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n. l.

n. l.

s.l. (sans lieu) est une mention bibliographique utilisée lorsqu’aucun lieu d’édition n’est indiqué dans l’ouvrage. L’abréviation provient du latin sine loco, « sans lieu », et apparaît traditionnellement dans la description des livres anciens lorsque l’imprimeur ou l’éditeur n’a pas précisé la ville d’impression.
Cette absence peut être volontaire — pour des raisons politiques, religieuses, commerciales ou de censure — ou simplement due à une omission typographique. Dans l’histoire du livre, la mention s.l. joue ainsi un rôle important : elle signale une zone d’incertitude et invite bibliographes et historiens à identifier, par comparaison typographique ou contextuelle, l’atelier ou la région d’origine réelle de l’ouvrage.
Utilisée depuis des siècles dans les catalogues et répertoires, s.l. demeure aujourd’hui une référence essentielle dans la description bibliographique des éditions anciennes ou non localisées.
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3506 results
Sans lieu d'édition
  1. Brouillon autographe d'une lettre adressée au directeur de Combat à propos de l'affaire du mammouth
    André BRETON

    Brouillon autographe d'une lettre adressée au directeur de Combat à propos de l'affaire du mammouth

    s. l. • (Paris) Mercredi 6 août 1952|21 x 27 cm|une page sur un feuillet
    Autograph draft of a letter addressed to the director of Combat, written in black ink on a sheet of white paper, numerous deletions and additions; at the head of the sheet and in pink ballpoint pen in Breton's hand, the word "Combat". Transversal creases and some minute marginal tears.
    Interesting draft recounting the extraordinary affair of the mammoth drawing from the prehistoric cave of Pech Merle.
    The most telling testimony of this unlikely visit is that which Breton himself provided in one of his letters to his daughter Cécile on July 29, 1952:

    « J'ai, de plus, ici, une histoire de tous les diables. Figure-toi que, jeudi dernier, nous...

    €1,500
  2. Dessin original au feutre noir représentant Robert Lamoureux
    Carlo RIM

    Dessin original au feutre noir représentant Robert Lamoureux

    s. l. s. d. [circa 1960]|16 x 25 cm|une feuille
    Original drawing signed in black felt-tip by Carlo Rim depicting Robert Lamoureux smiling in profile.
    The drawing is captioned in pencil Robert Lamoureux.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €50
  3. Dessin original au feutre bleu et rehaussé aux crayons de couleurs jaune, bleu et touge représentant André Antoine
    Carlo RIM

    Dessin original au feutre bleu et rehaussé aux crayons de couleurs jaune, bleu et touge représentant André Antoine

    s. l. 1936|18.50 x 27 cm|une feuille

    Original drawing signed in blue felt-tip pen and heightened with red, blue and yellow colored pencils, by Carlo Rim depicting the theater director André Antoine, in a three-piece suit with the rosette of the Légion d'honneur pinned to his jacket. 
    The drawing is captioned in blue felt-tip pen "André Antoine".
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.

    €100
  4. Dessin original au feutre noir et rehaussé au crayon de bleu et au pastel rose représentant son ami Tristan Bernard sur son lit mortuaire
    Carlo RIM

    Dessin original au feutre noir et rehaussé au crayon de bleu et au pastel rose représentant son ami Tristan Bernard sur son lit mortuaire

    s. l. 1947|27 x 21 cm|une feuille
    Original drawing signed in black felt-tip pen and heightened with blue pencil and pink pastel, by Carlo Rim depicting his friend Tristan Bernard on his deathbed.
    A pinhole in the lower left corner of the sheet and some small marginal tears of no consequence.
    The drawing is captioned in blue felt-tip pen "Carlo Rim. Tristan Bernard 7 dec. 1947".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  5. Dessin original au feutre noir et sur papier calque représentant Jean Cocteau
    Carlo RIM

    Dessin original au feutre noir et sur papier calque représentant Jean Cocteau

    s. l. 1957|16.50 x 23 cm|une feuille
    Original drawing signed in black felt-tip pen and lightly heightened with white correction fluid by Carlo Rim depicting Jean Cocteau in profile.
    The drawing, on tracing paper mounted on a sheet of paper, is captioned in red felt-tip pen "Jean Cocteau" and in black felt-tip pen "Carlo Rim 1957".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  6. Dessin original au feutre noir et rehaussé aux feutres rouge et vert représentant Sancho Pança et Don Quichotte chevauchant Rucio et Rossinante
    Carlo RIM

    Dessin original au feutre noir et rehaussé aux feutres rouge et vert représentant Sancho Pança et Don Quichotte chevauchant Rucio et Rossinante

    s. l. 1957|21 x 27 cm|une feuille
    Original drawing signed in black felt-tip pen and extensively heightened in red and green felt-tip pens by Carlo Rim depicting Sancho Panza and Don Quixote.
    The drawing is captioned in black felt-tip pen "Carlo Rim Cuenca 1964".
    In the foreground and abundantly heightened in red and green felt-tip pens, the good-natured Sancho Panza is represented perched on his donkey Rucio; in the background, the emaciated Don Quixote appears twice in the drawing: once in profile and heightened in red, once facing forward heightened in red and green.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably...
    €80
  7. Carte de Visite dédicacée de René Clair à Carlo Rim
    René CLAIR

    Carte de Visite dédicacée de René Clair à Carlo Rim

    S. n.|s. l. s. d. [circa 1950]|10.50 x 8 cm|une feuille
    Printed visiting card of the director, theater director and writer René Clair on which he has added for the attention of his friend Carlo Rim: "Merci cher Carlo. Je t'embrasse." ["Thank you dear Carlo. I embrace you."]
    Handsome copy.
    Provenance: from the library of the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

    €60
  8. "... Vous êtes un des rares individus qui aient compris parfaitement "la dramaturgie de la radio"
    Tristan BERNARD

    "... Vous êtes un des rares individus qui aient compris parfaitement "la dramaturgie de la radio"Signed autograph letter addressed to Carlo Rim

    s. l. s. d. [circa 1942]|13.50 x 21.50 cm|une feuille
    Autograph letter signed by Tristan Bernard addressed to his friend, the Provençal writer, caricaturist and filmmaker Carlo Rim, who was notably a friend of Fernandel, Raimu and Marcel Pagnol, but also of André Salmon and Max Jacob (21 lines in black ink on Windsor Hotel letterhead in Cannes).
    Tristan Bernard lavishes praise on Carlo Rim's talents as a radio serial writer:
    "Wednesday 22nd.
    My old Carlo,
    I read with great pleasure the sketches you sent me, and I particularly appreciated the one you dedicated to me. You are one of the rare individuals who have perfectly understood 'the dramaturgy of radio'. You have managed, in writing, to give the...
    €150
  9. "Encore une fois merci pour vos invitations aux réceptions chaplinesques. Grâce à vous, Charlie avec qui j'étais un peu en froid, depuis notre désaccord sur "Verdoux", m'a accueilli à bras ouverts."
    Pierre Henri CAMI

    "Encore une fois merci pour vos invitations aux réceptions chaplinesques. Grâce à vous, Charlie avec qui j'étais un peu en froid, depuis notre désaccord sur "Verdoux", m'a accueilli à bras ouverts."Important autograph letter signed to Carlo Rim thanking him for allowing him to renew his friendship with Charlie Chaplin during his visit to France

    s. l. 9 Novembre 1952|21 x 27 cm|une feuille
    Very fine autograph letter signed by Cami addressed to his friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (41 lines in black ink from his Parisian home) evoking the joy of his fraternal friendship recovered with Charlie Chaplin thanks to him.
    Cami thanks Carlo Rim for allowing him to regain the good graces of Charlie Chaplin with whom he had quarreled after 35 years of friendship and he proposes, in the same breath, to the Marseillais filmmaker a biography project about his friend Chaplin as well as a film adaptation project of his latest published work:
    €300
  10. Lettre autographe signée de trois pages à son grand ami Carlo Rim : " la page des théâtres est en général absolument hilarante par l'incompréhension absolue de M. Martin (du Gard). Il a d'ailleurs été très gentil pour moi, mais il s'y connait autant que moi en peinture..."
    Marcel PAGNOL

    Lettre autographe signée de trois pages à son grand ami Carlo Rim : " la page des théâtres est en général absolument hilarante par l'incompréhension absolue de M. Martin (du Gard). Il a d'ailleurs été très gentil pour moi, mais il s'y connait autant que moi en peinture..."

    S. n.|s. l. s. d. [1930]|14 x 21.50 cm|trois feuilles
    Signed autograph letter of three pages by Marcel Pagnol addressed to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim, pseudonym of Jean Marius Richard, one of his oldest accomplices.
    (33 lines in blue ink on Théâtre des Variétés letterhead).
    Folding traces inherent to being placed in an envelope, a date inscribed in pencil by Carlo Rim, probably that of the receipt of this letter.
    In this very fine letter of indulgent and touching tenderness for his old friend Carlo Rim with whom he is slightly at odds, Marcel Pagnol shows less clemency for the theatrical criticisms of Roger Martin du Gard:
    "Mon cher Jean,
    Je reçois un mot de toi...
    €1,200
  11. Dessin original au stylo bille noir représentant son ami Roger Martin du Gard
    Carlo RIM

    Dessin original au stylo bille noir représentant son ami Roger Martin du Gard

    s. l. 1933|16.50 x 25 cm|une feuille
    Original drawing signed in black ink by Carlo Rim depicting his friend Roger Martin du Gard, slightly in profile with a pipe in his right hand.
    The drawing is signed with red ballpoint pen and captioned and dated in pencil "Roger Martin du Gard 1933", two spots of white gouache frame the drawing at the level of the pipe and a fold in the writer's right arm.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  12. Dessin original au crayon noir représentant son grand ami Max Jacob
    (Max JACOB) Carlo RIM

    Dessin original au crayon noir représentant son grand ami Max Jacob

    s. l. 1937|17.50 x 24 cm|une feuille
    Original drawing signed in black felt-tip pen on tracing paper by Carlo Rim depicting his great friend Max Jacob slightly in profile and sketching a discreet smile.
    The drawing on tracing paper is mounted on a sheet of paper and is monogrammed and inscribed in black felt-tip pen "Max J. 1937", Carlo Rim has inscribed in pencil "Max Jacob" at the foot of the second sheet.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  13. Dessin original au stylo bille noir représentant Lugné-Poe
    Carlo RIM

    Dessin original au stylo bille noir représentant Lugné-Poe

    s. l. s. d. [circa 1935]|12 x 21 cm|une feuille
    Original drawing in black felt-tip pen heightened with ochre and green felt-tip pens by Carlo Rim depicting the actor and theater man Lugné-Poe.
    In black felt-tip pen, Lugné-Poe's name is erroneously spelled Lugné-Poé.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  14. Dessin original au stylo bille noir représentant son ami Raimu
    Carlo RIM

    Dessin original au stylo bille noir représentant son ami Raimu

    s. l. s. d. [circa 1935]|15.50 x 24 cm|une feuille
    Original drawing in black ballpoint pen heightened with white gouache to emphasize the cheekbones, eye and eyebrows, by Carlo Rim depicting Raimu, the emblematic Marseilles actor, slightly in profile, in suit and polka-dot bow tie, posing proudly.
    The drawing bears this legend in pencil and the monogrammed signature of Carlo Rim: "Raimu" in the lower left and right margins of the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  16. Lettre autographe signée adressée à Carlo Rim le priant de trouver un rôle de figurant pour l'un de ses amis dans "Justin de Marseille"
    Pierre MAC ORLAN

    Lettre autographe signée adressée à Carlo Rim le priant de trouver un rôle de figurant pour l'un de ses amis dans "Justin de Marseille"

    s. l. s. d. [1935]|14 x 27 cm|une feuille
    Autograph letter signed by Pierre Mac Orlan addressed to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (14 lines in black ink).
    Pierre Mac Orlan asks Carlo Rim, screenwriter of Justin de Marseille, to find an extra role for one of his friends:
    "1bis rue Tardieu (18e) tel : Nord 55-38.
    Mon vieux Carlo,
    Voici avec cette lettre, un ami Pierre Marienne. C'est un chic type et un homme de valeur. Il vient de Sousse où il était universitaire. En ce moment, il a besoin de vivre. En attendant que l'horozon s'éclaircisse, peux-tu lui trouver...
    €200
  17. Lettre autographe signée
    Alphonse DAUDET

    Lettre autographe signée

    S. n.|s. l. s. d. [circa 1941]|10 x 13 cm|une feuille
    Signed autograph letter from Alphonse Daudet, 13 lines in black ink.
    Fold marks inherent to postal delivery, small ink stains that have bled below the signature.
    "My dear friend
    at the Ministry of Agriculture, bad news. The application arrived at the cabinet without any recommendation from Madame Foucade. Would it be possible for Madame l'Epine to write a line immediately     (words underlined) to the Minister, so that she flags this application - in short for illegible word, since it's only about admission to an examination - to the attention of Mr. de Boureuille Secretary-General, the Valette of the Thing? Kind regards and apologies. Alphonse...
    €350
  18. Dessin original au feutre bleu et rehaussé aux crayons de couleurs et au crayon de papier, sur papier calque, représentant son ami le compositeur Vincent Scotto
    Carlo RIM

    Dessin original au feutre bleu et rehaussé aux crayons de couleurs et au crayon de papier, sur papier calque, représentant son ami le compositeur Vincent Scotto

    s. l. 1947|10.50 x 13.50 cm|une feuille
    Original caricature, on tracing paper, dated and captioned "Scotto Nov.1947" in black felt-tip pen in upper right corner, by Carlo Rim executed in blue felt-tip pen and heightened with blue and red pencils and graphite pencil depicting his friend the composer Vincent Scotto, slightly scowling and wrapped in a scarf.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  19. Lettre autographe signée adressée à Carlo Rim
    Jean ANOUILH

    Lettre autographe signée adressée à Carlo Rim

    s. l. s. d. [circa 1960]|14 x 27 cm|une feuille
    Autograph letter signed by Jean Anouilh addressed to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (22 lines in blue ink).
    "Dear Carlo Rim,
    I am leaving Paris without having managed to telephone you. I am going to ask you a small thing that would give me great pleasure. I have an old friend, daughter of an even older friend Odette Talazac whom you knew. Georgette Talazac who is the ex-wife of Jonatte from the Opera is in trouble. She is stout, comical, shrewd (45 years old). I help her get extra work when I can (she can speak but prefers to appear several...
    €200
  20. "je n'ai pas beaucoup d'amis et me soucie peu de distribuer des volumes au hasard"
    Renée VIVIEN

    "je n'ai pas beaucoup d'amis et me soucie peu de distribuer des volumes au hasard"Signed autograph letter addressed to his publisher Edward Sansot

    s. l. • [Paris] 1908|13 x 15 cm|3 pages 1/2 sur un double feuillet
    Autograph letter signed by Renée Vivien addressed to her publisher Edward Sansot, written in black ink on a double sheet of headed paper bearing the poet's monogram and her address at 23 avenue du Bois de Boulogne. Transverse folds inherent to mailing, two tiny marginal tears without loss at the fold.
    Fascinating letter written by the Muse of the violets in the last months of her life: "J'ai reçu avec une très grande joie les volumes des Flambeaux éteints. Remerciez bien de ma part votre soeur d'avoir fait les corrections, et, je vous en prie, amenez-la moi lorsque vous reviendrez Avenue du Bois. Pour les six exemplaires de Sillages décollés...
    €900
  21. "J'ai lu le très bel "églogue" La Mort de Narcisse dont j'ai fort admiré la hautaine poésie et le large souffle dramatique."
    Renée VIVIEN

    "J'ai lu le très bel "églogue" La Mort de Narcisse dont j'ai fort admiré la hautaine poésie et le large souffle dramatique."Signed autograph letter addressed to the poet Jean-Marc Bernard

    s. l. • [Paris] s. d. [ca 1904]|11.50 x 16 cm|une page sur un double feuillet
    Handwritten signed letter addressed to the poet Jean-Marc Bernard: “I read the very beautiful “eclogue” La Mort de Narcisse whose haughty poetry and dramatic breath I admired very much.“
    [Paris ca 1904] | 11.5 x 16 cm | one page on a double leaf
    Handwritten signed letter from Renée Vivien addressed to Jean-Marc Bernard, written in violet ink on a double leaf of paper decorated at the head with a border of violets. Transverse folds from having been sent.
    “Monsieur, J'ai lu le très bel "églogue" La Mort de Narcisse dont j'ai fort admiré la hautaine poésie et le large souffle dramatique. Mes très sincères félicitations. Renée...
    €600
  22. "J'aurai le plaisir de vous présenter ma soeur et mon beau-frère, qui seront à Paris. Vous devinez quelle joie me causera leur présence !"
    Renée VIVIEN

    "J'aurai le plaisir de vous présenter ma soeur et mon beau-frère, qui seront à Paris. Vous devinez quelle joie me causera leur présence !"Signed autograph letter addressed to Marcelle Tinayre

    s. l. • [Paris] s. d. [ca. 1907-1908]|11.50 x 16 cm|2 pages 1/2 sur un double feuillet
    Autograph letter signed by Renée Vivien addressed to Marcelle Tinayre, written in black ink on a double sheet of headed paper decorated with a border of violets. Transverse creases inherent to mailing.
    Also a writer, Marcelle Tinayre was close to Renée Vivien, who entrusted her first verses to her to read. Upon Vivien's death, Tinayre paid tribute to her through several texts, notably a very beautiful tribute article published in the review Schéhérazade in 1910 entitled "Trois images de Renée Vivien".
    "Chère grande amie, Votre si bonne carte de souvenir m'a réjouie et touchée. De tout coeur un remerciement chaleureux. Malgré les inévitables petits...
    €800
  23. "Vous chantez la rose aimée de Psapphâ, qui la comparait aux vierges amoureuses de Mytilène."
    Renée VIVIEN

    "Vous chantez la rose aimée de Psapphâ, qui la comparait aux vierges amoureuses de Mytilène."Signed autograph letter addressed to a poet

    s. l. • [Paris] Le 23 juillet (ca. 1907-1908)|11.50 x 16 cm|2 pages sur un double feuillet
    Handwritten signed letter addressed to a poet: “You sing the rose loved by Psapphâ, who compared it to the loving virgins of Mitilini”
    [Paris] 23 July [ca1907-1908] | 11.5 x 16 cm | 2 pages on a double leaf
    Handwritten signed letter from Renée Vivien addressed to a poet, written in violet ink on a double leaf of paper decorated at the head with a border of violets. Transverse folds from having been sent.
    “Monsieur, Je viens à l'instant de défaire le paquet qui contenait votre délicat volume, où j'ai cueilli de rares fleurs de poésie. Vous chantez la rose aimée de Psapphâ, qui la comparait aux vierges amoureuses de Mytilène. Parmi vos poèmes...
    €800
  24. Lettre autographe signée adressée à Charles Maurras : "En feuillettant votre si intéressant volume : De l'Avenir de l'Intelligence, j'ai relu, avec un plaisir ému, les pages - trop indulgentes vraiment ! - que vous avez consacré à mes ouvrages."
    Renée VIVIEN

    Lettre autographe signée adressée à Charles Maurras : "En feuillettant votre si intéressant volume : De l'Avenir de l'Intelligence, j'ai relu, avec un plaisir ému, les pages - trop indulgentes vraiment ! - que vous avez consacré à mes ouvrages."

    s. l. • [Paris] s. d. [ca. 1906]|11.50 x 16 cm|1 page 1/2 sur un double feuillet
    Autograph letter signed by Renée Vivien addressed to Charles Maurras, written in violet ink on a double leaf of headed paper adorned with a border of violets. Transverse folds inherent to mailing, envelope included.
    Beautiful letter of thanks: "Monsieur, En feuillettant votre si intéressant volume : De l'Avenir de l'Intelligence, j'ai relu, avec un plaisir ému, les pages - trop indulgentes vraiment ! - que vous avez consacré à mes ouvrages. Merci infiniment. Et veuillez agréer mes très reconnaissants sentiments de confraternité littéraire. Renée Vivien" ["Sir, While leafing through your most interesting volume: De l'Avenir de l'Intelligence, I reread...
    €1,200
  25. Journal du Voleur
    Jean GENET

    Journal du Voleur[The Thief’s Journal]

    Aux dépens d'un ami|s. l. • (Genève) [Geneva] s. d. [circa 1949]|19.50 x 29 cm|en feuilles sous chemise et étui
    First edition reserved for subscribers only, one of 400 numbered copies on handmade Lana laid paper, the only issue along with 10 copies on Arches laid paper.
    Autograph signature of the author on the justification page.
    Handsome copy.
    €1,200
  26. Le Livre des Vivants
    Pierre BETTENCOURT

    Le Livre des Vivants

    Chez l'auteur|s. l. 1974|11 x 19 cm|broché
    First edition printed in 500 numbered copies on antique laid paper.
    Handsome copy.
    €150
  27. "Tu ne saurais croire la déception d'un courrier où tu manques."
    Victor SEGALEN

    "Tu ne saurais croire la déception d'un courrier où tu manques."Signed autograph letter addressed to Emile Mignard

    s. l. • [Tahiti] [Tahiti] 20 juin [1903]|11.40 x 17.50 cm|1 page sur un feuillet
    Autograph letter signed by Victor Segalen addressed to Emile Mignard. One page written in black ink on a leaf. Transverse fold inherent to the mailing.
    Emile Mignard (1878-1966), also a doctor and native of Brest, was one of Segalen's closest childhood friends whom he met at the Jesuit college Notre-Dame-de-Bon-Secours, in Brest. The writer maintained with this comrade an abundant and very regular correspondence in which he described with humor and intimacy his daily life to the four corners of the globe. It was at Mignard's wedding, on February 15, 1905, that Segalen met his wife, Yvonne Hébert.
    Segalen regrets not having news from his "dear little...
    €1,500
  28. Les Contrastes de la Couleur
    Ellen MARX

    Les Contrastes de la Couleur

    Dessain et Tolra|s. l. 1973|20.50 x 19.50 cm|en spirales
    First edition.
    Name of a former owner inscribed in pen at the head of the half-title page.
    Handsome copy.
    €150
  29. "Votre visite m'a fait tant de plaisir."
    Maurice BÉJART

    "Votre visite m'a fait tant de plaisir."Signed autograph postcard addressed to André-Philippe Hersin

    s. l. s. d. [ca 1970]|8.90 x 13.60 cm|une carte postale
    Autograph postcard signed by Maurice Béjart addressed to André-Philippe Hersin, written in black felt-tip pen on the verso of the photographic reproduction of a black and white photograph by H. Manuel.
    "Votre visite m'a fait tant de plaisir. Je pense à vous - Maurice" ["Your visit gave me such pleasure. I think of you - Maurice"]
    Journalist, dance critic and editor-in-chief of Les Saisons de la danse, Hersin was a great defender of Béjart's choreographic style and devoted laudatory articles to him in his magazine as well as monographic fascicles of his work.

    €180
  30. "J'aime tes jolies fleurs, elles sont charmantes, - j'ai porté une de tes roses hier au soir."
    Renée VIVIEN

    "J'aime tes jolies fleurs, elles sont charmantes, - j'ai porté une de tes roses hier au soir."Signed autograph card addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca 1900]|12.50 x 8.40 cm|une carte rédigée des deux côtés
    Autograph letter signed "Paul" and addressed to Natalie Clifford Barney, written in black ink on both sides. Silver monogram of the poetess in the upper left corner of the recto.
    "Je ne vais pas à la campagne après tout, mon Tout-Petit. Ils sont partis de si bonne heure que j'ai pu trouver un prétexte pour ne pas les accompagner dans ma fatigue et l'heure trop matinale. Quand veux-tu que je vienne te chercher ? et où irons-nous ? Je serai prête à l'heure où tu voudras. J'aime tes jolies fleurs, elles sont charmantes, - j'ai porté une de tes roses hier au soir. A tout à l'heure, mignon Tout-Petit - Paul" ["I'm not going to the countryside after all, my...
    €1,300
  31. "Méfie-toi de Lottie. Je crois t'avoir dit que la « scène de séduction » chez moi était très savamment préparée et combinée. Lottie a besoin d'argent."
    Renée VIVIEN

    "Méfie-toi de Lottie. Je crois t'avoir dit que la « scène de séduction » chez moi était très savamment préparée et combinée. Lottie a besoin d'argent."Autograph Letter to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca 1906]|11.50 x 15.90 cm|4 pages sur un double feuillet
    Autograph letter by Renée Vivien addressed to Natalie Clifford Barney and written in violet ink on a double sheet bordered with violets. Transverse folds inherent to mailing.
    Interesting letter of warning against the opportunist "Lottie": "Tout-Petit très cher, je t'envoie, te sachant insouciante autant qu'adorable (c'est tout dire) ce conseil amical : Méfie-toi de Lottie. Je crois t'avoir dit que la « scène de séduction » chez moi était très savamment préparée et combinée. Lottie a besoin d'argent. Elle en cherche avec âpreté. Elle me demande maintenant une « lettre d'introduction » pour Lugné-Poë... (et moi qui ne le connais pas !) Elle «...
    €2,500
  32. "Dis à tes cheveux que je les aime."
    Renée VIVIEN, Hélène de ZUYLEN

    "Dis à tes cheveux que je les aime."Autograph letter signed by Renée Vivien and Hélène de Zuylen addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca 1906]|11.50 x 15.90 cm|4 pages sur un double feuillet
    Autograph letter signed "Paul" from Renée Vivien addressed to Natalie Clifford Barney and written in black ink on a double sheet bordered with violets. Baroness Hélène de Zuylen has added a small manuscript message signed at the end of the letter: "Paule a raison vous êtes un être charmant et féerique !" ["Paule is right, you are a charming and fairy-like being!"] Transverse folds inherent to mailing.
    "Cher Tout-Petit, Ton domestique est venu dire que tu nous rejoindrais au théâtre. Mais il n'y a pas de théâtre ! Peux-tu dîner avec nous jeudi ou vendredi ? — Si, dans la soirée de jeudi, tu n'es libre qu'après le dîner, viens nous rejoindre à...
    €1,800
  33. "Je lirai « Séraphita » pour te retrouver un peu dans ces pages de Balzac."
    Renée VIVIEN

    "Je lirai « Séraphita » pour te retrouver un peu dans ces pages de Balzac."Signed Autograph Love Letter to Natalie Clifford Barney

    s. l. • [Londres] [London] Le 14 mars [1900]|9.90 x 15.20 cm|8 pages sur 2 doubles feuillets
    Autograph letter signed "Pauline" by Renée Vivien, written in black ink on two double sheets of letterhead paper from 24 Hyde Park Street. Transverse folds inherent to posting.
    A very beautiful and poetic letter written from London where the young Renée savors a sweet melancholy: "Today, there was no sun, a light fog, a dark and sad atmosphere. I was pleased by it, — I hate spring when you are no longer here, and the sun and soft air hurt me. I love the sadness of the sky and the moon which goes well with my thoughts." Despite a very busy schedule ("I am very tired this evening, — I return from the Alhambra, where mama took me to see the...
    €3,800
  34. "Tu veux entrer dans mon cœur ? — Mon cœur n'est qu'un miroir où tu te mires..."
    Renée VIVIEN

    "Tu veux entrer dans mon cœur ? — Mon cœur n'est qu'un miroir où tu te mires..."Signed Autograph Love Letter to Natalie Clifford Barney

    s. l. • [Londres] [London] Le 20 mars [1900]|9.90 x 15.20 cm|4 pages sur un double feuillet
    Very long autograph manuscript letter from Renée Vivien signed "Pauline" written in black ink on a double sheet of headed paper from 24 Hyde Park Street. Transverse folds inherent to posting.
    Fine love letter sent from London while Renée was with her family: "Quelle lente et lourde journée, mon tout petit ! — j'en ai tout le poids sur le cœur — Dieu, que j'ai mal, que je m'ennuie ! — Ce matin, j'avais un faible rayon d'espoir, je croyais peut-être te rejoindre bientôt, ou même tout de suite, hélas ! hélas ! hélas ! — Il est arrivé ce que je craignais, — j'ai dû rester — On se serait étonné, on aurait trouvé ça louche, si j'étais partie tout de même."...
    €3,000
  35. "Je te l'ai dit par la voix brute du télégraphe, Natalie, le moment n'est pas venu de nous revoir. "
    Renée VIVIEN

    "Je te l'ai dit par la voix brute du télégraphe, Natalie, le moment n'est pas venu de nous revoir. "Signed autograph letter addressed to Natalie Clifford Barney

    s. l. • [Paris] Le 1er avril [1902]|11.50 x 15.90 cm|7 pages 1/2 sur deux doubles feuillets
    Handwritten signed letter addressed to Natalie Clifford Barney: “I told you by the raw voice of the telegraph, Natalie, the time has not come for us to see each other again.”
    [Paris] 1st April [1902] | 11.5 x 15.9 cm | 7 pages 1/2 on two double leaves
    Handwritten letter signed “Pauline” from Renée Vivien addressed to Natalie Clifford Barney and written in black ink on two double leaves edged with violettes. Transverse folds from having been sent.
    Interesting letter mentioning Brumes de fjords and Freddy Manners-Sutton.

    “Tu te trompes en croyant retrouver dans Brumes de fjords un reflet de femme ou...
    €3,000
  36. "Les docteurs disent tous qu'il n'y a plus d'espoir."
    Renée VIVIEN

    "Les docteurs disent tous qu'il n'y a plus d'espoir."Signed autograph letter addressed to Natalie Clifford Barney

    s. l. • [Londres] [London] Le 16 octobre [1900]|11.30 x 17.50 cm|10 pages sur 2 doubles feuillets et 1 feuillet simple
    Very long autograph manuscript letter by Renée Vivien signed "Ton fervent Paul" written in black ink on two double sheets and one single sheet. Transverse creases inherent to the mailing, envelope included.
    Moving letter recounting Renée Vivien's first encounters with suffering and death. Having returned to her family in London, the Violet Muse watches over her dying cousin : "Mon pauvre cousin va de plus en plus mal. Je crains horriblement que ce ne soit la fin. Il est la plupart du temps en proie à la fièvre et au délire. Ou bien il dort d'un mauvais sommeil de prostration et de faiblesse, à la suite des piqûres de morphine. [...] Cela me fait mal de voir le...
    €3,500
  37. "Je suis en proie à un de mes accès de mélancolie noire et sauvage, - je ne peux plus voir personne."
    Renée VIVIEN

    "Je suis en proie à un de mes accès de mélancolie noire et sauvage, - je ne peux plus voir personne."Signed autograph letter addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [1er semestre 1900]|12.30 x 16.70 cm|2 pages sur un double feuillet
    Handwritten signed letter addressed to Natalie Clifford Barney: “I am in the grips of one of my bouts of black and wild melancholy, - I can no longer see anyone.”
    [Paris 1st half-year 1900] | 12.3 x 16.7 cm | 2 pages on a double leaf
    Handwritten letter from Renée Vivien signed “Paule” and written in pencil on a double leaf with a silver-coloured heart with the poet's monogram at the top of the first sheet. Transverse fold from having been sent.
    Beautiful letter of apology after a dispute with the Amazone: “Suis en proie à un de mes accès de mélancolie noire et sauvage, – je ne peux plus voir personne. Je m'en vais demain à Fontainebleau pour y...
    €2,300
  38. "Tes lettres te seront renvoyées sans être lues, - ne m'envoie pas de fleurs, elles seront refusées."
    Renée VIVIEN

    "Tes lettres te seront renvoyées sans être lues, - ne m'envoie pas de fleurs, elles seront refusées."Signed autograph letter addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [1905-1906]|11.50 x 15.90 cm|3 pages sur un double feuillet
    Autograph letter signed "Pauline" by Renée Vivien addressed to Natalie Clifford Barney and written in violet ink on a double sheet bordered with violets. Transverse creases inherent to the mailing.
    Icy and a fresh attempt at rupture or at the very least a rebuff, this letter is completely devoid of courtesy and tenderness: "Je ne suis pas pareille à toi, - j'ai de l'orgueil et de la fierté, - cet orgueil, tu l'as blessé, cette fierté tu l'as froissée, - je ne m'exposerai plus à des dégoûts de ce genre. Tes lettres te seront renvoyées sans être lues, - ne m'envoie pas de fleurs, elles seront refusées. Je vois peu de gens, dans l'horreur où je vis des êtres, j'en...
    €2,500
  39. "Tu vois bien que mes pensées te reviennent toujours."
    Renée VIVIEN

    "Tu vois bien que mes pensées te reviennent toujours."Signed autograph letter addressed to Natalie Clifford Barney

    s. l. • [Paris] 30 mars 1905|11.50 x 15.90 cm|6 pages 1/2 sur deux doubles feuillets
    Autograph letter signed "Pauline" by Renée Vivien addressed to Natalie Clifford Barney and written in violet ink on two double sheets edged with violets. Transverse folds inherent to posting.
    Very fine love letter evoking the only novel by the Violet Muse, Une femme m'apparut.
    "Comment aurais-je pu ne point songer à toi Natalie, moi qui écrivais « Une femme m'apparut » - qui l'écrivais pour la seconde fois avec mes yeux nouveaux, et devenus plus clairs - avec mon cœur plus calme et plus profond ?" ["How could I not have thought of you Natalie, I who was writing 'Une femme m'apparut' - who was writing it for the second time with my...
    €3,500
  40. Portrait photographique signé de Shimon Peres
    Shimon PERES

    Portrait photographique signé de Shimon Peres

    S. n.|s. l. s. d. [1975]|15 x 11 cm|une feuille
    Photographic portrait of Shimon Peres shown facing forward, posed in front of his library.
    Handsome copy.
    Manuscript signature of Shimon Peres, in blue ink at the foot of his portrait.
    €150
  41. "Tu es pareille à une sirène cruelle qui aurait aveuglé un esclave et qui se couronnerait étant nue, de l'indifférence de l'esclave aveugle devant sa beauté."
    Renée VIVIEN

    "Tu es pareille à une sirène cruelle qui aurait aveuglé un esclave et qui se couronnerait étant nue, de l'indifférence de l'esclave aveugle devant sa beauté."Signed Autograph Love Letter to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca. 1905]|12.50 x 16.70 cm|4 pages sur un double feuillet
    Autograph letter signed ("Pauline" and "P.M.T.") by Renée Vivien addressed to Natalie Clifford Barney and written in black ink on a double folio with silver-violet letterhead and the address 3 rue Jean-Baptiste Dumas. Transverse fold inherent to mailing.
    Very fine love and reproach letter written after the long two-year separation and probably upon return from Mytilene (Lesbos): "Est-ce vraiment pour moi que tu restes demain, Tout-Petit ? ... Qui le saura jamais ? ... Ce doute, que le passé justifie un peu, entrave mes plus hautains élans, et fait de moi la créature misérable et triste que je suis." ["Is it really for me that you stay tomorrow, Little One?...
    €2,800
  42. "Je compterai les secondes aux battements de mon coeur."
    Renée VIVIEN

    "Je compterai les secondes aux battements de mon coeur."Signed autograph card addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca 1900]|9.50 x 5.60 cm|une carte rédigée des deux côtés
    Autograph manuscript card signed "Pauline" and addressed to Natalie Clifford Barney, written in black ink on both sides.
    Two small pinholes at the top of this card which accompanied a bouquet: "Méchante d'être partie si vite ! - voici des orchidées blanches, - elles te défendront contre les doutes et les pensées tristes. Elles te protègeront et t'assureront de ma profonde et éternelle tendresse. Ne sois pas en retard ce soir. Je compterai les secondes aux battements de mon coeur. Ces fleurs, ce sont mes lèvres, mon âme et mon coeur qui vont vers toi - Toujours." ["Naughty to have left so quickly! - here are white orchids, - they will defend you against...
    €1,200
  43. "Mon si fragile bonheur, sois très prudente et ménage ta jolie santé frêle qui m'est si précieuse."
    Renée VIVIEN

    "Mon si fragile bonheur, sois très prudente et ménage ta jolie santé frêle qui m'est si précieuse."Signed autograph card addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca 1900]|9.50 x 5.60 cm|une carte rédigée des deux côtés
    Autograph manuscript card signed "Pauline" and addressed to Natalie Clifford Barney, written in black ink on both sides.
    "Repose-toi aujourd'hui, chérie. Je suis inquiète de toi et cela me rend affreusement triste. Repose-toi bien n'est-ce pas ? Mon si fragile bonheur, sois très prudente et ménage ta jolie santé frêle qui m'est si précieuse. A ce soir, mais si tu es fatiguée, envoie-moi un mot, je viendrai chez toi." ["Rest today, darling. I am worried about you and it makes me terribly sad. Rest well, won't you? My so fragile happiness, be very careful and take care of your pretty frail health which is so precious to me. Until tonight, but if you are...
    €1,200
  44. "Tout-Petit que j'aime, je t'envoie des pensées, toutes blanches. Garde-les dans ta chambre, auprès de toi, où sont mes vraies pensées, tu le sais."
    Renée VIVIEN

    "Tout-Petit que j'aime, je t'envoie des pensées, toutes blanches. Garde-les dans ta chambre, auprès de toi, où sont mes vraies pensées, tu le sais."Signed autograph letter addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca. 1900]|12.30 x 16.50 cm|1 page1/2 sur un double feuillet
    Autograph manuscript letter by Renée Vivien signed "Pauline," addressed to Natalie Clifford Barney and written in black ink on a double sheet with the poetess's silver monogram letterhead.
    A very charming letter evoking the flowers so dear to Renée ("Tout-Petit que j'aime, je t'envoie des pensées, toutes blanches. Garde-les dans ta chambre, auprès de toi, où sont mes vraies pensées, tu le sais." ["Little one I love, I send you pansies, all white. Keep them in your room, near you, where my true thoughts are, you know."]) as well as a gift from her "tout petit chéri" ["dear little one"]: "J'adore mes tablettes, tu te rappelles les...
    €2,300
  45. "Il ne faut plus souffrir pour moi, ma Douceur blonde, je t'aime, je te guérirai."
    Renée VIVIEN

    "Il ne faut plus souffrir pour moi, ma Douceur blonde, je t'aime, je te guérirai."Autograph Love Letter to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca. 1904]|11.50 x 15.90 cm|4 pages sur un double feuillet
    Autograph letter from Renée Vivien addressed to Natalie Clifford Barney and written in black ink on a double sheet bordered with a violet trim. Transverse fold inherent to mailing.
    A beautiful love letter marking the reconciliation of the Muse of Violets and the Amazon after a two-year separation: "Your letter was cruelly sweet to me, I wept reading it and something within me rejoiced despite everything to think that between us the bond was so powerful and subtle that only death could entirely untie it, if death is definitive."
    Weary and very jealous of Natalie's infidelities, Renée had made the radical decision to leave her. The Amazon had then...
    €3,000
  46. "Avril, mon doux petit Avril, chaque fois que tu t'en vas, tu emportes un peu de mon cœur, qui ne peut se détacher de toi, et te suit tristement."
    Renée VIVIEN

    "Avril, mon doux petit Avril, chaque fois que tu t'en vas, tu emportes un peu de mon cœur, qui ne peut se détacher de toi, et te suit tristement."Signed autograph letter addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca. 1900]|12.30 x 16.50 cm|4 pages sur un double feuillet
    Autograph letter signed "Pauline" by Renée Vivien, addressed to Natalie Clifford Barney and written in black ink on a double sheet with the poetess's silver monogram letterhead.
    Very beautiful and poetic love letter from the Muse of violets, languishing for her "dear white Lily": "Je n'ai pas pu te demander cet après-midi si je te verrais demain, mon doux Avril, mais tu as bien compris n'est-ce pas ? qu'il me serait aussi impossible de vivre un jour sans toi, que de me priver des lumières, du soleil ou des fleurs. [...] Avril, mon doux petit Avril, chaque fois que tu t'en vas, tu emportes un peu de mon cœur, qui ne peut se détacher de toi, et te...
    €2,500
  47. "Je t'écris ce mot dans le train, tu t'en apercevras vite en observant l'irrégularité de mon écriture."
    Renée VIVIEN

    "Je t'écris ce mot dans le train, tu t'en apercevras vite en observant l'irrégularité de mon écriture."Autograph Letter to Natalie Clifford Barney

    s. l. Vendredi soir [printemps 1900]|12.50 x 8.40 cm|6 pages sur 3 cartes
    Handwritten letter addressed to Natalie Clifford Barney: “Je t'écris ce mot dans le train, tu t'en apercevras vite en observant l'irrégularité de mon écriture.” “I write this to you on the train, you will quickly notice that by observing the irregularity of my handwriting.”
    s.l Friday evening [Spring 1900], 12.5 x 8.4 cm, 6 pages on 3 cards
    Handwritten letter from Renée Vivien, written in pencil on three blue cards with the poet's monogram. This letter has been published in “Renée Vivien et ses masques” (in A l'Encart n°2 April 1980)
    A very beautiful letter written on a train: “Je t'écris ce mot dans le train, tu t'en apercevras vite en observant l'irrégularité de mon...
    €3,000
  48. Carte d'Identité
    Colette DEBLE, Bernard NOËL

    Carte d'Identité

    Editions Unes|s. l. 1986|12.50 x 15 cm|broché
    First edition, one of 101 numbered copies on laid paper, the only issue after 23 Rives and 1 pur fil accompanied by the manuscript and original drawings.
    Work illustrated with drawings by Colette Deblé.
    Fine copy complete with its fragile illustrated cover of crystal paper.


    €80
  49. Lettre autographe signée de Jacques Chardonne : ""Arts" perd de vue une chose : un lecteur de "Arts" c'est un homme qui tourne des pages. Inutile de beaucoup se fatiguer pour lui."
    Jacques CHARDONNE

    Lettre autographe signée de Jacques Chardonne : ""Arts" perd de vue une chose : un lecteur de "Arts" c'est un homme qui tourne des pages. Inutile de beaucoup se fatiguer pour lui."

    s. l. s. d. [21 Janvier 1968]|21 x 27 cm|une feuille
    Autograph letter signed by Jacques Chardonne with his initials, 20 lines in blue ink regarding a supply error at Stock concerning François Nourissier's latest work.
    Fold inherent to mailing. A date has been added at the top of the letter (21 January 68), probably the date this missive was received by the addressee.
    Jacques Chardonne expresses surprise and indignation at the delay that Stock seems to have experienced in supplying and putting on sale François Nourissier's latest work ("Le Maître de Maison" published in 1968): "... For weeks people have been writing articles about the Nourissier... If truly a bookstore such as Stock only received the...
    €350
  50. "Je comprends que de riches provinciaux, qui se sentent en exil à Tourcoing ou Abbeville, viennent à Megève, voir du beau monde, à tous prix."
    Jacques CHARDONNE

    "Je comprends que de riches provinciaux, qui se sentent en exil à Tourcoing ou Abbeville, viennent à Megève, voir du beau monde, à tous prix."Autograph letter signed by Jacques Chardonne

    s. l. s. d. [Février 1966]|21 x 27 cm|une feuille
    Autograph letter signed by Jacques Chardonne with his initials, 14 lines in blue ink.
    Fold inherent to mailing. A date has been added at the top of the letter (February 66), probably the date this missive was received by the addressee.
    A small ink stain at the foot of the letter.
    Jacques Chardonne congratulates his correspondent on his departure for a trip to Megève even though he recommends that he disdain, as a "young king of Paris" this kind of place, just good enough to impress: "rich provincials, who feel in exile in Tourcoing or Abbeville (sic), and who come to Megève, to see high society, at any cost"...
    €350
  51. Poème d'amour autographe à Kérimé "Je cacherai ma flûte"
    Renée VIVIEN

    Poème d'amour autographe à Kérimé "Je cacherai ma flûte"Handwritten poem to Kerima

    s. l. s. d. [1907]|15.70 x 23.10 cm|1 page 1/2 sur 2 feuillets
    Handwritten poem to Kérimé « Je cacherai ma flûte »
    [1907] | 15,7 x 23,1 cm | 1 page 1/2 on 2 leaves
    Handwritten poem entitled « Je cacherai ma flûte », dedicated and offered to Kérimé («Pour le petit faune »). One and a half pages written in purple ink on two leaves edged with border of violets, in total 32 alexandrine verses.
    The poem was published under the same title in Flambeaux éteints (Edward Sansot & Cie, 1907). This first manuscript version has some variations from the printed text.
    Je m'écoute, avec des frissons ardents,
    Moi, le petit faune au regard farouche...
    L'âme des...
    €6,000
  52. Poème d'amour autographe inédit à Natalie Clifford Barney "A l'absente"
    Renée VIVIEN

    Poème d'amour autographe inédit à Natalie Clifford Barney "A l'absente"Unpublished handwritten poem to Natalie Clifford Barney

    s. l. 20 mars 1900|10 x 15.70 cm|2 pages sur un double feuillet
    Unpublished handwritten poem to Natalie Clifford Barney « à l'absente »

    20 March 1900 | 10 x 15,7 cm | 2 pages on a double leaf
    Handwritten poem entitled « à l'absente » (“To the absent one”) and addressed to Natalie Clifford Barney. Two pages written in black ink on a double leaf, headed 24 Hyde Park Street.

    To our knowledge, this three-verse, octosyllabic poem is unpublished. It is preceded, on the first section of this double leaf, by a little handwritten message: “These are the verses I have made, – I would rather say the tears which I have shed – for you. Turn the page, you will find them there, in all their...
    €4,000
  53. Lettre autographe signée adressée à Natalie Clifford Barney et enrichie d'un poème intitulé "Le Miroir"
    Renée VIVIEN

    Lettre autographe signée adressée à Natalie Clifford Barney et enrichie d'un poème intitulé "Le Miroir"Handwritten signed letter addressed to Natalie Clifford Barney and enriched with a poem entitled Le Miroir

    s. l. • [Londres] [London] 24 mars 1900|10 x 15.70 cm|6 pages sur 2 doubles feuillets
    Handwritten signed letter addressed to Natalie Clifford Barney and enriched with a poem entitled « Le Miroir »
    [London] 24 March 1900 | 10 x 15,7 cm | 6 pages on 2 double leaves
    Handwritten manuscript letter by Renée Vivien signed “Pauline” and written in black ink on a double leaf, headed 24 Hyde Park Street. This letter contains a handwritten alexandrine poem entitled “Le Miroir”; never published on the initiative of the poet, but it has been transcribed in “Renée Vivien et ses masques” (in à l'encart, April 1980):

    Je t'admire et ne suis que ton miroir fidèle
    Car je m'abîme en toi pour t'aimer un peu mieux;
    Je...
    €6,000
  55. Portrait photographique de Jacques Prévert enrichi d'un envoi autographe signé
    Izis BIDERMANAS, Jacques PRÉVERT

    Portrait photographique de Jacques Prévert enrichi d'un envoi autographe signéOriginal collage produced on an original photograph portrait of Robert Doisneau enriched with a handwritten inscription signed by Jacques Prevert

    s. l. • [Paris] s. d. [ca 1950]|23 x 27.50 cm|une photographie
    Original collage produced on an original photograph portrait of Robert Doisneau enriched with a handwritten inscription signed by Jacques Prévert
    [Paris 1955] | 18,7 x 27 cm | one photograph
    Original photograph by Robert Doisneau in contemporary silver print showing Jacques Prévert, in front of the pediment of a church, on which the poet glued an old engraving depicting a bird and which he enriched with a signed handwritten inscription to his friend Jean Mattei. Prévert also, using paint, reddened the end of his cigarette.

    Stamp of the Doisneau studio in Montrouge on the back of the picture. One central fold.

    On this...
    €2,800
  56. Aquarelle originale signée - Hippocrate "...et si, appliquant l'oreille contre la poitrine, vous écoutez longtemps"
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "...et si, appliquant l'oreille contre la poitrine, vous écoutez longtemps"

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrate “...et si, appliquant l'oreille contre la poitrine, vous écoutez longtemps” “...and if, placing the ear against the chest, you listen for a long time”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the top right of the plate, produced for the illustration of Œuvres by Hippocrates; Book II paragraph 61 (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken from the book in pencil in the lower margin of the leaf.
    A beautiful copy of this...
    €1,200
  57. Aquarelle originale signée - Hippocrate "...Vous appliquerez sur la tête des éponges trempés dans de l'eau chaude..."
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "...Vous appliquerez sur la tête des éponges trempés dans de l'eau chaude..."

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrate “...Vous appliquerez sur la tête des éponges trempés dans de l'eau chaude...” “...You will apply sponges soaked in hot water to the head..”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the top right of the plate, produced for the illustration of Œuvres by Hippocrates; Book II paragraph 22 (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken from the book in pencil in the lower margin of the leaf.
    A beautiful copy of this drawing by...
    €1,200
  58. Aquarelle originale signée - Hippocrate "La jeune femme sera couchée sur le dos ayant les pieds élevés et les jambes étendues- Puis, appliquant des éponges..."
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "La jeune femme sera couchée sur le dos ayant les pieds élevés et les jambes étendues- Puis, appliquant des éponges..."[Original signed watercolor – Hippocrates: "The young woman shall lie on her back with her feet raised and her legs extended – Then, applying sponges]

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrate “La jeune femme sera couchée sur le dos ayant les pieds élevés et les jambes étendues- Puis, appliquant des éponges...” “The young woman will be asleep on her back with her feet raised and her legs extended- Then, applying sponges...”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the bottom right of the plate, produced for the illustration of Œuvres by Hippocrates Book III paragraph 5 (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken...
    €1,200
  59. Aquarelle originale signée - Hippocrate "Aussitôt après la naissance des enfants, les femmes leur font prendre les mêmes médicaments "
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "Aussitôt après la naissance des enfants, les femmes leur font prendre les mêmes médicaments "

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrate “Ausitôt après la naissance des enfants, les femmes leur font prendre les mêmes médicaments” “As soon as children are born, women make them take the same medicines”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the top right of the plate, produced for the illustration of Œuvres by Hippocrates Book IV paragraph 54 (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken from the book in pencil in the lower margin of the leaf.
    A beautiful...
    €1,200
  60. Aquarelle originale signée - Hippocrate "...de la langue... "
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "...de la langue... "

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrates “...de la langue... ” “...of the tongue...”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the bottom right of the plate, produced for the illustration of Œuvres by Hippocrates (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken from the book in pencil in the lower margin of the leaf.
    A beautiful copy of this drawing by one of the masters of Art Deco illustration.
    €1,200
  61. Manuscrit inédit intitulé "Mémoires pour servir à l'histoire du publicanisme moderne contenant l'origine, les noms, qualités, le portrait et l'histoire abrégée de nosseigneurs les fermiers généraux du Roy qui se sont succédés depuis l'année 1720 jusqu'à la présente année 1750" [avec] "Mémoires pour servir à l'histoire du publicanisme ou l'Origine des receveurs généraux des finances du royaume"
    ANONYME

    Manuscrit inédit intitulé "Mémoires pour servir à l'histoire du publicanisme moderne contenant l'origine, les noms, qualités, le portrait et l'histoire abrégée de nosseigneurs les fermiers généraux du Roy qui se sont succédés depuis l'année 1720 jusqu'à la présente année 1750" [avec] "Mémoires pour servir à l'histoire du publicanisme ou l'Origine des receveurs généraux des finances du royaume"Manuscript entitled "Memoires pour servir a l'histoire du publicanisme moderne

    s. l. 1750|23 x 38 cm|2 manuscrits reliés en un volume
    Manuscript entitled “Mémoires pour servir à l'histoire du publicanisme moderne
    contenant l'origine, les noms, qualités, le portrait et l'histoire abrégée de nosseigneurs
    les fermiers généraux du Roy qui se sont succédés depuis l'année 1720 jusqu'à la
    présente année 1750”     [with] “Mémoires pour servir à l'histoire du publicanisme
    ou l'Origine des receveurs généraux des finances du royaume”
    1750 | folio (23 x 38 cm) | 330 pp (4 p. bl.) (8 p.) (4 p. bl.) 83 pp. | contemporary full calf
    Important and long manuscript composed of two parts written by two different hands retracing in total 160 biographies of the Fermiers...
    €15,000
  62. Erinnerungen an Emile Verhaeren
    Stefan ZWEIG, Frans MASEREEL

    Erinnerungen an Emile Verhaeren[Memories of Emile Verhaeren]

    Im Selbstverlag des Verfassers|s. l. 1927|14.50 x 23 cm|reliure de l'éditeur
    First edition printed with 440 numbered copies.
    Work illustrated with 7 wood engravings by Frans Masereel.
    Pubslisher's binding in half wove-style paper boards with small corners, top edge gilt, ex-libris glued to a paste-down endpaper.
    Rare handwritten presentation signed by Stefan Zweig to writer Max Spanier who disappeared during the hell of the Holocaust: “Im herzlicher Erkenntlichkeit” (“With sincere gratitude”).
    €3,500
  63. Aquarelle originale signée - Hippocrate "...saisissant le vase, buvait avidement..."
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "...saisissant le vase, buvait avidement..."

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrates “..saisissant le vase, buvait avidement...” “...seizing the vase, drinking avidly...”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the top left of the plate, produced for the illustration of Œuvres by Hippocrates (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken from the book in pencil in the lower margin of the leaf.
    A beautiful copy of this drawing by one of the masters of Art Deco illustration.
    €1,200
  64. Aquarelle originale signée - Hippocrate "On incise la luette avec un bistouri..."
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "On incise la luette avec un bistouri..."

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrates “On incise la luette avec un bistouri...” “We incise the uvula with a scalpel...”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the top right of the plate, produced for the illustration of Œuvres by Hippocrates (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken from the book in pencil in the lower margin of the leaf.
    A beautiful copy of this drawing by one of the masters of Art Deco illustration.
    €1,200
  65. Montage photographique original autour de Picasso
    (Pablo PICASSO) Jean-Pascal LORRIAUX

    Montage photographique original autour de Picasso

    s. l. s. d. [ca 1973]|39.40 x 29.30 cm|autre
    Original photographic montage of Picasso
    s.ls.d(ca 1973), 39.4 x 29.3 cm, other
    Unique original photographic montage produced from a large photograph showing Jean-Pascal Lorriaux in Picasso's house, there are two small photographs glued to each side showing Picasso and Lorriaux, in the lower margin there are other collages of printed paper forming the title “J-P Lorriaux chez Picasso 1881-1973” “J-P Lorriaux at Picasso's house 1881-1973”.
    Jean-Pascal Lorriaux was a passionate collector who had the idea of publishing a collection of lithographs presenting the hands of the great artists of his time. Thus Chagall, Picasso, Fautrier (of whom he was the assistant and close friend...
    €380
  66. Montage photographique original autour de Jaime Sabartés et Picasso
    (Pablo PICASSO) (Jaime SABARTÉS)

    Montage photographique original autour de Jaime Sabartés et Picasso

    s. l. s. d. [ca 1973]|39.40 x 29.30 cm|autre
    Original photographic montage of Jaime Sabartés and Picasso
    s.ls.d(ca 1973), 39.4 x 29.3 cm, other
    Unique original photographic montage produced from a large photograph showing Jean-Pascal Lorriaux and Jaime Sabartés, on the right-hand margin an original stamp is glued on which there is a portrait of Sabartés by Pablo Picasso, in the lower margin there are other collages of printed paper forming the title “Sabartés welcoming recevant J-P Lorriaux - 45 années de vie avec Picasso” “Sabartés welcoming receiving J-P Lorriaux - 45 years of life with Picasso”.
    Jean-Pascal Lorriaux was a passionate collector who had the idea of publishing a collection of lithographs presenting the...
    €500
  67. Vingt-Quatre Images à la Seconde
    Léon POIRIER

    Vingt-Quatre Images à la Seconde

    Maison Mame|s. l. 1953|13.50 x 20.50 cm|broché
    First edition.
    Iconography.
    Light dampstains to spine and board margins, handsome interior condition.
    Autograph inscription signed by Léon Poirier to Madame Charles Gaumont: "... dont le souvenir est inséparable des miens..." ["...whose memory is inseparable from my own..."]
    €70
  68. Soweto - Soleils fusillés
    Paul DAKEYO

    Soweto - Soleils fusillés

    Droit et liberté|s. l. 1977|13.50 x 21.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Fine and rare copy of this collection of anti-Apartheid poems.
    Preface by Oliver Tambo, president of the African National Congress of South Africa then in exile.
    Rare autograph inscription dated and signed by Paul Dakeyo to Madeleine Lanzais: "... à la lutte de nos peuples..." ["...to the struggle of our peoples..."]



    €300
  69. Carte postale photographique signée de Sarah Bernhardt
    Henriette-Marie-Sarah Bernhardt, dite Sarah BERNHARDT

    Carte postale photographique signée de Sarah Bernhardt

    S. n.|s. l. 1909|9 x 14 cm|une feuille verso
    Photographic postcard depicting the great tragedienne Sarah Bernhardt creating the role of Elizabeth I of England.
    Handsome copy.
    Manuscript signature of Sarah Bernhardt dated 1909 to the right of her portrait.




    €400
  70. La Souche
    Peter WESTERMEIER

    La Souche

    Aux dépens de l'auteur|s. l. 1980|24.50 x 31 cm|en feuilles sous chemise
    First edition printed in 40 numbered copies on Arches vellum, ours one of 11 to include a punched plate embedded in the chemise at the beginning of the volume.
    Chemise in full black cloth, smooth spine unlettered.
    Handsome copy.
    Work illustrated with 12 original engravings by Peter Westermeier which he has all signed and numbered.
    Manuscript signature by Peter Westermeier at the colophon.
    €400
  71. Une Vie gouachée
    Robert DAGO

    Une Vie gouachée

    S. n.|s. l. 1987|29.50 x 24 cm|reliure de l'éditeur
    First edition, one of the numbered copies, the only deluxe copies.
    Publisher's full sand cloth binding, smooth spine.
    Preface by Michel Droit.
    Work illustrated with reproductions of works by Robert Dago.
    Very handsome copy to which is added an invitation card to an exhibition of Robert Dago's works.
    Autograph inscription dated and signed by Robert Dago to a friend named Gordana enriched with an original drawing in blue felt-tip pen depicting a painter painting a canvas mounted on an easel.
    €200
  72. Résonances singulières
    Claudine LOQUEN

    Résonances singulières

    Lelivredart|s. l. 2017|42.50 x 31 cm|reliure de l'éditeur sous étui
    Edition printed in 300 copies numbered and justified by Claudine Loquen with her dry stamp, the only deluxe copies.
    Publisher's full burgundy cloth binding, smooth spine, copy complete with its slipcase and its mauve silk ties at the margins of the covers.
    Work illustrated with reproductions of works by Claudine Loquen.
    Very handsome copy.
    Preface and selected texts by Jean-Marie Le Goff
    Autograph inscription dated and signed by Jean-Marie Le Goff to a friend named Dorothée.

    €200
  73. Luginbühl. Catalogue d'exposition Zurich et Berlin 1972
    COLLECTIF

    Luginbühl. Catalogue d'exposition Zurich et Berlin 1972[Bernhard Luginbühl]

    Lelivredart|s. l. 1972|18 x 17 cm|reliure de l'éditeur et en spirales
    First edition of the catalogue of works by Bernard Luginbühl presented from March 29 to May 14, 1972 in Zurich and from June 21 to August 14 of the same year in Berlin.
    Publisher's full metal binding, smooth spine.
    Work illustrated with numerous reproductions of works by Bernard Luginbühl.
    Handsome copy despite foxing on one endpaper and on the last page.


    €80
  76. Portrait photographique signé de Henry Kissinger
    Henry Alfred KISSINGER

    Portrait photographique signé de Henry Kissinger

    S. n.|s. l. s. d. [circa 1980]|20.50 x 25.50 cm|une feuille
    Photographic portrait of Henry Alfred Kissinger shown from the front and wearing a pair of glasses.
    Handsome copy.
    Manuscript signature of Henry Alfred Kissinger in black ink at the foot of his portrait.
    €300
  77. Portrait photographique signé de George Bush
    George BUSH

    Portrait photographique signé de George Bush

    S. n.|s. l. s. d. [circa 1989]|20.50 x 25.50 cm|une feuille
    Photographic portrait of United States President George Bush shown slightly in profile and posing before the American flag in his White House office.
    Handsome copy.
    Manuscript signature of George Bush in black ink at the foot of his portrait.
    €450
  78. Portrait photographique signé de Mouammar Kadhafi
    Mouammar KADHAFI

    Portrait photographique signé de Mouammar Kadhafi

    S. n.|s. l. s. d. [circa 1980]|16 x 21.50 cm|une feuille
    Photographic portrait mounted on rigid cardboard of the Libyan leader Muammar Gaddafi seated in an armchair and smiling at the camera.
    Handsome copy.
    Manuscript signature of Muammar Gaddafi in red felt-tip pen on his portrait.
    €1,000
  79. Bristol de S.A.S. la Princesse de Monaco signé de Grace Kelly
    Grace, Princesse de Monaco KELLY

    Bristol de S.A.S. la Princesse de Monaco signé de Grace KellySigned bristol of Grace Kelly, Princess of Monaco

    S. n.|s. l. s. d. [circa 1980]|13.50 x 9 cm|une feuille
    Signed bristol of Grace Kelly, Princess of Monaco
    [ca 1980] | 13,5 x 9 cm | one card
    Specimen visiting card with the signature of Her Serene Highness Princess of Monaco Grace Kelly.
    Pleasant copy, stamp printed “specimen” on the verso of the visiting card.
    Handwritten signature of Grace Kelly in blue felt pen.
    €1,500
  80. Portrait photographique signé de Kurt Waldheim
    Kurt WALDHEIM

    Portrait photographique signé de Kurt Waldheim

    S. n.|s. l. s. d. [circa 1985]|8.50 x 14.50 cm|une feuille
    Photographic portrait of Kurt Waldheim slightly in profile.
    Handsome copy.
    Manuscript signature of Kurt Waldheim below his portrait.
    €70
  81. Portrait photographique signé de Shimon Peres
    Shimon PERES

    Portrait photographique signé de Shimon Peres

    S. n.|s. l. s. d. [1975]|15 x 11 cm|une feuille
    Photographic portrait of Shimon Peres shown from the front, his head slightly tilted to his left.
    Handsome copy.
    Manuscript signature by Shimon Peres, in blue ink.
    €150
  82. Portrait photographique signé d'Helmut Kohl
    Helmut KOHL

    Portrait photographique signé d'Helmut Kohl

    S. n.|s. l. s. d. [circa 1990]|10.50 x 15 cm|une feuille
    Photographic portrait of Helmut Kohl shown facing forward and wearing a pair of glasses.
    Handsome copy.
    Manuscript signature by Helmut Kohl in black ink at the foot of his portrait.
    €150
  83. Portrait photographique dédicacé de Léopold Sédar Senghor
    Léopold Sédar SENGHOR

    Portrait photographique dédicacé de Léopold Sédar Senghor

    S. n.|s. l. s. d. [circa 1990]|13.50 x 22 cm|une feuille
    Photographic portrait of Léopold Sédar Senghor shown slightly in profile and wearing a pair of glasses.
    Handsome copy.
    Autograph inscription signed by Léopold Sédar Senghor, in blue ink on the verso of the photograph, to (Frédéric) Brion and his wife.
    €200
  84. Carte de visite signée de Margaret Thatcher
    Margaret THATCHER

    Carte de visite signée de Margaret Thatcher

    S. n.|s. l. s. d. [circa 1985]|10.50 x 9 cm|une feuille
    Signed visiting card from Margaret Thatcher when she was Prime Minister of Great Britain (position she held from 1979 to 1990) at 10 Downing Street address.
    Handsome copy.
    Manuscript signature of Margaret Thatcher in blue ink.
    €500
  85. Lettre autographe signée adressée à Francisque Sarcey
    Émile GOUDEAU

    Lettre autographe signée adressée à Francisque Sarcey

    s. l. s. d. [circa 1890]|11 x 17.50 cm|une feuille
    Autograph letter signed by Emile Goudeau addressed to his dear master (Francisque Sarcey, 16 lines in black ink) thanking him for his last letter which he reads with some delay and for his support in granting an award which he has just been honored with: "l'envoi de la lettre écrite par un Labadens exaspéré. Ce camarade (?) m'a fait passer un bon quart d'heure. Enfin cet infortuné lauréat ne me pardonne peut-être pas, d'être, lui tombé dans les hypothèques." ["the sending of the letter written by an exasperated Labadens. This comrade (?) made me spend a difficult quarter of an hour. Finally this unfortunate laureate perhaps does not forgive me for having fallen into...
    €200
  86. Carte postale photographique signée d'Elvire Popesco
    Elvire POPESCO

    Carte postale photographique signée d'Elvire Popesco

    S. n.|s. l. 1935|9.50 x 13.50 cm|une feuille verso
    Photographic postcard depicting the actress and tragedienne Elvire Popesco.
    Three small spots of no significance in the margins of the photograph.
    Manuscript signature of Elvire Popesco below her portrait.




    €50
  87. "Je vous recommande le Chardonne. Il m'a surpris par sa constance, dans une certaine voie."
    Jacques CHARDONNE

    "Je vous recommande le Chardonne. Il m'a surpris par sa constance, dans une certaine voie."Autograph letter signed by Jacques Chardonne

    s. l. s. d. [1966]|21 x 27 cm|une feuille
    Autograph letter from Jacques Chardonne signed with his initials, 14 lines in blue ink.
    Fold inherent to postal handling. A date has been added at the top of the letter (Jan. 66), probably the date of receipt of this missive by the recipient.
    Minor spotting at the foot of the letter not affecting the text.
    Addressing an unidentified recipient, Jacques Chardonne invites his correspondent to obtain Christine Garnier's work "L'homme et son personnage" published by Grasset in 1955: "... Tachez de trouver ce livre, emportez-le, et gardez-le. Il peut vous être utile, plus tard, quand il y aura la nuit derrière vous." ["Try to find this...
    €350
  88. Ordonnance autographe signée
    Guillaume DUPUYTREN

    Ordonnance autographe signée

    s. l. • (Paris) 13 juin 1833|17.30 x 22.30 cm|une page sur un feuillet
    Autograph prescription signed by Dupuytren, written in black ink on the recto of a sheet of white paper.
    Fold marks inherent to postal transmission.
    Prescription recommending "absolute bed rest, every fortnight a moxa around the sick knee. These moxas must be the width of a 3-franc coin. They must not be maintained but left to themselves and be replaced by others as they dry out. A full bath in hot salted water, every 3 or 4 days for one hour's duration. Habitation in airy dry places exposed to the south."
    Moxibustion, an ancient method of Chinese and Japanese medicine, consists of warming - using moxas (from Japanese mogusa, a variety of mugwort) -...
    €750
  89. Ensemble de six négatifs photographiques visualisant des hémorragies au microscope
    Alfred L. COPLEY

    Ensemble de six négatifs photographiques visualisant des hémorragies au microscope

    S. n.|s. l. • (Paris) s. d. [ca 1950]|11 x 8.50 cm|5 négatifs en plastique & 1 en verre
    [NEW YORK SCHOOL] Alfred L. COPLEY

    Collection of six photographic negatives showing haemorrhages under a microscope
    [Paris ca 1950] | 11 x 8.5 cm | 5 plastic negatives & 1 glass
    Collection of six photographic negatives (5 on plastic and 1 on glass) showing haemorrhages under a microscope made in the 1950s by Alfred L. Copley in his Parisian laboratory. Each negative, except one, is accompanied by a technical sheet on Copley's laboratory letterhead.

    Under the pseudonym L. Acopley, this scientist and artist from the School of New York produced emblematic works of abstract expressionism. A doctor by training, he was particularly...
    €600
  90. Ensemble de six photographies originales figurant l'intérieur de la villa Pax à Boulouris
    Antoine BANDIERI (Jenny MEURLOT)

    Ensemble de six photographies originales figurant l'intérieur de la villa Pax à Boulouris Collection of six original photographs showing the interior of the Pax Villa in Boulouris-sur-Mer owned by Jenny Meurlot

    S. n.|s. l. • [Boulouris] [Saint-Raphaël] s. d. [ca 1920-1930]|12 x 17 cm|6 photographies montées sur carton
    Collection of six original photographs showing the interior of the Pax Villa in Boulouris-sur-Mer owned by Jenny Meurlot
    [Boulouris ca 1920-30] | 12 x 17 cm & 16,5 x 22,5 cm |6 photographs mounted on card
    Collection of six original photographs, contemporary silver print. All the photographs are mounted on strong boards and show the interior of the Pax Villa in Boulouris-sur-Mer owned by Jenny Meurlot, who also appears on two of them. Some of the photographs are discreetly side-stitched in the margin. Four of the photographs show, on the lower right margin, the engraved signature of the Raphaël studio A. Bandieri.

    Jenny (Eugénie) Meurlot was a pupil of...
    €1,200
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