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Caricature

Antique caricatures, satirical prints and drawings, illustrated newspapers, first edition albums, caricature portraits

265 results
  1. Humoristique carte postale photographique manuscrite signée adressée à Carlo Rim
    Tristan BERNARD

    Humoristique carte postale photographique manuscrite signée adressée à Carlo Rim

    s. l. s. d. [circa 1942]|7.50 x 12 cm|une feuille
    Handwritten signed photographic postcard from Tristan Bernard addressed to his friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (21 lines in black ink on Hotel Windsor letterhead in Cannes).
    A small pinhole at the head of the photograph showing all the affection that Carlo Rim had for his venerable friend Tristan Bernard, having certainly hung this postcard in his home.
    The postcard shows Tristan Bernard facing forward with his handsome and imposing beard. On the verso, he added:
    "Le monsieur du verso, c'est évident, c'est sûr... c'est le plus beau v
    €80
  3. Le Chat noir N°63 de la deuxième année du samedi 24 Mars 1883
    Jean LORRAIN, Jean MORÉAS

    Le Chat noir N°63 de la deuxième année du samedi 24 Mars 1883

    Au cabaret Le Chat noir|Paris 1883|31 x 45 cm|en feuillets
    First edition.
    This issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: "C'est demain vendredi saint".
    Literary contributions by Emile Goudeau "Bulletin politique du Chat Noir", Jean Lorrain "Lunaire", Jean Moréas "Viandes de gargote"...
    Handsome copy despite a small hole, not touching the text, at the level of the interior fold of the newspaper.
    Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, of which it served as the memory. The texts recited during the shows were published there. It is, moreover, an important litera
    €50
  4. Le Chat noir N°19 de la première année du samedi 20 Mai 1882
    Léo TREZENIK, Edmond HARAUCOURT

    Le Chat noir N°19 de la première année du samedi 20 Mai 1882

    Au cabaret Le Chat noir|Paris 1882|31 x 45 cm|en feuillets
    First edition.
    This issue comprises 4 pages and is illustrated with a drawing by Adolphe Willette.
    Literary contributions by Emile Goudeau "L'avenir est aux louches", Constant Chanouard "Grisel l'ouverrier", Charles Pitou, Léo Trezenik "Un ivrogne", Paul Arène "Mistral parisien", Edmond Haraucourt "Brune"...
    Handsome copy.
    Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It is, moreover, an important literary and artistic testimony of the late nineteenth century, centered around bohe
    €40
  5. Le Chat noir N°150 de la troisième année du samedi 22 Novembre 1884
    Adolphe WILLETTE, Rodolphe SALIS

    Le Chat noir N°150 de la troisième année du samedi 22 Novembre 1884

    Au cabaret Le Chat noir|Paris 1884|31 x 45 cm|en feuillets
    First edition, one of the rare copies on laid paper.
    The issue consists of 4 pages and is illustrated with a double-page interior drawing by Adolphe Willette "C'est un conte blanc - C'est un conte noir".
    Literary contributions by Georges Auriol, Rodolphe Salis, Xernand Fau, Adolphe Willette...
    Handsome copy.
    Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes, moreover, an important literary and artistic testimony of the late nineteenth century, c
    €80
  6. Le Chat noir N°152 de la troisième année du samedi 6 Décembre 1884
    Adolphe WILLETTE, Alphonse ALLAIS

    Le Chat noir N°152 de la troisième année du samedi 6 Décembre 1884

    Au cabaret Le Chat noir|Paris 1884|31 x 45 cm|en feuillets
    First edition, one of the rare copies on laid paper.
    The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: "Monstres de Paris. Les peintres incompris : M. Carolus Durand".
    Literary contributions by Alphonse Allais "Moeurs de ce temps-ci", Georges d'Esparbès "Les juges", Jean Lorrain "Miss Miser", Camille de Sainte-Croix "La chanson de la mer de Victor Margueritte" under the semi-pseudonym of Xernand Fau "La guerre aux abus"...
    Handsome copy.
    Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memor
    €80
  7. Le Chat noir N°155 de la troisième année du samedi 27 Décembre 1884
    Adolphe WILLETTE, Albert SAMAIN

    Le Chat noir N°155 de la troisième année du samedi 27 Décembre 1884

    Au cabaret Le Chat noir|Paris 1884|31 x 45 cm|en feuillets
    First edition, one of the rare copies printed on laid paper.
    The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: "John Bull au Congo".
    Literary contributions by Albert Samain "Tsilla", Georges Auriol "Les neiges de Bretagne", Maurice Montégut "Les confidences de l'abîme"...
    Handsome copy.
    Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the purpose of promoting the famous cabaret of the same name, of which it serves as a record. It published the texts recited during the performances. It is, moreover, an important literary and artistic testimony of the end of the 19th centu
    €80
  8. Diamant enfumé - In Le Chat noir N°154 de la troisième année du samedi 20 Décembre 1884
    Charles CROS, Alphonse ALLAIS

    Diamant enfumé - In Le Chat noir N°154 de la troisième année du samedi 20 Décembre 1884

    Au cabaret Le Chat noir|Paris 1884|31 x 45 cm|en feuillets
    First edition, one of the rare copies on laid paper.
    The issue is illustrated with a drawing by Adolphe Willette "Il est né le divin enfant ! ".
    Other contributions by Alphonse Allais "Le veau", Rodolphe Salis, Auguste Marin...
    Handsome copy.
    Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. It published the texts declaimed during the shows. It is, moreover, an important literary and artistic testimony of the end of the 19th century, around the bohemian life and the Parisian effervescence that was its own.
    €180
  9. Le Chat noir - Organe des intérêts de Montmartre - Deuxième année complète du n°53 du 13 janvier 1883 au n°103 du 29 décembre 1883
    Paul VERLAINE, Émile GOUDEAU

    Le Chat noir - Organe des intérêts de Montmartre - Deuxième année complète du n°53 du 13 janvier 1883 au n°103 du 29 décembre 1883

    Au cabaret Le Chat noir|Paris 1883|31 x 45 cm|broché
    First edition of this complete 1883 year containing 50 issues in original wrappers under blue temporary covers.
    Spine split with angular lacks to the covers.
    Each issue consists of four pages.
    Texts by Emile Goudeau, Alphonse Allais, Jean Richepin and Paul Verlaine ("Le Chat noir", "Langueur", "La Princesse Bérénice", "Pantoum négligé", "Paysage", "Conseil falot", "L'Aube à l'envers", "Un pouacre", "Madrigal") notably.
    Drawings by Willette, Rodolphe Salis, Henri de Sta, Tiret-Bognet, Henri Pille, Caran d'Ache etc.
    Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of
    €1,200
  10. Carnet de chèques
    CARAN D'ACHE

    Carnet de chèques

    E. Plon, Nourrit & Cie|Paris 1892|28 x 12.50 cm|relié
    First edition of this collection of ferociously anti-Semitic caricatures presented in the form of a booklet of 24 checks.
    Bradel binding in full olive cloth, smooth spine decorated with gilt fillets, very light scratches of no importance to the right margin of the front cover, endpapers and pastedowns of decorative patterned paper, front cover preserved.
    Some inevitable minor restorations to the check stub area, some foxing at the end of the volume, handsome copy.

    €300
  11. Carte postale photographique dédicacée à Alice Rim représentant Mistinguett en 1903
    Maurice CHEVALIER

    Carte postale photographique dédicacée à Alice Rim représentant Mistinguett en 1903

    La cité des livres|8 Juin 1963|10.50 x 14.50 cm|une feuille
    Photographic postcard inscribed by Maurice Chevalier to Alice Rim, whose pen name was Caro Canaille, depicting Mistinguett in 1903.
    "Chère Caro Canaille, comme vous êtes généreuse de vous donner le mal de me faire savoir une si touchante opinion de petite fille. Mais vous m'avez toujours montré votre amitié. Bonnes vacances. Maurice Chevalier. 8.6.63." ["Dear Caro Canaille, how generous you are to take the trouble to let me know such a touching opinion from a little girl. But you have always shown me your friendship. Happy holidays. Maurice Chevalier. 8.6.63."]
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was not
    €300
  12. Esquisses originales, sur papier calque, au stylo bille et crayons noirs représentant quatre portraits de Jean Cocteau
    Carlo RIM

    Esquisses originales, sur papier calque, au stylo bille et crayons noirs représentant quatre portraits de Jean Cocteau

    s. l. s. d. [circa 1955]|16 x 25 cm|une feuille
    Original sketches in black ballpoint pen and pencil by Carlo Rim depicting four portraits of Jean Cocteau in slight profile.
    One drawing is heightened with green felt-tip pen, another with black pen; two drawings being on the recto of the tracing paper sheet, the other two on the verso.
    Pencil annotations by Carlo Rim: "Voir portrait souvenir" and twice the mention "bon".
    A small hole in the upper left corner of the tracing paper and a red felt-tip scribble at the foot of the sheet.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol
    €100
  13. Lettre aux écolos qui nous pompent l'air
    Bernard THOMAS

    Lettre aux écolos qui nous pompent l'air

    Albin Michel|Paris 1992|13.50 x 21 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy despite small wormholes on the edges.
    Amusing signed autograph inscription by Bernard Thomas on the half-title page to Jean-Pierre Richard, Carlo Rim's son: "Pour Jean-Pierre, par ma chandelle verte, j'espère que ça va faire de l'oseille." ["For Jean-Pierre, by my green candle, I hope this will make some money."]
    A Provençal writer, caricaturist and filmmaker, Carlo Rim was the friend and confidant of numerous artists and authors among the greatest figures of the 20th century: Antonin Artaud, Marcel Pagnol, Fernandel, Raimu, Max Jacob, Edith Piaf, Tristan Bernard, Jacques Prévert...
    Hi
    €50
  14. Dessin original aux feutres bleu et noir rehaussé à l'encre noire représentant Robert Lamoureux souriant
    Carlo RIM

    Dessin original aux feutres bleu et noir rehaussé à l'encre noire représentant Robert Lamoureux souriant

    s. l. s. d. [circa 1960]|16 x 25 cm|une feuille
    Original drawing in blue and black felt-tip pens and heightened with black ink by Carlo Rim representing Robert Lamoureux in profile, smiling with crossed hands.
    The drawing is captioned in pencil "Robert Lamoureux" in the upper right corner of the drawing.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  15. Rue du monde
    SERGE

    Rue du monde

    Marcel Seheur|Paris 1931|13 x 18 cm|broché
    Edition printed in 2000 copies.
    Work illustrated with drawings in text and full-page in black and colors by the author.
    Spine sunned with small lacks at head and foot, handsome interior condition.
    Signed autograph inscription from Serge enhanced with a small drawing depicting a naval anchor, a heart and a star: "Pour toi Carlo Rim, marseillais de Paris cette rue du monde affectueusement d'un parisien de Marseille." ["For you Carlo Rim, Marseillais of Paris this street of the world affectionately from a Parisian of Marseille."]
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was no
    €80
  16. Dessin original au styllo bille noir rehaussé au correcteur blanc représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au styllo bille noir rehaussé au correcteur blanc représentant son grand ami le poète André Salmon

    s. l. 1956|20 x 25.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", and dated and captioned in pencil "André Salmon (twice) 1956" depicting in profile and with a pipe screwed to his lips, his great friend the writer and poet André Salmon.
    The drawing was made on tracing paper and pasted onto a sheet.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  17. Le Pêle-mêle - Année 1908 complète
    Benjamin RABIER, Léon KERN

    Le Pêle-mêle - Année 1908 complète

    Le Pêle-mêle|Paris 5 Janvier 1908 - 27 Décembre 1908|23.50 x 34 cm|relié
    First edition.
    A large tear to the margin of the front page of the January 13, 1907 issue, otherwise a handsome copy.
    Half brown sheep binding, spine with five raised bands decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, some rubbing to spine and board edges, contemporary binding.
    Each issue is illustrated with a color front page by Benjamin Rabier, Alex, T. Barn, Léon Kern, Georges Omry, Haye, Luc Leguey, Maurice Motet...
    Issues illustrated with drawings by Benjamin Rabier, Georges Omry, Valvérane, Léon Kern, Moriss, Kotek, Luc Leguey, Maurice Motet, Carsten Carven, O'Galop, André Hellé, Alex...
    €150
  18. Dessin original à l'encre noire rehaussé au correcteur blanc représentant le poète Jules Supervielle
    Carlo RIM

    Dessin original à l'encre noire rehaussé au correcteur blanc représentant le poète Jules Supervielle

    s. l. s. d. [1945]|16 x 24 cm|une feuille
    Original ink drawing inscribed in pencil "Jules Supervielle" depicting Jules Supervielle in bust and profile with his right hand raised.
    The drawing is signed Carlo Rim in the lower right corner.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  19. Philémon vieux de la vieille
    Lucien DESCAVES, Pierre-Eugène VIBERT

    Philémon vieux de la vieille

    Georges Crès & Cie|Paris 1922|14 x 22.50 cm|broché
    New edition, one of the copies on laid paper.
    Spine slightly sunned at head and foot with two small lacks.
    Work illustrated, as frontispiece, with a portrait of the author by Pierre-Eugène Vibert.
    Autograph inscription dated and signed by Lucien Descaves to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob.
    €60
  20. Cent proverbes
    Jean Ignace Isidore Gérard GRANDVILLE

    Cent proverbes

    Garnier frères|Paris 1870 (S.d)|17.50 x 28.50 cm|relié
    First illustrated edition in color with 51 hand-colored plates on heavy paper under tissue guards and numerous black illustrations in the text. The first edition of 1845 was only in black.
    Contemporary half cherry red shagreen binding with corners. Spine with false raised bands decorated with compartments with thick blind fillets and gilt fillets. Gilt title. Thick blind and gilt fillets on boards. Top edge gilt. Some scattered foxing. Minor rubbing. A small hole in the lower margin of the title page.
    Fine copy.
    One hundred proverbs illustrated and commented.
    €600
  21. Dessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin Fabre
    Carlo RIM

    Dessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin Fabre

    s. l. s. d. [circa 1930]|15 x 21 cm|une feuille
    Original drawing in black ink heightened with white corrector fluid captioned in pencil "Saturnin Fabre" representing the actor Saturnin Fabre in bust and profile.
    A mention "Vol II" in red felt-tip pen in the lower right margin of the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  22. Le poids civil, collection complète - Gazette d'un immobilisé pendant la Guerre
    Tristan BERNARD

    Le poids civil, collection complète - Gazette d'un immobilisé pendant la Guerre

    Flammarion|Paris s. d. [circa 1930]|12.50 x 17 cm|broché
    First edition in book form.
    Spine sunned with small lacks at head and foot, minor corner losses to boards.
    Autograph inscription dated March 40 and signed by Tristan Bernard to his friend Carlo Rim: "A Carlo Rim un poilu bien chenu ! Tristan Bernard. Mars 40." ["To Carlo Rim, a very grizzled soldier! Tristan Bernard. March 40."]
    During the Occupation, Tristan Bernard took refuge in Cannes and stayed at the Windsor hotel while his friend Carlo Rim vainly proposed that he stay at his place so that he would be safe from denunciation or arrest; to which Tristan Bernard, never short of witticisms, replied: "At my age, one no longer sleeps away from home!" adding: "
    €100
  23. Pantruche ou les mémoires d'un truand
    Fernand TRIGNOL, Albert DUBOUT

    Pantruche ou les mémoires d'un truand

    Editions Fournier|Paris 1946|11.50 x 18.50 cm|broché
    First edition, a Service de Presse (advance) copy.
    Illustrated cover and frontispiece decorated with a drawing by Albert Dubout.
    Foreword by Jean Gabin.
    Spine slightly sunned, a small lack of paper on second cover, a light dampstain at lower right corner of first cover.
    Autograph inscription signed by Fernand Trignol to his friend Carlo Rim.
    Carlo Rim inscribed his name below the inscription and pasted a clipping from a press article in which Fernand Trignol appears as Grand Chamberlain of the court of Warsaw in the film Tarass-Boulba alongside Charles David and Carlo Rim, dialogue writer, with Jacques Natanson, of this film by Alexis Granow
    €150
  24. Carte à jouer érotique à secret - Dame de trèfle
    ANONYME

    Carte à jouer érotique à secret - Dame de trèfle

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer

    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    When held up to the light, the card reveals an erotic scene: the lady is amusing herself with a dildo.
    A curiosity!

    €180
  25. Carte à jouer érotique à secret - Deux de trèfle
    ANONYME

    Carte à jouer érotique à secret - Deux de trèfle

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with a secret, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    When held to the light, the card reveals an erotic scene in transparency: a reader lying in his natural state holds up his parasol with the aid of his erect organ.
    A curiosity!
    €120
  26. Carte à jouer érotique à secret - Deux de carreau
    ANONYME

    Carte à jouer érotique à secret - Deux de carreau

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with a secret, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    When held to the light, the card reveals an erotic scene in transparency: a masked lady raises her leg high before a gentleman with spectacles who attentively examines her vulva.
    A curiosity!
    €120
  27. Carte à jouer érotique à secret - Deux de pique
    ANONYME

    Carte à jouer érotique à secret - Deux de pique

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    When held up to the light, the card reveals an erotic scene: three busty ladies pulling a priapic faun by the tail.
    A curiosity!
    €120
  28. Carte à jouer érotique à secret - Trois de carreau
    ANONYME

    Carte à jouer érotique à secret - Trois de carreau

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    When held up to the light, the card reveals an erotic scene: a lady performing fellatio on a man wearing a pointed cap.
    A curiosity!
    €120
  29. Carte à jouer érotique à secret - Trois de pique
    ANONYME

    Carte à jouer érotique à secret - Trois de pique

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Secret erotic playing card, unknown manufacturer, produced in France around 1860. Hand-colored lithograph with pochoir, blank verso.
    The card, when held to the light, reveals an erotic scene: an erect priest blowing into a condom, kneeling before a lady with widely spread thighs.
    A curiosity!
    €120
  30. Carte à jouer érotique à secret - Quatre de coeur
    ANONYME

    Carte à jouer érotique à secret - Quatre de coeur

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Secret erotic playing card, unknown manufacturer, produced in France around 1860. Hand-colored lithograph with pochoir, blank verso.
    The card, when held to the light, reveals an erotic scene: a gentleman about to penetrate a milkmaid who is overturning her pail; in the background a cow urinates merrily.
    A curiosity!
    €120
  31. Carte à jouer érotique à secret - Quatre de trèfle
    ANONYME

    Carte à jouer érotique à secret - Quatre de trèfle

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Secret erotic playing card, unknown manufacturer, produced in France around 1860. Pochoir-colored lithograph, blank verso.
    The card, when held to the light, reveals an erotic urophilic scene: a lady, a horse and valets expelling their urine in great jets.
    A curiosity!
    €120
  32. Carte à jouer érotique à secret - Cinq de pique
    ANONYME

    Carte à jouer érotique à secret - Cinq de pique

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Secret erotic playing card, unknown manufacturer, produced in France around 1860. Pochoir-colored lithograph, blank verso.
    The card, when held to the light, reveals an erotic scene of farandole debauchery between two ladies and two gentlemen.
    A curiosity!
    €120
  33. Carte à jouer érotique à secret - Cinq de carreau
    ANONYME

    Carte à jouer érotique à secret - Cinq de carreau

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Secret erotic playing card, unknown manufacturer, produced in France around the 1860s. Lithograph colored with pochoir, blank verso.
    The card, when held up to the light, reveals an erotic scene in transparency: a gentleman wearing a kippah assailing a lady surrounded by beer tankards.
    A curiosity!
    €120
  34. Carte à jouer érotique à secret - Six de pique
    ANONYME

    Carte à jouer érotique à secret - Six de pique

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    The card, when held to the light, reveals an erotic scene: a close-up rear view of penetration.
    A curiosity!
    €120
  35. Carte à jouer érotique à secret - Six de coeur
    ANONYME

    Carte à jouer érotique à secret - Six de coeur

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    The card, when held to the light, reveals an erotic urolagnic scene: a fireman urinating on a lady's crotch while a complicit valet holding a basin looks on.
    A curiosity!
    €120
  36. Carte à jouer érotique à secret - Huit de coeur
    ANONYME

    Carte à jouer érotique à secret - Huit de coeur

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with hidden image, unknown manufacturer, produced in France around 1860. Lithograph colored with stencil, blank verso.
    When held up to the light, the card reveals an oriental erotic scene in transparency: a Zouave penetrates a beautiful lady with raised legs.
    A curiosity!
    €120
  37. Carte à jouer érotique à secret - Huit de trèfle
    ANONYME

    Carte à jouer érotique à secret - Huit de trèfle

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic transformation playing card, unknown manufacturer, produced in France around 1860. Lithograph colored with pochoir, blank verso.
    The card, when held to light, reveals an erotic scene: a hooded monk frolics with a nude woman wearing two laurel crowns on her head and in her hand.
    A curiosity!
    €120
  38. Carte à jouer érotique à secret - Dix de coeur
    ANONYME

    Carte à jouer érotique à secret - Dix de coeur

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with a secret, unknown manufacturer, produced in France around 1860. Lithograph colored with stencil, blank verso.
    The card, when held to the light, reveals an erotic scene: a woman holds the erect member of a man who is urinating into a bottle.
    A curiosity!
    €120
  39. Carte à jouer érotique à secret - Dix de trèfle
    ANONYME

    Carte à jouer érotique à secret - Dix de trèfle

    s. l. • [France] s. d. [circa 1860]|5.50 x 8.60 cm|une carte à jouer
    Erotic playing card with a secret, unknown manufacturer, produced in France around 1860. Lithograph colored with stencil, blank verso.
    The card, when held to the light, reveals an erotic scene: a man with an erect member holds on his shoulder a woman in her natural state.
    A curiosity!
    €120
  40. Dessin original au crayon noir rehaussé au stylo bille bleu représentant Léo Larguier
    Carlo RIM

    Dessin original au crayon noir rehaussé au stylo bille bleu représentant Léo Larguier

    s. l. s. d. [circa 1940]|11.50 x 16 cm|une feuille
    Original drawing in black pencil heightened with blue ballpoint pen and white correction fluid, signed Carlo Rim in blue ballpoint pen and captioned in pencil "Léo Larguier" depicting Léo Larguier in bust and profile.
    A manuscript note in red ballpoint pen on page 18 (or 64) below the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  41. Dessin original au stylo bille bleu rehaussé au crayon noir représentant son grand ami Raimu sur son lit de mort
    Carlo RIM

    Dessin original au stylo bille bleu rehaussé au crayon noir représentant son grand ami Raimu sur son lit de mort

    s. l. 1946|27 x 21 cm|une feuille
    Original drawing signed in blue ballpoint pen heightened with black pencil signed by Carlo Rim depicting his great friend Raimu on his deathbed at the American Hospital of Neuilly-sur-Seine.
    The drawing is captioned and signed in blue ink "20 sept. 1946 Carlo Rim" and "hôpital américain" in black felt-tip pen (the last three letters having smudged).
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €200
  42. Deux dessins originaux aux feutres noirs représentant Lugné-Poe dont l'un est rehaussé au feutre rouge
    Carlo RIM

    Deux dessins originaux aux feutres noirs représentant Lugné-Poe dont l'un est rehaussé au feutre rouge

    s. l. s. d. [circa 1935]|17.50 x 21 cm|une feuille
    Two original drawings in black felt-tip pen, the second heightened with red felt-tip pen by Carlo Rim depicting the actor and theater man Lugné-Poe in profile wearing a bow tie.
    The drawings are captioned in black and red felt-tip pen Lugne-Poe, the drawing is signed Carlo Rim in black felt-tip pen.
    Two manuscript notations by Carlo Rim on the verso of the drawing "bon" and " le crâne plus plat".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  43. Dessin original à l'encre bleue et rehaussé aux crayons rouge, bleu et vert représentant Sancho Pança somnolant sur son âne Rucio
    Carlo RIM

    Dessin original à l'encre bleue et rehaussé aux crayons rouge, bleu et vert représentant Sancho Pança somnolant sur son âne Rucio

    s. l. 1964|21 x 27 cm|une feuille
    Original ink drawing in blue ink, signed in black felt pen and captioned "Carlo Rim Cuenca 1964", heightened with blue, red and green pencils by Carlo Rim depicting Sancho Panza dozing on his donkey Rucio trotting along.
    The drawing is also captioned in the lower right margin in blue ink "Sancho".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €50
  44. Dessin original au feutre noir et rehaussé aux feutres vert et orange représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au feutre noir et rehaussé aux feutres vert et orange représentant son grand ami le poète André Salmon

    Sanary-sur-Mer 1968|20 x 25.50 cm|une feuille
    Original drawing in black felt-tip pen and heightened with orange and green felt-tip pens, captioned in black felt-tip pen "André Salmon La Hune 1968 Carlo Rim" representing in bust with his head turned to the left, seated in an armchair, his great friend the writer and poet André Salmon of Christ-like thinness.
    The drawing on tracing paper is slightly creased at the head.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €70
  45. Dessin original au feutre noir représentant son ami le cinéaste René Clair
    Carlo RIM

    Dessin original au feutre noir représentant son ami le cinéaste René Clair

    s. l. s. d. [circa 1940]|16 x 25.50 cm|une feuille
    Original drawing in black felt-tip pen, lightly heightened with white correction fluid, captioned in black felt-tip pen "René Clair Carlo Rim" depicting in profile with his head turned to the right his friend the filmmaker René Clair, hands in his pockets.
    The drawing on tracing paper is captioned a second time in pink felt-tip pen "René Clair".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  46. Dessin original au crayon de papier rehaussé à l'encre noire représentant Jacques Audiberti
    Carlo RIM

    Dessin original au crayon de papier rehaussé à l'encre noire représentant Jacques Audiberti

    s. l. 1959|16.50 x 14 cm|une feuille
    Original pencil drawing on paper heightened with black ink, signed by Carlo Rim, depicting Jacques Audiberti in frontal view.
    The drawing, captioned twice "Audiberti 1959" (on verso in green marker), was executed on tracing paper.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as Max Jacob and André Salmon whom he met in Sanary.
    €80
  47. Laudative lettre autographe signée adressée à Carlo Rim à propos de ce qu'il a écrit sur l'affaire Stavisky
    Léo LARGUIER

    Laudative lettre autographe signée adressée à Carlo Rim à propos de ce qu'il a écrit sur l'affaire Stavisky

    S. n.|s. l. s. d. [circa 1934]|21 x 27 cm|une feuille
    Autograph letter signed by Léo Larguier addressed to Carlo Rim, 14 lines written in black ink, congratulating him on a recent newspaper article he devoted to the Stavisky affair.
    Fold marks inherent to posting, a tear in the left margin of the letter at the fold level.
    "Mon bon ami. Je viens de lire dans Vu votre article. Stavisky et je veux vous dire combien il m'a touché. C'est très fort ces raccourcis, ces ellipses cruelles, et c'est un art inouï si ce n'est pas naturel. Dans l'un ou l'autre cas, vous êtes un écrivain que j'avais deviné et je m'y connais un peu, vous savez. J'ai voulu vous le dire. Vous pouvez ficher ma lettre au feu. Hommages e
    €100
  48. Dessin original au feutre noir rehaussé au feutre rouge représentant Jean Renoir
    Carlo RIM

    Dessin original au feutre noir rehaussé au feutre rouge représentant Jean Renoir

    s. l. 1950)|21 x 14.50 cm|une feuille
    Original drawing in black felt-tip pen heightened with red felt-tip pen by Carlo Rim depicting filmmaker Jean Renoir in bust, head turned to the left.
    The drawing is captioned in black felt-tip pen Jean Renoir on a sheet of tracing paper folded in half.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  49. Dessin original au feutre noir rehaussé au correcteur blanc représentant Paul Claudel
    Carlo RIM

    Dessin original au feutre noir rehaussé au correcteur blanc représentant Paul Claudel

    s. l. s. d. [circa 1935]|21 x 27.50 cm|une feuille
    Original signed drawing in black felt-tip pen heightened with white correction fluid by Carlo Rim depicting Paul Claudel in bust portrait.
    The drawing monogrammed "CR" in blue felt-tip pen is captioned in red felt-tip pen "Paul Claudel".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  50. Dessin original à l'encre bleue représentant son ami Antonin Artaud
    Carlo RIM (Antonin ARTAUD)

    Dessin original à l'encre bleue représentant son ami Antonin Artaud

    s. l. s. d. [ca 1935]|10.50 x 10.50 cm|une feuille
    Original blue ink drawing by Carlo Rim depicting his friend Antonin Artaud in profile.
    The drawing, likely preparatory, was executed on tracing paper.
    Carlo Rim was a Provençal writer, notably the author of "Ma belle Marseille", as well as a caricaturist and filmmaker. He was a close friend of Fernandel, Raimu, and Marcel Pagnol, as well as of Max Jacob and André Salmon, whom he met in Sanary.
    €400
  51. Deux dessins originaux au styllo bille bleu représentant Charles Laughton sur le même feuillet
    Carlo RIM

    Deux dessins originaux au styllo bille bleu représentant Charles Laughton sur le même feuillet

    s. l. s. d. [circa 1950]|20.50 x 27 cm|une feuille
    Two original drawings in blue ballpoint pen both captioned "Charles Laughton" representing in the first drawing, bust and full-length, the cinema man walking with a determined step; in the second, younger and less corpulent, the face in close-up with a cigarette on his lips.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  52. Dessin original au styllo bille bleu représentant l'acteur Fernand Trignol également spécialiste de l'argot
    Carlo RIM

    Dessin original au styllo bille bleu représentant l'acteur Fernand Trignol également spécialiste de l'argot

    s. l. s. d. [circa 1950]|20.50 x 27 cm|une feuille
    Original drawing in blue ballpoint pen signed in turquoise felt-tip and captioned in pencil "Trignol" depicting the actor Fernand Trignol standing, with a good-natured air and arms crossed.
    Fernand Trignol was also a specialist in slang to the point of being the "Langue verte" consultant for several directors such as Jacques Tourneur, Sacha Guitry in "Les mémoires d'un tricheur", Claude Autant-Lara in "Fric-Frac" and Jacques Becker in "Casque d'or".
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max
    €60
  53. Amusant dessin original au stylo bille bleu représentant Carlo Rim passant devant une librairie
    Maximilien VOX

    Amusant dessin original au stylo bille bleu représentant Carlo Rim passant devant une librairie

    s. l. s. d. [circa 1930]|20.50 x 25 cm|une feuille
    Original drawing in black ink signed depicting Carlo Rim, in golf attire and smoking a pipe, strolling in front of a bookshop displaying Emile Ludwig's recently published work entitled "Colloqui con Mussolini", Carlo Rim saying to himself "Tiens, voilà maintenant que je sais l'italien !" ["Well, now I know Italian!"]
    In the upper right corner of the drawing, Maximilien Vox has inscribed, quoting a phrase from Nouvelles littéraires "... tous les journaux italiens consacrent des articles enthousiastes du livre de E. Ludwig "Colloqui con Mussolini" qui vient de parâtre en librairie" ["... all Italian newspapers are devoting enthusiastic a
    €150
  54. Dessin original sur papier calque et au styllo bille bleu représentant le réalisateur Marcel L'Herbier
    Carlo RIM

    Dessin original sur papier calque et au styllo bille bleu représentant le réalisateur Marcel L'Herbier

    s. l. s. d. [circa 1930]|10.50 x 21 cm|une feuille
    Original drawing on tracing paper in blue ballpoint pen captioned "Marcel L''Herbier" in pencil, depicting the filmmaker in bust portrait.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as Max Jacob and André Salmon whom he met in Sanary.
    €90
  55. Humoristique dessin original sur papier calque et au styllo bille bleu représentant Max Linder tenant une raquette de tennis à la manière d'une mandoline
    Carlo RIM

    Humoristique dessin original sur papier calque et au styllo bille bleu représentant Max Linder tenant une raquette de tennis à la manière d'une mandoline

    s. l. 1959|17 x 21.50 cm|une feuille
    Original drawing on tracing paper in blue ballpoint pen captioned "Max Linder au tennis" in pencil, depicting the actor and director Max Linder hopping about, using a tennis racket like a mandolin.
    The drawing is ruled in blue pencil and includes annotations by Carlo Rim regarding dimensions, the latter having added a piece from another sheet which he glued to the lower right margin of the drawing and which bears his name.
    Finally, a printed stamp from France-Soir appears below the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as wel
    €90
  56. Dessin original au styllo bille noir représentant Léo Larguier
    Carlo RIM

    Dessin original au styllo bille noir représentant Léo Larguier

    s. l. 1950|18 x 24.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", dated and captioned in red felt-tip pen "Léo Larguier 1950" depicting Léo Larguier in bust and profile.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  57. Dessin original au styllo bille noir représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au styllo bille noir représentant son grand ami le poète André Salmon

    s. l. 1969|20 x 25.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", and dated and captioned in green felt-tip pen "André Salmon Sanary 1969" depicting in bust and with his head turned to the left, his great friend the writer and poet André Salmon with his Christ-like thinness.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  58. Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe
    Carlo RIM

    Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe

    s. l. s. d. [circa 1980]|19.50 x 21 cm|une feuille
    Original drawing heightened with black, green, red and blue felt-tip pens, captioned in blue felt-tip pen "Le grenier d'Arlequin" and in red "Maquette couverture du livre" representing a harlequin seated on a stool and working at his writing table, a black and red owl at his feet.
    This cover design project for the book was not retained but strongly inspired the cover finally illustrated with a harlequin posing standing slightly leaning backwards.
    The verso of the drawing contains annotations in blue felt-tip pen and an original portrait of Georges Simenon with pipe in mouth.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Ma
    €180
  59. Ebauche d'un dessin original au feutre noir rehaussé au feutre rouge représentant le poète de Paris Léon-Paul Fargue
    Carlo RIM

    Ebauche d'un dessin original au feutre noir rehaussé au feutre rouge représentant le poète de Paris Léon-Paul Fargue

    s. l. 1969|20 x 25.50 cm|une feuille
    Original drawing sketch in black felt-tip pen heightened with red felt-tip pen representing a bust portrait with head slightly tilted of the poet and writer Léon-Paul Fargue with a cigarette in his lips.
    Numerous indications in black and blue felt-tip pens by Carlo Rim frame the drawing : L.P. Fargue / Revoir la bouche / Plus plat le crâne / Regard chinois." et voir L.P.F. par Beucler "Dimanche avec L.P. Fargue".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  60. Dessin original à l'encre noire représentant son ami le caricaturiste, scénariste et cinéaste Carlo Rim
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Dessin original à l'encre noire représentant son ami le caricaturiste, scénariste et cinéaste Carlo Rim

    s. l. 1925|13.50 x 11 cm|une feuille
    Original drawing in black ink depicting Carlo Rim in bust, wearing a smoking jacket and bow tie, with a cigarette holder between his lips.
    A piece from another sheet has been pasted in the lower left margin of the drawing, enriched with this signed autograph inscription from H. P. Gassier: "A Rim bien amicalement HP Gassier.",     Carlo Rim having added in the right margin of the drawing in pencil: "Carlo Rim par HP Gassier 1925".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably a friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    He
    €80
  61. Le 2e jour de la création
    Ilya EHRENBOURG

    Le 2e jour de la création

    Nrf|Paris 1933|12 x 19 cm|broché
    First edition in French, of which there were no deluxe copies, a Service de Presse (advance) copy.
    Spine sunned with a tear at head.
    Rare autograph inscription signed by Ilya Ehrenburg to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob.
    €150
  62. Dessin original au feutre noir représentant Robert Lamoureux
    Carlo RIM

    Dessin original au feutre noir représentant Robert Lamoureux

    s. l. s. d. [circa 1960]|16 x 25 cm|une feuille
    Original drawing signed in black felt-tip by Carlo Rim depicting Robert Lamoureux smiling in profile.
    The drawing is captioned in pencil Robert Lamoureux.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €50
  63. Dessin original au feutre bleu et rehaussé aux crayons de couleurs jaune, bleu et touge représentant André Antoine
    Carlo RIM

    Dessin original au feutre bleu et rehaussé aux crayons de couleurs jaune, bleu et touge représentant André Antoine

    s. l. 1936|18.50 x 27 cm|une feuille

    Original drawing signed in blue felt-tip pen and heightened with red, blue and yellow colored pencils, by Carlo Rim depicting the theater director André Antoine, in a three-piece suit with the rosette of the Légion d'honneur pinned to his jacket. 
    The drawing is captioned in blue felt-tip pen "André Antoine".
    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.

    €100
  64. Dessin original au feutre noir et rehaussé au crayon de bleu et au pastel rose représentant son ami Tristan Bernard sur son lit mortuaire
    Carlo RIM

    Dessin original au feutre noir et rehaussé au crayon de bleu et au pastel rose représentant son ami Tristan Bernard sur son lit mortuaire

    s. l. 1947|27 x 21 cm|une feuille
    Original drawing signed in black felt-tip pen and heightened with blue pencil and pink pastel, by Carlo Rim depicting his friend Tristan Bernard on his deathbed.
    A pinhole in the lower left corner of the sheet and some small marginal tears of no consequence.
    The drawing is captioned in blue felt-tip pen "Carlo Rim. Tristan Bernard 7 dec. 1947".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  65. Dessin original au feutre noir et sur papier calque représentant Jean Cocteau
    Carlo RIM

    Dessin original au feutre noir et sur papier calque représentant Jean Cocteau

    s. l. 1957|16.50 x 23 cm|une feuille
    Original drawing signed in black felt-tip pen and lightly heightened with white correction fluid by Carlo Rim depicting Jean Cocteau in profile.
    The drawing, on tracing paper mounted on a sheet of paper, is captioned in red felt-tip pen "Jean Cocteau" and in black felt-tip pen "Carlo Rim 1957".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  66. Dessin original au feutre noir et rehaussé aux feutres rouge et vert représentant Sancho Pança et Don Quichotte chevauchant Rucio et Rossinante
    Carlo RIM

    Dessin original au feutre noir et rehaussé aux feutres rouge et vert représentant Sancho Pança et Don Quichotte chevauchant Rucio et Rossinante

    s. l. 1957|21 x 27 cm|une feuille
    Original drawing signed in black felt-tip pen and extensively heightened in red and green felt-tip pens by Carlo Rim depicting Sancho Panza and Don Quixote.
    The drawing is captioned in black felt-tip pen "Carlo Rim Cuenca 1964".
    In the foreground and abundantly heightened in red and green felt-tip pens, the good-natured Sancho Panza is represented perched on his donkey Rucio; in the background, the emaciated Don Quixote appears twice in the drawing: once in profile and heightened in red, once facing forward heightened in red and green.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably t
    €80
  67. Dessin original au stylo bille noir représentant son ami Roger Martin du Gard
    Carlo RIM

    Dessin original au stylo bille noir représentant son ami Roger Martin du Gard

    s. l. 1933|16.50 x 25 cm|une feuille
    Original drawing signed in black ink by Carlo Rim depicting his friend Roger Martin du Gard, slightly in profile with a pipe in his right hand.
    The drawing is signed with red ballpoint pen and captioned and dated in pencil "Roger Martin du Gard 1933", two spots of white gouache frame the drawing at the level of the pipe and a fold in the writer's right arm.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  68. Dessin original au crayon noir représentant son grand ami Max Jacob
    (Max JACOB) Carlo RIM

    Dessin original au crayon noir représentant son grand ami Max Jacob

    s. l. 1937|17.50 x 24 cm|une feuille
    Original drawing signed in black felt-tip pen on tracing paper by Carlo Rim depicting his great friend Max Jacob slightly in profile and sketching a discreet smile.
    The drawing on tracing paper is mounted on a sheet of paper and is monogrammed and inscribed in black felt-tip pen "Max J. 1937", Carlo Rim has inscribed in pencil "Max Jacob" at the foot of the second sheet.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  69. Dessin original au stylo bille noir représentant Lugné-Poe
    Carlo RIM

    Dessin original au stylo bille noir représentant Lugné-Poe

    s. l. s. d. [circa 1935]|12 x 21 cm|une feuille
    Original drawing in black felt-tip pen heightened with ochre and green felt-tip pens by Carlo Rim depicting the actor and theater man Lugné-Poe.
    In black felt-tip pen, Lugné-Poe's name is erroneously spelled Lugné-Poé.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  70. Dessin original au stylo bille noir représentant son ami Raimu
    Carlo RIM

    Dessin original au stylo bille noir représentant son ami Raimu

    s. l. s. d. [circa 1935]|15.50 x 24 cm|une feuille
    Original drawing in black ballpoint pen heightened with white gouache to emphasize the cheekbones, eye and eyebrows, by Carlo Rim depicting Raimu, the emblematic Marseilles actor, slightly in profile, in suit and polka-dot bow tie, posing proudly.
    The drawing bears this legend in pencil and the monogrammed signature of Carlo Rim: "Raimu" in the lower left and right margins of the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  71. La Symphonie de la peur
    Gus BOFA

    La Symphonie de la peur

    L'artisan du livre|Paris 1937|22.50 x 28.50 cm|broché sous étui
    First edition, one of 1100 numbered copies on Lafuma paper, the only issue after 25 Japan and 100 Holland copies.
    Work illustrated with 40 black lithographs by Gus Bofa.
    Slipcase marginally yellowed and faded.
    Handsome copy.
    Autograph inscription dated and signed by Gus Bofa to his friend Carlo Rim and his wife Alice.
    Provenance: from the library of the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.
    €400
  72. L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°1
    Marc MOUCLIER, Emile STRAUS

    L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°1

    Paris 15 octobre 1896|16 x 24.80 cm|une feuille rempliée
    Rare first edition of the first issue of the artistic review L'omnibus de Corinthe, one of the rare deluxe copies printed on Japan paper.
    Handsome copy despite some marginal soiling.
    The cover is by Edouard Couturier.
    L'Omnibus de Corinthe (subtitled "illustrated vehicle of general ideas") is an illustrated supplement to the review La Critique created by the Nabi painter Marc Mouclier. In total, twelve fascicles executed in lithographic crayon and printed in zincography by Eugène de Solenière were published every three months starting in October 1896. They are extremely rare today and the Bibliothèque Nationale de France - which poss
    €800
  73. L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°2
    Marc MOUCLIER, Emile STRAUS

    L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°2

    15 janvier 1897|16 x 24.80 cm|une feuille rempliée
    Rare first edition of the second issue of the artistic review L'omnibus de Corinthe, one of the rare deluxe copies printed on Japan paper.
    Handsome copy despite some marginal soiling.
    The cover is by Henri Gustave Jossot.
    L'Omnibus de Corinthe (subtitled "illustrated vehicle of general ideas") is an illustrated supplement to the review La Critique created by the Nabi painter Marc Mouclier. In total, twelve fascicles executed in lithographic crayon and printed in zincography by Eugène de Solenière were published every three months starting in October 1896. They are now extremely rare and the Bibliothèque Nationale de France - which p
    €800
  74. L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°3
    Marc MOUCLIER, Emile STRAUS

    L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°3

    15 avril 1897|16 x 24.80 cm|une feuille rempliée
    Rare first edition of the third issue of the artistic review L'omnibus de Corinthe, one of the rare deluxe copies printed on Japan paper. Our copy is complete with its original lithograph by Valtat offered as a premium with the Japan paper copies.
    Handsome copy despite some marginal soiling.
    The cover is by Edouard Couturier.
    L'Omnibus de Corinthe (subtitled "illustrated vehicle of general ideas") is an illustrated supplement to the review La Critique created by the Nabi painter Marc Mouclier. In total, twelve fascicles executed in lithographic crayon and printed in zincography by Eugène de Solenière were published every three months
    €800
  75. L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°4
    Emile STRAUS, Fernand CLERGET

    L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°4

    Paris 15 juillet 1897|16 x 24.80 cm|une feuille rempliée
    Rare first edition of the fourth issue of the artistic review L'omnibus de Corinthe, one of the rare deluxe copies printed on Japan paper.
    Handsome copy despite some marginal soiling and very minor corner losses.
    The cover is designed by Marc Mouclier. L'Omnibus de Corinthe stamp at upper left of the front cover.
    L'Omnibus de Corinthe (subtitled "illustrated vehicle of general ideas") is an illustrated supplement to the review La Critique created by the Nabi painter Marc Mouclier. In total, twelve fascicles executed in lithographic pencil and printed in zincography by Eugène de Solenière were published every three months starting fr
    €800
  76. L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°6
    Marc MOUCLIER, Emile STRAUS

    L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°6

    Paris 15 janvier 1898|16 x 24.80 cm|une feuille rempliée
    Rare first edition of the sixth issue of the artistic review L'omnibus de Corinthe, one of the rare deluxe copies printed on Japan paper.
    Handsome copy despite some marginal soiling.
    The cover is designed by Marc Mouclier.
    L'Omnibus de Corinthe (subtitled "illustrated vehicle of general ideas") is an illustrated supplement to the review La Critique created by the Nabi painter Marc Mouclier. In total, twelve fascicles executed in lithographic pencil and printed in zincography by Eugène de Solenière were published every three months starting from October 1896. They are extremely rare today and the Bibliothèque Nationale de France - w
    €800
  77. L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°7
    Emile STRAUS, Fernand CLERGET

    L'omnibus de Corinthe véhicule illustré des idées générales : départ tous les trois mois, N°7

    Paris 15 avril 1898|16 x 24.80 cm|une feuille rempliée
    Rare first edition of the seventh issue of the artistic review L'omnibus de Corinthe, one of the rare deluxe copies printed on Japan paper.
    A long stain in the inner margin of the cover having marginally affected the interior pages.
    The cover is designed by Marc Mouclier as well as all the illustrations of this journey.
    L'Omnibus de Corinthe (subtitled "illustrated vehicle of general ideas") is an illustrated supplement to the review La Critique created by the Nabi painter Marc Mouclier. In total, twelve fascicules executed in lithographic crayon and printed in zincography by Eugène de Solenière were published every three months sta
    €800
  78. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°14 "L'Eléphant du Jourdain"
    Victor LENEPVEU (Jean JAURÈS)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°14 "L'Eléphant du Jourdain"Original colour lithographed poster

    Imprimerie Lenepveu|Paris s. d. [janvier 1900]|49.80 x 65.20 cm|une affiche

    Original colour lithographed poster depicting Jean Jaurès as an elephant sitting on a chair and holding a bottle of “water from the Jordan”. Until then portrayed as a dog – caricaturists mocking his aggressiveness – Jean Jaurès is here, for the first time, represented as an elephant. It is a question here of highlighting his potbelly and his pachyderm silhouette, but we can, nevertheless, highlight the great dignity of this massive personality with a high gaze. The water from the Jordan is held on one of his hoofs and alludes to the rumour that he had his son baptised in the scared river, thus acting against his anticlerical policy. Despite the caricaturist's desire to ri

    €3,000
  79. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°21 "Del-Lâchoda devant l'Angleterre 11xbre 1898"
    Victor LENEPVEU (Théophile DELCASSÉ)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°21 "Del-Lâchoda devant l'Angleterre 11xbre 1898"

    Imprimerie Lenepveu|Paris s. d. [mars 1900]|49.80 x 65.20 cm|une affiche

    Original lithographed color poster depicting Théophile Delcassé as a circus poodle.
    Transverse folds and minor marginal tears without loss.

    Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense color caricature portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

    The fragility of the paper and the imposing format of these extremel

    €700
  80. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°27 "Ministre-bâillon"
    Victor LENEPVEU (Georges LEYGUES)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°27 "Ministre-bâillon"

    Imprimerie Lenepveu|Paris s. d. [avril/mai 1900]|49.80 x 65.20 cm|une affiche

    Original color lithographed poster depicting Georges Leygues as a donkey.
    Transverse folds and minute marginal tears without loss.

    Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense satirical color portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

    The fragility of the paper and the imposing format of these extremely violent

    €700
  81. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°28 "Luci-pouah !"
    Victor LENEPVEU (Louis LUCIPIA)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°28 "Luci-pouah !"

    Imprimerie Lenepveu|Paris s. d. [mai 1900]|49.80 x 65.20 cm|une affiche

    Original color lithographed poster depicting Louis Lucipia as a dog wearing a masonic sash.
    Transverse folds and minute marginal tears without loss.

    Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense satirical color portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

    The fragility of the paper and the imposing format of these

    €700
  82. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°34 "Que le chambardement commence !"
    Victor LENEPVEU (Joseph REINACH)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°34 "Que le chambardement commence !"

    Imprimerie Lenepveu|Paris s. d. [juin 1900]|49.80 x 65.20 cm|une affiche

    Original color lithographed poster depicting Joseph Reinach in the guise of a king slumped on his throne.
    Transverse folds and minute marginal tears without loss.

    Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense satirical color portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

    The fragility of the paper and the imposing fo

    €900
  83. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°32 "Le Traître Philipp"
    Victor LENEPVEU (Jude PHILIPP)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°32 "Le Traître Philipp"

    Imprimerie Lenepveu|Paris s. d. [mai 1900]|49.80 x 65.20 cm|une affiche

    Original color lithographed poster depicting Jude Philipp in the guise of a vulture nailed to a wall.
    Transverse folds and minute marginal tears without loss.

    Distributed between October 1899 and December 1900 in a France inflamed by the Dreyfus Affair, these immense satirical color portraits are the work of Victor Lenepveu who announced the publication of 150 then 200 drawings and ultimately produced only about fifty. Despite the 1881 press freedom law allowing the distribution of politically subversive imagery, the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior.

    The fragility of the paper and the imposing format

    €700
  84. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°26 (exceptionnel) "Un bal à l'Elysée"
    Victor LENEPVEU (Émile ZOLA)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°26 (exceptionnel) "Un bal à l'Elysée"Original colour lithographed poster

    Imprimerie Lenepveu|Paris s. d. [mai 1900]|49.80 x 65.20 cm|une affiche
    Musée des horreurs – Original colour lithographed poster – n° 26 (exceptionnel) “Un bal à l'Elysée”
    Imprimerie Lenepveu | Paris [May 1900] | 49,8 x 65,2 cm | one poster
    Original colour lithographed poster depicting Émile Loubet as a bear holding a tambourine marked “Panama”, Émile Zola as a pig, Dreyfus as a hydra, Joseph Reinach as a monkey, the rabbi Kadoc Kahn as a donkey and Georges Picquart as a dromedary.

    This imposing poster, featuring several people already caricatured in the previous issues, is a direct reference to the Panama Scandal. This large-scale corruption affair, which saw the resignation of Émile Loubet, then Mini
    €3,000
  88. Lithographie originale en noir et blanc - Les Baigneurs - "Un abus de confiance - Les misérables !! voler un avocat de prison qui nage sous la sauve-garde des lois naturelles et sociales !"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les Baigneurs - "Un abus de confiance - Les misérables !! voler un avocat de prison qui nage sous la sauve-garde des lois naturelles et sociales !"

    Chez Aubert|Paris 1842|35.90 x 27.50 cm|une feuille
    Original lithograph in black and white and in third state, created for Le Charivari and printed on strong paper.
    Delteil, 653.
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on the verso of the plate.
    Fine copy in fresh condition.
    €220
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