Sans nom d'éditeur

Autograph letter signed by Thomas Mann, in French and on the headed paper of the Hôtel Regina, 2 place des Pyramides, Paris, addressed to the journalist (Claude Morgan).

10 lines in blue ink on a single leaf, a stain affecting the "14" of 14 May 1951, creases consistent with having been folded for mailing.

"14 Mai 1951

Cher monsieur,

ayant prolongé mon séjour à Paris d'un jour, je vous donnerais avec plaisir une courte interview ce soir à six heures trente. Avec l'expression de mes meilleurs sentiments. Thomas Mann."

Autograph letter signed and dated September 26, 1955, by Georges Simenon, addressed from Cannes to André David.

18 lines in black ink on one leaf bearing his American address in Lakeville, Connecticut.

Mailing fold as usual.

Georges Simenon apologizes for his delayed response: "mais j'étais en plein roman. Parbleu ! si je me souviens de vous !" and indicates his upcoming availability to his correspondent, even specifying his future address in Cannes. He authorizes André David's project to adapt his novel "Maigret et la Grande Perche" for the screen, while setting his terms: "vous pouvez travailler sur La Grande Perche mais, bien entendu, mon acceptation ne peut dépendre que du résultat (duquel, d'ailleurs, je ne doute pas). Tenez-moi au courant."

Autograph letter dated June 10th (1929) and signed by Somerset Maugham addressed in French to the writer Marcel Prévost, who had just sent him an inscribed copy of his book "L'homme vierge".

27 lines in blue ink on one recto-verso page on Villa Mauresque letterhead from Saint-Jean-Cap-Ferrat, printed stamp of Marcel Prévost's library in the upper right corner of the letter.

Mailing folds as usual.

Somerset Maugham thanks him for the inscription and praises the innovative literary qualities of his correspondent: "... je vous remercie infiniment. Je l'avais lu quand il s'appelait Amal et suis très content de le posséder maintenant en forme plus permanente. Vous avez quelque chose d'extraordinaire, ce don de vous renouveller avec chaque oeuvre ; on ne commence jamais un de vos romans avec la sensation fatigante qu'on va lire quelque chose qu'on a déjà à peu près lu."

Somerset Maugham also expresses his admiration for the number of works published by Marcel Prévost: "Je viens de lire la liste de vos oeuvres ; c'est vraiment impressionnant, voilà le conteur né. Et qu'est-ce qu'il y a de plus rare ?"

First edition, one of 605 numbered copies on pur fil d'arches, this copy being one of the 20 hors commerce lettered name copies, including an additional suite on papier à la main du moulin Richard de Bas.

A few minor foxing spots to the front wrapper; slipcase and chemises split at several joints.

17 woodcuts engraved with a knife by Lucien Jacques.

Our copy is complete with its additional suite of the 17 illustrations on papier à la main du moulin Richard de Bas.

Signed and dated 1968 by Jean Giono to Monsieur Lachaud.

Rare first edition of this lecture delivered at the Cercle de France in Paris on January 8, 1958, no copy referenced in Worldcat. Light foxing to the front board.

Rare utopian pamphlet celebrating the creation of Brasilia and laying the theoretical foundations for the cities of the future. Inscribed and signed by Robert Miocque to his friend Marcel Dollfus at the top of the first page of text.

Complete autograph manuscript of 50 pages, written on the recto of each leaf and containing numerous deletions and revisions.

The manuscript was published in the December 1872 issue of the Bulletin de la Société de Géographie.

Full red shagreen binding, spine with five raised bands decorated with gilt fleurons and double gilt panels adorned with floral tools, double gilt fillets on the boards, comb-marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt edges on the boards, corners rubbed, contemporary binding.

The leaves are numbered 1 to 50 in the upper left corner; an earlier numbering, struck through, appears in the upper margin.

The study is divided into three parts:

• - History of the Sargasso Sea (pp. 2–15).
• - Geography of the Sargasso Sea (pp. 16–38).
• - Resources of the Sargasso Sea (pp. 39–50).

The first part traces the history of navigation in the Sargasso Sea from the Phoenicians, who were the first to report floating banks of algae in the Atlantic. They were followed by the Carthaginians, Arabs, and Portuguese. But it was Christopher Columbus who, in 1492, provided the first serious observations of this maritime phenomenon. Gaffarel then refers to the voyages of Gonneville, Jean de Léry, and André Thévet, cites Humboldt, and finally discusses recent scientific explorations: in 1851–1852 by the campaign of the Dolphin, Captain Lee, and in 1855 by that of the brig Méléagre, Captain Leps.

In the second part, the author examines the geography of the Sargasso Sea, noting that its extent and boundaries have always remained uncertain. He then develops three hypotheses regarding their origin, the most plausible being that the sargassum forms around the Gulf Stream, whose warm and relatively calm waters offer favourable conditions for its proliferation. The text then discusses the different species of sargassum, their mode of growth, and their accumulation, which created the strange appearance that once frightened early navigators.

Finally, the author considers the resources of the Sargasso Sea: by analogy with the harvesting of seaweed along the French coasts—where, once reduced to ash, it provides an excellent fertiliser—one might imagine exploiting the algae of the Sargasso Sea for the extraction of mineral substances, though this would require specially equipped vessels. He concludes: “La mer des Sargasses est donc une véritable région promise.

Tous, plus ou moins, directement ou non, agriculteurs pour nos champs, malades pour nos santés, industriels pour nos usines […] citoyens pour notre patrie, nous n’avons qu’à gagner à l’exploitation des richesses inconnues de cette mer…” (p. 50).

Bound at the end:

• GAFFAREL (Paul). La mer des Sargasses. Paris, Ch. Delagrave et Cie, 1873, 8vo, 35 pp., original wrappers preserved, autograph annotations in the margins. Offprint from the Bulletin de la Société de Géographie, December 1872.
• - MAUNOIR (Charles), geographer. 2 autograph letters signed [to Paul Gaffarel]. Paris, 1872, 5 pp., 8vo, on printed letterhead. Concerning the publication of Gaffarel’s paper in the Bulletin de la Société de Géographie and its communication to Commander Leps, who “possède des trésors au sujet de la physique des mers”.
• - LEPS (Maurice Edouard), captain. 2 autograph letters signed [to Paul Gaffarel]. Paris, 1872, 2 pp., 8vo. Thanks for the sending of the memoir and transmission to Gaffarel of the notes taken by Leps during the 1855 campaign of the Méléagre.
• - DELAGRAVE (Maison). 6 signed or autograph letters signed to Paul Gaffarel. Paris, 1872–1875, 6 pp., 8vo, on printed letterheads. Publication of “La Mer des Sargasses” in the Bulletin de la Société de Géographie and sending of offprints to the author. Two letters are signed by the publisher Charles Delagrave.
• - 2 press articles mounted on the rear endpapers, and another inserted loosely. Marseille and n.p., 1873–1918, 5 pp. of various formats. Concerning Gaffarel’s memoir on the Sargasso Sea. A historian, Paul Gaffarel (Moulins, 1843 – Marseille, 1920) was Doctor of Letters, agrégé of the University, and a member of the Société de Géographie. He published numerous works, notably on the French colonies and the discovery of America. A fine and rare ensemble.

Exceptional collection of 49 original watercolours depicting daily life in Tonkin, most illustrating rural scenes.

These unsigned watercolours, each measuring approximately 20 x 15 cm (excluding margins), are finely executed in Indian ink and watercolour, with touches of gouache, on paper sheets—some bearing the watermark "Latune et Cie Blacons."

Contemporary half red cloth binding, smooth spine covered in red shagreen, some rubbing to the spine, boards of marbled paper, blue endpapers and pastedowns.

Minor foxing to the margins of some watercolours.

The scenes depict a variety of subjects: a military post guarded by four soldiers, one standing sentry at the entrance; a guard in white uniform holding a rifle with a long bayonet, his head covered by a salacco (the traditional headgear of Indochinese riflemen); an elderly man seated at a table, smoking a pipe while being fanned by a servant; a peasant ploughing with two oxen; a woman praying at a grave; another peasant tilling the soil; two villagers meeting near a small bridge; four people working in a paddy field; a man in formal dress before a temple; three peasants harvesting rice; a cockfight, and more.

Also depicted are villagers carrying goods or fishing, wrestlers performing before a dignitary, a child guiding a blind man, two labourers transporting stones in a wheelbarrow, a procession led by a mounted dignitary carrying a wild boar in a cage, a prisoner being flogged, another about to be beheaded, a hunting scene, musicians, a woman at a loom, villagers at play, and so on.

Western presence is alluded to only once: an Indochinese sailing vessel flies three tri-colour flags while a steamship, probably French, makes its way in the background…

Accompanied by a piece of light brown calfskin (4 x 32 cm) blind-stamped with the inscription "Souvenir du Tonkin 1885-90".

A rare and precious visual record of Tonkin at the beginning of the French protectorate.

Autograph note dated and signed by Marguerite Yourcenar, written from her Paris residence to journalist Marcel Baroche of the literary review Sud. Written on one of her visiting cards. 

Eighteen lines in green ink, with the autograph envelope addressed to her correspondent, concerning a proposed collaboration with Yourncenar initiated by the director of Sud.

[27 December 1980,
to the journal Sud, to Marcel Baroche,

Dear Sir, you have my acceptance of the proposal for a special issue on my work in 1982, together with my thanks in advance. There exist many photographs of me, a few of which strike me as fairly faithful likenesses: I do not personally possess any, but perhaps I may be able to find some to send you in due course. For the moment at least, I have no unpublished material to offer. Perhaps later…

With kind regards,
Marguerite Yourcenar.]

"27 décembre 1980, à la revue Sud, à marcel Baroche,

cher monsieur, vous avez mon acceptation au projet d'un numéro spécial sur mon oeuvre en 1982, et mes remerciements anticipés. Il existe de nombreuses photographies de moi dont quelques unes me paraissent ressemblantes : je n'en possède personnellement aucune, mais peut-être en trouverai-je à vous en envoyer en temps utile. Pour l'instant au moins, je ne possède aucun inédit à offrir. Plus tard peut-être... Bien sympathiquement Marguerite Yourcenar."

First edition of this pamphlet devoted to the largest marshland in Italy, the Fucecchio wetlands.

Illustrated with a double-page engraved plate.

Disbound copy.

From the library of the economist, agronomist, industrialist, and lithographer Charles-Philibert de Lasteyrie du Saillant (1759–1849), with his ownership stamp on the title-page.

Original ink composition in magenta, brown, green, and blue hues, titled and signed “Moscou / LD” by Léon Deubel made on the verso of a leaf from his collection of poems titled La Lumière natale.

Magnificent multicoloured ink-blot drawing (klecksography) signed by the poète maudit Léon Deubel, inspired by Arthur Rimbaud’s Illuminations. This early Rorschach-like fold drawing was created using a technique dear to Victor Hugo.

Exceptional album comprising 54 original caricatures, some captioned, executed in India ink, pencil, and watercolour (including three small pencil sketches on loose leaves), together with several blank leaves.

This entertaining and highly personal album, evidently compiled by an amateur artist, appears to chronicle the various adventures and misadventures of a small cast of recurring characters, all seemingly connected in one way or another with the French Embassy to the Ottoman Porte, as suggested by a piece of official letterhead inserted between two leaves.

Contemporary full ivory vellum with yapped edges, smooth spine ruled in red, a restored split at the head of the spine, red fillets framing the boards, some marking to the covers, comb-marbled endpapers, red edges.

The album also includes one autograph letter signed in black ink, embellished with marginal caricatures, addressed to Mr H. Fournier and opening with "Cher Washington n°2".

The recipient of this satirical, illustrated letter appears to be the diplomat Hugues Marie Henri Fournier (1821–1898), appointed ambassador to Constantinople in 1877.

The adventures of the small group, identified by captions in black pencil, seem to begin in Florence in September 1872 and continue on to Rome.

The album includes, among other scenes, a watercolour depicting the Temple of Vesta.

In December 1872, according to an ink caption, the group—comprising the Vicomtes Bresson, de Mareuil, d'Hauterive, and d'Hérisson—is caricatured in Rome: at the theatre, on the Capitoline Hill, on horseback, and so forth.

A panoramic watercolour likewise satirises the Franco-Prussian War of 1870 and its protagonists.

Also portrayed in pencil alongside Fournier are General de Castelbajac and the Baron de Talleyrand.

The album further contains a fine pencil portrait of Khalil Bey.

The renowned Ottoman diplomat and collector, born in Cairo in 1831 and deceased in Istanbul in 1879, had indeed returned to Constantinople in 1872, after his ambassadorship in Vienna (1868), to marry the Egyptian princess Nazli Fazl. In addition to his role in the Crimean War, he is remembered for his celebrated art collection which, sold at auction in 1868, included works by Courbet (among them L'Origine du monde), Ingres, Delacroix, and others.

The Comte d'Osmond and Alfred de Courtois are likewise caricatured.

The album also features a view titled Pointe imaginaire du sérail and a watercolour depicting a game of lawn tennis.

A unique ensemble.

Original ink drawing by Marie-Laure de Noailles, signed "Marie-Laure" within the artwork (appearing twice as a result of folding the paper while the ink was still wet). With an autograph postcard signed to Valentine Hugo, with 2 inscriptions and some parts of the photograph drawn over. 

A Rorschach-like Surrealist decalcomania by Marie-Laure de Noailles created for painter and photographer Valentine Hugo, the “Queen of Hearts” of the Surrealists.

Autograph letter signed by Georges de Peyrebrune to Jane Catulle-Mendès, 3 pages in violet ink on a double sheet, usual postal folds.

Rare and likely unpublished letter from the feminist novelist Georges de Peyrebrune addressed to her fellow writer, the poetess Jane Catulle Mendès. Peyrebrune, who struggled to make a living from her pen, had failed to publish one of her tales. Consoled by her correspondent, she wishes to offer her a bouquet of lilacs - symbols of seduction, nostalgia and femininity.

Very rare first edition of the new laws enacted in 1775 by Catherine II, Empress of Russia, here translated into Turkish for the recently annexed Turkic-speaking provinces taken from the Ottoman Empire.

The work is divided into two parts: the first, dated 12 November 1775, comprises the first 28 chapters (pp. 1–190); the second contains chapters 29 to 31 (pp. 191–248).

Contemporary-style half mottled sheep with small corners, unlettered spine with five raised bands decorated with double gilt fillets and gilt thistle tools, marbled paper boards, red edges, modern binding.

Pale marginal dampstaining to the upper right corner of the initial leaves.

Handsome and uncommon album comprising 36 vintage silver-print photographs (18.5 × 23 cm, mounted and captioned by hand), depicting exterior views—façades, gardens, and architectural perspectives—of this English neo-Gothic estate built between 1868 and 1872 by Thomas Smith and the Cannes contractor Scavy for one Michael Hugh Scott, who never lived in it: the property quickly passed to the businessman Debionne, who resold it to Lord Wolverton after furnishing and decorating the interior.

Publisher’s blue percaline binding, smooth unlettered spine, blind-ruled frame on the boards, gilt-lettered title to the upper cover, marbled endpapers and pastedowns; contemporary binding.

A few black spots to the slightly warped upper board; pleasing internal condition.

Facing the first photograph, presentation inscription from the second owner, Alexandre-Louis Debionne, to his brother-in-law, dated 15 April 1878.

Autograph manuscript signed of Victor Hugo’s “Ballade du fou,” sung by the jester Elespuru in his play Cromwell (IV, 1). Two pages on a folded leaf backed with green glazed paper.

Exceptional autograph manuscript of Victor Hugo’s most celebrated poetic song, performed by the jester Elespuru in his resounding drama Cromwell.

Both grotesque and exalted, this piece embodies the freedom of Romantic drama championed by Hugo in the play’s famous preface: as noted by the Bibliothèque nationale de France, this song “is the only passage in the play as equally famous as its preface”.

Very rare first edition.

Our copy is offered disbound.

It was as part of his philanthropic concerns that Piarron de Chamousset (1717–1773), who in fact practised medicine without holding any formal qualification, sought to establish the first mutual-aid association, comprising a dispensary, medical staff, and premises to accommodate the sick.

This text was later reprinted in the collection Vues d'un citoyen (Paris, Lambert, 1757). By the same author, we also offer following it: "Lettre à l'auteur de la critique du Plan d'une maison d'association".

S.l.n.d. [1754], 14 pp.

Near-complete run of this scarce bi-monthly magic periodical.

Profusely illustrated (lacking only issues 1, 4 and 5 for the year 1947), Robelly having voluntarily ceased publication after issue 121.

Contemporary half sheep bindings in shades of fawn, brown or beige, spines with four raised bands gilt-tooled with floral ornaments, most spines faded or discoloured, a few minor rubs to some spines, marbled paper boards, endpapers and pastedowns, sprinkled edges; modest period bindings.

Robert Rouet, known as Robelly (1894–1975), was something of the historiographer of the "magician’s" profession, assembling a remarkable body of information and documentation.

At the beginning of the first volume appear issues 1, then 7–19 (January–February 1944, then November–December 1944 to November–December 1946) of the CRMT – Bulletin officiel de l’Amicale Robert-Houdin, Groupe régional des magiciens de la Touraine (8 pp., then pp. 57–254, including two special issues).

A pleasing and uncommon near-complete set of this illustrated magic periodical.

Rare collection, in first edition, of political texts relating to the affairs of Belgium (shaken by the Brabant Revolution since 1787) and the Netherlands (whose opponents of the Stadtholder had often taken refuge in France).

As indicated by the handwritten table bound at the beginning of the volume, this copy constitutes only the first of a series of collections compiled by Roederer (see below) from the memoirs and pamphlets he received while serving as a member of the Constituent Assembly.

Contemporary full mottled fawn calf, smooth spine gilt-decorated with garlands and urns (partly faded), rubbed head- and tailpieces, green morocco title-piece, gilt dentelle and garland borders on the covers, gilt fillet on the edges, corners rubbed, yellow edges sprinkled with red.

Some foxing at the end at the last booklet.

The contents are as follows:

 - I. Mémoire pour les patriotes Hollandois réfugiés en France. S.l.n.d. [Paris, 1790], 40 pp. 

• II. Mémoire remis au Comité des pensions de l'Assemblée nationale, par quelques Hollandois réfugiés en France, le 19 novembre 1790. S.l.n.d. [1790], 16 pp.
• - III. Note instructive remise en mai 1791 aux membres de l'Assemblée Nationale, par quelques Hollandois actuellement à Paris. [Paris], Imprimerie de H. J. Jansen, s.d. [1791], 23 pp.
• - IV. Manifeste du peuple brabançon. S.l., 1789, 40 pp.
• - V. [DUMOURIEZ (Charles-François):] Le Guide des nations, ou Correspondance politique et morale sur la France et les Pays-Bas. Paris, Imprimerie d'A.J. Gorsas, s.d. [1790], 110 pp.

Provenance: from the library of the lawyer, playwright, journalist and statesman Pierre-Louis Roederer (1754–1835), with his printed ex-libris on a pastedown, and at the head of part V, a signed presentation inscription from Charles-François Dumouriez to Pierre-Louis Roederer.

New edition.

Half calf binding in tan, spine with five raised bands tooled in gilt with gilt compartments decorated with floral motifs, blond calf title label, green paper boards with scratches, some rubbing to edges, red edges, contemporary binding.

Spine restored and rubbed, tear without loss to the head of pages 33–34 and 35–36, ink marginal note on the title page, which has been trimmed by the binder.

The first edition of Recherches sur l'origine du despotisme oriental dates from 1761, and the text was extensively revised by Baron d’Holbach to reflect his atheistic views, as he was in fact the editor of all the works attributed to Boulanger, who died in 1759.

Originally conceived as a commentary on Montesquieu’s Esprit des Lois, the work condemns in equal measure what it calls “theocracy” (in reality, any transcendent source of power) and “despotism” (in effect, any form of unlimited monarchy, wrongly associated with non-Western societies), and is clearly aimed at criticizing the regimes then in force in Europe.

Rare first edition comprising a fine series of 40 two-tone lithographs by Yuko Watanabe depicting Japanese types, scenes of traditional life, costumes, and more: Ronin, hara-kiri, samurai, the attack on Shogun Nobunaga, a geisha’s visit, young women paying a call, a game of go...

Not in Colas, nor Hiler & Hiler; lacking from the Bn; not in Nipponalia or Cordier. Wenckstern, I, p. 228 (gives the Yokohama address, undated, and mentions two volumes, the second—of which no trace could be found—containing 25 plates).

Bound in full beige cloth, smooth spine without lettering, lithograph mounted on the upper cover; twentieth-century binding.

Minor tears affecting three remargined plates and the final leaf (backed); a few small spots of foxing; small green ink stain touching most of the prints in the margin only, not affecting the image.

Very rare first edition of this address delivered on the seventy-eighth anniversary of the Declaration of Independence.

No copy listed in the CCF. Not in Sabin.

Rear wrapper missing, a few minor marginal foxings.

Born in Pennsylvania, David Lawrence Gregg (1819–1868) was appointed by President Franklin Pierce to negotiate the annexation of the Kingdom of Hawaii with King Kamehameha III, a mission that ultimately failed. The king died on December 15, 1854, and the attempts to integrate Hawaii into the United States were abandoned by his successor, Kamehameha IV.

Very rare document on the so-called "Eau de Cologne," illustrated with a headpiece depicting the city of Cologne.

Written by Giovanni Antonio Farina (1718–1787), one of the heirs and successors of the inventor of the famous lotion, the Italian perfumer Giovanni Paolo Feminis (1660–1736), who had settled in Cologne.

Jean-Antoine Farina would later transmit the formula to his descendants, the last of whom, Jean-Marie Farina (1785–1864), successfully marketed the celebrated water during the first half of the 19th century.

This pamphlet details the various medicinal applications of Eau de Cologne (the names of the ailments are printed in capitals). "Il y a environ un siècle que cette Eau a été inventée et composée par le Sr. Paul Feminis, Italien, et ancien Distillateur à Cologne, et qu'elle est en grande réputation dans toute l'Europe. On ne peut donner à cette Eau tout l'éloge qu'elle mérite : ses vertus sont au dessus de tout ce qu'on peut en dire, et l'expérience constante qu'on en a par les effets surprenans que dans une infinité de Maladies elle opère continuellement, sur toutes les Personnes, de quelque sexe et âge qu'elles soient, en est une preuve si convaincante, que c'est à juste titre qu'on lui donne le nom d'admirable".

First edition, illustrated on the title page with a small woodcut showing a bull and a mounted horseman charging, and at the end of the volume with a curious wood-engraved vignette depicting the poet (wearing spectacles) and his muse.

Rare and engaging bullfighting pamphlet containing a verse account of a mounted bullfight held in Lisbon on 26 September 1752.

Pleasing copy preserved in its original sewing with later plain marbled paper wrappers.

Extremely rare first edition, probably printed in Prussia, of this essay written directly in French by Baron de Bielfeld (1716–1770), inspector of Prussian universities and a friend of Frederick the Great since the time when he was still Crown Prince of Prussia.

GV 1700–1910, vol. 111, p. 374. Not in Conlon (who only cites the Amsterdam edition of the same year). No copy located in the U.S.A.

Full red morocco with gilt decoration, smooth spine elaborately tooled in the grotesque style, gilt rolls on the caps, triple gilt fillet border on the covers, gilt fillets on the edges, star-patterned gilt paper endpapers and doublures, gilt dentelle border on the inside covers, all edges gilt, contemporary binding.

Small black spots on the boards, a few insignificant scattered foxmarks.

The author clearly intended this work to flatter his sovereign by showing how the princes of the House of Brandenburg, and particularly “the monarch who now occupies the throne,” had “the glorious maxim of granting their subjects full freedom of thought and generous protection to all talents.”

A fine copy, bound in a Parisian binding from one of the capital’s finest workshops, preserved in near-perfect condition.

First edition of this collection of political speeches.

Full red percaline binding, smooth spine without lettering showing slight rubbing, gilt inscription stamped to the upper cover: "République de Guinée R.D.A. à S.E. Jean Paul Sartre. N°30"; endpapers partly toned, a contemporary presentation binding offered to Jean-Paul Sartre.

Frontispiece photographic portrait bearing the autograph signature of President Ahmed Sékou Touré: Secretary General of the Parti Démocratique de Guinée, Supreme Leader of the Revolution.

First edition of the French translation.

Full flexible bottle-green cloth binding, smooth spine with rubbing, author's name and title gilt-stamped on the upper cover, some surface wear to the boards, wrappers preserved.

First edition of this important account of Buffon, providing insights into his private life, his character, and his relationships with those around him; it also contains numerous references to his scientific work (cf. Quérard I, 119: "Lyon, Grabit, 1788"; Dureau, "Notice sur Joseph Aude," p. 15).

Half vellum binding, smooth spine with a red morocco title label in vertical layout, marbled paper boards, slightly rubbed corners, sprinkled edges.

Stains in the margins of the title page and final leaf.

The memoirs proper end on page 55.

The following pages contain the poems announced in the title.

The rarity of this volume was already noted by Dureau in 1868...

Chevalier Aude (1755–1841), a prolific dramatist and former secretary to Caraccioli, had also served as Buffon’s secretary and resided, in the manner of an “Eckermann,” with the great naturalist at his estate in Montbard.

Armorial bookplate "Sapere Aude" pasted on the verso of the front board, likely belonging to a descendant of the Chevalier.

Rare first edition (cf. Caillet 3017).

Full porphyry calf binding, smooth spine decorated in the grotesque style, small losses and rubbing at the foot of the spine, tan calf title label with a small loss and restoration, triple gilt fillet framing the boards, gilt rolls on the caps partially faded, marbled edges, contemporary binding.

An interesting dissertation written by President de Brosses (1709–1777) for the Académie des Inscriptions et Belles-Lettres, “on ancient myths, theurgy, magic, and secret cults.”

First edition.

Only one copy listed in the CCF (BnF).

Bradel binding in full marbled paper boards, smooth spine, green shagreen title label with a small loss, modern binding.

Very rare report of the administration of the "Argenterie, Menus-Plaisirs et affaires de la chambre", which under the Ancien Régime formed part of the King's Household, in charge of the "King’s pleasures"—that is, the organization of court ceremonies and entertainments.

Compiled from 393 records (and 21,000 invoices).

By drastically reducing the expenses of his household, Louis XVI retained only a single “Maître des Menus-Plaisirs”, endowed with a budget infinitely smaller than that of his predecessors.

Bronze cast of the Marquis de Sade's skull by the master founder Avangini. One of a unique numbered edition of 99 bearing a reproduction of Sade's signature, this one no.31.
Also included is a certificate of authenticity signed by the Comtesse de Sade, with the family's wax seal.
Provenance: family archives.

An exceptional and hitherto unpublished manuscript, complete in 775 pages, chronicling the journey of the Vicomte Edmond de Poncins through India (cited in Numa Broc, Asie, pp. 376–377, and Afrique, p. 263 (for his explorations of the Pamirs and Ethiopia), and in Thiébaud, pp. 755–756, (for his works on hunting).

This record extends from 12 September 1891, with embarkation at Marseille, through to 12 June 1892, the date of departure from Karachi bound for Marseille.

Contemporary 3/4 green morocco binding, spine in five compartments numerously framed in black with fleurons-gilt tooling, boards framed in black along the leather edges, marbled endpapers; author’s bookplate pasted to the upper pastedown; red top edge.

775 pp. (misnumbered ch. 1–567, 567–774), 1 unnumbered page, 2 unnumbered leaves of table, and a few remaining blank leaves.

Important, unpublished manuscript recounting the travels of the Vicomte Edmond de Poncins across India covering the period from 12 September 1891 (embarkation at Marseille) to 12 June 1892 (departure from Karachi for Marseille).June 1892 (departure from Karachi for Marseille).

Presented in the form of a journal, it is written in brown ink, in a cursive yet legible hand.

The text includes all of the author’s observations on the regions traversed, the routes taken and modes of transport, hunting expeditions, notable acquaintances, and his relations with servants, etc.; it also records that he took photographs during his excursions.

Departing from Marseille on 12 September 1891, Edmond de Poncins took passage on the Peï-Ho, a steamer belonging to the Messageries Maritimes. He travelled in the company of the Governor of Obock, on his way to assume office, and a British general who served as Inspector of Cavalry in India.

The route led via Port Said, Suez, Obock, and Aden. During the passage through the Red Sea, Poncins visited the engine room and conversed in Arabic with one of the stokers. On 23 September, at Aden, he transferred to the Seyne, a vessel of the same company, bound to cross the Indian Ocean. He arrived at Karachi on 29 September. The traveller left the steamer to board a sailing vessel bound for Bombay, where he arrived on 2 October. He remained there until the 8th, when he departed for Poona. On the 16th, he made an excursion to the Carlee Caves, a group of ancient Buddhist temples hewn into the rock. Back in Bombay the following day, he journeyed on to Pachora, whence he explored the Ajanta Caves, famed for their ancient Buddhist sanctuaries carved into the rock. He returned to Bombay on the 21st, proceeded to Mehmadabad the next day, and reached Kaira on the 24th. In the surrounding area, he hunted crocodiles and subsequently quail. On the 27th, he was in Ahmedabad, roughly 450 km north of Bombay, and two days later he arrived at Morvi, lying some 200 km to the east, continuing his travels across the region. Returning to Ahmedabad on 5 November, he went back to hunt in the environs of Kaira. On the 10th, he arrived at Abu Road, where he visited the temples of Mount Abu, before making his way back to Ahmedabad. He then began his journey across India towards Delhi and Calcutta, visiting Ajmere on 21 November, Chitor on the 23rd, and Udaipur on the 25th. On 3 December, he went bear hunting in the surrounding area. On the 7th, he reached Jaipur, and the following day he visited Amber Fort, which overlooks the city. On the 10th, he arrived at Alwar, and on the 12th proceeded to Delhi. Three days later, he visited Agra, before journeying into the Ganges Valley, reaching Cawnpore (Kanpur) on the 17th, Lucknoor (Lucknow) on the 18th, and Benares on 19 December. He arrived in Calcutta on 22 December 1891. He remained there until 4 January 1892, when he departed for an extended hunting expedition in the Sunderbans, a marshy region in the Ganges delta. On 10 February, he returned to Calcutta to prepare for his next expedition. He set out for Assam on 19 February 1892, a region in north-eastern India, lying in the Brahmaputra Valley at the frontier of Bhutan. The following day, he reached Goalundo (present-day Bangladesh), and on the 22nd, Jatrapur (Bangladesh), before embarking on a new hunt through the jungle atop a domesticated elephant. He arrived at Raimana (Assam, India) on 4 March. Over the ensuing days, he hunted large game - including buffalo, elephants, rhinoceroses, and tigers. On the 17th he killed a tiger cat, followed the next day by a doe and a stag, but the larger animals remained elusive. On 19 March, he suffered from heatstroke, yet continued hunting. On the 24th he reached Paglobat, continuing the next day to Dhubri in Assam, where a violent fever struck him down. Once recovered, he made a few more excursions and, on 8 April, left the region, reaching Calcutta on the 10th. On the 14th, he fell ill once more and was robbed by his servant, who was sentenced to six months’ imprisonment. Poncins then left Calcutta to cross the Ganges plain: on 29 April he reached Cawnpore (Kanpur), which he had already visited on his outward journey, and on the 30th he stayed at Kalka. On 1 May he arrived at Simla, situated about 250 kilometres north of Delhi, on the foothills of the Himalayas. After an excursion to Amondah, he was again seized by fever and was forced to return to Kalka, from where he took the train, reaching Rawalpindi (now in Pakistan) on the 16th. From there, he made several excursions into the hills (Murree, Gulmay), but an outbreak of cholera forced him to leave the region. On 5 June he departed Rawalpindi by train and arrived at Lahore the next day. On 8 June he reached Karachi and prepared his belongings to embark on a vessel bound for Marseilles. The journal concludes on 12 June 1892, the date of his departure from Karachi.

Translated extracts: [16 October 1891, between Bombay and Poona, Maharashtra]: “Departure for the Caves of Carlee. Left at 6 a.m. with a tonga [a cart drawn by two ponies] which took me along the road opposite the path leading to the caves. Hired two coolies for my photographic equipment and my gun. We crossed a long plain of rice fields […]. The caves lie one-third up a mountain of 800 feet rising at the end of the plain […]. One passes through a small temple of Siva and stands before the great temple, whose entrance is most impressive […]. To the right and left, large sculpted elephants emerge from the rock up to mid-body; bas-reliefs depict gods with exaggerated forms, larger than life […]. The great hall is a marvel, both in its ensemble and in its details…” (pp. 53–55).

[25 October 1891, near Kaira, south of Ahmedabad, Gujarat]: “Left at 6 a.m. on camelback to hunt crocodiles. Covered 14 miles and reached a village below which the river makes a large, very deep bend. It is the Sabarmati. Shot a large crocodile at 150 metres on the sand. The bullet went straight; it struggled for a moment, then dived and was lost. About ten others in sight dived at the same time. Went down the river and fired at a small crocodile, 60 metres away, basking on a sand islet. It made a great leap and dived into a deep pool, which was red with blood within a few minutes. A native accompanying me did not dare to fetch it. Fired at two or three other swimming crocodiles, without apparent result. At 2 o’clock I returned to my starting point […]. Altogether I must have fired at fifteen and seen fifty in four or five hours…” (pp. 76-77).

[25 November 1891, Udaipur, Rajasthan]: “In the soft haze of the rising sun, the white city appeared, dominated by high walls and the splendid silhouette of the Maharana’s palace […]. Further on, a vast circle of rugged mountains with oddly shaped peaks, here and there marked by forts and stretches of defensive walls. Truly a land of savage feudalism. The Prime Minister’s son, to whom we had announced our arrival, came to fetch us by carriage at one o’clock, placing himself at our disposal. He is a young man of twenty to twenty-two, intelligent in appearance, speaks English well and is courteous. The Maharana is not in Udaipur, residing instead in a bungalow a few miles away on a hunting expedition […]. We shall, moreover, have the honour of being invited to one of H.R.H.’s hunts; in the meantime, we shall visit what there is to see in Udaipur…” (pp. 171–172).

[4 January 1892, West Bengal]: “Set out this morning from Calcutta for Mutlah or Canning. Arrived at 10 a.m. Found my boats. Crossing a country of rice fields, marshes, palms and coconut trees. The train stops at the end of the track, right on the riverbank. The tide is low and, to reach our boats, I have to be carried by my men, who sink up to their knees in a black, sticky, abominable mud […]. Here and there, some native boats. Few birds. By noon the two chimneys of the station disappear from view; ahead there is only the immense marsh. My men, who are Muslim, raised the anchor with a prayer […]. At 4 p.m. we stop at a cluster of huts unmarked on the map, called Fokai Hâttee. I send two men ashore to look for milk or meat. There is none. Meanwhile I photograph my boats, and a group of natives watching a juggler and a bear…” (pp. 291–292).

[1 March 1892, Brahmaputra Valley, Assam]: “In the afternoon my bullock cart [ox-drawn cart] arrived, along with an additional elephant sent by Mr Gordon. My party now consists definitively of three elephants, one bullock cart, seven men for the elephants, one for the oxen, and two for myself…”

[2 March]: “Departed at six in the morning on the second elephant, which I had yet to ride. We took the road to Kaïmana, then turned left into a jungle of tall burnt grasses, as high as the elephants […]. A very large animal was heard a few hundred paces ahead, crushing the grass. Halt. At the sound my mahout [driver] insisted it was a wild elephant, though the noise was identical to that of ours. The rhino passing below was less noisy. What should be done? The government forbids, under severe penalties, the killing of elephants […]. The undergrowth is so thick one could not see two metres; I cannot even see the head of my own. Moreover, wild elephants attack domestic elephants with fury…” (pp. 540–545).

A hunter and explorer, the Viscount Edmond de Montaigne de Poncins (1866–1937) undertook several journeys in Africa and Asia. After his stay in India (1891–1892), he travelled through Central Asia in 1893: departing from Samarkand (Uzbekistan), he crossed the Pamir and Hindu Kush mountains to reach Srinagar (Kashmir); for this journey he was awarded the silver medal of the Geographical Society in 1895. In 1897, he travelled with Prince Henri d’Orléans between Djibouti and Addis Ababa; in 1912, he explored East Africa, from Nairobi to Mount Kenya.

“Poncins is no scholar, but an intrepid traveller and a keen observer […]. Few French explorers have attained such heights in Central Asia…” (Numa Broc, Asie).

He is the author of Chasses et explorations dans la région des Pamirs (1897) and Notes sur le gros gibier de nos colonies (1913).
A precious manuscript, with a fine contemporary binding.
Provenance: Viscount de Poncins, with his engraved bookplate depicting a tent beside a baobab.

A collection of 59 manuscript letters sent to his family representing approximately 180 pages, mostly octavo, most written on mourning paper, sometimes on letterheads notably from the Ministry of the Navy.

The collection is contained in a modern red cloth box with a black title label.

A Polytechnique graduate and marine artillery officer, Gustave Borgnis-Desbordes (1839-1900) is known for having led, from 1880 to 1883, three expeditionary columns across Upper Senegal and Upper Niger, these operations having enabled the construction of several military forts, a railway and a telegraph line of more than seven hundred kilometers linking Bakel (on the Senegal) to Bamako. He then served in Tonkin (1884-85) as colonel commanding the artillery of the expeditionary corps. He participated in several battles near the Chinese border and had to replace General de Négrier wounded at the battle of Lang Son on March 28, 1885. The hasty retreat of French troops, ordered by Colonel Herbinger, gave rise to a controversy that brought down the Jules Ferry ministry. Borgnis-Desbordes wrote a report that implicated Herbinger, but the latter benefited from an order of dismissal and Borgnis was accused of having slandered him. The present correspondence, which extends from January 1886 to August 1887, evokes the Lang Son affair and the delicate situation in which he found himself: supported by Generals Faidherbe, Brière de l'Isle and de Négrier, Borgnis-Desbordes had against him the artillery generals Virgile and Dard. Despite this, he was promoted to brigadier general on July 25, 1886. The letters evoke the numerous visits he made to friends, military men or connections in the capital, the search for possible support, and contain allusions to political life, mentioning Henri Rochefort, Louise Michel, Clemenceau, General Boulanger... Of the 59 letters, 47 are addressed to his sister Claire (wife of Henry Lethier, engineer of Ponts et Chaussées), 11 to his brother Ernest (1843-1925), Polytechnique graduate, artillery officer and future general, and 1 to his sister-in-law Emilie Lacœille, wife of Ernest. They are almost all written from Paris; some do not include a place and one letter is written from Auxerre (July 1, 1886). Extracts: 1886. "Je mène une vie absurde. Je suis en habit noir tous les soirs. J'ai dîné hier dans une maison où se trouvaient M. Jules Ferry, Jules Réache, etc. Il y avait aussi Mme Jules Ferry, fort jolie femme dans une toilette charmante. Ce soir je dîne au café de la Paix… Mardi je dîne à Vincennes, mercredi je déjeune encore en ville, etc." (I lead an absurd life. I am in black evening dress every night. I dined yesterday in a house where M. Jules Ferry, Jules Réache, etc. were present. There was also Mme Jules Ferry, a very pretty woman in a charming outfit. Tonight I dine at café de la Paix... Tuesday I dine in Vincennes, Wednesday I lunch again in town, etc.) (Paris, January 1886, to his sister). "J'ai vu mon ministre vendredi. Il m'a reçu en me disant : Eh bien ! mon cher colonel, vous voilà revenu de la comédie de St Malo. Puisque vous l'appelez ainsi avec raison, lui ai-je répondu, je n'ai plus rien à vous dire… " (I saw my minister Friday. He received me saying: Well! my dear colonel, here you are back from the comedy of St Malo. Since you call it that with reason, I replied, I have nothing more to say to you...) (Paris, February 14, to his sister). "Au Sénégal, tout commence à aller mal; mes prédictions se réalisent : le désordre va augmenter, la situation va devenir inextricable. On a envoyé tout dernièrement un gouverneur inintelligent et malhonnête; je crains qu'on ne pense à moi pour remettre en état les affaires militaires; je me cache, je fais le mort : je ne veux pas être sous les ordres de ce monsieur… Je ne sais pas ce qu'ils veulent faire à la Chambre; cela m'inquiète peu. Mon rapport me semble avoir fini d'occuper les gens. Tous depuis M. de Mun jusqu'à Clemenceau radotent; j'estime autant Baily et Camelinat que Baudry d'Asson ou Cassagnac. Tous ces gens-là sont stupides et méchants, ou ridicules et niais. Je me moque de ce qu'ils peuvent dire sur des affaires militaires dont ils ne sont pas susceptibles de parler…" (In Senegal, everything is beginning to go wrong; my predictions are coming true: disorder will increase, the situation will become inextricable. They recently sent an unintelligent and dishonest governor; I fear they might think of me to restore military affairs; I hide, I play dead: I do not want to be under the orders of this gentleman... I don't know what they want to do in the Chamber; that worries me little. My report seems to have finished occupying people. Everyone from M. de Mun to Clemenceau rambles; I esteem Baily and Camelinat as much as Baudry d'Asson or Cassagnac. All these people are stupid and wicked, or ridiculous and foolish. I mock what they can say about military affairs which they are not capable of discussing...) (s.l.n.d., to his sister). "Je reviens de chez le général Faidherbe auquel il a bien fallu me recommander. C'est un appui fragile que j'ai là; le pauvre général souffre beaucoup en ce moment. Quoiqu'il en soit, il m'a promis de faire pour moi ce qu'il pourrait. Ce sera peu de choses, l'influence des deux hommes, Général Faidherbe et Amiral Aube, l'un sur l'autre, étant aussi grande que celle d'un missionnaire sur un musulman. Je suis, paraît-il, très vivement battu en brèche. On me trouve trop jeune de grade… Le général Brière de l'Isle se remue pour moi, mais il passe, lui aussi, pour le serviteur damné de J. Ferry, et par suite son intervention ne pourra m'être utile, je le crains du moins beaucoup. J'ai vu Dislère ce matin [Paul Dislère (1840-1928), son ancien camarade de promotion à l'Ecole Polytechnique, à l'époque directeur des Colonies au ministère de la Marine]… Il ne peut non plus changer le vent qui est décidément contre moi. Il devient de plus en plus clair que la politique s'en mêle…" (I return from General Faidherbe's to whom I had to recommend myself. It's fragile support that I have there; the poor general suffers greatly at the moment. Whatever the case, he promised me to do what he could for me. It will be little, the influence of the two men, General Faidherbe and Admiral Aube, on each other, being as great as that of a missionary on a Muslim. I am, it appears, very vigorously attacked. They find me too young in rank... General Brière de l'Isle stirs himself for me, but he too passes for the damned servant of J. Ferry, and consequently his intervention cannot be useful to me, I fear it very much at least. I saw Dislère this morning [Paul Dislère (1840-1928), his former classmate at the Ecole Polytechnique, at the time director of Colonies at the Ministry of the Navy]... He also cannot change the wind which is decidedly against me. It becomes increasingly clear that politics is involved...) (Paris, May 22, to his sister). "M. Herbinger vient de faire une dernière plaisanterie en mourant en ce moment. Je vais être traité d'assassin, sans aucun doute. Et il y aura bien quelque médecin pour expliquer qu'il est décédé à la suite d'actes d'héroïsme qui ont miné sa constitution. Et que le colonel Desbordes a été assez aveugle et assez niais pour ne pas le voir… Bien que cette mort, au moment actuel, soit fâcheuse pour moi, je suis d'avis que M. Herbinger a fait un acte très sensé en décampant pour l'autre monde. C'est ce qu'il avait de mieux à faire. Que Dieu ait son âme !" (M. Herbinger has just played a final joke by dying at this moment. I will be treated as an assassin, without doubt. And there will surely be some doctor to explain that he died following acts of heroism that undermined his constitution. And that Colonel Desbordes was blind enough and foolish enough not to see it... Although this death, at the present moment, is unfortunate for me, I am of the opinion that M. Herbinger performed a very sensible act by decamping for the other world. It's the best thing he had to do. May God have his soul!) (Paris, May 27, to his sister). "Mon affaire continue à ne pas aller… Le général de Négrier a bien voulu faire une démarche pour moi auprès du chef du personnel, l'amiral Olry; il n'en a tiré aucune assurance. Le général Brière se remue tant qu'il peut, et d'autant plus qu'il considère ma nomination comme une sorte de compensation qui lui est due pour tous les ennuis et toutes les injures dont il est gratifié à cause de M. Herbinger. Mais il n'a pas, non plus, grand succès. Je sais que le général Faidherbe a plaidé ma cause auprès du ministre, mais également sans pouvoir obtenir une réponse… Ajoute à cela que les généraux d'artillerie Virgile et Dard travaillent contre moi, que Rochefort est un véritable spectre pour nos ministres, que Clemenceau ne peut pas être mon ami, que j'ai fait jouer toutes mes batteries, lesquelles sont représentées par mes généraux, mais que je n'ai pas de députés et de sénateurs dans mon sac…" (My affair continues not to go well... General de Négrier was kind enough to make an approach for me to the head of personnel, Admiral Olry; he drew no assurance from it. General Brière stirs himself as much as he can, and all the more so as he considers my nomination as a sort of compensation that is due to him for all the troubles and all the insults he is gratified with because of M. Herbinger. But he also has no great success. I know that General Faidherbe pleaded my cause to the minister, but equally without being able to obtain a response... Add to that that the artillery generals Virgile and Dard work against me, that Rochefort is a true spectre for our ministers, that Clemenceau cannot be my friend, that I have brought all my batteries into play, which are represented by my generals, but that I have no deputies and senators in my bag...) (Paris, June 1, to his sister). "J'ai enfin vu ma nomination à l'Officiel. Il paraît qu'elle était signée depuis plus de huit jours. On attendait le moment qui serait le moins pénible à Mr Rochefort, Mademoiselle Louise Michel, et aux journaux de droite et d'extrême gauche. Ils ont fait un mauvais calcul. L'expérience le prouvera. J'ai fait des visites aujourd'hui. Ça n'est pas amusant. J'ai vu l'amiral Peyron… Il m'a donné le conseil d'aller voir M. de Freycinet [président du Conseil et ministre des Affaires étrangères]… Il a été fort aimable avec moi… Je ne me suis payé qu'une petite malice. Il m'a parlé de la campagne du Tonkin, et il m'a félicité de ma bonne mine. Je lui ai répondu que la campagne du Tonkin était une expédition pour des jeunes filles. Il n'a pas insisté. Mais je suis certain qu'il a trouvé ce jugement un peu dur pour des gens qui ont fait de l'affaire du Tonkin un épouvantail…" (I finally saw my nomination in the Official Journal. It appears it had been signed for more than eight days. They were waiting for the moment that would be least painful for Mr Rochefort, Mademoiselle Louise Michel, and the right-wing and extreme left newspapers. They made a bad calculation. Experience will prove it. I made visits today. It's not amusing. I saw Admiral Peyron... He gave me the advice to go see M. de Freycinet [President of the Council and Minister of Foreign Affairs]... He was very kind to me... I only allowed myself a small mischief. He spoke to me about the Tonkin campaign, and he congratulated me on my good appearance. I replied that the Tonkin campaign was an expedition for young girls. He didn't insist. But I am certain he found this judgment a bit harsh for people who made the Tonkin affair a bugbear...) (Paris, July 26, to his sister). 1887. "Je ne sais pas encore officiellement où je suis envoyé en Inspection, mais d'après ce que j'ai entendu dire ce matin, je vais avoir à visiter la Réunion, Madagascar, la Nouvelle-Calédonie. C'est un voyage de plus de six mois, et moi qui déteste ce genre d'exercice, ça me fait un plaisir que je vous laisse à penser…" (I don't yet know officially where I am sent on Inspection, but from what I heard said this morning, I will have to visit Réunion, Madagascar, New Caledonia. It's a journey of more than six months, and I who detest this kind of exercise, it gives me a pleasure that I leave you to imagine...) (Paris, May 7, to his sister-in-law Emilie).

Manuscript of 83 leaves of this French–Bunda dictionary, probably unpublished and unsigned.

This manuscript is certainly the first French–Bunda vocabulary (cf. Gay 3068 and Brunet I-1544).

Half red shagreen binding, spine with four raised bands ruled in black, gilt date at foot, minor rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.

With 8 original etchings to text and hors-texte by Oscar Dominguez, one of 70 numbered copies on B.F.K. de Rives paper, the only printing with 4 on old Japon paper, variously enriched.
Autograph inscription from Robert Ganzo to a couple of his acquaintance on half title.
This copy is additionally enhanced with a manuscript quatrain signed by the author on the page opposite half-title.
Autograph signatures of the author and illustrator on the justification page.
Some slight small foxing mostly affecting the first leaves, a joint of the chemise cracked, with a tear almost all over it.
A rare copy in a chemise and flexible slipcase with wood-effect paper boards.

Second, enlarged edition of these rather protectionist ideas, which prompted Dupont de Nemours to write a refutation (Lettre à la Chambre de commerce de Normandie).

Our copy is preserved in its original wrappers, now covered with modern marbled paper, red edges.

The second part is entitled Plan d'une banque nationale de France, ou d'une caisse générale de recettes & paiements des deniers publics & particuliers, and bears the Jersey imprint, 1787. Frère I, 210 (for the first edition of 1787).

First edition. Quérard I, 271 lists only one edition: "Paris, Née de La Rochelle, 1789." Kress B.1163; Goldsmiths 13858. Not in Einaudi."

With loose printed title pages for each volume, dated 1789.

The first volume, with an engraved pictorial title after Meunier, contains 52 double-page or folding plates inserted into the pagination, without following its numbering logic.

The second volume has an engraved pictorial title by Zaveris after Meunier and includes 154 etched plates of coins.

Full mottled calf, spines with six raised bands, gilt fillets and double gilt panels, red morocco lettering-pieces, green morocco numbering-pieces, gilt rolls on the headcaps, double blind-ruled borders on covers, marbled endpapers, gilt fillets on edges, marbled edges, contemporary bindings.

Some restorations to the bindings.

Unique edition, very rare (the 1789 printing to which our two additional title leaves would correspond does not seem to be attested despite Quérard’s mention).

An excellent copy on strong vellum paper, large-margined, with the spines elegantly decorated with special gilt tools.

Ami, tu veux / Devenir poète / Ne fais surtout pas / L'imbécile / N'écris pas / Des chansons trop bêtes / Même si les gourdes / Aiment ça

Rare first edition of three scientific reports from the zoological exploration mission of Guy-René Babault (1883-1963), corresponding member of the Muséum d’Histoire Naturelle, carried out in present-day Kenya and Uganda in 1913. 

The set comprises: Volume 1: Insectes coléoptères. Cicindelidae, by Guy Babault. – Volume 2: Insectes coléoptères. Fam. Carabidae. Subf. Anthiinae, by G. Bénard. – Volume 3: Étude d'une collection d'oiseaux de l'Afrique orientale anglaise et de l'Ouganda, by A. Menegaux, with field notes by Guy Babault. 

The first volume includes illustrations in the text and one hand-colored entomological plate with tissue guard and facing leaf of legends; the second volume contains one hand-colored entomological plate with tissue guard and facing legends; the third and final volume features six hand-colored ornithological plates with tissue guards, together with a large folding colored map bound at the end. 

Spine and boards marginally faded or sunned, internally well preserved. 

Pirate edition of 1812, imprint dated 1796. It features the exact pagination of the genuine 1796 edition, as well as the 13 plates and 2 frontispieces by Monnet, Mlle Gérard and Fragonard fils engraved by Baquoy, Duplessi-Bertaux, Dupréel, Godefroy, Langlois, Lemire, Lingée, Masquelier, Patas, Pauquet, Simonet and Trière. The pirate edition is identified by the letters “R. p. D.” in the plates' lower margins, as they have been retouched by Delvaux. In addition, the fillet preceding the date on the title-page is wavy, and the title is presented in seven lines rather than eight.

Bound in full morocco, slight rubbing on the corners, all edges gilt, splendid binding signed by Hardy.

A very fine copy in a magnificent decorated full morocco binding by Hardy.

First edition, not issued for sale (cf. Sabin 30913).

Some defects with losses along the spine, minor corner creases to the boards, endpapers browned, otherwise a clean and attractive copy internally.

Published in the very year of Maximilian's coronation. The Austrian author supports the acceptance of the crown by the archduke prince, an opinion not shared by many of his compatriots. Contains reflections on the Mexican nation, the two Americas, United States politics, etc.

Rare and genuine posthumous first edition of the first six books of the Confessions, the remaining volumes not appearing until 1789. Several other editions were issued shortly thereafter, but the evidence provided by the commentary published in the June 1782 issue of the Journal Helvétique clearly establishes that this separately printed edition, known as the "large type" issue, is indeed the very first (F. Michaux, "L'Édition originale de la première partie des 'Confessions' de J.-J. Rousseau" in Revue d'Histoire littéraire de la France, 35th Year, No. 2 (1928), pp. 250-253).
Contemporary half calf bindings, flat spines tooled with gilt fillets and decorated with beige morocco title and volume labels, marbled paper boards, all edges blue.
A handsome copy of this seminal text of the autobiographical genre, preserved in a contemporary binding.

Exhibition catalogue of paintings by Tony Curtis, presented at the Center Art Galleries in Hawaii.

Catalogue illustrated with reproductions of works by Tony Curtis.

A very good copy. The original mailing envelope for the catalogue is included.

Signed by Tony Curtis in blue felt-tip pen on the front cover of the catalogue.

Provenance: from the collection of the distinguished autograph collector Claude Armand.

Later print of a black and white photograph of Joan Crawford, taken in the 1950s.

A fine copy.

Inscribed and signed by Joan Crawford to the renowned autograph collector Claude Armand: "Dear Claude thnak you for your warming letter. Bless you Joan Crawford."

Original colour photograph depicting a smiling Jacques Chirac.

Attractive ensemble held together by a paperclip, which has left a discreet mark in the upper left margin of the photograph.

Enclosed are an official letter, its envelope, and a card on which Jacques Chirac, then Prime Minister, wrote in black felt-tip pen the following words: "vous remercie de votre aimable message de félicitations et vous adresse ses sentiments les meilleurs."

Signed by Jacques Chirac in blue ink at the foot of the photograph.

Newspaper clipping from the Tribune de Genève featuring a photograph of Uri Geller, highlighting his skills as a magician and metal bender.

Rare autograph by Uri Geller in black felt-tip pen on his photograph.

First edition; no copy recorded in the CCF or Worldcat, with a single copy held at the Real Academia Española.

Full red shagreen portfolio, smooth spine without lettering, double gilt and blind-tooled fillet borders with gilt garlands and rosettes at the corners on the covers, gilt title lettered in the center of the upper cover, moiré white silk endleaves and pastedowns, contemporary binding.

Inscribed and signed by Albertus Frederik Johan Reiger to Baron Joseph Louis Heinrich Alfred Gericke van Herwynen (1814–1899), Minister of the King of the Netherlands to the Court of Brussels, accompanied by an autograph signed note addressed to the same, dated 12 December 1881 and sent from Lunteren (Gelderland).

Black and white photograph depicting a smiling Tony Curtis.

A handsome example, with slight ink smudging affecting the last two letters of 'Curtis.'

Bold blue ink autograph by Tony Curtis in the left margin of the image.

Provenance: from the collection of renowned autograph collector Claude Armand.

Reprint of a photograph showing a young Shirley Temple lying on a bed.

A fine copy.

Inscribed and signed in black felt-tip pen by Shirley Temple, dated 1988, to the renowned autograph collector Claude Armand.

Black and white photographic portrait depicting the Philippine dictator seated at his desk.

Accompanied by an official letter on the headed paper of the Office of the President of the Philippines, together with its envelope.

Manuscript signature of Ferdinand Marcos in black ink.

Provenance: from the collection of renowned autograph collector Claude Armand.

Press clipping illustrated with a photograph depicting Josephine Baker on stage.

Horizontal central fold, minor tears of no consequence along the right margin of the clipping.

Inscribed and signed by Josephine Baker in black felt-tip pen a few months before her passing: "A Claude Armand ami de Jospéhine Baker 1975".

Black-and-white photographic postcard depicting Gilbert Bécaud.

Discography of Gilbert Bécaud printed on the verso, with minor paper losses.

Inscribed and signed by Gilbert Bécaud to the noted autograph collector Claude Armand: "A Claude Gilbert," enhanced with a small cat sketch in blue ballpoint pen.

Oblong color postcard depicting Charles Aznavour with his hands crossed under his chin.

A fine copy.

Signed by Charles Aznavour in black felt-tip pen in the right-hand margin of the card.

Provenance: from the collection of renowned autograph collector Claude Armand.

Black-and-white photograph depicting cosmonaut Boris Yegorov in uniform adorned with his military decorations.

A handsome copy.

Rare autograph signed in blue felt-tip pen by Boris Yegorov in the left margin of the print.

On October 12, 1964, aboard Voskhod 1, Boris Yegorov completed his sole spaceflight as a physician, participating in the first mission in history to carry a crew of three.

Provenance: from the collection of renowned autograph collector Claude Armand.

Black-and-white photograph showing a young Melina Mercouri lying in straw and chewing on a blade of it.

A handsome example. Press clippings mounted on the verso.

Signed by Melina Mercouri in blue ink.

Provenance: from the collection of the noted autograph collector Claude Armand.

Black and white photograph of Micheline Presle, circa 1950s.

A fine example.

Inscribed and signed by Micheline Presle to the prominent autograph collector Claude Armand: "A Claude Armand mon amical souvenir. Micheline Presle."

Color postcard depicting a young Ginger Rogers wearing a hat.

A fine copy.

Boldly signed by Ginger Rogers in blue felt-tip pen.

Provenance: from the collection of renowned autograph collector Claude Armand.

Black-and-white photograph showing Debbie Reynolds smiling in profile.

A fine example. With the autograph envelope sent by Debbie Reynolds to the prominent autograph collector Claude Armand.

Signed autograph inscription from Debbie Reynolds to Claude Armand: "To Claude best wishes. Debbie Reynolds."

Original black and white photograph showing Pierre Daninos with a slight smile.

A handsome ensemble. We enclose the handwritten envelope in which the photograph was sent.

Inscribed, dated and signed by Pierre Daninos in blue felt-tip pen, addressed to the prominent autograph collector Claude Armand.

Also included is a ten-line autograph letter, dated and signed, in which Pierre Daninos thanks Claude Armand and shares the title of his forthcoming book, the result of his journey around the world: "Les touristocrates".

Black and white portrait photograph showing Tito facing the camera.

A well-preserved example. Included are an envelope bearing the letterhead of the Yugoslav Embassy, a printed card from the same embassy, and a typewritten letter from the Yugoslav Consulate thanking Claude Armand for his request for a photograph of Tito.

Bold blue ink autograph by Tito in the right-hand margin of the photograph.

Provenance: from the collection of noted autograph collector Claude Armand.

First edition in Spanish, printed simultaneously with the French edition (Not cited by Sabin, who records only the French version under no. 39838).

Contemporary mottled tan sheep bindings, spines with four raised bands decorated with gilt dentelle and floral tools, red morocco lettering- and volume-pieces, headcaps shaved, gilt dentelle framing on the boards, marbled endpapers, corners rubbed, bindings signed "Felipe Montilla, Merida de Yucatán".

Joints split at head and foot of the first volume, joints rubbed, small marginal tears to a few leaves of the first volume without loss of text, light waterstaining to the edges of both volumes.

This collection of documents constitutes a complete history of the French intervention in Mexico and the ill-fated imperial venture of Maximilian.

New edition illustrated with numerous engravings in the text: plants, animals, musical scores, geometrical figures, electrical devices, assorted objects, etc.

The table on p. 1323 presents the periodic classification of the elements; the figure on p. 1483 illustrates the path of light rays passing through lenses.

Publisher’s binding in half black percaline, spine titled in Chinese characters, sand-coloured boards slightly soiled at the margins, corners rubbed, endpapers partially toned.

The Cihai, or "Sea of Words," is a Chinese encyclopedic dictionary, work on which began in 1915 and which was first published in 1936.

Original black and white portrait of Mistinguett wearing a hat.

Very slight, superficial scuffing to the margins, not affecting the image.

Vintage gelatin silver print. Printed stamp of the P. Apers photographic studio in Paris to the right margin of the image.

Inscribed by Mistinguett to André Saudemon, signed and dated in black ink, at the foot of the photograph.

Original black and white photograph by the Associated Press British showing Cliff Richard posing in Athens with the Acropolis in the background, taken on the occasion of the release of the film "Summer Holiday".

A fine example. Associated Press British label affixed to the verso. Autographs of actors Roy Castle and Lebbi Siffre below the image.

Cliff Richard’s autograph in black felt-tip pen in the left margin of the print.

Provenance: from the collection of renowned autograph collector Claude Armand.

Black and white photograph depicting Betty Grable.

A handsome copy. Press clippings mounted to the verso of the print.

Manuscript signature by Betty Grable in violet felt-tip pen in the left margin of the photograph.

Provenance: from the collection of the renowned autograph collector Claude Armand.

Later print of an iconic 1950s photograph capturing "The look" in profile, with her right hand resting on her hip.

Signed in black felt-tip pen by Lauren Bacall.

Provenance: from the collection of renowned autograph collector Claude Armand.

Later print of a portrait photograph showing a young Gloria Swanson facing the camera.

A handsome copy.

Boldly signed by Gloria Swanson in blue ink.

Provenance: from the collection of the noted autograph collector Claude Armand.

Photographic portrait of Erroll Garner, seated at his piano.

A fine copy.

Inscribed and signed by Erroll Garner in blue ink in the upper left margin of the photograph.

Provenance: from the collection of the renowned autograph collector Claude Armand.

Black and white photograph depicting Cliff Richard slightly turned towards the camera.

A very well-preserved example.

Bold black ink signature by Cliff Richard in the right margin of the photograph.

Provenance: from the collection of renowned autograph collector Claude Armand.

Black-and-white photographic portrait of Glenn Ford, dating from the 1930s–1940s.

A handsome print.

Boldly signed by Glenn Ford in black felt-tip pen in the upper left margin of the image.

Provenance: from the collection of noted autograph collector Claude Armand.

Black-and-white photograph depicting Shirley Temple as a child.

A fine copy.

Inscribed and signed by Shirley Temple in 1988, with an autograph dedication to the noted autograph collector Claude Armand.