Les batailles révolutionnaires de l'Allemagne en 1919
Spine and boards marginally sunned and soiled, handsome interior condition.
Rare.

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First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who
"Y a des bals pour les pompiers / Et les joyeux militaires. /
Comme devant une place / Pleine de gens et de bruit / Je reste figé sur place / Arrêté devant ma vie
Ce que j'aime dans la romance / C'est l'moment où ça commence / Le moment où je la vois / Toute neuve devant moi
["What I love about romance / Is the moment when it begins / The moment when I see it / All new before me"]First edition. This pamphlet contains no editorial information, an understandable absence in these times of repression.
Modern Bradel cardboard binding. Smooth spine with a long burgundy shagreen title-label. lacks to head. Joints rubbed. The cardboard is covered with a reproduction of a naive engraving in the style of chapbook editions, with a caption: Louis XVIII Le Désiré, King of France and Navarre, praying for his brother.
Bookplate, circa 1920 with the letter R on a floral background. A facsimile of the account of the king's death referenced in the text has been pasted onto the endpapers.
Testimony on the events that preceded Louis XVI's execution, his co
Edition printed in 50 numbered and justified copies on Arches paper by Bonaventure Fieullien, ours printed for André Bocquetin with his bookplate pasted on a guard.
Pleasant copy.
This calligraphed album, engraved and printed on his hand presses by Bonaventure Fieullien (Franciscan monk who studied at the Academy of Brussels under the direction of the Belgian painter Oswald Poreau and who worked in sculpture, stained glass and painting, but who was especially recognized for his remarkable and spectacular illustrated books with amazing idiosyncratic lettering) was illuminated by Madeleine Smets-Lefrancq.
Signatures of Bonaventure Fieullien