Jules Hetzel et Cie (1843 - 1914)

Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
Fold in the lower right corner and very rare worming.
These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique know

Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Hébert on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
Fold in the lower left corner and very rare and pale worming.
These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known

Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
Occasional worming and soiling to lower right corner, not affecting the engraving.
These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realis

Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
Small fold to lower right corner not affecting the engraving and occasional light worming to margin.
These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism

Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
Worming in margins not touching the engraving.
These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as "ti

Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
Two scratches in the margin, a small tear in the upper margin without loss and very rare worming not touching the engraving.
These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smalle

First edition illustrated with 200 plates and 120 vignettes by Grandville, engraved by Brévière. One plate missing from volume 2 ("Tous l'aimaient éperdument..." in the chapter entitled "Les peines de coeur d'une chatte française". In volume 1, the plates from pages 241 and 378 are incorrectly bound at pages 140 and 275. The frontispiece of the first volume is different in the first volume from most other copies, however the usual frontispiece has been placed further along.
Contemporary half red calf bindings, smooth spines decorated with large uniformly faded gilt tools, marbled paper boards with some minor rubbing as well as on the bindings overall, pebbled paper endpapers and pastedo

First edition, admirably illustrated with 201 plates and 120 vignettes by Grandville. This first volume correctly has the first third of the work printed on tinted paper while the rest is on white paper, a characteristic of the first printing; most copies are from a second printing as the leaves are also white like the rest of the work. Moreover, Hetzel's publisher's preface, usually absent, is present here before the prologue. Most copies begin directly with the prologue. The frontispiece of volume 1 has been placed facing p. 32, the engraved half-title entitled Scène de moeurs serving as frontispiece; this half-title is often absent from most copies. The frontispiece and engraved title of

The rare first edition. 16 out-of-text engravings by Adrien Marie. Un hivernage dans les glaces is one of the first titles in Hetzel's famous white collection; the collection was launched with 9 titles including Un hivernage dans les glaces.
A primitive first version had previously appeared in the Musée des familles in 1855 spread over several issues of the magazine. This official version was rewritten by Verne, revised and modified, and is the same as found in the collective editions. The primitive version was naturally forgotten, until the Bulletin de la société Jules Verne republished the version in 2003, in a limited edition of 50 copies.
Publisher's binding type 1, "with oval

First edition and first printing of the engravings.
Contributions by Théophile Gautier, Laurent-Jan, Léon Gozlan, Auguste Lireux and Jules Hetzel under the pseudonym P.-J. Stahl among others.
Contemporary publisher's binding in full black shagreen. Smooth spine decorated with 3 ornate compartments, blind and gilt fillets. Large rocaille composition on boards, thick triple fillet frame. Interior frieze. White watered silk endpapers. All edges gilt. Perimeter of watered silk endpapers brown-stained. Tailcap of volume 2 with a loss. Traces of rubbing. Thin scratch on the upper board of volume 1, lower board of volume 2. Some very occasional foxing on clean white paper. The binder inve

First large octavo edition illustrated with chromolithographic plates by George Roux.
Publisher's Hetzel binding "with mounted portrait" in full red percaline signed A. Lenègre, front cover polychrome signed Souze depicting various means of locomotion (balloon, locomotive, boats), a sepia-toned portrait of the author mounted at center, various navigation instruments heightened in gold in foreground, rear cover type "e" as indicated by Jauzac, spine decorated with several illustrations in color and gold, original blue endpapers, all edges gilt. Catalogue D at rear.
Spine somewhat faded and one corner of front cover slightly pushed in. Some foxing mainly at end of volume, otherwise a

New edition, illustrated with drawings by J. Ferrat including several polychrome plates hors-texte produced by Belin Frères and appearing here for the first time.
Publisher's "golden globe" binding signed Engel, first cover plate by Blanchelande, spine with lighthouse, second cover of Engel "i" type, with the monogram JH in straight letters.
Les Indes Noires are the Scottish coal mines. An operator discovers a deposit and builds a true underground city, a young girl is discovered there who seems never to have seen daylight. The underground city is a utopia, ideal vision of a hidden world.
Le Chancellor is an adventure novel presented as the Journal du pas

First illustrated edition with 101 drawings by Benett including a frontispiece engraved by Meaulle and 2 full-page maps. Catalogue AI for the year 1881.
Red publisher's binding with the two elephants, back cover of Lenègre b type, with blind-stamped medallion, conforming to Jauzac's description.
Volume very slightly warped, a small black mark at the level of the lower cut of the back cover
Adventure and science fiction novel set in India. The steam house is a sort of train whose locomotive is a steam elephant, the machine runs without rails and can even be amphibious.

First edition large octavo illustrated by George Roux.
Publisher's Hetzel binding signed Engel known as "au globe" type 4, lighthouse spine, second cover type Engel "i" according to Jauzac, all edges gilt.
Scattered foxing.
Sequel to Robur the Conqueror, Master of the World tells the story of Robur's return to civilization aboard an amphibious vehicle.
A Drama in Livonia is a detective novel featuring an innocent man accused of a murder he did not commit in Livonia.

First edition large octavo illustrated with 68 drawings by George Roux as well as 2 maps.
Publisher's Hetzel binding signed Engel known as "au globe doré" type 3, lighthouse spine, second cover type Engel "h" according to Jauzac, all edges gilt. Publisher's BH catalogue at end.
Volume very slightly warped, spine lightly stained, some small losses of gilt on the plate. Original blue endpapers very marginally lightened as usual. Plate from page 249 detached, some foxing.
Seconde patrie is a robinsonade. A great admirer of the novel Le Robinson suisse written in 1812 by the Swiss-German pastor Johann David Wyss, Jules Verne imagines a sequel to the adventures of

First collected edition large octavo illustrated with 38 drawings by George Roux, 6 large chromotypographs and one map.
Publisher's Hetzel binding signed Engel known as "au globe" type 3, lighthouse spine, second cover type Engel "h" according to Jauzac, all edges gilt.
Spine uniformly lightened, some very minor stains on the second cover and slight discoloration to lower margin of the first, corners slightly twisted without significance. Original blue endpapers marginally lightened as usual.
Le Village aérien is a fantasy and adventure novel set in the African jungle. Two white explorers accompanied by a native and a black child discover an unknown tribe living in

New edition, illustrated with drawings by J. Ferrat including several polychrome plates printed by Belin Frères and appearing here for the first time. Catalogue D at the end.
Publisher's "golden globe" binding signed Engel type 1 according to Jauzac, front board plate by Blanchelande, spine with lighthouse, back board Engel type "h".
Les Indes noires deals with coal mining in India.
Le Chancellor is an adventure novel presented as the Journal du passager J.-R. Kazallon and tells the epic of the survivors of the English ship the Chancellor.
Gilt on spine and front board slightly faded. Headcaps and joints skillfully restored. Very fine original b

First edition large octavo illustrated with chromolithographic plates by George Roux.
Publisher's Hetzel binding "with pasted portrait" in full red cloth signed A. Lenègre, polychrome front cover signed Souze depicting various means of locomotion (balloon, locomotive, ships), a sepia-toned portrait of the author pasted in the center, various navigation instruments heightened in gold in the foreground, back cover type "e" as indicated by Jauzac, spine decorated with several illustrations in color and gold, original blue endpapers, all edges gilt. HF catalogue at rear.
Spine very slightly faded and some scattered foxing. Joint cracked at head for a few centimeters on back cover./

First edition octavo illustrated with 92 illustrations by Benett including one color map hors-texte: this is the first appearance of polychrome illustration in a Jules Verne novel.
Publisher's Hetzel "two elephants" binding in full red percaline signed Lenègre type 3, front cover signed Souze, back cover Lenègre type "e" as indicated by Jauzac, spine with lighthouse, original blue endpapers, all edges gilt. EL catalogue at rear.
Some very slight whitish traces on the spine and back cover and two tiny tears at head of front cover and head joint of back cover. Scattered foxing mainly at beginning and end of volume, as usual. Original endpapers in pristine blue.
Deux ans de

Edition illustrated with 68 illustrations by George Roux including 20 large chromolithographs and one map.
Catalogue Y in-fine.
Publisher's Hetzel binding signed Engel known as "au globe" type 4, spine with lighthouse, second cover type Engel "i" according to Jauzac, all edges gilt.
Spine lightly faded with minor rubbing and corners rubbed. Endpapers changed and scattered foxing mainly at beginning and end of volume.
Le Sphinx des glaces is a fantasy novel, intended as a sequel to Edgar Poe's novel - to which it is dedicated -, Les Aventures d'Arthur Gordon Pym, published in 1838.
Copy not recorded by Jauzac.

Edition containing 47 illustrations by L. Benett, 12 large chromotypographies, numerous photographic views and a map.
Publisher's Hetzel binding signed Engel known as "au globe" type 4, lighthouse spine, second cover type Engel "i" according to Jauzac, all edges gilt.
Copy slightly warped, second cover showing some soiling and scattered foxing, otherwise handsome copy.
Henry Markel, a former sea captain turned pirate, wishes to rob young West Indian schoolboys in transit to London and about to receive a scholarship from an important benefactor.

Honoré de BALZAC & Honoré DAUMIER & Charles Constant Albert Nicolas d'Arnoux de Limoges Saint-Saëns dit BERTALL & Paul GAVARNI & Tony JOHANNOT & Célestin NANTEUIL
œuvres complètes de H. de Balzac
[Complete Works]

First collective edition sold as the Works, comprising – as well as numerous texts published for the first time – a new version of the Human Comedy, reviewed and revised by Balzac.
This is also the first illustrated edition.
Contemporary half blue shagre

Fifth edition.
Half navy blue shagreen binding, spine with five raised bands set with gilt fillets, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding.
Some minor foxing.

New edition. The era of bindings "with pasted portrait" with the "lighthouse" spine began in 1892 and ended in 1895. 95 illustrations including one full-page map, most by Meyer.
Publisher's binding known as "With printed portrait". Plate signed Souze. Rear board of Lenègre type. Edges gilt.
Very fine first plate, with sharp gilt. Corners slightly rubbed. Spine somewhat faded. Headcaps sunken. Rear board good but with some soiling, and the cloth along the lower joint narrowly split for 5cm. Paper fresh and bright, free from foxing. Volume solid and tight throughout. Fine copy overall.
Adventure novel devoted to the question of slavery, and more particularly the slave trade by A

Edition containing 47 illustrations by L. Benett, 12 large chromolithographs, numerous photographic views and a map.
Publisher's Hetzel binding signed Engel known as "au globe" type 4, spine with lighthouse, second cover type Engel "i" according to Jauzac, all edges gilt.
Spine very slightly sunned and minor scratches without consequence at head of first cover, otherwise handsome copy despite some usual foxing at beginning of volume.
Henry Markel, a former sea captain turned pirate, wishes to rob young West Indian students in transit to London and about to receive a scholarship from an important benefactress.

First edition large octavo illustrated by George Roux.
Publisher's Hetzel binding signed Engel known as "au globe" type 4, spine with lighthouse, second cover type Engel "i" according to Jauzac, all edges gilt.
Red slightly foxed on the first cover and spine, otherwise good copy with fresh interior despite the slight and usual discoloration of the original endpapers.
Sequel to Robur the Conqueror, Master of the World tells of Robur's return to civilization aboard an amphibious vehicle.
A Drama in Livonia is a detective novel featuring an innocent man accused of a murder he did not commit in Livonia.

First illustrated edition with 101 drawings by Benett including a frontispiece engraved by Meaulle, and 2 full-page maps. GK catalogue at the end.
Polychrome boards known as "au portrait collé", a portrait of the author taking place in a cartouche on a board with a world map. Plaque signed Paul Souze on a cannonball. A. Lenègre on the ink. Fine upper board with some traces at the top of the binding. The 2 lower corners slightly bumped. Spine faded with dulled gilt. Head slightly sunken. Rear board bearing 3 fine scratches and scraped areas along the joint. Pale browning on the endpaper and title page, thereafter occasional browning.
Adventure and science fiction novel set in India.

First separate edition, illustrated by Gavarni with 20 plates and 40 vignettes. The text had originally appeared in Le diable à Paris, a collective volume to which Balzac contributed several texts.
First edition of Louis Huart's work illustrated with 50 vignettes by Cham, published without date in 1846.
Contemporary half red shagreen binding. Spine with false raised bands handsomely decorated. Head and tail rolls. Corners slightly rubbed, one turned in. Some pale foxing on half-titles and indexes. Tinted paper for Paris marié, white for Paris au bal. Good copy.
Satirical and humorous writings in the style of physiologies.

First illustrated edition, 53 drawings by Riou and Férat engraved by Hildibrand and Pannemaker. Catalogue J for 1876.
Publisher's binding known as "Aux initiales" in the rarest havana color, signed Magnier at foot. Back board of Magnier B type.
Fine first cover with well-marked and brilliant gilding (small black spots in a thin area). Clean spine with clearly readable gilding. The 2 bottom corners slightly bumped. Headcaps worn. Back board very good. Light scattered foxing more present on the first leaves, rather discreet thereafter. Handsome copy.
Le Chancellor, initially published in 1874 is a maritime adventure novel inspired by the raft of the medusa.

New edition, illustrated with 112 drawings by L. Benett and 2 maps.
Publisher's "globe doré" binding signed Engel, first cover plate by Blanchelande, spine with lighthouse, second cover of Engel "h" type.
L'Etoile du Sud takes place in South Africa in the diamond trade milieu.
L'Archipel en feu is a historical novel set against the backdrop of the Greek War of Independence in the Aegean Sea islands, in the 1820s.
Original blue endpapers marginally and slightly faded as usual, otherwise a superb copy.

First edition and first printing of the 320 wood engravings. Publication of the 4 volumes from 1846 to 1848, which explains why they are found separately.
Contributions by Théophile Gautier, Laurent-Jan, Léon Gozlan, Auguste Lireux and Jules Hetzel under the pseudonym P.-J. Stahl among others.
Contemporary half black shagreen bindings. Flat false raised bands spine decorated with ornate compartments. Gilt titles and volume labels. Gilt edges. Blind ruling frame on boards. A. Gaillard at foot. Roulettes on bands. Very fine gold and grey decorative endpapers. Pale scattered foxing on very white paper.
Work illustrated with a general frontispiece, 14 vignettes including one repea

Edition illustrated by George Roux.
Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth signed Engel, front board polychrome signed Engel presenting the title in a black and gilt fan, several frames in black and gold, a gilt elephant head at top left, three small illustrations as well as various gilt navigation and exploration instruments, all framed within green foliage, second board of type "i" as indicated by Jauzac, spine decorated with several illustrations in color and gold, original blue endpapers, all edges gilt.
Pen gift inscription on front endpaper.
A fine copy.

First illustrated collected edition. 36 drawings by Georges Roux for Sans dessus dessous, 41 drawings and two maps for Le chemin de France.
Publisher's binding with two elephants, Lenègre type 3, existing only in red. Back cover of Lenègre type e, with central roundel with black frond. Beautiful first plate, with bright gilt, with scratched areas in the lower border. Headcaps slightly turned in. Spine good, but slightly sunned. Back cover very good, with scratched area in the lower border, and a small area at the top, a fine horizontal scratch. Upper corners slightly turned in. Paper perfectly fresh, completely free of foxing. Cohesive and solid volume.
Very handsome copy.

Illustrated edition with 82 drawings by G. Tiret-Bognet and one map.
Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth, front cover in polychrome signed by Engel, back cover type "i" as indicated by Jauzac, spine with lighthouse, original blue endpapers, all edges gilt.
Headcap with very minor rubbing, otherwise a handsome copy.
Romanian gift inscription in ink on the title page.
Famille sans nom recounts the life of a Lower Canada family during the Patriots' Rebellion (1837-1838).

First and only edition in octavo illustrated by L. Benett also containing numerous photographs and chromotypography plates.
Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth signed Engel, polychrome front cover signed Engel, back cover type "i" as indicated by Jauzac, lighthouse spine, original blue endpapers, all edges gilt.
Original blue endpapers marginally shadowed as usual.
Gift inscription in pen at head of first endpaper.
Posthumous novel, L'Agence Thompson and Co. tells the unfortunate adventures of a cruise meant to take its passengers to the Azores, Madeira and the Canaries.
Handsome copy.

First edition in octavo illustrated with 92 illustrations by Benett including one colored folding map: this is the first appearance of polychromy in an illustration for a Jules Verne novel.
Publisher's Hetzel binding "aux deux éléphants" in full red cloth signed Lenègre type 3, front cover signed Souze, back cover Lenègre type "e" as indicated by Jauzac, lighthouse spine, original blue endpapers, all edges gilt. EL catalog at rear.
The joints and headcaps of our copy have been retouched. One corner and one joint at foot slightly bumped.
Deux ans de vacances is a robinsonnade featuring fourteen schoolboys from New Zealand.

First illustrated edition. 63 engravings and one map after Benett. CH catalogue in fine.
Publisher's binding called "Aux initiales" in dark green signed Magnier at tail. Second board with blind rosette. Handsome first plate with particularly brilliant gilt. Corners rubbed, and the 2 of the pastedown slightly turned in. Spine with faded gilt. Headcaps rubbed. Traces of rubbing on joints. Blue stamp in the form of a label on half-title. Lescude bookshop label, Pau on pastedown.
Paper overall very fresh, with some pale foxing on title page and on first leaf of catalogue.
Handsome copy.
L'Étoile du Sud is an adventure novel by Paschal Grousset, sold to publisher Hetzel, then

Illustrated edition with 73 drawings by George Roux: 1 frontispiece engraved by Froment, 1 title vignette engraved by Pannemaker, 2 large black engravings without captions, 48 black in-text engravings, 1 full-page black map of the Orinoco course, 20 polychrome hors-texte engravings, or printed in sepia or blue-grey.
Publisher's Hetzel binding signed Engel known as "au globe" type 3, spine with lighthouse, second cover type Engel "h" according to Jauzac, all edges gilt.
Original blue endpapers very marginally lightened as usual, some rubbing to spine and gilt on first cover, copy slightly warped. Some signatures slightly protruding.
Le Superbe Orénoque is an adventur

First large octavo edition illustrated by George Roux.
Hetzel publisher's binding signed Engel known as "au globe" type 4, spine with lighthouse, second board type Engel "i" according to Jauzac, all edges gilt.
Original blue endpapers marginally lightened as usual. A small mark at the top of the first board.
Sequel to Robur the Conqueror, Master of the World tells of Robur's return to civilization aboard an amphibious vehicle.
A Drama in Livonia is a detective novel featuring an innocent man accused of a murder he did not commit in Livonia.
Handsome copy.

Rare first and only illustrated edition with 37 drawings by Georges Roux including 6 polychrome plates and 11 black and white plates outside the text.
Publisher's binding known as "aux feuilles d'acanthe" with red title medallion. The first editions were subsequently issued with a gilt medallion.
Good first issue, quite crisp, but with several scratched or rubbed areas. Corners somewhat rubbed and slightly turned in. Half-title and title with pale foxing otherwise very fresh throughout. Spine very lightly faded with dulled gilt. Rear board in good condition with slight water stain beneath the rosette. Lower joint at head restored. Two signatures slightly protruding.
Science fi

Illustrated octavo edition decorated with illustrations by L. Benett and two large maps.
Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth signed A. Lenègre, polychrome first cover signed Engel presenting the title in a black and gilt fan, several black and gilt frames, a gilt elephant head in the upper left, three small illustrations as well as various gilt navigation and exploration instruments, all framed within green foliage, second cover of type "i" as indicated by Jauzac, lighthouse spine, original blue endpapers, all edges gilt.
Mistress Branican begins in the United States to take the reader to deepest Australia, that of the desert bushla

First edition large octavo illustrated with 64 drawings by Roux including 12 polychrome out-of-text engravings with blank verso.
Publisher's Hetzel binding signed Engel called "à l'éventail et à un éléphant avec titre dans l'éventail", lighthouse spine, first cover with gilt scientific instruments in the foreground, three gilt illustrations and green foliage, second cover of Engel "i" type according to Jauzac, all edges gilt.
Original blue endpapers marginally lightened as usual, first hinge very slightly cracked.
Posthumous novel, Le Volcan d'or takes place during the gold rush period and features two Franco-Canadian cousins inheriting a concession on the banks of t

Second printing of the first illustrated edition. 83 drawings by Benett, 12 colored plates hors-texte, 2 colored maps. Catalogue FX in fine.
Publisher's binding known as "Au portrait imprimé", this being its first appearance. At the bottom of the upper plate "Collection hetzel" appears on a black background; copies with a red background constitute the very first illustrated edition, while this represents the definitive version of the binding, published however in the same year. Second plate of Lenègre type e, with the medallion on black background.
Handsome first plate, with beautiful red gilt. Spine sunned, with faded colors. Headcaps rubbed and depressed. Second plate good with a

VERNE Jules
Le Superbe Orénoque
[The Mighty Orinoco]
Hetzel, Paris 1898, 18,5 x 28 cm, publisher's binding
First illustrated edition by George Roux, completed with 20 plates; most are polychromes, but some are black and white or sepia. Catalogue AJ at end. There is only one cover au globe doré for this title.
Publisher's binding au globe doré in type 3. Plate by Blancheland, binding by Engel. The second cover of the type Engel's e, red vertical letters on a black background.
Written in 1894 and appearing for the first time in 1898, Le Superbe Orénoque is an adventure novel about a girl in search of her father. The novel is bas

New edition, illustrated with 150 vignettes by Riou.
Publisher's binding known as "A la bannière" in bright blue on burgundy, type 1. Second board of Lenègre type b, with the octagonal blind-stamped medallion. Plate signed Souze. Lenègre binder. On verso of title page Imp. Gauthier-Villars.
Fine first plate with minute defects, a whitish spot in the outer border, a scratch on a spot at the lower border; upper right corner having suffered a fold. Spine good, headcaps rubbed, the head one slightly folded over. Minute split at the lower joint at head for a few millimeters, with a slight tear to the cloth. Spine with dark soiling and a dampstain in the medallion. 2 leaves slightly prot

First edition illustrated with 80 drawings by Benett and 12 hors-texte in colors. Catalogue D for 1895 attesting to the first edition.
Publisher's binding known as "Au portrait collé". Signed Paul Souze plate on the cannonball. Lenègre et cie at foot of spine and on the anchor. Very fine first plate. Corners very slightly turned. Spine good, with a white stain on the title-label and a scratched area on the lighthouse vignette. Headcaps sunken. It should be noted that the lighthouse vignette is no longer sky blue but midnight blue. Second cover good, but with darker areas and a whitish spot. Warped copy, one leaf protruding.
Remarkably fresh paper, completely free of foxing, very ap

New illustrated edition with numerous drawings by J. Ferat, as with other editions, and 8 polychrome plates. The first "Au portrait collé" publisher's boards from 1892 do not contain these chromotypographies. Catalogue D in fine.
Publisher's boards known as "Au portrait collé" signed Lenègre relieur. Second board of Lenègre type e. The particularity of this binding is that it is actually the portrait binding for L'île à helice whose red title cartouches on the first board and spine have been masked by new labels, as can be noticed by running one's finger over the cartouches where one feels a thickness. This type of alteration has been observed on other titles. The depletion of

First edition illustrated with 80 drawings by Benett and 12 color plates. Catalogue D for 1895 attesting to the first edition.
Publisher's binding known as "Au portrait collé". Plaque signed Lenègre on the anchor. Lenègre et cie at foot of spine. Second cover of Lenègre e type.
Beautiful upper plaque, with sharp and brilliant gilding. Note that the lighthouse vignette is no longer sky blue but midnight blue.
Very handsome copy, despite minor flaws. Tiny black spots on the lower red border, one on the outer border. Small dark areas in the portrait. Corners slightly bent. Spine somewhat faded, rather well preserved, with the gilding slightly tarnished. 2 cm split at foot on uppe

New edition. 74 illustrations by Benett, including 13 photographs (Barbados, Saint Lucia...), and 12 polychrome plates and a map of the West Indies.
Publisher's binding known as "Au globe doré" type 4, with the upper plate signed Blancheland, bound by Engel. Second cover type i, with straight red letters on striped background.
Fine first plate with brilliant gilt with discreet soiling in the cartouche and in the sky. Corners turned in. Spine sunned, the gilt still quite brilliant. Soiling in the lighthouse vignette. Headcaps rubbed, the top one slightly depressed. Second cover with some fine scratches. A few leaves slightly proud. Rare scattered foxing, either in margins or on firs

First edition. 68 illustrations, including 14 plates after drawings by Benett and Meyer. Catalogue AQ in fine for the year 1882 (a later issue of the printing contains a catalogue from 1889). This is the same printing that served for the publisher's different formats: in wrappers, half-shagreen, or clothbound.
Special publisher's binding, with the first type theater curtain. Red cloth. Jauzac attributes it to Lenègre. Spine with ornate compartments. Brown endpapers.
First cover good, but upper right corner worn at bottom. Spine fairly good with discreet stains. Headcaps somewhat rubbed and softened. Corners rubbed, the 2 on the second cover slightly bent. Second cover with a darker

First collected illustrated edition, with 38 drawings by Georges Roux, 12 large color engravings. One map.
Publisher's binding known as "Au globe doré" type 3; second cover type Engel h. Spine with lighthouse.
Fine first plate, with brilliant gilt. Small soiling in the sky. Lower corner creased, 2 others slightly turned in. Spine sunned. Second cover good, but traces of white glue along the Greek key border. Text block slightly separated from binding. 2 signatures slightly proud. Pale scattered foxing.
Adventure novel set in central Africa, in which Verne cites Darwin's theory several times; the protagonists discovering a people living in trees, a sort of tailless ape-men. The

First edition in octavo illustrated with 2 maps, 12 large chromotypographies, 6 full-page photographic reproductions, (39 illustrations engravings and documents including photographs), by Georges Roux.
Publisher's Hetzel binding with golden globe, signed Blancheland plate, bound by Engel, spine with lighthouse, second board of Engel "h" type according to Jauzac.
Fine first plate with well-marked and brilliant gilding. Light soiling in the cartouche. Small scratches in the sky. Some rubbing on the outer red border. 2 corners slightly bumped, the corners folded. Spine sunned, but with gilding well preserved. Rubbing to headcaps. Second board good, with soiling. Copy slightly warped.

New edition, the first illustrated dating from 1872. 53 in-text illustrations by Ferat and 3 color chromolithographs hors-texte, and one map in black. Second issue of the "Aux feuilles d'acanthe" binding.
Publisher's binding called "Aux feuilles d'acanthe" with red medallion. Fine first plate with points of discoloration in the medallion. Second board clean but bearing on the upper part whitish traces of light discoloration. Some very skillful small restorations at the joints and headcaps. Fresh copy free from foxing, with paper uniformly slightly tinted. Good copy.
In southern Africa, three Russian scientists and three English scientists are tasked with measuring a meridional arc.

Edition of the year of the original adorned with illustrations by Théophile Schuler engraved by Pannemaker.
Half aubergine sheep binding, smooth spine with quadruple gilt fillets, some traces of rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped, contemporary binding.
Some foxing, otherwise handsome copy.

First illustrated edition with 82 drawings by Tiret-Bognet, and a colored map of the Saint Lawrence River course. EX catalogue in fine condition for 1890.
Binding with the 2 elephants of Lenègre type 3. Back cover of Lenègre type e. This binding was only known in red. Some scattered foxing on very white paper. This edition bears an added label on the corrected spine, Une famille sans nom, becoming Famille sans nom with the new label.
Beautiful upper cover, with crisp gilding. Well-pointed and rigid corners. Regular gilt edges. Spine uniformly sunned but with gilding still present. Headcaps slightly turned over. Beautiful back cover, without defect. Shiny cloth. Handsome copy, firm

Second illustrated edition. It benefits from a new printing with substantial modifications to the text and engravings. The 6 polychrome plates are printed in dominant tones of blue, greenish, pale. The later edition with red medallion will have only 3 polychromes out of 6. 52 illustrations by Benett.
Publisher's binding known as "Aux feuilles d'acanthe", with gilt ground medallion. Good first plate, with slight discoloration on the outer border. Spine with small lacks of cloth, like spots, on the title label, at foot and headcap. Second board fairly good but with 2 areas as if scratched. Corners lightly rubbed. Fairly good copy, overall fresh, with pale reddish-brown halos on title page

Banner edition of the first type, second edition after the shell binding. General title leaf bearing the date 1873. Catalogue no. 2 at the end.
Binding known as "À la bannière" or "Au ballon bicolore", royal blue on bordeaux. First plate with balloon. Back cover signed at bottom Lenègre in blind (Lenègre b type), with hexagonal medallion in blind. Gilt edges. Green endpapers. Fine first plate with bright colors and gilt. Spine fairly good, but small scratched areas, one black stain at foot (restoration). Traces of rubbing to edges, headcaps, joints and corners. Dark areas on back cover. Pale scattered foxing, often in margins, but overall rather fresh.
Quite handsome copy.
Nov

First octavo edition illustrated with 59 drawings by George Roux.
Hetzel publisher's binding with gilt globe, signed Blancheland plate, bound by Engel, lighthouse spine, second cover of Engel "h" type according to Jauzac.
A few very minor lacks to gilding on the globe of the first cover. Binding very skillfully restored.
Occasional minor worming, as usual.

First octavo edition illustrated by George Roux and Benett, including 12 chromotypographic engravings.
Hetzel publisher's "golden globe" binding in full red percaline signed Engel, polychrome front board signed Blanchelant, second board type "i" as indicated by Jauzac, lighthouse spine, original blue endpapers, all edges gilt.
Spine slightly sunned, some very minor rubbing to plates, two corners rubbed and original blue endpapers very lightly sunned at margins, as usual.

First edition large octavo illustrated with 74 drawings by Léon Benett, photographic reproductions and a map of the Lesser Antilles.
Publisher's "golden globe" boards. Plate signed Blancheland, bound by Souze. Spine with lighthouse design. Rear board of Engel "i" type according to Jauzac.
Spine uniformly faded, headcaps and corners slightly rubbed.
Pen gift inscription on the first blue endpaper.

VERNE Jules
Le Testament d'un excentrique [The Will of an Eccentric]
Hetzel, Paris 1899, 18,5 x 28 cm, publisher's binding
First edition with 61 illustrations by Georges Roux, of which 20 large color plates and chromotypographic plates, 35 photographic views of the United States (cities and landscapes), a folding map of the USA and one of the Game of the Goose. This work had only one second edition in 1905 (with an à un éléphant binding).
Publisher's binding au globe doré, the design signed by Blancheland and bound by Souze. Dos au phare spine.
Spine uniformly sunned, head- and tail-pieces a little rubbed, one small lack to head of

First edition in-8 illustrated with 59 drawings by George Roux.
Publisher's binding by Hetzel "au globe doré", the design signed by Blancheland, bound by Engel, "Au phare" spine, lower cover type Engel "h" according to Jauzac.
Spine a little faded and a corner slightly bumped, otherwise nice cop, with fresh gold.

New edition illustrated with 101 drawings by Benett.
Hetzel publisher's binding known as "fan" binding with "an elephant", lighthouse spine, first cover polychrome signed Engel, second cover of Engel "i" type.
Head and tail slightly rubbed, original blue endpapers lightly sunned at margins as usual, two corners bumped.
La Maison à Vapeur is a historical and adventure novel set in India, shortly after the Sepoy Rebellion whose memory is at the origin of the plot. The novel features a revolutionary means of transport: a gigantic steam elephant pulling two comfortable wagons that travels without needing railway tracks.
Good fresh copy.

Edition illustrated with 85 illustrations by Léon Benett.
Hetzel publisher's "globe doré" binding in full red percaline signed Engel, first cover polychrome signed Blancheland depicting various gilt navigation instruments in a frame of gilt chains surmounted by green plants, second cover of type "h" as indicated by Jauzac, spine with lighthouse decorated with several illustrations in color and gilt, original blue endpapers, all edges gilt.
Spine uniformly but slightly faded and somewhat rubbed at head and foot, a small tear on the second cover, blue endpapers slightly sunned at margins, as usual.

First edition large octavo illustrated with 74 drawings by Léon Benett, photographic reproductions and a map of the Lesser Antilles.
Publisher's "globe doré" binding. Plate signed Blancheland, bound by Souze. Spine with lighthouse. Second cover of Engel "i" type according to Jauzac.
Spine very slightly faded, a tiny small lack to the polychrome plate and a stain on the second cover, original blue endpapers slightly lightened at margins as usual, otherwise handsome copy.

New edition, illustrated with 150 drawings by Riou. GK catalogue in fine. Later reissues of this binding will have 6 color engravings, which will be simple colored enlargements of engravings already present in black and white.
Publisher's binding known as "Au portrait collé" with signed Souze plate and bound by Lenègre. Spine with lighthouse. Second board of Lenègre "e" type. Fine upper plate. Light traces of discoloration beneath the author's name cartouche. One leaf very slightly protruding. One gathering detaching from the interior. Corners rubbed and slightly turned. Spine somewhat faded, but gilts and colors quite sharp. Headcaps rubbed and turned. Second board showing some soiling

Rare new edition, illustrated with 85 drawings by Georges Roux and 12 chromotypographies. Catalogue FX in fine. First illustrated edition with the 2 elephants in 1890.
Publisher's binding known as "Au portrait collé" signed in the plate Lenègre relieur. Spine with lighthouse signed Lenègre at foot.
Beautiful upper plate with gleaming gilt. Traces of discoloration above the world map and small stains at the top of the author's name. Lower corners showing creases. Headcaps rubbed. Under "Jules Verne" inscribed in ink 134. Spine slightly faded. Fine second cover. Stain in right margin of title page beside the title, several numbers written in pen around the title. Fresh paper, almost

Edition illustrated with drawings of J. Férat, engraved by Barbant. BR catalog for 1884.
Cardboard with two elephants to the rare pink fuchsia signed tail Lenègre, type 1. spine three decorated boxes. Second flat Wearing a button Cold round, registered cold bottom left Lenegre rel. gray guards.
Beautiful first plate, but two small spots along the black edge. upper joint split in head 2.5cm. Upper corner slightly blunted law. Insolated back evenly. Micro cuts copings. Inkblot down the second course, and on the last pages of the catalog. Fresh copy, free of foxing.

First edition illustrated with 59 drawings by L. Bennet and P. Phillippoteaux, 35 facsimiles of old engravings, 20 maps or plans. Double volume, catalogue S.
Publisher's binding in lawn green cloth (undoubtedly the rarest of the colors), known as "La sphère ptolémaïque" (one of the most harmonious achievements among Souze bindings). Special plate designed by Souze. Superb front board, very fresh but with two small spots, one on the upper edge, the second next to one of the ships. A small tear on the right edge.
Back board type b, with rosette, corner palmettes. Brown endpapers characteristic of the first edition.
Corners, headcaps and joints skilfully and finely restored. 2 wh

New edition revised, corrected and newly classified by the author.
Half brown shagreen binding, spine with four false raised bands, decorated with triple compartments stamped in blind
Suite of captioned engravings accompanied by notices at the head of each series by MM. Théophile Gautier & Laurent-Jan.

First edition of some parts of the text.
Half navy blue calf bindings, smooth spines decorated with gilt garlands as well as gilt and black fillets, gilt friezes at head and foot, marbled paper boards, marbled endpapers and pastedowns, contemporary bindings.
Occasional light foxing.

Edition with some parts in first edition.
Half brown shagreen bindings, spines faded with four fine raised bands set with double gilt dotted lines decorated with double gilt compartments and black fillets, marbled paper boards, marbled endpapers and pastedowns, speckled edges.
Rare set free from worming or foxing (cf Clouzot).

First edition.
Half navy blue morocco binding with corners, spine with five raised bands decorated with gilt fleurons, two bands with small tears, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, elegant unsigned binding.
Occasional foxing.
Handsome copy attractively bound.

Second edition.
Half blue shagreen binding, lightened spine with five raised bands set with gilt dots decorated with gilt double compartments ornamented with gilt typographical motifs, minor scratches of no consequence to spine and joints, double fillets on marbled paper boards, marbled endpapers and pastedowns.
About notably Henri Heine and Alfred de Musset, whose mistress Madame Jaubert was.

First edition.
Half red shagreen bindings, spines with five raised bands set with black fillets and decorated with gilt fleurons, marbled paper boards, endpapers and pastedowns of marbled paper, one corner slightly bumped, minor traces of rubbing on bottom edges, contemporary bindings.
Some occasional light foxing.
Provenance: from the library of Jules Félix Louis Gastinger with his bookplates pasted on the pastedowns.
Handsome copy attractively established in uniform contemporary binding.

Illustrated Edition. Sixty-one illustrations by Georges ROUX, including 20 large color plates in chromotypographies, 35 photographic views of the United States of America (cities and landscapes), a fold-out map of the United States of "America and that of the board game . Catalog Hetzel for 1899-1900 of 8p. end of the book. The title will know that one second edition in 1905 (cartonnage an elephant).
Cardboard editor golden globe, or said, to the world map. Signed Blancheland plate, connected by Souze. Back to the lighthouse. Very pale scattered spots. Small discolorations along the lower edge of the first flat. Rubbed upper right corner. On the lower f

First edition. Wood engraving signed in the plate by the artist.
Plate specially created for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.
Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an avid hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled through

First edition. Wood engraving signed in the plate by the artist.
Plate specially created for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quichotte: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il

First edition. Wood engraving signed in the plate by the artist.
Plate specially created for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quichotte: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il

First edition. Wood engraving signed in the plate by the artist.
Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an avid hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a parcouru

First edition. Wood engraving signed in the plate by the artist.
Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an avid hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a parcouru

First edition. Wood engraving signed in the plate by the artist.
Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable Hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a

First edition. Wood engraving signed in the plate by the artist.
Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable Hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a

First edition. Wood engraving signed in the plate by the artist. Light foxing to lower right margin, not touching the plate.
Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

Gustave Doré first travelled to Spain in 1855, accompanied by Théophile Gautier and the publisher Paul Dalloz. In 1861, fulfilling a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an experienced hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the hom

First edition. Wood engraving signed on the plate by the artist. Light foxing not affecting the engraving.
Plate created specifically for the illustration of Cervantes' Don Quixote in the Hachette edition of 1863.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this ill

First edition. Wood engraving signed on the plate by the artist.
Plate created specifically for the illustration of Cervantes' Don Quixote in the Hachette edition of 1863.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this illustrious hidalgo to study all the places

First edition. Wood engraving signed in the plate by the artist. Pale foxing in the upper margin not affecting the engraving.
Plate created specifically for the illustration of Don Quixote by Cervantes for the Hachette edition of 1863.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable Hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la p

First edition. Wood engraving signed in the plate by the artist. Some pale spotting in the margin of the plate.
Plate created specifically for the illustration of Don Quixote by Cervantes for the Hachette edition of 1863.

Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable Hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet i

First edition. Wood engraving signed on the plate by the artist.
Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

Gustave Doré first traveled to Spain in 1855, accompanied by Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an avid hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there primarily for the illustration of Don Quixote: "I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled th

First edition. Wood engraving signed in the plate by the artist. A small foxing spot in the upper margin, not touching the engraving.
Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

Gustave Doré traveled to Spain first in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
Doré went there mainly with a view to illustrating Don Quixote: "I am therefore going to