Full Morocco Bindings

First complete collected edition and first illustrated edition. The first edition of Dom Garcie de Navarre, L’Impromptu de Versailles, Dom Juan ou le Festin de Pierre, Les Amans magnifiques, and La Comtesse d’Escarbagnas. With thirty copper engraved illustrations by Jean Sauvé after Pierre Brassart, 9 of them included in the pagination.19th-century red full morocco binding, spines with five raised bands, date gilt at foot, double gilt fillets to edges of covers and spine-ends, large inner gilt dentelle, marbled endpapers, all edges gilt. Bindings s

Fourth collective edition for the first part and third for the second and third parts, published by Corneille himself. Our copy is adorned with the frontispiece of the first two editions (dated 1645), and the portrait of Corneille by Michel Lasne, dated 1644.

Later bindings in full blue morocco, Jansenist spines with five raised bands, endpapers and pastedowns framed with gilt dentelles of marbled paper, all edges gilt, marbled paper slipcases bordered with morocco, bindings signed by Alix.

Rare and beautiful copy elegantly bound.

First edition displaying all the distinctive features of its publication: it presents no capital letters except at the beginning of paragraphs and it is the very first work to have been printed with Voltaire's spelling. Our copy is complete with its errata leaf, which is often missing.
Later bindings (19th century) in full red morocco, Jansenist spines with five raised bands, dates and places gilt at foot, boards struck at center with large gilt typographical fleurons, double gilt fillets on leading edges and headcaps, pastedowns lined with blue morocco presenting a wide gilt decorative border, monogrammed bookplates mounted on the pastedowns of each volume, following endpapers of comb

Very rare first edition (125 copies printed according to Quérard) of this remarkable exposition of Talma’s dramaturgical principles, still regarded as a “revolutionary” actor despite his immense success (his friendship with Napoleon never wavered); the text was inserted the same year, 1825, at the beginning of the new edition of the Memoirs of Henri-Louis Caïn, known as Lekain (1729–1778), who was still considered in the early nineteenth century as one of the greatest tragedians of the eighteenth century.

See Quérard IX, 333.

Scattered foxing.

Full cherry-red long-grain morocco, smooth spine tooled with gilt fillets, garlands and fleurons, gilt rolls at head and tail, gi

New edition, partly original, revised, corrected and enlarged.

Bound in full red morocco, spines with five raised bands decorated with gilt garlands and compartments adorned with crowned “LL” monograms, gilt rolls on the caps, triple gilt fillets framing the covers, gilt armorial stamps of Louis XV at the centre of each board, gilt dentelle border on the turn-ins, gilt fillets along the edges, marbled edges. Slightly rubbed corners. Contemporary bindings.

Some leaves slightly yellowed, minor paper flaw on page 101 of the second volume.

Extensive and highly useful table of contents at the end of the second volume. Jean-Antoine Soulatges, lawyer at the Parliament of Toulou

First edition, printed on vélin d’Angoulême, with the usual typographical errors, and containing the six banned poems; one of the few author’s copies “intended for friends who render no literary services”.

Full bordeaux red morocco binding, spine with five raised bands richly decorated with multiple gilt- and blind-tooled fillets; third-state covers; boards framed with multiple blind-tooled fillets; marbled endpapers; gilt turn-ins; all edges gilt; marbled paper slipcase with morocco border; signed binding by Semet & Plumelle.

First edition (cf. Grand-Carteret, Almanachs, 158; Saffroy, Almanachs et annuaires, 306.)

Interleaved from page 46, with a few small spots of foxing.

Full old red morocco, smooth spine panelled and decorated with fleurons, triple gilt fillet border on covers, marbled endpapers and pastedowns, gilt roll-tooled edges, all edges gilt, contemporary binding.

Minor rubbing to the upper cover and a tiny hole to one joint.

Copy from the libraries of Raymond-Jean-François Laplagne-Barris (1786–1857), magistrate and Peer of France, and of heraldist Olivier Le Bas, with their bookplates pasted on the front pastedown and first endpaper.

First edition, one of 45 numbered copies on Holland paper, the deluxe issue.

Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.

A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.

First and only edition of the author's sole work.

Adorned with a fine engraved portrait of Jacques-Nicolas Colbert (1655–1707), youngest son of the minister and Archbishop of Carthage, to whom the book is dedicated.

Bound in full red morocco, spine with five raised bands, richly gilt compartments decorated with gilt fleurs-de-lys, gilt fillets, and Du Seuil-style panels on the covers; gilt tooling to headcaps and board edges, all edges gilt. Contemporary binding.

Some foxing, small wormholes at head and foot of spine, three black spots at the head of the upper cover.

Provenance: from the library of Alfred Massé (1911–1951), Radical-Socialist deputy for Nièvre under

Extremely rare first edition, probably printed in Prussia, of this essay written directly in French by Baron de Bielfeld (1716–1770), inspector of Prussian universities and a friend of Frederick the Great since the time when he was still Crown Prince of Prussia.

GV 1700–1910, vol. 111, p. 374. Not in Conlon (who only cites the Amsterdam edition of the same year). No copy located in the U.S.A.

Full red morocco with gilt decoration, smooth spine elaborately tooled in the grotesque style, gilt rolls on the caps, triple gilt fillet border on the covers, gilt fillets on the edges, star-patterned gilt paper endpapers and doublures, gilt dentelle border on the inside covers, all edge

Second edition.

Full forest-green morocco binding, spine with five raised bands framed with gilt dotted lines and decorated with double gilt panels, gilt rolls at head and tail, triple gilt fillets bordering the covers, marbled paper endpapers and doublures, gilt dentelle frame on the inside covers, all edges gilt, double gilt fillets along the edges, an elegant binding signed by Krafft.

Bound following it are:

- Nicolas Papin’s “De pulvere sympathico dissertatio”, printed in Paris by Siméon Piget in 1650 (8 unnumbered leaves, the last blank, and 40 pp.).

- By the same author, “La poudre de sympathie, deffendue contre les objections de Mr. Cattier,

First edition, one of 15 numbered copies on Hollande Van Gelder paper and signed with the publisher's initials.
Full green morocco, the spine in five compartments, the first cover inlayed with a large and superb plate by Marguerite Lecreux of a horn sculpted in Cameo, featuring a sailboat with its sails unfurled, on the calm sea appears an engraved silverfish set under the plate of the horn and visible in transparency, pastedown in silk decorated with a submarine pattern (coral, jellyfish, starfishes and algae) framed in morocco embellished with quintuple gilt fillets, endpages of iridescence cloth, the following pages in marbled paper, the headband highlighted with a

First edition, one of 10 numbered copies on imperial japon, ours one of 3 hors commerce lettered copies, a deluxe issue following 6 on chine.

Bound in full sienna morocco, flat spine, gilt date at foot, moiré-effect endpapers and pastedowns, gilt fillet border on pastedowns, original wrappers and spine preserved (spine restored and backed), gilt edges, chemise edged in sienna morocco, slipcase in wood-effect board with white felt lining, contemporary binding signed by Roger Arnoult.

Our copy is enriched with a one-page signed autograph letter by Jean Cocteau, mounted on a guard, written from La Roche-Posay in Vienne, probably addressed to Pierre Benoit, in which he hum

First edition, one of 500 numbered copies on pure wove paper.

Bound in full sienna morocco, flat spine with a slight snag at head, date gilt at foot, moiré endpapers and pastedowns, single gilt fillet framing the pastedowns, original wrappers and spine preserved, gilt edges, chemise edged in sienna morocco, slipcase of wood-grained boards lined with white felt, contemporary binding signed by Roger Arnoult.

Our copy is enriched with a signed autograph letter, one page, by Jean Cocteau mounted on a tab, dated April 1959, probably addressed to Pierre Benoit: "Nôtre Pierre fantôme... c'est autour de votre souvenir qu'on se réunit. C'est une chaîne bien étonnante que celle

First edition.

Full red morocco binding, round spine with five raised bands decorated with gilt fleurons, slight rubbing on the caps, double frame of blind-stamped gilt fillets on the covers, with fleurons at the corners of the inner frame, edges slightly blunt, marbled paper endpapers and back covers, gilt edges and heads, very elegant 19th-century binding ‘a la Du Seuil’ signed Quinet on the first endpaper. 

Rare first edition of Chamblain de Marivaux's first theatrical success, The Surprise of Love, published four years before The Second Surprise of Love. This play, performed in the spring of 1722 before being published the foll

First edition of the French translation by Jean-Baptiste Dupuy-Demportes of the work originally published in 1689 under the title "La Morale dei principi osservata nell'istoria di tutti gl'imperadori, che regnarono in Roma" (cf. Quérard II, 260. Barbier III, 353b. Conlon VII, 54-572. Hoefer XI, 314).

Contemporary full red morocco bindings, spines with five raised bands decorated with gilt fillets and double gilt panels with gilt floral tools, boards framed by gilt roll-tooled floral and bird motifs, gilt fillets on the board edges, marbled endpapers and pastedowns, all edges gilt over marbling.

Some gatherings bound out of sequence in volumes 1 and 3; headcap of volum

First edition (cf. Grand-Carteret, Almanachs, 158; Saffroy, Almanachs et annuaires, 306.)

Bound in full old red morocco, smooth spine decorated with fleur-de-lis panels, gilt roll tooling on the caps, triple gilt fillet framing on covers, gilt tooling along the edges, corners slightly rubbed, all edges gilt, contemporary binding.

Date handwritten in black ink at the top of the upper cover.

This rather rare almanac was published continuously from 1744 to 1789.

Provenance: From the library of heraldist Olivier Le Bas, with his bookplate mounted on a pastedown.

First edition (Grand-Carteret, Almanachs, 158; Saffroy, Almanachs et annuaires, 306).

Contemporary full old red morocco binding, smooth spine decorated with fleur-de-lis panels, gilt roll-stamping on partially faded head- and tailcaps, triple gilt fillet borders on covers, marbled endpapers and pastedowns, gilt fillets on board edges, all edges gilt.

Spine heavily rubbed with worn decorative motifs; upper cover rubbed along the left margin at the level of the triple gilt fillets.

This rather uncommon almanac appeared continuously from 1744 to 1789.

First edition.

Bound in full cherry red morocco, smooth spine richly gilt with romantic typographic ornaments, gilt roll tooling on the caps, boards framed with double gilt fillets and interlaced motifs with gilt corner fleurons, gilt AO monogram stamped at the center of the boards, gilt garland border on the pastedowns, moiré sky-blue silk endpapers and pastedowns, trace of a removed bookplate on one pastedown, gilt fillets on the edges, all edges gilt, contemporary binding.

The sections relating to the colonies are as follows: Martinique, pp. 199–203; Guadeloupe and dependencies, pp. 204–209; French Guiana, pp. 210–212; Bourbon, pp. 216–220; French settlements in Oceania, pp

For the first three volumes, first edition, complete with all 84 parts published between February 1842 and October 1843 of this "admirable publication printed on thick vellum paper [...] one of the finest of the 19th century, justly esteemed and comparable to the beautifully illustrated books of the 18th century" (Carteret), (see Carteret III, 143–153; Vicaire II, 234–248).

The first three volumes are bound in full violet morocco, spines with five raised bands bordered with gilt pointillé tooling, compartments richly gilt with double gilt frames, gilt rolls on caps, covers framed with quintuple gilt fillets, gilt monogram MG at the corners, comb-marbled endpapers and pasted

First edition (cf. Barbier IV, cols. 211-212).

Contemporary full red morocco Jansenist binding, spine with five raised bands framed by black fillets, gilt roll tooling on the caps, blind-stamped fillet border on covers, marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt fillets on the edges somewhat faded, all edges gilt, bookplate mounted on pastedown.

Some minor internal defects (dampstains and a small loss at the foot of a few leaves).

Barbier devotes an extensive entry to the condemnation of this work on the mystical movement of Quietism, for which Fénelon long contended with Bossuet before both he and Madame Guyon were condemned by Pope I

First edition.

Official series not listed in Polak.

Full red morocco binding, smooth spine decorated with gilt Romantic arabesques, gilt roll-tooled bands at head and foot, elaborate gilt quadruple fillet frame, garland and lozenge design with gilt corner motifs on covers, gilt crowned monogram stamped in gilt at center of each board, blue moiré silk endleaves and doublures, gilt dentelle borders on doublures, gilt dotting on board edges, all edges gilt; a superb Romantic period binding.

Copy bearing the crowned monogram "FO" of Ferdinand Philippe, Duke of Orléans (1810–1842), eldest son of King Louis-Philippe. 

A very fine copy, beautifully preserved in an out

Deluxe edition superbly illustrated with 3 engraved titles, a portrait, a frontispiece and 72 figures, 4 vignettes and 66 tailpieces, all by Le Barbier, and engraved by Alix, Baquoy, Dambrun, Delignon, Gaucher, Giraud le jeune, Godefroy, halbou, Langlois jeune, Le Beau, Lépine, Le Villain, de Longueil, Pauquet, Petit, Ponce, Taxier, Thomas, Trière and Viguet. The first plates are numbered and within frames with captions in the lower margin, the following ones bear pagination indications. Some plates are dated, from 1782 to 1792. Fine printing on vellum. 

Contemporary full green morocco binding. Smooth spine decorated with 4 cornucopia tools, and roulettes. Frame roulette on the boa

First edition. Bibliothèque des chemins de fer series. Quite scarce. The novel was previously serialized in the Moniteur universel from March to May 1857. 12-page Hachette catalogue bound in at the end.
Full early 20th-century tan morocco binding, signed at the foot of the inside front cover by A. J. Gonon, housed in a beige slipcase trimmed with morocco. Spine with raised bands, compartments decorated. Wide gilt fillet border on pastedowns. Untrimmed copy. Occasional foxing. Spine slightly sunned. Original wrappers preserved, spine portion missing. A good copy.

Edition established, annotated, and commented by Le Roux de Lincy and Anatole de Montaiglon. Deluxe printing limited to 395 copies on deluxe paper, this one of 40 on Whatman paper (No. 301), including three suites of the engravings: one in black on Japan paper, one in bistre, and one in sanguine.

Illustrated with a portrait by T. de Mare, a frontispiece by Dunker, and 76 figures after Freudenberg engraved by De Longueil, Eichler, Le Roy, among others. Includes head- and tailpieces. One chromolithographed plate depicting the arms of Marguerite de Navarre. All engravings are presented in three states, except the chromolithograph.

Contemporary full citron morocco binding signed b

First edition, first issue, with every feature described by Cohen. The illustration includes a frontispiece, three dedication plates, four printed titles in red and black with engraved vignette, thirty vignettes, and a fine tailpiece concluding the final volume. In addition, there are 140 engraved full-page plates (including the frontispiece, numbered 2 to 140), by Boucher, Eisen, Gravelot, Leprince, Monnet, and Moreau, and engraved by Baquoy, Basan, Binet, Duclos, and de Ghendt - 48 in the first volume, 33 in the second, 37 in the third, and 22 in the last. The frontispiece, the fleurons in the first three volumes, and

Rich photographic album comprising the title page and 65 oval silver prints mounted on heavy paper, all on tabs.

Full bottle-green morocco binding, spine without lettering, raised bands framed with black fillets, double blind-ruled frame on covers, gilt roll tooling on the caps, gilt title stamped at the center of the upper cover, comb-marbled endpapers and pastedowns, wide gilt dentelle borders on pastedowns, all edges gilt, one upper corner slightly rubbed, gilt fillets on board edges, an elegant contemporary binding signed by Thouvenin fils.

Minor surface scuffing.

One of the most renowned works by the photographer Alophe (1811–1883). A commemorative album featuring p

First edition clandestinely printed in 175 copies on laid paper, each individually numbered.
 
Bound in full mint green morocco, spine with five raised bands framed by black fillets, subtle restoration to spine colour, date gilt at foot, endpapers and pastedowns of combed paper, gilt fillet border on pastedowns, original wrappers and spine preserved, all edges gilt, chemise edged in mint green morocco, covers of cat's eye paper, white felt interior, an elegant binding signed by Alix.
 
A very rare and handsome copy bound by one of the most distinguished binders of the second half of the twentieth century.

 

Collective edition, partly original. It is illustrated with 3 frontispiece titles and 23 figures by François Chauveau. The three frontispiece titles dated 1660, the title page of the second volume with the date 1664, the other two title pages dated 1660. In the second volume, the privilege is also dated 1664, while the other two volumes have the privilege dated 1660. The second volume is therefore the 1664 reprint, identical in every respect to the 1660 edition, with the exception of the collation of the preliminary pieces. The three discourses as well as the examinations of each piece appear for the first time.

Binding in full 20th-century chocolate morocco signed Alix at the botto

Rare critical edition of this medieval chivalric romance. Includes a preface on the origins of chivalry and early tournaments, along with a foreword to aid the understanding of the narrative. This edition also features two tales: Histoire de messire Floridan et de la belle Ellinde, et Addicion extraites des cronicques de Flandres, qui est très belle chose.
Contemporary full polished red morocco. Smooth spine with decorative gilt tooling, red morocco label for title and volume number. Triple gilt fillet border on covers. Gilt edges. Gilt inner dentelles. A few small spots of foxing. Title-page of the first volume reinforced at lower margin, an old restoration. Tail of volume I

First edition, illustrated with an allegorical frontispiece and 34 half-page engravings by Sébastien Le Clerc.

Contemporary full red morocco binding with elaborate dentelle gilt decoration. Spine with raised bands, richly tooled in gilt with onion flower motifs. Red morocco title and volume labels. Wide gilt dentelle border on the covers, executed with small tools. Gilt edges. Headcaps, joints, and corners restored; gilt decoration on the headcaps renewed. Noteworthy: the engraving on p.125 has been printed in reverse.

Bookplate with the armorial bearings of Pierre de Laussat, apparently reaffixed to the front endpaper.

First edition.

Full celadon blue morocco binding, later (ca 1920). Smooth spine decorated with mirror-tooled ornaments at tail and head connected by fillets. Fillet frame on boards. Top edge gilt. Covers and spine preserved. Uncut copy. Scattered pale foxing. 

Handsome copy in full morocco.

Last flame of late romanticism, Dominique is a sentimental novel, imbued with profound melancholy, largely inspired by autobiographical events and narrating the story of an impossible love. It is the only novel by this celebrated painter, and remains one of the great works of 19th-century French literature.

First edition, one of 8 numbered copies on Chinese paper, the deluxe issue.
Bound in full red morocco, smooth spine, spine and boards decorated with a geometric design of black and gilt fillets representing interlaced mountain peaks in zigzag pattern, endpapers and pastedowns illustrated with an original lithograph signed in pencil by Germaine de Coster, following endpapers of red paper, original wrappers and spine preserved, top edge gilt; a very elegant contemporary binding signed by Hélène Dumas and Germaine de Coster.
This copy is further enriched with an original charcoal portrait of Jean Giono, signed by R

Protestant edition of the Geneva Bible with various additions that characterize the composite impressions sold at Charenton, besides The Psalms of David, set to French rhyme by Clement Marot and Theodore de Beze (with title page and numerous musical staves): History of the Holy Scripture of the Old and New Testament, which contains the Summary of sacred chronology. This addition has its own title page placed after the general title. At the end of volume III, several texts: The form of ecclesiastical prayers; Of baptism, of the Lord's Supper, Of the articles of faith; Of the ten commandments; Of the sacraments; Confession of faith. All these additions are present to characterize Protestant

One of the first collected editions of these seven comic novellas, initially printed separately, by the Sieur de Préfontaine, regarded as a first-rate author by Charles Louandre: "without seeking to diminish in any way the merit of Boileau, without disputing his title as legislator of taste, one may say that Charles Sorel, Furetière, Préfontaine, [...] contributed alongside him and before him to cleansing the French Parnassus."

The first edition of one of the short stories contained in this volume, L'Assembl

First edition, one of 20 numbered copies on Japan paper, the only deluxe paper issue.

Bound in full burgundy morocco, spine with five raised bands ruled in black, gilt rolls to the headcaps, moiré-effect paper endleaves and doublures, inner boards framed with gilt fillets, dotted tools and corner fleurons, original wrappers and spine preserved, top edge gilt on witnesses, double gilt fillets to the turn-ins, slipcase edged in burgundy morocco with sides covered in moiré-effect paper, contemporary signed binding by Vauthrin-Pezet.

A fine, beautifully executed copy.

First edition, one of 60 numbered copies on Hollande paper, the deluxe issue after 30 copies on Japan paper.

Full red morocco binding, spine slightly toned with five raised bands ruled in black, gilt date at foot, minor unobtrusive rubbing to the bands, gilt rolls to the headcaps, marbled endpapers and pastedowns, gilt dentelle frame and double gilt fillet to the inside covers, original wrappers and spine preserved, gilt stippling to the edges, top edge gilt.

A fine copy, attractively bound.

Rare Grenoble imprint.

Bound in full midnight-blue long-grain morocco, smooth spine decorated with gilt chain motifs and compartments finely tooled with a lattice of gilt fillets and small fleurons, gilt rolls to the headcaps, covers framed with a double gilt dentelle, marbled endpapers, gilt gauffered turn-ins and headcaps, gilt edges; an elegant contemporary binding.

Manuscript ex-dono on a flyleaf.

New edition of the French translation known as the Port-Royal version, prepared by the theologian Louis-Isaac Le Maistre de Sacy.

The first edition of this “Nouveau Testament de Mons” had appeared in 1667.

This is the final edition printed by Daniel Elzevier.

Contemporary full black morocco, spine with five raised bands gilt with decorative rolls and richly gilt compartments, minor rubbing to spine and boards, covers framed with triple gilt fillets and gilt corner fleurons, red morocco doublures entirely covered with an elaborate gilt interlacing design and small dotted tools, comb-marbled endpapers, all edges gilt, corners slightly bumped, gilt rolls to the turn-ins, co

First edition of the penultimate royal military yearbook issued (cf. Grand-Carteret, Almanachs, 158; Saffroy, Almanachs et annuaires, 306).

This comparatively scarce state was published without interruption from 1744 to 1789.

A transverse fold affecting the upper cover, with a tear to the verso.

Contemporary old red morocco, smooth spine gilt with friezes and fleurs-de-lys, covers framed with triple gilt fillets, marbled endpapers and pastedowns, gilt rules to the edges, corners rubbed, all edges gilt; contemporary binding.

Our copy contains numerous contemporary cancellations and manuscript additions within the text; followed by 15 unnumbered leaves filled wit

First edition (cf. Grand-Carteret, Almanachs, 158; Saffroy, Almanachs et annuaires, 306).

Contemporary full old red morocco, smooth spine gilt with friezes and fleurs-de-lys, one joint split at the head, boards framed with triple gilt fillets, marbled endpapers and pastedowns, bookplate laid down on a pastedown, gilt edges to the boards, corners slightly rubbed, all edges gilt; binding of the period.

This rather scarce issue was published without interruption from 1744 to 1789. 

Provenance: from the library of the heraldist Olivier Le Bas, with bookplate laid down on a pastedown.

An attractive copy, handsomely bound in contemporary full red morocco.

Very rare first edition printed in 25 numbered copies, ours being the unique copy printed on vellum and bearing No. 1, a deluxe copy.

Printed proof stamp on the half-title page: "E. Capiomont & Cie imprimeurs. 37, rue de Seine, Paris 30Janvier 188. Epreuve"

Full chocolate brown morocco binding, spine very slightly faded with four raised bands, gilt date and gilt "épreuves" notation at foot of spine, gilt roulettes on headcaps, marbled endpapers and pastedowns, frame of six gilt fillets on pastedowns, original wrappers preserved, top edge gilt, double gilt fillets on leading edges, bookplate pasted on one pastedown, slipcase with chocolate brown morocco borde

First edition.
Full olive morocco binding, smooth spine lavishly decorated with gilt fillets, rolls and fleurons, red morocco title-label, gilt rolls and tools, covers stamped with dentelle decoration, central monogram "CB" stamped at center of covers and framed by multiple fillets and rolls and surmounted by a ribbon, roll border on covers, gilt dentelle interior, pink marbled paper pastedowns and endpapers, gilt fillet on edges, all edges gilt, contemporary binding attributable to the great binder Derôme le jeune. Marginal tear with loss of one word and page number (p. 57). Marginal tear without loss p. 113 and p. 451. Very light rubbing on half a centimeter of the upper joint, other

Pirate edition of 1812, imprint dated 1796. It features the exact pagination of the genuine 1796 edition, as well as the 13 plates and 2 frontispieces by Monnet, Mlle Gérard and Fragonard fils engraved by Baquoy, Duplessi-Bertaux, Dupréel, Godefroy, Langlois, Lemire, Lingée, Masquelier, Patas, Pauquet, Simonet and Trière. The pirate edition is identified by the letters “R. p. D.” in the plates' lower margins, as they have been retouched by Delvaux. In addition, the fillet preceding the date on the title-page is wavy, and the title is presented in seven lines rather than eight.

Bound in full morocco, slight rubbing on the corners, all edges gilt, splendid binding signed by Hardy

Very rare and highly sought-after first edition according to Clouzot, for which no copies on large paper were issued.

Full red morocco binding, spine with five raised bands, gilt rolls on headcaps, inner dentelle border on off-white morocco pastedowns enhanced with a red morocco mosaic fillet and quintuple gilt fillets, the fillet and quintuple gilt fillets interlacing at corners, gilt fillet border on turn-ins, ivory watered silk endpapers, iron-grey wrappers and spine preserved (Clouzot notes two states of wrappers: iron-grey - the rarer - and bluish-grey), all edges gilt, double gilt fillets on board edges, half red morocco slipcase with bands, spine with five raised bands, pebb