Procris, 1902
Act I in verse featuring the mythological lovers Cephalus and Procris.

First edition, one of 20 numbered copies on Hollande, the only large paper copies.
Elegant red morocco binding by Semet & Plumelle, spine in five compartments, date at foot, gilt roulettes to head- and tail-pieces, red moiré silk pastedowns, marbled endpapers thereafter, gilt fillets to edges of covers, covers and spine (slightly soiled) preserved, top edge gilt; slipcase edged in the same morocco, the boards of the same marbled paper, lined with light brown felt.
This copy is enriched with two autograph notes from the author.
A very good, well-margined copy, superbly bound in an outstanding lined binding by Semet & Plumelle.
Complete autograph manuscript of the trilogy, partly unpublished, with additions, deletions and corrections in Jacques Benoist-Méchin's hand.
Three manuscripts written in green ink, of 135, 68 and 106 pages respectively, each with a calligraphed title. The manuscript of Coraux is illustrated with two drawings in red ink. The manuscript of Gaz I is housed in a kraft paper envelope bearing autograph annotations and the signature of Jacques Benoist-Méchin.
Some very minor tears and creases, a few leaves lightly browned and soiled; otherwise a very well-preserved set.
Provenance: personal archives of Jacques Benoist-Méchin.
Complete autograph manuscript, dated and signed, of this piece for choirs and pianos, bearing autograph additions, deletions and corrections by Jacques Benoist-Méchin to both the staves and the words of this work set to the early poems of Jules Supervielle.
The whole is housed in a board folder, with covers hand-lettered by the author. Blank folder soiled, with rubbing and tears.
Enclosed are three further documents relating to Jacques Benoist-Méchin: the contract assigning to the music publisher B. Roudanez the rights to his musical work for voice and piano based on poems by Jules Romains, and two letters addressed to him, with their envelopes.
Autograph note dated and signed by Paul Claudel, one page addressed to Thierry Maulnier (12 lines in blue ink on a single sheet).
Central folds.