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First edition. One of 10 copies on vélin de Lana (lettered G, around which Genet has signed in blue ink), signed by Genet at the limitation page, most limited deluxe issue, except for a unique copy. Complete with the loose leaf beginning with “Une brusque lassitude...”. With an autograph letter signed by Jean Genet, on one page with customary fold marks from mailing, published in Edmund White, Jean Genet, pp. 260-261.

Illustrated with 29 erotic lithographs by Jean Cocteau, and an original pencil drawing by Cocteau, as well as a suite of the illustrations presentin

First edition illustrated with 6 original lithographs by Pablo Picasso, one of 500 numbered copies on Lafuma paper.
A pleasing copy, complete with its "prière d'insérer" written by Paul Eluard.

First edition, one of 15 numbered copies on Hollande Van Gelder paper and signed with the publisher's initials.
Full green morocco, the spine in five compartments, the first cover inlayed with a large and superb plate by Marguerite Lecreux of a horn sculpted in Cameo, featuring a sailboat with its sails unfurled, on the calm sea appears an engraved silverfish set under the plate of the horn and visible in transparency, pastedown in silk decorated with a submarine pattern (coral, jellyfish, starfishes and algae) framed in morocco embellished with quintuple gilt fillets, endpages of iridescence cloth, the following pages in marbled paper, the headband highlighted with a

Complete autograph manuscript of 106 pages entitled: “Mémoire de la construction et agrèz d'une galère ordinaire, avec l'explication des termes, l'usage des manœuvres, et de toutes les parties qui composent le corps de la galère et son armement”. Penned in a neat, unrubricated hand, with occasional marginal notes in another hand.
 
Contemporary full vellum binding, lightly soiled with minor wear, smooth spine without lettering.
A major and invaluable manuscript chronicling the revival of the French galley fleet, written by the most influential galley shipwright of his time: Jean-Baptiste Chabert.
We have ident

First edition first issue for which no grand papier (deluxe copies) were printed, one of the rare service de presse (advance copies).
Some very discreet restorations to spine, paper browned, some discreet traces folds at the bottom of some leaves.

A handsome copy, as issued. The book is housed in a slipcase signed by Julie Nadot, reproducing the original design of the cover and spine.

This first edition of L'Étranger was printed on 21 April, 1942 with a run of 4,400 copies: 400 advance copies (service de presse), 500 copies without statement and 3,500 copies with false statements from the second to eighth “editi

First edition of the French translation, one of 50 numbered copies on vellum, the only deluxe paper copies.

Illustrated wrappers.

A handsome copy.

A unique copy entirely transcribed by hand by Michel Butor for Claude Nardin; the paper, handmade by Georges Duchêne at the Moulin de Larroque, is on antique 15; the wrapper, made of "grès de larroque" rag paper, is adorned with an impression by Ania Staritsky.

The work is illustrated with original colour engravings by Ania Staritsky, who also devised the original layout of the book with the collaboration of Claude Nardin.

A rare and very fine copy, complete with its brown full moiré cloth slipcase, slightly and marginally faded.

Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.

Our copy is enrich

First edition of the French translation established by Alexandre Vialatte, one of 50 numbered copies on pur fil, the only deluxe paper issue.

A handsome copy.

First edition of this work devoted to the oeuvre of Ania Staritsky.

Illustrated with an original work by Ania Staritsky on the cover.

A rare and very attractive copy, spine plain and unlettered, boards slightly and marginally sunned, without seriousness.

Copy enriched with an artist’s proof engraving, justified and signed by Ania Staritsky in pencil

First edition printed in a small number of copies of this offprint from "Voyages en Scandinavie, en Laponie et au Spitzberg de la corvette la Recherche", Physical Geography, vol. II, p. 279, the author having taken part in the expedition (1838-1840).

Our copy is preserved in its original wrappers, with plain green temporary covers.

Illustrated with 1 folding plate at the end of the volume.

Some light foxing and a few marginal tears to the right margins of certain leaves.

First edition, illustrated with 1 plate and 3 folding maps printed outside the text (cf. Tulard, 694.)

Our copy is preserved in its original wrappers, in soiled temporary covers with angular losses and wear to the spine; internally in pleasant condition despite some foxing.

The only edition, and uncommon, of this report on the operations at Peschiera (1–19 January 1801), which followed the Battle of Marengo and were entrusted to François de Chasseloup-Laubat, Commander-in-Chief of Engineers with the Army of Italy. 

The diplomat Étienne-Félix d'Hénin de Cuvillers (1755–1841) was then serving in the same army as a captain, and later as a squadron leader attached to the Gen

Rare and sought-after first edition.
 
Half-black shagreen binding, spine in four compartments, marbled paper boards, pebbled endpapers and pastedowns, speckled edges, contemporary binding.
Some occasional light foxing as usual.
 
Rare copy in strictly contemporary binding.

First edition, one of 200 numbered copies on Hollande paper, the only large paper copies.

3/4 blue morocco Bradel binding, spine with five raised bands highlighted with gilt dots and decorated with triple gilt compartments, gilt date at tail, gilt fillets on marbled paper boards, marbled paper flyleaves and pastedowns, original wrappers and spine preserved, top edge gilt, others uncut, binding signed Canape.

Rare copy of Guy de Maupassant's masterpiece beautifully bound in an elegant signed binding.

First edition, one of 8 numbered copies on Chinese paper, the deluxe issue.
Bound in full red morocco, smooth spine, spine and boards decorated with a geometric design of black and gilt fillets representing interlaced mountain peaks in zigzag pattern, endpapers and pastedowns illustrated with an original lithograph signed in pencil by Germaine de Coster, following endpapers of red paper, original wrappers and spine preserved, top edge gilt; a very elegant contemporary binding signed by Hélène Dumas and Germaine de Coster.
This copy is further enriched with an original charcoal portrait of Jean Giono, signed by R

First edition, one of the press review copies.

A pleasing copy.
It is the work for which Patrick Modiano was awarded the "Prix Goncourt" in 1978.
Rare signed autograph inscription from Patrick Modiano to his friend, the actor and dubbing artist Roger Lumont.
 

First edition of the French translation, for which no deluxe paper copies were issued.

A very slight loss to the head of the spine.

A rare and pleasing copy.

French edition, issued simultaneously with an English edition by the same publishers. It is a virulent pamphlet directed against Napoleon himself, circulated by one of his best-known opponents: General Jean Sarrazin (1770-1848), who had defected to the enemy on 10 June 1810, having himself conveyed aboard an English brig by a fishing boat from Boulogne.

Full red blind-stamped cloth binding, smooth spine decorated with gilt fillets, gilt initials at the foot of the spine, discolouration marks to the spine, blue paper endleaves and pastedowns.

Foxing.
Work illustrated with a portrait of General Kléber as frontispiece.

Sentenced to death in absentia by the Lille cour

Second edition, with a newly engraved portrait as frontispiece (cf. Blackmer 99 for the first edition issued the same year).

Light waterstaining to the upper margins of the opening leaves, minor losses to the head and foot of the spine as well as at the corners of the boards. Copy preserved in its original wrappers.

The first biography of Ali Pasha, illustrated with a portrait.

A rare first edition.

This scholarly periodical was issued continuously over eight years, from 1870 to 1877.

Angular losses to the lower wrapper.

Joseph Héliodore Garcin de Tassy (1794-1878) was an orientalist and a specialist of French India. He studied Oriental languages under Silvestre de Sacy and, alongside him, was one of the founders of the Société asiatique in 1822.

He was appointed to the chair of Indology at the École spéciale des Langues orientales in 1828 and was elected to the Académie des inscriptions et belles-lettres in 1838.

Initially known for his studies on Islam and for his translations from Arabic, Turkish and Persian, Garcin de Tassy beca

First edition of the French translation of an episode from the Ramayana. 

Our copy is preserved in its original wrappers, under a temporary blue paper cover with minor losses at the corners. 

Some foxing, mainly affecting the endpapers.

The young orientalist Antoine-Léonard Chézy (1773-1832), influenced by Friedrich Schlegel, had begun teaching himself Sanskrit around 1806, studying original texts alongside their English translations.

In the same year, 1814, he was appointed to the very first chair of Sanskrit in Europe, becoming professor of Sanskrit language and literature at the Collège de France.

Rare first edition illustrated with a portrait frontispiece and a plate printed on a separate leaf with tissue guard depicting the Taj Mahal.

No copies recorded in the CCF.

Small tears to the unlettered spine, boards slightly soiled.

A very rare small travel guide to the city of the Taj Mahal (now in the state of Uttar Pradesh).

Manuscript bookplate "E. Miroir 8 February 1911" in the upper left corner of the title page.

First edition.

Contemporary half lemon calf binding, spine darkened and smooth, decorated with gilt quintuple fillets and garlands, black shagreen title label, rubbing to the spine and spine ends, marbled paper boards, marbled endpapers, speckled edges, a few nicks to the edges, contemporary binding.

Some light foxing, rubbing and small losses of paper at the corners of the boards, library shelfmark stamp to a flyleaf and the title page.

Only edition: despite the similarity of subject matter, this work should not be confused with the "Rudiments de la langue hindoustani" by the same author.

Joseph Héliodore Garcin de Tassy (1794–1878) was a French orien

First edition illustrated at the end of the volume with 2 folding engraved plates by Gobille after drawings by Guillet, depicting an ancient theatre and a plan of Athens with its surroundings (cf. Blackmer 766. Weber 364. Brunet, Table, 22855.)

Contemporary full brown sheep binding, spine with four raised bands decorated with compartments tooled in gilt, now very rubbed, restorations to the spine and covers.

First historiographer of the Académie royale de peinture et de sculpture, to which he was admitted in 1682, Guillet de Saint-George (Thiers, circa 1625 - Paris, 1705) became known through several writings, the principal ones relating to Greece and the Ottoman Empire.

First edition of this speculative theological inquiry into the date of the end of time, based on scriptural data.

Contemporary full mottled fawn calf, spine in five raised bands richly gilt with fleuroned compartments, red morocco title label, loss to the headcap, joints split at head and foot and restored, some rubbing to the spine, covers framed with a blind fillet, marbled endpapers, gilt edges to the boards with a few nicks, red-speckled edges, corners worn, binding of the period.

A few pencilled markings and marginal annotations to certain passages, library stamp on the title page, a light dampstain to the upper edge of one leaf, not affecting the text. 

The author,

First edition.

No copies recorded in the CCF.

A very rare small guide intended for English travellers in the Kingdom of Naples. It opens with an itinerary from Rome to Naples via the monastery of Monte Cassino.

Some foxing, small losses to the spine which also shows a tear at the foot.

New edition, partly original (cf. Quérard VII, 308. See Blackmer and Atabey for other editions. Not in Conlon.)

Contemporary full mottled fawn calf binding, smooth spine decorated with panels adorned with a bird tool surrounded by small gilt fleurons, green calf title-piece, gilt fillets to edges, red edges.

Spine and joints restored.

The title-page is engraved and enhanced with wash (two Turks in conversation with a European).

"This work contains [the 21] letters of Neddim Coggia, supposedly describing his experiences in Paris as secretary to the embassy of Mehemet Effendi in 1721 (…) Blackmer incorrectly states that the Letters of Nedim Coggia and the 'Le

First edition, one of 50 numbered copies on Rives mould-made wove paper, the only printing after 20 hors commerce copies on Sirène offset paper.

Illustrated with colour linocuts and woodcuts after collages by Ania Staritsky.

Minor offsetting from glassine onto the inner flaps, tears to the spine.

Pencil signatures of Jacques Lemaire and Ania Staritsky at the colophon.

Rare first edition.

Contemporary half fawn cloth Bradel binding, smooth spine, place and date gilt at foot, marbled paper boards, covers preserved.

A single copy recorded in the CCF (BnF).

The only edition, uncommon. A collection of notes and anecdotes relating to Abbé Castel’s period of study in Rome (born 1894, ordained 1920) during his seminary years.

Some spotting to the endpapers.

Second edition of this apocryphal work by the scandal-minded journalist and literary mystifier Henri de Latouche (1785–1851), first issued under the title Album perdu.

Contemporary half fawn sheep, smooth spine decorated with gilt fillets, garlands and fleurons, some rubbing to spine and joints, minor losses at head and foot of the split joints, marbled paper boards, endpapers and pastedowns, speckled edges.

Some foxing.

A collection of anecdotes and bons mots assembled here on the principle that “to those who have, more shall be given”: they circulated in the society of the July Monarchy and have since been endlessly repeated in monographs devoted to Talleyrand

First edition, one of 60 numbered copies on Hollande, tirage de tête.
Beautiful illustrated cover.

A good copy with good margins.

Original autograph manuscript by Antoine de Saint-Exupéry, one page in black ink on a yellow paper sheet, numerous corrections, and rewritings.

Exceptional working manuscript of a passage from the original French version of Wind Sand and Stars [Terre des Hommes] from chapter VI "Dans le désert", a magnificent ode to the barren wilderness of deserts doomed to disappear due to the inevitable development of the industrial age. This section from the original French novel was removed for the English version translated by Galantière and remains unpublished in English. Moreover, the final two paragraphs of the manuscript are unpublished in the original French version.

First edition, one of 275 numbered copies on Lana wove paper, the deluxe issue.

Illustrated with 31 hors-texte plates.

A fine, uncut copy, complete with its illustrated dust jacket.

First edition, one of 35 numbered copies printed on "mousse d'épave" paper, ours one of 10 copies hors commerce.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work in collaboration with Claude Nardin.

Rare and very fine copy, complete with its chemise and slipcase in full grey cloth (spine of the chemise slightly faded).

Manuscript pencil signatures of Jean-Claude Renard and Ania Staritsky at the colophon.

Our copy contains a manuscript text by the poet Jean-Claude Renard as well as an original collage by Ania Staritsky, signed by her.

Fine signed auto

First edition of this poetry collection, prepared posthumously by the author's former husband, Ted Hughes. Our copy is complete with its unclipped dust jacket.

Publisher's blue percaline in Bradel binding, smooth spine lettered in silver, with the title, author's name and publisher's imprint.

Lower headcap very slightly bumped, minimal wear to corners. To the dust jacket, upper headcap with a very slight split, and a faint offse

1825 edition, here lacking its title page, in which the celebrated lyricist claimed for the first time, explicitly and in writing, to be the sole composer of La Marseillaise, that is, the author of both the music and the words. He would make this claim on only one other occasion, in a letter of 5 January 1829 to M. Beuchot. In its early years, France's national anthem was the subject of a genuine controversy over its authorship, particularly regarding the musical composition, that would persist long after 1825, notwithstanding the declarations contained in this edition. Hector B

First illustrated edition issued for the Club français des bibliophiles, one of the numbered copies.
Publisher’s full olive-green cloth bindings, smooth spines, gilt medallions in relief depicting General de Gaulle and Free France stamped at the centres of the upper covers, fine copies complete with their original glassine wrappers.
A complete set in three volumes, richly illustrated.
Autograph inscription dated and signed by Charles de Gaulle in the first volume, manuscript signatures dated in the second and third volumes.

American edition based on the 1929 translation by the poet William Carlos Williams of Philippe Soupault's 1928 post-Surrealist work, Les Dernières Nuits de Paris. Enriched with illustrations, an introduction by the author written in 1980, "William Carlos Williams in Paris. By Day and by Night," translated into English for the present edition by Ron Padgett, a publisher's note, and a reprinted epigraph.

Complete with its violet dust jacket, with the price indicated on the rear pa

First edition, one of 42 numbered copies on tabac du moulin paper, issued under limon de rocaille wrappers, our copy one of 12 hors commerce copies, the only issue after 15 copies on papier saumon des eaux claires.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work, with the collaboration of Claude Nardin, here in his first contribution.

Rare and very fine copy preserved in its full burlap chemise and slipcase (spine of the chemise and boards of the slipcase slightly sunned at the margins).

Pencil signatures of Jacques Lemaire and Ania Staritsky on the colophon.

First edition on standard paper.

Bradel binding in full moiré silk with a leaf pattern, smooth spine decorated with a gilt fleuron and gilt date at the foot, green morocco lettering piece, fore-edge and tail edges untrimmed, binding signed in blind on the upper pastedown [E.T.] Pierson, the Goncourt brothers' binder of choice.
Silk at the headcaps slightly rubbed, corners worn, light rubbing to the lettering piece.

A fine copy, with a few very faint fox spots and one paragraph marked with a pencilled marginal bracket at p. 61.

First edition, one of 56 numbered copies on B.F.K. de Rives laid paper.

Illustrated with original engravings by Ania Staritsky.

A rare and very fine copy, complete with its slipcase and grey full-cloth chemise.

Pencil signatures of Ania Staritsky and Albert Dasnoy on the colophon.

Autograph inscription signed by Albert Dasnoy to Claude Nardin, enriched with the handwritten signature of Ania Staritsky.

First edition, one of 30 numbered copies printed on handmade pure rag paper.

Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work with the collaboration of Claude Nardin.

A rare and very fine copy, complete with its chemise and brown cloth slipcase.

Pencil signatures of Philippe Jones and Ania Staritsky at the colophon.

Inscribed by Philippe Jones to Claude Nardin at the colophon.

Our copy is enriched with a five-line autograph manuscript text by Philippe Jones, as well as an original collage by Ania Staritsky, signed by her.

First edition, one of 110 numbered copies on alfa paper, the only deluxe paper copies.

Frontispiece with a photographic portrait of Léon Blum.

A pleasant copy.

Rare first edition, illustrated with 17 folding maps or plates.

Small tears with minor losses to the spine, light marginal spotting to the boards, library classification in blue pencil in the left margin of the upper cover.

Pavel Passalsky (1870-1900) was appointed observer at the Meteorological Observatory of the University of Odessa in 1894, where he devoted himself primarily to magnetic measurements; this posthumous work, prefaced by Boris Weinberg, is the result.

Krivoi Rog, now in Ukraine and known as Kryvyi Rih, has, since Tsarist times, been a major industrial and metallurgical centre in a mining region.

The city extends over some fifty kilometres al

Second edition; the first edition of this very rare conversation guide was published in 1896.

Publisher’s full black cloth binding, smooth spine, title in gilt Chinese characters on the upper cover, corners slightly frayed, publisher’s binding.

No copies recorded in the CCF.

Endpapers partially browned.

The work is intended for Chinese learners of spoken English.

First edition. 

Official series not recorded by Polak. 

Contemporary full cherry-red morocco binding, smooth spine decorated with gilt Romantic arabesques, gilt roll tooling partly worn at the spine ends, covers with a wide panel of sextuple gilt fillets and Romantic arabesques, corner ornaments in gilt, crowned "FO" cipher stamped in gilt at the centre of each cover, doublures and endpapers lined with azure watered silk, gilt garland frame to the doublures, corners slightly rubbed, all edges gilt, an elegant Romantic binding of the period.

A few dark stains to the covers, occasional foxing mainly affecting the endpapers.

Copy from the library of Ferdinand-Philippe

First edition, illustrated with a very large folding map of the Indo-Chinese peninsula, lithographed in colours and bound at the end (cf. Cordier, Indosinica, p. 1000.)

Bradel binding in green half cloth, smooth spine, red shagreen title label, marbled paper boards, covers doubled and restored and preserved, modern binding signed Laurenchet.

Published in the "Revue indo-chinoise", issues 82–87. In 1898, Laos was incorporated into the Indochinese Union at the initiative of Paul Doumer, Governor-General of Indochina from 1897 to 1902.

Manuscript bookplate on the cover.

Long autograph letter by Stendhal, addressed to his sister Pauline, written in fine handwriting with black ink.
Address of Stendhal's father, where his sister resides, in Grenoble, with the stamp "n°51 Grande Armée." Red wax seal bearing Stendhal's coat of arms.
Several original folds, inherent to postal delivery. A paper loss due to the unsealing of the letter has been skillfully restored. Published in his Correspondance (ed. Henri Martineau), Paris, Le Divan, 1933, vol. 3, no. 262 A, pp. 26-29.
A very beautiful letter, filled with romantic passion, blending childhood nostalgia with sentimental tales, and foreshadowing

First edition, one of 12 numbered copies on Hollande, the only deluxe issue. 

Complete with the folding map at the end.

Full fawn morocco binding, five raised band spine, date at foot, comb-marbled paper pastedowns framed with a rich gilt roll, comb-marbled endpapers, gilt fillet to headcap, gilt fillet to leading edges, gilt roll to headcaps, original wrappers and spine preserved, all gilt deckled edges, housed in a fawn morocco-edged slipcase. Binding signed by Semet & Plumelle. 

Provenance: From the libraries of Dr André Chauveau, Lucius Wilmerding, and RBL, with their bookplates affixed.

A splendid deluxe copy of exceptional rarity