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Paris

Paris

Local nameParis
CountryFrance
Name Variants
  • Barbès-Rochechouart
  • Batignolles
  • Bikini

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58703 results
  2. Comme Shirley
    Michel BUTOR, Gregory MASUROVSKY

    Comme Shirley

    S. n.|Paris 1966|12.50 x 21.50 cm|agrafé
    First edition of this unpublished poem by Michel Butor accompanying Grégory Masurovsky's recent drawings presented by La Hune in June 1966, one of 1000 numbered copies, ours one of the first 35.
    Pleasant illustrated copy of 8 reproductions of works of Grégory Masurovsky.
    Our copy is incomplete of the original engraving of Grégory Masurovsky to enrich the first 35 copies of the draw.
    Autograph dedication dated and signed by Michel Butor to his friend Georges Raillard.
    €60
  4. Bryen en temps conjugués
    Michel BUTOR, Camille BRYEN

    Bryen en temps conjugués

    Galerie de Seine|Paris 1975|16 x 21 cm|broché
    First edition of this unpublished poem by Michel Butor accompanying Grégory Masurovsky's recent drawings presented by La Hune in June 1966, one of 1000 numbered copies, ours one of the first 35.
    Pleasant illustrated copy of 8 reproductions of works of Grégory Masurovsky.
    Our copy is incomplete of the original engraving of Grégory Masurovsky to enrich the first 35 copies of the draw.
    Autograph dedication dated and signed by Michel Butor to his friend Georges Raillard.
    €80
  6. Servitude et grandeur militaires
    Alfred de VIGNY

    Servitude et grandeur militaires

    Librairie des Bibliophiles|Paris 1885|13.50 x 21.50 cm|relié
    Illustrated edition with a portrait frontispiece and 6 etchings after Julien Le Blanc, engraved by Champollion as well as ornaments by Giacomelli. Title printed in red and black. Copy on handmade Holland paper, one of 100 unnumbered copies. Total print run of 200 copies.
    Contemporary half brown morocco with corners. Smooth spine in Jansenist style. Title and date gilt. Top edge gilt. Light rubbing to corners and joints, and to boards.
    Very handsome copy, uncut.
    €300
  7. Exposition Georges Hugnet "De l'image ou la septième face du dé"
    Hans ARP, Marguerite ARP

    Exposition Georges Hugnet "De l'image ou la septième face du dé"

    Galerie Allendy|Paris 1962|11 x 13.50 cm|agrafé

    ARP Hans
    ARP Marguerite
    DUCHAMP Marcel
    Georges Hugnet Exhibition "De l'image ou la septième face du dé” Galerie Allendy, Paris 1962, 11 x 13.5cm, stapled.
    Rare catalogue of the exhibition entitled Georges Hugnet “De l'image” “Of the image” organised at the Galerie de Marignan from 20 March to 7 April 1962, which presented his wide variety of works since 1933: book-objects, plates, spumifers, pebbles, driftwood, bark, and all the natural poems.
    A small vertical fold, clear stains in the margin of the second board.
    Text by Hans and Marguerite Arp: "Préface-collage ou menu déchiré en belle vue” “Collage-preface or torn menu in full sight.”
    Catalogue complete with printed tracing paper bearing a humorous quote from Marcel Duchamp.
    Rare.
    €300
  18. Invitation aux représentations des danses d'Orient créées par Jeanne Ronsay et Toshi Komori à l'Akadémia de Raymond Duncan
    Raymond DUNCAN

    Invitation aux représentations des danses d'Orient créées par Jeanne Ronsay et Toshi Komori à l'Akadémia de Raymond Duncan

    Akadémia Raymond Duncan|Paris s. d. [1922]|12.50 x 12.50 cm|une feuille
    Rare invitation card to attend the performance of oriental dances created by Jeanne Ronsay and Toshi Komori, at the Akadémia of Raymond Duncan on February 20, 1922.
    Beautiful and rare copy with a modification of the date of the performance originally scheduled for February 6th.
    These dances were performed by Dara Manda, Souka Hati, Carola Perrier, Little Jeanine, Charrat and the dancer Tranki.
    Raymond Duncan, brother of the famous dancer Isadora Duncan, installed in 1911 in Paris an academy on the model of Plato: "Raymond Duncan was fascinated by ancient Greece since childhood: the aesthetics and the way of life that he promoted to the Akademia were imbued with this influence. The press of the time glossed over the clothes worn by Raymond Duncan and his followers: "Greek-style" tunics that he / she made themselves. Behind the supposed ridiculousness of this accoutrement, these unisex tunics were a way of abolishing the differences of sexes and social classes. Raymond Duncan would have adopted this outfit after his coachman was denied access to a beach because of his livery that betrayed his social status. The life of the Akademia was organized around many activities: dance, music, weaving, gymnastics, crafts, spinning, Orphic singing, Greek language and philosophy. These courses included outside students - who paid according to their abilities - and members of the community living within its walls for a few days, months or years. Housed and nurtured - according to the vegetarian diet promoted by Duncan - the latter, in return, participated in the community economy by making sandals, spinning wool, weaving tunics on primitive crafts. These artefacts were then sold - at high prices - in the Akademia shop located rue du Faubourg Saint-Honoré. (Journal of the Akademia exhibition : Performing Life at Villa Vassilieff, 2018)
    €150
  25. Blanche de Saint-Simon, ou France et Bourgogne. Chronique de 1468
    Antony THOURET

    Blanche de Saint-Simon, ou France et Bourgogne. Chronique de 1468

    Ladvocat|Paris 1835|14.50 x 22.50 cm|relié
    First edition of this historical novel written by Antony Thouret while incarcerated in the prisons of Saint-Waast.
    Binding in half morocco green morocco, smooth back decorated with a central and gilded floral pattern, golden date tail, marbled paper plates, guards and contreplats of handmade paper, blankets (dirty and doubled) preserved, binding of XIXth posterior of a few decades at work.
    Rare book illustrated with a portrait of the author and an off-text figure engraved on wood by Eugene Forest.
    Our copy is enriched by a signed autograph letter of three pages Antony Thouret to his publisher Ladvocat in which it is particularly question a second edition of the book which will be enriched with a second preface, some scenes main and a quantity of interesting notes.
    €350
  26. Traité des Hermaphrodits parties génitales, accouchemens des femmes etc, où sont expliquez la figure des laboureur & verger du genre humain, signes de pucelage, défloration, conception & la belle industrie dont use Nature en la promotion du concept & plante prolifique
    Jacques DUVAL

    Traité des Hermaphrodits parties génitales, accouchemens des femmes etc, où sont expliquez la figure des laboureur & verger du genre humain, signes de pucelage, défloration, conception & la belle industrie dont use Nature en la promotion du concept & plante prolifique

    Isidore Liseux|Paris 1880|12.50 x 20.50 cm|relié
    New edition printed in 400 numbered copies on laid paper, the very rare first edition of 1612 was condemned and seized by a Parliamentary decree in April of the same year.
    Half brown morocco binding with corners, spine with five raised bands set with gilt dotting and double gilt compartments richly decorated with gilt ornamental motifs, gilt date at foot, traces of rubbing on headcaps and some bands, frame of double gilt fillets on marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped, top edge gilt.
    Rare work illustrated with 4 in-text figures.







    €200
  28. Nouvelle encyclopédie portative, ou tableau général des connaissances humaines
    Augustin ROUX

    Nouvelle encyclopédie portative, ou tableau général des connaissances humaines

    Chez Laporte|à Paris 1777|10.50 x 17.80 cm|2 volumes reliés
    New edition, after the first published in 1766. 2 folding plates, one music plate titled "Ariette de l'École de la Jeunesse" by M. Duni and one plate of geometric figures.
    Contemporary full glazed blonde calf binding. Spine with raised bands decorated. Black morocco title label, red morocco volume label. The colors of the volume labels have been reversed by the binder, red for the title, black for the volume. Traces of rubbing. One stain on the upper board of volume II. Small brown stains on the boards of volume I. Lacking the half-title in the first volume. Very handsome copy.
    Encyclopedic work that testifies to the pedagogical will specific to the 18th century. It is divided into two main parts: Knowledge that we owe to our senses (animals, plants, astronomy...); Knowledge that we owe to reflection (mathematics, mechanics, physics, language, God...)

    €350
  36. Le tribunal d'Apollon, ou jugement en dernier ressort de tous les auteurs vivans ; libelle injurieux, partial et diffamatoire : par une société de pygmées littéraires
    François-Félix NOGARET, Antoine Joseph Nicolas de ROSNY

    Le tribunal d'Apollon, ou jugement en dernier ressort de tous les auteurs vivans ; libelle injurieux, partial et diffamatoire : par une société de pygmées littéraires

    Chez Marchand|à Paris 1799 (An VIII)|8 x 13.50 cm|relié
    First edition.
    Contemporary full brown calf binding. Smooth spine decorated with 4 fleurons and roulettes. Burgundy morocco title and volume labels. Gilt roulette border on covers. Gilt edges. Damage at head of volume II. 4 corners slightly bumped. Half-title lacking in second volume. Good copy.
    Dictionary of contemporary authors, with brief criticism, much less injurious than the title suggests.

    €200
  40. Verdun Mars-Avril 1916
    Lucien JONAS

    Verdun Mars-Avril 1916

    Dorbon-ainé|Paris 1916|24.50 x 32 cm|reliure de l'éditeur
    First edition of this third sketchbook of war by painter Lucien Jonas, one of 50 copies numbered by Lucien Jonas and hand-colored by the painter.
    Publisher's full cream cloth binding, title and date on the front cover inscribed by Lucien Jonas's hand, complete with its cloth lace recalling the shoulder strap of the Poilus' knapsacks.
    Handsome and rare copy.
    Work illustrated with 53 sketches by Lucien Jonas which he colored and captioned as clearly stipulated in the justification page.
    €1,500
  43. Brèves rencontres
    Jean EFFEL

    Brèves rencontres

    Editions Cercle d'art|Paris 1974|19.50 x 24.50 cm|reliure de l'éditeur
    First edition.
    Binding of the editor in full red cardboard, smooth back cleared, traces of discoloration in the margin of the second board.
    Light bites without gravity on the shirt.
    A work punctuated by Jean Effel's reflections, humorously treating the greatest masterpieces of painting and sculpture.
    Signed autograph dedication of Jean Effel Louis Flamme enriched with a drawing of a butterfly that forages a flower.
    €100
  47. Exposition Benjamin Rabier
    Guillaume APOLLINAIRE, Benjamin RABIER

    Exposition Benjamin Rabier

    Galerie d'art Deplanche|Paris 1910|24 x 15.50 cm|une feuille rempliée

    Rare first edition of the catalogue of the first exhibition of Benjamin Rabier's watercolors, showing 41 works at the Galerie d'art Deplanche from 8 June to 4 July 1910.
    A very good copy despite slight staining to edge of upper cover.
    An important and amusing preface by Guillaume Apollinaire who awards Rabier the prize for the "most spiritual of our animal painters."
    The catalogue is illustrated with a reproduction of one original watercolor by Benjamin Rabier on the cover.

    €3,000
  48. Carton d'invitation aux conférences "La révolution intestinale" et "La philosophie arrachée des chaires de l'université et mise dans les rues de Paris" au théâtre Raymond Duncan
    Raymond DUNCAN

    Carton d'invitation aux conférences "La révolution intestinale" et "La philosophie arrachée des chaires de l'université et mise dans les rues de Paris" au théâtre Raymond Duncan

    Théâtre Raymond Duncan|Paris s. d. [1922]|12 x 8 cm|une feuille
    Rare invitation card to attend the conferences of Raymond Duncan, in the works of Louis Anquetin gathered and presented at Cubat on December 12 and December 16, 1922.
    Nice copy.
    The invitation card is illustrated with a wood engraved by Louis Anquetin.
    €150
  49. Carton d'invitation à l'exposition des tuniques par Raymond Duncan
    Raymond DUNCAN

    Carton d'invitation à l'exposition des tuniques par Raymond Duncan

    Théâtre Raymond Duncan|Paris s. d. [1922]|12.50 x 12.50 cm|une feuille
    Rare invitation card to attend the exhibition of tunics created by Raymond Duncan, in the theater-gallery he founded at 34, rue du Colisée, from April 25 to June 1, 1922.
    Beautiful and rare copy.
    Raymond Duncan was fascinated by ancient Greece since his childhood: the aesthetics and fashion of
    The life he promoted at the Akademia was marked by this influence.
    The press of the time glossed over the clothes worn
    by Raymond Duncan and his disciples: "Greek-style" tunics
    that he / she was making himself. Behind the supposed ridicule of
    this accoutrement, these unisex tunics was a way of abolishing the
    differences in gender and class. Raymond Duncan would have
    adopted this dress after his coachman was denied access to a
    beach because of his livery that betrayed his social status.
    The life of the Akademia was organized around many activities: dance,
    music, weaving, gymnastics, crafts, spinning, Orphic singing, language and
    Greek philosophy. These courses included students from outside - who
    paid according to their possibilities - and members of the living community
    between its walls for a few days, a few months or a few years.
    Housed and fed - according to the vegetarian diet promoted by Duncan - these
    last, in return, participated in the community's economy
    making sandals, spinning wool, weaving tunics on
    primitive crafts. These artifacts were then sold - at high prices
    - in the Akademia shop located rue du Faubourg Saint-Honoré.
    €150
  51. Le voyage égoïste
    Charles GUERIN, COLETTE

    Le voyage égoïste

    Edition d'art Edouard Pelletan|Paris 1922|21 x 29 cm|relié
    First edition illustrated with 12 original color lithographs by Charles Guérin, one of 35 numbered copies on Japan paper à la forme, deluxe issue.
    Full purple morocco binding, smooth spine decorated with geometric and floral mosaic morocco pieces in purple, old rose and red, gilt roulettes on headcaps, quadruple gilt fillets framing the boards enhanced with geometric and floral mosaic morocco pieces in brown, purple, pink and green, mauve watered silk endpapers and pastedowns, double gilt fillets framing the pastedowns enhanced with a purple morocco fillet and pink mosaic morocco pieces forming three small flowers, gilt fillets on leading edges, covers and spine preserved, top edge gilt, contemporary binding signed Simon Kra.
    Our copy is accompanied by two duplicate suites, one of the color lithographs on China paper, the other breaking down each of these lithographs into color passages (3 or 4 depending on the images).
    Very rare and beautiful copy perfectly bound in full morocco signed Simon Kra.







    €3,000
  62. Olivier Debré et Laerdal
    Olivier DEBRÉ, Haaken A. CHRISTENSEN

    Olivier Debré et Laerdal

    Dreyer's vorlag • Flammarion|Paris 1991|25.50 x 25.50 cm|reliure de l'éditeur
    First edition trilingual Norwegian French and English.
    Pleasant illustrated copy of reproductions of works by Olivier Debré.
    Binding of the editor in full cartonnage illustrated with a painting of Olivier Debré on the boards, smooth back, complete copy of his fragile parchment paper jacket that has a lack in the back of the head.
    Signed autograph by Olivier Debré Georges Raillard Art Criteria enriched, on the page opposite, an original drawing black, blue and orange.
    €680
  63. Midi à midi N°1 et seul numéro paru
    COLLECTIF

    Midi à midi N°1 et seul numéro paru

    Orbes|Paris Février 1930|30.50 x 41 cm|une feuille
    Rare first edition of the first and only issue of this journal animated by the review Orbes and which consists of a single article entitled "Lettre ouverte à MM. Henri et Philippe de Rothschild sur le théâtre Pigalle".
    Minor marginal tears of no consequence, a horizontal crease mark inherent to the use of this type of document.
    The article was written by Jacques-Henry Lévesque, Max Fontaine, Jean Van Heeckeren and Olivier de Carné.
    Midi à midi presents itself under the aegis of this quote from Blaise Cendrars: "L'action seule libère. Elle dénoue tout. C'est pourquoi je prends toujours part et parti, bien que ne croyant plus à rien." ["Action alone liberates. It unties everything. That is why I always take part and side, although no longer believing in anything."]


    €300
  72. Catalogue-carton d'invitation à l'Exposition Vuillard
    Édouard VUILLARD

    Catalogue-carton d'invitation à l'Exposition VuillardCard invitation catalogue to the Vuillard Exhibition

    Galerie Bernheim jeune|Paris 1907|12.50 x 16.50 cm|une feuille
    Card invitation catalogue to the Vuillard Exhibition
    Galerie Bernheim Jeune, Paris 1907, 12,5 x 16,5 cm, one card
    Rare invitation card to the exhibition of 32 of Edouard Vuillard's works presented at the Galerie Bernheim Jeune from 19 May to 2 June 1907, serving as a catalogue.
    Very beautiful copy printed on laid paper and illustrated with an original lithograph by édouard Vuillard.
    €1,000
  75. Peintures, gouaches et fixés de Louis Marcoussis et dessins de Kristians Tonny
    Tristan TZARA

    Peintures, gouaches et fixés de Louis Marcoussis et dessins de Kristians Tonny

    Galerie Pierre|Paris 1925|11.50 x 15 cm|agrafé

    TZARA Tristan
    Peintures, gouaches et fixés de Louis Marcoussis et dessins de Kristians Tonny
    Galerie Pierre, Paris 1925, 11.5 x 15cm, stapled.
    Rare first edition of the catalogue of Louis Marcoussis's work presented at the Galerie Pierre from 22 April to 6 May 1925.
    Light minor marks in the margin of the first board.
    Poem by Tristan Tzara "A Marcoussis."
    Portraits by Louis Marcoussis and Kristians Tonny by Pierre.
    Rare.
    €400
  78. Almanach royal et national pour l'an M DCCC XLIV
    LOUIS-PHILIPPE I

    Almanach royal et national pour l'an M DCCC XLIV

    Chez Guyot et Scribe|à Paris 1844|14 x 21.50 cm|relié

    First edition. Royal families of Europe. Set of the French administration.



    Copy with the cipher of Marie Amélie d'Orléans, wife of Louis-Philippe, who also used a simple monogram for bindings from the time he became king. Some of the almanacs were directly bound by the publisher for the royal family, these copies often bear simple marks, the publisher not having the stamps belonging to the sovereigns. Nothing formally attests however that this is a copy for Marie Amélie d'Orléans, it is on the other hand certain that this copy was intended for a member of the royal family whose M is the first name. Furthermore Marie Amélie is only the name known today of the queen, who, like all members of the nobility at this time, had several names: Marie Amélie Louis Hélène.
    Deluxe publisher's binding in full straight-grained olive green morocco. Spine with false raised bands decorated with 4 elaborately gilt compartments. Covers bearing a large ornamental panel with rococo and floral garlands. Edges gilt. Rich decorative gilt board-edges. Small lacks to head. 2 corners slightly bumped and the other 2 damaged. Some foxing on the first leaves and the last (more heavily marked).
    Very handsome and rare copy in full green morocco with cipher.

    €1,800
  82. Le guide fidele de la vraie gloire présenté à Monseigneur le Duc de Bourgogne
    Révérend Père André Thomas BARENGER

    Le guide fidele de la vraie gloire présenté à Monseigneur le Duc de Bourgogne

    Chez Landry|à Paris 1688|10 x 16.50 cm|relié
    First edition, entirely engraved and illustrated with 49 captioned and numbered figures by Franz Ertinger. The first 12 illustrate the Confession of Faith, followed by the Our Father, the Commandments, the capital sins... The text is printed on the verso of the leaves so as to have the engraving illustrating the text facing it. Not in Brunet.
    Contemporary full calf binding, marbled and polished. Raised band spine with ornament. Havana morocco title label. One crack at head of upper joint. Minor lack at head cap. Restoration to upper joint at tail. One corner slightly bumped. Rubbing. Lacking the first marbled endpaper before the title. Good copy, complete with the engraved approbation leaf.
    Catholic manual of faith. Ertinger was born in Colmar in 1640. He did his apprenticeship in Antwerp. He etched with a point as easy as it was soft and worked in Paris.
    €600
  85. Les Negotiations
    Pierre JEANNIN

    Les Negotiations

    Chez Pierre Le Petit|à Paris 1659|8.50 x 15 cm|2 volumes reliés
    Elzevier edition, very well printed. The second volume contains only a half-title. The frontispiece portrait is missing, as well as a half-title, according to the signature of the gatherings.
    19th century binding (circa 1860) in full green morocco signed H. Duru at the top of the endpaper. Triple fillet frame on the boards. Wide gilt dentelle framing the pastedowns. All edges gilt. Light traces of rubbing. Some foxing in volume I. Very handsome copy, perfectly established.
    These historical memoirs essentially cover the end of the 16th century and the beginning of Henri IV's reign and various later events (notably disputes between the queen and young Louis XIII), they contain, besides the narration of events, various documents including numerous letters. Pierre Jeannin was initially a lawyer and student of the great jurist Cujas, he became president of the parliament of Burgundy in 1580, then became counselor to the Duke of Mayenne, this involvement in League affairs did not prevent him from becoming state counselor and member of the Finance council (1598), he negotiated the Treaty of Lyon with Savoy (1601) and became extraordinary ambassador of Henri IV to the revolted Netherlands in 1607. At the king's death, Marie de Medici appointed him superintendent general of finances.
    €600
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