Autograph letter signed and dated, one page, from Maurice Blanchot addressed to the theater actress Marcelle Tassencourt, wife of Thierry Maulnier, 18 lines in black ink.
Central folds inherent to postal handling, envelope included.
Maurice Blanchot praises the acting performance of Marcelle Tassencourt who created, in 1944, the role of Antigone in Robert Garnier's play directed by her husband, Thierry Maulnier: "... cette Antigone m'a beaucoup touché. Je ne croyais pas que la beauté des vers y fût capable d'une actrice aussi vivante. Que la vie et le style peuvent être à ce point associés, que l'harmonie engendrât l'horreur, et la beauté le déchirement, c'est que je n'imaginais pas pouvoir ressentir aussi complètement et que la plupart des spectateurs me semblent avoir ressenti autour de moi et chez moi." (... this Antigone moved me greatly. I did not believe that the beauty of the verses could be capable of such a lively actress. That life and style can be so closely associated, that harmony could engender horror, and beauty create heartbreak, is something I never imagined I could feel so completely and that most of the spectators around me and within me seemed to have felt.)
Maurice Blanchot particularly emphasizes the actress's perfect mastery of facial expressions: "... je penserais qu'il y a en vous le pouvoir de confiner à quelques-uns de vos traits - et en particulier à votre regard - les sentiments que les acteurs en général répartissent et éparpillent mollement dans l'ensemble du visage. Mais ce pouvoir ne s'appelle-t-il pas concentration ? (naturelmement je n'ai rien dit)." (... I would think that you have the power to confine to some of your features - and particularly to your gaze - the feelings that actors in general distribute and scatter weakly across the entire face. But is this power not called concentration? (naturally I have said nothing).)