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The religions of the BookThe religions of the Book
The religions of the Book

Much like the papal procession that ends at Saint-Michel, named for the archangel shared by the three religions of the Book, we offer you a heavenly Abrahamic selection. It would take the very devil to keep you from finding your numinous bliss here...

Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

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Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

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Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

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Sans lieu d'édition
  1. Hommage à Francis Casadesus pour ses quatre-vingt ans (2 Décembre 1870-2 Décembre 1950)Hommage à Francis Casadesus pour ses quatre-vingt ans (2 Décembre 1870-2 Décembre 1950)
    Francis CASADESUS, COLLECTIF

    Hommage à Francis Casadesus pour ses quatre-vingt ans (2 Décembre 1870-2 Décembre 1950)

    S. n.|s. l. 1950|14.50 x 19.50 cm|broché
    First edition printed in 500 numbered copies.
    Very fine autograph inscription signed by Francis Casadesus to Monsieur Julsam, director of Sacem.
    Spine and boards slightly and marginally sunned, some small spots to boards, handsome interior condition.
    €80
  2. L'homme à la mesure de son tempsL'homme à la mesure de son temps
    André KARQUEL

    L'homme à la mesure de son temps

    Editions Sésame|s. l. 1955|14.50 x 19.50 cm|broché
    First edition, one of 100 numbered copies on pure thread paper, deluxe copy.
    Signed autograph inscription by André Karquel.
    Work illustrated with a drawing by the author facing the justification page.
    Spine slightly sunned without gravity, handsome copy.
    €60
  3. Europe, humaine aventureEurope, humaine aventure
    André KARQUEL

    Europe, humaine aventure

    Editions Pierre Clairac|s. l. 1954|14.50 x 19.50 cm|broché
    First edition printed on ordinary paper.
    Signed autograph inscription from the author.
    Spine lightly sunned without gravity, two small marginal stains on the back cover.
    €30
  4. Coléoptères de l'ArdècheColéoptères de l'Ardèche
    Jean BALAZUC

    Coléoptères de l'Ardèche

    Société linnéenne de Lyon|s. l. 1984|17 x 24.50 cm|broché
    First edition.
    Signed autograph inscription by Jean Balazuc to a fellow entomologist.
    Work illustrated with 47 figures in the text.
    We include the first supplement to J. Balazuc's inventory as well as autograph notes by the dedicatee on loose sheets.
    Handsome copy.
    €60
  5. La Reine Peau d'Âne, comédie en trois actes, 1897-1898La Reine Peau d'Âne, comédie en trois actes, 1897-1898
    André-Ferdinand HEROLD

    La Reine Peau d'Âne, comédie en trois actes, 1897-1898

    S. n.|s. l. 1897-1898|70pp. in-4|en feuilles
    Autograph manuscript of 70 pages written on the recto in black ink with important deletions, corrections and suppressions. Paper cover bearing the title, date and place (Paris 7 December 1897 - 6 January 1898).
    Unpublished comedy in verse and prose, featuring Claridiane, Queen of Bohemia, Lélio, Prince Escalus, Arlequin, master of ceremonies, Colombine, lady-in-waiting, plus five ministers and Illyrian officers; the scene is set in Bohemia.
    €600
  6. Le baiser de la déesseLe baiser de la déesse
    Gabriel COUSIN

    Le baiser de la déesse

    S. n.|s. l. 1928|19 x 24 cm|broché
    First edition printed in 300 copies on laid paper.
    Autograph inscription signed by Gabriel Cousin to Dr. Labruyère.
    Work illustrated with hors-texte illustrations by Carlègle, Choisnard, Darrieux, Pastour, Dethomas, Bernard père & fils...
    Spine slightly sunned, handsome copy.
    Rare.
    €80
  7. Le peuple instruit ; ou Les Alliances dans lesquelles les Ministres de la Grande-Bretagne ont engagé la Nation, & l'emploi qu'ils ont fait de ses Escadres & de ses Armées, depuis le commencement des troubles sur l'Ohio, jusqu'à la perte de Minorque, considérés dans une Quatrième Lettre au Peuple d'AngleterreLe peuple instruit ; ou Les Alliances dans lesquelles les Ministres de la Grande-Bretagne ont engagé la Nation, & l'emploi qu'ils ont fait de ses Escadres & de ses Armées, depuis le commencement des troubles sur l'Ohio, jusqu'à la perte de Minorque, considérés dans une Quatrième Lettre au Peuple d'Angleterre
    John SHEBBEARE

    Le peuple instruit ; ou Les Alliances dans lesquelles les Ministres de la Grande-Bretagne ont engagé la Nation, & l'emploi qu'ils ont fait de ses Escadres & de ses Armées, depuis le commencement des troubles sur l'Ohio, jusqu'à la perte de Minorque, considérés dans une Quatrième Lettre au Peuple d'Angleterre

    S. n.|s. l. 1756|9 x 16.20 cm|relié
    First edition, rare.
    Modern half cherry red morocco binding. Confounding pastiche of a Restoration binding. Spine with false flat raised bands decorated with five blind tooled ornaments, gilt fillets; gilt roll at head and foot. Very fine copy.
    Important document concerning the history of Canada and the United States, the work begins by examining the causes of the conflict between Great Britain and France concerning the Ohio territory. Indeed, in 1756, it was the beginning of the Seven Years' War, or Indian War, a war of conquest for legitimate occupation of territories; this war would spread from Virginia and Nova Scotia to the entire Great Lakes region of Canada, some Indians...
    €700
  8. LespugueLespugue
    Jean FAUTRIER, Robert GANZO

    Lespugue[Lespugue]

    S. n.|s. l. • [Paris] 1942|35.50 x 29.50 cm|Lithograph|en feuilles sous couverture

    First edition, one of 110 numbered copies on China paper, the only printing along with 12 copies on Japon nacré paper and 1 on Chine, variously enriched.
    Illustrated with 11 original color lithographs by Jean Fautrier.
    Autograph inscription from Robert Ganzo to a couple of his acquaintance.
    Manuscript signatures of the author and illustrator on the justification page.
    This copy retains its original glassine wrapper showing spiders wandering in the webs they've woven
    Occasional very light spotting, a good copy.

    €2,000
  9. DomaineDomaine
    Oscar DOMINGUEZ, Robert GANZO

    Domaine[Domain]

    S. n.|s. l. 1942|19.50 x 25.50 cm|en feuilles sous chemise et étui

    With 8 original etchings to text and hors-texte by Oscar Dominguez, one of 70 numbered copies on B.F.K. de Rives paper, the only printing with 4 on old Japon paper, variously enriched.
    Autograph inscription from Robert Ganzo to a couple of his acquaintance on half title.
    This copy is additionally enhanced with a manuscript quatrain signed by the author on the page opposite half-title.
    Autograph signatures of the author and illustrator on the justification page.
    Some slight small foxing mostly affecting the first leaves, a joint of the chemise cracked, with a tear almost all over it.
    A rare copy in a chemise and flexible...

    €2,500
  10. Le tiroir du diableLe tiroir du diable
    Honoré de BALZAC, Alphonse KARR

    Le tiroir du diable

    Chez Les principaux libraires|s. l. • [Paris] 1850 S.d.|18 x 27 cm|relié
    First edition, richly illustrated with 75 hors-texte plates, principally by Gavarni, including 4 music plates framed with wood engravings by Bertall and several compositions by Bertall. Very numerous vignettes by Monnier, Français, Daubigny... The compositions with multitudes of vignettes by Bertall on subjects such as evenings at the opera, Paris by night... which constitute the ensemble of Paris comique are particularly delightful. This edition is rarer than le Diable à Paris.
    Contemporary green half-shagreen. Smooth spine decorated with series of romantic tools in compartments. Green corsillonné paper boards. Borders rubbed and corners slightly bumped. Some scattered foxing...
    €300
  11. Latreille entomologiste né à Brive la Gaillarde. 1762-1833Latreille entomologiste né à Brive la Gaillarde. 1762-1833
    ANONYME

    Latreille entomologiste né à Brive la Gaillarde. 1762-1833

    S. n.|s. l. s. d. [circa 1840]|15.50 x 23.50 cm|broché
    First edition printed in small number and anonymously.
    Pencil annotations at foot of last page of text.
    Rare pamphlet.
    €40
  12. André Lemoyne (1822-1907). Le poète l'oeuvre le collègueAndré Lemoyne (1822-1907). Le poète l'oeuvre le collègue
    Jean SAULNIER

    André Lemoyne (1822-1907). Le poète l'oeuvre le collègue

    S. n.|s. l. 1907|11.50 x 17.50 cm|relié
    First edition printed on Japan paper.
    Half mouse-colored cloth binding, smooth spine, black sheep title-label, marbled paper boards, light stains on boards, corners slightly bumped, top edge gilt, contemporary binding.
    Signed autograph inscription by Jean Saulnier.
    Frontispiece with a portrait by A. Lemoyne. Handsome interior condition.
    €70
  13. Peintures gravures & dessins d'Alfred JarryPeintures gravures & dessins d'Alfred Jarry
    Michel ARRIVÉ

    Peintures gravures & dessins d'Alfred Jarry

    Collège de Pataphysique|s. l. 1968|21 x 21 cm|broché
    First edition.
    Signed autograph inscription from Regent Michel Arrivé.
    Illustrated.
    €150
  14. [PROTESTANTISME - REVOCATION EDIT DE NANTES] Memoire politico - critique, où l'on examine s'il est de l'interêt de l'eglise & l'etat d'etablir pour les calvinistes une nouvelle forme de se marier. [Ensemble] Lettre d'un patriote sur la tolérance civile des protestans de France [ensemble] La voix du vrai patriote caholique opposée à celle des faux patriotes tolérans[PROTESTANTISME - REVOCATION EDIT DE NANTES] Memoire politico - critique, où l'on examine s'il est de l'interêt de l'eglise & l'etat d'etablir pour les calvinistes une nouvelle forme de se marier. [Ensemble] Lettre d'un patriote sur la tolérance civile des protestans de France [ensemble] La voix du vrai patriote caholique opposée à celle des faux patriotes tolérans
    Jean NOVI DE CAVEIRAC, Antoine COURT

    [PROTESTANTISME - REVOCATION EDIT DE NANTES] Memoire politico - critique, où l'on examine s'il est de l'interêt de l'eglise & l'etat d'etablir pour les calvinistes une nouvelle forme de se marier. [Ensemble] Lettre d'un patriote sur la tolérance civile des protestans de France [ensemble] La voix du vrai patriote caholique opposée à celle des faux patriotes tolérans

    S. n.|s. l. 1756|12.50 x 19.50 cm|relié
    First edition of these three rare memoirs on Protestantism, all three published without editorial indication.
    Contemporary full blonde calf binding. Smooth spine decorated. Red morocco title label. A volume label is present, the book was meant to be shelved among a collection of pamphlets and memoirs. Joints cracked and split. Headcaps worn. Corners bumped.
    Novi de Cabeirac studies in his memoir the effects of the Revocation of the Edict of Nantes. We know he was fanatically intolerant, even though his study of demography and economics is serious.
    The second memoir pleads the cause of Protestants before the royal power and denounces the horror of the crimes that were...
    €500
  15. Portrait d'Andy Warhol. Photographie Originale tirée par l'artiste.Portrait d'Andy Warhol. Photographie Originale tirée par l'artiste.
    Marc TRIVIER (Andy WARHOL)

    Portrait d'Andy Warhol. Photographie Originale tirée par l'artiste.Portrait of Andy Warhol. Original photograph printed by the artist

    Par l'auteur|s. l. 1981-1982|22 x 22 cm|1|une planche photographique
    Portrait of Andy Warhol. Original photograph printed by the artist
    Marc Trivier | 1981-1982, 22 x 22 cm | on Ilford paper 30 x 40 cm
    Large original photograph portrait in black and white, made and printed by Marc Trivier. Unsigned silver print, as most of Trivier's works. Unique print from the artist. Small stain on the upper margin.
    Artists, madmen, abattoirs, trees – Marc Trivier photographed each of his subjects with the same interrogative intensity. All his photographs are in the same square format, simple and confined, with no retouching or alteration of the framing, and seem less to show off a subject – famous or unknown, in or out of power, dead or alive...
    €4,000
  16. Bram Van Velde. Photographie OriginaleBram Van Velde. Photographie Originale
    (Bram van VELDE) Marc TRIVIER

    Bram Van Velde. Photographie Originale

    Par l'auteur|s. l. 1983|42 x 42 cm|1 planche photographique
    Original black and white photographic portrait of Bram Van Velde by Marc Trivier. Portrait of artist, of anonymous figure, of madman, of slaughterhouse or of tree: Marc Trivier photographed each subject with the same interrogative intensity. All realized in the same square format, elementary and closed, without retouching or cropping, the photographs seem less to stage a subject - famous or unknown, elected or fallen, living or dead - than to question a presence. "What interested me was not simply to photograph a body or a face, but that particular situation which is someone in the process of taking a photo of someone else." Trivier strips the work of its effects and reveals the enigmatic...
    €2,000
  17. Manuscrit autographe signé intitulé "Premières représentations"Manuscrit autographe signé intitulé "Premières représentations"
    Catulle MENDÈS (Robert de FLERS)

    Manuscrit autographe signé intitulé "Premières représentations"

    S. n.|s. l. 1903|11 x 17.50 cm|en feuilles
    9-page signed autograph manuscript, dense handwriting.
    Review of the play Les Sentiers de la vertu, comedy in 3 acts, with Robert de Flers, performed at the Théâtre des Nouveautés, December 7, 1903.
    Accompanied by two interesting signed autograph letters addressed to M. Melchissedec. The first refers to his future musical participation in a celebration given in honor of Victor Hugo on February 27, 1881. The second deplores, following this same performance, the fact that M. Melchissedec did not receive the photograph commissioned from Carjat by Hugo and promised in thanks for his participation.
    €400
  18. Recueil des edicts de pacification, ordonnances et déclarations faites par les Rois de France sur les moyens plus propres pour appaiser les troubles et séditions, survenues pour le fait de la religionRecueil des edicts de pacification, ordonnances et déclarations faites par les Rois de France sur les moyens plus propres pour appaiser les troubles et séditions, survenues pour le fait de la religion
    Pierre Laurent Buirette de BELLOYS

    Recueil des edicts de pacification, ordonnances et déclarations faites par les Rois de France sur les moyens plus propres pour appaiser les troubles et séditions, survenues pour le fait de la religion

    S. n.|s. l. 1612|8 x 14.70 cm|relié
    New edition expanded with edicts until 1610; in all likelihood, the first appeared in 1599.
    Contemporary full vellum binding. Smooth spine. Title in black ink partly illegible. The endpapers are detached from the boards. Loose stitching with some sections protruding. One gallery of worms 1 cm long in the right margin affecting one letter p. 169 and three following pages, and p. 69 to 72. Pale dampstain in lower margin on the first leaves.
    The first edict is that of Charles IX of January 17, 1561 and the last a Declaration by King Louis 13, of May 22, 1610, being 17 edicts, including the Edict of Nantes 1598 given by Henri IV; all concern the wars of religion and their consequences...
    €650
  19. Mesures. N°3 de la cinquième année. Mesures. N°3 de la cinquième année.
    COLLECTIF

    Mesures. N°3 de la cinquième année.

    Mesures|s. l. • [Paris] 15 Juillet 1939|18.50 x 24 cm|broché
    First edition on ordinary paper, only 5 Japan and 8 Hollande deluxe copies were printed.
    Contributions by: R. P. du Poisson, C. Mather "Les Merveilles du monde invisible", B. Franklin "Avis à ceux qui songent à émigrer en Amérique", J. Paul Jones "A bord du "Sérapis" ", Saint John de Crévecoeur "Qu'est-ce qu'un Américain ?", W. Irving "Journal", E. Poe "Suggestions", W. Whitman "Perspective démocratique" and "L'Importance de l'élément espagnol dans la formation de notre nationalité", W. H. Herndon "Lettres sur la vie cachée de Lincoln", E. Dickinson "Poèmes et Lettres", V. Lindsay "Le Chemin de Santa Fe", H. Crane "Ménagerie du vin", J. Weldon Johnson "Poèmes", R. Jeffers "Cawdor", L...
    €40
  20. La muse libertine ou oeuvres posthumesLa muse libertine ou oeuvres posthumes
    Claude-Joseph DORAT

    La muse libertine ou oeuvres posthumes

    S. n.|s. l. 1783|11.50 x 19 cm|relié
    First edition.
    Full blonde calf binding, smooth spine decorated with gilt fleurons and compartments, red morocco title-label, blind-ruled border on covers, headcaps slightly rubbed, contemporary binding.
    Handsome copy free from foxing.
    €300
  21. La capture du tigreLa capture du tigre
    Johannes STRADANUS, Philippe GALLE

    La capture du tigre

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus.
    Proof on watermarked laid paper, work from the end of the 16th or very beginning of the 17th century.
    Artists' signatures in the plate.
    Latin caption in the lower part of the engraving.
    Manuscript translation in an old hand beneath the plate mark: "Le chasseur prend les petits du tigre et met dans des trappes des miroirs qui représentent les petits qu'il a enlevés. Cette bête stupide croyant les voir effectivement, entre dans les filets et hurle, étant prise." ["The hunter takes the tiger cubs and places mirrors in traps that represent the cubs he has taken. This foolish...
    €250
  22. L'entrainement des chiens à la chasse aux cerfsL'entrainement des chiens à la chasse aux cerfs
    Johannes STRADANUS, Philippe GALLE

    L'entrainement des chiens à la chasse aux cerfs

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus.
    Proof on watermarked laid paper, work from the late 16th or very early 17th century.
    Artists' signatures in the plate.
    Latin legend in the lower part of the engraving.
    Manuscript translation in old handwriting under the plate mark: "Des chasseurs par le commandement du roi de France cherchent beaucoup de fientes de cerfs et donnent les crottes des jeunes cerfs aux chiens afin que par l'odeur ils apprennent à connaitre l'âge des cerfs.." ["Hunters by command of the king of France search for much deer dung and give the droppings of young deer to the dogs so that by scent...
    €250
  23. La chasse aux chameauxLa chasse aux chameaux
    Johannes STRADANUS, Philippe GALLE

    La chasse aux chameaux

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus.
    Impression on watermarked laid paper, work from the late 16th or very early 17th century.
    Artists' signatures within the plate.
    Latin caption in the lower portion of the engraving.
    Manuscript translation in old handwriting below the plate mark: "On dit que la Barbarie produit de très bons chameaux que chassent les soldats de la marine pressés par la faim. Cette viande quoique très dure les rassasie." ["It is said that Barbary produces very good camels which are hunted by sailors pressed by hunger. This meat, although very tough, satisfies them."].
    Watermark...
    €250
  24. La mésaventure du chasseurLa mésaventure du chasseur
    Johannes STRADANUS, Philippe GALLE

    La mésaventure du chasseur

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus.
    Impression on watermarked laid paper, work from the late 16th or very early 17th century.
    Artists' signatures within the plate.
    Latin caption in the lower portion of the engraving.
    Manuscript translation in old handwriting below the plate mark: "Souvent un chasseur tombe sans prendre garde dans des cavernes ou des grottes couvertes d'herbes par dessus d'où ses compagnons ne peuvent le retirer, mais il meurt malheureusement et demeure la pature des serpents qui y sont et des hydres" ["Often a hunter falls unawares into caverns or grottoes covered with grass above, from...
    €250
  25. Le combat des oiseaux et des couleuvresLe combat des oiseaux et des couleuvres
    Johannes STRADANUS, Philippe GALLE

    Le combat des oiseaux et des couleuvres

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus.
    Proof on watermarked laid paper, work from the late 16th or early 17th century.
    Artists' signatures in the plate.
    Latin legend in the lower portion of the engraving.
    Manuscript translation in old handwriting below the plate mark: "Le désert d'Appulie nourrit de couleuvres les grues et aussi les cigognes attaquent leurs nichées. Elles engagent le combat avec vigueur de leurs becs et les mordent. Le spectacle est très divertissant pour les colons" ["The desert of Apulia feeds cranes with snakes and also storks attack their broods. They engage in combat vigorously with...
    €250
  26. La chasse aux vipèresLa chasse aux vipères
    Johannes STRADANUS, Philippe et Cornelius GALLE

    La chasse aux vipères

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus.
    Proof on watermarked laid paper, work from the late 16th or early 17th century.
    Artists' signatures in the plate.
    Latin legend in the lower portion of the engraving.
    Manuscript translation in old handwriting below the plate mark: "En Italie les vipères se plaisent à se cacher dans les marais. Quand elles entendent un chien aboyer, elles sortent des buissons. On les saisit alors avec une fourche et on les met dans un sac avec une pince. Elles sont préparées comme remède pharmaceutique" ["In Italy vipers enjoy hiding in marshes. When they hear a dog barking, they come out of...
    €250
  27. La chasse aux porcs-épicsLa chasse aux porcs-épics
    Johannes STRADANUS, Adrian COLLAERT

    La chasse aux porcs-épics

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed with burin after a 16th century drawing by Johannes Stradanus.
    Proof on watermarked laid paper, work from the late 16th or very early 17th century.
    Artists' signatures in the plate.
    Latin caption in the lower part of the engraving.
    Manuscript translation in old handwriting below the plate mark: "In winter, the porcupine is taken by dogs or in nets, or when it flees to hide in dark holes, hunters pursue them with rakes and hoes".
    Watermark visible by transparency.
    The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the reverse, otherwise fine condition for this very...
    €250
  28. La chasse au bubaleLa chasse au bubale
    Johannes STRADANUS, Philippe GALLE

    La chasse au bubale

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus.
    Proof on watermarked laid paper, work from the late 16th or very early 17th century.
    Artists' signatures in the plate.
    Latin caption in the lower part of the engraving.
    Manuscript translation in old handwriting below the plate mark: "Le bubale est une espèce de boeuf cruel et féroce. Les chasseurs pour le prendre le lassent en faisant courir et aboyer des chiens après lui, qui le mordent, jusqu'à ce qu'il tombe, n'en pouvant plus" ["The bubale is a species of cruel and ferocious ox. Hunters to catch it lasso it by making dogs run and bark after it, which bite it, until...
    €250
  29. La chasse aux lions par le feuLa chasse aux lions par le feu
    Johannes STRADANUS, Philippe GALLE

    La chasse aux lions par le feu

    S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
    Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus.
    Proof on watermarked laid paper, work from the late 16th or very early 17th century.
    Artists' signatures in the plate.
    Latin caption in the lower part of the engraving.
    Manuscript translation in old handwriting below the plate mark: "Ceux qui s'occupent à surprendre les lions dans des filets portent une torche de la main gauche et un bouclier de la droite pour se garantir du feu: les lions fuyant les flammes, se jettent dans les filets qu'on lui a tendu." ["Those who busy themselves with surprising lions in nets carry a torch in the left hand and a shield in the right to...
    €250
  30. Les vits imaginairesLes vits imaginaires
    André DUNOYER DE SEGONZAC, Claude ROGER-MARX

    Les vits imaginaires

    S. n.|s. l. • [Paris] s. d. [circa fin des années 20]|13.50 x 16.50 cm|agrafé
    First edition, published under the pseudonym of Claudinet and illustrated with original erotic engravings by André Dunoyer de Segonzac, one of 250 numbered copies on vergé d'Arches paper, the only printing.
    With 9 free compositions by André Dunoyer de Segonzac, consisting of 2 attractive original hors texte etchings, one title vignette heightened in red showing a bird on a phallus, one vignette on the justification leaf showing a naked woman and five culs-de-lampe with erotic motifs.
    Spine slightly faded, slight marginal traces of adhesive paper to endpapers, bookseller's catalogue label pasted to final pastedown, but otherwise a good copy.
    Rare.
    €900
  31. P à R
    Paul CLAUDEL

    P à R

    S. n.|s. l. 1985|21 x 15 cm|en feuilles
    Posthumous first edition, attributed to Paul Claudel, of 26 lettered copies on B.F.K. de Rives paper.
    A rare and very good copy.
    €100
  32. Le fourbe puni, ou le duel des rivales. [Ensemble] Lettres infernales et Les tisonsLe fourbe puni, ou le duel des rivales. [Ensemble] Lettres infernales et Les tisons
    ANONYME

    Le fourbe puni, ou le duel des rivales. [Ensemble] Lettres infernales et Les tisons

    S. n. • Aux enfers|s. l. 1740|9.50 x 16.70 cm|relié
    First edition, rare. The second work is also in first edition, decorated with a frontispiece representing the devil handing a letter to a gentleman.
    Contemporary full blonde calf binding. Ornate raised band spine. Red morocco title-label. One tear p. 127. Headcaps slightly worn.
    Outstanding anonymous short novel, typical in its construction and writing of the first half of the 18th century, which narrates the encounter between a gentleman and a female duellist, the tallest woman he had ever seen; she will eventually tell her love story and provide an explanation for this curious duel. The second work, satirical, denounces, mocks and criticizes numerous subjects with bite in a tone...
    €500
  33. Chasse des LoutresChasse des Loutres
    Johannes STRADANUS

    Chasse des Loutres

    S. n.|s. l. s. d. [circa 1590]|34.50 x 26 cm|une feuille
    Authentic original engraving executed in burin after a 16th-century painting by Johannes Stradanus.
    Proof on watermarked laid paper, work from the late 16th or early 17th century.
    Artist's signature in the plate.
    Latin caption in the lower part of the engraving.
    Old manuscript translation below the plate mark: "Ainsi se chassent les loutres dans des barques en châne creux. Elles sont frappées dans l'eau avec un trident crochu" ["Thus otters are hunted in boats made of hollow oak. They are struck in the water with a hooked trident"].
    Watermark visible by transparency.
    The engraving has been mounted and restored with small pieces of old laid paper glued to...
    €250
  34. Chasse aux canardsChasse aux canards
    Johannes STRADANUS, Philippe GALLE

    Chasse aux canards

    S. n.|s. l. s. d. [circa 1590]|34 x 25.50 cm|une feuille
    Authentic original engraving executed in burin after a 16th-century painting by Johannes Stradanus.
    Proof on watermarked laid paper, work from the late 16th or early 17th century.
    Artists' signatures in the plate.
    Latin caption in the lower part of the engraving.
    Manuscript translation in old handwriting below the plate mark: "Ainsi les canards attachés sur le fleuve chantent, pendant que ceux qui surviennent sont blessés d'un coup de feu et charpillent leurs plumes sur le fleuve" ["Thus the ducks attached on the river sing, while those that come are wounded by gunshot and scatter their feathers on the river"].
    Watermark visible by transparency.
    The...
    €250
  35. Statues de l'hôtel de ville. Statues de l'hôtel de ville.
    ANONYME

    Statues de l'hôtel de ville.

    S. n.|s. l. circa 1892|22.50 x 16 cm|relié
    Half green calf binding, spine with 5 raised bands rubbed, spine decoration faded.
    Collection of illustrations of the statues adorning Paris City Hall accompanied by biographies of the illustrious figures represented. Illustrations hors texte each mounted on tabs.
    Handsome copy.
    Rare.
    €120
  36. Gravure originale du XVIIe siècle "Carcere clauduntur nigro mandate senatu Discipuli, sed lux Divina repagula porte Perfregit, duxitque viros ad limina templi, Sacra quibus iussum est miisteria pandere Christi." (Ac. Cap.5.19.)Gravure originale du XVIIe siècle "Carcere clauduntur nigro mandate senatu Discipuli, sed lux Divina repagula porte Perfregit, duxitque viros ad limina templi, Sacra quibus iussum est miisteria pandere Christi." (Ac. Cap.5.19.)
    Maarten van HEEMSKERCK

    Gravure originale du XVIIe siècle "Carcere clauduntur nigro mandate senatu Discipuli, sed lux Divina repagula porte Perfregit, duxitque viros ad limina templi, Sacra quibus iussum est miisteria pandere Christi." (Ac. Cap.5.19.)Original 17th century burin engraving [The disciples are locked in prison by the black command of the senate, but the divine light breaks through the bars of the gate and leads the men to the thresholds of the temple, to whom it is commanded to reveal the sacred mysteries of Christ]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille

    Original burin engraving after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen.
    Printed on watermarked laid paper in the early 17th century. This is an illustration of a passage from the Acts of the Apostles, 5.19-20:

    "But the angel of the Lord by night opened the prison doors, and brought them forth, and said, Go, stand and speak in the temple to the people all the words of this life."

    Latin caption in the lower portion of the engraving. Artist's signature in the plate. Numbered notation "10" in the lower right corner, within the engraving. Manuscript notation "143" in the margin in the upper right corner of...

    €180
  37. Conspectis constanter aquis, ardescere cepit Ennuchi fecunda fides, qui gurgite mersus Antiquos posuit lapsus, et nomine Christi Testatur totum purgatum lapsibus orbem. (Ac. Cap.8.38.) Gravure originale du XVIIe siècleConspectis constanter aquis, ardescere cepit Ennuchi fecunda fides, qui gurgite mersus Antiquos posuit lapsus, et nomine Christi Testatur totum purgatum lapsibus orbem. (Ac. Cap.8.38.) Gravure originale du XVIIe siècle
    Maarten van HEEMSKERCK

    Conspectis constanter aquis, ardescere cepit Ennuchi fecunda fides, qui gurgite mersus Antiquos posuit lapsus, et nomine Christi Testatur totum purgatum lapsibus orbem. (Ac. Cap.8.38.) Gravure originale du XVIIe siècle[Constantly gazing at the waters, Ennuchi's fruitful faith began to burn, who, drowned in the whirlpool, laid the ancients to rest, and in the name of Christ testifies that the whole world has been cleansed of its sins]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
    Original engraving executed with burin after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck, Marten, Maerten, Martin.
    Impression on watermarked laid paper, work from the early 17th century. This is an illustration of a passage from the Acts of the Apostles, 8.38-39: "And he commanded the chariot to stand still: and they went down both into the water, both Philip and the eunuch; and he baptized him. And when they were come up out of the water, the Spirit of the Lord caught away Philip, that the eunuch saw him no more.". Latin caption in the lower portion of the engraving. Artist's signature in the plate. Numbered notation "15" in the lower...
    €200
  38. Gravure originale du XVIIe siècle "Paulus acerba fremens miseris fera bella ciere Judaica feritate parat, sed corpore lapsus Post, maiora videt legisque excitus ab umbra Sub qua cecus erat, regiones lucet in omnes."  (Ac. Cap.9.3.)Gravure originale du XVIIe siècle "Paulus acerba fremens miseris fera bella ciere Judaica feritate parat, sed corpore lapsus Post, maiora videt legisque excitus ab umbra Sub qua cecus erat, regiones lucet in omnes."  (Ac. Cap.9.3.)
    Maarten van HEEMSKERCK

    Gravure originale du XVIIe siècle "Paulus acerba fremens miseris fera bella ciere Judaica feritate parat, sed corpore lapsus Post, maiora videt legisque excitus ab umbra Sub qua cecus erat, regiones lucet in omnes." (Ac. Cap.9.3.)Original 17th century burin engraving [Paul, roaring bitterly, prepares to wage savage wars against the wretched with Jewish ferocity, but after falling in body, he sees greater things and, awakened from the shadow of the law under which he was blind, shines upon all regions]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille

    Original burin engraving after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen.
    Print on watermarked laid paper, early 17th-century work.

    This is an illustration of a passage from Acts of the Apostles, 9.1-3: 

    "But Saul, still breathing threats and murder against the disciples of the Lord, went to the high priest and asked him for letters to the synagogues at Damascus, so that if he found any belonging to the Way, men or women, he might bring them bound to Jerusalem. Now as he went on his way, he approached Damascus, and suddenly a light from heaven shone around him".

    Latin caption in the lower part of...

    €120
  39. In Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècleIn Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècle
    Johannes STRADANUS, [Claes Jansz VISSCHER attributed]

    In Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving executed with burin by Claes Jansz Visscher, called the Piscator, after a 16th century painting by Johannes Stradanus.
    Proof on watermarked laid paper, early 17th century work.This illustrates a passage from Acts of the Apostles, 16.12-14: "From there we traveled to Philippi, a Roman colony and the leading city of that district of Macedonia. And we stayed there several days. On the Sabbath we went outside the city gate to the river, where we expected to find a place of prayer. We sat down and began to speak to the women who had gathered there. One of those listening was a woman from the city of Thyatira named Lydia, a dealer in purple cloth. She was a worshiper of...
    €200
  40. Contremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècleContremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècle
    Johannes STRADANUS, [Claes Jansz VISSCHER attributed]

    Contremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    , on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists, including Michelangelo, Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578, he devoted a large part of his activity to engraving.
    €200
  41. Ipsa graves tollunt Pauli sudaria morbos Febrilesque leuant Pauli semicincta calores. Exorcistarum conflantur in igne libelli Et Sathan in magicos saeuit crudeliter omnes. (Acto. 19.14.) Gravure originale du XVIIe siècleIpsa graves tollunt Pauli sudaria morbos Febrilesque leuant Pauli semicincta calores. Exorcistarum conflantur in igne libelli Et Sathan in magicos saeuit crudeliter omnes. (Acto. 19.14.) Gravure originale du XVIIe siècle
    Johannes STRADANUS, [Claes Jansz VISSCHER attributed]

    Ipsa graves tollunt Pauli sudaria morbos Febrilesque leuant Pauli semicincta calores. Exorcistarum conflantur in igne libelli Et Sathan in magicos saeuit crudeliter omnes. (Acto. 19.14.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving executed in burin by Claes Jansz Visscher, called le Piscator after a 16th-century painting by Johannes Stradanus.
    Impression on watermarked laid paper, work from the early 17th century.
    This is an illustration of a passage from Acts of the Apostles, 19.13-16: "Then certain of the vagabond Jews, exorcists, took upon them to call over them which had evil spirits the name of the Lord Jesus, saying, We adjure you by Jesus whom Paul preacheth. And there were seven sons of one Sceva, a Jew, and chief of the priests, which did so. And the evil spirit answered and said, Jesus I know, and Paul I know; but who are ye? And the man in whom the evil spirit was leaped on...
    €150
  42. Tobias plus timens Deum quam regem rapiebat corpora occisorum et occultabat in domo sua et mediis noctibus sepeliebat ea. (Tobi.2 Cap.4.). Gravure originale du XVIIe siècleTobias plus timens Deum quam regem rapiebat corpora occisorum et occultabat in domo sua et mediis noctibus sepeliebat ea. (Tobi.2 Cap.4.). Gravure originale du XVIIe siècle
    Maarten DE VOS

    Tobias plus timens Deum quam regem rapiebat corpora occisorum et occultabat in domo sua et mediis noctibus sepeliebat ea. (Tobi.2 Cap.4.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving executed in burin after a 16th-century painting by Maarten de Vos (or Martin).
    Proof on watermarked laid paper, work from the early 17th century.
    This is an illustration from the Book of Tobit (2.9.), in the Old Testament: "But Tobit, fearing God more than the king, took away the bodies of those who had been killed, hid them in his house and buried them during the night.".
    Latin legend in the lower part of the engraving.
    Artist's signature in the plate.
    Numbered marking "8" in the lower right corner of the engraving, and manuscript notation "116" in the margin in the upper right corner.
    A manuscript annotation in pencil in Greek characters...
    €150
  43. Pessime quid bipedum tentas, quid pectore volvis? Vach scelus horrendum Dominum sic prodis Iesum! Vix ausit Pluto quod tu moliris Iuda, Terribili dignus qui tandem morte perires. (Matthei.26.14.). Gravure originale du XVIIe sièclePessime quid bipedum tentas, quid pectore volvis? Vach scelus horrendum Dominum sic prodis Iesum! Vix ausit Pluto quod tu moliris Iuda, Terribili dignus qui tandem morte perires. (Matthei.26.14.). Gravure originale du XVIIe siècle
    Johannes STRADANUS, [Claes Jansz VISSCHER attributed]

    Pessime quid bipedum tentas, quid pectore volvis? Vach scelus horrendum Dominum sic prodis Iesum! Vix ausit Pluto quod tu moliris Iuda, Terribili dignus qui tandem morte perires. (Matthei.26.14.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    , on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists, including Michelangelo, Johannes Stradanus contributed to the development of grand Italian historical painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578, he devoted a large part of his activity to engraving.
    €150
  44. Esurivi enim et dedistis mihi manducare. (Matt. 25.35.). Gravure originale du XVIIe siècleEsurivi enim et dedistis mihi manducare. (Matt. 25.35.). Gravure originale du XVIIe siècle
    Maarten DE VOS

    Esurivi enim et dedistis mihi manducare. (Matt. 25.35.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original unsigned engraving, probably executed in burin after a 16th century painting by Maarten de Vos (or Martin).
    Proof on watermarked laid paper, early 17th century work.
    This is an illustration of the Gospel according to Matthew 25.35, "For I was an hungred, and ye gave me meat".
    Latin caption in the lower portion of the engraving.
    Numbered mark "2" in the lower right corner in the engraving, and manuscript notation "110" in margin in the upper right corner. An old manuscript annotation in Greek characters under the right corner of the plate mark. Watermark visible by transparency. Tiny marginal foxing and stains, a tiny corner lack, a trace of corner fold, all...
    €150
  45. Abiens autem qui quinquae talenta acceperat et negotiatus lucrifecit alia quinquae similiter et qui duo acceperat alia duo lucrifecit. (Matt. 25.16.). Gravure originale du XVIIe siècleAbiens autem qui quinquae talenta acceperat et negotiatus lucrifecit alia quinquae similiter et qui duo acceperat alia duo lucrifecit. (Matt. 25.16.). Gravure originale du XVIIe siècle
    Harman Jansz van MULLER

    Abiens autem qui quinquae talenta acceperat et negotiatus lucrifecit alia quinquae similiter et qui duo acceperat alia duo lucrifecit. (Matt. 25.16.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving executed in burin by Harman Jansz van Muller.
    Proof on watermarked laid paper, early 17th century work. This is an illustration of the Gospel according to Matthew 25.16-17, "Then he that had received the five talents went and traded with the same, and made them other five talents. And likewise he that had received two, he also gained other two."
    Latin caption in the lower portion of the engraving.
    Artist's signature in the plate.
    Character mark "Z" at bottom in the engraving, numbered mark "2" in the lower right corner in the caption area, and manuscript notation "104" in margin in the upper right corner. An old manuscript annotation in Greek characters...
    €200
  46. Qui vero unum acceperat abiens fodit in terram et abscondit pecuniam domini sui. (Matt. 25.18.). Gravure originale du XVIIe siècleQui vero unum acceperat abiens fodit in terram et abscondit pecuniam domini sui. (Matt. 25.18.). Gravure originale du XVIIe siècle
    Harman Jansz van MULLER

    Qui vero unum acceperat abiens fodit in terram et abscondit pecuniam domini sui. (Matt. 25.18.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
    Original engraving executed with burin by Harman Jansz van Muller.
    Proof on watermarked laid paper, work from the early 17th century.
    This is an illustration of the Gospel according to Matthew 25:18, "And he that had received one went and digged in the earth, and hid his lord's money."
    Legend in Latin in the lower part of the engraving.
    Artist's signature in the plate. Numbered mentions "3" at the bottom in the engraving and in the lower right corner in the section devoted to the legend, and manuscript mention "105" in the margin in the upper right corner. An old manuscript annotation in Greek characters under the right angle of the plate mark. Watermark visible by...
    €200
  47. Post multum vero temporis rediit dominus servorum illorum et contulit rationem cum eis. (Matt. 25.19.). Gravure originale du XVIIe sièclePost multum vero temporis rediit dominus servorum illorum et contulit rationem cum eis. (Matt. 25.19.). Gravure originale du XVIIe siècle
    Harman Jansz van MULLER

    Post multum vero temporis rediit dominus servorum illorum et contulit rationem cum eis. (Matt. 25.19.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving unsigned, executed with burin, likely by Harman Jansz van Muller.
    Proof on watermarked laid paper, work from the early 17th century. This is an illustration of the Gospel according to Matthew 25:19, "After a long time the lord of those servants cometh, and reckoneth with them."
    Legend in Latin in the lower part of the engraving.
    Numbered mentions "4" at the bottom in the engraving and in the lower right corner in the section devoted to the legend, and manuscript mention "106" in the margin in the upper right corner. An old manuscript annotation in Greek characters under the right angle of the plate mark. Watermark visible by transparency. Rare and discreet...
    €200
  48. Gravure originale du XVIIe siècle "Et accedens qui quinque talenta acceperat obtulit alia, quinque quae lucrifecerat, similiter et qui duo acceperat obtulit alia duo, quibus ait Dominus, Euge serui boni et fideles quia super pauca fideles fuistis super multa vos constituam Intrate in gaudium domini vestri." (Matt. 25.20.)Gravure originale du XVIIe siècle "Et accedens qui quinque talenta acceperat obtulit alia, quinque quae lucrifecerat, similiter et qui duo acceperat obtulit alia duo, quibus ait Dominus, Euge serui boni et fideles quia super pauca fideles fuistis super multa vos constituam Intrate in gaudium domini vestri." (Matt. 25.20.)
    Harman Jansz van MULLER

    Gravure originale du XVIIe siècle "Et accedens qui quinque talenta acceperat obtulit alia, quinque quae lucrifecerat, similiter et qui duo acceperat obtulit alia duo, quibus ait Dominus, Euge serui boni et fideles quia super pauca fideles fuistis super multa vos constituam Intrate in gaudium domini vestri." (Matt. 25.20.)Original 17th century burin engraving - illustration of the Gospel according to Matthew 25.20-23

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille

    Original unsigned burin engraving, presumably by Harman Jansz van Muller.
    Printed on watermarked laid paper in early 17th-century.
    This is an illustration of the Gospel according to Matthew 25.20-23,

     "And he who had received the five talents came forward, bringing five talents more, saying, 'Master, you delivered to me five talents; here I have made five talents more.' His master said to him, 'Well done, good and faithful servant. You have been faithful over a little; I will set you over much. Enter into the joy of your master.' 

    Latin caption in the lower part of the engraving. Numbered references "5" at the bottom of the...

    €180
  49. Sitivi et dedistis mihi bibere. (Matt. 25.35.). Gravure originale du XVIIe siècleSitivi et dedistis mihi bibere. (Matt. 25.35.). Gravure originale du XVIIe siècle
    Maarten DE VOS

    Sitivi et dedistis mihi bibere. (Matt. 25.35.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving executed with burin after a 16th-century painting by Maarten de Vos (or Martin).
    Proof on watermarked laid paper, early 17th-century work.
    This is an illustration of the Gospel according to Matthew 25.35, "I was thirsty, and you gave me drink".
    Latin caption in the lower part of the engraving. Artist's signature in the plate. Numbered reference "3" in the lower right corner of the engraving, and manuscript notation "111" in the margin in the upper right corner.
    An old manuscript annotation in Greek characters below the right corner of the plate mark. Watermark visible by transparency.
    Rare and minimal foxing and marginal stains, not affecting the...
    €150
  50. Infirmus eram et visitastis me. (Matt. 25.36.). Gravure originale du XVIIe siècleInfirmus eram et visitastis me. (Matt. 25.36.). Gravure originale du XVIIe siècle
    Maarten DE VOS

    Infirmus eram et visitastis me. (Matt. 25.36.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original unsigned engraving, presumably executed with burin after a 16th-century painting by Maarten de Vos (or Martin).
    Proof on watermarked laid paper, work of early 17th century. This is an illustration of the Gospel according to Matthew 25.36, "I was sick, and you visited me".
    Latin caption in the lower portion of the engraving.
    Numbered notation "6" in the lower right corner within the engraving, and manuscript notation "114" in the margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Watermark visible by transparency. Rare and minimal foxing and stains mainly marginal, one tiny corner loss, otherwise...
    €100
  51. Panem nostrum quotidianum danobis hodie. (Matt. 6.11.). Gravure originale du XVIIe sièclePanem nostrum quotidianum danobis hodie. (Matt. 6.11.). Gravure originale du XVIIe siècle
    Maarten van HEEMSKERCK

    Panem nostrum quotidianum danobis hodie. (Matt. 6.11.). Gravure originale du XVIIe siècle[You give us our daily bread today]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving executed in burin after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck, Marten, Maerten, Martin.
    Impression on watermarked laid paper, work from the early 17th century.
    This is an illustration of the Gospel according to Matthew 6-11, "Give us this day our daily bread." (from the Lord's Prayer).
    Latin caption in the lower part of the engraving.
    Artist's signatures in the plate.
    Numbered mention "4" in the lower right corner within the engraving, and manuscript notation "50" in the margin in the upper right corner. Crown watermark visible by transparency. Minimal foxing and dampstains mainly marginal, small...
    €60
  52. Et dimitte nobis debita nostra sicut et nos dimitimus debitoribus nostris. (Matt. 6.12.). Gravure originale du XVIIe siècleEt dimitte nobis debita nostra sicut et nos dimitimus debitoribus nostris. (Matt. 6.12.). Gravure originale du XVIIe siècle
    Maarten van HEEMSKERCK

    Et dimitte nobis debita nostra sicut et nos dimitimus debitoribus nostris. (Matt. 6.12.). Gravure originale du XVIIe siècle[And forgive us our debts, as we also forgive our debtors]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original unsigned engraving, executed in burin, probably after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck, Marten, Maerten, Martin.
    Impression on watermarked laid paper, work from the early 17th century.
    This is an illustration of the Gospel according to Matthew 6-12, "Forgive us our trespasses, as we also forgive those who trespass against us." (from the Lord's Prayer).
    Latin caption in the lower part of the engraving. Numbered mention "5" in the lower right corner within the engraving, and manuscript notation "51" in the margin in the upper right corner. Crown watermark visible by transparency. Minimal foxing and dampstains...
    €180
  53. Homo quidam erat diues, et induebatur purpura et bisso: et epulabatur quotidie splendidè. Et erat quidam mendicus nomine Lazarus, qui iacebat ad ianuam eius, ulceribus plenus: cupiens saturati de micis, quae cadebant de mensa diuitis, sed et canes veniebant, et lingebant ulcera eius. (Luc 16.19.). Gravure originale du XVIIe siècleHomo quidam erat diues, et induebatur purpura et bisso: et epulabatur quotidie splendidè. Et erat quidam mendicus nomine Lazarus, qui iacebat ad ianuam eius, ulceribus plenus: cupiens saturati de micis, quae cadebant de mensa diuitis, sed et canes veniebant, et lingebant ulcera eius. (Luc 16.19.). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Homo quidam erat diues, et induebatur purpura et bisso: et epulabatur quotidie splendidè. Et erat quidam mendicus nomine Lazarus, qui iacebat ad ianuam eius, ulceribus plenus: cupiens saturati de micis, quae cadebant de mensa diuitis, sed et canes veniebant, et lingebant ulcera eius. (Luc 16.19.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Original engraving executed in burin by Claes Jansz Visscher, known as Piscator.
    Proof on watermarked laid paper, work from the early 17th century.
    This is an illustration of the Gospel according to Luke 16.19-21, "There was a rich man, who was clothed in purple and fine linen, and who feasted sumptuously every day. And at his gate lay a poor man named Lazarus, covered with sores, who desired to be fed with what fell from the rich man's table; moreover the dogs came and licked his sores." Latin caption in the lower portion of the engraving.
    Another Latin inscription in the upper right portion of the plate: "Iesus apostolos docens de divite epulone parabolam dicit." Artist's...
    €180
  54. Factum est autem ut moreretur mendicus, et protaretur ab angelis in sinum Abrahae. (Luc 16.22.). Gravure originale du XVIIe siècleFactum est autem ut moreretur mendicus, et protaretur ab angelis in sinum Abrahae. (Luc 16.22.). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Factum est autem ut moreretur mendicus, et protaretur ab angelis in sinum Abrahae. (Luc 16.22.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Unsigned original engraving, probably executed in burin by Claes Jansz Visscher, known as Piscator.
    Proof on watermarked laid paper, work from the early 17th century.
    This is an illustration of the Gospel according to Luke 16.22, "The poor man died, and he was carried by the angels into Abraham's bosom."
    Latin caption in the lower portion of the engraving.
    Numbered notation "2" in the lower right corner within the engraving, and manuscript notation "81" in margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Crown watermark visible by transparency. Rare and minimal marginal foxing, small corner stains...
    €150
  55. Gravure originale du XVIIe siècle "Angelus in somnis alia discedere terra Iussit, ad herodis nec remeare domum." (Math. 2.12).Gravure originale du XVIIe siècle "Angelus in somnis alia discedere terra Iussit, ad herodis nec remeare domum." (Math. 2.12).
    Claes Jansz VISSCHER

    Gravure originale du XVIIe siècle "Angelus in somnis alia discedere terra Iussit, ad herodis nec remeare domum." (Math. 2.12).Original 17th century burin engraving [Then, being divinely warned in a dream not to return to Herod, they departed to their own country by another way.]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|30 x 27.50 cm|une feuille

    Original unsigned burin engraving probably by Claes Jansz Visscher, known as Piscator.
    Printed on watermarked laid paper, in the early 17th century.
    This is an illustration of the Gospel according to Matthew 2-12,

    "Then, being divinely warned in a dream not to return to Herod, they departed to their own country by another way."


    Latin caption in the lower part of the engraving. Numbered mention "12" in the lower right corner within the engraving, and manuscript mention "17" in margin in the upper right corner. An old manuscript annotation in Greek characters under the right corner of the plate mark. Crown watermark. Minor foxing and...

    €100
  56. Beati Qui Lugent, Quoniam Ipsi Consolabuntur. (Matt. 5.4). Gravure originale du XVIIe siècleBeati Qui Lugent, Quoniam Ipsi Consolabuntur. (Matt. 5.4). Gravure originale du XVIIe siècle
    Maarten van HEEMSKERCK, Harman Jansz van MULLER (fecit)

    Beati Qui Lugent, Quoniam Ipsi Consolabuntur. (Matt. 5.4). Gravure originale du XVIIe siècle[Blessed are those who mourn, for they will be comforted]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Original engraving executed with burin by Harman Jansz van Muller, after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck, Marten, Maerten, Martin.
    Proof on watermarked laid paper, work from the early 17th century.
    This is an illustration of the Gospel according to Matthew 5-4, "Blessed are those who mourn, for they will be comforted!" (the second of the eight beatitudes, pronounced by Jesus during the Sermon on the Mount).
    Latin inscription in the lower part of the engraving: "Macte animo, pastus fletu quem, moeror & eger Luctus agit; nam te solamina grata manebunt. Rore rigat plantas Christi lachrymosa fideli Magdala, hinc venia &...
    €150
  57. Rome ou quand par hasard on a un coeur et une chemiseRome ou quand par hasard on a un coeur et une chemise
    Hughes LABRUSSE

    Rome ou quand par hasard on a un coeur et une chemise

    La Barbacane|s. l. 1978|16 x 23 cm|broché
    First edition, one of 200 numbered copies on Arches paper, the only deluxe copies.
    Autograph inscription from Hughes Labrusse to a couple who were his friends.
    Handsome copy.
    €50
  58. Lorris dans la forêtLorris dans la forêt
    Gérard MURAIL

    Lorris dans la forêt

    Les cahiers à Haute voix|s. l. 1960|16 x 22.50 cm|broché
    First edition, one of 700 numbered copies on alfa paper, the only deluxe copies along with 20 offset Lourmarin.
    Signed and inscribed by Gérard Murail.
    Work illustrated with drawings by Marc Hénard.
    Spine and boards slightly and marginally faded, a small insignificant stain on the endpaper and its verso, handsome interior condition.
    €50
  59. La cité marineLa cité marine
    Marguerite DURAND-VIEL ROUSSEAU

    La cité marine

    S. n. • [chez l'auteur]|s. l. • [Paris] s. d. [ca 1964]|14 x 22.50 cm|broché
    First edition, printed in very small numbers at the author's expense.
    Inscribed by Marguerite Durand-Viel Rousseau.
    Spine and boards very slightly and marginally faded, otherwise handsome copy.
    We include with this copy an autograph letter of 2 pages recto-verso from the author providing explanations about the book's content and the poetic approach associated with it.
    Rare ensemble.
    €80
  60. DistancesDistances
    Jean ROUSSELOT

    Distances

    Guy Chambelland|s. l. 1963|16 x 24.50 cm|cousu
    First edition, one of 240 numbered copies on antique laid paper, the only issue with 10 "Moyen-Age".
    Autograph inscription by Jean Rousselot.
    Spine and boards very slightly and marginally faded, tiny pinhole marks of no consequence on endpapers, handsome copy.
    €50
  61. "Ne te plains donc pas ! tu pourras y retourner", lithographie signée"Ne te plains donc pas ! tu pourras y retourner", lithographie signée
    Jean-Louis FORAIN

    "Ne te plains donc pas ! tu pourras y retourner", lithographie signée

    S. n.|s. l. s. d. [circa 1920]|55 x 37 cm|autre
    Lithograph on thick vélin paper printed in 300 numbered copies and signed in pencil by the artist.
    €200
  62. Photographie originale de Jean MariottiPhotographie originale de Jean Mariotti
    (Jean MARIOTTI)

    Photographie originale de Jean Mariotti

    S. n.|s. l. s. d. [circa 1930]|12 x 17 cm|autre
    Unique silver gelatin print of this superb original photograph showing the New Caledonian writer in the bush, dressed in Aboriginal attire and carrying fine spears.
    Very fine photograph without any defects, presented in frame.
    €450
  63. Recherches expérimentales sur la température animale. Recherches expérimentales sur la température animale.
    Jean Nicolas DEMARQUAY

    Recherches expérimentales sur la température animale.

    S. n.|s. l. (juin 1847)|22 x 28 cm|relié
    Doctoral thesis in medicine, defended by the author in 1847.
    First edition.
    Half dark green cloth binding, title and author's name gilt to spine, "S de B [Société de Biologie] at foot, marbled paper boards, contemporary binding.
    Autograph inscription signed by Jean Nicolas Demarquay.
    Some rare marginal foxing of no consequence. Handsome copy, rare.
    Jean Nicolas Demarquay (1815-1875), surgeon, presented his doctoral thesis in medicine, Recherches expérimentales sur la température animale, in June 1847. He was chief surgeon at the Dubois nursing home. He was interested in hypnotism and published numerous works on surgical procedures. Great friend...
    €80
  64. Le Masque. L'enchantementLe Masque. L'enchantement
    Henry BATAILLE

    Le Masque. L'enchantement

    S. n.|s. l. S.d. (1908)|14.50 x 23 cm|relié
    Extremely rare copy of the very first printing, without title page, containing a "typographical rarity" whose origin is related by the author in a two-page autograph letter addressed to Miguet, inserted on the endpaper: in order to save about fifty pages on the printing of Henry Bataille's complete Theatre, the publisher Flammarion composed the text of the two plays in volume II by having the names of the characters, placed at the head of each line, immediately followed by the text of the dialogue. Only two or three copies (including ours) composed in this way, from the final proofs, were printed.
    Half chocolate morocco binding with corners, spine with raised bands, one...
    €300
  65. Essai sur l'homme [Ensemble] Lettres turquesEssai sur l'homme [Ensemble] Lettres turques
    Alexander POPE, Germain-François Poullain de SAINT-FOIX

    Essai sur l'homme [Ensemble] Lettres turques

    S. n. • chez Pierre Marteau|s. l. • A Cologne 1736 - 1739|9.50 x 16.50 cm|relié
    First French edition of the Essay on Man translated by Etienne de Silhouette, and second edition of the Turkish Letters first published in 1730, by the same publisher in Cologne.
    Modern full parchment paper boards binding. Black sheep title label.
    Pope's Essay on Man, a philosophical poem, is translated in prose, and is preceded by a long preface by the translator. In the Turkish Letters, Saint-Foix was inspired by Montesquieu's model (who himself was inspired by Manara's Chinese Spy model), but while the Letters follow the same principle, they do not contain, as in Montesquieu, the lengthy descriptions; they are entirely devoted to narrative and to the comparison of manners and...
    €450
  66. Qui fait la pluie et le beau tempsQui fait la pluie et le beau temps
    Jean-François CHABRUN, TITA

    Qui fait la pluie et le beau temps

    Les pages libres de la Main à plume|s. l. 1943|11 x 14.50 cm|une feuille rempliée
    First edition, one of 250 copies on colored coated paper, the only printing with 5 China paper and 10 Auvergne paper copies.
    Our copy is complete with its hors-texte drawing by Tita.
    Fine copy.
    €60
  67. A bomba explosiva (28 de Janeiro de 1908 a 5  de Outubro de 1910), depoimentos de diversos revolucionariosA bomba explosiva (28 de Janeiro de 1908 a 5  de Outubro de 1910), depoimentos de diversos revolucionarios
    José Maria NUNES

    A bomba explosiva (28 de Janeiro de 1908 a 5 de Outubro de 1910), depoimentos de diversos revolucionarios

    J.M. Nunes|s. l. 1912|17.50 x 25 cm|broché
    First edition of this compilation by J.M. Nunes.
    Iconography.
    Spots to margins on illustrated covers, a little light internal spotting s.
    Rare.
    €300
  68. Pindari Olympia, Pythia, Nemea, Isthmia. Caeterorum octo lyricorum carmina, Alcari, Sapphus, Anacreontii, Simonidis, Alcmanis... Editio V. Graecolatina H. Stepha. Pindari Olympia, Pythia, Nemea, Isthmia. Caeterorum octo lyricorum carmina, Alcari, Sapphus, Anacreontii, Simonidis, Alcmanis... Editio V. Graecolatina H. Stepha.
    PINDARE

    Pindari Olympia, Pythia, Nemea, Isthmia. Caeterorum octo lyricorum carmina, Alcari, Sapphus, Anacreontii, Simonidis, Alcmanis... Editio V. Graecolatina H. Stepha.

    Pauli stephani|s. l. 1612|6 x 12.50 cm|relié

    New edition, the first of which appears to have been published by the same publisher in 1599.


    Contemporary full calf binding. Attractively ornamented spine with raised bands, featuring a central tool of two interlaced Cs. Red morocco title label. Edges gilt. A one-centimeter lack to the last compartment, and split with small lack to foot headcap, first blank endpaper partly detached. Rubbing. Foxing.


    Edition established by Henri Estienne the younger and published by Paul Estienne, his son, who practiced his printing trade from 1599 to 1526. This bilingual edition includes, besides the works of Pindar, the Greek poets: Anacreon, Sappho...

    €350
  69. C.J. Jung and projective techniques : a testimonial to Dr Jung's 80th birthday on July 26th, 1955C.J. Jung and projective techniques : a testimonial to Dr Jung's 80th birthday on July 26th, 1955
    (Carl Gustav JUNG) COLLECTIF

    C.J. Jung and projective techniques : a testimonial to Dr Jung's 80th birthday on July 26th, 1955

    In Journal of projective techniques|s. l. 1955|15.50 x 23 cm|agrafé
    First edition.
    Contributions by B. Klopfer, F. Riklin, K.W. Bash, H. Mindness, M. Spiegelman, J. Jacobi.
    Handsome copy.
    €30
  70. [JANSENISME] Lettre a une personne de très-haute considération, au sujet de la cessation du service ordinaire, résolue par le parlement, le 5 mai 1753. pour vaquer sans discontinuation aux affaires du schisme. [Ensemble] Lettre apologétique, critique et politique, écrite par un seigneur de la cour, a Monsieur le Marechal de *** sur l'affaire du parlement. [Ensemble] Tres-humbles et tres respectueuses representations des officiers du bailliage et siege presidial de Langres a Monseigneur le Chancelier [...] [Ensemble] Supplément à la tradition ds faits, qui prouve l'indépendance des rois de France, vis-à-vis di Pape, des Archevêques & Evêques de son royaume. [Ensemble] Memoire sur le refus des sacremens a la mort qu'on fait a ceux qui n'acceptent pas la constitution, et un addition concernant les billets de confession[JANSENISME] Lettre a une personne de très-haute considération, au sujet de la cessation du service ordinaire, résolue par le parlement, le 5 mai 1753. pour vaquer sans discontinuation aux affaires du schisme. [Ensemble] Lettre apologétique, critique et politique, écrite par un seigneur de la cour, a Monsieur le Marechal de *** sur l'affaire du parlement. [Ensemble] Tres-humbles et tres respectueuses representations des officiers du bailliage et siege presidial de Langres a Monseigneur le Chancelier [...] [Ensemble] Supplément à la tradition ds faits, qui prouve l'indépendance des rois de France, vis-à-vis di Pape, des Archevêques & Evêques de son royaume. [Ensemble] Memoire sur le refus des sacremens a la mort qu'on fait a ceux qui n'acceptent pas la constitution, et un addition concernant les billets de confession

    [JANSENISME] Lettre a une personne de très-haute considération, au sujet de la cessation du service ordinaire, résolue par le parlement, le 5 mai 1753. pour vaquer sans discontinuation aux affaires du schisme. [Ensemble] Lettre apologétique, critique et politique, écrite par un seigneur de la cour, a Monsieur le Marechal de *** sur l'affaire du parlement. [Ensemble] Tres-humbles et tres respectueuses representations des officiers du bailliage et siege presidial de Langres a Monseigneur le Chancelier [...] [Ensemble] Supplément à la tradition ds faits, qui prouve l'indépendance des rois de France, vis-à-vis di Pape, des Archevêques & Evêques de son royaume. [Ensemble] Memoire sur le refus des sacremens a la mort qu'on fait a ceux qui n'acceptent pas la constitution, et un addition concernant les billets de confession

    S. n.|A Amsterdam; • Turin; • s. l. 1750 - 1754|10 x 16.50 cm|5 parties reliées en un volume
    First editions of these 5 texts concerning Jansenism and Parliament. The collection forms a rare ensemble.
    Contemporary full blonde calf binding. Decorated raised spine. Red morocco title label. Corners slightly bumped. Good copy.
    To understand the significance of these editions, it is necessary to go back a little in history: The papal bull Unigenitus (1713) takes up and perfects the various bulls against "Jansenist heresy" by particularly condemning the theses of Quesnel and Arnauld, it would give rise to a religious dispute in France that would gradually worsen into a major political crisis over confession tickets and refusal of sacraments to those who opposed the bull. Not only...
    €700
  71. Lettres au docteur Schuermans (1921-1922)Lettres au docteur Schuermans (1921-1922)
    Clément PANSAERS

    Lettres au docteur Schuermans (1921-1922)

    Temps mêlés|s. l. 1958|15.50 x 19 cm|broché
    First edition, one of 10 numbered copies on Japon, tirage de tête.
    A rare and good copy.
    €500
  72. Advis à Monsieur de Luynes : sur les libelles diffamatoires qui courentAdvis à Monsieur de Luynes : sur les libelles diffamatoires qui courent
    Charles d'Albert LUYNES

    Advis à Monsieur de Luynes : sur les libelles diffamatoires qui courent

    S. n.|s. l. • [Paris] 1620|10.50 x 17 cm|relié
    First edition. Rare.
    Half red percale binding, mid-19th century. Gilt title. Anonymous libel that appeared the day after the Duke of Luynes, favorite of Louis XIII, was made Constable. He is accused of all the evils that have befallen France since Louis XIII, and of serving only his own interests by ruining France and abusing so young a king. Charles d'Albert was made Duke of Luynes in 1619, and was the first of this line. Luynes nevertheless served the king skillfully by enabling him, through his intrigues against Marie de Medici and Concini, to accede to power, but gathering all the king's favors, he was hated by the people and many politicians such as Richelieu.
    €350
  73. L'outrage des barbaresL'outrage des barbares
    Pierre LOTI

    L'outrage des barbares

    S. n.|s. l. s. d. [circa 1917]|14.50 x 20 cm|agrafé
    First edition.
    Spine sunned with some lacks, covers marginally faded. Iconography.
    €60
  74. Observations theologiques et morales, sur le livre du pere Berruyer, Jesuite, intitulé : Histoire du peuple de Dieu...Observations theologiques et morales, sur le livre du pere Berruyer, Jesuite, intitulé : Histoire du peuple de Dieu...
    Charles Daniel Gabriel de Thubières de CAYLUS

    Observations theologiques et morales, sur le livre du pere Berruyer, Jesuite, intitulé : Histoire du peuple de Dieu...

    S. n.|s. l. 1755-1757|10 x 17 cm|3 volumes reliés
    First edition. The first two volumes appeared in 1755 and the last, by abbé Jean-Baptiste Cadry, dates from 1757. Cadry indeed completed this work that M. de Caylus had left unfinished due to his death in 1754. Not held by the British Library and absent from English catalogues.
    Contemporary full marbled calf bindings. Richly decorated raised band spines. Red morocco title labels and black calf volume labels. Red edges. One corner slightly bumped. Handsome copies.
    Beyond the precisely theological criticism (Incarnation, Trinity...) the first volume contains numerous details on heresies. The work should be classified in a library of Jansenism, whose vision of human nature (close to...
    €400
  75. Le roman policier en France au XXe siècle et l'évolution de ses méthodesLe roman policier en France au XXe siècle et l'évolution de ses méthodes
    Jean-Jacques TOURTEAU

    Le roman policier en France au XXe siècle et l'évolution de ses méthodes

    S. n.|s. l. s. d.|20.50 x 26.50 cm|broché
    First edition of this doctoral thesis.
    Light foxing mainly at the beginning of the volume.
    Provenance: from the library of Pierre-Georges Castex, with his annotations on the endpaper and reading marks in the margins of some leaves.
    €60
  76. La faulx du ministre, histoire d'amour contemporaineLa faulx du ministre, histoire d'amour contemporaine
    Valentine VERLAIN

    La faulx du ministre, histoire d'amour contemporaine

    S. n.|s. l. s. d. [ca 1930]|17 x 23.50 cm|broché
    First edition, of which there were no deluxe copies.
    Autograph inscription from Valentine Verlain.
    Work illustrated with numerous illustrations in the text and plates.
    Handsome copy, publisher's wraparound band preserved pasted in the inner margins.
    Rare.
    €60
  77. Explication d'un passage des proverbes : recherches sur l'usage des boissons glacées chez les hébreux, les grecs et les romainsExplication d'un passage des proverbes : recherches sur l'usage des boissons glacées chez les hébreux, les grecs et les romains
    J.-G.-Honoré GREPPO

    Explication d'un passage des proverbes : recherches sur l'usage des boissons glacées chez les hébreux, les grecs et les romains[Explanation of a Passage from the Book of Proverbs: Research into the Use of Iced Beverages among the Hebrews, the Greeks, and the Romans]

    Belley|s. l. 1836|14.50 x 22 cm|broché
    Rare first edition printed to 125 copies.
    Marginal dampstain to the leaves, otherwise a very good copy.
    €180
  78. Choral et nocturnesChoral et nocturnes
    Louis RUY

    Choral et nocturnes

    Ophrys|s. l. s. d.|11.50 x 18.50 cm|relié
    First edition, of which no deluxe copies are mentioned.
    Bradel binding in half green shagreen with corners, smooth spine.
    Autograph inscription from the author to A. Godoy, handsome copy of this collection of poems.
    €35
  79. C. C. Sallustii Crispi quae supersunt opera. Conivratio catilinae. Bellum iugurthinum. Histoiarum libri a Ludovico Carrione collecti & restituti. Una cum annotationibus & scholiisC. C. Sallustii Crispi quae supersunt opera. Conivratio catilinae. Bellum iugurthinum. Histoiarum libri a Ludovico Carrione collecti & restituti. Una cum annotationibus & scholiis
    SALLUSTE [Caius Crispus Sallustius]

    C. C. Sallustii Crispi quae supersunt opera. Conivratio catilinae. Bellum iugurthinum. Histoiarum libri a Ludovico Carrione collecti & restituti. Una cum annotationibus & scholiis

    apud Petrum Santandreanum|s. l. • [Lyon?] 1574|17 x 11.50 cm|relié
    The rare first edition of these works of Sallust in Latin and Greek.
    Full modern Flemish vellum binding perfectly executed.
    A second part containing Carrione's commentaries and Sallust's text in Greek has its own title page: In C. Sallustii crispi catilinam, et iugurtham. Aldi Manutii Paul F. Scolia. Cypriani a opma emendetiones. In Histotiarum lib. VI a ludovico carrione suma diligentia collectos. 1574. Printer's device of Pierre de Saint André on the title page. These works of Sallust are a reprint of the Greek texts held by Aldo Manuce in Venice. The work is formed of two distinct parts, the first is a Latin translation, the second is composed of commentaries by Louis Carrion of...
    €1,200
  80. Etudes sur les travaux publics, les chemins de fer vicinaux. Extrait de la Revue des Deux MondesEtudes sur les travaux publics, les chemins de fer vicinaux. Extrait de la Revue des Deux Mondes
    Henri BLERZY

    Etudes sur les travaux publics, les chemins de fer vicinaux. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1866]|16.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €30
  81. La météorologie en 1854 et ses progrès futurs. Extrait de la Revue des Deux MondesLa météorologie en 1854 et ses progrès futurs. Extrait de la Revue des Deux Mondes
    BABINET

    La météorologie en 1854 et ses progrès futurs. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1854]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €35
  82. Etudes sur l'histoire d'Allemagne. La conquête de la Germanie par l'église romaine. Extrait de la Revue des Deux MondesEtudes sur l'histoire d'Allemagne. La conquête de la Germanie par l'église romaine. Extrait de la Revue des Deux Mondes
    Ernest LAVISSE

    Etudes sur l'histoire d'Allemagne. La conquête de la Germanie par l'église romaine. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1881]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €30
  83. Paysage des tropiques, le bois d'Acoula. Extrait de la Revue des Deux MondesPaysage des tropiques, le bois d'Acoula. Extrait de la Revue des Deux Mondes
    Lucien BIART

    Paysage des tropiques, le bois d'Acoula. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1881]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover, Rare.
    €30
  84. BEAULIEU Anatole - Le sentiment religieux et le mysticisme en Russie. Extrait de la Revue des Deux MondesBEAULIEU Anatole - Le sentiment religieux et le mysticisme en Russie. Extrait de la Revue des Deux Mondes
    LEROY

    BEAULIEU Anatole - Le sentiment religieux et le mysticisme en Russie. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1887]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €30
  85. Le prince Eugène. Extrait de la Revue des Deux MondesLe prince Eugène. Extrait de la Revue des Deux Mondes
    Louis de VIEL-CASTEL

    Le prince Eugène. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1861]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €40
  86. Velasquez au musée de Madrid. Extrait de la Revue des Deux MondesVelasquez au musée de Madrid. Extrait de la Revue des Deux Mondes
    BEULÉ

    Velasquez au musée de Madrid. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1861]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover.
    Rare.
    €40
  87. Des sociétés foncières et de leur rôle dans les travaux publics. Extrait de la Revue des Deux MondesDes sociétés foncières et de leur rôle dans les travaux publics. Extrait de la Revue des Deux Mondes
    Alexis BAILLEUX DE MARISY

    Des sociétés foncières et de leur rôle dans les travaux publics. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1831]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €40
  88. Les mineurs du Harz. Extrait de la Revue des Deux MondesLes mineurs du Harz. Extrait de la Revue des Deux Mondes
    Auguste LAUGEL

    Les mineurs du Harz. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1861]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €50
  89. Deux jours de sport à Java. Lettre à ... Extrait de la Revue des Deux MondesDeux jours de sport à Java. Lettre à ... Extrait de la Revue des Deux Mondes
    Mor FRIDOLIN

    Deux jours de sport à Java. Lettre à ... Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1861]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €60
  90. De nos derniers budgets et de l'augmentation des dépenses. Extrait de la Revue des Deux MondesDe nos derniers budgets et de l'augmentation des dépenses. Extrait de la Revue des Deux Mondes
    Victor BONNET

    De nos derniers budgets et de l'augmentation des dépenses. Extrait de la Revue des Deux Mondes

    Extrait de La Revue des deux mondes|s. l. • [Paris] s. d. [1861]|15.50 x 25 cm|agrafé
    First edition.
    Plain paper cover. Rare.
    €30
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