n. l.

n. l.

s.l. (sans lieu) est une mention bibliographique utilisée lorsqu’aucun lieu d’édition n’est indiqué dans l’ouvrage. L’abréviation provient du latin sine loco, « sans lieu », et apparaît traditionnellement dans la description des livres anciens lorsque l’imprimeur ou l’éditeur n’a pas précisé la ville d’impression.
Cette absence peut être volontaire — pour des raisons politiques, religieuses, commerciales ou de censure — ou simplement due à une omission typographique. Dans l’histoire du livre, la mention s.l. joue ainsi un rôle important : elle signale une zone d’incertitude et invite bibliographes et historiens à identifier, par comparaison typographique ou contextuelle, l’atelier ou la région d’origine réelle de l’ouvrage.
Utilisée depuis des siècles dans les catalogues et répertoires, s.l. demeure aujourd’hui une référence essentielle dans la description bibliographique des éditions anciennes ou non localisées.
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3514 results
Sans lieu d'édition
  1. Humoristique bande dessinée originale au feutre noir mettant en scène son célèbre personnage Monsieur Virgule faisant le pitre devant un miroir pour finalement le traverser et être remplacé par son cubiste reflet
    Carlo RIM

    Humoristique bande dessinée originale au feutre noir mettant en scène son célèbre personnage Monsieur Virgule faisant le pitre devant un miroir pour finalement le traverser et être remplacé par son cubiste reflet

    s. l. s. d. [circa 1945]|50 x 11.50 cm|une feuille
    Humorous original comic strip executed in black felt-tip pen illustrating Monsieur Virgule intrigued before a mirror reflecting back a cubist image of himself, then indulging in capers to finally be replaced in reality by his reflection.
    Central fold.
    Monsieur Virgule is the creation of Carlo Rim for "Les nouvelles littéraires" in the 1930s then for "Les lettres françaises" after 1945.
    Manuscript notes by Carlo Rim in pencil and red pencil on the verso of the strip.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob...
    €400
  2. Humoristique bande dessinée originale au feutre noir mettant en scène son célèbre personnage Monsieur Virgule se rendant chez une prostituée chez laquelle il contracte une maladie vénérienne après la lecture des oeuvres de Jean-Paul Sartre
    Carlo RIM

    Humoristique bande dessinée originale au feutre noir mettant en scène son célèbre personnage Monsieur Virgule se rendant chez une prostituée chez laquelle il contracte une maladie vénérienne après la lecture des oeuvres de Jean-Paul Sartre

    s. l. s. d. [circa 1945]|49.50 x 9.50 cm|une feuille
    Humorous original comic strip drawn in black felt-tip pen illustrating Monsieur Virgule visiting a prostitute so that she might read him some works by Jean-Paul Sartre, Monsieur Virgule then rushing to the urologist suffering from a venereal disease despite these chaste readings.
    Central fold.
    Monsieur Virgule was Carlo Rim's creation for "Les nouvelles littéraires" in the 1930s and later for "Les Lettres françaises" after 1945.
    Manuscript notes by Carlo Rim in pencil and red pencil on the verso of the strip.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel...
    €400
  3. Dessin original au feutre noir rehaussé à l'aquarelle représentant son grand ami Raimu sur son lit de mort
    Carlo RIM

    Dessin original au feutre noir rehaussé à l'aquarelle représentant son grand ami Raimu sur son lit de mort

    s. l. 20 Septembre 1946|23 x 16 cm|une feuille
    Original drawing signed in black felt-tip pen heightened with watercolor dated and signed by Carlo Rim depicting his great friend Raimu on his deathbed at the American Hospital in Neuilly-sur-Seine.
    The drawing is captioned and signed in blue ink "20 sept. 1946 Carlo Rim" and "hôpital américain" in black felt-tip pen, with a mention "2me volume" inscribed in red felt-tip pen in the lower left corner of the drawing.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €200
  4. Dessin original au feutre noir et rehaussé au crayon rouge représentant l'homme de théâtre André Antoine
    Carlo RIM

    Dessin original au feutre noir et rehaussé au crayon rouge représentant l'homme de théâtre André Antoine

    s. l. s. d. [circa 1935]|21 x 23 cm|une feuille
    Original drawing signed in black felt-tip pen and heightened in red pencil, by Carlo Rim depicting the portly theater man André Antoine, with a red scarf tied around his neck and a cigarette on his lips.
    The drawing, captioned in black felt-tip pen "André Antoine", was made on the verso of a sheet containing typewritten text and mounted on cardboard.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  5. Dessin original au crayon noir représentant Maurice Martin du Gard
    Carlo RIM

    Dessin original au crayon noir représentant Maurice Martin du Gard

    s. l. s. d. [circa 1940]|11 x 15 cm|une feuille
    Original drawing signed in black pencil by Carlo Rim depicting Maurice Martin du Gard with a discreet smile.
    The drawing, captioned in blue pencil "M M du G", was executed on tracing paper.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was particularly the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  6. Humoristique bande dessinée originale au feutre noir et rehaussée au correcteur blanc mettant en scène son célèbre personnage Monsieur Virgule devenu obèse après avoir "ingurgité" les nombreux volumes composant "Les hommes de bonne volonté" de Jules Romains
    Carlo RIM

    Humoristique bande dessinée originale au feutre noir et rehaussée au correcteur blanc mettant en scène son célèbre personnage Monsieur Virgule devenu obèse après avoir "ingurgité" les nombreux volumes composant "Les hommes de bonne volonté" de Jules Romains

    s. l. s. d. [circa 1945]|40.50 x 8.50 cm|une feuille
    Original humorous comic strip drawn in black felt-tip pen, heightened with white correction fluid, depicting Monsieur Virgule with a well-rounded belly after reading all the volumes forming "Les hommes de bonne volonté" by Jules Romains.
    Monsieur Virgule is the creation of Carlo Rim for "Les nouvelles littéraires" in the 1930s and later for "Lettres françaises" after 1945.
    Manuscript indications by Carlo Rim in blue pencil on the verso of the strip, one central fold.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol...
    €450
  7. Dessin original au feutre bleu et rehaussé au crayon de papier, sur papier calque, représentant son ami le compositeur Vincent Scotto
    Carlo RIM

    Dessin original au feutre bleu et rehaussé au crayon de papier, sur papier calque, représentant son ami le compositeur Vincent Scotto

    s. l. s. d. [circa 1947]|18 x 20 cm|une feuille
    Original drawing, on tracing paper, signed by Carlo Rim in blue felt-tip pen and heightened with pencil, depicting his friend the composer Vincent Scotto, with a slightly sullen expression and muffled in a scarf.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €120
  8. Humoristique et antifaciste dessin original signé au feutre noir illustrant le roi Victor-Emmanuel III cirant les chaussures d'un Mussolini menaçant
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Humoristique et antifaciste dessin original signé au feutre noir illustrant le roi Victor-Emmanuel III cirant les chaussures d'un Mussolini menaçant

    s. l. s. d. [circa 1930]|27 x 19.50 cm|une feuille encollée sur un carton
    Humorous and antifascist original drawing signed in black felt-tip pen by Henry-Paul Gassier depicting King Victor Emmanuel III on his knees polishing the shoes of Mussolini, who is brandishing a club in his left hand and a bottle of castor oil (which the Blackshirts forced political opponents to drink).
    The drawing has been mounted on cardboard with slight corner losses.
    This drawing entitled "Le bavard" ["The Chatterbox"] was given by Henry-Paul Gassier to his friend and colleague Carlo Rim.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille" ["My Beautiful Marseille"], a caricaturist, a filmmaker, and was notably the friend of...
    €350
  9. Dessin original au crayon de papier rehaussé au feutre noir représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au crayon de papier rehaussé au feutre noir représentant son grand ami le poète André Salmon

    s. l. s. d. [circa 1960]|21 x 28 cm|une feuille
    Original drawing in pencil heightened with black felt-tip pen depicting in profile his great friend the writer and poet André Salmon with the sleeves of his turtleneck sweater rolled up.
    The drawing was made on tracing paper and mounted on a sheet, the drawing is captioned in red felt-tip pen: "André Salmon".
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  10. Dessin original au feutre noir représentant Paul Carbone, dit Venture, le célèbre bandit corse ayant régné sur la pègre marseillaise
    Carlo RIM

    Dessin original au feutre noir représentant Paul Carbone, dit Venture, le célèbre bandit corse ayant régné sur la pègre marseillaise

    s. l. 1934|14.50 x 19.50 cm|une feuille
    Original drawing dated and signed in black felt-tip pen by Carlo Rim depicting Paul Carbone, known as Venture, sketching a strained smile and wearing dark glasses.
    The drawing is signed in black felt-tip pen Carlo Rim and is captioned "Paul Carbone (dit Venture), Carbone 1934.
    Paul Carbone, famous Corsican bandit and grand patriarch of the Marseille underworld, was the first to connect organized crime and the political world.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  11. Dessin original au crayon de papier et rehaussé au feutre noir représentant son grand ami Max Jacob
    (Max JACOB) Carlo RIM

    Dessin original au crayon de papier et rehaussé au feutre noir représentant son grand ami Max Jacob

    s. l. s. d. [circa 1930]|21 x 24.50 cm|une feuille
    Original drawing in pencil heightened with black felt-tip pen on watermarked paper by Carlo Rim depicting his great friend Max Jacob slightly in profile and sketching a discreet smile.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  12. Dessin original au stylo bleu et rehaussé aux crayons vert et noir représentant le scénariste et librettiste Albert Willemetz
    Carlo RIM

    Dessin original au stylo bleu et rehaussé aux crayons vert et noir représentant le scénariste et librettiste Albert Willemetz

    s. l. 1964|18.50 x 24.50 cm|une feuille
    Original drawing in blue pen heightened with black and green pencils by Carlo Rim depicting Albert Willemetz, looking placid and smoking a cigarette, with the Rosette of the Legion of Honor pinned to the lapel of his jacket.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  13. Manuscrit autographe signé complet du discours prononcé le 22 février 1952 à la salle Wagram en faveur des condamnés à mort espagnols
    André BRETON

    Manuscrit autographe signé complet du discours prononcé le 22 février 1952 à la salle Wagram en faveur des condamnés à mort espagnols

    s. l. • [Paris] 22 février 1952|21 x 27 cm|3 pages sur 3 feuillets
    Autograph manuscript signed, written in blue ink on three sheets of white paper; numerous deletions and corrections.

    "Si quelque part au monde le coeur de la liberté continue à battre, s'il est un lieu d'où ses coups nous parviennent mieux frappés que de partout ailleurs, nous savons tous que ce lieu est l'Espagne." ["If anywhere in the world the heart of freedom continues to beat, if there is a place from which its beats reach us more clearly struck than from anywhere else, we all know that this place is Spain."]



    This magnificent text was delivered by André Breton on February 22, 1952 during the meeting organized by the League...
    €3,000
  14. Humoristique dessin original adressé à son grand ami Carlo Rim
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER] (CARLO RIM)

    Humoristique dessin original adressé à son grand ami Carlo Rim

    s. l. s. d. [circa 1922]|21.50 x 16 cm|une feuille
    Humorous original multicolored drawing executed in colored pencils and addressed to his great friend Carlo Rim representing the latter in a coffin and receiving the homage of the French nation, an official solemnly pronouncing: "Il aimait trop les rébus" ["He loved puzzles too much"].
    The drawing is on letterhead from Henry-Paul Gassier's Marseilles address, with folding trace inherent to postal mailing.
    Epistolarily testing Carlo Rim's lively wit, Henry-Paul Gassier enjoyed corresponding in the form of puzzles with his friend and fellow caricaturist.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a...
    €120
  15. Aquarelle originale signée et adressée à son grand ami Carlo Rim
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Aquarelle originale signée et adressée à son grand ami Carlo Rim

    s. l. s. d. [circa 1925]|25 x 16 cm|une feuille encollée sur un carton
    Original signed watercolor addressed to his great friend Carlo Rim depicting, during the Hundred Years' War, two knights in armor conversing peacefully in a plain overlooked by two fortified castles, one of the two questioning the other in these terms: "Do you believe, my dear fellow, that we shall have a winter campaign?"
    A manuscript note in blue pencil in the lower right corner of the watercolor: 2 vol.,     the watercolor is mounted on blue-gray cardboard.
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom...
    €350
  16. Un roman de Jarry. Manuscrit autographe et tapuscrit signé complets
    Maurice BLANCHOT (Alfred JARRY)

    Un roman de Jarry. Manuscrit autographe et tapuscrit signé complets

    S. n. • [ Journal des débats]|s. l. • (Paris) s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8
    Autograph manuscript by the author, 2½ pages octavo, published in the April 13, 1944 issue of the Journal des Débats.
    Complete recto-verso manuscript, in very dense handwriting, with numerous deletions, corrections and additions.
    Together with the complete signed typescript.
    Chronicle published on the occasion of the publication of Jarry's posthumous novel, La Dragonne.

    In this chronicle devoted to Alfred Jarry and Père Ubu, Maurice Blanchot was interested in the confusion between one and the other and its consequences: « [...] on peut penser que Jarry, en s'entêtant à être le Père Ubu, a pendant sa vie gaspillé une partie...
    €3,000
  17. Le roman de Jean-Paul Sartre. Manuscrit autographe et tapuscrit complets.
    (Jean-Paul SARTRE) Maurice BLANCHOT

    Le roman de Jean-Paul Sartre. Manuscrit autographe et tapuscrit complets.

    S. n. • [ Paysage dimanche]|s. l. • (Paris) s. d. [1945]|11.50 x 22 cm|3 pages 1/2 in-4
    Autograph manuscript by the author, 3½ pages octavo, published in the October 21, 1945 issue (no. 19) of Paysage dimanche.
    Complete recto-verso manuscript, in very dense handwriting, with numerous deletions, corrections and additions.
    Literary chronicle published on the occasion of the publication of the first two volumes of Jean-Paul Sartre's trilogy Les chemins de la liberté: "L'Age de raison" and "Le Sursis".
    Together with the complete typescript, with one deletion and one autograph correction by the author.

    When this chronicle appeared in autumn 1945, Maurice Blanchot and Jean-Paul Sartre had already demonstrated their mutual interest in each...
    €3,000
  18. Humoristique lettre autographe signée à son grand ami Carlo Rim enrichie de trois dessins originaux en couleurs
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Humoristique lettre autographe signée à son grand ami Carlo Rim enrichie de trois dessins originaux en couleurs

    s. l. 22 Juin 1923|15 x 20 cm|une feuille
    Humorous autograph letter signed to his great friend Carlo Rim enriched with three original color drawings in the form of rebuses, 32 lines in black ink.
    In this letter, Henry-Paul Gassier gently mocks his friend Carlo Rim: "Carlo Rim loved rebuses too much... but Carlo Rim didn't know how to translate rebuses..." and "Carlo Rim claims to have gone mad trying to decipher rebuses that H.P.G. had made to test his strength. Carlo Rim is a damned liar...", "... but Carlo Rim has great mental laziness... And if that's not true, then Carlo Rim is perfectly idiotic..."
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker...
    €200
  19. Humoristique carte postale photographique manuscrite signée adressée à Carlo Rim
    Tristan BERNARD

    Humoristique carte postale photographique manuscrite signée adressée à Carlo Rim

    s. l. s. d. [circa 1942]|7.50 x 12 cm|une feuille
    Handwritten signed photographic postcard from Tristan Bernard addressed to his friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (21 lines in black ink on Hotel Windsor letterhead in Cannes).
    A small pinhole at the head of the photograph showing all the affection that Carlo Rim had for his venerable friend Tristan Bernard, having certainly hung this postcard in his home.
    The postcard shows Tristan Bernard facing forward with his handsome and imposing beard. On the verso, he added:
    "Le monsieur du verso, c'est évident, c'est sûr... c'est le plus beau...
    €80
  20. Ensemble complet du manuscrit et des tapuscrits de la chanson de Boris Vian intitulée "Adélaïde blues"
    Boris VIAN

    Ensemble complet du manuscrit et des tapuscrits de la chanson de Boris Vian intitulée "Adélaïde blues"

    S. n.|s. l. s. d. [1957]|21.10 x 27 cm|trois feuilles perforés et deux feuillets encollé sur carton
    Complete set of Boris Vian's manuscript and working typescripts, genesis of the song "Adélaïde blues".
    - three perforated white sheets handwritten in blue ballpoint pen by Boris Vian with numerous deletions and corrections
    - two perforated sheets typed on machine and mounted on cardboard, fair copy of the manuscript.
    This humorous love serenade was never performed by an interpreter.

    Adélaïïïïïde lui dis-je
    Je vous aime d'amour
    Mon oeil timiiiiide
    Vous doit son plus beau jour
    Question vocabulaire, c'est pas brillant
    Adélaïïïïïde
    Faites-moi signe et j'accours !...

    ["Adélaïïïïïde I tell her / I love you with love /...
    €2,000
  21. Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Premier bal"
    Boris VIAN

    Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Premier bal"

    S. n.|s. l. 1958|13.50 x 21 cm|3 feuillets
    Complete set of Boris Vian's manuscript and working typescripts, genesis of the song "Premier bal".
    - two perforated white sheets, slightly creased, handwritten in blue ballpoint pen by Boris Vian with numerous deletions and corrections
    - one perforated sheet typed on machine, fair copy of the manuscript.
    This waltz was never performed by an interpreter.

    Elle est devant sa coiffeuse
    Dans sa robe à falbalas
    Les yeux pleins d'éclat
    Et l'air si heureux
    Premier bal...grand gala

    ["She stands before her dressing table / In her dress with flounces / Eyes full of sparkle / And looking so happy / First ball...grand gala"]
    €1,200
  22. Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Un bateau"
    Boris VIAN

    Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Un bateau"

    S. n.|s. l. 27 mars 1958|20.90 x 27 cm|2 feuillets et 2 autres contrecollés sur carton
    Complete set of the working manuscript and typescript by Boris Vian, genesis of the song "Un bateau".
    - two perforated white sheets handwritten in blue ballpoint pen by Boris Vian on the verso of "Jazz-Programmes" letterhead paper with numerous deletions and corrections
    - two perforated sheets typed and mounted on cardboard, fair copy of the manuscript.
    This song had no interpreter during Boris's lifetime, but was sung in 2009 by the group Les Marche-Pied.

    Un bateau
    Et de l'eau
    Et du vent pour gonfler la grand'voile
    Une amie
    Près de moi
    Sur les mers de saphir tout là-bas



    Provenance: Boris Vian...
    €1,800
  23. Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Demandez à l'intérieur"
    Boris VIAN

    Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Demandez à l'intérieur"

    S. n.|s. l. s. d. [entre 1954 et 1959]|21.30 x 27 cm|2 feuillets et 2 autres contrecollés sur carton
    Complete set of the working manuscript and typescript by Boris Vian, genesis of the song "Demandez à l'intérieur".
    - two perforated squared sheets handwritten in blue ballpoint pen by Boris Vian with numerous deletions and corrections
    - one perforated sheet typed and mounted on cardboard, fair copy of the manuscript.
    This song, evoking crustaceans and a sexually transmitted disease received from a young waitress, was never performed.

    Demandez à l'intérieur
    C'que vous n'voyez pas en d'vanture
    Venez tenter l'aventure
    Nos produits sont les meilleurs



    Provenance: Boris Vian Foundation.
    €2,200
  24. Politically incorrect - poetically incorrigible
    Une bonne paire de claques. Important manuscrit autographe en partie inédit complet du tapuscrit et de la partition de cette chanson irrévérencieuse interprétée notamment par Salvador, Mouloudji, Les Charlots et Boris Vian lui-même.
    Boris VIAN

    Une bonne paire de claques. Important manuscrit autographe en partie inédit complet du tapuscrit et de la partition de cette chanson irrévérencieuse interprétée notamment par Salvador, Mouloudji, Les Charlots et Boris Vian lui-même.

    S. n.|s. l. s. d. [1958]|21.20 x 27 cm|5 feuillets (13,5x21cm) + 1 feuillet (20,8x27,1cm) + 2 feuillets cartonnés (20,9x27,9cm) + 2 feuillets de partition (19,9x27,5cm)
    Complete set of the working manuscript and typescript by Boris Vian, genesis of the song "Une bonne paire de claques".
    - five perforated sheets of white paper     written in blue ballpoint pen in Boris Vian's hand presenting the complete text of the song. Numerous deletions and corrections.
    - one perforated sheet of graph paper written in blue ballpoint pen in Boris Vian's hand of an unpublished verse never added to the song.
    - two perforated sheets mounted on cardboard, transcriptions of the complete text and the unpublished verse.
    - two sheets of piano-vocal score printed by Éditions de la Lyre in 1962.
    This song, whose gentle melody...
    €3,500
  25. Ensemble complet des manuscrits et du tapuscrit de la chanson de Boris Vian intitulée "Mambo mon coeur"
    Boris VIAN

    Ensemble complet des manuscrits et du tapuscrit de la chanson de Boris Vian intitulée "Mambo mon coeur"

    S. n.|s. l. s. d. [entre 1956 et 1959]|21.30 x 27 cm|trois feuilles perforées
    Complete set of Boris Vian's working manuscripts and typescripts, genesis of the song "Mambo mon coeur".
    - one perforated squared sheet written in pencil in Boris Vian's hand. Numerous deletions.
    - one perforated white sheet written in blue ink also by Boris Vian.
    - a fair copy typed on a typewriter on a perforated white sheet.
    This love song was never performed.

    Cela fait bien longtemps que je te connaissais, mon coeur
    Cela fait bien longtemps que je te connaissais
    Et tu ne savais pas ce que c'est que d'aimer, mon coeur
    Et tu ne savais pas ce que c'est que d'aimer

    ["It's been a long time since I knew you, my heart
    €2,500
  26. Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Le Quatrième Homme"
    Boris VIAN

    Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Le Quatrième Homme"

    S. n.|s. l. s. d. [entre 1950 et 1954]|21.20 x 27 cm|trois feuilles perforées
    Complete set of Boris Vian's working manuscripts and typescripts, genesis of the song "Le Quatrième Homme".
    - two perforated and slightly creased sheets written in green ink in Boris Vian's hand. Some annotations, also in his hand, in blue ballpoint pen in the margin.
    - one sheet of machine-typed text on onionskin paper. Manuscript annotations in pencil at top right: "ne figure pas au catalogue SACEM. Manque 1 ligne demander à Ursula." ["not listed in the SACEM catalogue. Missing 1 line ask Ursula."] Other annotations notably indicating the chorus text in green felt-tip pen.
    This song, referring to the music composed and recorded by Anton Karas for Carol...
    €2,500
  27. Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Si tu m'aimais" [Quelle surprise]
    Boris VIAN

    Ensemble complet du manuscrit et du tapuscrit de la chanson de Boris Vian intitulée "Si tu m'aimais" [Quelle surprise]

    S. n.|s. l. s. d. [1958]|21.80 x 27.20 cm|deux feuilles perforées
    Complete set of Boris Vian's working manuscript and typescript, genesis of the song "Si tu m'aimais".
    - one perforated squared sheet handwritten by Boris Vian with numerous crossings-out and corrections
    - one perforated sheet typed on machine, clean copy of the manuscript.
    This love song was set to music by Spartaco Andreoli and Jacques Gallicier, but never performed.

    Si tu m'aimais
    Si c'était vrai
    Quelle surprise
    Si tu voulais
    Si tu venais
    Quelle surprise
    Si j'entendais
    Dans l'escalier
    Tes pas timides
    Tes pas rapides
    Qui se décident



    Provenance: Boris Vian Foundation.
    €1,400
  28. "Piano-bar ou Piano cocktail. Ensemble complet du manuscrit et du tapuscrit de cette chanson jamais interprétée avant 2012
    Boris VIAN

    "Piano-bar ou Piano cocktail. Ensemble complet du manuscrit et du tapuscrit de cette chanson jamais interprétée avant 2012

    S. n.|s. l. s. d. [entre 1954 et 1959]|21.20 x 27 cm|trois feuilles perforées
    Complete set of Boris Vian's working manuscript and typescript, genesis of the song "Piano-bar ou Piano cocktail".
    - two perforated white sheets handwritten in blue ballpoint pen by Boris Vian with numerous crossings-out and corrections
    - one perforated sheet typed on machine, clean copy of the manuscript.
    This song, whose title recalls the famous "Pianocktail" from L'Ecume des jours, was not performed during the author's lifetime. The hip hop fanfare NMB Brass Band only gave a version of it in 2012.

    Dans un quartier fréquenté par des gens argentés
    Où le client ne boit que du whisky cent pour cent
    Y'a un p'tit bar genre acajou...

    €2,500
  29. Esquisses originales, sur papier calque, au stylo bille et crayons noirs représentant quatre portraits de Jean Cocteau
    Carlo RIM

    Esquisses originales, sur papier calque, au stylo bille et crayons noirs représentant quatre portraits de Jean Cocteau

    s. l. s. d. [circa 1955]|16 x 25 cm|une feuille
    Original sketches in black ballpoint pen and pencil by Carlo Rim depicting four portraits of Jean Cocteau in slight profile.
    One drawing is heightened with green felt-tip pen, another with black pen; two drawings being on the recto of the tracing paper sheet, the other two on the verso.
    Pencil annotations by Carlo Rim: "Voir portrait souvenir" and twice the mention "bon".
    A small hole in the upper left corner of the tracing paper and a red felt-tip scribble at the foot of the sheet.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol...
    €100
  30. Lettre autographe datée et signée de remerciements adressée à son ami Christian Giudicelli
    William GOYEN

    Lettre autographe datée et signée de remerciements adressée à son ami Christian Giudicelli

    S. n.|s. l. 29 Janvier 1975|14 x 24.50 cm|une feuille + une enveloppe
    Rare autograph letter dated January 25, 1975 and signed by William Goyen, in French (with some errors) to Christian Giudicelli thanking him for his kindness and availability (24 lines in black ink).
    Fold marks inherent to mailing.
    Sometimes addressing him formally, sometimes informally, William Goyen warmly thanks his correspondent: "Merci de votre entretien que me plait beaucoup. C'est dommage qu'on a abrégé, mais tu peut à en user plus tard, n'est-ce pas ?" ["Thank you for your interview which pleased me very much. It's a pity that it was shortened, but you can use more of it later, can't you?"]
    William Goyen regrets not...
    €300
  31. Bariona
    Jean-Paul SARTRE

    Bariona

    S. n.|s. l. 1962|15 x 20 cm|broché
    First edition printed in 500 numbered copies of this play created for Christmas Eve 1940 by Jean-Paul Sartre for his comrades at stalag XII D in Trier.
    A small restored tear at the foot of the spine, gift inscription from a previous owner in the lower right corner of the title page.
    A rare and handsome copy.
    €600
  32. Dessin original aux feutres bleu et noir rehaussé à l'encre noire représentant Robert Lamoureux souriant
    Carlo RIM

    Dessin original aux feutres bleu et noir rehaussé à l'encre noire représentant Robert Lamoureux souriant

    s. l. s. d. [circa 1960]|16 x 25 cm|une feuille
    Original drawing in blue and black felt-tip pens and heightened with black ink by Carlo Rim representing Robert Lamoureux in profile, smiling with crossed hands.
    The drawing is captioned in pencil "Robert Lamoureux" in the upper right corner of the drawing.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  33. Photographie originale représentant Edith Piaf et Alice Rim sur un pédalo dans le port de Cassis en 1942
    (Edith PIAF)

    Photographie originale représentant Edith Piaf et Alice Rim sur un pédalo dans le port de Cassis en 1942Original photograph depicting Edith Piaf and Alice Rim on a pedalo in the port of Cassis in 1942

    S. n.|s. l. • [Cassis] 1942|13.50 x 8.50 cm|une feuille
    Original photograph depicting Édith Piaf and Alice Rim on a pedalo in the port of Cassis in 1942
    [Cassis] 1942 | 13,5 x 8,5 cm | one photograph
    Original photograph taken by Carlo Rim depicting his wife Alice sitting on a pedalo next to Edith Piaf, the latter raising her right hand to shield her face from the sun, contemporary silver print.
    Details handwritten in black felt tip by Carlo Rim on the back of the photograph: “Alice [et] Edith Piaf à Cassis 1942.” , other annotations in pencil and red pencil.


    In its newspaper Le Grenier d'Arlequin 1916-1940, Carlo Rim recounts the first Édith Piaf concert he attended: “9...
    €1,000
  34. Photographie originale représentant Edith Piaf enlacée par Norbert Glanzberg aux côtés d'Alice et Carlo Rim dans le port de Cassis en 1940
    (Edith PIAF) Norbert GLANZBERG

    Photographie originale représentant Edith Piaf enlacée par Norbert Glanzberg aux côtés d'Alice et Carlo Rim dans le port de Cassis en 1940Original photograph depicting Edith Piaf embraced by Norbert Glanzberg next to Alice and Carlo Rim in the port of Cassis in 1940

    S. n.|s. l. • [Cassis] 1940|8.50 x 13.50 cm|une feuille
    Original photograph depicting Édith Piaf embraced by Norbert Glanzberg next to Alice and Carlo Rim in the port of Cassis in 1940
    [Cassis] 1940 | 8,5 x 13,5 cm | one photograph
    Original photograph depicting Edith Piaf embraced and kissed on the neck by the composer Norbert Glanzberg, then a refugee in France, with, to their right, Alice and Carlo Rim, the latter slightly set back, the first three being perched on a low wall, contemporary silver print. While Edith Piaf and Alice Rim are all smiling, Carlo Rim is the only one to take an ironically solemn break, standing almost to attention and with his eyes closed.

    Back in France, to...
    €1,000
  35. Dessin original au styllo bille noir rehaussé au correcteur blanc représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au styllo bille noir rehaussé au correcteur blanc représentant son grand ami le poète André Salmon

    s. l. 1956|20 x 25.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", and dated and captioned in pencil "André Salmon (twice) 1956" depicting in profile and with a pipe screwed to his lips, his great friend the writer and poet André Salmon.
    The drawing was made on tracing paper and pasted onto a sheet.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  36. Dessin original à l'encre noire rehaussé au correcteur blanc représentant le poète Jules Supervielle
    Carlo RIM

    Dessin original à l'encre noire rehaussé au correcteur blanc représentant le poète Jules Supervielle

    s. l. s. d. [1945]|16 x 24 cm|une feuille
    Original ink drawing inscribed in pencil "Jules Supervielle" depicting Jules Supervielle in bust and profile with his right hand raised.
    The drawing is signed Carlo Rim in the lower right corner.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  37. "En 1954, année où le cinéma a été placé sous le signe des cuisses de Lollobrigida et des boites à lait de Martine Carol..."
    Saturnin FABRE

    "En 1954, année où le cinéma a été placé sous le signe des cuisses de Lollobrigida et des boites à lait de Martine Carol..."Humorous autograph letter dated and signed addressed to filmmaker and screenwriter Carlo Rim

    s. l. 10 Janvier 1955|21 x 27 cm|une feuille
    Humorous autograph letter dated and signed addressed to filmmaker and screenwriter Carlo Rim (17 lines in blue ink) presenting his wishes for the beginning of 1955.
    Fold marks inherent to postal handling, a small tear at the head of the letter at the fold level.
    Saturnin Fabre lavishes praise on the resistance of humor cinema embodied by Carlo Rim's achievements against the eroticization of cinema: "... in 1954, a year when cinema was placed under the sign of Lollobrigida's thighs and Martine Carol's milk boxes, you remained one of the last talented authors, a survivor of the funny ones. You stayed afloat!"
    Carlo Rim was a Provençal writer "Ma belle...
    €100
  40. Numéro spécial de la revue "Rimes et raisons" consacré à Guillaume Apollinaire
    Guillaume APOLLINAIRE, COLLECTIF

    Numéro spécial de la revue "Rimes et raisons" consacré à Guillaume Apollinaire

    Editions de la tête noire|s. l. 1946|14 x 19 cm|broché
    First edition of this issue almost entirely devoted to Guillaume Apollinaire.
    The endpaper is detached, spine and covers marginally sunned, paper yellowed.
    Two press clippings enclosed.
    Contributions by Louis de Gonzague-Frick, Roch Grey, Albert Gleizes, Jean Metzinger, Léopold Survage...
    €50
  41. Rapport sur la reprise des quatre places de la frontière du Nord qui avoient été envahies par l'ennemi, présenté à la Convention Nationale, au nom du comité de salut public, par Carnot, l'un de ses membres ; le premier Vendémiaire, l'an troisième de la République une & indivisible
    Lazare CARNOT

    Rapport sur la reprise des quatre places de la frontière du Nord qui avoient été envahies par l'ennemi, présenté à la Convention Nationale, au nom du comité de salut public, par Carnot, l'un de ses membres ; le premier Vendémiaire, l'an troisième de la République une & indivisible

    S. n.|s. l. • (Paris) s. d. [1794]|13.50 x 21 cm|broché
    First edition of this speech delivered by Lazare Carnot, the Organizer of Victory, to the assembly of the National Convention.
    A rare and handsome copy presented in its original stitched wrappers.
    €150
  42. Dessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin Fabre
    Carlo RIM

    Dessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin Fabre

    s. l. s. d. [circa 1930]|15 x 21 cm|une feuille
    Original drawing in black ink heightened with white corrector fluid captioned in pencil "Saturnin Fabre" representing the actor Saturnin Fabre in bust and profile.
    A mention "Vol II" in red felt-tip pen in the lower right margin of the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  44. Carte à jouer érotique à secret - Deux de trèfle
    ANONYME

    Carte à jouer érotique à secret - Deux de trèfle

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with a secret, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    When held to the light, the card reveals an erotic scene in transparency: a reader lying in his natural state holds up his parasol with the aid of his erect organ.
    A curiosity!
    €120
  45. Carte à jouer érotique à secret - Deux de carreau
    ANONYME

    Carte à jouer érotique à secret - Deux de carreau

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with a secret, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    When held to the light, the card reveals an erotic scene in transparency: a masked lady raises her leg high before a gentleman with spectacles who attentively examines her vulva.
    A curiosity!
    €120
  46. Carte à jouer érotique à secret - Deux de pique
    ANONYME

    Carte à jouer érotique à secret - Deux de pique

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    When held up to the light, the card reveals an erotic scene: three busty ladies pulling a priapic faun by the tail.
    A curiosity!
    €120
  47. Carte à jouer érotique à secret - Cinq de pique
    ANONYME

    Carte à jouer érotique à secret - Cinq de pique

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Secret erotic playing card, unknown manufacturer, produced in France around 1860. Pochoir-colored lithograph, blank verso.
    The card, when held to the light, reveals an erotic scene of farandole debauchery between two ladies and two gentlemen.
    A curiosity!
    €120
  48. Carte à jouer érotique à secret - Six de pique
    ANONYME

    Carte à jouer érotique à secret - Six de pique

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    The card, when held to the light, reveals an erotic scene: a close-up rear view of penetration.
    A curiosity!
    €120
  49. Carte à jouer érotique à secret - Six de coeur
    ANONYME

    Carte à jouer érotique à secret - Six de coeur

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    The card, when held to the light, reveals an erotic urolagnic scene: a fireman urinating on a lady's crotch while a complicit valet holding a basin looks on.
    A curiosity!
    €120
  50. Carte à jouer érotique à secret - Huit de coeur
    ANONYME

    Carte à jouer érotique à secret - Huit de coeur

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with stencil, blank verso.
    When held up to the light, the card reveals an oriental erotic scene in transparency: a Zouave penetrates a beautiful lady with raised legs.
    A curiosity!
    €120
  51. Carte à jouer érotique à secret - Huit de trèfle
    ANONYME

    Carte à jouer érotique à secret - Huit de trèfle

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic transformation playing card, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    The card, when held to light, reveals an erotic scene: a hooded monk frolics with a nude woman wearing two laurel crowns on her head and in her hand.
    A curiosity!
    €120
  52. Carte à jouer érotique à secret - Dix de trèfle
    ANONYME

    Carte à jouer érotique à secret - Dix de trèfle

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with a secret, unknown manufacturer, produced in France around 1860. Lithograph colored with stencil, blank verso.
    The card, when held to the light, reveals an erotic scene: a man with an erect member holds on his shoulder a woman in her natural state.
    A curiosity!
    €120
  53. Poème manuscrit signé du Chant de la paix - La ronde autour du monde dédicacé à Carlo Rim [Si tous les gars du monde]
    Paul FORT

    Poème manuscrit signé du Chant de la paix - La ronde autour du monde dédicacé à Carlo Rim [Si tous les gars du monde]Handwritten signed poem of the Chant de la paix - La ronde autour du monde dedicated to Carlo Rim

    S. n.|s. l. s. d. [circa 1930]|13.50 x 21 cm|une feuille
    Handwritten signed poem of the Chant de la paix – La ronde autour du monde dedicated to Carlo Rim
    [Si tous les gars du monde]
    [ca 1930] | 13,5 x 21 cm | one leaf
    Handwritten signed poem by Paul Fort: 13 lines in black ink, three tercets entitled “Chant de la paix – La ronde autour du monde”.

    “If all the girls of the world wanted to hold hands, all around the sea they could make a circle / If all the guys of the world wanted to be sailors, with their boats they would make a nice bridge on the water: Then we could make a circle around the world, if all the guys of the world wanted to hold hands.”
    Handwritten...
    €800
  55. Dessin original au crayon noir rehaussé au stylo bille bleu représentant Léo Larguier
    Carlo RIM

    Dessin original au crayon noir rehaussé au stylo bille bleu représentant Léo Larguier

    s. l. s. d. [circa 1940]|11.50 x 16 cm|une feuille
    Original drawing in black pencil heightened with blue ballpoint pen and white correction fluid, signed Carlo Rim in blue ballpoint pen and captioned in pencil "Léo Larguier" depicting Léo Larguier in bust and profile.
    A manuscript note in red ballpoint pen on page 18 (or 64) below the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  56. Dessin original au stylo bille bleu rehaussé au crayon noir représentant son grand ami Raimu sur son lit de mort
    Carlo RIM

    Dessin original au stylo bille bleu rehaussé au crayon noir représentant son grand ami Raimu sur son lit de mort

    s. l. 1946|27 x 21 cm|une feuille
    Original drawing signed in blue ballpoint pen heightened with black pencil signed by Carlo Rim depicting his great friend Raimu on his deathbed at the American Hospital of Neuilly-sur-Seine.
    The drawing is captioned and signed in blue ink "20 sept. 1946 Carlo Rim" and "hôpital américain" in black felt-tip pen (the last three letters having smudged).
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €200
  57. Deux dessins originaux aux feutres noirs représentant Lugné-Poe dont l'un est rehaussé au feutre rouge
    Carlo RIM

    Deux dessins originaux aux feutres noirs représentant Lugné-Poe dont l'un est rehaussé au feutre rouge

    s. l. s. d. [circa 1935]|17.50 x 21 cm|une feuille
    Two original drawings in black felt-tip pen, the second heightened with red felt-tip pen by Carlo Rim depicting the actor and theater man Lugné-Poe in profile wearing a bow tie.
    The drawings are captioned in black and red felt-tip pen Lugne-Poe, the drawing is signed Carlo Rim in black felt-tip pen.
    Two manuscript notations by Carlo Rim on the verso of the drawing "bon" and " le crâne plus plat".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  58. " Et puis aussi gratitudes pour tout le soin qu'elle a pris de Mme Gen Paul !... Laquelle ne donne aucune nouvelle... Quelle vacherie encore ?... Comme c'est amusant !"
    Louis-Ferdinand CÉLINE

    " Et puis aussi gratitudes pour tout le soin qu'elle a pris de Mme Gen Paul !... Laquelle ne donne aucune nouvelle... Quelle vacherie encore ?... Comme c'est amusant !"Signed autograph letter addressed to Master Thorvald Mikkelsen

    s. l. • [Klarskovgaard] 17 novembre 1950|21 x 34 cm|2 pages sur un feuillet
    Autograph letter signed with the initials of Louis-Ferdinand Céline addressed to his lawyer Master Thorvald Mikkelsen. Two pages written in blue ink on a large sheet of white paper; number "568" in Céline's hand in red pencil at the top left.
    Transversal folds inherent to mailing.
    This letter was very partially transcribed in Année Céline 2005.
    Early November 1950, Gaby Paul had come to visit Céline and Lucette at Klarskovgaard: "Oh, mille mercis à Mme Christensen pour son aimable repas, qui réchauffé, fit nos délices ! Et puis aussi gratitudes pour tout le soin qu'elle a pris de Mme Gen Paul !... Laquelle ne donne aucune nouvelle... Quelle vacherie...
    €1,500
  59. Lettre autographe signée à Carlo Rim à propos de démarches épistolaires à entreprendre auprès des Archives Françaises du Film (A.F.F.)
    René CLAIR

    Lettre autographe signée à Carlo Rim à propos de démarches épistolaires à entreprendre auprès des Archives Françaises du Film (A.F.F.)

    S. n.|s. l. 29 Novembre 1951|13.50 x 21 cm|une feuille
    Autograph letter signed by René Clair addressed to his friend the Provençal writer, caricaturist, screenwriter and filmmaker Carlo Rim.
    (14 lines in black ink),     fold marks inherent to being placed in an envelope.
    "29 Nov. 51
    Dear Carlo I thank you for your letter. Yes, I think it would be good for you to send a letter in the name of the A.F.F. to the Director General, a letter which could be inspired by the one signed by de Sica and by me. That would help us greatly. Thank you in advance and no less very affectionately René Clair."



    €150
  60. Dessin original à l'encre bleue et rehaussé aux crayons rouge, bleu et vert représentant Sancho Pança somnolant sur son âne Rucio
    Carlo RIM

    Dessin original à l'encre bleue et rehaussé aux crayons rouge, bleu et vert représentant Sancho Pança somnolant sur son âne Rucio

    s. l. 1964|21 x 27 cm|une feuille
    Original ink drawing in blue ink, signed in black felt pen and captioned "Carlo Rim Cuenca 1964", heightened with blue, red and green pencils by Carlo Rim depicting Sancho Panza dozing on his donkey Rucio trotting along.
    The drawing is also captioned in the lower right margin in blue ink "Sancho".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €50
  61. Dessin original au feutre noir représentant son ami le cinéaste René Clair
    Carlo RIM

    Dessin original au feutre noir représentant son ami le cinéaste René Clair

    s. l. s. d. [circa 1940]|16 x 25.50 cm|une feuille
    Original drawing in black felt-tip pen, lightly heightened with white correction fluid, captioned in black felt-tip pen "René Clair Carlo Rim" depicting in profile with his head turned to the right his friend the filmmaker René Clair, hands in his pockets.
    The drawing on tracing paper is captioned a second time in pink felt-tip pen "René Clair".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  62. Dessin original au crayon de papier rehaussé à l'encre noire représentant Jacques Audiberti
    Carlo RIM

    Dessin original au crayon de papier rehaussé à l'encre noire représentant Jacques Audiberti

    s. l. 1959|16.50 x 14 cm|une feuille
    Original pencil drawing on paper heightened with black ink, signed by Carlo Rim, depicting Jacques Audiberti in frontal view.
    The drawing, captioned twice "Audiberti 1959" (on verso in green marker), was executed on tracing paper.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as Max Jacob and André Salmon whom he met in Sanary.
    €80
  63. Laudative lettre autographe signée adressée à Carlo Rim à propos de ce qu'il a écrit sur l'affaire Stavisky
    Léo LARGUIER

    Laudative lettre autographe signée adressée à Carlo Rim à propos de ce qu'il a écrit sur l'affaire Stavisky

    S. n.|s. l. s. d. [circa 1934]|21 x 27 cm|une feuille
    Autograph letter signed by Léo Larguier addressed to Carlo Rim, 14 lines written in black ink, congratulating him on a recent newspaper article he devoted to the Stavisky affair.
    Fold marks inherent to posting, a tear in the left margin of the letter at the fold level.
    "Mon bon ami. Je viens de lire dans Vu votre article. Stavisky et je veux vous dire combien il m'a touché. C'est très fort ces raccourcis, ces ellipses cruelles, et c'est un art inouï si ce n'est pas naturel. Dans l'un ou l'autre cas, vous êtes un écrivain que j'avais deviné et je m'y connais un peu, vous savez. J'ai voulu vous le dire. Vous pouvez ficher ma lettre au feu. Hommages...
    €100
  64. Au feu
    Gaston PUEL

    Au feu

    Le dé bleu|s. l. 1987|11 x 19 cm|broché
    The first edition, of which there were no deluxe copies.
    Light foxing to margins of covers.
    Autograph inscription signed by Gaston Puel to Régine Deforges.
    €50
  65. Dessin original au feutre noir rehaussé au feutre rouge représentant Jean Renoir
    Carlo RIM

    Dessin original au feutre noir rehaussé au feutre rouge représentant Jean Renoir

    s. l. 1950)|21 x 14.50 cm|une feuille
    Original drawing in black felt-tip pen heightened with red felt-tip pen by Carlo Rim depicting filmmaker Jean Renoir in bust, head turned to the left.
    The drawing is captioned in black felt-tip pen Jean Renoir on a sheet of tracing paper folded in half.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  66. Dessin original au feutre noir rehaussé au correcteur blanc représentant Paul Claudel
    Carlo RIM

    Dessin original au feutre noir rehaussé au correcteur blanc représentant Paul Claudel

    s. l. s. d. [circa 1935]|21 x 27.50 cm|une feuille
    Original signed drawing in black felt-tip pen heightened with white correction fluid by Carlo Rim depicting Paul Claudel in bust portrait.
    The drawing monogrammed "CR" in blue felt-tip pen is captioned in red felt-tip pen "Paul Claudel".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  67. Dessin original à l'encre bleue représentant son ami Antonin Artaud
    Carlo RIM (Antonin ARTAUD)

    Dessin original à l'encre bleue représentant son ami Antonin Artaud[Original drawing in blue ink depicting his friend Antonin Artaud]

    s. l. s. d. [ca 1935]|10.50 x 10.50 cm|une feuille
    Original blue ink drawing by Carlo Rim depicting his friend Antonin Artaud in profile.
    The drawing, likely preparatory, was executed on tracing paper.
    Carlo Rim was a Provençal writer, notably the author of "Ma belle Marseille", as well as a caricaturist and filmmaker. He was a close friend of Fernandel, Raimu, and Marcel Pagnol, as well as of Max Jacob and André Salmon, whom he met in Sanary.
    €400
  68. Carte de voeux lithographiée dédicacée à Georges Raillard
    Émile GILIOLI

    Carte de voeux lithographiée dédicacée à Georges Raillard

    S. n.|s. l. 1979|10.50 x 15 cm|une feuille
    New Year's greetings card for 1979 illustrated with a lithograph by Emile Gilioli on the front cover and bearing this autograph inscription signed by the painter to his friend, art critic Georges Raillard, who is not named:
    "Merci de vos voeux l'article était très bien. Bonne année 1979. Bonne santé. Babet et Emile Gilioli." ["Thank you for your wishes, the article was very good. Happy New Year 1979. Good health. Babet and Emile Gilioli."]
    Fine copy.
    €150
  72. Deux dessins originaux au styllo bille bleu représentant Charles Laughton sur le même feuillet
    Carlo RIM

    Deux dessins originaux au styllo bille bleu représentant Charles Laughton sur le même feuillet

    s. l. s. d. [circa 1950]|20.50 x 27 cm|une feuille
    Two original drawings in blue ballpoint pen both captioned "Charles Laughton" representing in the first drawing, bust and full-length, the cinema man walking with a determined step; in the second, younger and less corpulent, the face in close-up with a cigarette on his lips.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  73. Dessin original au styllo bille bleu représentant l'acteur Fernand Trignol également spécialiste de l'argot
    Carlo RIM

    Dessin original au styllo bille bleu représentant l'acteur Fernand Trignol également spécialiste de l'argot

    s. l. s. d. [circa 1950]|20.50 x 27 cm|une feuille
    Original drawing in blue ballpoint pen signed in turquoise felt-tip and captioned in pencil "Trignol" depicting the actor Fernand Trignol standing, with a good-natured air and arms crossed.
    Fernand Trignol was also a specialist in slang to the point of being the "Langue verte" consultant for several directors such as Jacques Tourneur, Sacha Guitry in "Les mémoires d'un tricheur", Claude Autant-Lara in "Fric-Frac" and Jacques Becker in "Casque d'or".
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max...
    €60
  74. Amusant dessin original au stylo bille bleu représentant Carlo Rim passant devant une librairie
    Maximilien VOX

    Amusant dessin original au stylo bille bleu représentant Carlo Rim passant devant une librairie

    s. l. s. d. [circa 1930]|20.50 x 25 cm|une feuille
    Original drawing in black ink signed depicting Carlo Rim, in golf attire and smoking a pipe, strolling in front of a bookshop displaying Emile Ludwig's recently published work entitled "Colloqui con Mussolini", Carlo Rim saying to himself "Tiens, voilà maintenant que je sais l'italien !" ["Well, now I know Italian!"]
    In the upper right corner of the drawing, Maximilien Vox has inscribed, quoting a phrase from Nouvelles littéraires "... tous les journaux italiens consacrent des articles enthousiastes du livre de E. Ludwig "Colloqui con Mussolini" qui vient de parâtre en librairie" ["... all Italian newspapers are devoting enthusiastic...
    €150
  75. Dessin original sur papier calque et au styllo bille bleu représentant le réalisateur Marcel L'Herbier
    Carlo RIM

    Dessin original sur papier calque et au styllo bille bleu représentant le réalisateur Marcel L'Herbier

    s. l. s. d. [circa 1930]|10.50 x 21 cm|une feuille
    Original drawing on tracing paper in blue ballpoint pen captioned "Marcel L''Herbier" in pencil, depicting the filmmaker in bust portrait.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as Max Jacob and André Salmon whom he met in Sanary.
    €90
  76. Humoristique dessin original sur papier calque et au styllo bille bleu représentant Max Linder tenant une raquette de tennis à la manière d'une mandoline
    Carlo RIM

    Humoristique dessin original sur papier calque et au styllo bille bleu représentant Max Linder tenant une raquette de tennis à la manière d'une mandoline

    s. l. 1959|17 x 21.50 cm|une feuille
    Original drawing on tracing paper in blue ballpoint pen captioned "Max Linder au tennis" in pencil, depicting the actor and director Max Linder hopping about, using a tennis racket like a mandolin.
    The drawing is ruled in blue pencil and includes annotations by Carlo Rim regarding dimensions, the latter having added a piece from another sheet which he glued to the lower right margin of the drawing and which bears his name.
    Finally, a printed stamp from France-Soir appears below the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as...
    €90
  77. Dessin original au styllo bille noir représentant Léo Larguier
    Carlo RIM

    Dessin original au styllo bille noir représentant Léo Larguier

    s. l. 1950|18 x 24.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", dated and captioned in red felt-tip pen "Léo Larguier 1950" depicting Léo Larguier in bust and profile.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  78. Lettre autographe signée adressée à Marius Richard "... vous m'avez excité dans mon désir de voir Jaurès..."
    Joséphin PÉLADAN

    Lettre autographe signée adressée à Marius Richard "... vous m'avez excité dans mon désir de voir Jaurès..."

    S. n.|s. l. s. d. [circa 1900]|17.50 x 22.50 cm|une feuille
    Autograph letter signed by Joséphin Peladan addressed to Marius Richard, Carlo Rim's father (12 lines in black ink). Fold marks inherent to mailing. Tiny lacks to lower right corner of the sheet, marginal foxing.
    Interesting letter in which the occultist writer expresses his wish to meet Jean Jaurès, fervent admirer of Sâr Peladan's writings, through Marius Richard, Jean Jaurès's faithful companion.
    "Dear confrère of the soul, you have excited my desire to see Jaurès. Would you, if there is still time, obtain an appointment with him for me. In haste & will write to you one of these days. Your Péladan. 24 Rue A. de Neuville"

    €400
  79. "Mon livre paraît lundi - ne pourrais-tu pas t'en occuper à Rouen et presser les libraires de faire leurs commandes et de t'arranger pour n'en point manquer ?"
    Maurice LEBLANC

    "Mon livre paraît lundi - ne pourrais-tu pas t'en occuper à Rouen et presser les libraires de faire leurs commandes et de t'arranger pour n'en point manquer ?"Signed autograph letter

    s. l. s. d. [ca 1900]|14.70 x 18.90 cm|Une page et 1/2 sur un feuillet
    Autograph letter signed by Maurice Leblanc to an unknown recipient whom he addresses as "Mon vieux"; one and a half pages written in black ink on a sheet. Transverse folds inherent to mailing.
    The letter concerns the loan of a garment: "Je t'enverrai ce pardessus quand tu en auras besoin pour ce mariage - à moins que le temps ne change tout à fait et qu'une chaleur d'été m'oblige à mettre cet unique vêtement d'été - ce qui est peu probable. Tu me le renverras aussitôt la cérémonie finie." ["I'll send you this overcoat when you need it for this wedding - unless the weather changes completely and summer heat forces me to wear this only summer garment - which is...
    €600
  80. "Je te répèterai répondant ce que je t'ai dit pour ton style..."
    Maurice LEBLANC

    "Je te répèterai répondant ce que je t'ai dit pour ton style..."Signed autograph letter

    s. l. 5 janvier 1891|14.20 x 19.20 cm|3 pages sur un double feuillet
    Autograph letter signed by Maurice Leblanc to an unknown recipient; three pages written in black ink on a double leaf. Transverse folds inherent to posting.
    At the beginning of this year, Maurice Leblanc left the Norman coast to spend the winter in Nice: "Je me souviens un peu tard que je t'avais promis mon adresse à Nice, puisque tu ne te la rappelais pas. 18 rue Alberti, villa Marie-Louise Nice. Tu m'excuseras aussi si je ne t'ai pas envoyé mes souhaits, je travaille énormément, le temps est merveilleux, on cause autour de moi, que te dire ?" ["I remember rather late that I had promised you my address in Nice, since you couldn't recall it. 18 rue...
    €1,000
  81. Lettre autographe signée adressée à Carlo Rim : "... Je suis allé voir votre Jamet. C'est un bien gentil garçon. J'ai vu sa galerie de tableaux. Cet homme candide accomplit, avec une grande foi, une oeuvre de démolition assez féroce, dont il n'a aucunement conscience !"
    Gus BOFA

    Lettre autographe signée adressée à Carlo Rim : "... Je suis allé voir votre Jamet. C'est un bien gentil garçon. J'ai vu sa galerie de tableaux. Cet homme candide accomplit, avec une grande foi, une oeuvre de démolition assez féroce, dont il n'a aucunement conscience !"

    S. n.|s. l. s. d. [circa 1930]|20.50 x 26.50 cm|une feuille
    Autograph letter signed by Gus Bofa addressed to his friend Carlo Rim (10 lines written in black ink).
    Amusing thank-you letter for the sending of charcuterie also mentioning the painter Henri Jamet: "[...] votre dernière lettre fait bien de l'honneur à cette rosette. Je vous remercie pour elle. J'espère que vous faites provision de bon air pur en notre beau pays. Je ne vous savais pas, aussi, jurassien. En vieillissant je commence à découvrir combien il me manque d'avoir un pays natal ! [...] Je suis allé voir votre Jamet. C'est un bien gentil garçon. J'ai vu sa galerie de tableaux. Cet homme candide accomplit, avec une grande foi, une oeuvre de démolition...
    €150
  82. "... Ton livre, je te le dis tout net, était le meilleur et j'ajoute le mieux capable de "porter le prix" D'abord c'est un livre de poète servi par l'art d'un vrai romancier. J'attends sans patience le film que tu dois en tirer..."
    André SALMON

    "... Ton livre, je te le dis tout net, était le meilleur et j'ajoute le mieux capable de "porter le prix" D'abord c'est un livre de poète servi par l'art d'un vrai romancier. J'attends sans patience le film que tu dois en tirer..."Signed autograph letter addressed to Carlo Rim

    S. n.|s. l. 13 avril 1954|21 x 27 cm|une feuille
    Autograph letter signed by André Salmon addressed to his great friend Carlo Rim. 41 lines written in black ink. Fold marks inherent to being placed in an envelope, a tear in the left margin of the letter at the level of the fold.
    Fine letter in which Salmon apologizes for his silence after the publication of a work, probably Mélisande et l'automate: " Cher Carlo, tu entreprends assez, sans toujours trop d'aises, pour, je l'espère, me comprendre et me pardonner. Tu voudras bien aussi penser que ramant comme je rame, je le fais en vieux rameur. Tout ça pour t'exprimer, en quête d'excuses, ma confusion de ne pas t'avoir écrit plus...
    €200
  83. Dessin original au styllo bille noir représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au styllo bille noir représentant son grand ami le poète André Salmon

    s. l. 1969|20 x 25.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", and dated and captioned in green felt-tip pen "André Salmon Sanary 1969" depicting in bust and with his head turned to the left, his great friend the writer and poet André Salmon with his Christ-like thinness.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  84. Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe
    Carlo RIM

    Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe

    s. l. s. d. [circa 1980]|19.50 x 21 cm|une feuille
    Original drawing heightened with black, green, red and blue felt-tip pens, captioned in blue felt-tip pen "Le grenier d'Arlequin" and in red "Maquette couverture du livre" representing a harlequin seated on a stool and working at his writing table, a black and red owl at his feet.
    This cover design project for the book was not retained but strongly inspired the cover finally illustrated with a harlequin posing standing slightly leaning backwards.
    The verso of the drawing contains annotations in blue felt-tip pen and an original portrait of Georges Simenon with pipe in mouth.
    Carlo Rim was a Provençal writer, author notably of "Ma belle...
    €180
  85. Ebauche d'un dessin original au feutre noir rehaussé au feutre rouge représentant le poète de Paris Léon-Paul Fargue
    Carlo RIM

    Ebauche d'un dessin original au feutre noir rehaussé au feutre rouge représentant le poète de Paris Léon-Paul Fargue

    s. l. 1969|20 x 25.50 cm|une feuille
    Original drawing sketch in black felt-tip pen heightened with red felt-tip pen representing a bust portrait with head slightly tilted of the poet and writer Léon-Paul Fargue with a cigarette in his lips.
    Numerous indications in black and blue felt-tip pens by Carlo Rim frame the drawing : L.P. Fargue / Revoir la bouche / Plus plat le crâne / Regard chinois." et voir L.P.F. par Beucler "Dimanche avec L.P. Fargue".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  86. Dessin original à l'encre noire représentant son ami le caricaturiste, scénariste et cinéaste Carlo Rim
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Dessin original à l'encre noire représentant son ami le caricaturiste, scénariste et cinéaste Carlo Rim

    s. l. 1925|13.50 x 11 cm|une feuille
    Original drawing in black ink depicting Carlo Rim in bust, wearing a smoking jacket and bow tie, with a cigarette holder between his lips.
    A piece from another sheet has been pasted in the lower left margin of the drawing, enriched with this signed autograph inscription from H. P. Gassier: "A Rim bien amicalement HP Gassier.",     Carlo Rim having added in the right margin of the drawing in pencil: "Carlo Rim par HP Gassier 1925".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably a friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  87. Bristol autographe signé adressé à Carlo Rim
    Jean PAULHAN

    Bristol autographe signé adressé à Carlo Rim

    S. n.|s. l. s. d. [circa 1935]|11.50 x 9 cm|une feuille
    Autograph signed card from Jean Paulhan addressed to Carlo Rim (10 lines written in black ink)
    "4.VIII
    Cher Carlo Rim une cravate, je vois très bien ce qu'on peut en faire. Mais une plaque ? Je me sens très embarrassé. J'en ferai cadeau à Nîmes, à mon prochain voyage. Merci de votre souvenir, et à vous tout amicalement. Jean Paulhan."     ["Dear Carlo Rim, a tie, I can see very well what one can do with it. But a plaque? I feel quite embarrassed. I will give it as a gift in Nîmes, on my next trip. Thank you for thinking of me, and to you most cordially. Jean Paulhan."]
    Carlo Rim, author of "Ma belle Marseille", was a Provençal writer, caricaturist and...
    €100
  88. "Je vais remercier infiniment le comte Joseph Primoli de l'amabilité qu'il a mise à vous adresser à moi"
    Émile ZOLA

    "Je vais remercier infiniment le comte Joseph Primoli de l'amabilité qu'il a mise à vous adresser à moi"Signed autograph letter addressed to Ugo Ojetti

    s. l. • [Rome] [Rome] Dimanche [4 novembre 1894]|13.20 x 20.50 cm|une page sur un double feuillet et une enveloppe
    Autograph letter signed by Emile Zola addressed to Ugo Ojetti. One page written in black ink on the first page of a double sheet. Folding inherent to postal transmission. Envelope included.
    This letter was addressed by the father of naturalism to journalist Ugo Ojetti when he had just arrived in Rome: "Monsieur, je vais remercier infiniment le comte Joseph Primoli de l'amabilité qu'il a mise à vous adresser à moi, et je serai très heureux de vous recevoir, si vous voulez bien me venir voir le soir qu'il vous plaira, à six heures." ["Sir, I wish to thank Count Joseph Primoli infinitely for the kindness he has shown in directing you to me, and I shall be very...
    €1,000
  89. Brouillon autographe d'une lettre adressée au directeur de Combat à propos de l'affaire du mammouth
    André BRETON

    Brouillon autographe d'une lettre adressée au directeur de Combat à propos de l'affaire du mammouth

    s. l. • (Paris) Mercredi 6 août 1952|21 x 27 cm|une page sur un feuillet
    Autograph draft of a letter addressed to the director of Combat, written in black ink on a sheet of white paper, numerous deletions and additions; at the head of the sheet and in pink ballpoint pen in Breton's hand, the word "Combat". Transversal creases and some minute marginal tears.
    Interesting draft recounting the extraordinary affair of the mammoth drawing from the prehistoric cave of Pech Merle.
    The most telling testimony of this unlikely visit is that which Breton himself provided in one of his letters to his daughter Cécile on July 29, 1952:

    « J'ai, de plus, ici, une histoire de tous les diables. Figure-toi que, jeudi dernier, nous...

    €1,500
  90. Dessin original au feutre noir représentant Robert Lamoureux
    Carlo RIM

    Dessin original au feutre noir représentant Robert Lamoureux

    s. l. s. d. [circa 1960]|16 x 25 cm|une feuille
    Original drawing signed in black felt-tip by Carlo Rim depicting Robert Lamoureux smiling in profile.
    The drawing is captioned in pencil Robert Lamoureux.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €50
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