Writers' autograph manuscripts, work drafts, handwritten notebooks, autograph poems, romantic manuscript fragments

Signed autograph card, dated 18 November 1984, 12 lines in blue ballpoint, addressed to her friend, the woman of letters Christiane Baroche, in which she refers to her latest work  "Plaisirs amers" and to the friendship binding the two women writers.

Accompanied by the manuscript envelope addressed to Christiane Baroche.

"Merci Christiane de ta lettre qui m'a fait très chaud au coeur, car les moments de "gloire" sont aussi ceux qu'on a envie de traverser avec les gens qu'on aime bien. Je t'embrasse. Annie.

PS. Jacques Duchateau a formidablement bien parlé de 'Plaisirs amers" à Droit de réponse, j'étais ravie."

Autograph signed postcard, dated 8 February 1984, 8 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, warmly thanking her for her friendship and for her laudatory reviews of her books.

Manuscript envelope addressed to Christiane Baroche included.

The postcard depicts a view of the leisure park at Cergy, in the Ile-de-France region.

"Christiane

tout ce que tu m'écris me fait très chaud au coeur. Je ne sais ce qui me touche le plus, ce que tu penses de moi comme auteur (écrivain c'est trop lourd ! ) ou ton amitié. Je t'embrasse. Annie."

Autograph letter, dated and signed, addressed to the writer Christiane Baroche: 21 lines in blue ink concerning an issue of the journal Sud devoted to him.

Folding traces from mailing, with the original handwritten envelope, on which Christiane Baroche noted the sender’s name in pencil.

Michel Leiris thanks Christiane Baroche for the tribute paid to him by Sud : "Soyez sûre que je préfère de beaucoup quelque chose de ce genre à un ensemble de doctes analyses ! " but explains that he will not be able to attend the upcoming event dedicated to him: "Dites, je vous prie, à Mr Genêt que je lui sais gré d'avoir pensé à un

Autograph card, dated and signed, sent from his Paris residence to the writer Christiane Baroche, comprising twelve lines in blue ink.

With the accompanying handwritten envelope on which Christiane Baroche added "Leiris" in the upper right corner.

"5 avril 1979,

chère Christiane Baroche,

merci à vous ainsi qu’à tous ceux qui ont bien voulu m’adresser, par l’intermédiaire de Sud, un signe amical. Je ne puis qu’en être reconforté et trouver là un peu de courage dont je manque de plus en plus pour travailler ! Soyez donc certaine que votre idée m’a fait plaisir et croyez à mes sentiments les meilleurs. Mic

Autograph note dated and signed by Marguerite Yourcenar, written from her Paris residence to journalist Marcel Baroche of the literary review Sud. Written on one of her visiting cards. 

Eighteen lines in green ink, with the autograph envelope addressed to her correspondent, concerning a proposed collaboration with Yourncenar initiated by the director of Sud.

[27 December 1980,
to the journal Sud, to Marcel Baroche,

Dear Sir, you have my acceptance of the proposal for a special issue on my work in 1982, together with my thanks in advance. There exist many photographs of me, a few of which strike me as fairly faithful likenesses: I do not person

Original ink composition in magenta, brown, green, and blue hues, titled and signed “Moscou / L D” by Léon Deubel made on the verso of a leaf from his collection of poems titled La Lumière natale.

Magnificent multicoloured ink-blot drawing (klecksography) signed by the poète maudit Léon Deubel, inspired by Arthur Rimbaud’s Illuminations. This early Rorschach-like fold drawing was created using a techniq

Original ink drawing by Marie-Laure de Noailles, signed “Marie-Laure” within the artwork (appearing twice as a result of folding the paper while the ink was still wet). With an autograph postcard signed to Valentine Hugo, with two inscriptions and some parts of the photograph drawn over. 

Autograph letter signed by Georges de Peyrebrune to Jane Catulle-Mendès, 3 pages in violet ink on a double sheet, usual postal folds.

Rare and likely unpublished letter from the feminist novelist Georges de Peyrebrune addressed to her fellow writer, the poetess Jane Catulle Mendès. Peyrebrune, who struggled to make a living from her pen, had failed to publish one of her tales. Consoled by her correspondent, she wishes to offer her a bouquet of lilacs - symbols of seduction, nostalgia and femininity.

Autograph letter signed by François-René de Chateaubriand to Ferdinand Denois, written in Rome and dated 11 August 1829, 2 pages and two lines in black ink on a bifolium. A tear caused by the opening of the letter on the blank portion of the final leaf, not affecting text.

"I must also, Sir, thank you once again: my poor friend La Ferronays [the Minister of Foreign Affairs Auguste Ferron de La Ferronnays was to resign two weeks later due to poor health] has written to me that all his ailments have returned, that he feels unwell two or three times a day, and that he cannot consider returning to public affairs, etc. I believe that the interim will neverthele

Autograph manuscript poem in Russian, entitled “Ананасы в шампанском,” signed by Igor Severyanin, twelve lines in three quatrains on a single leaf, with minor punctuation variations from the text originally published under the title Ouverture (Увертюра)

Autograph manuscript by Louis Pasteur. One page in black ink on a single leaf, with numerous erased words and crossed-out passages.

Unpublished note by pasteur on his rabies vaccine.

Pasteur was under the scrutiny of co

Autograph manuscript signed of Victor Hugo’s “Ballade du fou,” sung by the jester Elespuru in his play Cromwell (IV, 1). Two pages on a folded leaf backed with green glazed paper.

Exceptional autograph manuscript of Victor Hugo’s most celebrated poetic song, performed by the jester Elespuru in his resounding drama Cromwell.

Both grotesque and exalted, this piece embodies the freedom of Romantic drama championed by Hugo in the play’s famous preface: as noted by the Bibliothèque nationale de France, this song “is the only passage in the play as equally famous as its preface”.
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Unpublished, handwritten, signed letter from André Breton addressed to critic Charles Estienne; one page and a few lines in black ink on a paper from the à l'étoile scellée gallery.
Two transverse folds from having been sent, a small corner missing in the upper right margin.
Very beautiful letter giving an account of the death of one of André Breton's dearest friends and of his quarrel with Albert Camus.
Breton tells his friend about the death of the Surrealist Czech artist Jindřich Heisler: “Your letter spoke of those days where it seemed “that there was only just enough fire to live”: on Monday there was far from enough fire, when it reached me: one of my two o

Rare and sought-after first edition, first issue.

Includes the subscribers' list and the foreword, later removed when the remainder of this edition passed into the hands of another publisher, Dion-Lambert. It also features the pagination error in volume two: page 164 instead of 364. 

Black half-morocco bindings, smooth spines with double gilt fillets and double blind-stamped compartments, black paper boards,

Autograph letter dated and signed by Alexis Léger, 26 lines in blue ink, written from Washington to his friend Emily Amram, describing the torments of his convalescence following a "stupid accident".

Folds inherent to mailing.

The poet thanks his friend for her floral attentions during his illness: "combien la présence de vos fleurs m'a aidé contre les mauvaises ombres pendant mes jours de réclusion !" and, much to his regret, must once again postpone the visit he had promised her: "une mauvaise grippe washingtonnienne, qui m'a surpris, déjà fatigué, peu après mon retour chez moi, achevé de me déprimer, et pour ne pas accabler encore l

Autograph letter signed from Georges Bataille to Denise Rollin, 40 lines in black ink, two pages on one leaf.

George Bataille and Denise Rollin's relationship lasted from the autumn of 1939 to the autumn of 1943 and left behind it a short but passionate correspondence. This letter dates from the early days of their connection, but already reveals Bataille's agonies: “Perhaps I was too happy with you for some months, even though suffering did not wait long to interrupt, at least for a time, a happiness that was almost a challenge.”
A passionate lover, Bataille moved from exultation to the deepest doubt and even offered his lover a potential way out of the

A remarkable autograph poem of youth by André Breton dedicated to Guillaume Apollinaire entitled «Décembre». 20 verses in ink on vergé d'Arches paper, composed in December 1915. This manuscript was copied between March 1917 and the beginning of 1918.

This poem is presented in a chemise and case with paper boards decorated with abstract motifs, the spine of the chemise in green morocco, pastedowns and endpapers of beige suede, a sheet of flexible plexiglass protecting the poem, case lined with green morocco, piece of green paper with caption «poème autographe» to bottom of upper cover of case, the whole by Thomas Boichot.
Key poem of the author's pre-Dadaist peri

Autograph letter signed by Charles Baudelaire, addressed to Antoine Arondel, written in black ink on a single sheet of blue paper.
Folds typical of mailing; minor losses expertly restored without affecting the text; a small tear on the signature discreetly repaired. This letter is transcribed in Correspondance I of Baudelaire (Pléiade, p. 277) and dated by Claude Pichois to May 1854.
In it, Baudelaire sends theatre tickets to his art dealer Antoine Arondel — a notorious and unscrupulous character who exploited the poet’s boundless taste for fine arts

First edition, of which no copies were issued on deluxe paper.

Illustrated, complete with the two folding maps at the end of the volume.

Inscribed by René Grousset: "A monsieur Benoist-Méchin en témoignage de profonde reconnaissance" and additionally signed by Geneviève Grousset.

Accompanied by a one-page autograph letter signed by René Grousset to Jacques Benoist-Méchin, in which he thanks him for his interventions on behalf of his son-in-law and daughter, whom he saved.

Signed letter hand-written by Charles Baudelaire, written in paper pencil, addressed to his mother. Dry-stamped headed paper from the Grand Hôtel Voltaire, Faubourg Saint-Germain. Madame Aupick's address in Honfleur (Calvados) in the author's hand, as well as several postage stamps dated 13 and 14 July 1858. Some highlighting, crossing out and corrections by the author. Signs of a wax seal with Charles Baudelaire's initials in pencil, likely written by the author. A small section of paper from the second leaf has been removed, without affecting the text.
This letter was published fo

Autograph letter signed by George Sand, addressed to her friend Stéphanie Bourjot, daughter of Étienne Geoffroy-Saint-Hilaire. Four pages written in blue ink on a folded bifolium bearing George Sand’s monogram. Fold marks as usual.
 
This letter was partially published in Correspondance, vol. XIV, no. 7846.
A beautiful and partly unpublished letter in which George Sand discusses Marie Pape-Carpantier’s book and the education of her young maid, Marie Caillaud : « It is an excellent book, which I use to teach my young maid to read. She is extraordinarily intelligent, and this book opens her mind to all sorts of sou

First edition, one of 10 numbered copies on imperial japon, ours one of 3 hors commerce lettered copies, a deluxe issue following 6 on chine.

Bound in full sienna morocco, flat spine, gilt date at foot, moiré-effect endpapers and pastedowns, gilt fillet border on pastedowns, original wrappers and spine preserved (spine restored and backed), gilt edges, chemise edged in sienna morocco, slipcase in wood-effect board with white felt lining, contemporary binding signed by Roger Arnoult.

Our copy is enriched with a one-page signed autograph letter by Jean Cocteau, mounted on a guard, written from La Roche-Posay in Vienne, probably addressed to Pierre Benoit, in which he hum

First edition, one of 500 numbered copies on pure wove paper.

Bound in full sienna morocco, flat spine with a slight snag at head, date gilt at foot, moiré endpapers and pastedowns, single gilt fillet framing the pastedowns, original wrappers and spine preserved, gilt edges, chemise edged in sienna morocco, slipcase of wood-grained boards lined with white felt, contemporary binding signed by Roger Arnoult.

Our copy is enriched with a signed autograph letter, one page, by Jean Cocteau mounted on a tab, dated April 1959, probably addressed to Pierre Benoit: "Nôtre Pierre fantôme... c'est autour de votre souvenir qu'on se réunit. C'est une chaîne bien étonnante que celle

Three original childhood photographs of Maurice Béjart, and his birth announcement 
[after 1927] | 12.2 x 17.2 cm| three photographs and a card
Three original photographs of Maurice Béjart as a child beside his mother, taken in Mougins.
We attach the birth announcement, dated 1 January 1927, printed with his name “Maurice Jean Berger.”
Provenance: Maurice Béjart's personal archives.

Personal diary handwritten by Maurice Béjart, written in a 1969 diary celebrating the centenary of the birth of Mahatma Gandhi.
52 handwritten leaves, written in red and blue pen in a spiral-bound notebook. This diary features amongst Béjart's very rare, privately owned manuscripts, the choreographer's archives being shared between his house in Brussels, the Béjart foundation in Lausanne and the Théâtre Royal de la Monnaie.
The choreographer Maurice Béjart's diary written during the year 1969. An extremely rare collection of thoughts, questions and introspections from the point of view of Hinduism and Buddhist wisdom, which Béjart adopts following his first trip to

Autograph manuscript signed by the painter and writer Jacques-Émile Blanche, entitled « Serge de Diaghileff ». Five leaves written in black ink, with numerous corrections in blue. Autograph foliation in black ink, later foliation in blue pencil. Leaf 4, originally in two parts, was joined with a strip of adhesive affixed to the verso.

Crossed-out passages and corrections.

A very fine funeral oration by Jacques-Émile Blanche for his friend Serge Diaghilev, director of the celebrated Ballets Russes.
The painter and writer Jacques-Émile Blanche pays tribute to the genius of Serge Diaghilev, shortly after his death in Venice in 1929. Chosen as

Fine autograph letter signed by Colette to her friend Bolette Natanson. Two pages written in ink on blue paper. Horizontal folds inherent to the mailing of the letter.
As ever protective and maternal with her friend, Colette compliments her: "Comme tu es gentille, - comme tu es Bolette". Nineteen years her senior, she praises the youth of "[her] child": "Tu es ma 'provision d'hiver', la jeunesse dont j'aurai besoin, plus tard, bien plus encore qu'à présent. Soigne-toi bien ma jeunesse en grange".
Having grown up from early childhood in artistic circles—she was the daughter of Alexandre and the niece of Thadée Na

Original black and white photograph showing Pierre Daninos with a slight smile.

A handsome ensemble. We enclose the handwritten envelope in which the photograph was sent.

Inscribed, dated and signed by Pierre Daninos in blue felt-tip pen, addressed to the prominent autograph collector Claude Armand.

Also included is a ten-line autograph letter, dated and signed, in which Pierre Daninos thanks Claude Armand and shares the title of his forthcoming book, the result of his journey around the world: "Les touristocrates".

Autograph letter from George Sand to Gustave Flaubert dated December 21, 1867, 8 pages on two lined leaves. Published in Sand's Correspondance, XX, pp. 642-645.
From one of the finest literary correspondences of the century, this letter written on Christmas Eve 1867 is a sublime testament to the frank friendship between George Sand, the “old troubadour”, and Gustave Flaubert, christened “cul de plomb” [leaden ass] after declining his invitation to Nohant to complete L'Éducation sentimentale.

Despite their seventeen year-age gap, opposing temperaments an

Autograph letter signed by Robert de Montesquiou, three pages on three leaves with the letterhead of the Hôtel-Restaurant Garnier-Perroncel in Paris. Usual fold marks, with a small tear in the margins of all three leaves, not affecting the text.

The dandy Robert de Montesquiou prepares to host a gathering at his château of Courtanvaux, once the residence of famous knight D’Artagnan.

Autograph letter signed by Paul Verlaine to Anatole Baju, one page in ink on a watermarked leaf. Two small discreet adhesive reinforcements to verso. Published in Correspondance Verlaine, vol. III, CDLIII, p. 26–27.

An important letter by Verlaine, the most Decadent of poets, to the editor-in-chief of the journal Le Décadent, which published many of his poems. The poet announces the forthcoming release of a collection entitled Amis, a provocative allusion to the scandalous sapphic poems he had privately printed in 1867 under the title Amies.

Autograph letter signed and dated April 16, 1912, by Henri Bergson, addressed to M. Masson de Saint-Félix. Includes the original autograph envelope, bearing an inscription by the recipient: "Lettre de M. Bergson / Membre de l'Institut / mon professeur de philosophie au Lycée de Clermont Fd".

Touching letter of condolence from Henri Bergson to a former student from his philosophy class in Clermont-Ferrand, where he taught for five years — from 1883 to 1888 — at the Lycée Blaise-Pascal and the Faculty of Letters.

"Mon cher ami,

La nouvelle du grand deuil qui vous frappe me touche profondément. Laissez-moi vous envoyer l'ex

Autograph card signed and dated 18 February 1909 by Henri Bergson, to Mr. Masson de Saint-Félix.

Two years after the publication of L'Evolution créatrice, Bergson expresses his gratitude to a former student from his philosophy class in Clermont-Ferrand, where he taught for five years — from 1883 to 1888 — at the Lycée Blaise-Pascal and the Faculty of Arts.

"Thank you, my dear friend, for your kind note. I hardly need to tell you how fondly I remember your time in my class at Clermont. I do not know whether I shall be able to visit Lozère any time soon, as you kindly encourage me to do; but if you happen to be in Paris, it would give

Autograph letter signed by Honoré de Balzac to Gustave Silbermann, dated 18 May [1846], with the blind stamp of the Hôtel des Trois Rois in Basel. A delicate document, with fold marks that have caused some tears with some minute lacks of paper, affecting a few letters, including the last two letters of the author's signature.
A fine epistolary testament to Balzac's unrestrained passion for art collecting, in this likely unpublished letter addressed to his friend, the Strasbourg bookseller and printer Gustave Silbermann. Balzac was planning a stay in Strasbourg, during which he became engaged to Madame Hanska.

Autograph letter by Pierre-Joseph-Marie Proudhon, signed and dated 7 November 1862. 3 pages in black ink on a bifolium. Fold of the bifolium weakened, without affecting the text. Not included in the correspondence published by Lacroix in 1875.
Significant and likely unpublished letter from Proudhon to his publisher Alphonse Lebègue, whom he considers "the cause of liberty in France and independence in Belgium" in these lines. 

Proudhon underscores the importance of his ideological struggle for federalism in Europe, following the controversial publication of his pamphlet La Fédération et l’unité en Italie, and a

First edition, one of 50 copies numbered on pure white rag paper, deluxe printing.

Binding in red half-shagreen with corners, spine with five raised bands framed by black fillets, some small rubbing on a few of the bands, date in gilt at the tail, framed by black fillets on the boards of speckled paper, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on witnesses.

Illustrated with 60 heliogravure plates hors-texte.

Pleasant copy despite minor marginal spots of little significance on the endpapers.

Our copy is enriched with an autograph note dated June 1929 and signed by Pierre Abraham, mounted on tab, thanking Joseph Gabalda,

Autograph letter signed by Pierre Loti, addressed to Alphonse Daudet (not named explicitly), inviting him to the premiere of his *Pêcheur d'Islande* at the Grand Théâtre on 18 February 1893; 8 lines in black ink on a bifolium.

"Je voudrais bien vous avoir samedi à la première de 'Pêcheur', avec madame Daudet. Vous ne pouvez pas me refuser cela. J'irai vous chercher. Tendres respects. Pierre Loti."

In collaboration with Louis Tiercelin, Pierre Loti adapted his literary masterpiece and great popular success for the stage.

This note was previously mounted on a guard to be inserted into a book, and was later removed.

Autograph postcard signed by Jacques Derrida, addressed to his friend Jos Joliet from Yale University in Connecticut, 18 lines in blue ink, with the original handwritten envelope enclosed.

The postcard shows a view of Yale University's Sterling Memorial Library.

In 1975, Jacques Derrida was appointed visiting professor at Yale University in New Haven, Connecticut.

Jacques Derrida laments not having had the chance to see his friend while expressing joy at soon returning to France: "Dans quelques jours, je serai rentré (heureux de retrouver les 'proches' mais un peu terrifié à l'idée de ce que je vais devoir affronter autrement..."

Joseph Joliet, a f

Autograph postcard signed and addressed to his friend Ariel Denis from his summer residence in Vendée, 22 lines in black ink.

The postcard shows a general view of the coastal cliffs of Saint-Hilaire-de-Riez in Vendée.

Julien Gracq expresses his satisfaction with the advice he had given his friend, while lamenting the petty calculations of administrative life: "j'avais décidément raison de vous recommander une saine stratégie syndicale : faute ce cet appui je crains qu'il n'y ait plus de belle carrière dans l'enseignement ! J'espère tout de même que la stabilité au moins va venir couronner vos efforts (il y en a un de ma part sous le beau style ! malgré

Autograph letter signed by Jean Cocteau, marked with his famous star, addressed to his great love, the actor Jean Marais. One page penned in black ink on a single sheet.
Traces of folds, horizontal creases inherent to mailing, two ink spots on the blank verso not affecting the text.
A magnificent love letter from Cocteau to Marais, who together formed one of the most iconic artistic couples of the 20th century. Set against the backdrop of turmoil and the German Occupation, their unbreakable bond is embodied in this letter of the writer, filled with desperate tones.