, smooth spine decorated with quintuple gilt and blind cartouches, date at foot, joints rubbed, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt with deckled edges, contemporary binding signed in blind by Azaris.
Our copy is complete with its facsimile of a page from the manuscript.
Work illustrated with a photographic portrait of the author as frontispiece.

First edition of the French translation and notes established by Victor Bouillier, one of 470 copies on Arches paper, the only deluxe copies announced.
Bradel binding in half mauve cloth, smooth lightened spine decorated with gilt typographical fleuron, double gilt fillet at tail, black shagreen title label, marbled paper boards, covers and spine preserved, bookplate pasted to verso of front board, contemporary binding.
Critical study by André Rouveyre.
Signed autograph inscription from the latter to Pierre Champion.
Work illustrated with a portrait of the author as frontispiece and two plates.

First edition.
With 200 figures to text.
Slight stains to endpapers, a good copy.

First edition.
Half black shagreen binding, spine with four raised bands ornately gilt and decorated in blind in compartments, gilt initials at foot, black paper boards, marbled endpapers and pastedowns.
Our copy is complete with its atlas, bound at rear, comprising 24 plates illustrated with figures.
Some minor foxing of no consequence.
Handsome copy.

First edition, with no mention of deluxe copies.
Illustrated with 20 beautiful watercolored plates.
A slight crease mark along the entire length of the front cover, otherwise a handsome copy.

First edition, a Service de Presse (advance) copy.
Half red shagreen binding, spine with four raised bands set with black fillets decorated with triple black fillets, minor rubbing to spine without significance, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved.
Autograph inscription signed by Paul Reboux.

First edition. Half chocolate shagreen binding, spine slightly faded with five raised bands decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, modern binding. Work illustrated with 28 engravings and complete with its folding map at the end. Handsome copy almost free from foxing.

First collected edition.
Half mint green sheep binding, smooth spine decorated with triple gilt fillets, library label pasted at foot, marbled paper boards, corners slightly bumped, marbled endpapers and pastedowns, contemporary binding.
Contributions by Théophile Gautier, Emile de Girardin, Jules Sandeau, Gustave Méry. Pen gift inscription on an endpaper, some light foxing.

First collected edition.
Contemporary half tawny calf binding, lightened spine with four raised bands set with gilt friezes decorated with stippling and blind typographical motifs, gilt friezes at head and foot, black title label and author's name showing traces of rubbing and partially faded, marbled paper boards, marbled endpapers and pastedowns, marbled edges, contemporary binding.
Work illustrated with an engraved frontispiece.
Scattered foxing.

Second edition.
Half black sheep binding, smooth spine decorated with gilt fleurons and friezes, lacking at head of spine, marbled paper boards, rubbed edges, corners slightly bumped, marbled endpapers and pastedowns, gilt edges.
With frontispiece portrait of the author as a weaver in Lizy.
Rare autograph inscription signed by Magu.
Scattered foxing.

First French edition published a few months after the first edition printed in Belgium.
Half black shagreen binding with corners, spine with five raised bands decorated with gilt fillets showing minor traces of rubbing, one joint cracked and restored at head, double gilt fillet frames on black paper boards, corners slightly bumped, marbled endpapers and pastedowns, top edge gilt.
Work illustrated with 571 figures in text and on separate plates as well as a chromolithographic frontispiece.
Rare foxing.

First printing of the illustrations and original preface by Pierre Leroux.
Half red shagreen binding, spine with four raised bands set with gilt fillets decorated with triple gilt compartments enhanced with gilt floral motifs, double gilt fillet frame on red paper boards, corners slightly bumped, some rubbing to bottom edge, marbled endpapers and pastedowns, binding signed by Sénez.
Work illustrated with a frontispiece, 13 steel-engraved plates by Nanteuil, Staal, Daubigny, Cabasson, Marville... as well as in-text vignettes.
Some foxing.

First edition, one of 130 numbered copies on laid paper, the only deluxe copies with 30 laid paper hors commerce copies.
Work illustrated with 8 original lithographs by Jacques Darche.
Minimal worming without consequence on the boards and some deckled edges.

First edition, one of 7000 numbered copies.
Publisher's full mouse-grey cloth binding, complete with its illustrated dust jacket which shows some minor marginal scuffs.
Our copy is complete with its original lithograph.
Rich iconography.
Minimal light and marginal stains on the title page, otherwise a handsome copy.

First edition.
Work illustrated with in-text and full-page illustrations.
One tear and a lack to foot of lightly sunned spine, handsome interior condition.

First edition, one of 150 numbered copies on laid paper, the only deluxe copies.
Full marbled brown sheep binding, spine slightly faded with five raised bands, date at foot, marbled paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, contemporary binding.
Signed autograph inscription from Yvonne Ferrand-Weyher.
Handsome copy.

Illustrated edition with original wood engravings in color by Gérard Cochet, printed in 125 copies on Marais laid paper.
Handsome copy lacking its chemise and slipcase, minimal foxing to boards.

New edition decorated with illustrations by Rouargue. Half red shagreen binding, spine with four raised bands decorated with richly ornamented gilt double compartments, gilt dots at head and tail, minor rubbing to headcaps and joints, blind-ruled frames on red paper boards, cream watered silk endpapers and pastedowns, all edges gilt. Occasional foxing.

First edition, one of 35 numbered copies on Japan paper, the only deluxe copies.
Autograph signature of the author below the justification page.
Work illustrated by Caran d'Ache, Gervex, Gil, Poirson, Steinlen, Somm, Willette...
Fragile covers worn, handsome interior condition.
Bookplates pasted at foot of half-title and justification pages.
Rare full-margined copy.

First edition, one of 35 numbered copies on pure laid paper, deluxe copy.
Half tobacco shagreen binding with corners, spine with five raised bands decorated with gilt floral motifs, one joint lightly rubbed at head, gilt fillet frame on wood-grain cardboard boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt. About Paul Bourget, G. Duhamel, "Jocelyn" by A. de Lamartine, Sainte-Beuve, Pierre de Nolhac...
Handsome full-margined copy.

First edition.
Publisher's full cream cardboard binding, smooth spine decorated with cold-stamped fleurons, important plate designed by Delannoy and engraved in red, representing a pediment framing a bull's-eye on the front cover and architectural element stamped in red as central ornament and double fillet frame designed by Delannoy on the back cover, publisher's binding.
Handsome copy.
Le Journal illustré is a French weekly newspaper created in February 1864. It is designed on the model of the Penny Illustrated Paper published in 1861 in England. It is illustrated with large wood engravings and covers magazine subjects in eight pages in 27 x 37.5 cm format. A few years...

First edition.
Publisher's binding in full cream boards, smooth spine decorated with cold-stamped fleurons, important plate designed by Delannoy and engraved in red, representing a pediment framing a bull's-eye window on the first cover and architectural element stamped in red as central ornament with double fillet frame designed by Delannoy on the second cover.
Handsome copy.
Le Journal illustré was a French weekly newspaper created in February 1864. It was conceived on the model of the Penny Illustrated Paper published in 1861 in England. It was illustrated with large wood engravings and covered magazine subjects in eight pages measuring 27 x 37.5 cm. A few years later...

First edition.
Publisher's binding in full cream boards, smooth spine decorated with cold-stamped fleurons, important plate designed by Delannoy and engraved in red, representing a pediment framing a bull's-eye window on the first cover and architectural element stamped in red as central ornament with double fillet frame designed by Delannoy on the second cover.
Handsome copy.
Le Journal illustré was a French weekly newspaper created in February 1864. It was conceived on the model of the Penny Illustrated Paper published in 1861 in England. It was illustrated with large wood engravings and covered magazine subjects in eight pages measuring 27 x 37.5 cm. A few years later...

First edition.
Bradel binding in red percale, unlettered spine, front board stamped reproducing the front cover, light dampstain affecting the rear binding board, covers preserved, contemporary binding.
Very rare.

First edition printed in a small number of copies, of which there were no deluxe copies.
Half cherry red shagreen binding with corners, spine with five raised bands, gilt initials of Léopold Marchand at foot, original wrappers preserved, marbled endpapers and pastedowns.
Fine autograph inscription signed by Francis Carco to Léopold Marchand.
Very rare copy of the author's first work.

First edition.
Half red cloth binding, smooth spine decorated with fillets stamped in blind, light scuffs to the joints, marbled paper boards, contemporary binding.
This weekly caricature magazine is richly illustrated by Raoul Thomen, Landelle, Jean d'Aurian, Poulbot, Edmond Guénin, Bogron, Vallet, Valéry Muller, Henry Muller, Léon Bardet, Haye, Ferdinand Bac, Ricardo Flores, Delannoy, Le Bocain, E. Tap, Gog, Malherbe, d'Albat... etc.
Each issue comprises eight pages, including large color drawings on the first and last pages and numerous black and white drawings.
A rare and handsome copy.

First edition.
Half red sheep binding, minor scuffs of no consequence to the spine which is decorated with gilt fillets, some surface wear, contemporary binding.
This weekly caricature magazine is richly illustrated by Raoul Thomen, Landelle, Jean d'Aurian, Poulbot, Edmond Guénin, Bogron, Vallet, Valéry Muller, Henry Muller, Léon Bardet, Haye, Ferdinand Bac, Ricardo Flores, Delannoy, Le Bocain, E. Tap, Gog, Malherbe, d'Albat, Schuster, Viriez, Gus Bofa, Alex, Zybalt, A. Ziem, Blondeau, Fertom... etc.
Each issue comprises eight pages, including large color drawings on the first and last pages and numerous black and white drawings.
A rare and handsome copy.

First edition.
Half red sheep binding, smooth spine decorated with gilt fillets, some minor scuffing without significance on the marbled paper boards, corners slightly bumped, contemporary binding.
This weekly caricature magazine is richly illustrated by Raoul Thomen, Landelle, Jean d'Aurian, Poulbot, Edmond Guénin, Bogron, Vallet, Valéry Muller, Henry Muller, Léon Bardet, Haye, Ferdinand Bac, Ricardo Flores, Delannoy, Le Bocain, E. Tap, Gog, Malherbe, d'Albat, Schuster, Viriez, Gus Bofa, Alex, Zybalt, A. Ziem, Blondeau, J. Cadet, Stick, Zilberty, Vosrie, Lenature, Bourguignon, Arthur Perrier, Brun, Jean Plumet, Arboult, Rose Maury, Sirdey, L. Forton, Fertom, Jako...

First edition, one of 30 copies lettered in Roman characters on Hollande, tirage de tête.
A very attractive copy.

First edition, one of 20 numbered copies on Hollande paper, the only large paper copies.
A fine copy.

First edition, rare, decorated with a frontispiece portrait by Delinck and illustrated with 6 title headpieces and 6 tailpieces by Sébastien Le Clerc. Printer's device on title page, with the fleur-de-lys of Florence.
Contemporary brown sheep binding. Decorated spine with raised bands. Red morocco title label. Head and tail caps and joints restored at head and foot. Corners worn.
The work appeared barely a few days after the Histoire de Ximenez by Marsolier and whose comparison sparked controversy until the 19th century. While Fléchier's work tends to illustrate the Cardinal's saintliness, that of Marsolier, more critical, addresses "libertines, to that party of philosophers who...