Full Morocco Bindings

First edition of this treatise, published following the four volumes whose editorial dates run from 1782 for the first volume to 1788 for the last, namely the Traité de l'aimant, which is therefore often missing from the series.

Contemporary full red morocco binding. Spine with raised bands richly decorated. Title and volume labels in black morocco. Triple fillet frame on covers. Roulette on leading edges and board-edges. Gilt edges. Domino paper with gilt stars. Corners rubbed.

Very handsome copy, perfectly bound in a master binding, very fresh.

The Traité de l'aimant is the last work published...

Seventh edition, first to illustrate Zimeo, adorned with 7 plates by Moreau le Jeune: a frontispiece and 4 plates for Les Saisons, engraved by Delaunay, Duclos, Prévost and Simonet, and 2 plates for the Contes, Poésies fugitives and Fables orientales, together with 4 headpiece vignettes by Choffard. Our copy is further enriched with separate pulls of the title-page ornament and Choffard's vignettes.
Nineteenth-century binding in full midnight-blue morocco. Five-raised-band spine decorated with pastoral flowers (vine, wheat and billhook, game and hunting horn...) and gilt compartments. Triple gilt fillet and...

First edition of this volume 14 of the Essais de morale, whose volumes appeared separately and whose publication spanned several decades. Copy entirely ruled.
Contemporary full old red morocco binding. Jansenist spine with raised bands. Gilt title. Roulette on edges and interior fillet. A slight lack at foot. One leaf sprung. One corner slightly bumped. Dark areas on lower board.
Pierre Nicole was, with Antoine Arnauld, one of the principal authors of Jansenism. Gouget drew upon several manuscripts, notably the memoirs of Nicole's greatest friend, to write a detailed history of Nicole's life, whose purpose is not to draw a portrait but to establish the actions and facts of his...

A handsome illustrated edition and one of the first printed by Gabriele Giolito de Ferrari, dedicated to the Dauphin of France. It has a superb engraved title with Giolito's printer's device (a phoenix being reborn from its ashes on a globe marked with the printer's initials), 56 attractive woodcuts and numerous large ornate capitals, as well as a portrait of Ariosto after Titian in a medallion at the end of the poem, and two states of the printer's device.
The end of the work is made up of a vocabulary of obscure words and an explanation of the difficult passages in the work compiled by Lodovico Dolce, with a separate title and not included in the pagination. Giolito published more...

First edition, one of 18 numbered copies on pur fil, from the deluxe issue.
Full red Jansenist morocco binding, spine in five compartments, date gilt at foot, black morocco endpapers and pastedowns, covers and spine preserved, all edges gilt; matching half red morocco chemise, spine in five compartments, date gilt at foot, black felt lining; slipcase edged in red morocco, ochre felt interior, a highly elegant ensemble superbly executed by Duhayon.
A superb copy, impeccably bound in a triple binding by Duhayon.

First edition, one of 20 numbered copies on Hollande, the only large paper copies.
Elegant red morocco binding by Semet & Plumelle, spine in five compartments, date at foot, gilt roulettes to head- and tail-pieces, red moiré silk pastedowns, marbled endpapers thereafter, gilt fillets to edges of covers, covers and spine (slightly soiled) preserved, top edge gilt; slipcase edged in the same morocco, the boards of the same marbled paper, lined with light brown felt.
This copy is enriched with two autograph notes from the author.
A very good, well-margined copy, superbly bound in an outstanding lined binding by Semet & Plumelle. 

First edition, illustrated with 12 steel-engraved plates.

Contemporary full brown straight-grained morocco. Smooth spine decorated with large Romantic tools with date at foot. Covers with large blind Greek key border and gilt fillet frame. All edges gilt. Decorative gilt board-edges. White watered paper endpapers. Spine uniformly sunned, turned brown. One corner rubbed. Several gatherings browned. Handsome copy nonetheless, in contemporary morocco.

One of Curmer's famous and beautiful publications, who had just published in 1838 one of the most celebrated Romantic books: Paul et Virginie. An essential literary figure from the mid-19th century onwards, La bedollière...

First edition, one of 100 numbered copies on Hollande paper, the only large paper copies along with 5 on Japon.
Elegant brown morocco by G. Levitzsky, spine in six compartments, gilt roulettes to head- and tail-pieces, date at foot of spine, double gilt fillets to edges of covers, pastedowns with a frame of dentelles and quintuple gilt fillets, marbled pastedowns and endpapers, covers and spine preserved, top edge gilt.
Cover illustrated by Riou.
A very good copy in a handsome binding. 

Elzevier edition of these tragedies by Seneca with the highly esteemed notes by the English grammarian Thomas Farnaby (or Farnabie). The first edition with Farnaby's notes is that of London, 1613. Brunet V, 286. Illustrated with an engraved title-frontispiece.

Contemporary full navy blue morocco binding, raised spine decorated in grotesque style (rolls composed of lozenges within circles), sawtooth fillet border and wave roll border on covers, gilt edges, interior fillet.

Very handsome antique morocco binding.