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The religions of the BookThe religions of the Book
The religions of the Book

Much like the papal procession that ends at Saint-Michel, named for the archangel shared by the three religions of the Book, we offer you a heavenly Abrahamic selection. It would take the very devil to keep you from finding your numinous bliss here...

Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

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Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
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Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

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s.l. (sans lieu) est une mention bibliographique utilisée lorsqu’aucun lieu d’édition n’est indiqué dans l’ouvrage. L’abréviation provient du latin sine loco, « sans lieu », et apparaît traditionnellement dans la description des livres anciens lorsque l’imprimeur ou l’éditeur n’a pas précisé la ville d’impression.
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Sans lieu d'édition
  1. Medailles du regne de Louis XVMedailles du regne de Louis XV
    Nicolas GODONNESCHE, G. R. FLEURIMONT

    Medailles du regne de Louis XV

    S. n.|s. l. • [Paris] 1736|24.50 x 33 cm|relié
    First edition illustrated with a frontispiece by Le Moine and engraved by Cars, an engraved title, an engraved epistle and 54 plates of medals (one medal per plate). The medals are at the center of engraved frames, different for each plate. All plates are numbered. A second edition will appear in 1745 with 65 plates, and a third in 1749 with 78 plates. Cohen only cites this last edition, the 1736 edition being much rarer than the following ones.
    Contemporary full glazed and marbled brown calf binding. Richly decorated spine with raised bands. Red morocco title label. Head cap torn off. Last tail compartment missing. Upper joint split and open. Corners very bumped and worn. Overall...
    €700
  2. Quinze jours avec la mort - Manuscrit autographe complet signé et enrichi de dessins en couleurs in-texte d'Henri Béraud  Quinze jours avec la mort - Manuscrit autographe complet signé et enrichi de dessins en couleurs in-texte d'Henri Béraud
    Henri BÉRAUD

    Quinze jours avec la mort - Manuscrit autographe complet signé et enrichi de dessins en couleurs in-texte d'Henri Béraud [Fifteen Days with Death – Complete Autograph Manuscript Signed and Enriched with In-text Colour Drawings by Henri Béraud]

    S. n.|s. l. 1946 - Pâques 1948|13.50 x 21 cm|203 feuillets sous chemise et étui
    Full autograph manuscript, signed, written in black and red markers for the title page and in blue ink for the text.

    Our manuscript is presented under shirt and case in full gray canvas made for Henri Béraud, label of title glued at the top of the shirt.
    Back and flat of the case and the shirt insolated and having foxinges.

    Complete manuscript in 204 sheets, 203 of which are foliaged and the title page signed with the author's initials and dated 1946, in 12-inch format, single-sided and enriched with in-text color drawings and initials of the author.

    Provenance: Henri Béraud's library.
    €5,000
  3. La plage sans nomLa plage sans nom
    Albert WODA, Luis MIZÓN

    La plage sans nom

    Editions de l'eau|s. l. 2018|20 x 25 cm|en feuilles
    First edition illustrated with 1 black and 2 original dry tips by Albert Woda and printed with 22 numbered copies on paper Hahnemühle, ours one of the 2 out of trade.
    Beautiful and rare copy.
    Handwritten signatures of Luis Mizon and Albert Woda at the colophon.
    €450
  4. Mon mari était pâtissierMon mari était pâtissier
    Josée LAPEYRÈRE, Jean-Jacques CECARELLI

    Mon mari était pâtissier

    L'attentive|s. l. 2001|17.50 x 22.50 cm|en feuilles sous étui
    First edition handwritten and printed 15 copies numbered on vellum and illustrated with 3 vignettes and images of Jean-Jacques Ceccarelli.
    Nice copy.
    Signatures of Josée Lapeyrère and Jean-Jacques Ceccarelli at the colophon.
    €200
  5. Photographie dédicacée de John Mills
    John MILLS

    Photographie dédicacée de John Mills

    S. n.|s. l. 1930|8 x 13.50 cm|une feuille
    Photograph of Maurice Chevalier standing with his hands in the pockets of his jacket.
    Autograph tribute signed by Maurice Chevalier.
    €80
  6. Lettre autographe signée d'Edouard Drumont "Rions un peu ! Cela distrait"Lettre autographe signée d'Edouard Drumont "Rions un peu ! Cela distrait"
    Édouard DRUMONT

    Lettre autographe signée d'Edouard Drumont "Rions un peu ! Cela distrait"

    s. l. 3 avril 1891|10 x 13 cm|un feuillet remplié
    Autograph letter signed by Edouard Drumont, dated April 3, 1891, 40 lines in black ink on headed paper bearing the address "157, rue de l'Université"
    Fold inherent to postal sending.
    Challenged because of his radical anti-Semitic positions, Drumont addresses to an abbot a singular letter on the question of dueling: "I understand everything a priest must think about dueling and I agree with you but it is a necessity in certain cases" Far from renouncing his opinions, ("All the Jews in the world send me challenges"), the author defends himself by adopting a sarcastic position regarding dueling: "The best way to avoid them is...
    €600
  7. Mesure à cinq temps, de la Libération à la victoireMesure à cinq temps, de la Libération à la victoire
    Claude AVELINE

    Mesure à cinq temps, de la Libération à la victoire

    S. n.|s. l. 1948|14.50 x 15.50 cm|broché
    First edition, one of 1000 numbered copies on Gothic laid, single draw with 30 Holland paper.
    Humorous autograph signed by Claude Aveline to Mr. Orland Saint Guirec
    €70
  8. Lettre autographe signée de Gus BofaLettre autographe signée de Gus Bofa
    Gus BOFA

    Lettre autographe signée de Gus Bofa

    s. l. s. d.|18 x 21.50 cm|un feuillet
    Signed autograph letter of Gus Bofa to one of his acquaintances, 16 lines in purple ink accompanied by a pencil drawing.
    Folding inherent in the enveloping, tear without lack in the drawing.
    Addressed to a friend of Gus Bofa and his wife, who seems to have suffered " a long journey in the storm! "The letter is imbued with the humor of its author:" we add two good warm kisses to finish drying you off ". The missive is enriched with an original drawing of Gus Bofa representing two birds on a radiator, one of which is written "Spring has come! "
    €800
  9. Carte autographe signée à Jean Jullien "nous pleurions dans cette avant-scène à faire pitié"Carte autographe signée à Jean Jullien "nous pleurions dans cette avant-scène à faire pitié"
    Alphonse DAUDET

    Carte autographe signée à Jean Jullien "nous pleurions dans cette avant-scène à faire pitié"

    s. l. s. d.|10 x 6 cm|une carte
    Signed autograph card of Alphonse Daudet, 7 lines in black ink, erasure of the hand of the author.
    Letter of praise addressed to Jean Jullien, playwright precursor of the theatrical revolutions of the twentieth century, about one of his pieces which Daudet emphasizes the naturalistic aesthetic: " what admirable acts of a moving and wide poetry of observation " .
    €680
  10. Correspondance complèteCorrespondance complète
    Maurice ROCHE, Philippe SOLLERS

    Correspondance complète

    Editions Unes|s. l. 1986|11.50 x 15 cm|en feuilles
    First edition of this pamphlet, one of 33 numbered copies on pure rag paper from the Larroque mill, ours being one of the hors commerce copies distributed to friends of Editions Unes.
    This so-called "correspondence" is actually a poetic exchange of savory aphorisms facetiously attributed to various exotic traditions.
    The half-title includes a whimsical volume statement: Correspondance complète (I). A second volume obviously never appeared.
    Handsome copy.

    Cher Roche,
    « Si la pierre tombe sur l'œuf,
    malheur à l'œuf,
    Si l'œuf tombe sur la pierre,
    malheur à l'œuf. »
    (Proverbe bulgare) ["If the stone falls on the egg, woe to the egg, If the...
    €150
  11. Les cendres d'ErosLes cendres d'Eros
    Christian DEGAINE, Marc LE BOT

    Les cendres d'Eros

    Pierre Chaive|s. l. 1993|18 x 23 cm|broché sous étui
    First edition illustrated with 120 erotic Chinese ink drawings by Christian Degaine, one of 102 numbered copies on Centaure ivory paper, the only deluxe copies.
    Handsome copy.
    Our copy unfortunately lacks the original drawing under glass that accompanies all copies of the deluxe edition.
    €150
  12. Le discours des yeuxLe discours des yeux
    ADO, Jean TORTEL

    Le discours des yeux

    Ryôan-ji|s. l. 1982|15.50 x 21.50 cm|broché sous chemise et étui
    First edition, one of 45 numbered copies on laid Arches paper, head print.
    Rare.
    Beautiful complete copy of his shirt and his case in full brown canvas.
    Our copy is complete, as it is stipulated in the justification of the draw, the 3 original screenprints, presented under a separate shirt, Ado he signed.
    Signed autograph dedication of Jean Tortel, on the page of fake title, to Huguette and Marc Le Bot: "... in memory of a first meeting over a garden ..."
    €400
  13. La conversation interrompueLa conversation interrompue
    Laurent DEBUT, Patrick MEUNIER

    La conversation interrompue

    Brandes|s. l. 1977|9.50 x 19 cm|une feuille rempliée
    First edition, one of 120 numbered copies on laid numbered and signed by Laurent Debut and Patrick Meunier , head print.
    Screenprinted work by Patrick Meunier.
    Nice copy.
    €150
  14. Lettre autographe signée « c'est l'invasion hollando-belge venue pour l'exposition [...] Je cours à la recherche de chambres d'hôtels pour ces barbares aux toisons jaunes »Lettre autographe signée « c'est l'invasion hollando-belge venue pour l'exposition [...] Je cours à la recherche de chambres d'hôtels pour ces barbares aux toisons jaunes »
    Joris-Karl HUYSMANS

    Lettre autographe signée « c'est l'invasion hollando-belge venue pour l'exposition [...] Je cours à la recherche de chambres d'hôtels pour ces barbares aux toisons jaunes »

    s. l. • [Paris] n.d. [14 mai 1878]|9.80 x 13.40 cm|un feuillet remplié
    Autograph letter signed by Joris-Karl Huysmans addressed to Léon Cladel, 40 lines written in black ink on 4 pages on a folded sheet, envelope included.
    A 2cm tear without loss inherent to the fold of the sheet.
    In this caustic letter, entirely imbued with Huysmanian poetic writing, the author regrets that Dutch-Belgian visitors to the Universal Exhibition keep him away from the Sèvres landscapes where Léon Cladel lives.
    « Je sors de chez Leconte de Lisle, il a reçu votre livre couleur de sang » ["I have just left Leconte de Lisle's, he received your blood-colored book"]. The importance of Léon Cladel's work and personality, esteemed friend of...
    €1,350
  15. Reflexion sur l'edit touchant la reformation des monasteresReflexion sur l'edit touchant la reformation des monasteres
    Roland LE VAYER DE BOUTIGNY

    Reflexion sur l'edit touchant la reformation des monasteres

    S. n.|s. l. 1667|7.50 x 13.20 cm|relié
    First edition, very rare.
    Contemporary limp vellum binding. Smooth unlettered spine.
    The author studies the various propositions of the king's edict concerning monasteries, especially what concerns the raising of the age for entering monasteries. If the work appears at first glance as a critique, it proves to be a defense of the edict, the author demonstrating and arguing, notably by recourse to history, the well-founded nature of the reforms, particularly regarding the question of priestly marriage.
    €250
  16. Lettre autographe signée de Louis-Ferdinand Céline à Henri Mahé "Le martyr, c'est le crachat des imbéciles"Lettre autographe signée de Louis-Ferdinand Céline à Henri Mahé "Le martyr, c'est le crachat des imbéciles"
    Louis-Ferdinand CÉLINE

    Lettre autographe signée de Louis-Ferdinand Céline à Henri Mahé "Le martyr, c'est le crachat des imbéciles"

    s. l. • [Copenhague] [Copenhagen] 23 avril [1947]|22.50 x 28.40 cm|6 pp. in-folio
    Signed autograph letter of Céline to Henri Mahé and his wife, dated April 23 [1947] in Copenhagen, lines in black ink on three sheets of lined paper.
    €3,800
  17. Ecritures de terreEcritures de terre
    Thérèse VIAN-MANTOVANI, Jacques LACARRIÈRE

    Ecritures de terre

    S. n.|s. l. 1997|22 x 21.50 cm|en feuilles
    First edition printed in a numbered edition of 180 copies on Larroque et Pombié paper.
    Rare and handsome copy retaining publisher's wraparound band.
    Work illustrated with 10 original photographs by Thérèse Vian-Mantovani.
    Manuscript signatures on the justification page by Jacques Lacarrière and Thérèse Vian-Mantovani.
    €150
  18. Stanze di cultura sopra gli horti de le donne, stampate nuovamente. Et historiate [avec] Stanze in lode della mentaStanze di cultura sopra gli horti de le donne, stampate nuovamente. Et historiate [avec] Stanze in lode della menta
    Luigi TANSILLO

    Stanze di cultura sopra gli horti de le donne, stampate nuovamente. Et historiate [avec] Stanze in lode della mentaStanze di cultura sopra gli horti de le donne, newly printed and illustrated [with] Stanze in praise of mint

    s. l. • [Venise] [Venice] 1537|14.60 x 9.20 cm|2 textes reliés en 1 volume

    Rare edition of this bawdy tale, complete in two parts published separately. It is illustrated with four wood-engraved vignettes, borrowed from Decameron of Boccace (Venice, 1531) and ingeniously twisted to suit their context. This edition is the first text of the author and is unique in that it has not been corrected. The book will be translated in French only in 1792.
    Modern binding in full red morocco, the spine in five compartments, gilt date and title, golden fillets surround the cover, the endpaper and pastedown of vellum.
    Provenance: Library of Gianni de Marco with its book plate and itsseal.
    No copies in an American Library, one in the British...

    €9,000
  19. Lettre autographe signée de Roland Barthes à René WintzenLettre autographe signée de Roland Barthes à René Wintzen
    Roland BARTHES

    Lettre autographe signée de Roland Barthes à René Wintzen

    s. l. 21 mai 1957|13.30 x 20.90 cm|une page sur une feuille
    Autograph letter signed by Roland Barthes in Wintgen, written in black ink.
    Date at the top of the letter and signature at the bottom of the letter.
    Central fold caused by mailing.

    Roland Barthes sends this letter to warn his addressee that he will not be able to come to a meeting of authors in Germany. He writes that he must absolutely be in Switzerland on the same date.
    €500
  20. Lettre autographe signée de Roland Barthes à René WintzenLettre autographe signée de Roland Barthes à René Wintzen
    Roland BARTHES

    Lettre autographe signée de Roland Barthes à René Wintzen

    s. l. 11 mai 1956|21 x 27 cm|2 pages sur un feuillet
    Autograph letter signed Roland Barthes, written in black ink.
    Date at the top of the letter and signature at the bottom of the letter.
    Folds caused by mailing.
    One erasure and two additions from the author's hand.
    Roland Barthes sends this letter to warn his addressee that he will not send him the article he had announced on realism because what he wrote does not satisfy him: "I can not decide to give you this text on realism and I just ask you to give it up: it does not satisfy me enough " . He then proposes a theme of reflection for the journal of his correspondent which would be the study of the stakes of...
    €650
  21. Lettre autographe signée de Roland Barthes à René WintzenLettre autographe signée de Roland Barthes à René Wintzen
    Roland BARTHES

    Lettre autographe signée de Roland Barthes à René Wintzen

    s. l. 2 juin 1956|21 x 27.10 cm|2 pages sur un feuillet
    Autograph letter signed by Roland Barthes, written in blue ink.
    Date at the top of the letter and signature at the bottom of the letter.
    Folds caused by mailing.
    Roland Barthes sends this letter to his correspondent to warn him that he has decided to give "three pages of his intervention" to Hollerer (founder of the German magazine Akzente ), and that following his refusal of an article addressed to the addressee he afraid that it will upset him. He explains in the letter saying that these pages are not really developed but also that it "dreads the German audience less".

    1956 is the year of the writing of the...
    €600
  22. Carte autographe signée de Roland Barthes à René WintzenCarte autographe signée de Roland Barthes à René Wintzen
    Roland BARTHES

    Carte autographe signée de Roland Barthes à René Wintzen

    s. l. 19 janvier 1955|13.50 x 10.50 cm|une carte recto verso
    Autograph letter signed Roland Barthes, written in black ink.
    Date at the top of the letter and signature at the bottom of the letter.
    Folds caused by mailing and 2 perforations.

    Roland Barthes sends this letter to thank his correspondent who sent him a signed book. He also thanks him for the meetings of writers he was able to do thanks to him and who countered the "skepticism that we always have on the threshold of these talkies of writers". He writes his support for the upcoming efforts.
    1955 is the year in which Barthes begins the writing of Mythologies which appear at Seuil in 1957.
    €400
  23. Carte autographe signée de Roland Barthes à René WintzenCarte autographe signée de Roland Barthes à René Wintzen
    Roland BARTHES

    Carte autographe signée de Roland Barthes à René Wintzen

    s. l. Mercredi (n.d. circa 1956)|13.40 x 10.50 cm|une carte recto verso
    Signed autograph card of Roland Barthes, written in blue ink.
    Date at the top of the letter and signature at the bottom of the letter.
    Folds caused by mailing and 2 perforations.

    Roland Barthes sends this letter to accompany the autograph dedication of the author of a text. He states that he "measures to see black and white all the drought" of his text and insists that the recipient specifies the character "spoken, presentative, non-exhaustive" of it in his presentation.
    €400
  24. Le voyage de Guibray, ou les avantures des Princes de B... et de C... Piece comique. Avec l'histoire du fameux Barry, de Filandre & d'AlibonLe voyage de Guibray, ou les avantures des Princes de B... et de C... Piece comique. Avec l'histoire du fameux Barry, de Filandre & d'Alibon
    ANONYME

    Le voyage de Guibray, ou les avantures des Princes de B... et de C... Piece comique. Avec l'histoire du fameux Barry, de Filandre & d'Alibon

    S. n.|s. l. 1704|9 x 15 cm|relié
    First edition, rare.
    Contemporary full vellum binding. Smooth unlettered spine. Top headcap torn. Lack to lower edge of back board.
    Two princes disguised as bourgeois make the journey on horseback to the very famous fair of Guibray, in Normandy. Their journey, recounted by their squire, is a succession of chance encounters. The narrator gives an ample description of the Guibray fair while continuing the gallant and comic adventures of the two princes.

    NB: This work is available at the bookshop on request within 48 hours.
    €450
  25. Page manuscrite signée de Francis Ambrière dans le livre d'or de Madame O'HeguerlyPage manuscrite signée de Francis Ambrière dans le livre d'or de Madame O'Heguerly
    Francis AMBRIÈRE

    Page manuscrite signée de Francis Ambrière dans le livre d'or de Madame O'Heguerly

    s. l. 19 mai 1989|16.60 x 21.50 cm|une page sur une feuille
    Handwritten page signed by Francis Ambrière in the guest book of Mrs. O'Heguerly, written in blue ink.
    Signature and date at the bottom of the page.

    Francis Aulmière writes that he feels "small" by writing in this book where "so many great men" have written. He "forfeits" by preferring silence to "definitive thoughts". He then thanked Mrs O'Heguerly for her welcome.
    €60
  26. Rendre à César suivi de Rendre à DieuRendre à César suivi de Rendre à Dieu
    Pierre BETTENCOURT

    Rendre à César suivi de Rendre à Dieu

    Area|s. l. 1988|19.50 x 25 cm|en feuilles sous coffret et reliure de l'éditeur
    First edition printed in 120 copies numbered copies on Rives, this copy one of 60 signed and justified by Pierre Bettencourt to colophon with, as frontispiece, an originale engraving and 2 reproductions in color, the tirage de tête.
    Publisher's binding .
    A nice and rare copy.
    €1,500
  27. Abattoir II. Photographie Originale de l'artisteAbattoir II. Photographie Originale de l'artiste
    Marc TRIVIER

    Abattoir II. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photograph by Marc Trivier.
    Original gelatin silver print unsigned, as with most of Trivier's works.
    A precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of...
    €1,800
  28. Abattoir. Photographie Originale de l'artisteAbattoir. Photographie Originale de l'artiste
    Marc TRIVIER

    Abattoir. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photograph by Marc Trivier.
    Original gelatin silver print unsigned, as with most of Trivier's works.
    A precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of...
    €2,000
  29. Vache aveuglée. Photographie Originale de l'artisteVache aveuglée. Photographie Originale de l'artiste
    Marc TRIVIER

    Vache aveuglée. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photograph by Marc Trivier.
    Original silver gelatin print unsigned, like most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare...
    €2,000
  30. Viande. Photographie Originale de l'artisteViande. Photographie Originale de l'artiste
    Marc TRIVIER

    Viande. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photograph by Marc Trivier.
    Original silver gelatin print unsigned, like most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare...
    €1,500
  31. Tête. Photographie Originale de l'artiste
    Marc TRIVIER

    Tête. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|24 x 30 cm|1|une feuille
    Large original black and white photograph created by Marc Trivier.
    Original silver gelatin print unsigned, like most of Trivier's works.
    Irregular cutting on the right edge of the photograph.
    Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular...
    €2,000
  32. Philippo. Palerme 1984Philippo. Palerme 1984
    Marc TRIVIER

    Philippo. Palerme 1984

    Par l'auteur|s. l. 1984|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait created by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Photo perforated at the level of the black square and slightly torn on the left edge.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of...
    €800
  33. Arbre. Photographie Originale de l'artisteArbre. Photographie Originale de l'artiste
    Marc TRIVIER

    Arbre. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photograph created and printed by Marc Trivier.
    Unsigned silver gelatin print, like most of Trivier's works. Unique proof printed by the artist.

    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each, with particular concentration on rendering...
    €600
  34. Toit à Aurillac. Photographie Originale de l'artisteToit à Aurillac. Photographie Originale de l'artiste
    Marc TRIVIER

    Toit à Aurillac. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1992|31.50 x 46 cm|1|une feuille
    Original black and white photograph created and printed by Marc Trivier.
    Unsigned gelatin silver print, like most of Trivier's works. Unique proof printed by the artist.

    Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "creates his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering...
    €1,500
  35. Champs. Photographie Originale de l'artisteChamps. Photographie Originale de l'artiste
    Marc TRIVIER

    Champs. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|20 x 30 cm|1|une feuille
    Original black and white photograph created and printed by Marc Trivier.
    Unsigned gelatin silver print, like most of Trivier's works. Unique proof printed by the artist.
    Upper edge cut irregularly.

    Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "creates his own prints on Ilford baryta paper, devoting several days of work to each one, with...
    €1,500
  36. Photographie de la citadelle de Dinant et de la collégiale Notre-Dame de Dinant. Photographie Originale de l'artistePhotographie de la citadelle de Dinant et de la collégiale Notre-Dame de Dinant. Photographie Originale de l'artiste
    Marc TRIVIER

    Photographie de la citadelle de Dinant et de la collégiale Notre-Dame de Dinant. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1984|19 x 37 cm|1|une feuille
    Large original black and white photograph realized and printed by Marc Trivier.
    Unsigned silver gelatin print, like most of Trivier's works. Unique proof printed by the artist.

    Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on...
    €1,500
  37. Portrait de Peter Handke. Photographie originale tirée par l'artiste.Portrait de Peter Handke. Photographie originale tirée par l'artiste.
    Marc TRIVIER (Peter HANDKE)

    Portrait de Peter Handke. Photographie originale tirée par l'artiste.

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait of the 2019 Nobel Prize in Literature winner by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin print by the famous Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on...
    €800
  38. Portrait de Bernard Noël. Photographie Originale tirée par l'artistePortrait de Bernard Noël. Photographie Originale tirée par l'artiste
    (Bernard NOËL) Marc TRIVIER

    Portrait de Bernard Noël. Photographie Originale tirée par l'artiste

    Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    A precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €600
  39. Portrait de William Hayter. Photographie Originale de l'artistePortrait de William Hayter. Photographie Originale de l'artiste
    Marc TRIVIER (Stanley William HAYTER)

    Portrait de William Hayter. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    A precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €2,000
  40. Portrait de André Masson. Photographie Originale de l'artistePortrait de André Masson. Photographie Originale de l'artiste
    Marc TRIVIER (André MASSON)

    Portrait de André Masson. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €2,000
  41. Portrait de Willem De Kooning. Photographie Originale de l'artistePortrait de Willem De Kooning. Photographie Originale de l'artiste
    Marc TRIVIER (Willem DE KOONING)

    Portrait de Willem De Kooning. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €2,500
  42. Portrait de René Char à l'Isle sur Sorgue. Photographie Originale de l'artistePortrait de René Char à l'Isle sur Sorgue. Photographie Originale de l'artiste
    Marc TRIVIER (René CHAR)

    Portrait de René Char à l'Isle sur Sorgue. Photographie Originale de l'artiste[Portrait of René Char at L’Isle-sur-la-Sorgue. Original Photograph by the Artist]

    Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, as with most of Trivier's works.
    Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each, with particular concentration on rendering the whites, in contrast with...
    €3,000
  43. Portrait de Oé Kenzaburo. Photographie Originale de l'artistePortrait de Oé Kenzaburo. Photographie Originale de l'artiste
    Marc TRIVIER (Kenzabur? ?E)

    Portrait de Oé Kenzaburo. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1988|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    Precious original gelatin silver print by the famous Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "prints his own work on Ilford baryta paper, dedicating several days of work to each print, with particular concentration on rendering the whites, in contrast with blacks of...
    €2,000
  44. Portrait de Paul Delvaux. Photographie Originale de l'artistePortrait de Paul Delvaux. Photographie Originale de l'artiste
    Marc TRIVIER (Paul DELVAUX)

    Portrait de Paul Delvaux. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    Precious original gelatin silver print by the famous Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "prints his own work on Ilford baryta paper, dedicating several days of work to each print, with particular concentration on rendering the whites, in contrast with blacks of...
    €1,500
  45. Portrait de Paule Thévenin. Photographie Originale de l'artistePortrait de Paule Thévenin. Photographie Originale de l'artiste
    Marc TRIVIER (Paule THÉVENIN)

    Portrait de Paule Thévenin. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1987|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, as with most of Trivier's works.
    Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €1,500
  46. Portrait de Jacques Derrida. Photographie Originale de l'artistePortrait de Jacques Derrida. Photographie Originale de l'artiste
    Marc TRIVIER (Jacques DERRIDA)

    Portrait de Jacques Derrida. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1986|22 x 22 cm|1|une feuille
    Large original black-and-white photographic portrait by Marc Trivier.
    Original gelatin silver print, unsigned, as is the case with most of Trivier's works.
    A rare original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who, despite early international success, chose to restrict his output in order to preserve the coherence of his work. Marc Trivier does not produce new prints of his earlier portraits; moreover, the printing paper he once used is no longer manufactured. The artist « réalise lui-même ses tirages sur papier baryté Ilford, consacrant plusieurs jours de travail à chacun, avec une concentration particulière pour...
    €2,000
  47. Portrait de André Masson. Photographie Originale de l'artistePortrait de André Masson. Photographie Originale de l'artiste
    Marc TRIVIER (André MASSON)

    Portrait de André Masson. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his prints himself on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €2,000
  48. Portrait de Paule Thévenin. Photographie Originale de l'artistePortrait de Paule Thévenin. Photographie Originale de l'artiste
    Marc TRIVIER (Paule THÉVENIN)

    Portrait de Paule Thévenin. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1987|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his prints himself on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €1,500
  49. Portrait de Paule Thévenin. Photographie Originale de l'artistePortrait de Paule Thévenin. Photographie Originale de l'artiste
    (Paule THÉVENIN) Marc TRIVIER

    Portrait de Paule Thévenin. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    Precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits; the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €1,500
  50. Portrait de Paule Thévenin. Photographie Originale de l'artistePortrait de Paule Thévenin. Photographie Originale de l'artiste
    Marc TRIVIER (Paule THÉVENIN)

    Portrait de Paule Thévenin. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1987|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    Precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits; the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €1,500
  51. Portrait de Paule Thévenin. Photographie Originale de l'artistePortrait de Paule Thévenin. Photographie Originale de l'artiste
    Marc TRIVIER (Paule THÉVENIN)

    Portrait de Paule Thévenin. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1987|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his prints himself on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks...
    €1,500
  52. Portrait de Nathalie Sarraute. Photographie Originale de l'artistePortrait de Nathalie Sarraute. Photographie Originale de l'artiste
    Marc TRIVIER (Nathalie SARRAUTE)

    Portrait de Nathalie Sarraute. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his prints himself on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks...
    €2,000
  53. Portrait de Michel Foucault. Photographie Originale de l'artistePortrait de Michel Foucault. Photographie Originale de l'artiste
    Marc TRIVIER (Michel FOUCAULT)

    Portrait de Michel Foucault. Photographie Originale de l'artisteMichel Portrait of Michel Foucault. Original artist's photograph.

    Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille

    FOUCAULT Michel Portrait of Michel Foucault. Original artist's photograph.

    Large original photographic portrait in black and white by Marc Trivier.
    Original unsigned silver print, like most of Trivier's works.
    Small tear to upper edge.
    A handsome original silver print proof by the famous Belgian photographer, one of the most secretive contemporary artists, who - despite early international success - preferred to limit his output to preserve the coherence of his oeuvre. Marc Trivier doesn't do after-prints of his old portraits, and in any case, the paper he used for printing is no longer sold. The artist "prints his images himself on Ilford baryta paper, devoting several...

    €1,700
  54. Mario. Barcelone 1984Mario. Barcelone 1984
    Marc TRIVIER

    Mario. Barcelone 1984

    Par l'auteur|s. l. 1984|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin print by the famous Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of...
    €1,500
  55. Michel. Manage 1984Michel. Manage 1984
    Marc TRIVIER

    Michel. Manage 1984

    Par l'auteur|s. l. 1984|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, as with most of Trivier's works.
    Precious original silver gelatin print by the renowned Belgian photographer, one of the most secretive contemporary artists, who despite early international success, chose to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his older portraits; the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare...
    €1,500
  56. Louis. Liège 1984Louis. Liège 1984
    Marc TRIVIER

    Louis. Liège 1984

    Par l'auteur|s. l. 1984|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, dedicating several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €1,500
  57. Michel. Liège 1980Michel. Liège 1980
    Marc TRIVIER

    Michel. Liège 1980

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, dedicating several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €1,500
  58. Louis Diaz. Madrid 1984Louis Diaz. Madrid 1984
    Marc TRIVIER

    Louis Diaz. Madrid 1984

    Par l'auteur|s. l. 1984|22 x 22 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Unsigned original silver gelatin print, as with most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not create new prints of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast...
    €1,500
  59. Portrait de Frank Auerbach. Photographie Originale de l'artistePortrait de Frank Auerbach. Photographie Originale de l'artiste
    Marc TRIVIER (Frank AUERBACH)

    Portrait de Frank Auerbach. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|18 x 18 cm|1|une feuille
    Original black and white photographic portrait by Marc Trivier.
    Unsigned original silver gelatin print, as with most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not create new prints of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with...
    €1,500
  60. Portrait de Frank Auerbach. Photographie Originale de l'artistePortrait de Frank Auerbach. Photographie Originale de l'artiste
    Marc TRIVIER (Frank AUERBACH)

    Portrait de Frank Auerbach. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|18 x 18 cm|1|une feuille
    Original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each, with particular concentration on rendering the whites, in contrast with blacks of rare...
    €1,500
  61. Portrait de Frank Auerbach. Photographie Originale de l'artistePortrait de Frank Auerbach. Photographie Originale de l'artiste
    Marc TRIVIER (Frank AUERBACH)

    Portrait de Frank Auerbach. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|18 x 18 cm|1|une feuille
    Original black and white photographic portrait by Marc Trivier.
    Original unsigned gelatin silver print, like most of Trivier's works.
    Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each, with particular concentration on rendering the whites, in contrast with blacks of rare...
    €1,500
  62. Portrait de Frank Auerbach. Photographie Originale de l'artistePortrait de Frank Auerbach. Photographie Originale de l'artiste
    Marc TRIVIER (Frank AUERBACH)

    Portrait de Frank Auerbach. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|18 x 18 cm|1|une feuille
    Original black and white photographic portrait by Marc Trivier.
    Original unsigned silver print, like most of Trivier's works.
    Tape repair marks and white portion torn in places.
    Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, dedicating several days of work to each, with particular concentration on rendering the...
    €800
  63. Portrait de Frank Auerbach. Photographie Originale de l'artiste
    Marc TRIVIER (Frank AUERBACH)

    Portrait de Frank Auerbach. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|24 x 24 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver print, like most of Trivier's works.
    Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, dedicating several days of work to each, with particular concentration on rendering the whites, in contrast with blacks of rare density. A...
    €800
  64. Portrait de Frank Auerbach. Photographie Originale de l'artiste
    Marc TRIVIER (Frank AUERBACH)

    Portrait de Frank Auerbach. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|24 x 24 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his older portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks...
    €1,500
  65. Portrait de Frank Auerbach. Photographie Originale de l'artiste
    Marc TRIVIER (Frank AUERBACH)

    Portrait de Frank Auerbach. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|24 x 24 cm|1|une feuille
    Large original black and white photographic portrait by Marc Trivier.
    Original unsigned silver gelatin print, like most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his older portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks...
    €1,500
  66. Portraits de Michel Foucault. Photographie Originale de l'artiste
    Marc TRIVIER (Michel FOUCAULT)

    Portraits de Michel Foucault. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1981|21.50 x 24 cm|1|une feuille
    Set of 8 small-format portraits of Michel Foucault by Marc Trivier.
    Original unsigned silver print, like most of Trivier's works.
    Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare density. A Marc...
    €1,500
  67. Cochon Aveugle. Photographie Originale de l'artisteCochon Aveugle. Photographie Originale de l'artiste
    Marc TRIVIER

    Cochon Aveugle. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1980|22 x 22 cm|1|une feuille
    Large original black and white photograph by Marc Trivier.
    Original unsigned silver print, like most of Trivier's works.
    Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare density. A Marc Trivier...
    €1,800
  68. Abattoir XI. Photographie Originale de l'artisteAbattoir XI. Photographie Originale de l'artiste
    Marc TRIVIER

    Abattoir XI. Photographie Originale de l'artiste

    Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille
    Large original black and white photograph by Marc Trivier.
    Original unsigned silver gelatin print, as with most of Trivier's works.
    Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of...
    €2,500
  69. Aucun signe particulierAucun signe particulier
    Bernard VARGAFTIG

    Aucun signe particulier

    Editions Obsidiane|s. l. 2007|15.50 x 21 cm|broché
    First edition on current paper.
    Signed autograph Bernard Vargaftig to his friends Eliane and Charles (Dobzynski): "... who know so deeply that the same words are never the same, except that I kiss them ..."
    Nice copy.
    €40
  70. L'air et avecL'air et avec
    Bernard VARGAFTIG

    L'air et avec

    Lettres de casse|s. l. 1981|15 x 22.50 cm|en feuilles
    First Edition printed with 219 numbered copies on Arches paper, ours one of the few hors commerce.
    Autograph dedication dated and signed by Bernard Vargaftig to Eliane and Charles (Dobzynski).
    Nice copy.
    €70
  71. Venus physiqueVenus physique
    Pierre-Louis Moreau de MAUPERTUIS

    Venus physique

    S. n.|s. l. • [La Haye] [The Hague] 1751|8 x 14 cm|relié
    Sixth edition, after the first edition published without date in 1745. Edition consisting of two parts: Dissertation physique à l'occasion du nègre blanc and Variétés dans l'espèce humaine. The first text was initially published separately.
    Contemporary full marbled blonde calf binding. Decorated smooth spine. Red morocco title label. All edges red. Cracks to joints. One restoration to lower joint at head. Good copy.
    The arrival in Paris of an albino black man provided the author with the opportunity to present his theories on fortuitous variations that explain the birth of new varieties; these ideas prefigure and contain in embryo genetic theories. The second...
    €550
  72. ReliquesReliques
    Jules TELLIER

    Reliques

    S. n.|s. l. 1890|11.50 x 18.50 cm|relié
    Rare first edition not released commercially, with no mention of deluxe copies.
    Half hazelnut morocco binding with corners, spine with four raised bands set with black fillets, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, binding signed by Marcel Hugon.
    As frontispiece, a portrait of the author on Japan tissue.
    Handsome copy.
    €150
  73. Mesures de sécurité et tortures au PortugalMesures de sécurité et tortures au Portugal
    COLLECTIF

    Mesures de sécurité et tortures au Portugal

    Comité français pour l'amnistie au Portugal|s. l. Décembre1965|13.50 x 21 cm|agrafé
    First edition.
    A nice copy.
    €30
  74. Du calcul des improbabilitésDu calcul des improbabilités
    Jean LESCURE

    Du calcul des improbabilités

    S. n.|s. l. s. d. [circa 1964]|16.50 x 25 cm|agrafé
    Original printed edition with small number of this reprint.
    Autographed autograph dedication of the author from Jean Lescure to Pierre Dumayet.
    Pleasant and rare copy.
    €40
  75. Terroirs et diableries de Claude SeignolleTerroirs et diableries de Claude Seignolle
    (Claude SEIGNOLLE) André ROUSSEAUX

    Terroirs et diableries de Claude Seignolle

    S. n.|s. l. s. d. [circa 1960]|13.50 x 19 cm|broché
    first edition.
    Bibliography in-fine.
    Pleasant copy.
    €20
  76. Stèle pour un jeune frèreStèle pour un jeune frère
    Abram KROL

    Stèle pour un jeune frère

    Editions Caractères|s. l. s. d. [1958]|15.50 x 23.50 cm|broché
    first edition, one of the 237 copies numbered on rag, only print after 12 BFK Rives.
    Illustrated book of 13 engraved wooden plates as well as vignettes by Abram Krol.
    Precious autograph signed by Abram Krol to Jacques Hébertot presenting his wishes for the new year.
    Beautiful copy.
    €200
  77. « Comme si l'amour le plus vrai ne pouvait s'accorder qu'avec le dérangement de tout. »
    Georges BATAILLE

    « Comme si l'amour le plus vrai ne pouvait s'accorder qu'avec le dérangement de tout. »Autograph letter signed to Denise Rollin

    s. l. s. d. [circa 1940-1943]|20.90 x 27 cm|1 page
    Autograph signed letter to Denise Rollin: “As if the truest love could
    only be matched with the inconvenience of everything”

    [ca 1940-1943] | 20.9 x 27 cm | 1 page
    Autograph letter signed by Georges Bataille to Denise Rollin, 18 lines in black ink.
    Letter of a passionate love during the war. Georges Bataille is in Paris where the German offensive is in full swing: “[...] the German attack begins again.”

    But this destruction does not reach Bataille's loving exaltation, on the contrary: “Sometimes I think that it is as if there was something more violent and terrible between you and me because we found ourselves in the...
    €3,500
  78. « en tout cas imposer une pareille souffrance à un homme exactement pour rien, cela devient comme une maladie, comme un délire. »« en tout cas imposer une pareille souffrance à un homme exactement pour rien, cela devient comme une maladie, comme un délire. »
    Georges BATAILLE

    « en tout cas imposer une pareille souffrance à un homme exactement pour rien, cela devient comme une maladie, comme un délire. »Autograph letter to Denise Rollin

    s. l. • [Paris] [circa 1940-1943]|21 x 27.30 cm|1 page
    Autograph letter from Georges Bataille to Denise Rollin, 14 lines in black ink and pencil.
    This letter, from the amorous correspondence that Bataille addressed to Denise Rollin during the war and Occupation, contains in embryo the feelings that explode throughout Bataille's entire work. Incessant ebb and flow of love and suffering, of ecstasy and disappointment, of calm and energy, mixing familiar and formal address, compliments and reproaches, this letter resembles its author and the era: « Comment pouvez-vous être assez aveugle pour ne pas voir le mal que vous me faîtes en vous laissant aller au premier caprice venu ? Que je le veuille ou non, une vie ne peut...
    €3,500
  79. « Mais combien c'est dur de me sentir ainsi tout à coup arraché à vous, de ne plus rien pouvoir vous dire, d'être réduit à cette lettre. »« Mais combien c'est dur de me sentir ainsi tout à coup arraché à vous, de ne plus rien pouvoir vous dire, d'être réduit à cette lettre. »
    Georges BATAILLE

    « Mais combien c'est dur de me sentir ainsi tout à coup arraché à vous, de ne plus rien pouvoir vous dire, d'être réduit à cette lettre. »Autograph letter signed to Denise Rollin

    s. l. • [Paris] s. d. [1940-1943]|13.40 x 20.40 cm|2 pages sur un feuillet
    Autograph letter signed by Georges Bataille to Denise Rollin, 25 lines in black ink on one leaf.
    The first letter Bataille sends to Denise Rollin after her departure for Vézelay. Bataille remains in Paris as he is employed at the Bibliothèque nationale which does not close during the war. The separation has just occurred but Bataille hastens to write: « J'ai hâte de mettre la lettre à la poste, elle vous suivra de très près, comme tout ce que je suis voudrait vous suivre partout. » ["I am eager to post this letter, it will follow you very closely, as all that I am would wish to follow you everywhere."] To reassure her, he seeks in events signs of good...
    €3,000
  80. « Cela me déchire toujours de me séparer de vous.»« Cela me déchire toujours de me séparer de vous.»
    Georges BATAILLE

    « Cela me déchire toujours de me séparer de vous.»Autograph letter signed to Denise Rollin

    s. l. s. d. [1943]|13.50 x 20.80 cm|2 pages sur un feuillet

    BATAILLE Georges. Autograph letter, signed, to Denise Rollin: “Cela me déchire toujours de me séparer de vous.” “It always tears me up to part from you.”
    N. d. (1943), 13,5 x 20,8 cm, 2 pages on a single leaf
    Autograph letter signed from Georges Bataille to Denise Rollin, 46 lines in black ink to one leaf, dampstain to upper right, not touching text.
    The majority of the letter is given over to the search for a house in Vézelay: “I've already seen a house and an apartment.” In 1943, Georges Bataille had the idea of renting a house in Vézelay where the couple could move in with Laurence, the daughter of...
    €3,500
  81. « Maintenant je n'aspire plus qu'à une chose c'est à vous prouver que je n'appartiens plus qu'à vous, que je suis rivé à vous [...] »« Maintenant je n'aspire plus qu'à une chose c'est à vous prouver que je n'appartiens plus qu'à vous, que je suis rivé à vous [...] »
    Georges BATAILLE

    « Maintenant je n'aspire plus qu'à une chose c'est à vous prouver que je n'appartiens plus qu'à vous, que je suis rivé à vous [...] »Autograph letter signed to Denise Rollin

    S. n.|s. l. s. d. [circa 1940-1943]|20,7 x 27,0 cm|2 pages sur un feuillet
    Fine and long autograph letter signed by Georges Bataille to Denise Rollin, unpublished, torn in five pieces not affecting readability, 34 lines in black ink on one leaf.
    Both frequenting Parisian intellectual and artistic circles, Georges Bataille and Denise Rollin met during 1939. She was notably the friend of Cocteau, Prévert and Breton. Bataille described her thus in his notebooks for Le Coupable: « une illusion aussi fragile qui se dissiperait au moindre souci, au moindre relâchement de l'inattention. » ["an illusion so fragile that it would dissipate at the slightest worry, at the slightest relaxation of inattention."]
    Few details remain...
    €4,500
  82. Carte d'identitéCarte d'identité
    Claude MARGAT, Colette DEBLÉ

    Carte d'identité

    Editions Unes|s. l. 1982|12.50 x 15 cm|en feuilles
    First edition, one of 101 numbered copies on Ingres paper, the only copies after 1 Chiffon and 21 pur fil.
    Work illustrated with drawings by Colette Deblé.
    Handsome copy complete with its crystal reproducing the author's identity photograph.
    €80
  83. Suite ancienneSuite ancienne
    Willy-Paul ROMAIN, Liliane MARCO

    Suite ancienne

    Aux deux collines|s. l. 1985|25.50 x 32.50 cm|en feuilles sous étui
    first edition printed with 220 numbered copies on vellum of Arches paper, ours one of the 20 hors commerce.
    autograph dedication of the author an autograph signed by Willy-Paul Romain to Pierre (Dumayet): "For you, dear old Pierre, and for Francoise, wishing that you would like the text, at least this beautiful presentation.
    Book illustrated with 3 original lithographs by Liliane Marco.
    Handwritten signatures of Willy-Paul Romain and Liliane Marco on the page following the justification of the draw.
    Pleasant complete copy of its case in full orange canvas.
    €150
  84. Pierre Louÿs et l'histoire littérairePierre Louÿs et l'histoire littéraire
    Frédéric LACHÈVRE

    Pierre Louÿs et l'histoire littéraire

    S. n.|s. l. • (Paris) 1928|14.50 x 22.50 cm|broché
    first edition printed at 125 copies numbered and justified by the author on Arches paper , ours printed specially for André Lebey , very close friend and collaborator of Pierre Louÿs.
    Slight scratches without gavity at the head of the flat first, some small foxing on the guards.
    €200
  85. Le bien rêverLe bien rêver
    Marcel BÉALU

    Le bien rêver

    Robert Morel|s. l. 1955|14.50 x 15.50 cm|reliure de l'éditeur
    first edition.
    Binding of the publisher in full brown canvas, smooth back, guards and brown paper tops.
    Autographed and signed dated and signed by Marcel Béalu to Paul Aveline: "... forever friend, these memories of meditations ..."
    Pleasant copy.
    .
    €30
  86. Thérèse et IsabelleThérèse et Isabelle
    Violette LEDUC

    Thérèse et Isabelle

    S. n. • [ Jacques Guérin]|s. l. 1955|22 x 27.50 cm|en feuilles sous chemise à lacet
    first edition entirely out of trade and printed with 25 numbered copies.
    Signed autograph signed by Violette Leduc: "... in remembrance of Italy and Spain too." With my friendship, January 24, 1956. Violette Leduc, the name of the dedicatee was cleanly scratched.
    Our copy is enriched with an engraved portrait of Violette Leduc embellished with a handwritten precision of Jacques Guérin.
    Very rare work consisting of the facsimile of the autograph manuscript and presented under a shirt in floral and lace-patterned wallpaper, title tag sticking on the first flat.
    Pleasant copy.
    €6,000
  87. Étude de vachesÉtude de vaches
    Jean-Baptiste TIERCE (Donatien Alphonse François de SADE)

    Étude de vaches

    S. n.|s. l. (Circa 1776)|32 x 40.50 cm|une feuille encadrée
    Original drawing in ink and watercolor.
    Modern frame.
    Drawing made during the journey with the Marquis de Sade in 1776.
    Jean-Baptiste Tierce (1737-1794), student at the École des Beaux-arts in Rouen then at the Academy of Painting and Sculpture in Paris, quickly distinguished himself as a landscape painter for his views of Southern France and Italy. His paintings are preserved in the Uffizi in Florence and in several French museums. When in December 1775 Sade left Rome for Naples, he was welcomed by the son-in-law of his friend Doctor Mesny, Jean-Baptiste Tierce, who at that time received commissions from Cardinal de Bernis. He found lodging for the Marquis...
    €1,800
  88. Vue d'Italie : Marine animée à la tour carrée Vue d'Italie : Marine animée à la tour carrée
    Jean-Baptiste TIERCE (Donatien Alphonse François de SADE)

    Vue d'Italie : Marine animée à la tour carrée Italian scene: animated seaside with square tower

    S. n.|s. l. (Circa 1776)|40 x 50 cm|une feuille encadrée
    Italian scene: animated seaside with square tower

    Original pencil drawing showing an animated seaside scene.

    Modern black wooden frame.

    A drawing done during the journey the artist undertook with Sade in 1776.

    Jean-Baptiste Tierce (1737-1794), who studied at the School of Fine Arts in Rouen and subsequently at the Academy of Painting and Sculpture in Paris, quickly built a reputation as a landscapist for his views of the South of France and Italy. His paintings are in the Uffizi in Florence and several French museums. When, in December 1775, Sade left Rome for Naples, he was welcomed by the son-in-law of his...
    €2,300
  89. Vue d'Italie : Marine animée aux environs de NaplesVue d'Italie : Marine animée aux environs de Naples
    Jean-Baptiste TIERCE (Donatien Alphonse François de SADE)

    Vue d'Italie : Marine animée aux environs de Naples

    S. n.|s. l. (circa 1776)|32 x 40.50 cm|une feuille encadrée
    Original drawing in ink and watercolor depicting an animated seaside view with a village perched on a cliff.
    Modern framing in blonde molding.
    Drawing executed during the journey made with the Marquis de Sade during the year 1776.
    Jean-Baptiste Tierce (1737-1794), student at the École des Beaux-arts in Rouen then at the Academy of Painting and Sculpture in Paris, quickly distinguished himself as a landscape painter for his views of the South of France and Italy. His paintings are preserved at the Uffizi in Florence and in several French museums. When in December 1775 Sade left Rome for Naples, he was welcomed by the son-in-law of his friend Doctor Mesny...
    €3,000
  90. Une enfance sorcièreUne enfance sorcière
    Claude SEIGNOLLE, Bruno LOISEL

    Une enfance sorcière

    Royer|s. l. 1994|17 x 22 cm|broché
    Edition on current paper.
    Signed autograph Claude Aveline Seignolle Paul: "... I do not send my books to those who deserve it ... Dixit my faithful friend Paul Aveline pen and heart ..."
    O
    uvrage illustrated drawings in pencil Bruno Loisel.
    Nice copy.
    €40
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