First edition, one of 894 numbered copies on pur fil paper, the only deluxe paper issue after 109 reimposed copies.
A fine copy.
First edition, one of 894 numbered copies on pur fil paper, the only deluxe paper issue after 109 reimposed copies.
A fine copy.
First edition, taken from the Mémoires de la Société royale et centrale d'agriculture, for the year 1824.
Illustrated with a folding plate inserted out of text.
Our copy is preserved in its original state, sewn and issued in a plain blue provisional wrapper.
Scattered light foxing.
A grandson of the founder and first director of the Académie royale de marine, Pierre-Marie-Sébastien Bigot de Morogues (1776-1840) devoted himself principally to agricultural matters.
First edition describing the 388 items offered in the sale.
A few pencilled hammer prices in the margins, a loss to the upper right corner of the front wrapper and title-page, and small corner losses to the wrappers.
The introduction is by Fröhner, though the expert in charge of the sale was Hoffmann.
Of Baden origin, the numismatist Ludwig Wilhelm Fröhner (1834–1925) settled in Paris in 1859; he became a close friend of Napoleon III and assisted him in the preparation of his Histoire de Jules César (1865–1866), which helped him obtain both French naturalisation (1866) and an important post at the Louvre.
He later devoted himself to the cataloguing of collections, producing works that became major references for Antiquity and early medieval archaeology.
First edition, completed at the end of the volume with a folding table printed off text (cf. Sabin 28336; Howes 318).
Bound in full flexible beige boards, the manuscript spine title clumsily restored with an adhesive strip and now largely faded; sprinkled red edges.
A dampstain affecting the upper right corner of the opening leaves; a few scattered foxmarks.
The folding table bound at the end of the volume is not recorded by Sabin. It summarises the key geographical data for each state (natural resources, population in 1790 and 1810, universities and colleges, representation in Congress, etc.).
Father Giovanni Grassi of the Society of Jesus spent several years in Georgetown, where he served as rector of the seminary.
First edition of the French translation (cf. Sabin, 43416; Smith, Pacific Northwest Americana, 6381; Pilling, Bibl. of the Algonquian Languages, 327; Hoefer, XXXII, 566-567).
Illustrated with a portrait of the author after Sir Thomas Lawrence as frontispiece to the first volume and, at the end of each volume, three engraved maps showing the route from Fort Chipewyan to the Arctic Sea in 1789 and to the Pacific Ocean in 1793, together with the portion of North America lying between the 40th and 70th degrees north latitude and the 45th and 180th degrees west longitude.
Handsome half red shagreen bindings, flat spines ruled in gilt with quintuple fillets, traces of former labels at the head of each spine, minor rubbing to joints, red boards, marbled endpapers and pastedowns; mid-19th-century bindings.
Repair to the half-title of volume I.
A pleasing copy of this major exploration narrative.
First edition, illustrated at the end of the volume with three folding maps (cf. Tailliart 3080; Playfair 4334).
The original colour map, frequently lacking, has here been supplied in photomechanical reproduction, while the two others are later insertions.
Full brick-coloured sheep binding, unlettered spine with five raised bands showing traces of rubbing, comb-marbled endpapers and pastedowns, original wrappers preserved; modern binding.
Minor foxing, pencil annotations on the initial endpapers and in the margins of several passages, with a handwritten note in blue ink "états de service" at the head of the front endpaper, followed by a brief pencilled biography of the author.
Only edition, highly sought after, of this exceptionally well-documented study, addressing a subject that preoccupied the French administration in Algeria (which, by an inaccurate analogy with Catholic religious "orders"—then targeted in mainland France—sought to curb the influence of Muslim brotherhoods).
Louis Rinn (1838–1905) spent almost his entire military career in Algeria, where he lived from 1864 to 1889.
First edition, one of 15 numbered copies on vellum, the only deluxe issue.
Fine and uncommon copy.
Touching autograph note, dated and signed, addressed to his friend, the writer Christiane Baroche, eleven lines in black ink on a Post-it, concerning his wife’s illness and the treatment she is undergoing.
With the accompanying handwritten envelope on which the addressee added the name of her correspondent, Cortázar, in the upper left corner.
"31 (sic)/9/82 Chère Christiane,
un mot pour te remercier de ta carte et tes souhaits concernant Carol. Elle commence un traitement à la cortisone, et j’espère que bientôt il y aura de bons résultats. Merci de nous offrir ta maison, cela fait du bien de savoir qu’il y d’amis si bons. Je t’embrasse. Carol t’embrasse aussi très fort. Julio."
An extremely rare first edition of this valuable statistical survey of Bolivia; absent from both Palau and Sabin. Only one copy recorded in the CCFr (BnF).
Chuquisaca, Imprenta de Sucre, 1851, octavo,
Contemporary half brown sheep, smooth spine decorated with double gilt fillets, marbled paper boards with losses, worn corners and edges, blue-speckled edges; a modest binding of the period.
Copy slightly trimmed.
José Maria Dalence (1782–1852), a jurist and prominent political figure of the independence period (1825), here provides one of the most precise demographic, ethnographic, and economic portraits of the young nation.
Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.
Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.
Scattered foxing.
Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.
A handsomely preserved copy in a period romantic binding.
Rare first edition.
Only two copies recorded in the CCF (BnF and Marseille).
“…their change of residence, abandoning the old city to settle in the new districts? A memoir awarded by the Société académique de médecine de Marseille at its public session of 1 August 1819; (…). Enlarged with the plan of a medical topography of the city of Marseille, which the author proposes to publish.” Marseille, Joseph-François Achard, 1819, 8vo, disbound. Title, 40 pp. Only two copies recorded in the CCF (BnF and Marseille). Very rare. The author was a physician attached to the dispensaries and the maternity hospital of Marseille.
First edition.
A single copy recorded in the CCFr (Roanne).
Contemporary half green calf, smooth spine cracked and with losses, marbled paper boards, original printed wrappers preserved, binding of the period.
Lower board tending to detach.
The Venetian historian Ronaldo Fulin (1824–1884) produced numerous publications and original studies based on the exceptionally rich holdings of the Archivio di Stato of Venice.
The question addressed in this communication is linked to the presumed relations between Columbus and Venice (see the accompanying letters).
Copy from the library of the celebrated Americanist Henry Harrisse (1829–1910), a specialist of the earliest discoveries of the New World, with an autograph inscription by Ronaldo Fulin at the head of the front wrapper.
Henry Harrisse enhanced this pamphlet with seven autograph signed letters, mounted, in French or Italian, generally accompanied by their envelopes: 1. One from the Italian historian Cesare Cantù (1804–1895), dated 10 December 1881. – 2. One from the Columbian scholar Marcello Staglieno (1829–1909), dated 3 August 1888. – 3. One from the director of the Archivio di Stato of Venice (signature illegible), dated 27 June 1888. – 4. A card from the publisher B. Calore, dated 17 December 1881. – 5.–6. Two letters from the philologist and Hispanist Alfred Morel-Fatio (1850–19245), dated 2 and 9 December 1881. – 7. One letter from Henry Vignaud (1830–1922), in his capacity as First Secretary of the United States Legation in Paris from 1882 to 1909, dated 30 May 1888.
Most of these letters revolve around the existence of a purported letter from Christopher Columbus to the Senate of Venice, prior to the voyages of exploration.
Complete autograph manuscript of 50 pages, written on the recto of each leaf and containing numerous deletions and revisions.
The manuscript was published in the December 1872 issue of the Bulletin de la Société de Géographie.
Full red shagreen binding, spine with five raised bands decorated with gilt fleurons and double gilt panels adorned with floral tools, double gilt fillets on the boards, comb-marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt edges on the boards, corners rubbed, contemporary binding.
The leaves are numbered 1 to 50 in the upper left corner; an earlier numbering, struck through, appears in the upper margin.
The study is divided into three parts:
The first part traces the history of navigation in the Sargasso Sea from the Phoenicians, who were the first to report floating banks of algae in the Atlantic. They were followed by the Carthaginians, Arabs, and Portuguese. But it was Christopher Columbus who, in 1492, provided the first serious observations of this maritime phenomenon. Gaffarel then refers to the voyages of Gonneville, Jean de Léry, and André Thévet, cites Humboldt, and finally discusses recent scientific explorations: in 1851–1852 by the campaign of the Dolphin, Captain Lee, and in 1855 by that of the brig Méléagre, Captain Leps.
In the second part, the author examines the geography of the Sargasso Sea, noting that its extent and boundaries have always remained uncertain. He then develops three hypotheses regarding their origin, the most plausible being that the sargassum forms around the Gulf Stream, whose warm and relatively calm waters offer favourable conditions for its proliferation. The text then discusses the different species of sargassum, their mode of growth, and their accumulation, which created the strange appearance that once frightened early navigators.
Finally, the author considers the resources of the Sargasso Sea: by analogy with the harvesting of seaweed along the French coasts—where, once reduced to ash, it provides an excellent fertiliser—one might imagine exploiting the algae of the Sargasso Sea for the extraction of mineral substances, though this would require specially equipped vessels. He concludes: “La mer des Sargasses est donc une véritable région promise.
Tous, plus ou moins, directement ou non, agriculteurs pour nos champs, malades pour nos santés, industriels pour nos usines […] citoyens pour notre patrie, nous n’avons qu’à gagner à l’exploitation des richesses inconnues de cette mer…” (p. 50).
Bound at the end:
First edition of the French translation prepared by F. Soulès of "An account on the present state of Nova Scotia", originally published in 1786.
Our copy is offered unbound.
Pages 31 to 39 are devoted to fishing practices.
First French edition, translated from the third English edition (Sabin, 30036.).
Each volume features a steel-engraved frontispiece.
Covers soiled, front boards detached, minor losses and tears to board margins, some foxing, cracked spines with losses; our copy in wrappers is housed in a modern brown full-cloth slipcase.
The second volume also includes a section on "Passage to Montreal and Quebec" (pp. 317-342) and "The Character of the Canadians" (pp. 331-332, 339-342).
Manuscript ex-libris signed Delecey de Mécourt on the front covers.
Rare first edition of this uncommon atlas, featuring 9 maps printed in colour, either on single sheets, double-page, or folding.
Bound in modern half dark blue calf, smooth spine with gilt rules at head and tail, title in long, boards of handmade paper, marbled endpapers and pastedowns.
Minor foxing to the versos of some maps, three discreet repairs using small adhesive pieces to the margins of three maps and the title page.
Printed note on the verso of the title page: "Institut national de géographie, Bruxelles".
The maps depict: General View of the East Indies, Java and Madura (detached from the volume), Sumatra and the Riouw Archipelago, Banka and Billiton, Borneo, the Celebes, the Minhassa Islands, the Sunda Islands, and the Moluccas.
First edition of the French translation.
Contemporary half vellum binding, smooth spine gilt with a small fleur-de-lis ornament at the foot, black shagreen title label, marbled paper sides.
The sole edition of this version (a portion had already been made available to the French public in 1837 under the title Histoire de la fondation de la Régence d'Alger). Alphonse Rousseau (1820–1870), first interpreter at the French General Consulate in Tunis, later served as Consul General.
Modern Pierre Libaude bookplate pasted to a free endpaper; a few minor spots.
Rare first edition (see Cordier, Japonica 583; Nipponalia I, 2073. Neither of these bibliographies mentions the map. Polak 8448).
Contemporary half cherry-red calf, spine slightly faded, with four raised bands gilt with dotted tools and fillets; light rubbing to the spine, red paper-covered boards, corners slightly bumped, speckled edges.
Occasional light foxing; a pale dampstain affecting the opening leaves and the folding double-page map showing the plan of the Strait of Shimonoseki.
This work relates the Anglo-French naval campaign of 1862–1863, by Alfred Roussin (1839–1919), a naval officer who commanded the frigate Sémiramis.
The text offers detailed descriptions of trade and the political situation in Japan, as well as of the political relations between the French, the British, and the Japanese during the years 1853–1865.
First edition, published anonymously by Delaporte, prompt-book secretary of the Comédie-Française.
Contemporary black cloth Bradel binding, smooth spine, red morocco title label with some loss, marbled paper boards, upper corners slightly worn, 19th-century binding.
Copies recorded only at the BnF and in Rouen (CCFr).
Printed initials at the foot of the title page.
Rare summary, by the Comédie-Française prompt-book secretary, of the grievances held by the Company against the actor, focusing particularly on performances of Marie-Joseph Chénier’s play Charles IX.
The play, which achieved immense public success, drew criticism from the Gallican Church, leading to its ban after the 33rd performance.
On 21 July 1790, the play was performed again in defiance of the ban. The Comédie-Française troupe then split between the "revolutionaries" and the other shareholders, who refused to perform with Talma.
Autograph letter, dated and signed, addressed to the writer Christiane Baroche: 21 lines in blue ink concerning an issue of the journal Sud devoted to him.
Folding traces from mailing, with the original handwritten envelope, on which Christiane Baroche noted the sender’s name in pencil.
Michel Leiris thanks Christiane Baroche for the tribute paid to him by Sud : "Soyez sûre que je préfère de beaucoup quelque chose de ce genre à un ensemble de doctes analyses ! " but explains that he will not be able to attend the upcoming event dedicated to him: "Dites, je vous prie, à Mr Genêt que je lui sais gré d'avoir pensé à une "journée Leiris", mais qu'il ne doit malheureusement pas compter sur ma présence : j'en serai, d'une part, empêché matériellement... et, d'autre part, cette participation personnelle m'embarrasseerait beaucoup, je vous l'avoue franchement."
Leiris concludes by extending his best wishes to his correspondent and to the Sud team for the year ahead.
First edition, one of 50 numbered copies on Marais Crèvecoeur paper, issued as part of the publisher’s deluxe limitation.
Spine and boards faintly sunned and toned as usual, with a small spot to the lower outer corner of the front board.
As stated in the limitation, this copy includes its original etching by Jacques Villon, signed in the plate.
First edition, illustrated with an original etching as frontispiece and four hors-texte drawings by Henri Laurens, one of 324 numbered copies on Vélin du Marais.
Title page lightly toned, otherwise a pleasing copy.
Signed in pencil by Tristan Tzara and Henri Laurens beneath the limitation statement.
First edition of the catalogue published for the exhibition of works by Max Ernst, held from 15 November to the end of December 1961.
A fine copy.
Illustrated, with a foreword by Alain Bosquet.
Signed autograph inscription by Max Ernst to Madame de Harting.
First edition of the French translation, one of 26 lettered copies on Lana wove rag paper, issued as part of the tête-de-tirage.
A fine copy.
Exceptional collection of 49 original watercolours depicting daily life in Tonkin, most illustrating rural scenes.
These unsigned watercolours, each measuring approximately 20 x 15 cm (excluding margins), are finely executed in Indian ink and watercolour, with touches of gouache, on paper sheets—some bearing the watermark "Latune et Cie Blacons."
Contemporary half red cloth binding, smooth spine covered in red shagreen, some rubbing to the spine, boards of marbled paper, blue endpapers and pastedowns.
Minor foxing to the margins of some watercolours.
The scenes depict a variety of subjects: a military post guarded by four soldiers, one standing sentry at the entrance; a guard in white uniform holding a rifle with a long bayonet, his head covered by a salacco (the traditional headgear of Indochinese riflemen); an elderly man seated at a table, smoking a pipe while being fanned by a servant; a peasant ploughing with two oxen; a woman praying at a grave; another peasant tilling the soil; two villagers meeting near a small bridge; four people working in a paddy field; a man in formal dress before a temple; three peasants harvesting rice; a cockfight, and more.
Also depicted are villagers carrying goods or fishing, wrestlers performing before a dignitary, a child guiding a blind man, two labourers transporting stones in a wheelbarrow, a procession led by a mounted dignitary carrying a wild boar in a cage, a prisoner being flogged, another about to be beheaded, a hunting scene, musicians, a woman at a loom, villagers at play, and so on.
Western presence is alluded to only once: an Indochinese sailing vessel flies three tri-colour flags while a steamship, probably French, makes its way in the background…
Accompanied by a piece of light brown calfskin (4 x 32 cm) blind-stamped with the inscription "Souvenir du Tonkin 1885-90".
A rare and precious visual record of Tonkin at the beginning of the French protectorate.
Very scarce first edition of the Armenian translation, illustrated with a lithographed frontispiece and title-frontispiece printed on tinted heavy stock by Weger (Leipzig), together with several in-text figures reproducing seals.
The CCFr records only copies of the French edition (indeed, the same year 1871 saw the publication of a first French translation; a second French edition was issued in Paris in 1888, at which time a German version was also printed at the Leipzig address).
Bradel binding in half brown percaline, smooth spine gilt-ruled and tooled with a gilt frieze, marbled paper boards, endpapers soiled, corners rubbed, edges sprinkled in blue.
Some minor foxing, chiefly at the beginning.
Apart from the frontispiece and title-frontispiece, the entire text is printed in Armenian. Fumagalli, Biblioteca Etiopica, 304.
Father Dimotheos Vartabet Sapritchian, an Armenian priest from Constantinople, travelled to Ethiopia in 1867 with one of his compatriots, Archbishop Isaac.
The travellers, who carried to King Theodore of Abyssinia a message from the Armenian patriarch, entered the country via Wahni in the west and crossed the regions of Bagemder and Tegré before embarking at Massawa.
The first part contains the narrative proper; the second offers observations on the country’s history, manners, and customs.
It also includes reflections on the Ethiopian Church, the clergy, baptism, confession, penance, marriage, funerary rites, festivals, and more.
A rare Jerusalem imprint: printing in the city is thought to date back to 1823.
New edition.
A fine copy.
Attractive presentation inscription signed by Anaïs Nin to Christiane Baroche’s wife: "Christiane Baroche this book I offer with uneasiness because I wrote it for american students, and France is the source and will only recognize the déjà vu. Your faithful friend. Anaïs Nin." (Christiane Baroche, je vous offre ce livre avec gêne car je l'ai écrit pour des étudiants américains, et la France est la source et n'y reconnaîtra que du déjà-vu. Votre amie fidèle, Anaïs Nin)".
Very rare first edition illustrated with 14 plates, three of which are in colour, issued as a supplement to the "Guide pratique de la fabrication de la bière" and the "Guide raisonné de la fabrication de la bière" published in 1867 and 1868.
Not in Vicaire or Bitting. Oberlé, Fastes, 1125, does not record this supplement.
Spine restored with minor losses, small marginal defects to the boards, and a stain along the right margin of the upper cover.
The author was a hop dealer and purveyor of brewery equipment in Strasbourg and in Gray (Haute-Saône).
This volume reflects the advances achieved by the brewing industry, particularly in northern France and in Belgium.
"Ce livre alsacien est un des meilleurs traités sur la fabrication de la bière"(Oberlé).
The plates depict the malt kiln of the Arlen brewery, the Carpentier germ-removing machine, the boilers of the Brasserie de l'Eléphant in Strasbourg, a mixer, a vat with its wave-breaker, the cooling trough of the Brasserie du Pêcheur, and more.
Rare.
Rare first edition (cf. Tailliart 3062).
A disbound copy preserved in a plain brown paper wrapper, the titles handwritten in ink on the spine and upper cover, with a faint marginal dampstain to the title-page.
Edmond Doutté (1867–1926) was a sociologist, orientalist and Islamic scholar — fluent in both Arabic and Berber —, a multifaceted French intellectual and, above all, a French explorer of Islam and the Maghreb in his time, to whom Marcel Mauss paid tribute ("explorateur complet, géographe, géologue, naturaliste, anthropologue, ethnographe, sociologue, historien, linguiste, agent d'information")
Rare first edition of this project, whose development was certainly collective (with contributions from several democrats, including Frédéric Charrassin, Charles Fauvety, Adolphe Louis Chouippe, and Alexandre Erdan), but which was authored by the neo-criticist philosopher Charles Renouvier (1815–1903).
Bound in contemporary half cherry-colored sheepskin, with a smooth spine adorned with gilt fillets; some rubbing to the spine and boards. Marbled paper over boards, handmade laid paper endpapers and pastedowns, modern bookplate affixed to the front pastedown, slightly bumped corners, minor tears to the joints, speckled edges. Original binding.
Minor, insignificant foxing.
The central idea of this work is that of direct government and direct legislation, inspired by the debate initiated by Rittinghausen.
At the time, this idea was considered utopian and dangerous—much like in contemporary debates—on the grounds that it would discredit the representative system and, contrary to the authors’ intentions, play into the hands of the emerging Caesarism (this was 1851...).
The book also presents other proposals for institutional reform, notably the adoption of the canton as the basic administrative and political unit of the nation, intended to form the true French commune.
Provenance: from the library of Georges and Geneviève Dubois, with their bookplate affixed to the front pastedown.
First edition, illustrated with photographs by Lucien Clergue.
Publisher’s binding in full boards, smooth spine,
With a text by Jean-Marie Magnan.
Signed autograph inscription by Lucien Clergue to the writer Christiane Baroche: "Pour Christiane ces images de notre éternelle jeunesse ! et avec la bise de Lucien. 5.X.2002."
New edition.
Illustrated with engravings by Jean Hugo.
Signed autograph inscription from Anaïs Nin to her friend, the writer Christiane Baroche: "Christiane Baroche. Mais en ce jour damné décharné qui s’étire aux fenêtres 'c’est un peu moi j’assume...Anaïs Nin.'"
First edition of the author's third book, with no copies printed on deluxe paper, here a review copy.
Spine very lightly sunned, without seriousness, faint spotting to the board edges.
Rare and desirable presentation copy signed by Patrick Modiano to the woman of letters Christiane Baroche: "Pour Christiane ces boulevards de ceinture avec lesquels elle est bien indulgente. Avec l'amitié de Patrick."
First edition of this Latin work devoted to the history of the ancient Mediterranean: Sardinia and the influences of Greece, North Africa, the Syrtes and Numidian tribes, the history of the tyrant of Syracuse, the Balearic Islands, Corsica, the island of Rhodes, and more (cf. Adams, L-704. See Durling, 2796, which records only later editions).
Restored full brown calf binding, spine with five raised bands decorated with gilt tools now largely softened, blind fillets and gilt corner ornaments framing the boards, central gilt medallion enclosing a device in Greek characters, manuscript inscription on the fore-edge, early binding.
Ink numbering at the head of the verso of the lower cover; inner hinge cracked.
Handsome volume from the Basel press of Johannes Froben, bearing his printer’s device on the title-page and at the end.
Nicknamed “the prince of printers,” Johann Froben was among the first to employ italic types, inspired by Aldus Manutius.
A professor of philosophy, Greek, and Latin at the University of Padua, the Venetian scholar Tomeo Nicolò Leonico (1456–1531) was admired by Erasmus.
First edition, illustrated at the close of the volume with six plates printed out of text.
Only three copies recorded in the CCF (BnF, Institut, Strasbourg).
Our copy is preserved in its original state, issued in a temporary paper wrapper.
Spine restored at head with small losses; marginal losses to the soiled covers; two small adhesive strips along the right margins of the final plate; author’s name and title pencilled on the upper cover.
The study of Phoenician languages was the speciality of Auguste-Célestin Judas (1805–1873).
First edition of this pioneering work in the history of psychiatry (cf. Garrison & Morton 4920; Semelaigne I, pp. 68-73; Waller records only the 1770 German translation; Wellcome III 547; Blake 277).
Contemporary half calf with vellum-tipped corners, smooth spines gilt with decorative rolls, some rubbing and small wormholes to the spines, marbled paper boards, sprinkled edges; bindings from the early nineteenth century.
Ink stains on pp. 72–76 of the first volume, a black ink spot at the head of the lower cover of the second volume, a few minor and unobtrusive foxmarks.
For Lorry, not all melancholic patients are driven by a single fixed idea, and melancholy is a state of mental disorder of physical origin, in which the mind—sharply disturbed by objects either external or produced by the imagination—becomes unable to resist, repel, or reason through the ideas arising from them. He identifies two forms of the condition, according to whether its origin lies in the solid parts or in the humours, which he terms nervous melancholy and humoral melancholy respectively.
"La mélancolie nerveuse peut parfois constituer l'hystérie chez la femme, l'hypochondrie chez l'homme ; ou bien c'est la manie vraie, ou encore, sans le moindre symptôme maniaque, elle consiste uniquement en convulsions. Il semble y avoir peu de différences entre la mélancolie et la manie, mais le mélancolique délire surtout sur ce qui le concerne en particulier, tandis que le délire maniaque s'étend à tous les sujets". Cf. Semelaigne.
Lorry (1726–1783) may also be regarded as the founder of dermatology in France (Tractatus de morbis cutaneis, Paris, G. Cavelier, 1777).
A pleasant copy, with generous margins.
First edition, printed in a small run, of this offprint from the Journal des savants.
Work illustrated with a finely engraved plate printed outside the text.
Some scattered foxing internally and to the wrappers.
Appointed in 1820 to the chair of archaeology at the Sorbonne, succeeding Quatremère de Quincy, Désiré Raoul-Rochette (1789–1854) was chiefly known for his expertise in Greek antiquity. He also served as curator of the Cabinet des médailles.
On the upper cover, authorial presentation inscription from Désiré Raoul-Rochette to the physician and botanist Henri Dutrochet (1776–1847), the discoverer of the phenomena of exosmosis and endosmosis.
Rare first edition.
Our copy is issued in its original state, unbound and preserved in wrappers.
Not recorded by Oberlé. Only two copies located in the CCFr (Cherbourg and Montpellier).
Alexandre Lesdos (1813-1865) was a member of the Société d'Agriculture and of the Société Académique de Cherbourg.
In this work, he devotes an entire chapter to the wines of Saint-Émilion, noted for their "bouquet as delicate as that of the violet." (our own translation)
First edition of this important work on former French Indochina, comprising:
On the half-title page of Volume VI, signed autograph inscription by Auguste Pavie: "A l'ami Vitoux, hommage affectueux. A. Pavie."
Accompanying this set is: "Carte de l'Indo-Chine dressée par MM. les Capitaines Cupet, Friquegnon et de Malglaive membres de la Mission Pavie."
Printed in Paris by Augustin Challamel in 1893 (broadsheet, folded and linen-backed, with some foxing).
The map is housed in a modern half green cloth portfolio with tips, red oasis title label, red board covers, and a red full-cloth slipcase, designed to match the text volumes.
"A pioneer of new routes in Cambodia and Laos, and a key figure in French expansion in Indochina, Auguste Pavie (1847–1925) holds a privileged place among the explorers of this region. Born in Dinan, he joined the army at seventeen, served in Cochinchina with the Marine Infantry (1868), and was sent to Cambodia in 1875 (…). In 1876, he was commissioned by the Governor of Indochina to create a new map of Cambodia, taking advantage of the construction of a telegraph line between Phnom Penh and Bangkok (…). In 1885, Le Myre de Vilers, recognizing his abilities, appointed him to the delicate post of French Consul in Luang Prabang, where he was to defend the rights France had inherited from Annam over Laos (…). From Luang Prabang, Pavie undertook a series of journeys across Laos from 1887 to 1889, regions that Mouhot and F. Garnier had only briefly explored. His investigations focused on three main directions: east (Tran-Ninh, Plain of Jars); northeast (Hua-Panh); and north (Sip-Song-Chau). It was in this last area that Pavie concentrated his efforts, seeking safe routes to Tonkin in order to open up Laos and firmly link it to France's other Indochinese possessions (…). From 1888, Pavie was no longer alone. He surrounded himself with military collaborators—Cogniard, Cupet, Malglaive, Pennequin…—and civilians such as the young diplomat Lefèvre-Pontalis and the brilliant biologist Le Dantec. Within a few years, the Pavie Mission, a veritable geographical service, would number some forty members, not counting the many indigenous auxiliaries. Dispersed in small groups along different routes, the mission members multiplied the leader's efforts, covering considerable ground. Thus, in 1890–1891, surrounded by a large team of geographers, naturalists, doctors, ethnographers, and economists, Pavie successfully completed a vast territorial survey intended to establish the future borders between French Indochina, China, Siam, and Burma (…). The scientific results of this collective enterprise, unparalleled in the French Empire, were impressive. Extending far beyond Laos, the investigations covered Tonkin, Annam, Cambodia, and southern China. In total, some 600,000 km²—an area larger than France—were surveyed and partially mapped, and 70,000 km of land and river routes were recorded (…). Truly multidisciplinary, the Pavie Mission encompassed all fields of knowledge, neglecting neither history, nor literature, nor folklore…" (Cf. Numa Broc, Dictionnaire illustré des explorateurs français du XIXe siècle, Asie, pp. 366–368).
First edition, with no copies issued on deluxe paper.
A handsome copy.
With Pierre Bourdieu’s signed presentation inscription to the anthropologist Emmanuel Terray.
First edition of this paean to intoxication, adorned with a charming engraved frontispiece depicting Bacchus seated on a barrel, holding a wine cup in one hand and a bunch of grapes in the other.
Cf. Vicaire 326. Bitting 415. Barbier II, 75 d. Oberlé, Une bibliothèque bachique, 523 (for the 1798 ed.).
Bound in contemporary fawn half-calf with corners, spine with five raised bands decorated with gilt fillets, marbled paper boards, corners slightly worn, edges speckled red.
This work abounds with anecdotes and quotations drawn from the history of many lands. It asserts "that wine gives wit," offers "a catalogue of some illustrious drinkers," and claims "that wine wins us friends & reconciles us with our enemies," or again "that it is good for one’s health to get drunk now and then," though one must not "carry drunkenness too far." Born into a family of Protestant refugees,
Albert-Henri de Sallengre (The Hague, 1694–1723) was a lawyer at the Court of Holland, advisor to the Prince of Orange, and financial commissioner for the States General of the United Provinces.
Minor brown spot to the right margin of the first leaves, a few ink annotations and a stamp on the slightly soiled white endpapers.
A pleasing and rare copy.
Provenance: from the library of Fridrich Otto de Munchhausen, with his engraved bookplate affixed to the front pastedown.
Collective edition, partly original, issued without any deluxe copies.
A pleasing copy.
Author's signed presentation inscription from Elias Canetti to his cousin: "Meiner liebsten Kusine Matica, der einziger, die geblieben ist, was sie immer war, begabt, klug, offen in Liebe und Freundschaft. Elias Canetti. Paris, September 1962" ("A ma chère cousine, la seule qui est reste ce qu'elle a toujours été, douée, intelligente, ouverte, en amour et en amitié)."
First edition, with a single copy recorded in the CCF (Dijon).
Our copy is preserved in its original wrappers and housed in a plain blue interim cover, with a mounted title label at the head of the spine.
Some foxing.
The sole edition of this compilation, conceived primarily for fiscal purposes: indirect taxes at the time were levied chiefly on beverages.
The bookseller Louis Rondonneau (1759–1834) is renowned as the author, compiler, or editor of numerous legal codes, manuals, collections, and repertories of legislation and jurisprudence.
First edition printed in two columns, one in French and the other in Italian.
Not recorded by Starace or Roland Bonaparte.
Contemporary limp vellum-style boards, smooth unlettered spine; covers soiled.
Some scattered foxing; one quire working loose.
Third edition.
Our copy is preserved in its original state, issued in temporary blue paper wrappers, with some losses to the corners and a mounted title label on the spine.
Some light foxing.
Pierre-Auguste Mutel (1795–1847) entered the École Polytechnique in 1813, graduating 34th in the class of 1815, and went on to serve in the artillery corps.
Manuscript ex-libris of Becquerel, dated 24 October 1833; it is difficult to determine which member of this illustrious family should be associated with this provenance.
First edition printed on alfa wove paper.
A fine copy.
Inscribed and signed by Jacques Perret to Charles Linder, the presentation augmented with a small drawing depicting a ballot box topped with a tricolour flag.
Original photograph of a gilt clasp detail of the binding of the first edition of Priscien de Césarée, Prisciani grammatici caesariensi Libri omnes.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits copyright ©Librairie Le Feu Follet. All rights reserved.
Original photograph of a detail of the binding of the first edition of Histoire de ma vie by George Sand.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits copyright ©Librairie Le Feu Follet. All rights reserved.
Original photograph of a detail of the binding of the first edition of Histoire de ma vie by George Sand.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits ©Librairie Le Feu Follet. All rights reserved.
Letter written by a secretary and signed by Louis XVI, addressed to Cardinal Ludovico Calini, in ink over eleven lines. The signature of Charles Gravier, Comte de Vergennes, appearing at the foot of the bifolium, accompanies that of the King for these New Year wishes. The recipient's name is inscribed on the verso: "Mon Cousin le Cardinal Calino".
A few waterstains, a small hole at "qu'il vous ait".
"My Cousin, I have seen with pleasure from your letter of October 1st the token of the sincerity of the wishes you express for me at the beginning of this year. Your good intentions are as well known to me as you must be certain of my desire to give you proof of my esteem and affection. Whereupon I pray God that He may have you, My Cousin, in His holy and worthy keeping. Written at Versailles the 31st of January 1776." (our own translation).
First edition and complete run of this bi-monthly journal by university students from Brittany.
A unique collection on coloured paper of L'Étudiant Breton, from issue no. 1 of the first year (January 20, 1906) to no. 39 of the third year (February 8, 1908), bound in one volume. The journal continued publication until March 1910 (no. 63), cf. BnF - Catalogue collectif des périodiques, vol. II, p. 537.
Contemporary half marbled calf with corners, smooth spine decorated with two gilt ermines, red morocco lettering piece laid horizontally, gilt fillet borders on marbled paper boards, hand-marbled endpapers and paste-downs, some original wrappers preserved, corners slightly bumped, minor rubbing.
A manuscript note in black ink at the head of the volume states: "Unique series printed on coloured papers, specially made for Dr J. Marly". Each issue is printed on a double leaf except for no. 7 (3 leaves), no. 20 for Christmas 1906 which comprises 6 pages and two wrappers (the first illustrated in two colours and signed H. Gélèbart, December 1907), no. 28 which includes an additional leaf (musical score of a song by Rennes students dedicated to the local police and titled "Saint-Eloi"), and no. 37 for Christmas 1907 which comprises 5 pages and two wrappers (the first printed in green). The wrappers for no. 20 are also mounted at the beginning and end of the volume.
The rarity of this set lies in the variety of printings: - no. 7: 1 copy on beige paper printed in black and 1 copy on thick glazed paper printed in black - no. 19: 1 copy on green paper printed in green and 1 copy on beige paper printed in green - no. 20: copy on white glazed paper printed in black, with wrappers - no. 21: copy on blue paper printed in black - no. 23: 1 copy on blue paper printed in black and 1 copy also on blue paper printed in gold ink - no. 24: 1 copy on pink paper printed in black, 1 copy on pink paper printed in gold ink, and 1 remarkable copy on bicoloured paper (glossy black for the first and last pages and beige for the interior) printed in gold ink - no. 25: copy on green paper printed in black - no. 26: 1 copy on blue paper printed in black and 1 copy on red paper printed in black - no. 27: 1 copy on pink paper and 1 copy on green paper, both printed in black - no. 28: copy on pink paper printed in black - no. 29: 1 copy on green paper and 1 copy on beige paper, both printed in black - no. 30: copy on lilac paper printed in black - no. 31: copy on orange paper printed in black - no. 32: copy on fuchsia paper printed in black - no. 33: copy on brown paper printed in black - no. 34: copy on green paper printed in black - no. 35: copy on brown paper printed in black - no. 36: copy on blue paper printed in black - no. 37: copy on white glazed paper printed in black, with wrappers - no. 38: copy on green paper printed in black - no. 39: copy on blue paper printed in black.
A unique collection.
New edition.
Spine lightly toned.
Work illustrated with photomontages by Val Telberg.
Inscribed by Anaï Nin to her friend, the writer Christiane Baroche : "Christiane Baroche whose dreams are strong and have roots and bear fruit. Anaïs Nin."
First edition, one of the review copies.
A pleasing copy.
Signed presentation inscription from Paul Valéry to Germaine Fiévé : "... petit souvenir d'une collaboration sans mauvaises pensées et autres..."
First edition, one of the review copies.
Spine partially and lightly sun-faded without consequence, with a small restored nick at the head of the backstrip.
Author's signed presentation inscription from André Malraux to the diplomat and man of letters Pierre de Boisdeffre.
First edition of the French translation, one of 80 numbered copies on alfa paper issued in a special "du monde entier" wrapper, the only deluxe copies together with 35 on pur fil.
A handsome copy.
First edition, with no copies printed on deluxe paper, one of the publisher’s review copies.
Pleasing copy, complete with its publisher’s printed slip.
Autograph presentation inscription signed by Paul Valéry to Germaine Fiévé: "... petit souvenir d'une collaboration sans mauvaises pensées et autres..."
Autograph card, dated and signed, sent from his Paris residence to the writer Christiane Baroche, comprising twelve lines in blue ink.
With the accompanying handwritten envelope on which Christiane Baroche added "Leiris" in the upper right corner.
"5 avril 1979,
chère Christiane Baroche,
merci à vous ainsi qu’à tous ceux qui ont bien voulu m’adresser, par l’intermédiaire de Sud, un signe amical. Je ne puis qu’en être reconforté et trouver là un peu de courage dont je manque de plus en plus pour travailler ! Soyez donc certaine que votre idée m’a fait plaisir et croyez à mes sentiments les meilleurs. Michel Leiris."
First edition.
A pleasing copy.
Inscribed by Anaïs Nin to her friend, the writer Christiane Baroche: "Vos paroles Christiane Baroche : 'je veux cueillir le feu comme un dernier amant' amitié et concordances. Anaïs Nin."
Original photograph of the first edition of Des Hommes by Joseph Kessel on a library background.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits ©Librairie Le Feu Follet. All rights reserved.
Original photograph of the first edition of Des Hommes by Joseph Kessel on a library background.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits ©Librairie Le Feu Follet. All rights reserved.
First edition and the inaugural volumes of this significant scientific periodical, whose publication continued until 1954.
Volumes 43, 4, 5, and 6 are illustrated with respectively 332 in-text figures, 392 figures, 138 in-text figures, and 179 in-text figures.
Contemporary half-sheep bindings in brown, smooth spines decorated with gilt fillets and garlands, spines rubbed, red lettering and volume labels with a few minor losses on some volumes, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, some volumes slightly rubbed at the extremities, the upper corner of the fourth volume lacking, a few snags to the board edges; period bindings.
The first three years include Claude Bernard’s experimental pathology lectures—on toxic and medicinal substances, bodily fluids, the nervous system, and related subjects—as well as contributions by Louis Pasteur, Étienne-Jules Marey, Gustave Flourens, Alfred Vulpian, Marcellin Berthelot, Virchow, and others.
First edition of the English translation of "De Logomachiis eruditorum" (Amsterdam, 1688) by the Swiss Reformed theologian Samuel Werenfels (1657–1740), a notably engaging essay on the obstacles to concord among Christians created by the endless disputes over the terminology used to define points of belief.
A few small spots of foxing.
Full speckled fawn calf, the spine with five raised bands decorated with gilt compartments and gilt tools; rubbing to the spine, the gilt title almost entirely effaced, headcaps trimmed down with a small loss to the tailcap; gilt double-fillet border with gilt corner tools on the covers; some wear to the board edges with gilt fillets, corners softened; edges sprinkled red; contemporary binding.
A few small spots of foxing.
Copy from the library of Charles-Maurice de Talleyrand-Périgord, bearing his armorial bookplate “Re que Diou” from the Château de Valençay, mounted on the front endpapers.
A highly appealing provenance, given the fundamental scepticism of the former bishop of Autun.
First edition, exceedingly scarce, of this light-hearted and engaging introduction to the principal ancient myths, prepared for a Polish aristocrat. Annopol (today Anopal) is a locality now situated in Belarus.
No copies recorded in the CCF. A single copy located in WorldCat (National Library of Poland, Biblioteka Narodowa, Warsaw).
Contemporary-style half sheep binding in brown, the smooth spine ruled with alternating thick and thin gilt fillets, marbled paper boards, comb-marbled endpapers and pastedowns; modern binding.
Losses to the title-page expertly filled and restored; the final two leaves also restored.
Autograph note dated and signed by Marguerite Yourcenar, written from her Paris residence to journalist Marcel Baroche of the literary review Sud. Written on one of her visiting cards.
Eighteen lines in green ink, with the autograph envelope addressed to her correspondent, concerning a proposed collaboration with Yourncenar initiated by the director of Sud.
[27 December 1980,
to the journal Sud, to Marcel Baroche,Dear Sir, you have my acceptance of the proposal for a special issue on my work in 1982, together with my thanks in advance. There exist many photographs of me, a few of which strike me as fairly faithful likenesses: I do not personally possess any, but perhaps I may be able to find some to send you in due course. For the moment at least, I have no unpublished material to offer. Perhaps later…
With kind regards,
Marguerite Yourcenar.]
"27 décembre 1980, à la revue Sud, à marcel Baroche,
cher monsieur, vous avez mon acceptation au projet d'un numéro spécial sur mon oeuvre en 1982, et mes remerciements anticipés. Il existe de nombreuses photographies de moi dont quelques unes me paraissent ressemblantes : je n'en possède personnellement aucune, mais peut-être en trouverai-je à vous en envoyer en temps utile. Pour l'instant au moins, je ne possède aucun inédit à offrir. Plus tard peut-être... Bien sympathiquement Marguerite Yourcenar."
First edition, describing 829 entries.
Contemporary half calf, spine with five raised bands showing traces of rubbing, brown calf lettering-piece, marbled paper boards, two small blue spots on the upper cover, wear to the edges, corners softened, red edges, early shelf label pasted at the head of a pastedown.
A few marginal spots, not affecting the text.
Born in Antwerp to a family of Spanish origin, Jean-François de Los Rios (1727–1820) practised as a bookseller in Paris (1745), then in Lyon (1760), where—despite opposition—he was entrusted with the conduct of public book auctions. He was the one who purchased the Jesuit college library after the suppression of the Order.
He left Lyon only in 1812 and died in Mechelen, nearly a centenarian.
First edition, illustrated with a large folding colour map printed out of text (cf. Tailliart 2645).
Bradel binding in half blue percaline, the smooth spine slightly sunned, the brown skiver lettering-piece lightly rubbed, marbled-paper boards, blue endpapers and pastedowns showing a few small spots, corners softened, top edge sprinkled.
A few light spots.
The only edition of this comprehensive survey of the state of Algeria, published after the death of Jules Ferry (17 March 1893), the driving force behind the senatorial commission that had commissioned the work. It serves as a reminder that Ferry was a staunch advocate of France’s colonial expansion and of the mission to “civilise” indigenous peoples, a view then broadly shared across the political left, with the exception of a few dissenting voices (including Clemenceau).
On the half-title, presentation inscription by Henri Pensa to Madame Jules Ferry (Eugénie Risler).
The volume later entered the library of Ferry’s nephew, Abel Ferry (1881–1918, member of parliament for the Vosges from 1909), with his ink stamps on the title-page and at the foot of p. 105.
Third edition, revised, corrected, and enlarged with several important Additions by the author published posthumously, and with Remarks by the Translator (our own translation), with the portrait of John Locke by Godfrey Kneller, engraved by François Morellon de La Cave.
Contemporary full brown calf, spine with five raised bands decorated with gilt compartments, brown morocco lettering-piece, triple fillet border to covers in blind, red edges, marbled pastedowns and endpapers.
Headcaps missing, surface losses to covers and one larger loss to upper left corner of back cover, corners bumped and worn, rubbing to edges with a small loss at foot of front cover, ink gift inscription to first blank leaf.
In this copy: light marginal dampstaining to early leaves and to pp. 53-58 and pp. 463-472, not affecting text.
This volume is enriched with ink annotations: "n°23 =" to verso of front free endpaper, another inscription to recto of second endpaper, and several ink corrections to margins and text at pp. 3, 125, 127, 148, and 269.
First edition, one of 35 numbered copies on Rivoli vellum, the only deluxe-paper issue.
A particularly handsome copy
First edition, one of 24 numbered copies on Vélin Rivoli, the only deluxe issue.
A particularly handsome copy.
First edition, one of 36 copies on pure-wire vellum, the only copies printed on deluxe paper.
A particularly attractive copy.
Autograph letter signed by Gracchus Babeuf, dated 8 Pluviôse [Year II] (27 January 1794). Two and a half pages on a reused bifolium, the letter written around an earlier inscription by Babeuf: “Histoire des Conspirations et des Conspirateurs du Département de la Somme ; Qui comprend celle des Persécutions et des quatre Procès criminels intentés, depuis 89, à un second Marat, son émule dans le Département”.
Published (except for the title Histoire des Conspirations…, omitted in the description of the letter) in Victor Advielle, Histoire de Gracchus Babeuf et du babouvisme d'après de nombreux documents inédits, vol. I, 1884, pp. 101-102.
An extraordinary torrent of curse words by the revolutionary and proto-communist Gracchus Babeuf, addressed to his eldest son, who would later help disseminate babouvism. Babeuf writes on a reused leaf bearing the full title of one of his lost works hitherto known only in part: "Histoire des Conspirations et des Conspirateurs du Département de la Somme ; Qui comprend celle des Persécutions et des quatre Procès criminels intentés, depuis 89, à un second Marat, son émule dans le Département"
First edition of the French translation, for which no deluxe paper copies were issued.
A handsome copy, complete with its photographic dust jacket showing a tiny tear at the head of the spine, with illustrations.
Inscribed and signed by Julio Cortázar to the writer Christiane Baroche: "Pour toi, Chirstiane, avec toute mon amitié. Julio."
Very rare first edition (125 copies printed according to Quérard) of this remarkable exposition of Talma’s dramaturgical principles, still regarded as a “revolutionary” actor despite his immense success (his friendship with Napoleon never wavered); the text was inserted the same year, 1825, at the beginning of the new edition of the Memoirs of Henri-Louis Caïn, known as Lekain (1729–1778), who was still considered in the early nineteenth century as one of the greatest tragedians of the eighteenth century.
See Quérard IX, 333.
Scattered foxing.
Full cherry-red long-grain morocco, smooth spine tooled with gilt fillets, garlands and fleurons, gilt rolls at head and tail, gilt fillet, garland and dotted border together with blind-stamped palmettes on the boards, small black speckling on the front board, blue endpapers and pastedowns, gilt lace border on the pastedowns, gilt fillets on the board edges, all edges gilt, contemporary binding.
A handsomely produced copy in a period Romantic full-morocco binding.
First edition, one of the 81 numbered copies on Holland paper, the only deluxe issue.
A handsome copy.
First edition, illustrated with a frontispiece and four plates after drawings from life by Voutier, engraved on copper by Normand fils (cf. Loukia Droulia, 429; Blackmer, 1750; not in Atabey).
Half black shagreen binding, spine restored, with four raised bands ruled in triple gilt fillets, aubergine paper boards, boards faded, gilt armorial device stamped to the upper cover, modern bookplate pasted at the head of a pastedown, contemporary binding.
Scattered foxing.
"Voutier went to Greece in 1821 and acted as ADC to Mavrocordatos on the Peta campaign" (Leonora Navari).
Distinguished provenance: copy bearing the arms of King Ernest Augustus I of Hanover (1771–1851), with his library’s red stamp on the verso of the title-page.
First edition, one of 65 copies on Arches; our copy is unnumbered but correctly justified "vergé d’Arches" at the foot of the lower cover. One of the only deluxe papers issued.
Two slight sunning marks at head and foot of the spine, which is also lightly pinched at the foot.
A pleasing copy.
First edition.
With press clippings laid in.
Half bronze sheep binding, spine with four raised bands framed with gilt pointillé and decorated with double gilt fillets, red sheep lettering-piece, a few small black spots and a light scratch to the spine, marbled paper boards, cat’s-eye patterned endpapers and pastedowns, contemporary binding.
A pleasing copy.
First edition (cf. Not in Quérard or Musset-Pathay. Oberlé 101-02.).
Including, with the appended pieces (cf. infra), the account of the thirteen experiments conducted by Maupin between 1772 and 1777 on the handling of wines.
Bound at the end:
Bradel-style binding in half bottle-green long-grain morocco, smooth spine tooled with gilt fillets, date gilt at foot, cat's-eye patterned paper boards, bookplate mounted at the head of one pastedown; modern binding.
Spine and lower cover marginally faded and sunning, light upper-marginal dampstaining.
First edition from the Imprimerie Royale, complete in nine quarto volumes with all 262 black-and-white engraved plates.
Contemporary full polished and mottled calf, spines with raised bands decorated with guilloche tooling and gilt ornaments in the compartments, red morocco lettering-pieces and numbering-pieces, triple gilt fillet border on boards, double gilt fillet on board edges, marbled endpapers and pastedowns, marbled edges. Minor variations in the tooling on volume 3.
In this set, some headcaps missing, 6 cm joints split at foot of volume 1, 6.5 cm and 6 cm at foot of volume 2, 3.5 cm at head of volume 3, corners bumped, scratches and minor restoration to boards, including a more significant repair on volume 7 measuring 11 cm, browning in left margin of lower board of volume 4.
In this copy: some worming, several instances of dampstaining throughout the set, more pronounced in volumes 1, 3, and 8, some tears, restored on the title page and on pp. ix and xxiii of volume 1, also restored on p. 496 of volume 2, on pp. 259 and 260 of volume 3, on pp. 481 and 482 of volume 4, and on pp. 173 to 176 of volume 5.
Copy with some marginal annotations: in volume 2, a manuscript footnote added in ink on p. 541 ("Voyez les Planches enluminures n°491"), erroneous manuscript dates in ink in volumes 2 and 8, the number "18" annotated in ink in the upper right corner of the rear endpaper of volume 9.
Copy richly illustrated with drawings by Jacques de Sève, engraved by Robert de Launay, Lucas, Michel, Madeleine-Thérèse Rousselet, C. Baron, Hubert, Catherine Haussard, Carl Gottlieb Guttenberg, Jean-Guillaume Blanchon, Menil, Dufour, Louis Claude Legrand, Claude Mathieu Fessard, Elisabeth Haussard, François Hubert, A.-B. Duhamel, Mlle Mansard, C. Baquoy, Heinrich Guttenberg, Laurent Guyot, Benazeth, Schmitz, Marie-Anne Rousselet (M. R. veuve Tardieu), Louis-Gabriel Monnier, Pierre-Étienne Moitte, Jean-Louis de Lignon, Levillain, N. du Four, Thomas Chambars, Nicolas Thomas, Luigi Valperga, and George Louis Biosse.
Accompanied by two additional plates, heightened in color, numbered XX and XXII, from a volume 7 of the Histoire naturelle des oiseaux.
Rare first edition illustrated with 10 folding plates, including 5 grammatical tables and 5 plates of calligraphy.
Not recorded in Blackmer, Atabey or Hage Chahine.
Half olive-green calf, spine with four raised bands framed with gilt garlands and decorated with small blind-stamped floral tools, black morocco title and author labels, marbled paper boards, comb-marbled endpapers and pastedowns, modern binding.
Spine slightly darkened, small paper losses to the upper right corners of the first leaves not affecting the text, some foxing mainly at the end of the volume. Much better known for his role in the mission sent by Napoleon to the Shah of Persia to negotiate a counter-alliance against Turkey, Amédée Jaubert (1779–1847) was a distinguished orientalist, professor of Persian at the Collège de France, and of Turkish at the École des langues orientales, of which he became president in 1838.
First edition of this pamphlet devoted to the largest marshland in Italy, the Fucecchio wetlands.
Illustrated with a double-page engraved plate.
Disbound copy.
From the library of the economist, agronomist, industrialist, and lithographer Charles-Philibert de Lasteyrie du Saillant (1759–1849), with his ownership stamp on the title-page.
First edition of the French translation and notes prepared by Billecocq (cf. Sabin, 41879; Leclerc, 943; Field, 947; Howes, 443; Staton-Trenlaine, Bibliogr. of Canadiana, 597 for the original edition).
Half mottled calf, smooth spine decorated with gilt tools, brown shagreen title-piece, marbled paper boards slightly darkened and faded at the edges, red edges; modern binding.
Stamp on the half-title, a light marginal dampstain affecting the outer margins of the final leaves.
Illustrated with a folding copper-engraved map by P. F. Tardieu, “Des pays situés à l'ouest du Canada”.
“The interest of the work lies in the detailed and relatively objective descriptions it provides of Indigenous life (…) The work is also of great value for its extensive lists of terms used by the Inuit, the Agniers, the Algonquins, the Mohegans, the Chaouanons and the Saulteaux.” Cf. Dictionary of Canadian Biography, IV, pp. 524–525.
First edition, illustrated with seven folding plates.
Preserved in its original state, sewn and issued in plain blue paper wrappers with an added inner lining.
This volume gathers eight short papers previously published in the annual reports of the Kew Observatory.
Francis Ronalds (1788–1873), a largely self-taught engineer, became in 1843 the director and superintendent of the Kew meteorological observatory.
His work included, among other tasks, the development of a system for recording meteorological data.
On the front flyleaf, autograph presentation from Francis Ronalds to a member of the Becquerel family, most likely Antoine-César (1788–1878) rather than his son.
First edition, illustrated with four tinted plates, including a frontispiece (cf. O'Reilly & Reitman, Tahiti, 6452).
Contemporary half plum sheep, the spine faded and decorated with gilt garlands and floral tools, some rubbing to the spine, marbled-paper boards, marbled endpapers and pastedowns, a few worn spots along the edges.
Scattered foxing, the plates evenly toned.
The work offers a history of the island, written in the aftermath of its annexation following the cession of his domains by King Pomare V. It provides an overview of the voyages of Quirós, Wallis, Bougainville and Cook, a portrait of Tahitian life a century earlier, and a sketch of the island’s development since the arrival of the first missionaries.
Chapter V is devoted to the principal episodes of Captain Cook’s three voyages to Tahiti: encounters with the inhabitants, meetings with local chiefs, the revolt on the island of Eimeo, visits to the surrounding islands... (pp. 107–220).
Joseph Bournichon (1839–1924) was a priest and the author of several edifying monographs.
First edition of the French translation, with no issue on deluxe paper.
Minor surface scuffs along the margins of the front wrapper.
With a fine signed presentation inscription by Italo Calvino: "A Michel Tournier avec le souvenir de Italo Calvino. Mai 1974."
First edition on standard paper.
A handsome copy, complete with its publisher’s wraparound band.
Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."
First edition of this concise treatise on rural economy, attributed to the Duke of Sully, the famed minister of Henri IV, born at Rosny and who bore the name of that estate.
His well-known commitment to the development of agriculture has passed into national lore. However, it cannot be excluded that another author, sharing the same territorial designation, may be responsible for the text.
Contemporary full mottled fawn sheep, spine with five raised bands decorated with gilt compartments and gilt tools, gilt fillets, Havana morocco lettering-piece, gilt rolls to the headcaps, gilt fillets to board edges, red sprinkled edges.
Some repairs to the binding. Manuscript ex-libris inscriptions “Cousturier, Prieur de Champsanglard [Creuse]” and “Denesmond, prêtre” on the title-page of the first volume.
The booklet is followed, as very often with this title, by two short agronomic treatises, which vary from one copy to another.
In this copy:
Third edition, partially revised and corrected, incorporating new material.
Bradel binding in olive-green half percaline, smooth spine, bordeaux morocco-grained shagreen lettering-piece; restored and lightly soiled original wrappers preserved; modern binding.
Some scattered foxing, bookplate mounted on the verso of the front wrapper, traces of adhesive at the head and foot of the endpapers.
The first edition appeared in 1868.
This collection of twenty-six short independent pieces chiefly concerns the Chinese world and its adjacent regions (Indochina and Japan).
First edition, with no deluxe paper issue, one of the review copies.
A pleasing copy.
Inscribed, dated and signed by Annie Ernaux to her friend, the writer Christiane Baroche.