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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

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Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

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Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

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Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
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<p>Despite Gutenberg's genius invention, manuscripts will never be erased by the printed word, and solid moveable types are evenly matched by fragile penned letters. Hasty or diligent writing, spidery scrawls or sign of the times.&nbsp;</p>
  1. Selections

Gift Ideas – Manuscripts & Letters

Despite Gutenberg's genius invention, manuscripts will never be erased by the printed word, and solid moveable types are evenly matched by fragile penned letters. Hasty or diligent writing, spidery scrawls or sign of the times. 

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Gift Ideas – Manuscripts & Letters
  1. I have the honor to be your obediant servant
    I have the honor to be your obediant servant
    Billet autographe signé par l'Aga Khan Billet autographe signé par l'Aga Khan
    AGA KHAN

    Billet autographe signé par l'Aga Khan [Signed autograph note by the Aga Khan]

    s. n.|n. l. s. d. [1970]|12 x 3.7 cm|Une feuille

    Autograph note signed by the Aga Khan on a fragment of paper, bearing the words: "I have the honor to be your obdt servant Aga Khan"

    Accompanied by a dated and signed certificate of authenticity issued by the distinguished London bookseller and autograph dealer Winifred A. Myers, whose premises were located at 70 Bond Street.

     

    €1,200
  2. Henry Harrisse’s copy, specialist of the discoveries of the New World, with an autograph inscription by Fulin and seven autograph letters
    Henry Harrisse’s copy, specialist of the discoveries of the New World, with an autograph inscription by Fulin and seven autograph letters
    [COLOMB CHRISTOPHE] Dell' Attitudine di Venezia dinanzi ai grandi viaggi marittimi del secolo XV. Discorso letto nella solenne adunanza del R. Istituto Veneto di scienze, lettere ed arti il di 15 agosto 1881[COLOMB CHRISTOPHE] Dell' Attitudine di Venezia dinanzi ai grandi viaggi marittimi del secolo XV. Discorso letto nella solenne adunanza del R. Istituto Veneto di scienze, lettere ed arti il di 15 agosto 1881
    Rinaldo FULIN (Christophe COLOMB)

    [COLOMB CHRISTOPHE] Dell' Attitudine di Venezia dinanzi ai grandi viaggi marittimi del secolo XV. Discorso letto nella solenne adunanza del R. Istituto Veneto di scienze, lettere ed arti il di 15 agosto 1881[CHRISTOPHER COLUMBUS - On Venice’s Attitude toward the Great Maritime Voyages of the Fifteenth Century. Address delivered at the solemn session of the Royal Venetian Institute of Sciences, Letters, and Arts on 15 August 1881]

    Tipografia di G. Antonelli|Venice 1881|15 x 22.2 cm|Broché

    First edition.

    A single copy recorded in the CCFr (Roanne).

    Contemporary half green calf, smooth spine cracked and with losses, marbled paper boards, original printed wrappers preserved, binding of the period.

    Lower board tending to detach.

    The Venetian historian Ronaldo Fulin (1824–1884) produced numerous publications and original studies based on the exceptionally rich holdings of the Archivio di Stato of Venice.

    The question addressed in this communication is linked to the presumed relations between Columbus and Venice (see the accompanying letters).

    Copy from the library of the celebrated Americanist Henry Harrisse (1829–1910), a specialist...

    €1,500
  3. The manuscript of the work, the printed volume, and related correspondence
    The manuscript of the work, the printed volume, and related correspondence
    La Mer des Sargasses. Manuscrit complet de 50 pages. La Mer des Sargasses. Manuscrit complet de 50 pages.
    Paul GAFFAREL, Charles MAUNOIR

    La Mer des Sargasses. Manuscrit complet de 50 pages.

    Sans nom d'éditeur|No Location s. d. [1872]|18.5 x 34 cm|5 volumes reliés en 1

    Complete autograph manuscript of 50 pages, written on the recto of each leaf and containing numerous deletions and revisions.

    The manuscript was published in the December 1872 issue of the Bulletin de la Société de Géographie.

    Full red shagreen binding, spine with five raised bands decorated with gilt fleurons and double gilt panels adorned with floral tools, double gilt fillets on the boards, comb-marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt edges on the boards, corners rubbed, contemporary binding.

    The leaves are numbered 1 to 50 in the upper left corner; an earlier numbering, struck through, appears in the upper...

    €2,500
  4. Lettre autographe datée et signée adressée à la femme de lettres Christiane Baroche : "Soyez sûre que je préfère de beaucoup quelque chose de ce genre à un ensemble de doctes analyses ! "Lettre autographe datée et signée adressée à la femme de lettres Christiane Baroche : "Soyez sûre que je préfère de beaucoup quelque chose de ce genre à un ensemble de doctes analyses ! "
    Michel LEIRIS

    Lettre autographe datée et signée adressée à la femme de lettres Christiane Baroche : "Soyez sûre que je préfère de beaucoup quelque chose de ce genre à un ensemble de doctes analyses ! "[Autograph letter, dated and signed, addressed to the woman of letters Christiane Baroche : “Rest assured that I much prefer something of this kind to a collection of learned analyses!”]

    Paris 7 janvier 1979|21 x 29.7 cm|Une feuille + une enveloppe

    Autograph letter, dated and signed, addressed to the writer Christiane Baroche: 21 lines in blue ink concerning an issue of the journal Sud devoted to him.

    Folding traces from mailing, with the original handwritten envelope, on which Christiane Baroche noted the sender’s name in pencil.

    Michel Leiris thanks Christiane Baroche for the tribute paid to him by Sud : "Soyez sûre que je préfère de beaucoup quelque chose de ce genre à un ensemble de doctes analyses ! " but explains that he will not be able to attend the upcoming event dedicated to him: "Dites, je vous prie, à Mr Genêt que je lui sais gré d'avoir pensé à...

    €450
  5. Superb collection of 49 original watercolours offering a rare and valuable glimpse into Tonkin at the dawn of the French protectorate
    Superb collection of 49 original watercolours offering a rare and valuable glimpse into Tonkin at the dawn of the French protectorate
    [ALBUM D'AQUARELLES ORIGINALES] Souvenir du Tonkin. Suite de 49 aquarelles représentant, pour la plupart, des scènes de la vie rurale au Tonkin[ALBUM D'AQUARELLES ORIGINALES] Souvenir du Tonkin. Suite de 49 aquarelles représentant, pour la plupart, des scènes de la vie rurale au Tonkin
    ANONYME

    [ALBUM D'AQUARELLES ORIGINALES] Souvenir du Tonkin. Suite de 49 aquarelles représentant, pour la plupart, des scènes de la vie rurale au Tonkin[ALBUM OF ORIGINAL WATERCOLOURS] Souvenir of Tonkin. A series of 49 watercolours depicting, for the most part, scenes of rural life in Tonkin]

    s. n.|No Location s. d. [1885]|23 x 32.5 cm|Relié

    No publisher, no place, no date [1885–1890]. Quarto (32.5 × 23 cm), 1 blank leaf and 49 unnumbered leaves. Contemporary half red percaline over corners, smooth spine covered in red shagreen, pebble-grain paper-covered boards, blue paper endpapers.

     

    An exceptional collection of 49 original unsigned watercolours, each measuring approximately 20 × 15 cm within the margins, finely executed in Indian ink and watercolour with gouache highlights, mounted on guards. Several leaves bear the watermark "Latune et Cie Blacons", that of a paper mill in the Drôme region active throughout the final third of the nineteenth century. Rubbing to the spine, a few marginal...

    €8,500
  6. From the Private Correspondence of Louis XVI
    From the Private Correspondence of Louis XVI
    Lettre de vœux manuscrite signée par Louis XVI adressée au cardinal Ludovico CaliniLettre de vœux manuscrite signée par Louis XVI adressée au cardinal Ludovico Calini
    LOUIS XVI (au Cardinal CALINO)

    Lettre de vœux manuscrite signée par Louis XVI adressée au cardinal Ludovico CaliniManuscript letter with the autograph signature of Louis [XVI], to the Cardinal Ludovico Calini, regarding new year wishes

    Versailles 31 janvier 1776|18.3 x 24.4 cm|Bifeuillet

    Letter written by a secretary and signed by Louis XVI, addressed to Cardinal Ludovico Calini, in ink over eleven lines. The signature of Charles Gravier, Comte de Vergennes, appearing at the foot of the bifolium, accompanies that of the King for these New Year wishes. The recipient's name is inscribed on the verso: "Mon Cousin le Cardinal Calino".

    A few waterstains, a small hole at "qu'il vous ait".

     

    "My Cousin, I have seen with pleasure from your letter of October 1st the token of the sincerity of the wishes you express for me at the beginning of this year. Your good intentions are as well known to me as you must be certain of my desire to give you...

    €3,500
  7. Bristol autographe daté et signé adressé depuis son domicile parisien à la femme de lettres Christiane BarocheBristol autographe daté et signé adressé depuis son domicile parisien à la femme de lettres Christiane Baroche
    Michel LEIRIS

    Bristol autographe daté et signé adressé depuis son domicile parisien à la femme de lettres Christiane Baroche[Bristol card, autographed, dated and signed, sent from her Paris residence to the woman of letters Christiane Baroche]

    Paris 5 avril 1979|13 x 8.5 cm|Une feuille + une enveloppe

    Autograph card, dated and signed, sent from his Paris residence to the writer Christiane Baroche, comprising twelve lines in blue ink.

    With the accompanying handwritten envelope on which Christiane Baroche added "Leiris" in the upper right corner.

    "5 avril 1979,

    chère Christiane Baroche,

    merci à vous ainsi qu’à tous ceux qui ont bien voulu m’adresser, par l’intermédiaire de Sud, un signe amical. Je ne puis qu’en être reconforté et trouver là un peu de courage dont je manque de plus en plus pour travailler ! Soyez donc certaine que votre idée m’a fait plaisir et croyez à mes sentiments les meilleurs...

    €300
  8. [CONSTANTINOPLE] Exceptionnel Album de 54 caricatures originales [CONSTANTINOPLE] Exceptionnel Album de 54 caricatures originales
    ANONYME

    [CONSTANTINOPLE] Exceptionnel Album de 54 caricatures originales [CONSTANTINOPLE] Exceptional Album of 54 Original Caricatures]

    Sans nom d'éditeur|No Location s. d. [1870]|40.5 x 27.9 cm|Relié

    [CONSTANTINOPLE] Exceptional album of 54 original caricatures, some captioned, executed in India ink, pencil and watercolour, together with three small pencil drawings on loose leaves. Undated [circa 1872-1873]. Small oblong folio, 47 pp., 40.5 x 27.9 cm. Contemporary overlapping ivory vellum, smooth spine with red rules, a tear at the head of the spine skilfully restored, red fillet border to the boards, a few stains to the covers, comb-marbled endpapers, red edges.

    €9,500
  9. I would give all of 'Cromwell' for that sigh, for that lied more dream than song (Fernand Gregh)
    I would give all of 'Cromwell' for that sigh, for that lied more dream than song (Fernand Gregh)
    Manuscrit autographe signé de la célèbre Ballade du Fou Manuscrit autographe signé de la célèbre Ballade du Fou
    Victor HUGO

    Signed autograph manuscript from Hugo's "Cromwell": "Ballade du Fou" [Jester's Ballad]

    s. n.|No Location s. d. [circa 1830]|25 x 19.7 cm|Une feuille

    Autograph manuscript signed of Victor Hugo’s “Ballade du fou,” sung by the jester Elespuru in his play Cromwell (IV, 1). Two pages on a folded leaf backed with green glazed paper.

    Exceptional autograph manuscript of Victor Hugo’s most celebrated poetic song, performed by the jester Elespuru in his resounding drama Cromwell.

    Both grotesque and exalted, this piece embodies the freedom of Romantic drama championed by Hugo in the play’s famous preface: as noted by the Bibliothèque nationale de France, this song “is the only passage in the play as equally famous as its...

    €35,000
  10. "Allons, ce n'est pas encore cette fois que dans la révolte je parviendrai à introduire la "mesure" que nous prêche aimablement M. Camus.""Allons, ce n'est pas encore cette fois que dans la révolte je parviendrai à introduire la "mesure" que nous prêche aimablement M. Camus."
    André BRETON (Albert CAMUS)

    "Allons, ce n'est pas encore cette fois que dans la révolte je parviendrai à introduire la "mesure" que nous prêche aimablement M. Camus."Unpublished signed autograph letter addressed to the critic Charles Estienne

    Paris 8 janvier 1953|21 x 27 cm|1 pages et quelques lignes sur un feuillet

    Unpublished, handwritten, signed letter from André Breton addressed to critic Charles Estienne; one page and a few lines in black ink on a paper from the à l'étoile scellée gallery.
    Two transverse folds from having been sent, a small corner missing in the upper right margin.
    Very beautiful letter giving an account of the death of one of André Breton's dearest friends and of his quarrel with Albert Camus.
    Breton tells his friend about the death of the Surrealist Czech artist Jindřich Heisler: “Your letter spoke of those days where it seemed “that there was only just enough fire to live”: on Monday there was far from enough fire, when it reached me: one of my two...

    €3,500
  11. "Coqs de Bruyère" : poème autographe de jeunesse « et seront-ce coquetteries / de péril / ou de casques couleur de quetsche ? »"Coqs de Bruyère" : poème autographe de jeunesse « et seront-ce coquetteries / de péril / ou de casques couleur de quetsche ? »
    André BRETON

    "Coqs de Bruyère" : poème autographe de jeunesse « et seront-ce coquetteries / de péril / ou de casques couleur de quetsche ? »[Coqs de Bruyère: early autograph poem — ‘and will they be flirtations / of peril / or helmets the color of damson?’]

    circa 1917-1918|22.30 x 27.60 cm|une feuille sous chemise et étui
    A remarkable poem of autograph youth by André Breton, entitled "Coqs de Bruyère", [] verse in black ink on laid paper, composed in. Our manuscript was written between March 1917 and the beginning of 1918.
    An essential poem of the pre-Dadaist contemporary of the author, it is part of a coherent set of seven manuscript poems by Breton (referred to as Coll.X. in André Breton's Complete Works , Volume I of La Library of the Pleiades, Gallimard, 1988, 1071). These poems, from his youthful writing, are carefully calligraphed in black ink on watermarked laid paper. This set was sent to his circle of friends and writers, including Valery, Apollinaire, Theodore...
    €4,500
  12. Carte autographe signée « Ce que je suis rasé par les reporters à propos du centenaire d'Hugo ! »Carte autographe signée « Ce que je suis rasé par les reporters à propos du centenaire d'Hugo ! »
    Joris-Karl HUYSMANS (Victor HUGO)

    Carte autographe signée « Ce que je suis rasé par les reporters à propos du centenaire d'Hugo ! »[How fed up I am with reporters about Hugo’s centenary!’]

    4 février 1902|11.50 x 9 cm|Une carte recto-verso
    "Paris, February 4, 1902
    I regretted, my dear friend, not to see you! The poet did not walk, as you have seen, I had gone for a walk on the quays.
    That's for lunch at Crespel Saturday, at noon ½. Would you write to him if you do not see him before.
    What I am shaved by reporters about Hugo's centenary! It is to be believed that all the newspapers and magazines will make a number apart!
    What we are going to defecate imbecilities [sic] on his remains! A reporter confessed to me that he had been visiting about Hugo, the members of the Academy of Medicine (??? !!) and also the painters. It appears that it will be monumental on this side.
    So Saturday, dear friend...
    €1,000
  13. Lettre autographe signée à son amie Emily AmramLettre autographe signée à son amie Emily Amram
    Alexis LÉGER [SAINT-JOHN PERSE]

    Lettre autographe signée à son amie Emily Amram[Autograph letter signed to his friend Emily Amram : I’m leaving tomorrow for the South, where I’ll ask the sea’s surroundings to grant me the chance to free myself, through swimming, from the last traces of my foolish accident]

    18 février 1956|21.3 x 27.7 cm|Une feuille

    Autograph letter dated and signed by Alexis Léger, 26 lines in blue ink, written from Washington to his friend Emily Amram, describing the torments of his convalescence following a "stupid accident".

    Folds inherent to mailing.

    The poet thanks his friend for her floral attentions during his illness: "combien la présence de vos fleurs m'a aidé contre les mauvaises ombres pendant mes jours de réclusion !" and, much to his regret, must once again postpone the visit he had promised her: "une mauvaise grippe washingtonnienne, qui m'a surpris, déjà fatigué, peu après mon retour chez moi, achevé de me déprimer, et pour ne pas accabler encore...

    €1,500
  14. "d'une grande richesse et d'un éclairage très singulier...""d'une grande richesse et d'un éclairage très singulier..."
    Julien GRACQ

    "d'une grande richesse et d'un éclairage très singulier..."Autograph Bristol, dated and signed, addressed to Roland Cailleux, thanking him for sending his latest work

    S. n.|s. l. s. d. [circa 1975]|15.50 x 11 cm|une feuille
    Autograph card of 11 lines signed by Julien Gracq, addressed to Roland Cailleux regarding the sending of his latest work (possibly A moi-même inconnu, published in 1978), for which Julien Gracq congratulates him: "... ouvrage d'une grande richesse et d'un éclairage très singulier..." expressing an unusual sense of complicity between reader and writer: "... un courant de sympathie s'établit ici, entre l'auteur et le lecteur, qui ne se rencontre que rarement..."
    A fine tribute from Julien Gracq, acknowledging and appreciating the sensitivity and talent of Roland Cailleux.
    €480
  15. « je vous écris comme un aveugle, parce qu'en me parlant comme vous le faites [...] vous me faites tomber dans une obscurité presqu'insupportable. »« je vous écris comme un aveugle, parce qu'en me parlant comme vous le faites [...] vous me faites tomber dans une obscurité presqu'insupportable. »
    Georges BATAILLE

    « je vous écris comme un aveugle, parce qu'en me parlant comme vous le faites [...] vous me faites tomber dans une obscurité presqu'insupportable. »Autograph letter, signed, to Denise Rollin: “I write to you like a blind man, because that is what you make me when you talk to me the way you do…you make me fall into a darkness that is almost unbearable”

    s. l. s. d. [circa 1940]|20.90 x 26.90 cm|2 pages sur un feuillet

    Autograph letter signed from Georges Bataille to Denise Rollin, 40 lines in black ink, two pages on one leaf.

    George Bataille and Denise Rollin's relationship lasted from the autumn of 1939 to the autumn of 1943 and left behind it a short but passionate correspondence. This letter dates from the early days of their connection, but already reveals Bataille's agonies: “Perhaps I was too happy with you for some months, even though suffering did not wait long to interrupt, at least for a time, a happiness that was almost a challenge.”
    A passionate lover, Bataille moved from exultation to the deepest doubt and even offered his lover a potential way out of...

    €4,500
  16. "un peu moins abruti ce matin""un peu moins abruti ce matin"
    Auguste RENOIR (to Paul Antoine BERARD)

    "un peu moins abruti ce matin""A little less dazed this morning" Signed autograph letter to his friend and benefactor Paul Bérard

    Cagnes s.d. (printemps 1901?)|10.50 x 17.20 cm|1 page sur un bifeuillet

    Autograph letter signed "R" by Auguste Renoir, addressed to his friend and great collector of his works Paul Bérard. One and a half pages in black ink on a bifolium.
    Horizontal fold mark inherent to mailing.

     

    €3,000
  17. "Je prends la liberté de vous charger de m'apporter un paquet de pinceaux""Je prends la liberté de vous charger de m'apporter un paquet de pinceaux"
    Auguste RENOIR

    "Je prends la liberté de vous charger de m'apporter un paquet de pinceaux"Autograph letter dated and signed

    Cagnes [Cagnes-sur-Mer] 5 février 1909|10.90 x 16.40 cm|2 pages sur un bifeuillet

    Autograph letter signed by Auguste Renoir, dated in his hand 5 February 1909. 2 pp. in black ink on a double leaf.

     

    Horizontal mailing fold. Renoir penned this letter at his villa Les Collettes in Cagnes, where he created works of great sensuality and essayed sculpture. The painter orders brushes and refers to an expected visit from the family of Dr Emile Baudot, his physician of long standing and chief medical officer of the Compagnie des chemins de fer de l'Ouest. Renoir's sole pupil was the venerable doctor's daughter, Jeanne Baudot, of whom he painted a portrait and who sat alongside her master for a canvas by...

    €5,000
  18. "Décembre" : poème autographe de jeunesse dédié à Guillaume Apollinaire « J'aurai mordu la vie à tes seins d'ange piètre »"Décembre" : poème autographe de jeunesse dédié à Guillaume Apollinaire « J'aurai mordu la vie à tes seins d'ange piètre »
    André BRETON (Guillaume APOLLINAIRE)

    "Décembre" : poème autographe de jeunesse dédié à Guillaume Apollinaire « J'aurai mordu la vie à tes seins d'ange piètre »Autograph youthful poem dedicated to Guillaume Apollinaire. "I would have savaged the life of your poor angel breast."

    circa 1917-1918|22.30 x 27.60 cm|une feuille sous chemise et étui

    A remarkable autograph poem of youth by André Breton dedicated to Guillaume Apollinaire entitled «Décembre». 20 verses in ink on vergé d'Arches paper, composed in December 1915. This manuscript was copied between March 1917 and the beginning of 1918.

    This poem is presented in a chemise and case with paper boards decorated with abstract motifs, the spine of the chemise in green morocco, pastedowns and endpapers of beige suede, a sheet of flexible plexiglass protecting the poem, case lined with green morocco, piece of green paper with caption «poème autographe» to bottom of upper cover of case, the whole by Thomas Boichot.
    Key poem of the author's pre-Dadaist...

    €6,000
  19. A major traveller in India at the end of the nineteenth century.
    A major traveller in India at the end of the nineteenth century.
    Manuscrit autographe inédit et complet "Notes sur les Indes"Manuscrit autographe inédit et complet "Notes sur les Indes"
    Edmond de PONCINS

    Manuscrit autographe inédit et complet "Notes sur les Indes"

    Sans nom d'éditeur|No Location s. d. (ca 1892)|21 x 34.5 cm|Relié

    Unpublished complete autograph manuscript, dated and signed, written by the Vicomte Edmond de Poncins between 12 September 1891 and 12 June 1892. 775 pages, incorrectly numbered 1-567 and then 567-774. Small folio (21 x 34.5 cm).

     

    Contemporary half dark green shagreen with corners, spine with five raised bands ruled in black and decorated with blind compartments and central gilt floral tools, lettered in gilt "Notes sur l'Inde, 1892". At the beginning of the volume, the author himself gives the slightly different title "Notes sur les Indes". Green boards framed with blind rules, comb-marbled...

    €26,500
  20. The aftermath of the Lang Son affair (Tonkin)
    The aftermath of the Lang Son affair (Tonkin)
    [TONKIN] Ensemble de 59 lettres autographes signées et adressées à sa famille[TONKIN] Ensemble de 59 lettres autographes signées et adressées à sa famille
    Gustave BORGNIS-DESBORDES

    [TONKIN] Ensemble de 59 lettres autographes signées et adressées à sa famille[TONKIN] Collection of 59 autograph letters signed and addressed to his family]

    Sans nom d'éditeur|Paris • No Location 1886-1887|13.7 x 21.2 cm|En feuilles

    Paris, Auxerre and various places, January 1886-August 1887.

     

    A collection of 59 autograph letters signed by Gustave Borgnis-Desbordes and addressed to members of his family, comprising approximately 180 pages, mostly octavo. Most are written on black-bordered mourning paper; several bear the letterhead of the French Ministry of the Navy and Colonies, Inspectorate-General of Artillery.

     

    The letters extend from January 1886 to August 1887. Almost all were written in Paris, a few bear no place, and one was written at Auxerre on 1 July 1886. Forty-seven...

    €4,500
  21. The first and only known French–Bunda vocabulary
    The first and only known French–Bunda vocabulary
    [MANUSCRIT FRANCAIS-BUNDA] Vocabulaire de la langue Bunda, extrait et traduit du "Diccionario da lingua Bunda ou angolense explicada na portugueza e latina, por Ber. Maria de Cannecattim, Lisboa, Imp. regia, 1804[MANUSCRIT FRANCAIS-BUNDA] Vocabulaire de la langue Bunda, extrait et traduit du "Diccionario da lingua Bunda ou angolense explicada na portugueza e latina, por Ber. Maria de Cannecattim, Lisboa, Imp. regia, 1804
    ANONYME

    [MANUSCRIT FRANCAIS-BUNDA] Vocabulaire de la langue Bunda, extrait et traduit du "Diccionario da lingua Bunda ou angolense explicada na portugueza e latina, por Ber. Maria de Cannecattim, Lisboa, Imp. regia, 1804[MANUSCRIPT – FRENCH–BUNDA] Vocabulary of the Bunda Language, Extracted and Translated from the Diccionario da lingua Bunda ou angolense explicada na portugueza e latina, by Ber. Maria de Cannecattim, Lisbon, Royal Press, 1804]

    Sans nom d'éditeur|Villelouet (Chailles, Loir-er-Cher) 1856|19 x 24.5 cm|Relié

    Manuscript of 83 leaves of this French–Bunda dictionary, probably unpublished and unsigned.

    This manuscript is certainly the first French–Bunda vocabulary (cf. Gay 3068 and Brunet I-1544).

    Half red shagreen binding, spine with four raised bands ruled in black, gilt date at foot, minor rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.

    €2,500
  22. Autograph letter signed "your friend Gérard" addressed to Joseph Méry
    Autograph letter signed "your friend Gérard" addressed to Joseph Méry
    Lettre autographe signée de Gérard de Nerval adressée à Joseph MéryLettre autographe signée de Gérard de Nerval adressée à Joseph Méry
    Gérard de NERVAL

    Lettre autographe signée de Gérard de Nerval adressée à Joseph Méry[Autograph letter signed by Gérard de Nerval addressed to Joseph Méry]

    Paris 23 septembre 1853|9.70 x 14.50 cm|une page sur un feuillet, enveloppe jointe
    Autograph letter signed "your friend Gérard" addressed to Joseph Méry. Envelope with a small angular tear due to the original sealing, enclosed.
    Horizontal folds.
    This letter is reproduced in the Pléiade edition of his correspondence (vol. 3, p. 811).
    "Envoyez vite à Théo ce qui est imprimé de la pièce. Il fera de grandes citations surtout le Serpent." The "pièce" in question is Gusman le Brave, first performed at the Odéon on 23 September 1853. On 4 October, Théophile Gautier discussed the play in La Presse. "Le Serpent" refers to José’s tale in Act II, scene 1.
    €2,300
  23. "if you wish to see my marvellous Chinese"
    "if you wish to see my marvellous Chinese"
    « Je vous expliquerai très clairement ce que je puis faire, ce que je désire, - le possible, et l'impossible »« Je vous expliquerai très clairement ce que je puis faire, ce que je désire, - le possible, et l'impossible »
    Charles BAUDELAIRE

    Autograph letter signed to Antoine Arondel

    s. d. [mai 1854]|13.9 x 21.7 cm|une page sur un feuillet

    Autograph letter signed by Charles Baudelaire, addressed to Antoine Arondel, written in black ink on a single sheet of blue paper.
    Folds typical of mailing; minor losses expertly restored without affecting the text; a small tear on the signature discreetly repaired. This letter is transcribed in Correspondance I of Baudelaire (Pléiade, p. 277) and dated by Claude Pichois to May 1854.
    In it, Baudelaire sends theatre tickets to his art dealer Antoine Arondel — a notorious and unscrupulous character who exploited the poet’s boundless taste for fine arts...

    €10,000
  24. "ce grand pendard [...] me fout sondard en cul""ce grand pendard [...] me fout sondard en cul"
    Antoine BLONDIN (to Roger NIMIER)

    "ce grand pendard [...] me fout sondard en cul"Unpublished handwritten letter, very dirty, addressed to his best friend Roger Nimier from Réalmont (Tarn)

    Réalmont s. d. [cachet postal 1959]|16.90 x 17.70 cm|un feuillet + une coupure de presse + une enveloppe
    Delightful, likely unpublished, handwritten letter signed by an enigmatic Marijo, a chambermaid by trade, who in a Rabelaisian tone and a long string of puns writes from a hotel in Réalmont (Tarn) to the hussar Roger Nimier at his Paris office at La N.R.F.
    20 lines on a squared sheet.

    Though the letter is unmistakably by Antoine Blondin, it is unlikely to be in his hand, and one of his companions probably lent his own to this farcical piece. The writer, disguised as Marijo, a distinctly illiterate maid, recounts her sexual exploits with "Monsieur Antouane".
    A fine example of the anarchic and mischievous spirit that guided the not always...
    €800
  25. Les nuits d'hiver, poésies complètesLes nuits d'hiver, poésies complètes
    Henry MURGER, Théophile GAUTIER

    Les nuits d'hiver, poésies complètes[Winter Nights, Complete Poems]

    Michel Lévy frères|Paris 1861|11.5 x 18 cm|Relié

    First edition, with no deluxe paper copies issued.

    Half aubergine shagreen binding, spine with four raised bands decorated with triple gilt compartments, marbled paper boards, marbled endpapers and pastedowns, speckled edges. Contemporary binding.

    This collection of poems is followed by essays on Henry Murger by Théophile Gautier, Jules Janin, Arsène Houssaye, and Paul de Saint-Victor.

    Our copy is enriched with an autograph note signed by Henry Murger, informing his correspondent that he will visit him soon.

     

    €200
  26. Carte de visite autographe signée à la metteuse en scène Simone BenmussaCarte de visite autographe signée à la metteuse en scène Simone Benmussa
    Robert BADINTER

    Carte de visite autographe signée à la metteuse en scène Simone Benmussa[Autograph signed visiting card addressed to the stage director Simone Benmussa]

    Fayard|Paris s.d. (ca 1985)|15 x 11 cm|une feuille + une enveloppe

    Autograph signed calling card addressed to theatre director Simone Benmussa, 8 lines in black felt-tip, with the original envelope.


    "Chère Simone Benmussa, quel succès ! J'en reçois les échos de tous côtés ! Nous vous devons tous cette merveilleuse soirée. Laiseez-moi vous dire encore Merci et Bravo. En toute amitié. R. Badinter."


    Literary adviser to the Jean-Louis Barrault – Madeleine Renaud Company and, from 1957, editor-in-chief of the Cahiers Renaud-Barrault, Simone Benmussa also headed, from the Odéon Theatre, the company’s cultural department and its journal. She adapted for the stage several works by her friend Nathalie...

    €350
  27. Manuscrit autographe complet de la chanson de Boris Vian intitulée "Au jeune poète" ou "Conseils à un ami"Manuscrit autographe complet de la chanson de Boris Vian intitulée "Au jeune poète" ou "Conseils à un ami"
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "Au jeune poète" ou "Conseils à un ami"[Autograph manuscript of Boris Vian’s complete song titled “Au jeune poète” or “Conseils à un ami]

    S. n.|s. l. s. d. [circa 1955]|21 x 27 cm|2 feuillets perforés
    Complete autograph manuscript of 48 lines written in blue ballpoint pen for the song "Au jeune poète," comprising two leaves, for which Henri Salvador composed the music.
    Together with the typescript mounted on a sheet of card bearing the title "Conseils à un ami."
    "Cette chanson a d'abord été intitulée 'Au jeune poète'. Elle a été remise en musique par Mouloudji et Assayag et enregistrée par Mouloudji, puis re-mise en musique par Max Rongier, qui l'enregistra. Le lecteur aura noté la parenté entre les précieux conseils et ceux prodigués dans En avant la zizique." (Oeuvres de Boris Vian, vol. 11, Fayard)
    An exceptional and handsome...
    €1,800
  28. « Aube adieu ! Je sors du bois hanté ; j'affronte les / routes, croix torrides »« Aube adieu ! Je sors du bois hanté ; j'affronte les / routes, croix torrides »
    André BRETON

    « Aube adieu ! Je sors du bois hanté ; j'affronte les / routes, croix torrides »Autograph poem from his youth signed and dedicated to Léon-Paul Fargue

    circa 1917-1918|22.30 x 27.60 cm|une feuille sous chemise et étui
    Remarkable autograph poem by a young André Breton, signed, titled "Poème" and dedicated to Léon-Paul Fargue, 21 lines in black ink on laid paper, dated by the author February 19, 1916, and probably composed ten days earlier. Our manuscript was written between March 1917 and early 1918.
    Presented in a chemise and slipcase covered with abstract-patterned paper boards, the chemise spine in olive-green morocco, endpapers and pastedowns in cream suede, with a flexible plexiglass sheet protecting the poem; the slipcase edged with olive-green morocco, bearing on its lower front cover an olive paper label inscribed "poème autographe"; the whole signed by Thomas Boichot.
    A...
    €4,000
  29. " Voici un quatrain lapidaire..." [joint] Calque original du quatrain destiné à orner le linteau de sa cheminée" Voici un quatrain lapidaire..." [joint] Calque original du quatrain destiné à orner le linteau de sa cheminée
    Stéphane MALLARMÉ (to Alidor DELZANT)

    " Voici un quatrain lapidaire..." [joint] Calque original du quatrain destiné à orner le linteau de sa cheminéeSigned autograph letter and signed autograph quatrain addressed to Alidor Delzant

    s. d. [15 avril 1892]|12.60 x 16.40 cm|2 pages sur un double feuillet, une carte et un calque
    Autograph letter signed by Stéphane Mallarmé to Alidor Delzant. Two pages written in black ink on a bifolium. Envelope enclosed.
    Also included is a signed autograph quatrain by Mallarmé on a card, the one later inscribed on the mantelpiece:
    « Ici le feu pour renaître
    Tantôt durable ou charmant
    Comme l'amitié du maître
    Mêle du chêne au sarment. »
    Alidor Delzant was a lawyer, collector, and bibliophile. A friend of the Goncourt brothers, he devoted a work to them and served as Edmond’s secretary and executor.
    A fine letter in which Mallarmé evokes the composition of a quatrain to adorn Delzant’s mantelpiece: « Je suis...
    €5,000
  30. "Mallarmé m'a écrit des choses pompeuses sur Lêda.""Mallarmé m'a écrit des choses pompeuses sur Lêda."
    Pierre LOUŸS (Stéphane MALLARMÉ)

    "Mallarmé m'a écrit des choses pompeuses sur Lêda."Signed autograph letter

    Paris [18]93|13.50 x 14.50 cm|quatre pages sur un feuillet remplié
    Autograph letter signed by Pierre [Louÿs], dated Christmas [18]93, addressed to Georges Louis. Four pages written in blue ink on a double blue sheet bearing the writer’s initials and headed 49 rue Vineuse.
    A fine letter addressed to his brother Georges Louis, with whom Pierre Louÿs maintained a deeply intimate relationship and whom he regarded as his own father.
    The question of Pierre Louÿs’s true parentage continues to fascinate biographers: “His father, Pierre Philippe Louis, [...] married Jeanne Constance Blanchin in 1842; she died ten years later, having borne him two children, Lucie and Georges. In 1855 he married Claire...
    €850
  31. "Je reviens, hélas ! d'un moment passé hors de Paris...""Je reviens, hélas ! d'un moment passé hors de Paris..."
    Stéphane MALLARMÉ

    "Je reviens, hélas ! d'un moment passé hors de Paris..."Signed autograph letter addressed to Alidor Delzant

    Paris 30 avril 1894|11 x 13.20 cm|3 pages sur un double feuillet et une enveloppe

    Autograph letter signed by Stéphane Mallarmé to Alidor Delzant; three pages written in black ink on a bifolium. With the original envelope.
    Alidor Delzant was a lawyer, collector, and bibliophile. A friend of the Goncourt brothers, he devoted a book to them and served as Edmond’s secretary and executor.
    A cordial letter in which the poet offers his condolences to his friend following his father’s death: "Vous m'avez, au hasard de nos rencontres amicales, plusieurs fois parlé de votre père, de façon à ce que je devinasse bon, haut et délicat et que cette tardive mais prompte séparation, à un âge qui donne une illusion chère de continuelle durée, soit, pour...

    €1,700
  32. "Je vous souhaite un temps moins fantasque, encore qu'il doive rendre charmante la mer.""Je vous souhaite un temps moins fantasque, encore qu'il doive rendre charmante la mer."
    Stéphane MALLARMÉ

    "Je vous souhaite un temps moins fantasque, encore qu'il doive rendre charmante la mer."Signed autograph card addressed to Alidor Delzant

    Paris 31 mars 1895|11.40 x 8.80 cm|une carte recto-verso et une enveloppe
    Autograph card signed by Stéphane Mallarmé, addressed to Alidor Delzant, written on both sides in black ink. Envelope enclosed.
    Alidor Delzant was a lawyer, collector, and bibliophile. A friend of the Goncourt brothers, he devoted a book to them and served as Edmond’s secretary and executor.
    "Je ne sais plus personne à Londres, envers qui je fus si infidèle ; mais pour Oxford, voici ma carte avec un mot à l'adresse de mon hôte et ami, M. York Powell. M. Louis Dyer, à qui vous porterez mes compliments les meilleurs, le connaît ; et, sans doute Cazalis, porteur, l'an dernier, d'un mot, de moi, à son adresse. Je vous souhaite un temps moins fantasque, encore...
    €2,000
  33. Einstein writes to a friend who introduced him to Carl Jung
    Einstein writes to a friend who introduced him to Carl Jung
    Carte postale autographe signée adressée au Professeur Ludwig HopfCarte postale autographe signée adressée au Professeur Ludwig Hopf
    Albert EINSTEIN (to Ludwig HOPF)

    Carte postale autographe signée adressée au Professeur Ludwig Hopf[Autograph postcard signed and addressed to Professor Ludwig Hopf]

    Zurich [Zurich] 21 juin 1910|9 x 14 cm|une carte postale

    Autograph postcard signed by Albert Einstein to Ludwig Hopf. 18 lines written verso and recto, address also in Einstein's handwriting. Postmarked June 21, 1910. 


    Published in The Collected Papers of Albert Einstein, Volume 5: The Swiss Years: Correspondence, 1902-1914, Princeton University Press, 1993, n°218, p. 242.


    An exceptional and highly aesthetic card from Albert Einstein to "the friend of the greatest geniuses of his time" - according to Schrödinger - mathematician and physicist Ludwig Hopf, who introduced Einstein to another 20th-century genius: Carl Jung.
    The master invites his pupil Hopf to a dinner...

    €15,000
  34. Le roman noir - Manuscrit autographe et tapuscrit completsLe roman noir - Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT (Horace WALPOLE)

    Le roman noir - Manuscrit autographe et tapuscrit complets[he Noir Novel – Complete Autograph Manuscript and Typescript]

    S. n. • [ Journal des débats]|s. l. • (Paris) 1944|13.50 x 21 cm|2 pages 1/2 in-4
    Autograph manuscript by the author, 2½ pages in-8, published in the issue of 30 March 1944 of the Journal des Débats.
    Complete recto-verso manuscript in very dense handwriting, containing numerous deletions, corrections and additions. This is a review published on the occasion of the reissue of Horace Walpole's The Castle of Otranto with a preface by Paul Eluard. Accompanied by the complete typescript.
    The reissue by Éditions José Corti of Horace Walpole's The Castle of Otranto with a preface by Paul Eluard offered Maurice Blanchot the opportunity to set out his definition of the Gothic novel, which, thanks notably to the Surrealists, was then enjoying a...
    €1,800
  35. Romans fantastiques.  Manuscrit autographe et tapuscrit completsRomans fantastiques.  Manuscrit autographe et tapuscrit complets
    Maurice BLANCHOT

    Romans fantastiques. Manuscrit autographe et tapuscrit complets[Fantastic Novels. Complete autograph manuscript and typescript]

    [Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript by the author, two and a half pages, octavo, published in the issue of May 4, 1944 of the Journal des Débats.
    Complete recto-verso manuscript, densely written, with numerous deletions, corrections, and additions.
    Together with the complete typescript.
    A column published on the occasion of the release of Robert Poulet’s Prélude à l'apocalypse.

    In this column devoted to the contemporary state of the fantastic novel, Maurice Blanchot focuses in particular on Robert Poulet’s Prélude à l'apocalypse which had just been published: « Le lecteur passe volontiers du réel au fantastique, mais qu'y gagne-t-il ? Les...
    €1,200
  36. Un roman de Jarry. - Manuscrit autographe et tapuscrit signé completsUn roman de Jarry. - Manuscrit autographe et tapuscrit signé complets
    Maurice BLANCHOT (Alfred JARRY)

    Un roman de Jarry. - Manuscrit autographe et tapuscrit signé complets[A Novel by Jarry – Complete Autograph Manuscript and Signed Typescript]

    S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript by the author, two and a half pages in octavo, published in the issue of April 13, 1944 of the Journal des Débats.
    Complete recto-verso manuscript, in a very dense hand, with numerous deletions, corrections, and additions.

    Accompanied by the complete signed typescript.
    A review published on the occasion of the posthumous release of Jarry’s novel, La Dragonne.

    In this review devoted to Alfred Jarry and Père Ubu, Maurice Blanchot examines the confusion between the two and its consequences: « [...] on peut penser que Jarry, en s'entêtant à être le Père Ubu, a pendant sa vie gaspillé une partie de ses...
    €3,000
  37. [MANUSCRIT] Manuel pratique de Langue Bambara à l'usage des Officiers et Sous-Officiers des Troupes Sénégalaises par le Lieutenant Rottier de L'infanterie Coloniale[MANUSCRIT] Manuel pratique de Langue Bambara à l'usage des Officiers et Sous-Officiers des Troupes Sénégalaises par le Lieutenant Rottier de L'infanterie Coloniale
    Lieutenant ROTTIER

    [MANUSCRIT] Manuel pratique de Langue Bambara à l'usage des Officiers et Sous-Officiers des Troupes Sénégalaises par le Lieutenant Rottier de L'infanterie Coloniale[[MANUSCRIPT] Practical Manual of the Bambara Language for the Use of Officers and Non-Commissioned Officers of the Senegalese Troops by Lieutenant Rottier of the Colonial Infantry]

    s. l. Juillet 1914|17 x 21.50 cm|(9 p.) 140 pages manuscrites dans un cahier
    Rare unpublished manuscript consisting of a French–Bambara lexicon intended for the use of Officers and Non-Commissioned Officers of the Senegalese Troops, written by Lieutenant Rottier.
    9 pages of handwritten introduction and 140 numbered pages penned in black ink in a lined notebook bound in half black cloth with green paper boards. With erasures and corrections, as well as a useful table of contents at the end.
    A fine and early testimony to the interest of a French officer in the Bambara language, then only spoken orally.
    The manuscript opens with nine pages of historical introduction beginning with the origins of the...
    €1,700
  38. Lettre autographe signée à Arthur HucLettre autographe signée à Arthur Huc
    Jean JAURÈS (to Arthur HUC)

    Lettre autographe signée à Arthur Huc[Autograph letter signed to Arthur Huc]

    s. d. [1909]|13.50 x 21 cm|2 feuillets sur une page rempliée
    Autograph letter signed by Jean Jaurès, headed by the Chamber of Deputies, politician and journalist Arthur Huc (1854-1932), co-director of the newspaper La Dépêche in which Jean Jaurès publishes weekly articles.
    Jean Jaurès apologizes for the irregularity with which he transmits his articles for a few months. He assures Arthur Huc that, from now on, he will endeavor to return his article on time and that he will send it to him every Tuesday. Then, Jean Jaurès wiped a paragraph concerning articles planned for the following month and the sums relating to their regulations.
    €900
  39. "Viens tout de même me voir, dirait le père Janvier qui doit pour le moins parler aussi bien que le père de Victor Hugo""Viens tout de même me voir, dirait le père Janvier qui doit pour le moins parler aussi bien que le père de Victor Hugo"
    Guillaume APOLLINAIRE (to Max JACOB)

    "Viens tout de même me voir, dirait le père Janvier qui doit pour le moins parler aussi bien que le père de Victor Hugo"Unpublished signed autograph letter addressed to Max Jacob

    Paris s. d. [ca 1918]|13.30 x 21 cm|2 pages sur un feuillet
    Unpublished autograph letter signed by Guillaume Apollinaire, addressed to Max Jacob. Two pages written in black ink on a sheet with the letterhead of the Chamber of Deputies.
    Folds inherent to mailing.
    Unpublished letter, concerning the deputy Charles Régismanset, then Director at the Ministry of Colonies: "Veux-tu dire à ton ami, que Régismanset m'a prié de te faire savoir que son cas ne comportait point d'atténuation au point de [vue] des sous-vêtements militaires."
    "La colonie a écrit en personne et émettant l'avis le plus défavorable car la maison en question a bénéficié pour l'heure d'une démobilisation importante..."
    "These 'colonies'...
    €3,500
  40. "dans une caisse qui menaçait de devenir un cercueil""dans une caisse qui menaçait de devenir un cercueil"
    Pierre PUVIS DE CHAVANNES

    "dans une caisse qui menaçait de devenir un cercueil"Autograph letter signed on his paintings

    Paris 21 octobre 1884|11.40 x 17.80 cm|une feuille
    Moving autograph letter signed by the painter Pierre Puvis de Chavannes, two pages on a folded leaf, lamenting the fate of his paintings stored at the Amiens Museum while awaiting exhibition.
    The painter addresses a recipient probably connected with the Musée de Picardie in Amiens, who had given him news of his works kept in the museum still undergoing expansion: "J'étais en effet très attristé de savoir d'une part mes tableaux en péril, et ceux qui doivent les compléter enfermés depuis plus de deux ans dans une caisse qui menaçait de devenir un cerceuil - je m'y sentais avec eux - je souffrais aussi de voir fuir cet été incandescent et si propice à la construction...
    €600
  41. "trompe-moi si tu veux, je te croirai, je veux tant te croire et j'en ai si besoin"
    Eugène DELACROIX

    "trompe-moi si tu veux, je te croirai, je veux tant te croire et j'en ai si besoin"Unpublished autograph love letter to "Julie" (Louise de Pron)

    s. d. [ca 1823]|12 x 18.20 cm|Six pages sur deux feuillets rempliés

    Almost entirely unpublished handwritten letter from the painter Eugène Delacroix to the love of his youth, the mysterious “Julie”, now identified as being Madame de Pron, by her maiden name Louise du Bois des Cours de La Maisonfort, wife of Louis-Jules Baron Rossignol de Pron and daughter of the Marquis de La Maisonfort, Minister of France in Tuscany, patron of Lamartine and friend of Chateaubriand.

    90 lines, 6 pages on two folded leaves. A few deletions and two bibliographical annotations in pencil on the upper part of the first page (“no114”).

    This letter is one of the last to his lover in private ownership, all of Delacroix's correspondence to...

    €13,500
  42. "j'ai honte d'avoir fui dans ma verdure au moment même où Whistler parlait de mon portrait à faire""j'ai honte d'avoir fui dans ma verdure au moment même où Whistler parlait de mon portrait à faire"
    Stéphane MALLARMÉ (to Alidor DELZANT)

    "j'ai honte d'avoir fui dans ma verdure au moment même où Whistler parlait de mon portrait à faire"Signed autograph letter card and signed autograph quatrain addressed to Alidor Delzant

    Valvins 23 juin 1898|8.90 x 11.50 cm|une carte recto verso - enveloppe jointe
    Autograph letter-card signed by Stéphane Mallarmé addressed to Alidor Delzant, written in black ink on both sides. With the original envelope.
    Enclosed with this letter is a quatrain in Mallarmé’s hand: "Tout en les éternisant / Bracquemond ici fait vivre / Les traits d'Alidor Delzant / A nous ouvert comme un livre."
    Alidor Delzant was a lawyer, collector, and bibliophile. A friend of the Goncourt brothers, he devoted a book to them and served as Edmond’s secretary and testamentary executor.
    A delightful card in which the “poëte ordinaire” refers to the making of his portrait by his friend, the painter Whistler: "j'ai...
    €4,000
  43. Lettre autographe datée et signée à propos d'une croisière tributaire des caprices de la météorologieLettre autographe datée et signée à propos d'une croisière tributaire des caprices de la météorologie
    Jean-Baptiste CHARCOT

    Lettre autographe datée et signée à propos d'une croisière tributaire des caprices de la météorologie[Autograph letter dated and signed concerning a cruise subject to the whims of the weather]

    Pantelleria 22 Juin 1923|21 x 27 cm|deux pages sur un feuillet
    Autograph letter dated and signed by Jean-Baptiste Charcot, known as Commandant Charcot, on Pourquoi pas? letterhead, 56 lines written in blue ink on a single leaf recto-verso, addressed to his friend Raymond Hovasse.
    Folds from mailing, ink faded.
    Adverse weather conditions prolonged a Mediterranean cruise that was initially meant to last only four days: "Mais comme la caractérisation de cette croisière depuis que nous avons quitté la Provence est le coup de vent qui dure trois jours, puis 1 jour de calme et de nouveau 3 jours de vent, nous travaillons 1 jour et tachons de nous abriter qq. part pendant les 3 mauvais. Et cela peut durer longtemps...
    €2,500
  44. Lettre autographe signée adressée à Stéphanie Geoffroy-Saint-Hilaire : de l'émancipation féminine par l'éducation : "Ç'a été pour moi une éducation à part que celle de cet enfant de 18 ans qui n'en avait que 2, il y a six mois, et qui a maintenant son âge, avec toute la candeur de l'enfance conservée."Lettre autographe signée adressée à Stéphanie Geoffroy-Saint-Hilaire : de l'émancipation féminine par l'éducation : "Ç'a été pour moi une éducation à part que celle de cet enfant de 18 ans qui n'en avait que 2, il y a six mois, et qui a maintenant son âge, avec toute la candeur de l'enfance conservée."
    George SAND

    Lettre autographe signée adressée à Stéphanie Geoffroy-Saint-Hilaire : de l'émancipation féminine par l'éducation : "Ç'a été pour moi une éducation à part que celle de cet enfant de 18 ans qui n'en avait que 2, il y a six mois, et qui a maintenant son âge, avec toute la candeur de l'enfance conservée."[Autograph letter signed addressed to Stéphanie Geoffroy-Saint-Hilaire: on women’s emancipation through education: “It has been for me a separate kind of education, that of this child of 18 who was only 2 six months ago, and who now has her age, with all the candour of childhood preserved]

    Nohant [Nohant-Vic] 3 juin 1858|13.40 x 20.90 cm|4 pages sur un feuillet remplié

    Autograph letter signed by George Sand, addressed to her friend Stéphanie Bourjot, daughter of Étienne Geoffroy-Saint-Hilaire. Four pages written in blue ink on a folded bifolium bearing George Sand’s monogram. Fold marks as usual.
     
    This letter was partially published in Correspondance, vol. XIV, no. 7846.
    A beautiful and partly unpublished letter in which George Sand discusses Marie Pape-Carpantier’s book and the education of her young maid, Marie Caillaud : « It is an excellent book, which I use to teach my young maid to read. She is extraordinarily intelligent, and this book opens her mind to all sorts of...

    €3,500
  45. First edition on japon, in full morocco with a fine autograph letter: Me voilà dans ce film de Charlot : "Charlot fait une cure"
    First edition on japon, in full morocco with a fine autograph letter: Me voilà dans ce film de Charlot : "Charlot fait une cure"
    La fin du PotomakLa fin du Potomak
    Jean COCTEAU

    La fin du Potomak[The End of the Potomak]

    Gallimard|Paris 1940|12 x 18.8 cm|Relié sous étui

    First edition, one of 10 numbered copies on imperial japon, ours one of 3 hors commerce lettered copies, a deluxe issue following 6 on chine.

    Bound in full sienna morocco, flat spine, gilt date at foot, moiré-effect endpapers and pastedowns, gilt fillet border on pastedowns, original wrappers and spine preserved (spine restored and backed), gilt edges, chemise edged in sienna morocco, slipcase in wood-effect board with white felt lining, contemporary binding signed by Roger Arnoult.

    Our copy is enriched with a one-page signed autograph letter by Jean Cocteau, mounted on a guard, written from La Roche-Posay in Vienne, probably addressed to Pierre Benoit, in which he...

    €1,800
  46. First edition in full morocco with a letter by Jean Cocteau: "Je vous aime et je me résigne à vous aimer en rêve"
    First edition in full morocco with a letter by Jean Cocteau: "Je vous aime et je me résigne à vous aimer en rêve"
    Le grand écartLe grand écart
    Jean COCTEAU

    Le grand écart[The Great Split]

    Stock|Paris 1923|12.5 x 19.2 cm|Relié sous étui

    First edition, one of 500 numbered copies on pure wove paper.

    Bound in full sienna morocco, flat spine with a slight snag at head, date gilt at foot, moiré endpapers and pastedowns, single gilt fillet framing the pastedowns, original wrappers and spine preserved, gilt edges, chemise edged in sienna morocco, slipcase of wood-grained boards lined with white felt, contemporary binding signed by Roger Arnoult.

    Our copy is enriched with a signed autograph letter, one page, by Jean Cocteau mounted on a tab, dated April 1959, probably addressed to Pierre Benoit: "Nôtre Pierre fantôme... c'est autour de votre souvenir qu'on se réunit. C'est une chaîne bien étonnante que celle...

    €800
  47. Lettre d'amour autographe signée adressée à Natalie Clifford Barney : "J'ai laissé mon cœur sur tes lèvres, il y frémira quand tu me diras : Je t'aime !"Lettre d'amour autographe signée adressée à Natalie Clifford Barney : "J'ai laissé mon cœur sur tes lèvres, il y frémira quand tu me diras : Je t'aime !"
    Renée VIVIEN (to Natalie Clifford BARNEY)

    Lettre d'amour autographe signée adressée à Natalie Clifford Barney : "J'ai laissé mon cœur sur tes lèvres, il y frémira quand tu me diras : Je t'aime !"[Autograph love letter signed and addressed to Natalie Clifford Barney: "I left my heart upon your lips, it will tremble there when you say to me: I love you!"]

    s. l. • [Londres] [London] Le 18 mars [1900]|9.90 x 15.20 cm|14 pages sur 3 doubles feuillets et 1 feuillet simple
    Very long autograph letter handwritten by Renée Vivien, signed “Pauline,” written in black ink on three bifolia with letterhead from 24 Hyde Park Street and one single leaf. Horizontal folds inherent to mailing.
    A beautiful love letter sent from London while Renée was staying with her family: « Quand je pense qu'un télégramme va banalement et brutalement t'apprendre que je reste encore une semaine à Londres, j'ai envie de pleurer. Et pourtant, il ne faut pas que je pleure, cela m'affaiblirait trop, et j'ai besoin de toutes mes forces et de mon courage. » This painful separation is, in the young woman’s eyes, a necessary evil, the promise of a radiant...
    €3,500
  48. "André Derain"  : poème autographe de jeunesse en hommage à Derain  « Ah ! plus ce brouillard tendre »"André Derain"  : poème autographe de jeunesse en hommage à Derain  « Ah ! plus ce brouillard tendre »
    André BRETON

    "André Derain" : poème autographe de jeunesse en hommage à Derain « Ah ! plus ce brouillard tendre »[André Derain": autograph youthful poem in homage to Derain “Ah! no more this tender mist]

    circa 1917-1918|22.30 x 27.60 cm|une feuille sous chemise et étui
    André Breton's remarkable autograph youth poem, entitled "André Derain", [] in black ink on laid paper, composed in March 1917. Our manuscript was written between March 1917 and the beginning of 1918.
    An essential poem of the pre-Dadaist contemporary of the author, it is part of a coherent set of seven manuscript poems by Breton (referred to as Coll.X. in André Breton's Complete Works , Volume I of La Library of the Pleiades, Gallimard, 1988, 1071). These poems, from his youthful writing, are carefully calligraphed in black ink on watermarked laid paper. This set was sent to his circle of friends and writers, including Valery, Apollinaire, Theodore Fraenkel...
    €4,800
  49. Deux manuscrits autographes signés complets intitulés "Magie quotidienne" Première version avec nombreuses ratures et corrections suivi de la version définitive [avec] enveloppe présentant des notes autographesDeux manuscrits autographes signés complets intitulés "Magie quotidienne" Première version avec nombreuses ratures et corrections suivi de la version définitive [avec] enveloppe présentant des notes autographes
    André BRETON

    Deux manuscrits autographes signés complets intitulés "Magie quotidienne" Première version avec nombreuses ratures et corrections suivi de la version définitive [avec] enveloppe présentant des notes autographesTwo complete, handwritten, signed manuscripts entitled "Magie quotidienne" First version with many crossing-outs and corrections, followed by the final version [with] envelope with handwritten notes

    26 février 1955|21.10 x 27 cm|2 pages sur 2 feuillets, 4 pages sur 4 feuillets et une enveloppe
    Two complete, handwritten, signed manuscripts entitled “Magie quotidienne” First version with many crossing-outs and corrections, followed by the final version [with] envelope with handwritten notes
    26 February 1955 | 21.1 x 27 cm and 14.5 x 11.2 cm, 2 pages on 2 leaves, 4 pages on 4 leaves and an envelope
    Complete handwritten, signed working manuscript entitled “Magie quotidienne”, two pages written in fine handwriting in black ink on two leaves from the à l'étoile scellée gallery. Many crossing-outs and corrections.
    Complete signed final manuscript of the same article, four pages written in blue ink on four...
    €4,500
  50. Trois manuscrits autographes complets de la chanson de Boris Vian intitulée  en français "Le tube " et de sa traduction manuscrite en anglais "The hit"Trois manuscrits autographes complets de la chanson de Boris Vian intitulée  en français "Le tube " et de sa traduction manuscrite en anglais "The hit"
    Boris VIAN

    Trois manuscrits autographes complets de la chanson de Boris Vian intitulée en français "Le tube " et de sa traduction manuscrite en anglais "The hit"[Three complete autograph manuscripts of Boris Vian’s song entitled in French “Le tube” and of its handwritten English translation “The Hit]

    S. n.|s. l. 1957|13.50 x 21 cm|8 feuillets perforés
    Two complete autograph manuscripts, of two and four perforated leaves respectively, comprising 58 and 61 lines written in blue and black ballpoint pen, of the song entitled "Le tube".
    The second manuscript in French contains a few erasures, additions, and corrections.
    The French manuscripts are accompanied by an English translation, "The hit", on two leaves (56 lines) written in black ballpoint pen.
    The manuscripts correspond to the final texts in both French and English of the song.
    We include, on three perforated leaves, two complete typescripts of the song, one mounted on thin card (one in French, the...
    €2,000
  51. Lettre autographe signée inédite à un commissaireLettre autographe signée inédite à un commissaire
    Giacomo PUCCINI

    Lettre autographe signée inédite à un commissaireUnpublished autograph letter signed by Giacomo Puccini to a patron

    Boscolungo 29 août 1903|11.20 x 18 cm|2 pages sur 2 feuillets
    Unpublished autograph letter signed by Giacomo Puccini to a patron; two pages written in black ink on two leaves.
    Leaves uniformly shaded, traces of former pasted mounts on verso.
    A photographic reproduction of the famous composer's portrait is enclosed.
    Puccini responds to a patron's request to have La Bohème performed at a charity event: "Io non ho niente in contrario che la Bohème venga eseguita per una sera corta a scopo benefico." [I have no problem with La Bohème being performed for a charity event]. "Credo pero che sarebbe bene avere anche la adesione della Casa Ricordi proprietaria dello spartito." [I believe, however...
    €1,800
  52. "Le paradis d'Anne Béranger !""Le paradis d'Anne Béranger !"
    Maurice BÉJART

    "Le paradis d'Anne Béranger !"Signed autograph postcard addressed to André-Philippe Hersin

    Sénégal [Senegal] s. d. [ca 1970]|14.80 x 10.60 cm|une carte postale
    Autograph postcard signed by Maurice Béjart to André-Philippe Hersin. A few lines in blue ink on the verso of a color photographic view of the Ziguinchor market (Senegal).
    Journalist, dance critic and editor-in-chief of Les Saisons de la danse, Hersin was a staunch advocate of Béjart’s choreographic style and devoted laudatory articles in his journal as well as monographic booklets to his work.
    "Le paradis d'Anne Béranger ! Je ramènerai moi-même certaines tenues surprenantes. Je pense souvent à vous ici (ne riez pas) je vous embrasse. Maurice"
    In 1977, Maurice Béjart founded the Mudra-Afrique school in Dakar, thereby honoring the...
    €450
  53. "Je reçois les Saisons à l'instant et c'est une joie de vous sentir présent à travers les lignes""Je reçois les Saisons à l'instant et c'est une joie de vous sentir présent à travers les lignes"
    Maurice BÉJART

    "Je reçois les Saisons à l'instant et c'est une joie de vous sentir présent à travers les lignes"Signed autograph postcard addressed to André-Philippe Hersin

    Capri 20 juillet 1972|10.40 x 15 cm|une carte postale
    Autograph postcard signed by Maurice Béjart from Capri, addressed to André-Philippe Hersin, then in Avignon for the theatre and dance festival. On the verso, a drawing depicting the coat of arms of Sir Galahad.
    The choreographer sends a warm message to the editor of Saisons de la danse, whose latest issue he had just read. Hersin was indeed a great champion of Béjart’s choreographic style and devoted laudatory articles to him in his journal, as well as monographic booklets on his work.
    €230
  54. Lettre autographe signée au chorégraphe Maurice Béjart Lettre autographe signée au chorégraphe Maurice Béjart
    Pierre KLOSSOWSKI (to Maurice BÉJART)

    Lettre autographe signée au chorégraphe Maurice Béjart Handwritten letter signed by the writer Pierre Klossowski addressed to Maurice Bejart, dated 5 August 1969.

    Paris 5 août 1969|21 x 27 cm|trois feuilles
    Handwritten letter signed by the writer Pierre Klossowski addressed to Maurice Béjart, dated 5 August 1969.
    58 lines written in black ink on three leaves.
    Interesting letter regarding choreographer Maurice Béjart's project to adapt Klossowski's Baphomet into a ballet.
    Klossowski had met Maurice Béjart through a mutual friend, the writer and film maker François Weyergans. The idea of a ballet based on Klossowski's book Le Baphomet was born out of this meeting. This medieval baroque tale, published four years earlier, recounted the mystical vicissitudes and the religious divides of the Templar. The writer, obsessed by the project, confided his doubts about such an undertaking...
    €1,000
  55. Autograph personal diary for the year 1969
    Autograph personal diary for the year 1969
    Journal intime autographe Journal intime autographe
    Maurice BÉJART

    Journal intime autographe Autograph personal diary for the year 1969

    1969|16.80 x 21.60 cm|carnet en spirales

    Personal diary handwritten by Maurice Béjart, written in a 1969 diary celebrating the centenary of the birth of Mahatma Gandhi.
    52 handwritten leaves, written in red and blue pen in a spiral-bound notebook. This diary features amongst Béjart's very rare, privately owned manuscripts, the choreographer's archives being shared between his house in Brussels, the Béjart foundation in Lausanne and the Théâtre Royal de la Monnaie.
    The choreographer Maurice Béjart's diary written during the year 1969. An extremely rare collection of thoughts, questions and introspections from the point of view of Hinduism and Buddhist wisdom, which Béjart adopts following his first trip to...

    €6,000
  56. Manuscrit autographe signé de l'éloge funèbre de Serge DiaghilevManuscrit autographe signé de l'éloge funèbre de Serge Diaghilev
    Jacques-Émile BLANCHE (Serge de DIAGHILEW)

    Manuscrit autographe signé de l'éloge funèbre de Serge Diaghilev[Autograph manuscript signed of the funeral eulogy for Serge Diaghilev]

    s. d. [fin 1929 ?]|20 x 25.30 cm|en feuillets

    Autograph manuscript signed by the painter and writer Jacques-Émile Blanche, entitled « Serge de Diaghileff ». Five leaves written in black ink, with numerous corrections in blue. Autograph foliation in black ink, later foliation in blue pencil. Leaf 4, originally in two parts, was joined with a strip of adhesive affixed to the verso.

    Crossed-out passages and corrections.

    A very fine funeral oration by Jacques-Émile Blanche for his friend Serge Diaghilev, director of the celebrated Ballets Russes.
    The painter and writer Jacques-Émile Blanche pays tribute to the genius of Serge Diaghilev, shortly after his death in Venice in 1929. Chosen as...

    €1,200
  57. Carte postale autographe signée adressée à Raymond QueneauCarte postale autographe signée adressée à Raymond Queneau
    Jean HÉLION (to Raymond QUENEAU)

    Carte postale autographe signée adressée à Raymond Queneau

    Somme 13 août 1938|14 x 9 cm|une carte postale
    Autograph postcard signed by Jean Hélion and his wife Jean Blair, addressed to Raymond Queneau, written in black ink on the verso of a black-and-white photographic reproduction of a winter scene on a frozen pond in Franvillers, Somme.
    A charming poetic card recalling the painter’s youth in the Somme: "Des villages de briques, monotones et secs, étirés le long d'une route unique. C'est la Somme où j'ai passé 8 ou 9 ans de jeunesse."

    €500
  58. Supermanfred, man of style
    Supermanfred, man of style
    Carnet personnel de Thierry Mugler contenant des dessins et aphorismes autographes originauxCarnet personnel de Thierry Mugler contenant des dessins et aphorismes autographes originaux
    Thierry MUGLER

    Carnet personnel de Thierry Mugler contenant des dessins et aphorismes autographes originauxPersonal notebook of Manfred Thierry Mugler containing original autograph drawings and aphorisms.

    s. d. [ca 2012]|15.50 x 21.50 cm|relié

    Black cloth binding. A white star made by Mugler in corrector fluid on the first cover.

    Fifteen pages of the notebook filled in by the fashion designer:
    - The first page, in neon blue felt-tip pen, with the word "Yes" as and large exclamation mark ending with the iconic Mugler star.
    - A double page with the word "white" enhanced with corrector fluid and in capital letters on a black felt-tip background, in orange the words "Indehain" (?) and "TRIBE" with a drawing depicting a sun, several notes in black ballpoint pen: "Aelino Rock-Elektro", "DJ", "Syath Choreographie".
    - A double page with a wonderful drawing of a naked Black woman with voluminous pink...

    €2,500
  59. Eneco (épisode 1)Eneco (épisode 1)
    Jean-Charles de CASTELBAJAC

    Eneco (épisode 1)

    Scali graphic|Paris 2006|17 x 24 cm|broché
    First edition on regular paper.
    Two small stains on the front cover.
    Autograph inscription dated and signed by Jean-Jacques de Castelbajac to a friend named Agathe, enriched with a drawing depicting Eneco and his dog Spad, Eneco addressing his dog "Ecoute Spad, je connais Agathe depuis longtemps," to which his dog replies "Ah je vois !"
    €450
  60. Photographie originale dédicacée et lettre manuscrite de Pierre DaninosPhotographie originale dédicacée et lettre manuscrite de Pierre Daninos
    Pierre DANINOS

    Photographie originale dédicacée et lettre manuscrite de Pierre Daninos

    s. n.|No Location 1974|15.5 x 19.5 cm|Une photographie + une enveloppe

    Original black and white photograph showing Pierre Daninos with a slight smile.

    A handsome ensemble. We enclose the handwritten envelope in which the photograph was sent.

    Inscribed, dated and signed by Pierre Daninos in blue felt-tip pen, addressed to the prominent autograph collector Claude Armand.

    Also included is a ten-line autograph letter, dated and signed, in which Pierre Daninos thanks Claude Armand and shares the title of his forthcoming book, the result of his journey around the world: "Les touristocrates".

    €170
  61. Manuscrit autographe sur Hemingway intitulé [traduit de ...]Manuscrit autographe sur Hemingway intitulé [traduit de ...]
    Maurice BLANCHOT (Ernest HEMINGWAY)

    Manuscrit autographe sur Hemingway intitulé [traduit de ...]Autograph manuscript on Hemingway

    1946|13.50 x 21 cm|en feuilles

    (HEMINGWAY) BLANCHOT Maurice. Autograph manuscript on Hemingway
    1946, 16 pages 1/2 in-8 (13,5 x 21 cm), loose leaves
    Author's autograph manuscript, 16 and a half 8vo pages, published in number 17 of L'Arche (July 1946) and reprinted, with slight modifications, in La Part du Feu (1949).
    Complete manuscript, written recto-verso, very densely spaced, with numerous deletions, corrections, and additions.
    In order to examine the problems related to the translation of a literary text into another language, Maurice Blanchot looks at the contemporary American novel and its perception in Europe.
    “Many good...
    €2,800
  62. "Façon poème autographe de jeunesse""Façon poème autographe de jeunesse"
    André BRETON

    "Façon poème autographe de jeunesse"Autograph poem from his youth

    circa 1917-1918|22.30 x 27.60 cm|une feuille sous chemise et étui
    André Breton's remarkable autograph youth poem, [not always signed] in black ink on laid paper, [dated] or probably composed around [].
    Poem copied from the hand of the author, probably before its publication [head of] in his first collection, Mount of Piety , which appeared in June 1919 at the publishing house Au sans Pareil, newly founded by his friend Rene Hilsum . The poems of Mont de Piety , essential jewels of the Breton youth, were composed during the contemporary 1913-1919, between his seventeenth and twenty-third year, that he passes as mobilized in the heart of the bloody chaos of the First World War. This piece, carefully handwritten by...
    €4,800
  63. "Cela vous ennuirait-il [sic] d'écrire à Mirbeau qu'un Signac, à votre avis, ne ressemble pas plus à un Seurat qu'un Hokousai à un Hiroshigé... "
    Paul SIGNAC (to Camille PISSARRO)

    "Cela vous ennuirait-il [sic] d'écrire à Mirbeau qu'un Signac, à votre avis, ne ressemble pas plus à un Seurat qu'un Hokousai à un Hiroshigé... "Signed autograph letter addressed to Camille Pissarro

    s. d. [23 janvier 1894]|22.60 x 17.50 cm|2 pages sur un double feuillet déplié
    Autograph letter signed by Paul Signac addressed to Camille Pissarro, written in black ink over two pages and signed with the artist’s monogram.
    This letter was transcribed in the article by Pierre Michel and Christian Limousin entitled "Octave Mirbeau et Paul Signac - Une lettre inédite de Signac à Mirbeau" (in Cahiers Octave Mirbeau, no. 16, March 2009, pp. 202-210).
    "Mon cher Maître, Cela vous ennuirait-il [sic] d'écrire à Mirbeau qu'un Signac, à votre avis, ne ressemble pas plus à un Seurat qu'un Hokousai à un Hiroshigé... si toutes fois (sic) le reproche d'imitation dont il cherche à m'accabler vous semble injuste. L'amitié que vous m'avez...
    €2,800
  64. "Oui, aimez Stendhal, voilà une admiration que je comprends complètement.""Oui, aimez Stendhal, voilà une admiration que je comprends complètement."
    Jean WAHL

    "Oui, aimez Stendhal, voilà une admiration que je comprends complètement."Signed autograph letter addressed to Marc Barbezat

    Paris 5 novembre 1939|13.50 x 20.80 cm|2 pages sur un feuillet, enveloppe jointe double
    Autograph letter signed by Jean Wahl addressed to Marc Barbezat, two pages written in blue ink on a single bifolium. Original envelope enclosed. Horizontal folds from mailing.
    Jean Wahl had been Marc Barbezat’s examiner in philosophy for the baccalauréat, at which point the two men struck up a friendship. In 1940, shortly after writing this letter, Barbezat would found the review L'Arbalète, to which the philosopher contributed by entrusting his young protégé with his earliest poems. This review would later become a publishing house that issued, among others, the first and scandalous texts of Jean Genet.
    "Il y a beaucoup de points sur lesquels je...
    €300
  65. L'an 1964L'an 1964
    René CHAR, Pierre-André BENOIT

    L'an 1964

    P.A.B.|Alès 1964|11 x 14 cm|broché
    First edition, one of 57 copies printed on Arches, justified and numbered in the colophon by Pierre-André Benoît, the only deluxe copies after 7 on China paper.
    A desirable and rare copy.
    With René Char’s handwritten initials at the colophon.
    Our copy is further enriched with a manuscript poem by René Char, in pencil, signed with his initials on the title page: "Tel un oiseau de mer qui n'accepte pas d'être arraché à sa vague pour suivre l'amont."

    €1,500
  66. « J'avais la chance de pouvoir acquérir le lot entier un jour avant que Bayreuth envoyait une personne de confiance »« J'avais la chance de pouvoir acquérir le lot entier un jour avant que Bayreuth envoyait une personne de confiance »
    Stefan ZWEIG

    « J'avais la chance de pouvoir acquérir le lot entier un jour avant que Bayreuth envoyait une personne de confiance »Signed autograph letter addressed to Alfred Cortot and his wife about Richard Wagner's manuscript collection

    Londres [London] 26 décembre 1937|17.90 x 22.90 cm|une feuille
    Signed autograph letter to Alfred Cortot and his wife about Richard Wagner's manuscript collection: "I was lucky enough to be able to acquire the entire lot one day before Bayreuth sent a trusted buyer".
    London 26 December 1937, 17.9x22.9cm, one leaf.

    Autograph letter signed by Stefan Zweig to Alfred Cortot, two pages on one sheet written in violet ink.
    An outstanding autograph letter in which the avid collector informs his friend Alfred Cortot of his acquisition of unpublished manuscripts of Wagner. Alfred Cortot himself owes his career as a conductor to his early discovery of the German composer. Cortot shared with Zweig his...
    €7,000
  67. "j'ai trouvé le photographe de "Beaux Arts" qui m'a dit qu'ils ont déjà sufisamment de matériaux pour le reportage""j'ai trouvé le photographe de "Beaux Arts" qui m'a dit qu'ils ont déjà sufisamment de matériaux pour le reportage"
    Antoni TÀPIES

    "j'ai trouvé le photographe de "Beaux Arts" qui m'a dit qu'ils ont déjà sufisamment de matériaux pour le reportage"Autograph letter signed by Antoni Tàpies to Georges Raillard

    Barcelone [Barcelona] 19 décembre 1990|22 x 20 cm|une feuille
    Autograph letter signed by Antoni Tàpies to Georges Raillard, his close friend and foremost French specialist of his work. One sheet written in black ink on headed paper bearing the author's name and, at the foot, his Barcelona address: "C. Zaragoza, 57 - Tel. 217 33 98 - Barcelona-6." Fold marks from mailing.
    The Catalan artist writes to his friend regarding the forthcoming article "Tàpies dans ses murs" published in issue 88 of Beaux Arts magazine in March 1991: "Malheureusement nous n'avons pas d'autres photos de la maison. D'un autre côté j'ai trouvé le photographe de 'Beaux Arts' qui m'a dit qu'ils ont déjà suffisamment de matériaux pour le...
    €600
  68. « Je dois vous prévenir que je suis plus muet et plus ennuyeux que jamais [...] »« Je dois vous prévenir que je suis plus muet et plus ennuyeux que jamais [...] »
    Guy de MAUPASSANT (to Emmanuela POTOCKA)

    « Je dois vous prévenir que je suis plus muet et plus ennuyeux que jamais [...] »Autograph letter card signed to Countess Potocka

    s. l. • [Paris] s. d. [circa juillet 1884-décembre 1889]|7 x 9.10 cm|2 pages sur une carte-lettre
    Autograph letter-card signed by Guy de Maupassant to Countess Potocka, 13 lines in black ink, on letterhead « GM 10, rue Montchanin ».
    Published in Marlo Johnston, « Lettres inédites de Maupassant à la comtesse Potocka », Histoires littéraires, no. 40, October-November-December 2009.
    From 1877 onwards, Maupassant’s health underwent continuous decline, beginning that year with the contraction of syphilis. In addition, he had to contend with hereditary dementia within the family. Subject to violent migraines, his sociability sometimes suffered:
    « Je dois vous prévenir que je suis plus muet et plus ennuyeux que jamais, je le sais, vous pouvez donc ne pas...
    €2,000
  69. Manuscrit autographe complet La fiancée de CorintheManuscrit autographe complet La fiancée de Corinthe
    Éphraïm MIKHAËL, Bernard LAZARE

    Manuscrit autographe complet La fiancée de Corinthe

    S. n.|s. l. 1888|24.50 x 31.50 cm|relié
    Gilbert Lély, "Ephraïm Mikhaël", Nos Poètes, 15 Feb. 1925, cited in Ephraïm Mikhaël, Poèmes en vers et en prose, edited by Matthew Screech, Droz, 1994


    €6,800
  70. Manuscrit autographe complet de la chanson de Boris Vian intitulée "Au bal"Manuscrit autographe complet de la chanson de Boris Vian intitulée "Au bal"
    Boris VIAN

    Manuscrit autographe complet de la chanson de Boris Vian intitulée "Au bal"

    S. n.|s. l. s. d. [1958]|13.50 x 21 cm|3 feuillets
    Complete autograph manuscript of 38 lines written in blue ballpoint pen of the song "Au bal," comprising three leaves and featuring numerous deletions, alterations, and corrections by Boris Vian.
    Accompanied by the typescript and the booklet, printed in 1962 by the Henri Salvador music editions, who composed the music for this song, performed by Bob Calfati and his orchestra.
    An exceptional and attractive ensemble.
    Provenance: Fondation Boris Vian.
    €1,800
  71. Quelques notes sur le "pouvoir"Quelques notes sur le "pouvoir"
    Jean GENET

    Quelques notes sur le "pouvoir"Unpublished autograph manuscript of Jean Genet bringing together notes and reflections on power that he entitled

    S. n.|s. l. s. d. [circa 1968]|22 x 29 cm|6 feuillets 1/4
    Unpublished autograph manuscript comprising 6 and a quarter leaves written in black ink, containing around twenty notes and digressive reflections relating to the exercise of power.
    - "Where does the law come from? From power. The law is the voice and instrument of power. Power precedes the law and gives birth to it."
    - "The working masses are not about to accept, nor to consider as political, the rape of a little girl – nor of a little boy. We live in such a moral climate that it first makes us pity the pain of the parents, it makes us reject the cruelty of the act... The worker needs a certain respectability in order to stand equal here with the present...
    €4,000
  72. "Naïs et Chloé" Poème saphique autographe inédit signé d'Alexandre Dumas"Naïs et Chloé" Poème saphique autographe inédit signé d'Alexandre Dumas
    Alexandre DUMAS

    "Naïs et Chloé" Poème saphique autographe inédit signé d'Alexandre DumasUnpublished handwritten sapphic poem signed by Alexandre Dumas

    s. d. [circa 1860]|20.60 x 27.60 cm|un feuillet remplié
    DUMAS Alexandre
    Naïs et Chloé. Unpublished handwritten sapphic poem signed by Alexandre Dumas
    N. d. (c. 1860), 20,6 x 27,6 cm, one folded leaf
    Autograph manuscript poem signed by Alexandre Dumas bearing the title “Naïs et Chloé,” 84 verses in black ink on a blue folded leaf of paper. A few tiny tears without damage to the text, invariably produced when a leaf of paper is folded.
    A very rare manuscript of a long unpublished poem depicting the love of Naïs and Chloé, the writing of which is motivated by the admiration and tribute paid by Alexandre Dumas to one of the greatest figures of ancient poetry, Sappho.
    A prolific...
    €8,000
  73. [MARINE ESPAGNE] Relazion de la Esquadra para salir à la Mar, del mando del Exmo Sor Dn Luis de Cordoua y los Exmos Dn Anto de Vllua y Dn Migl Gaston[MARINE ESPAGNE] Relazion de la Esquadra para salir à la Mar, del mando del Exmo Sor Dn Luis de Cordoua y los Exmos Dn Anto de Vllua y Dn Migl Gaston
    (Luis de CORDOVA Y CORDOVA)

    [MARINE ESPAGNE] Relazion de la Esquadra para salir à la Mar, del mando del Exmo Sor Dn Luis de Cordoua y los Exmos Dn Anto de Vllua y Dn Migl Gaston"\[SPANISH NAVY] Report of the Squadron setting out to sea, under the command of His Excellency Don Luis de Córdova and Their Excellencies Don Antonio de Ulloa and Don Miguel Gastón"

    s. n.|No Location s.d. (ca 1779-1780)|14.8 x 20.8 cm|Une feuille

    Three-and-a-quarter-page manuscript written in black ink on a bifolium.

    One vertical fold.

    Manuscript detailing the nominal roster of the Spanish squadron that set sail under the command of Don Luis de Cordova, Don Antonio de Ulloa, and Don Miguel Gastón.

     

    €2,000
  74. 44 coloured plates of Breton costumes
    44 coloured plates of Breton costumes
    Costumes de la Bretagne - Album contenant 44 planches de costumes dessinés au crayon ou aquarellésCostumes de la Bretagne - Album contenant 44 planches de costumes dessinés au crayon ou aquarellés
    ANONYME

    Costumes de la Bretagne - Album contenant 44 planches de costumes dessinés au crayon ou aquarellés

    S.n. |s.l. s. d. (ca 1850)|30.5 x 40.5 cm|Relié

    Album comprising 44 plates of Breton costumes, the first two drawn in pencil, the others delicately watercoloured, mounted on heavy paper, some with captions, unsigned.

    Bound in contemporary half green sheep, spine decorated with gilt and black fillets, gilt garlands and fleurons, some rubbing to the spine, embossed cherry-red cloth boards, bumped corners, a few scuffs along the edges.

    A handsome album of Breton costumes in the manner of Hippolyte Lalaisse and his Galerie armoricaine of 1848.

    Particularly focused on the Breton-speaking departments (Western Morbihan and Finistère): 1. [Seated bagpipe player]. – 2. [Peasant dance]. – 3. Woman from the Auray area...

    €3,000
  75. EXTREMELY RARE UNPUBLISHED MANUSCRIPT OF THE FRENCH TRANSLATION
    EXTREMELY RARE UNPUBLISHED MANUSCRIPT OF THE FRENCH TRANSLATION
    (MANUSCRIT] Traité de Jurisprudence Maritime-Commerciale Ancienne & Moderne(MANUSCRIT] Traité de Jurisprudence Maritime-Commerciale Ancienne & Moderne
    Luigi PIANTANIDA

    (MANUSCRIT] Traité de Jurisprudence Maritime-Commerciale Ancienne & Moderne

    S.n.|s.l. 1809|25.5 x 39.3 cm|Relié

    Unpublished French manuscript translation of the Giurisprudenza marittima-commerciale antica e moderna, Luigi Piantanida's monumental four-volume treatise on maritime and commercial law, published in Milan between 1806 and 1808 and dedicated to Napoleon. The translation was prepared by a certain J. Brunet, whose identity has not been established. Folio (25.5 × 39.3 cm), 680 unnumbered manuscript pages.

     

    Modern period-style binding in half mottled tan calf with vellum corners...

    €6,000
  76. Billet autographe signé adressé à Alphonse Daudet l'invitant à la première, au théâtre, de son Pêcheur d'Islande : "vous ne pouvez pas me refuser cela"Billet autographe signé adressé à Alphonse Daudet l'invitant à la première, au théâtre, de son Pêcheur d'Islande : "vous ne pouvez pas me refuser cela"
    (Alphonse DAUDET) Pierre LOTI

    Billet autographe signé adressé à Alphonse Daudet l'invitant à la première, au théâtre, de son Pêcheur d'Islande : "vous ne pouvez pas me refuser cela"

    s. n.|No Location s. d. [1893]|11 x 17.5 cm|Un double feuillet

    Autograph letter signed by Pierre Loti, addressed to Alphonse Daudet (not named explicitly), inviting him to the premiere of his *Pêcheur d'Islande* at the Grand Théâtre on 18 February 1893; 8 lines in black ink on a bifolium.

    "Je voudrais bien vous avoir samedi à la première de 'Pêcheur', avec madame Daudet. Vous ne pouvez pas me refuser cela. J'irai vous chercher. Tendres respects. Pierre Loti."

    In collaboration with Louis Tiercelin, Pierre Loti adapted his literary masterpiece and great popular success for the stage.

    This note was previously mounted on a guard to be inserted into a book, and was later removed.

    €300
  77. Carte postale autographe adressée depuis Yale à son ami Jos JolietCarte postale autographe adressée depuis Yale à son ami Jos Joliet
    Jacques DERRIDA

    Carte postale autographe adressée depuis Yale à son ami Jos Joliet

    s. n.|1980|15 x 10.2 cm|Une carte postale + une enveloppe

    Autograph postcard signed by Jacques Derrida, addressed to his friend Jos Joliet from Yale University in Connecticut, 18 lines in blue ink, with the original handwritten envelope enclosed.

    The postcard shows a view of Yale University's Sterling Memorial Library.

    In 1975, Jacques Derrida was appointed visiting professor at Yale University in New Haven, Connecticut.

    Jacques Derrida laments not having had the chance to see his friend while expressing joy at soon returning to France: "Dans quelques jours, je serai rentré (heureux de retrouver les 'proches' mais un peu terrifié à l'idée de ce que je vais devoir affronter autrement..."

    Joseph Joliet, a...

    €750
  78. Carte postale autographe adressée à son proche ami et monographe Ariel Denis : "j'avais décidément raison de vous recommander une saine stratégie syndicale..."Carte postale autographe adressée à son proche ami et monographe Ariel Denis : "j'avais décidément raison de vous recommander une saine stratégie syndicale..."
    Julien GRACQ

    Carte postale autographe adressée à son proche ami et monographe Ariel Denis : "j'avais décidément raison de vous recommander une saine stratégie syndicale..."

    s. n.|No Location s. d. [1981]|15 x 10.5 cm|Une carte postale

    Autograph postcard signed and addressed to his friend Ariel Denis from his summer residence in Vendée, 22 lines in black ink.

    The postcard shows a general view of the coastal cliffs of Saint-Hilaire-de-Riez in Vendée.

    Julien Gracq expresses his satisfaction with the advice he had given his friend, while lamenting the petty calculations of administrative life: "j'avais décidément raison de vous recommander une saine stratégie syndicale : faute ce cet appui je crains qu'il n'y ait plus de belle carrière dans l'enseignement ! J'espère tout de même que la stabilité au moins va venir couronner vos efforts (il y en a un de ma part sous le beau style ! malgré...

    €500
  79. "It’s such a miracle to have a home that is truly ours, and the sea so close by. I bless you."
    "It’s such a miracle to have a home that is truly ours, and the sea so close by. I bless you."
     "C'est si merveilleux de s'être retrouvés l'un près de l'autre"
    Jean COCTEAU (Jean MARAIS)

    "C'est si merveilleux de s'être retrouvés l'un près de l'autre"Autograph letter addressed to his great love Jean Marais

    s. d. [juillet 1940]|21 x 27 cm|Une page sur un feuillet

    Autograph letter signed by Jean Cocteau, marked with his famous star, addressed to his great love, the actor Jean Marais. One page penned in black ink on a single sheet.
    Traces of folds, horizontal creases inherent to mailing, two ink spots on the blank verso not affecting the text.
    A magnificent love letter from Cocteau to Marais, who together formed one of the most iconic artistic couples of the 20th century. Set against the backdrop of turmoil and the German Occupation, their unbreakable bond is embodied in this letter of the writer, filled with desperate tones.

    €2,000
  80. Lettre autographe datée et signée adresée à un ami journaliste : "Vous savez combien tout ce qui vient de vous touche le plus sensible de mon coeur..."Lettre autographe datée et signée adresée à un ami journaliste : "Vous savez combien tout ce qui vient de vous touche le plus sensible de mon coeur..."
    Cécile SOREL

    Lettre autographe datée et signée adresée à un ami journaliste : "Vous savez combien tout ce qui vient de vous touche le plus sensible de mon coeur..."

    s. l. [No Location] 18 avril 1913|14.5 x 19.5 cm|Un double feuillet

    Autograph letter dated and signed by Cécile Sorel, comprising 23 lines in blue ink on a bifolium bearing her monogram as Countess of Ségur by marriage.

     

     

    Folds consistent with mailing.

     

     

    The actress thanks her correspondent, a journalist at Théâtre, for his glowing review: "Vous savez combien tout ce qui vient de vous touche le plus sensible de mon coeur, jugez de ma joie en lisant les belles lignes que vous me consacrez."

     

     

    As a token of her gratitude, she sent him flowers and invited him to visit her soon: "faites-moi la joie de venir déjeuner et causer avec moi de la pièce qui dort dans vos...

    €150
  81. Lettre autographe signée adressée depuis Algésiras à son ami Pierre Louÿs : "Il est simplement five o' clock, et je n'ai pas reculé aujourd'hui devant deux heures et demie de bateau à vapeur"Lettre autographe signée adressée depuis Algésiras à son ami Pierre Louÿs : "Il est simplement five o' clock, et je n'ai pas reculé aujourd'hui devant deux heures et demie de bateau à vapeur"
    (Pierre LOUŸS) Claude FARRÈRE

    Lettre autographe signée adressée depuis Algésiras à son ami Pierre Louÿs : "Il est simplement five o' clock, et je n'ai pas reculé aujourd'hui devant deux heures et demie de bateau à vapeur"

    s. n.|21 avril 1908|11.2 x 17.5 cm|Deux bi-feuillets + une enveloppe

    Autograph letter signed with his real surname, Fargonne, addressed to his friend Pierre Louÿs, 7 pages written in black ink on two bifolia bearing the letterhead of the Reina Christina Hotel in Algeciras.

    Folding marks inherent to mailing, envelope included.

    After postponing his reply, Claude Farrère finally decides to write to his friend: "Et plutôt que d'attendre toute ma vie (on ne sait jamais, affirmait la Mirabelle du roi Pausole), je préfère vous dire aujourd'hui que je ne sais rien." He takes the opportunity to evoke a recently deceased mutual friend: "j'ai eu une vraie désolation, en apprenant que la pauvre Nite était morte - je vous jure que...

    €300
  82. Féroce lettre autographe signée adressée à Jacques Chardonne : "Mendès-France est un marchand de cravates me dit Stephen Hecquet..."Féroce lettre autographe signée adressée à Jacques Chardonne : "Mendès-France est un marchand de cravates me dit Stephen Hecquet..."
    (Jacques CHARDONNE) Roger NIMIER

    Féroce lettre autographe signée adressée à Jacques Chardonne : "Mendès-France est un marchand de cravates me dit Stephen Hecquet..."

    s. n.|Paris s. d. [1960]|13.5 x 21.1 cm|Une feuille

    Fierce autograph letter signed, addressed to Jacques Chardonne—though not named—comprising 30 lines in black ink on letterhead of the journal Le Nouveau Fémina, concerning cultural life and current political affairs.

    Folding marks inherent to mailing, a black ink stain not affecting the text, and two small holes: the first causing the loss of one letter—the second "e" in Hecquet; the second resulting in the loss of the word "il".

    "Les dernières lettres sont épatantes. Et courtes, comme il fallait pour ne pas trop s'éloigner du drame. Les oeuvres complètes de Léon Blum vont paraître chez Albin Michel. On va voir. Anatole de Monzie, homme...

    €350
  83. Lettre autographe datée et signée adressée à son ami Pierre Louÿs relatant son réveillon de Noël mouvementé : " la célèbre Edith et la belliqueuse Lulu, - toutes deux ayant constaté que je m'étais permis d'embrasser l'une et l'autre." Lettre autographe datée et signée adressée à son ami Pierre Louÿs relatant son réveillon de Noël mouvementé : " la célèbre Edith et la belliqueuse Lulu, - toutes deux ayant constaté que je m'étais permis d'embrasser l'une et l'autre."
    (Pierre LOUŸS) Claude FARRÈRE

    Lettre autographe datée et signée adressée à son ami Pierre Louÿs relatant son réveillon de Noël mouvementé : " la célèbre Edith et la belliqueuse Lulu, - toutes deux ayant constaté que je m'étais permis d'embrasser l'une et l'autre."

    26 décembre 1908|13.3 x 21.5 cm|Un double feuillet + une enveloppe

    Autograph letter, dated and signed, sent from Toulon to his friend Pierre Louÿs, four pages penned in violet ink on a bifolium.

    Folding crease from mailing, manuscript envelope included.

    Through this correspondence, Claude Farrère reproaches his friend for deepening his sadness and distress: "Votre petite lettre de l'autre jour m'a très bien fait comprendre que vous avez dix mille ennuis en ce moment. Et vous en ajoutez un de plus, pour m'envoyer plus vite cette bêtise à laquelle je ne songeais pas du tout , Pourquoi, encore ! Je suis votre ami, enfin ! Et je vous jure que cela m'a fait de la peine, de songer que j'avais involontairement augmenté cette...

    €250
  84. Lettre autographe signée à son ami Pierre Louÿs évoquant leur ami commun Auguste Gilbert des VoisinsLettre autographe signée à son ami Pierre Louÿs évoquant leur ami commun Auguste Gilbert des Voisins
    (Pierre LOUŸS) Claude FARRÈRE

    Lettre autographe signée à son ami Pierre Louÿs évoquant leur ami commun Auguste Gilbert des Voisins

    s. n.|Toulon 1908|13.2 x 21.7 cm|Une feuille + une enveloppe

    Autograph letter signed, addressed to his friend Pierre Louÿs from Toulon, 16 lines written in violet ink, expressing concern about a mutual friend nicknamed Augusto, almost certainly Auguste Gilbert de Voisins.

    Folding crease from mailing, envelope enclosed. A handsome copy.

    "Friday,

    my dear friend, it's mail time. Quickly, quickly! I received your telegram this morning and have replied. Your opening words were very sweet to me. Thank you. I'm forwarding you a letter from Augusto. It frightened me terribly. I’ll telegraph you as soon as I know more. Yours with all my heart. C.B."

    €180
  85. Lettre autographe signé de Jean-Jacques henner à son ami Castagnary à propos d'un rendez-vous manqué Lettre autographe signé de Jean-Jacques henner à son ami Castagnary à propos d'un rendez-vous manqué
    Jean-Jacques HENNER

    Lettre autographe signé de Jean-Jacques henner à son ami Castagnary à propos d'un rendez-vous manqué

    s. n.|Paris s. d. [1883]|10 x 15.4 cm|Un double feuillet

    Autograph letter signed by Jean-Jacques Henner to his friend Castagnary, 18 lines in black ink on a bifolium.

    The letter is almost entirely devoid of punctuation.

    A date written in violet ink, likely indicating when the recipient received the letter.

    "Mon cher ami,

    votre très aimable invitation m'est arrivée malheureusement un peu en retard vous aviez l'adressé place Clichy au lieu de place Pigalle et à mon grand regret je ne suis pas libre j'en suis désolé vous savez tout le plaisir que j'ai a venir chez vous soyez donc mon interprète auprès de madame Castagnary et excusez moi. Votre tout  dévoué JJHenner."

    €150
  86. Belle lettre autographe datée et signée adressée depuis le Maroc à son ami Pierre Louÿs :  "J'aurais tellement besoin de regarder vos Hok'saï avant d'écrire certaines pages de mon sale bouquin ! "Belle lettre autographe datée et signée adressée depuis le Maroc à son ami Pierre Louÿs :  "J'aurais tellement besoin de regarder vos Hok'saï avant d'écrire certaines pages de mon sale bouquin ! "
    (Pierre LOUŸS) (Hokusai KATSUSHIKA)

    Belle lettre autographe datée et signée adressée depuis le Maroc à son ami Pierre Louÿs : "J'aurais tellement besoin de regarder vos Hok'saï avant d'écrire certaines pages de mon sale bouquin ! "

    s. n.|No Location 11 mai 1908|13.3 x 21.6 cm|7 pages sur deux doubles feuillets + une enveloppe

    Fine autograph letter, dated and signed, addressed to his friend Pierre Louÿs; 7 pages in violet ink on two bifolia, with the original envelope preserved.

    Folds from original mailing.

    Soon to be on leave from the Moroccan Expeditionary Corps, Claude Farrère announces to his friend his imminent return to France following an Andalusian journey: "je pendrai au plus tardle train du 4 juin, à Algéciras ; lequel train, après escales à Grenade, Cordoue, Séville et Tolède, me déposera, le 11 au matin, à Toulon - Voilà !"

    He mentions a book that struck him and evokes two women: "feuilletez, vous comprendrez l'in térêt que j'attache au cas, intérêt tout à...

    €300
  87. Photographie originale dédicacée par Maurice Druon en tenue d'académicienPhotographie originale dédicacée par Maurice Druon en tenue d'académicien
    Maurice DRUON

    Photographie originale dédicacée par Maurice Druon en tenue d'académicien

    s. n.|Paris [Paris] s. d. [1970]|15 x 19.5 cm|Une photographie

    Original black and white photograph depicting Maurice Druon in his Académie Française regalia.

     

     

    A fine copy. Enclosed is the handwritten envelope addressed to the recipient by Maurice Druon.

     

     

    Inscribed and signed by Maurice Druon in blue ink in the right margin of the photograph: "Avec mes meilleurs souhaits Druon."

     

     

    Provenance: from the collection of the noted autograph collector Claude Armand.

    €380
  88. Bristol autographe signé adressé au grand collectionneur Claude ArmandBristol autographe signé adressé au grand collectionneur Claude Armand
    Maurice GENEVOIX

    Bristol autographe signé adressé au grand collectionneur Claude Armand

    s. n.|Paris [Paris] s. d. [1970]|14 x 10.5 cm|Une feuille + une enveloppe

    Card bearing the letterhead of the permanent secretariat of the Académie française, on which Maurice Genevoix has inscribed the following words:

     

    "Pour Claude Armand, avec mes voeux et mes amitiés. Maurice Genevoix."

     

    Maurice Genevoix served as Permanent Secretary of the Académie française from October 1958 to January 1974.

     

    A handsome example. Accompanied by an envelope, typed and bearing the letterhead of the Institut de France.

     

    Provenance: from the collection of the distinguished autograph collector Claude Armand.

    €250
  89. Poèmes de Stéphane MallarméPoèmes de Stéphane Mallarmé
    Stéphane MALLARMÉ, Joris-Karl HUYSMANS

    Manuscript poems of Stéphane Mallarmé

    s. n.|No Location [1887 ?]|20 x 32 cm|Drawing, Watercolor|1 portrait-frontispice, 1 titre à l'encre, 83 p. manuscrites, qq. feuillets vierges

    Exceptional illuminated manuscript of 35 poems by Stéphane Mallarmé, probably copied by Joris-Karl Huysmans on watermarked Hollande laid paper, after pre-first editions of the poems published in journals. Most of the poems are preceded by a separate title-page noting the source from which it is taken.

    The manuscript includes a fine charcoal portrait of Mallarmé as a frontispiece by Charles Tichon, after a photographic portrait by Van Bosch. The portrait was published in the Mallarmé issue of Empreintes...

    €25,000
  90. Lettre autographe datée et signée adressée à Georges IsarloLettre autographe datée et signée adressée à Georges Isarlo
    André BRETON

    Lettre autographe datée et signée adressée à Georges Isarlo

    s. n.|Paris 31 Mars 1964|13.5 x 21 cm|Une feuille

    Autograph letter dated and signed by André Breton, 21 lines in blue ink on a single sheet, addressed to Georges Isarlo of the journal Combat-Art concerning a text given to him by his friend José Pierre.

    True to form, the leading figure and high priest of Surrealism seeks to clarify matters with his correspondent: "Vous comprendrez sûrement le souci que je puis avoir de ne pas, sous un vain prétexte d'anniversaire, laisser dénaturer le sens et gâter le fruit de quarante années de lutte et voudrez bien considérer qu'il a pour tous ses signataires - répondants du surréalisme aujourd'hui - la même importance vitale que pour moi."

    €700
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