Paris

First edition, one of 30 numbered copies on pur fil paper, deluxe issue.
Autograph signature of the author below the justification page.
Handsome full-margined copy.

First edition, one of 700 numbered copies on Outhenin-Chalandre paper, the only issue with 20 laid paper copies.
Spine very lightly sunned, endpaper very lightly foxed, otherwise handsome copy.

First edition, one of 700 numbered copies on laid paper, the only issue with 10 China paper, 30 Japan paper and 30 hors commerce copies.
Work illustrated with a frontispiece and vignettes engraved on wood by A. Latour.
Endpapers lightly foxed, handsome copy.

First edition, one of 170 numbered copies on pur fil.
Endpapers partially and lightly shaded, two small marginal tears on the justification page, otherwise handsome copy in double wrappers

First edition, one of 35 numbered copies on Holland paper, deluxe copies after 10 on Japan nacré.
Very handsome copy.

First edition collected and published by E. de Magnieu & H. Prat.
Half navy sheep binding, smooth spine with minor rubbing to foot, light scratches of no importance to edges, contemporary binding.
Work illustrated with an engraved portrait of the Countess of Saban as frontispiece.
Some minor foxing of no importance affecting mainly the edges.

First edition on ordinary paper, only 50 copies were printed on deluxe paper.
Handsome copy lacking the illustrated dust jacket.

First edition, one of 25 numbered copies on Japan paper, the only deluxe copies with 25 on Holland paper.
Handsome full-margined copy.

First edition, one of 25 numbered copies on Japan paper, the only deluxe copies with 25 on Holland paper.
Handsome full-margined copy of the second volume of the 'Livre des dialogues'.

First edition of the French translation printed in a small number of copies of this offprint from the Revue Encyclopédique.
An angular tear with lack to the first 8 pages not touching the text.
Copy presented in its original state, that is to say without covers.

First edition.
Copy as issued: in its original wrappers and without covers.

First edition published in a small number of copies of this offprint.
A dampstain and marginal lacks at head of first cover rendering illegible the author's inscription which appears there, small lacks at head and foot of spine, and on covers, handsome interior condition.
Rare.

New edition with some parts in first edition, one of 500 copies on laid paper specially printed for the author.
Handsome copy complete with its errata leaf.

First edition.
Occasional small foxing.
Rare.

First edition.
Rare autograph inscription from Antoine Etex.
Split spine with small lacks, minor tears and slight corner lacks to covers, dampstains mainly at rear affecting the leaves. Rare.

First edition.
A rare and good copy.

First edition in French.
Illustrated work with a frontispiece portrait of the celebrated actress.
Spine sunned with minor losses, one joint cracked at head.
Rare copy almost entirely free from foxing and presented in its original wrappers.

First edition.
Split spine with minor lacks, slight corner wear to boards, occasional light foxing, marginal dampstain affecting the last two leaves.
Rare.

First edition.
Illustrated.
A rare and good copy.

First edition printed in a small number of copies of this offprint.
Autograph inscription from P. Mougin-Rusan to Cl(aude) Bernard on the front cover.
Rare and handsome copy.

First edition published anonymously and printed on laid paper.
Work illustrated with a frontispiece drawing by the author.
Some minor marginal worming without gravity.

First edition, of which there were no deluxe copies.
Inscription from Laure Vacherie de Laporte.
About Charles d'Orléans, C. Marot, F. Villon, P. Dupont, Béranger, Vendean songs, fabliaux...
Work illustrated with a photographic portrait of the author.
Spine lightly sunned, rare.

First edition printed in 100 numbered copies, ours unnumbered.
Autograph inscription signed by A. Wenger.
Two pale stains of no consequence to the first cover, a trace of angular creasing at head of second cover, otherwise a rare and handsome copy.

Second edition.
Bradel binding in half mouse-colored cloth, smooth spine decorated with a gilt floral motif, hazel shagreen title-label, original wrappers preserved, contemporary binding.
Press clippings relating to the work and the author pasted in at the end.

First edition, of which there were no deluxe copies.
Autograph inscription signed by Jules Troubat, the author's secretary.
A slight lack at the foot of one joint, two small ink stains probably made by J. Troubat on the first leaf.

First edition, one of 35 numbered copies on handmade paper, deluxe copy.
Pale traces of sunning on the first cover, otherwise handsome copy.

First edition, one of 500 numbered copies on vélin bouffant, the only deluxe copies with 25 on vélin du Marais.
A handsome copy.

First edition in French, of which there were no deluxe copies.
A handsome copy retaining its beautiful illustrated dust jacket which shows some minor lacks at head and foot of spine.

First edition, one of 195 numbered copies on alfa paper, the only deluxe copies after only 6 China, 13 Holland and 55 pure thread.
Minor restorations to spine and boards.
Handsome copy.

Edition published for Les Amis de Paul Fort, one of 50 numbered copies on Japan paper initialed by the author for which an original page of Florilège was announced, our copy lacks this page, deluxe copy.
Handsome copy complete with its publisher's slip.

First edition, one of 330 numbered copies on Hollande.
A very good copy.

First edition, one of 542 numbered copies on Holland paper.
From the 'Les cahiers verts' collection.
Handsome copy.

First edition, one of 430 numbered copies on alfa paper.
Gift inscription in ink at head of title page, handsome copy.

First edition, one of 500 numbered copies on vellum, the only deluxe copies after 35 Marais.
Illustrations hors-texte by Kirszenbaum.

First edition, one of 505 numbered copies on offset, after only 30 on Arches vellum.
Very fine copy.

First edition, one of 895 numbered copies on pur fil.

First edition, one of 112 numbered copies on pur fil, deluxe copies after 38 Madagascar.
Retaining its deckled edges, spine slightly warped and endpapers shaded, otherwise handsome copy.

First edition of the French translation, one of 40 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one of 470 numbered copies on alfa.
A copy with good margins.

First edition, one of 109 numbered copies on Lafuma laid paper and reimposed in Tellière quarto format, deluxe copy.
Margins of the back cover and spine slightly shadowed, otherwise handsome copy.

First edition, one of the numbered copies on alfa paper.
Illustrations hors-texte by Edy Legrand.
Small lack at foot, printed bibliophile's stamp at head of first endpaper.

First edition, one of the numbered copies on Lafuma paper, the only deluxe copies after 30 Japan.
Portrait of the author by Adolf Hoffmeister, cover foxed.
Interior foxing.

First edition, one of 1350 numbered copies on alfa mousse.

First edition, one of 130 numbered copies on Arches linen paper, deluxe copy.
Spine sunned with a slight dampstain, otherwise a handsome copy.

First edition, one of 403 numbered copies on vellum, the only deluxe copies along with 12 copies on Vélin du Marais.
Handsome copy despite the faded spine.

First edition of these booklets written in Spanish but published in France.
Handsome copies despite a crease mark at the bottom of the first volume's cover.
Rare.

First edition, one of 1550 numbered copies on Annonay vellum, the only issue with 45 Japan.
With a photographic portrait of the author as frontispiece, handsome copy.

First edition, one of 765 numbered copies on vellum, the only deluxe copies after 50 Renage vellum.
These are Georges Schehadé's first texts.
Handsome copy.

First edition, one of 830 numbered copies on wove paper, the only deluxe copies after 118 recomposed.

First edition on ordinary paper, with only 15 deluxe copies printed.
Bradel binding in brown half cloth, smooth spine decorated with a typographical fleuron, original wrappers preserved, contemporary binding.
Autograph inscription signed by Laurent Tailhade to publisher P.V. Stock.

First edition on ordinary paper, only 15 deluxe copies were printed.
Bradel binding in burgundy half cloth, smooth spine decorated with a gilt fleuron, original wrappers preserved, contemporary binding.
About Verlaine, Cros, Rodo de Niederhausern and Vigny.
Bookplate.
Handsome copy.

First edition, one of 125 numbered copies on Arches vellum, the only issue along with 25 on Japan paper.
Autograph signature of the author on the half-title page.
Frontispiece and original lithographs by Maurice Berdon.
Spine and boards slightly and marginally faded without consequence, otherwise handsome copy.

First edition of the French translation, one of the numbered copies on alfa paper, the only printing with 25 on pure linen paper.
Handsome copy.

First edition, one of 100 numbered copies on Holland paper, the deluxe issue after 20 Japan copies.
With a frontispiece engraved portrait of Mrs Siddons.
Handsome copy despite some light foxing to the edges.

First edition, one of 350 numbered copies on Arches.
A very good copy.

First edition, one of 110 numbered copies on Arches paper, deluxe issue.
Handsome full-margined copy despite some light foxing to the margins.

First edition, one of the numbered copies on alfa.
A very attractive copy.

First edition, one of the numbered copies on alfa paper.
Handsome copy despite a small tear of no consequence to the front endpaper.

First edition, one of the numbered copies on alfa.
A very attractive copy.

First edition, one of the numbered copies on alfa paper.
Some foxing affecting the endpapers, otherwise a handsome copy.

First edition, one of 200 numbered copies on vellum, the only deluxe copies.
A very handsome copy.

First edition, one of the numbered copies on alfa paper.
Spine faded with a very slight lack at head.

First edition, one of 40 numbered copies on wove paper, the only deluxe copies after 15 on Holland paper.
Copy in mint condition.

First edition, one of the deluxe copies on pur fil Lafuma.
Cover and numerous illustrations in-text and out-of-text by Robida.

First edition, one of 302 numbered copies on Holland paper.
A full-margined copy despite very light marginal browning affecting the front cover.
Small tears at head of spine and at foot at the level of the deckled edges.

First edition, one of 50 numbered copies on Holland paper, the only deluxe copies.
Some foxing, endpapers lightly browned and a small marginal tear on both covers, retaining its deckled edges, copy as issued.

Reissue.
Publisher's cloth binding, illustrated slipcase in color.
From the collection L'art dans le monde, fine iconography.

First edition, one of 800 numbered copies on laid paper.
Spine and top margins sunned.

First edition, one of 1,230 numbered copies on pure thread Lafuma paper.
Retaining its deckled edges, handsome copy.

First edition, one of 1500 numbered copies on wove paper, the only deluxe copies.
Spine lightly sunned, otherwise a handsome copy.

First edition, one of 1425 numbered copies on alfa wove paper, the only issue with 50 Arches and 25 Madagascar.
Some foxing.

First edition, false statement of edition.

Edition illustrated with 134 drawings by A. Chapon.
Bradel binding in full brick-colored cloth, smooth spine decorated with double fillets and black typographical fleurons, gilt-tooled with the motto of the French Republic and the arms of the city of Paris on the front board, a school prize book from the Parisian Chaptal college.
Handsome copy abundantly illustrated.

First edition, a Service de Presse (advance) copy.

Autograph inscription by the author.

Iconography, quite a detailed work.

First edition.
Half brown shagreen binding, spine slightly faded with five raised bands, contemporary binding.
Blood emissions, blood transfusion, iron...
Work illustrated with 43 figures and one folding plate, foxing, library stamps.
Rare.

First edition, one of the advance copies.
Illustrated cover in colors.

First edition for which there was no mention of large paper copies.
Handsome autograph inscription from the author.

First edition.
Publisher's full mauve cloth binding, smooth spine decorated with black tooling, author's name and title within a gilt medallion of the scientific library on the front cover, publisher's gilt cipher on the back, binding faded but the interior remains very fresh.
With 28 figures in the text, private library stamp.

Pre-original edition of this text which would appear the following year in La comédie de Charleroi.
Texts by Henri Michaux and Georges Ribemont-Dessaignes among others, a small tear at the foot of one joint, otherwise handsome copies.

First edition, one of the service de presse copies.
From the collection: Les grands ordres monastiques et instituts religieux.
Cover vignette drawn and wood-engraved by Clément Serveau.

First edition, a service de presse (advance) copy.
Paper yellowed.

First edition in French, one of the Service de Presse copies. Handsome copy.

First edition, one of the copies on alfa paper reserved for the Service de Presse.
One repaired tear to spine.
Autograph inscription by the author.

Completely revised, updated and expanded edition of the work published in 1957.
Handsome work abundantly illustrated.

First edition, a Service de Presse (advance) copy.
Autograph inscription by the author, complete with publisher's (advertising) slip.

First edition, a service de presse (advance) copy.
Autograph inscription from the author.

First edition on ordinary paper.
A very good copy.

First edition, of which there were no deluxe copies.
Very handsome copy, bibliography at end.
Rare.

First edition of the French translation.
A very good copy.

First edition on ordinary paper numbered at press.
Work illustrated with wood engravings and very fine photographs reproduced in photogravure, a map at head of volume, color cover by Charles Fouqueray.
Autograph inscription from Jean des vallières who probably conceals himself under the pseudonym of Jean Ravennes.
Handsome copy.