Paris

First edition, an advance copy.
Touching inscription from Charles-Henri Hirsch to his daughter.

First edition, one of the service de presse copies.
Full-page inscription from the author to Charles-Henri Hirsch.

First edition, one of the copies from the first issue.
Inscription from Henri de Régnier to Charles-Henri Hirsch.
Two small tears at head and foot of spine, otherwise a handsome copy complete with the publisher's catalogue at rear.

First edition, one of 25 numbered copies on pur fil, the only large paper copies.
Tiny stains to head, otherwise a very good copy.

First edition, a Service de Presse (advance) copy.
Autograph inscription signed by Claude Farrère to Charles-Henri Hirsch.

First edition, one of 55 numbered copies on Hollande paper, the only deluxe copies.
A slight tear at the foot of the deckled edges, otherwise a handsome and rare full-margined copy.

First edition of which no deluxe copies are mentioned.
Full-page autograph inscription from the author.
Handsome copy complete with its illustrated dust jacket.

First edition on ordinary paper, false statement of third edition, only 25 copies were printed on Arches deluxe paper.
Rare and handsome copy.

First edition, a Service de Presse (advance) copy.
Inscribed by the author to Jules Supervielle and his wife.
A slight tear to the spine.

First edition.
Bradel binding in full brown boards, smooth spine with paper losses, burgundy shagreen title-label with loss, joints also with paper losses, corners slightly bumped.
Some minor foxing of no consequence.
Rare.

First edition of this refutation of the famous book by the Marquis de Custine, no mention of deluxe copies. Rare and handsome copy.

First edition, one of the numbered copies from the first issue printed at press, with service de presse stamp.
Fine inscription from the author to Louis Thomas.
One joint cracked at head, front cover marginally rubbed at head with slight harmless spotting, small lack at head of back cover.

First edition, one of 647 numbered copies on pure paper, the only deluxe copies with 109 copies reimposed.
Inscribed by Bernard Barbey to Madame Jean Ajalbert.

First edition.
Plain paper cover. Rare.

New edition.
Full brown sheep binding, smooth spine decorated with typographical motifs and gilt fillets, gilt roulettes partially worn on headcaps, one scratch on a joint, three small lacks of skin on first cover, edges rubbed yet still showing the gilt roulettes with which they were originally decorated, marbled edges, contemporary binding.
Occasional light foxing.

First edition, one of 100 numbered copies on alfa paper.
Autograph inscription from Pierre Audiat to Paul Rival.
Handsome copy.

First edition.
Two small lacks without significance at head and foot of spine which also has a slight tear in its middle, handsome interior condition.
Rare.

First edition published in a small number of copies of this offprint.
Autograph inscription by the author on the front cover.
Covers slightly and marginally faded without significance, otherwise a handsome copy.

First edition, one of 90 numbered copies on pure laid paper, the only deluxe copies.
A tiny stain at the foot of the first cover, fine copy.

First edition in French, one of 18 numbered copies on pure laid paper, the only deluxe copies along with 3 on Japan paper and 6 on Holland paper.
The work is illustrated with a photographic portrait of the author as frontispiece.
Handsome copy.

First edition published in a small number of copies.
Signed autograph inscription from the author to André Rivoire.
Corner dampstain affecting the covers, also with marginal foxing.
Rare.

First edition of which no deluxe copies were printed, false statement of edition.
Slight marginal tears without gravity and no lacks to covers, otherwise handsome copy.

First edition, one of 10 numbered copies initialed by the publisher on China paper, deluxe copies.
Classical Rome in love according to Ovid, Tibullus, Lucretius and Propertius.
Handsome and rare copy with double wrappers.

First edition.
Plain paper cover. Rare.

First edition, one of 23 numbered copies on alfa paper, ours being one of 8 hors commerce copies, the only deluxe copies along with 60 hors commerce copies on vellum reserved for 'A.B.L.'
Spine slightly sunned, a very small insignificant stain on the front cover, handsome copy.

First edition on ordinary paper, only 7 Hollande deluxe copies were printed. Restored split to spine, tiny lack to foot of front board with some pale stains of no consequence, handsome interior condition.

New edition largely in first edition.
Half navy sheep binding, smooth spine with minor traces of rubbing decorated with triple blind compartments and double gilt fillets, corners slightly bumped, contemporary binding.
Occasional light foxing.
Rare.

Rare first edition of this lecture given by Pierre de Coubertin to the Société nationale française de Londres on November 14th, 1887 on the subject of Frédéric Le Play.
Boards detached.

Third edition.

Half navy shagreen binding, smooth spine with small traces of rubbing decorated with gilt arabesques.

Some light foxing.

First edition printed on ordinary paper published with the privilege of Ubu Roy, with only 50 deluxe copies printed.
Autograph inscription by F.A. Cazals, the name of the dedicatee has been cut out.
Poem by A. Mérat, preface by Rachilde, work illustrated with drawings by the author.
Small marginal stains on the first cover, handsome interior condition.

Definitive edition.
Autograph inscription from H.R. Lenormand to Albert Thibaudet.
Spine sunned, front cover detached.

New edition.
Our copy is presented in plain wrappers with title label and date on spine.
Spine slightly faded, small tears with minor lacks to joints, handsome interior condition.

Stated third edition, corrected. In original wrappers, covered with 20th-century glazed paper. Handwritten title label on front cover. Complete set of rules for the bailliages, following the Estates General of 1789.

First edition published anonymously.
About Chassériau, Corot, Delacroix, Ingres, Henner, Fromentin, Meissonier, Vernet...
Very light staining to boards without consequence, small tear without loss affecting final pages, handsome interior condition.
Rare.

First edition of which no deluxe copies are mentioned.
Music by E. Poise. Light tears with minimal insignificant lacks at foot of boards, handsome interior condition.
Rare.

New edition.
A good copy.

First edition, of which there were no deluxe copies.
Autograph inscription from Jean-Louis Baudry to Etienne Lalou.
Pale minor stains to boards, otherwise handsome copy complete with publisher's slip.

First edition, not published for sale.
Rare autograph inscription by Eugène Delessert.
One joint reattached at head, slight lack at foot of spine, minor scattered foxing.
Rare.

First edition, one of 40 numbered copies on pure laid paper, deluxe issue.
Handsome copy.

First edition of which only 13 deluxe copies were printed on Holland paper, one of the Service de Presse copies.
Autograph inscription from Odette Joyeux.
Spine slightly warped, minor worming to boards.

First edition on ordinary paper.
Autograph inscription signed by Jean Dutourd to Simone Lavenu.
Handsome copy retaining publisher's wraparound band.

First edition, one of 250 numbered copies on bouffant paper, the only printing with 10 Japan and 110 Arches copies.
Autograph inscription signed and dated by the author to Vincent Muselli.
Work illustrated with a portrait of the author and unpublished drawings by O. Friesz.
Minor tears without loss to spine, light foxing, pale stains and small corner tears without loss to front cover, handsome interior condition.

First edition, false statement of fifth edition. Illustrations in text and hors-texte. One joint cracked and repaired at head, significant lacks to spine, handsome interior condition.

First edition, one of 30 numbered copies on pur fil paper, deluxe issue.
Autograph signature of the author below the justification page.
Handsome full-margined copy.

First edition, one of 700 numbered copies on Outhenin-Chalandre paper, the only issue with 20 laid paper copies.
Spine very lightly sunned, endpaper very lightly foxed, otherwise handsome copy.

First edition, one of 700 numbered copies on laid paper, the only issue with 10 China paper, 30 Japan paper and 30 hors commerce copies.
Work illustrated with a frontispiece and vignettes engraved on wood by A. Latour.
Endpapers lightly foxed, handsome copy.

First edition, one of 170 numbered copies on pur fil.
Endpapers partially and lightly shaded, two small marginal tears on the justification page, otherwise handsome copy in double wrappers

First edition, one of 35 numbered copies on Holland paper, deluxe copies after 10 on Japan nacré.
Very handsome copy.

First edition collected and published by E. de Magnieu & H. Prat.
Half navy sheep binding, smooth spine with minor rubbing to foot, light scratches of no importance to edges, contemporary binding.
Work illustrated with an engraved portrait of the Countess of Saban as frontispiece.
Some minor foxing of no importance affecting mainly the edges.

First edition on ordinary paper, only 50 copies were printed on deluxe paper.
Handsome copy lacking the illustrated dust jacket.

First edition, one of 25 numbered copies on Japan paper, the only deluxe copies with 25 on Holland paper.
Handsome full-margined copy.

First edition, one of 25 numbered copies on Japan paper, the only deluxe copies with 25 on Holland paper.
Handsome full-margined copy of the second volume of the 'Livre des dialogues'.

First edition of the French translation printed in a small number of copies of this offprint from the Revue Encyclopédique.
An angular tear with lack to the first 8 pages not touching the text.
Copy presented in its original state, that is to say without covers.

First edition.
Copy as issued: in its original wrappers and without covers.

First edition published in a small number of copies of this offprint.
A dampstain and marginal lacks at head of first cover rendering illegible the author's inscription which appears there, small lacks at head and foot of spine, and on covers, handsome interior condition.
Rare.

New edition with some parts in first edition, one of 500 copies on laid paper specially printed for the author.
Handsome copy complete with its errata leaf.

First edition.
Occasional small foxing.
Rare.

First edition.
Rare autograph inscription from Antoine Etex.
Split spine with small lacks, minor tears and slight corner lacks to covers, dampstains mainly at rear affecting the leaves. Rare.

First edition.
A rare and good copy.

First edition in French.
Illustrated work with a frontispiece portrait of the celebrated actress.
Spine sunned with minor losses, one joint cracked at head.
Rare copy almost entirely free from foxing and presented in its original wrappers.

First edition.
Split spine with minor lacks, slight corner wear to boards, occasional light foxing, marginal dampstain affecting the last two leaves.
Rare.

First edition.
Illustrated.
A rare and good copy.

First edition printed in a small number of copies of this offprint.
Autograph inscription from P. Mougin-Rusan to Cl(aude) Bernard on the front cover.
Rare and handsome copy.

First edition published anonymously and printed on laid paper.
Work illustrated with a frontispiece drawing by the author.
Some minor marginal worming without gravity.

First edition, of which there were no deluxe copies.
Inscription from Laure Vacherie de Laporte.
About Charles d'Orléans, C. Marot, F. Villon, P. Dupont, Béranger, Vendean songs, fabliaux...
Work illustrated with a photographic portrait of the author.
Spine lightly sunned, rare.

First edition printed in 100 numbered copies, ours unnumbered.
Autograph inscription signed by A. Wenger.
Two pale stains of no consequence to the first cover, a trace of angular creasing at head of second cover, otherwise a rare and handsome copy.

Second edition.
Bradel binding in half mouse-colored cloth, smooth spine decorated with a gilt floral motif, hazel shagreen title-label, original wrappers preserved, contemporary binding.
Press clippings relating to the work and the author pasted in at the end.

First edition, of which there were no deluxe copies.
Autograph inscription signed by Jules Troubat, the author's secretary.
A slight lack at the foot of one joint, two small ink stains probably made by J. Troubat on the first leaf.

First edition, one of 35 numbered copies on handmade paper, deluxe copy.
Pale traces of sunning on the first cover, otherwise handsome copy.

First edition, one of 500 numbered copies on vélin bouffant, the only deluxe copies with 25 on vélin du Marais.
A handsome copy.

First edition in French, of which there were no deluxe copies.
A handsome copy retaining its beautiful illustrated dust jacket which shows some minor lacks at head and foot of spine.

First edition, one of 195 numbered copies on alfa paper, the only deluxe copies after only 6 China, 13 Holland and 55 pure thread.
Minor restorations to spine and boards.
Handsome copy.

Edition published for Les Amis de Paul Fort, one of 50 numbered copies on Japan paper initialed by the author for which an original page of Florilège was announced, our copy lacks this page, deluxe copy.
Handsome copy complete with its publisher's slip.

First edition, one of 330 numbered copies on Hollande.
A very good copy.

First edition, one of 542 numbered copies on Holland paper.
From the 'Les cahiers verts' collection.
Handsome copy.

First edition, one of 430 numbered copies on alfa paper.
Gift inscription in ink at head of title page, handsome copy.

First edition, one of 500 numbered copies on vellum, the only deluxe copies after 35 Marais.
Illustrations hors-texte by Kirszenbaum.

First edition, one of 505 numbered copies on offset, after only 30 on Arches vellum.
Very fine copy.

First edition, one of 895 numbered copies on pur fil.

First edition, one of 112 numbered copies on pur fil, deluxe copies after 38 Madagascar.
Retaining its deckled edges, spine slightly warped and endpapers shaded, otherwise handsome copy.

First edition of the French translation, one of 40 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one of 470 numbered copies on alfa.
A copy with good margins.

First edition, one of 109 numbered copies on Lafuma laid paper and reimposed in Tellière quarto format, deluxe copy.
Margins of the back cover and spine slightly shadowed, otherwise handsome copy.

First edition, one of the numbered copies on alfa paper.
Illustrations hors-texte by Edy Legrand.
Small lack at foot, printed bibliophile's stamp at head of first endpaper.

First edition, one of the numbered copies on Lafuma paper, the only deluxe copies after 30 Japan.
Portrait of the author by Adolf Hoffmeister, cover foxed.
Interior foxing.

First edition, one of 1350 numbered copies on alfa mousse.

First edition, one of 130 numbered copies on Arches linen paper, deluxe copy.
Spine sunned with a slight dampstain, otherwise a handsome copy.

First edition, one of 403 numbered copies on vellum, the only deluxe copies along with 12 copies on Vélin du Marais.
Handsome copy despite the faded spine.

First edition of these booklets written in Spanish but published in France.
Handsome copies despite a crease mark at the bottom of the first volume's cover.
Rare.

First edition, one of 1550 numbered copies on Annonay vellum, the only issue with 45 Japan.
With a photographic portrait of the author as frontispiece, handsome copy.