Full Morocco Bindings

Second edition, published shortly after the first on the same date. A folding frontispiece depicting a mausoleum, piled dead soldiers and generals.
Contemporary full red morocco binding with long grain. Richly decorated spine with five raised bands, a central fleuron, 2 other small fleurons and several fillets. Red morocco title-label. Covers decorated with 3 frames with corner fleurons. Fillet on leading edges and board-edges. All edges gilt. One wormhole on the upper joint at foot. Foxing. A very handsome copy.

History of the French campaigns from 1792 to 1815.

First edition. Royal families of Europe. Set of the French administration.

Copy with the cipher of Marie Amélie d'Orléans, wife of Louis-Philippe, who also used a simple monogram for bindings from the time he became king. Some of the almanacs were directly bound by the publisher for the royal family, these copies often bear simple marks, the publisher not having the stamps belonging to the sovereigns. Nothing formally attests however that this is a copy for Marie Amélie d'Orléans, it is on the other hand certain that this copy was intended for a member of the royal family whose M is the first name. Furthermore Marie Amélie is only the name known today of the queen, who,

First edition

Contemporary full red morocco binding. Decorated spine with raised bands. Red morocco title label. Triple fillet frame on boards. Gilt edges. Traces of rubbing. 2 corners slightly bumped.

Fine copy, precious in contemporary red morocco.

First edition, printed on vélin d'Angoulême paper, with the usual misprints and including the six condemned poems, one of the few copies given to the author and “intended for friends who do not deliver literary services”.
Full emerald morocco binding, signed by Marius Michel, original wrappers preserved.

Exception

First edition, one of 15 numbered copies on Hollande Van Gelder paper and signed with the publisher's initials.
Full green morocco, the spine in five compartments, the first cover inlayed with a large and superb plate by Marguerite Lecreux of a horn sculpted in Cameo, featuring a sailboat with its sails unfurled, on the calm sea appears an engraved silverfish set under the plate of the horn and visible in transparency, pastedown in silk decorated with a submarine pattern (coral, jellyfish, starfishes and algae) framed in morocco embellished with quintuple gilt fillets, endpages of iridescence cloth, the following pages in marbled paper, the headband highlighted with a

Rare edition of this bawdy tale, complete in two parts published separately. It is illustrated with four wood-engraved vignettes, borrowed from Decameron of Boccace (Venice, 1531) and ingeniously twisted to suit their context. This edition is the first text of the author and is unique in that it has not been corrected. The book will be translated in French only in 1792.
Modern binding in full red morocco, the spine in five compartments, gilt date and title, golden fillets surround the cover, the endpaper and pastedown of vellum.
Provenance: Library of Gianni de Marco with its book plate and itsseal.
No copies in an American Library, one in the British Li

First bilingual edition translated and annotated by Le Maistre de Sacy. Ruled copy. Text in double columns.

Contemporary full burgundy morocco binding. Jansenist spine with raised bands. Roll tooling on edges and board-edges. All edges gilt. Trace of dampstain in lower margin of first leaves fading away, reappearing on some leaves in the middle and at the end.
Before appearing in its entirety in 1696 under the secular title Bible de Port-Royal, Pierre Thomas du Fossé gathered the various manuscripts left by Le Maistre de Sacy at his death in 1684 and published them punctually. He continued the unfinished work and published separately first the translations

First edition, one of 40 numbered copies on vélin pur fil paper, the tirage de tête (deluxe copies).

Full morocco, covers and spine preserved, slipcase, elegant binding signed by Semet & Plumelle.

Provenances: mostly from Robert Desprechins' library with his ex-libris drawn by Jean Cocteau, and by Louis de Sadeleer with his engraved ex-libris.

A very nice copy beautifully bound morocco signed by Semet & Plumelle.

Illustrated first edition. Faerno's verses appeared for the first time in 1564, and Perrault's version in 1699. This edition gives for the first time Faerno's original text followed by Perrault's translation. It is illustrated with a frontispiece by Claude du Bosc representing Aesop among animals, and 100 unsigned headpieces (9 x 11 cm). The preliminary leaves contain some poems by the neo-Latin poet and some letters.

Full aubergine morocco binding from the late 19th century signed Chatelin in the frieze. Richly ornamented spine with raised bands. Title, date and place in gilt. Central framing à la Du Seuil with fleurons in the corners and 4 large fleurons inside the rectangle. Tri

First complete collected edition and first illustrated edition. The first edition of Dom Garcie de Navarre, L’Impromptu de Versailles, Dom Juan ou le Festin de Pierre, Les Amans magnifiques, and La Comtesse d’Escarbagnas. With thirty copper engraved illustrations by Jean Sauvé after Pierre Brassart, 9 of them included in the pagination.19th-century red full morocco binding, spines with five raised bands, date gilt at foot, double gilt fillets to edges of covers and spine-ends, large inner gilt dentelle, marbled endpapers, all edges gilt. Bindings s

The so-called Fermiers Généraux edition, using the editions of 1685 and 1696 for the text and adding tales by d’Autreau and de Vergier, present in the 1718 edition.

From an edition of 2,000 copies on vergé de Hollande, the present copy is one of the rare first issue copies in contemporary morocco with uncensored engravings and a fleuron error on p. 240 of vol. 1, later corrected.

First French edition translated by Arnaud de la Chapelle. Title page in red and black.

Later 19th-century full red morocco binding with straight grain (Russia leather) signed by Thouvenin at tail. Spine with raised bands decorated with compartments framed by gilt fillets. Title and date in gilt. Gilt fillets framing the boards with trefoils in the corners. Inner gilt fillet. All edges gilt. Spine slightly faded. Rubbing to headcaps, joints and corners. Upper joint narrowly split at tail for 3 cm. One tear on p. 274, another on p. 302, both in the middle of the page. Despite some defects, a handsome copy.

    
20th-century engraved bookplate of E. Crawshaw.         

New edition. Printed in italics. Title page within a Renaissance engraved border.
Full red morocco binding, 18th century. Spine with raised bands richly decorated with small tools. Dotted fillet border on covers with corner tools and small tools. Decorative gilt board-edges. Edges gilt. Rubbing to joints and corners. Handsome contemporary binding. Fine copy.
The Pharsalia or Civil Wars (between Pompey and Caesar) is the only preserved work by Lucan, an unfinished epic poem in ten cantos.

First edition. One title-frontispiece.
Contemporary full red morocco binding à la Du Seuil. Spine with raised bands richly decorated. Gilt title. Covers decorated with a central frame of three fillets and a dotted fillet, with corner tools; second frame similar to the first with small angular tools. Lacking the two endpapers pasted down on the first and last leaves. Very handsome copy.
Antoine Godeau (1605-1672), Bishop of Grasse, poet and exegete, from the moment he became a priest (March 16, 1636) then bishop appointed by Richelieu, Godeau abandoned literature and turned to religious writings. He is the author of several paraphrases, notably on the famous psalms of David, the

First edition.
Full aubergine morocco binding, late 19th century, signed by Chambrolle-Duru. Jansenist spine with raised bands. Rich decorative gilt board-edges. All edges gilt. Spine uniformly faded to dark green. A handsome copy, nevertheless.
Sermons by one who was considered the greatest preacher of his time. The sermons went through many editions and were widely read in the 19th century.