Paris

Second edition, published shortly after the first on the same date. A folding frontispiece depicting a mausoleum, piled dead soldiers and generals.
Contemporary full red morocco binding with long grain. Richly decorated spine with five raised bands, a central fleuron, 2 other small fleurons and several fillets. Red morocco title-label. Covers decorated with 3 frames with corner fleurons. Fillet on leading edges and board-edges. All edges gilt. One wormhole on the upper joint at foot. Foxing. A very handsome copy.

History of the French campaigns from 1792 to 1815.

First and only edition published of this remarkable set of 15 original lithographs from the post-impressionist painter George William Thornley, only 100 copies printed.
Publisher's portfolio bound in boards very skilfully restored.
14 of the 15 lithographs are printed in colour (black, blue, green, mauve and different browns) on broadside China paper laid on pale blue thick paper, one is directly printed on thick paper.
All except the last, bear the stamp of Thornley's signature with the words “Chez Mrs Boussod & Valadon – 19 Bd Montmartre” and “Imp. Becquet frères à Paris”.
“In 1888, George William Thornley was commissioned to produce a series of lithographs based on the...

First edition of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Bradel binding, spine slightly faded with a small spot to head, small stains on the covers, covers and spine preserved,
Contemporary binding signed by M.P. Trémois.
Exceptional and handsome autograph inscription signed by André Breton to Man Ray: “à Man Ray, dans la lumière qu'il a recréée, de tout cœur. André Breton” (“To Man Ray, in the light that he recreated, with all my heart. André Breton”)

First edition, one of 10 numbered copies on Japan paper, the deluxe issue.
Bradel binding in half chocolate-brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, brown endpapers and pastedowns, original wrappers and spine preserved, gilt edges, binding signed Honnelaître.

First edition.
Contemporary half navy blue sheep bindings, smooth spines decorated with quintuple gilt fillets, gilt friezes at tail, small lacks to headcaps of both volumes and to spine of second volume, marbled paper boards, marbled endpapers and pastedowns, corners of second volume bumped, speckled edges, contemporary bindings.
Some light foxing.
Rare.