Paris

First edition, one of 300 copies, this one of 20 numbered and justified by François-Louis Schmied, the tirage de tête.
With 42 full page plates hors texte.
Spine and covers sunned at edges, scratch to head of lower cover, occasional wormholes, internally good. 

First edition.

Half twentieth-century skivertex binding imitating leather. Marbled paper boards. Gilt title. Good copy.

Protectionist measure for the purchase of leather-bound books. The ruling reports the favorable outcome of the lawsuit brought by the shoemakers of Châteauvillain.

Third edition. Printed in two columns.

Contemporary full brown sheep binding. Spine with raised bands decorated with small flowers and fleurons. Title-label in snow morocco. Headcaps worn with lacks. Scuffs. 2 corners bumped.

First edition.
Contemporary full bronze calf, spine with four raised bands lavishly decorated in gilt with fillets and dentelles and with blind-stamped tools in the compartments, sides with large blind-stamped panels composed of an elaborate frame of dentelles and fillets, four corner rosettes, and a central lozenge-shaped cartouche ornamented with gilt arabesques and rosettes, corners bumped, gilt rolls to the edges and turn-ins, gilt dentelle border to the pastedowns, a few scuffs, all edges gilt, strictly contemporary binding, signed Martin.

Our copy is complete with the frontispiece and the facsimile of the signatures of Molière and his daughter.
Some foxing.
A handsome

First edition, magnificently illustrated with a frontispiece by Cochin, engraved by Saint-Aubin, a title vignette by the same, 59 large tailpieces and headpieces (designed and engraved by Saint-Aubin) explained and deciphered at the beginning of the work, and 179 figures hors-texte each presenting an engraved stone (engraved by Saint-Aubin). Fine printing on deluxe Holland paper.

Full black morocco-grained shagreen binding ca 1850. Smooth spine with flat raised bands decorated with fillets and roulettes on the bands. Triple-ruled frames on boards with corner fleurons. Marbled edges. Light rubbing to headcaps, corners. Paper lacking to margin of one leaf in volume I. Some leaves

First edition, one of 20 numbered copies on Hollande, the only large paper copies.
Elegant red morocco binding by Semet & Plumelle, spine in five compartments, date at foot, gilt roulettes to head- and tail-pieces, red moiré silk pastedowns, marbled endpapers thereafter, gilt fillets to edges of covers, covers and spine (slightly soiled) preserved, top edge gilt; slipcase edged in the same morocco, the boards of the same marbled paper, lined with light brown felt.
This copy is enriched with two autograph notes from the author.
A very good, well-margined copy, superbly bound in an outstanding lined binding by Semet & Plumelle. 

Seventh edition, first for some parts, as corrected and reviewed.
Contemporary half black shagreen over black paper boards, spine in five compartments with slender bands and double blindruled compartments, marbled pastedowns and endpapers.
Rare autograph inscription signed and dated by Alfred de Vigny to abbé Huc, who was one of the great missionaries to China and for whom Alfred de Vigny bore a great admiration: " témoignage de vénération et d'attachement / Alfred de Vigny [testimony of [my] veneration and attachment / Alfred de Vigny]."
A little light foxing.