Sans nom d'éditeur

New edition. Portrait frontispiece. Title pages in red and black.

Contemporary full glazed brown calf binding. Decorated smooth spine. Brown calf title-label, black calf volume label. Light rubbing. Fine copy, very fresh.
The first two volumes are devoted to the poetic works, the third to the comedies. These works contain the Odes, Cantatas, Epistles, Allegories, Epigrams, and the comedies (Le flatteur, Le capricieux, Le caffé, La ceinture magique). Jean-Baptiste Rousseau was considered the greatest lyric poet of his time; he is especially credited with writing the first French cantatas, this secular genre that was set to music by the most brilliant composers...

First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who...

"Y a des bals pour les pompiers / Et les joyeux militaires. /...

Comme devant une place / Pleine de gens et de bruit / Je reste figé sur place / Arrêté devant ma vie

Ce que j'aime dans la romance / C'est l'moment où ça commence / Le moment où je la vois / Toute neuve devant moi

Superb original photographic portrait of Ravachol taken by Alphonse Bertillon, contemporary print on albumen mounted on bristol board.
Extremely rare handwritten caption signed by the most famous of the French anarchists, written in his hesitant and naive handwriting, at the bottom of the photo: “1er mai 1892 Koningstein [sic] Ravachol” “1st May 1892 Koningstein [sic] Ravachol”.
The spelling Koningstein chosen by Ravachol differs from his father's surname (Königstein). This variation confirmed by the Maintron (Biographical dictionary of the social and labour movement) is found in particular in a piece of his writing by hand dated 13 April 1892 and kept at the Conciergerie.
“ Un...

First edition. This pamphlet contains no editorial information, an understandable absence in these times of repression.

Modern Bradel cardboard binding. Smooth spine with a long burgundy shagreen title-label. lacks to head. Joints rubbed. The cardboard is covered with a reproduction of a naive engraving in the style of chapbook editions, with a caption: Louis XVIII Le Désiré, King of France and Navarre, praying for his brother.
Bookplate, circa 1920 with the letter R on a floral background. A facsimile of the account of the king's death referenced in the text has been pasted onto the endpapers.
Testimony on the events that preceded Louis XVI's execution, his...

Sphere edition, from the Elzevier press. The meaning of the word Maximes is quite removed from the modern sense, it is more closely linked to what governs the interests of Princes, and by which precisely they are bound. The book forms a history of international relations, studying the interests that each nation has over another: France over Flanders, the Holy Empire over France, Denmark over... It is certain that these interests are of a historical, genealogical order... The work by Courtilz de Sandras is an imitation in form of the work by the Duke of Rohan which had appeared previously under the title: Intérêts et maximes des princes et des estats souverains; his book tends to...

Original poster by Karen Horowitz numbered 145/200, dated 1974 and signed in pencil, showing a photograph with a superimposed quote from Lawrence Durrell's Justine: “The world is like a cucumber – today it's in your hand, tomorrow up your ass”.
A few tiny wormholes.

Manuscript inscription in felt tip pen by Lawrence Durrell to the left of the quote: “Buttons dear Attention! Larry Durrell. 1978”

This poster was given to a young lover of the author's who, in both Sommières and Paris, livened up his lonely days at the end of the 60s and in the 70s. Janine Brun, also known as “Buttons” in the author's letters and postcards was described thus...