Verba Volant, Scripta Manent (Epistolary Art)

First edition of the French translation by A. J. B. Defauconpret. Illustrated vi­gnette on the title page of each volume, with two illustrations in each volume (60 in total) by Louis Marckl after Noël Bertrand.
Green half shagreen binding, spine with five raised bands elaborately framed in gilt and blind, spine-ends stamped with a gilt rosette bearing cabbalistic signs, marbled paper boards, marbled endpa­pers and pastedowns, speckled edges, contemporary bindings.
Spines slightly lightened, some corners slightly dulled, more pronounced foxing on some volumes, a tear not affecting text to pp. 303-304 of vol. 2, a restored tear and a marginal lack of paper not af­fecting text to pp...

First edition, one of 500 numbered copies on white vellum,  after 1 copy on Japan paper, 13 on Arches paper, and 22 on marsh vellum.
A pleasing copy.

Charming illustrated edition featuring, as the frontispiece to the first volume, a portrait of Alfred de Musset after the original painting by Charles Landelle, together with 28 drawings by Alexandre Bida; one of the numbered copies printed on laid paper.

Bound in full midnight-blue Russian morocco, spines with five raised bands gilt-tooled with garlands and decorated with gilt fillets and blind-stamped typographical ornaments, gilt rolls to the spine ends, gilt dates at the foot, a few joints slightly split at the head or tail, covers framed with quintuple gilt fillets, gilt armorial bearings stamped at the centres, red moiré silk endleaves and doublures, gilt dentelle border to...

Autograph postcard, dated and signed by Louise de Vilmorin, addressed to her friend Frédéric Fresco with wishes for the festive season.

The recto of the card depicts Louise de Vilmorin's house in Verrières.

The postcard is embellished with a large hand-drawn four-leaf clover framing her message, from which her signature emerges.

First edition, one of 60 numbered copies on mustard popset paper, the deluxe issue.
Illustrated with drawings by René Magritte.
A very good copy.
Our copy is complete with the additional suite of letters and drawings by René Magritte issued with the deluxe copies.

Autograph postcard dated and signed by Florette Lartigue addressed to the woman of letters Christiane Baroche (12 lines in blue felt-tip), additionally initialled by Jacques-Henri Lartigue and embellished with a small drawn sun.

The postcard reproduces an original photograph by Jacques-Henri Lartigue entitled "Bibi à Marseille"; a crease to the lower right corner of the postcard. Florette Lartigue congratulates Christiane Baroche on all her publishing successes and would like to embrace her "de vive voix" et non toujours par écrit...

The postcard bears the photographer’s handwritten initials, which he enhanced with a small drawn...

Signed autograph card, dated 18 November 1984, 12 lines in blue ballpoint, addressed to her friend, the woman of letters Christiane Baroche, in which she refers to her latest work  "Plaisirs amers" and to the friendship binding the two women writers.

Accompanied by the manuscript envelope addressed to Christiane Baroche.

"Merci Christiane de ta lettre qui m'a fait très chaud au coeur, car les moments de "gloire" sont aussi ceux qu'on a envie de traverser avec les gens qu'on aime bien. Je t'embrasse. Annie.

PS. Jacques Duchateau a formidablement bien parlé de 'Plaisirs amers" à Droit de réponse, j'étais ravie."

First edition, one of 30 numbered copies on featherweight wove paper, the only issue after 15 copies on Lana wove paper.

Illustrated with 2 original engravings by Ania Staritsky, signed by her, together with drawings by Elsabeth Hellens and Léopold Survage.

A handsome copy.

First edition on standard paper.

Bradel binding in full moiré silk with a leaf pattern, smooth spine decorated with a gilt fleuron and gilt date at the foot, green morocco lettering piece, fore-edge and tail edges untrimmed, binding signed in blind on the upper pastedown [E.T.] Pierson, the Goncourt brothers' binder of choice.
Silk at the headcaps slightly rubbed, corners worn, light rubbing to the lettering piece.

A fine copy, with a few very faint fox spots and one paragraph marked with a pencilled marginal bracket at p. 61.

Autograph card signed, dated 25 April 1987, 17 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, in which she lavishes praise on her latest work entitled "L'hiver de beauté".

With the original envelope.

"Ma chère Christiane,

après tout, je me console : celui qui a fauché "L'Hiver de Beauté" a eu du nez, il a passé de bons moments, avec ta superbe Isabelle, ta non moins acide et volontaire Queria. Tu as réussi un très beau livre dans une langue que je trouve de plus en plus rigoureuse, la construction est remarquable et "fluent" comme on dit en anglais, c'est très naturellement qu'on passe de l'une...

Autograph signed postcard, 12 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, in which she expresses her complete intellectual affinity with her.

The recto of the postcard features a reproduction of the painting "Trompe l'oeil" by Cornelis Gysbrechts.

"Ma chère Christiane,

merci ! Ce petit prix a surtout le mérite de grossir ma cagnotte pour la maison de mes rêves, enfin, un peu : 5000 F. Mais je suis très contente. Je voulais te dire depuis les vacances de Pâques combien j'avais eu le plaisir à écouter ta voix fraternelle dans ton recueil de "Rimes intérieures". J'aime ce que tu aimes, je...

First edition of the French translation prepared by Stanislas Julien. 

Contemporary half havana shagreen over corners binding, spine in five raised bands ruled in gilt and decorated with double gilt and blind-stamped panels, date gilt at foot, a few minor rubs to the spine, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, covers and spine mounted and restored and preserved, binding signed F. Saulnier.

Pages 409–415 present, at the upper right corners, tears without loss affecting the text which have been restored, with an additional restoration to the title-page. Faded manuscript note on the half-title.

From the collection "Voyages des...

Autograph letter signed and dated September 26, 1955, by Georges Simenon, addressed from Cannes to André David.

18 lines in black ink on one leaf bearing his American address in Lakeville, Connecticut.

Mailing fold as usual.

Georges Simenon apologizes for his delayed response: "mais j'étais en plein roman. Parbleu ! si je me souviens de vous !" and indicates his upcoming availability to his correspondent, even specifying his future address in Cannes. He authorizes André David's project to adapt his novel "Maigret et la Grande Perche" for the screen, while setting his terms: "vous pouvez travailler sur La Grande Perche mais, bien entendu, mon acceptation ne...

First edition, one of 605 numbered copies on pur fil d'arches, this copy being one of the 20 hors commerce lettered name copies, including an additional suite on papier à la main du moulin Richard de Bas.

A few minor foxing spots to the front wrapper; slipcase and chemises split at several joints.

17 woodcuts engraved with a knife by Lucien Jacques.

Our copy is complete with its additional suite of the 17 illustrations on papier à la main du moulin Richard de Bas.

Signed and dated 1968 by Jean Giono to Monsieur Lachaud.

First edition, one of 20 numbered copies on alfa paper, our copy lettered "A" among the 8 hors commerce lettered copies, the only deluxe paper issue.

A tear at the foot of the spine at the level of the sewing supports, otherwise a pleasant wide-margined copy.

Dated and signed autograph presentation by the publisher beneath the print statement: "Affectueusement reservé à mon admirable collaboratrice Suzanne qui est aussi la plus charmante & la plus précieuse des filleules - que dis-je ? la seule filleule qui compte ! Paris 18 octobre 1942."

Very rare first edition of this substantial memorandum on the "Pierre Calvet Affair", which unsettled Canada in the aftermath of the American War of Independence.

Sabin 21044. In the CCF, copies only at the BnF and Rouen.

A few light spots of foxing; a faint marginal dampstain to the fore-edge of the front endpaper.

Half green sheep with corners, smooth spine slightly darkened and ruled in gilt, gilt fillet border to the marbled paper boards, a central gilt cartouche bearing a crowned cipher to each cover. Corners rubbed, a few scuffs to the edges, bookplate pasted to one pastedown, lemon-coloured edges; nineteenth-century binding.

Parallel to the work The Case of...

Rare first edition.

Contemporary half fawn cloth Bradel binding, smooth spine, place and date gilt at foot, marbled paper boards, covers preserved.

A single copy recorded in the CCF (BnF).

The only edition, uncommon. A collection of notes and anecdotes relating to Abbé Castel’s period of study in Rome (born 1894, ordained 1920) during his seminary years.

Some spotting to the endpapers.

First edition (cf. Atabey 1128. Weber 59. Not in Blackmer.)

Half brown sheep binding with small green vellum corners, smooth spine decorated with gilt friezes and amphoras, red Russia morocco title label, hazel-coloured boards, ex-libris pasted to a pastedown; contemporary binding.

Spine restored, a few minor foxing spots.

"This is an important collection of letters written to the antiquary the Comte de Caylus, beginning as early as 1729 and including the period up to 1778. The collection includes the letters of the Abbé Sevin and others, including Anquetil Duperron and Le Roy, but it is especially significant for Peyssonnel's letters to Caylus. It was edited by...

First edition of this scarce work entirely autograph manuscript (cf. Manque à Gay. Playfair, 2894. Tailliart, 781.)

Some light foxing, wrappers laminated.

The volume comprises letters written by Octavie Lagrange during a journey undertaken in 1864 and, for the most part, dated from Algiers: "Parmi les mosquées jadis si nombreuses les unes restent consacrées au culte musulman ; les autres ont disparu sous le marteau des démolisseurs ; celles-ci sont affectées à différents services publics ; celles-là converties en églises catholiques. […] Dans les bazars s'étalent de jolis magasins assez bien assortis ; les objets pleins d'originalité, y sentent d'une lieue le terroir, et...

Autograph note signed by Jean Paulhan, 20 lines in black ink addressed to Felia Leal, publisher of "Paroles transparentes," a work by Jean Paulhan illustrated with 14 original lithographs by Georges Braque.

Paperclip marks to the upper left corner.

The note refers to a planned collaboration with Marc Chagall:
"Saturday,

Dear Felia
well, Chagall approves of the short summary. He even seems delighted with it. He says he has had many such ideas. But we are to discuss it in a few days, when he passes through Paris. (He is attending the Rembrandt anniversary celebrations, to which he has been invited by the...

Autograph letter dated 3 June 1941, signed and addressed to Frédéric Lefèvre, comprising 40 lines in blue ink on two pages of a bifolium, written from Lyon.

Folds from original mailing, envelope present.

During these troubled times, Frédéric Lefèvre was difficult to reach for his friend Francis Carco: "J'ai appris par Raymond Millet - qui me donne ton adresse - que tu es à Vichy ! On m'avait dit que tu étais retourné à Paris... [...] c'est pour cette raison que je ne t'ai pas envoyé mon dernier livre mais je dois recevoir des exemplaires prochainement et le premier sera pour toi."

Francis Carco discusses...

Autograph letter dated and signed by Ginger Rogers, addressed to the renowned Swiss collector Claude Armand, 20 lines penned in blue felt-tip from New York,

Folding marks from mailing, with a light paperclip impression to the upper left corner of the letter; original envelope included.

The celebrated American actress and dancer expresses her gratitude to her admirer for his previous letter, in which he requested a signed photograph that she is unfortunately unable to send, being away from her home in Eagle Point, Oregon, and currently in New York: "Your most gracious letter is in my hands and i cannot tell you how delighted its make...

Autograph letter dated and signed addressed to Thierry Maulnier who is not named (25 lines in black ink on one leaf).
Central folds inherent to postal folding.

Patrice de La Tour Du Pin thanks Thierry Maulnier and shows himself delighted to be soon published by la Table ronde even though he requires certain conditions: "... mais vraiment pour l'édition que vous me proposez si amicalement, je ne peux accepter malgré mon désir : il m'est impossible de faire paraître en même temps plus de quatre volumes de luxe ou de demi-luxe. Déjà Gallimard trouve que c'est un peu gros ! ..." ("...but truly for the edition that you propose so kindly, I cannot accept despite my desire...

Autograph letter dated and signed, one page by Jean-Louis Barrault addressed to Thierry Maulnier (34 lines in blue ink on a recto verso sheet)

Central folds inherent to the mailing, some foxing spots on the letter.

Jean-Louis Barrault, returning from a tour in South America, hastens to respond to Thierry Maulnier in order to consider a radio adaptation and possibly theatrical adaptation of his text Une ville sous la mer: "I do not know if this purity would remain in a theatrical realization, but this confirms to me that you must absolutely give us the opportunity as soon as possible to serve you directly on the theatrical plane."

Autograph letter signed and dated, one page, from Maurice Blanchot addressed to the theater actress Marcelle Tassencourt, wife of Thierry Maulnier, 18 lines in black ink.
Central folds inherent to postal handling, envelope included.

Maurice Blanchot praises the acting performance of Marcelle Tassencourt who created, in 1944, the role of Antigone in Robert Garnier's play directed by her husband, Thierry Maulnier:  "... cette Antigone m'a beaucoup touché. Je ne croyais pas que la beauté des vers y fût capable d'une actrice aussi vivante. Que la vie et le style peuvent être à ce point associés, que l'harmonie engendrât l'horreur, et la beauté le déchirement, c'est que...

Printed calling card on which André Malraux added, in blue ballpoint pen, these few words for his friends Minka and Karl Hans Strauss:
"I am touched, dear friends, by the affectionate part you take in my grief... And what else is there to say?..."





 

Autograph letter signed by the dandy count, 46 lines written in black ink recto-verso, on Hotel de France de Pau letterhead, addressed to a poet friend.
Fold marks inherent to postal handling.
The poet expresses surprise at his friend's reproaches: "Pourquoi parlez-vous du mal que je pourrais vous faire ?... Alors il faudrait bien essayer, pour ne pas vous désobéir mais il me semble que je m'y mettrai sans conviction." (Why do you speak of the harm I could do to you?... Then I would have to try, so as not to disobey you, but it seems to me I would do so without conviction.) and leans rather toward a misunderstanding of his words: "Est-ce donc ainsi que vous...

Autograph poem by Théodore de Banville, unsigned, entitled "Les exilés," comprising 20 lines in black ink with deletions and corrections.
Vertical and horizontal fold marks from mailing.
In the upper right-hand corner, the poet has written: “envoi de livre à Don Bernardo Calderon.”
This four-quatrain poem appears to be unpublished and was seemingly not included in the collection "Les exilés" published in 1867.
«Ce  livre, pleurant  sur la gloire
Et sur le bonheur envolé,
Renferme toute notre histoire?
Qui donc n'est pas un exilé ?
[...]

Heureux celui qui sous la mer,
Penchant son triste front blémi,
Poursuit sa route aride et nue
En...