The Ancient Authors

Illustrated edition with compositions by Arthur Rackham, 13 in colour tipped in with captioned tissue guards, and 52 black-and-white illustrations in the text, one of 55 copies on japon, signed by Arthur Rackham on the limitation page, deluxe issue.

Publisher’s full vellum binding, flat spine gilt-lettered with gilt-stamped animals, upper cover gilt-stamped with the title and an illustration of animals, top edge gilt, uncut, lower cover silk ties preserved.

A fine copy...

First edition of the French translation with the Arabic text following.

Contemporary half cherry sheep binding with corners, spine without lettering and with five raised bands, marbled paper boards, pink paper endpapers and pastedowns, covers preserved.

The pre-Islamic Arab poet Zuhayr ibn Abî Sulma (530–627) holds a central place in Arabic literature, although his life remains little known. He is the author of one of the seven Mu'allaqât, the canonical anthologies of Arabic poetry.

Rare and attractive copy.

New edition printed in 55 copies only (see publisher's foreword).

Only one copy of this edition listed in the CCF (BnF).

Contemporary temporary binding in full cherry paper boards, flat spine without lettering, minor rubbing to the binding.

Foxing, restorations to the head and tail of the spine, lower corners worn, a dampstain to the lower outer corner of the final leaves.

The text of Horace is in Latin only.

This rare folio edition was preceded in 1815 and 1818 by two small-format printings intended for student use.

The aim was to bring together in a single small volume the two principal sources of taste in versification, as upheld by classical...

New edition of this ancient pastoral romance, illustrated with a frontispiece and eight full-page engravings. With several headpieces, decorated initials and tailpieces.

Dark yellow morocco, spine with five raised bands, author, title and date lettered in gilt, gilt fillets to board edges and headcaps, gilt inner dentelle, all edges gilt; tan morocco case by Riviere & Son, spine with five raised bands, author, title and date lettered in gilt, blind-tooled fillets. Raised bands lightly rubbed, with a few scuffs to the slipcase, otherwise a handsome copy.

Mortimer L. Schiff's guilt red morocco bookplate on the front pastedown.

New edition of Jacques Amyot's French translation, illustrated with charming engravings, one of 50 copies printed on vellum paper.

Contemporary blue half morocco over marbled boards, smooth spine richly tooled in gilt within decorative compartments, gilt date at foot, gilt fillet border to the boards, comb-marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, an attractive unsigned binding.

This edition was revised and expanded by Paul-Louis Courier.

First edition, one of 200 numbered copies on Japanese vellum, the deluxe issue.

Illustrated with 3 engravings and 1 map.

Brown half shagreen morocco binding with corner pieces; spine with five raised bands ruled in black, gilt date at foot; minor rubbing to the spine; marbled paper sides; marbled endpapers and pastedowns; original wrappers and spine preserved; corners slightly bumped; gilt top edge.

A pleasing copy.

First edition of the French translation by Edouard Chavannes of an extract from the Journal of the Peking oriental society. 

Contemporary Bradel-style binding in full grey percaline, smooth spine decorated with a gilt fleur-de-lis, double gilt fillet at the foot, cherry shagreen lettering-piece with surface scuffing, partially toned endpapers.

This was the translator’s first scholarly publication devoted to this treatise, which forms the twenty-eighth chapter of the celebrated Shiji (Historical Records) by the first true Chinese historian, Sima Qian (145–86 BCE).

These records constitute the first systematic synthesis of...

First edition of the French translation of Livy's Roman History by Pierre Du Ryer, historian, member of the French Academy and great translator for the Parisian booksellers of the period. This translation is accompanied by the supplements of Jean Freinsheim, philologist and historiographer to Queen Christina of Sweden, to whom Du Ryer dedicates the work. The edition also includes Florus's complete Summaries at the head of each book. Arms of Louis XIII engraved on the title page, text enhanced with engraved headpieces, initials and tailpieces.

Full calf binding, spine with 6 raised bands, later 18th-century red morocco title-label decorated with an eagle, arms of the Sade family...

New collected edition of the works of Théophile. The third part contains the pieces written during his imprisonment until his death. Text in italics.

Contemporary full red morocco binding. Raised spine richly decorated. Red morocco title label. Edges gilt. Owner's initials in the tail compartment: BD (these letters are found handwritten on the title leaf with the number 68). Joint widely cracked along the tail compartment, without damage to the headcap. A hole of one cm in diameter on leaf 83 of the second part, with the loss of one word over three lines. Leaf 115 with three restorations resulting in the loss of two letters. Foxing, sometimes heavy.
These Works are...

The rare first edition. Printed in two columns. Vignette of a sphere on the title page. 14 in-text figures and diagrams and numerous tables, notably a calendar of the position of the stars and zodiac figures, tables of latitudes and longitudes.

Contemporary limp vellum binding with flaps. Smooth spine unlettered. Traces of ties. Split to upper joint at head over two centimeters. Various stains. Lacking the first endleaf before the title. Lower right corner of title page missing. Brown stain to lower right corner from leaf 14 to leaf 32.

Commentary by Georg Henisch on the treatise of the sphere by Proclus, the celebrated Neo-Platonic philosopher of the...

First edition, richly illustrated, of the abridged version of the famous commentaries by the Chevalier de Folard, established by the Count of Chabot. 113 copperplate engravings - sometimes folding (Volume I: 51, volume 2: 22 and volume 3: 40) - representing techniques, battle scenes and war machines of Antiquity; including 4 maps and a plan of Cremona.

Full speckled blonde calf binding. Spine with five raised bands decorated with red morocco title and volume labels and gilt compartments and fleurons; gilt dentelles at foot. All edges red. Two head caps worn, the third slightly rubbed. Some wormholes on the spine of the second volume. Two corners slightly bumped. Numerous...

New edition, the first of which appears to have been published by the same publisher in 1599.

Contemporary full calf binding. Attractively ornamented spine with raised bands, featuring a central tool of two interlaced Cs. Red morocco title label. Edges gilt. A one-centimeter lack to the last compartment, and split with small lack to foot headcap, first blank endpaper partly detached. Rubbing. Foxing.

Edition established by Henri Estienne the younger and published by Paul Estienne, his son, who practiced his printing trade from 1599 to 1526. This bilingual edition includes, besides the works of Pindar, the Greek poets: Anacreon, Sappho...

Elzevier edition of these tragedies by Seneca with the highly esteemed notes by the English grammarian Thomas Farnaby (or Farnabie). The first edition with Farnaby's notes is that of London, 1613. Brunet V, 286. Illustrated with an engraved title-frontispiece.

Contemporary full navy blue morocco binding, raised spine decorated in grotesque style (rolls composed of lozenges within circles), sawtooth fillet border and wave roll border on covers, gilt edges, interior fillet.

Very handsome antique morocco binding.

New edition. Although we have found no trace of this Basel edition, the first edition was published in Venice by Aldus in 1527 (with a different collation). Not held by the Bibliothèque nationale de France and absent from French catalogues. Oxford holds an edition with the same date. English catalogues mention several copies at different dates. Printed in italic type.
Fine contemporary German binding on pigskin with clasps in perfect working order. Spine with 3 raised bands, unlettered, with handwritten paper lettering piece, boards stamped in blind with decorative rolls in frames (leafy designs with medallions representing Erasmus of Rotterdam and Philip of Milan, Martin of Paris...