Jules VERNE

Original edition illustrated with 85 drawings by Benett, with a world map at the end of the volume. General publisher's catalogue in fine, DS.
Publisher's tan pictorial cloth binding with the two elephants and fan design, signed Souze and bound by Lenègre. Spine type D, back board type n. A very fine front board with well-struck gilt; a crease to the upper right corner. Minor touch-ups to the colour at the head, tail and corners, with some stiffening of the cloth. Spine sound, with an area of soiling to the right of the title extending onto the front board. Diffuse dark marks on the back board. Scattered foxing to the first two leaves, sparse thereafter except in the catalogue...

New edition, illustrated with drawings by Ferat, engraved by Brabant and with 6 full-color hors-texte plates, and 2 maps. A portrait of Jules Verne as frontispiece.
Publisher's binding "with an elephant, title in the fan" signed at bottom of the plate Engel, spine with lighthouse, second cover of type "i" according to Jauzac.
Superb first cover, with gleaming gilt. Spine very fresh but lighthouse vignette slightly soiled. Corners very straight and sharp. Second cover very good, but a small white mark of one cm along a black fillet. Some foxing on an otherwise fresh set. Internal hinge slightly opened 5 cm at top, without mechanical problem or fragility.

Very handsome copy...

First octavo edition illustrated with 92 engravings by Benett, including one folding map in colour: this marks the very first use of polychromy in an illustration for a Jules Verne novel.
Publisher’s Hetzel binding "aux deux éléphants" in full red cloth, signed by Lenègre, type 3, upper cover signed by Souze, lower cover Lenègre type “e” as described by Jauzac, original blue endpapers, all edges gilt, publisher’s EL catalogue at rear.
Spine slightly faded as usual, small black marks along the hinges, spine-ends softened as often, a pleasant copy almost free of any foxing.
“Deux ans de vacances” is a Robinson Crusoe-like novel featuring fourteen schoolboys from New Zealand.
...

New "À la bannière" edition with bevelled boards, violet on a red background, illustrated with 154 drawings by Férat engraved by Barbant.

Publisher’s decorative cloth binding "à la bannière" of type 6 signed by Lenègre, upper cover plate signed by Souze, lower cover of type e1 with central medallion on a black ground, framed with geometric motifs.
Attractive upper cover, with glossy percaline and sharp gilt, small black spots on the spine, head- and tailcaps collapsed as usual, some occasional foxing, small dark and light stains on the lower cover.
L’Île mystérieuse is linked, though not a sequel, to two other novels by Jules Verne, Vingt mille lieues sous les...

First edition, large octavo, illustrated with 78 engravings together with 12 chromotypographic plates by George Roux and 2 coloured maps.
Publisher’s binding by Hetzel in full red cloth signed A. Lenègre, with the "portrait collé" design: the upper cover signed Souze, polychrome, depicting various means of transport (balloon, locomotive, ships), with a sepia-toned portrait of the author mounted at the centre, and various navigational instruments highlighted in gilt in the foreground; lower cover of type "e" as recorded by Jauzac; spine decorated with several gilt and coloured illustrations; original blue endpapers; one upper corner slightly crimped; all edges gilt. HF catalogue at the...

First illustrated edition, featuring 82 drawings by Tiret-Bognet and a color map of the Saint Lawrence River. Publisher's 1890 EX catalogue bound in at rear.
Binding with the two elephants, Lenègre type 3. Rear cover Lenègre type e.
Spine lightly faded, internally clean and well preserved.
In Famille sans nom, Verne recounts the story of a French-Canadian family during the Patriote Rebellion (1837–1838) against British injustice.

First edition, illustrated with 59 drawings by L. Bennet and P. Philippoteaux, 35 facsimiles of antique engravings, and 20 maps or plans. Double volume, AB catalogue for 1880.
Publisher's brick-red cloth binding known as "à La sphère ptolémaïque" (one of the most harmonious designs among Souze's publisher's bindings), bound by Engel. Specially designed cover plaque by Souze. Striking front board with bright gilt. Minor splits at headcaps and rubbed spine ends. Spine in very good condition, with well-preserved gilt lettering.
Rear board of type b, with a central rosette and darkened corner palmettes. Brown endpapers characteristic of the first edition. Foxing on the title page due to...

New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_

First deluxe large octavo edition illustrated by George Roux.
Publisher’s pictorial binding by Hetzel signed Engel, known as "type 4 globe" design, with "lighthouse" spine and lower cover of Engel "i" type as per Jauzac, all edges gilt.
Original blue endpapers marginally faded, as usual; headcaps very slightly compressed; some foxing at the beginning and end of the volume.
Sequel to Robur le conquérant, Maître du monde recounts Robur’s return to civilization aboard an amphibious vehicle.
Un drame en Livonie is a detective novel centred on the story of an innocent man accused of a murder he did not commit in Livonia.

Illustrated edition comprising 68 illustrations by George Roux, including 20 large plates in chromotypography and a map.
Y catalogue at rear.
Publisher’s binding by Hetzel signed Engel, known as “au globe”, type 4, spine with lighthouse motif, lower cover type Engel “i” as per Jauzac, all edges gilt.
Headcaps slightly pushed and frayed, some foxing, offsetting from adhesive paper to the head and tail of the blue endpapers.
Le Sphinx des glaces is a fantastical novel intended as a sequel to Edgar Poe’s The Narrative of Arthur Gordon Pym, to which it is dedicated.
Copy not recorded by Jauzac.

First illustrated edition with fifty-one engravings drawn by Édouard Riou and Henri de Montaut, and engraved by Hildibrand, Dumont, Fournier, Delaville, Pannemaker and Coste. "Bibliothèque d'éducation et de récréation" collection, a thirty-two page publisher's catalogue at the end of the volume.

Binding in brown half-shagreen, boards in red-brown percaline cloth, blind-stamped, spine with four raised bands, gilt compartments and fillets, gilt author and title, pastedowns of moiré-effect paper, gilt edges. Binding very slightly rubbed, a small tear to the vertical edge of the lower board, a few traces of mould to the pastedowns, some foxing to the leaves.

Rare first collected edition, and the only edition produced for this title, illustrated by George Roux with 30 full-page plates, some printed in chromolithography.

Publisher's binding known as the "À l'éventail à un éléphant" design, with the title set within the fan, lighthouse spine slightly faded as usual, Engel type i rear cover with the JH monogram in upright letters at the centre of the rosette, all edges gilt. 
Spine ends slightly sagged, as often, a few minor spots of foxing.
A science-fiction novel whose protagonist, Storitz, acquires the power of invisibility by drinking a potion. The work appears to have been first written in the same year as the publication of H...

First edition, illustrated with 59 drawings by Léon Bennet and Paul Philippoteaux, 35 facsimiles of early engravings, and 20 maps or plans.

Catalogue S bound in at the end.
Publisher’s brick-red cloth binding in the so-called “Ptolemaic Sphere” design, one of Souze’s most harmonious binding compositions, bound by Engel; upper cover decorated with a special plaque designed by Souze, lower cover of type b with central rosette and darkened corner palmettes; brown endpapers characteristic of the first edition; all edges gilt. 

Scattered foxing. One lower corner bumped, minor rubbing to the upper cover along the joint, lower cover darkened and with a few small...

Illustrated edition with 154 drawings by Jules Férat, engraved by Barbant.
Hetzel publisher's binding in full red percaline, in the "anchor spine" design, with Engel type "i" rear board as identified by Jauzac, original blue endpapers, all edges gilt. 
Spine ends slightly sagging, spine lightly faded, lower left-hand corner of the front board frayed, blue endpapers marginally faded as usual, small black marks to the outer margins of the boards, occasional foxing at the beginning and end of the volume, and a bibliophile's ink stamp in the upper left-hand corner of the front pastedown.
A pleasing copy of this novel, which forms a sequel to Twenty Thousand Leagues Under the...

New illustrated edition with 43 drawings by Jules Férat, engraved by Charles Brabant for Les Indes noires; and by Edouard Riou and Jules Férat for the two other titles.

Catalogue CR at end.
Publisher's full polychrome cartonnage by Lenègre, type 3, known as the “Deux Éléphants” binding, on a red ground; headcaps slightly softened, as almost always; upper cover decorated with a plate by A. Souze featuring a fan-shaped design, with the title printed on two lines and no mention of Martin Paz; lower cover of Lenègre type “e”, with central medallion on a black ground; gilt lettering at foot of spine: Hetzel éditeur and A. Lenègre relieur (partly rubbed away).

Some...

Red-medallion Steamer binding edition (single volume), illustrated with 48 drawings by Léon Benett (40 for the first title and 5 for the second). 

Catalogue FX at end.
Publisher’s full polychrome pictorial boards signed Charles Magnier, headcaps slightly sagging as almost always, upper-cover plaque signed Paul Souze, a few small foxing spots.

A pleasing copy, the binding retaining fine freshness.
Two heirs, one French and one German, divide 500 million francs between them. Each builds a city in keeping with his dreams: the Frenchman an hygienist city, the German a city of steel.

Edition published in the same year as the first edition, with edition statements in each volume.

Contemporary half brown shagreen bindings, spines with four raised bands ruled in black and decorated with double black compartments featuring gilt central tools, marbled paper boards, marbled endpapers and pastedowns, speckled edges; corners rubbed.

Occasional foxing, with minor nicks to the top edge of one volume.

A handsome copy, attractively bound at the time.

New edition, with a spurious seventh edition statement.

Contemporary half brown shagreen over marbled boards, spine with four raised bands, ruled in black and decorated with double black panels enclosing gilt central fleurons, marbled endpapers, sprinkled edges.

Minor wear to the edges, lower corners lightly bumped, a small loss to the upper right corner of the title page.

A handsome copy attractively preserved in its contemporary binding.

Edition issued in the year of the first edition, bearing the fanciful statement of "Fourth Edition."

Contemporary half brown shagreen over marbled boards, spine with four raised bands ruled in black and decorated with double black panel compartments featuring gilt floral tools, marbled endpapers, sprinkled edges, contemporary binding.

Three small nicks to the edges.

A handsome copy attractively bound in a contemporary binding.

Edition published in the same year as the first edition, with the spurious statement of "Eleventh Edition" on the title page.

Contemporary half brown shagreen over marbled boards, spine with four raised bands ruled in black and decorated with double black panels featuring central gilt floral tools, marbled endpapers, sprinkled edges.

A few minor spots of foxing.

A handsome copy in an attractive contemporary binding.

Later edition, stated eighth edition.

Contemporary half brown shagreen over marbled paper boards, spine with four raised bands ruled in black and decorated with black double-panel compartments featuring gilt central floral tools, marbled endpapers, speckled edges, contemporary binding.

A few minor spots of foxing.

A handsome copy attractively bound in its contemporary binding.

Edition from the same year as the first edition, of remarkable rarity, bearing a fictitious statement of fifteenth edition, yet featuring correct colophon (1872) at the foot of p. 312: "1124-72". 

Binding in brown half sheepskin, spine with four raised bands ruled in black and decorated with double black compartments bearing central gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding.

A few minor foxing spots of no consequence.

A fine copy attractivelyhoused in a contemporary binding, published the same year as the first edition.

Rare first edition. First volume published on 6 May 1867, the second on 27 July and the third the next year (28 January 1868). All of 18° format are first editions of Verne's novels.

Contemporary brown half shagreen bindings, spines with four raised bands ruled in black and decorated with double black panels featuring central gilt floral tools, marbled paper boards, marbled endpapers and pastedowns, two upper corners slightly bumped, speckled edges, contemporary bindings.

A handsome copy attractively housed in its contemporary bindings. In Search of the Castaways is the very first Verne novel to be adapted for the cinema. predating even...

Rare first edition. This first appearance of the text in book form was Jules Verne's preferred format, as Jauzac notes, instead of the more famous gilded publisher's bindings.

Contemporary brown half shagreen binding, spine with four raised bands ruled in black and decorated with double black panel compartments featuring central gilt floral tools, marbled paper-covered boards, marbled endpapers, speckled edges, a few small abrasions to one edge, contemporary binding.

A small black ink stain to the lower right margin of the opening leaves.

A handsome first edition copy attractively housed in a contemporary binding. This founding novel is considered one of, if...

Rare first edition. The first volume dated 4 August 1876, followed by the second volume published on 6 November with Un drame au Mexique bound in. All first editionswere published in 18° format. 

Half brown shagreen bindings, spines with four raised bands ruled in black and framed in black with with central gilt fleurons, marbled paper boards, paste-down endpapers and flyleaves of hand-marbled paper, sprinkled edges, contemporary bindings.

A handsome first edition copy of this celebrated Siberian adventure, attractively bound in contemporary bindings.

This first appearance of the text in book form was Jules Verne's preferred format, as Jauzac...

Illustrated edition with 150 drawings by Riou.

Publisher's catalogue by FN bound in at the rear.

Hetzel publisher's binding "aux deux éléphants" type 3, full red percaline binding signed A. Lenègre, rear board type "e" as identified by Jauzac, original blue endpapers, all edges gilt. Manuscript inscription on the title page, upper right.

Illustrated edition by George Roux featuring 12 large chromotypographs, 2 maps, and numerous photographic views.
Publisher’s decorative binding by Hetzel, signed Engel, known as “au globe,” type 4, spine with the lighthouse design, lower cover of Engel type "h" as per Jauzac; all edges gilt.
Headcaps very slightly pushed without consequence, original blue endpapers faintly faded as often, a few occasional spots of foxing.
Les Frères Kip is a detective and adventure novel, likely inspired by a late 19th-century criminal case: the Rorique brothers.
Copy not recorded by Jauzac.

New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates, some in color.
Publisher's gilt Globe binding, upper cover signed Blancheland, Engel relieur, spine with lighthouse motif, rear cover of Engel H type, publisher's Y catalogue at rear of volume.
Spine with minor discoloration, a few small stains to upper corner of front cover, endpapers discolored, corners slightly twisted, the engraving between pages 122-123 with small corner lacks, occasional light foxing mainly to edges.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.

Original albumen photograph of Jules Verne in profile, in carte-de-visite format, mounted on the heavy card stock of the Nadar studio, 51 rue d'Anjou-Saint-Honoré, Paris. Early pen inscription on the verso identifying Jules Verne, printed advertising matter for the studio including the statement “Gold Medal, Universal Exhibition 1878”, and blue stamp “J. Kuhn, Paris”. Card with rounded corners; very slight wear to one corner, otherwise without significant defect.

The Nadar mount, whose advertising records the gold medal awarded at the 1878 Universal Exhibition, establishes a date after 1878...