COLLECTIF

First edition printed in small numbers on laid paper.
Texts by R. Escholier, G. Janneau, P. Gusman...
Issue with original etching, lithograph, aquatint, woodcut, soft-ground etching illustrations... hors-texte by A. Ouvré, A.J. Neuhuys, F. Goya ...
A light dampstain of no consequence at head of first cover, handsome copy.

First edition printed in small numbers on laid paper.
Texts by C. Janin, L. Delteil, H. Lefuel...
Issue with original etching, lithograph, aquatint, woodcut illustrations... hors-texte by J. Frélaut, W. Hollar, T. Johannot, T.F. Simon...
A minor tear at foot of spine, handsome copy.

First edition published in a small number of copies on laid paper.
Texts by R. Rey, L. Delteil ...
Issue with illustrations in etching, lithography, aquatint, original woodcut... hors-texte by A. Kravtchenko, N. Piskaref, V. Massioutine, D. Mitrochine, J. Tcherkessof...
One tear on the spine extending to the front cover, handsome copy.

First edition published in a small number of copies on laid paper.
Texts by C. Roger-Marx, A. Thomas, P. Pia...
Issue with illustrations in etching, lithography, aquatint, original woodcut... hors-texte by P. Falké, E. Manet, E. Degas, A. Zorn, O. Redon, Webster, A. Collot, ...
Handsome copy.

New edition.
Half black sheep binding, smooth spine decorated with gilt double fillets and blind fillets, black paper boards with minor scuffs, corners slightly bumped, marbled endpapers and pastedowns, contemporary binding.
Under the direction of Charles Nodier, contributions by Jules Janin, Marco de Saint-Hilaire Etienne Arago, Louis Lurine, Arsène Houssaye, Maurice Alhoy, Amédée Achard, Léon Gozlan...
Work illustrated with 16 wood-engraved plates hors-texte as well as numerous in-text illustrations.
Some light foxing.

First edition. Half red shagreen with corners, spine with five raised bands set with gilt fillets decorated with gilt double compartments adorned with gilt floral motifs, spine with slight superficial scratches without concern, date gilt at foot, double gilt fillets on marbled paper boards, marbled endpapers and pastedowns, one upper corner with minor traces of rubbing, top edge gilt, original wrappers preserved, contemporary binding. Iconography. Rare and beautiful copy.

First collected edition.
Two tiny lacks to foot of spine, otherwise handsome copy.
Rare.

First edition.
In original wrappers, blue cover with frontispiece ornament; some stains to front cover.
Contributions by Champfleury ("Forgotten Romantics: Siméon Chaumier"), Spire Blondel ("The writer's tools: the pencil") notably.
Journal divided into two sections: early bibliography and modern bibliography (foreign correspondences, questions of the day, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover with frontispiece ornament, some stains to front cover.
Contributions by Eugène Forgues ("Book illustrators of the 19th century: Jean-François Gigoux") among others.
Journal divided into two sections: early bibliography and modern bibliography (reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece, front cover lightly stained.
Contributions by Eugène Forgues ("Les illustrateurs de livres au XIXe siècle : Camille Rogier"), Arthur Pougin ("La bibliothèque du conservatoire de musique") among others.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by E. Dutuit ("Quel est l'inventeur de l'imprimerie") notably.
Review divided into two sections: early bibliography and modern bibliography (foreign correspondence, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a black engraving hors-texte representing a binding.

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by A. Chaudin ("Un nouveau document sur Gutemberg") among others.
Review divided into two sections: early bibliography and modern bibliography (foreign correspondence, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains an etching hors-texte by Vogel.

First edition.
In original wrappers, blue cover decorated with a frontispiece, a few very light stains on the upper cover.
Contributions by Champfleury ("Les reliures romantiques"), Arsène Arüss ("Voyage à travers l'oeuvre de Dickens") among others.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a color plate depicting a cathedral binding, as well as numerous wood engravings in the text.

First edition.
In original wrappers, blue cover decorated with a frontispiece. Contributions by L. Derome ("La première revue de Paris"), B.-H.-G. de Saint-Heraye ("Le premier journal bibliographique"), Octave Uzanne ("La bibliothèque d'un bibliophile") among others.
Review divided into two sections: ancient bibliography and modern bibliography (La bibliothèque d'un bibliophile, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a color plate depicting a cathedral binding, as well as numerous wood engravings in the text.

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Review divided into two sections: ancient bibliography and modern bibliography (Reviews of recent books, bibliographic gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by Emile Mahé ("Edition inconnue de la "Pucelle" de Voltaire"), Charles Glinel ("Alexandre Dumas et l'Académie française"), Meysenheim ("Les Bibliothèques publiques de la ville de New York") among others. Review divided into two sections: ancient bibliography and modern bibliography (Reviews of recent books, bibliographic gazette, summary of French periodical publications).
Illustration hors-texte: binding by Luc Cranach on a Catullus from 1536.

First edition.
In original wrappers, blue covers decorated with a frontispiece.
Contributions by L. Derôme ("Une édition originale de trois contes de La Fontaine"), Spire Blondel ("Les outils de l'écrivain : Le Cachet, la Cire à cacheter, les Enveloppes"). Review divided into two sections: early bibliography and modern bibliography (Reviews of recent books, bibliographical gazette, summary of French periodical publications).
Illustration hors-texte: La Lecture à Cythère, etching by Manesse, after the composition by Albert Lynch.

First edition.
In original wrappers, blue covers decorated with a frontispiece. Contributions by Charles Glinel ("Alexandre Dumas intime") among others.
Review divided into two sections: early bibliography and modern bibliography (Reviews of recent books, bibliographical gazette, summary of French periodical publications). Illustration hors-texte: Portrait of John-Murray II, publisher of Walter Scott - Sepia heliogravure.

First edition of this review directed by Octave Uzanne.
Articles respectively signed L.B., Eugène Forgues, Arthur Pougin.
Engravings in and outside the text by Camille Rogier.
Front cover soiled, otherwise good copy.

First edition.
Contributions by D. de Rougemont "Contre Nietzsche", R. Vittoz, C.F. Ramuz, H. Perrochon, A. Béguin...
Issue illustrated with 2 reproductions by P.R. Perrin and M. Bariatinsky.
Light foxing to covers, handsome copy.

First edition.
Full red cloth binding, corners slightly bumped, headcaps worn, joints cracked, stains on boards, one endpaper detached, publisher's binding.
Contributions by Frantz Jourdain, Emmanuel Signoret and Raoul Ponchon among others; drawings by Riscuité, Hermann Paul, Henri Pille, Willette, Jules Chéret, Anquetin and Widhopff among others.
Each issue contains 5 pages. Numerous black and white illustrations, sometimes full-page or even double-page.
Le Courrier français is an illustrated weekly founded and directed by Jules Roques. It was published from 1884 to 1913. Under his direction, the journal became the most representative satirical organ of the era. Its contributors included Maurice Bouchor, Raoul Ponchon, Georges Montorgueil, Hugues Delorme, Jean Lorrain, and its illustrators included Adolphe Willette, David Ossipovitch Widhopff, Jean-Louis Forain, Jules Chéret, Hermann-Paul, Henri Pille, Pierre Jeannot. It featured sections on literature, fine arts, theatre, medicine and finance.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tooling, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very slightly worn, headcaps torn, yellow paper pastedowns and endpapers, publisher's binding.
With contributions by Victorien Sardou, Méry among others.
Contrary to what the volume's title page announces, this volume contains the issues from late December 1861 to late May 1862.
8-page journal extensively illustrated with wood engravings by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Half emerald sheep binding, smooth spine decorated with gilt arabesque tooling, corners very worn, headcaps torn, and edges scuffed, yellow paper pastedowns and endpapers, publisher's binding.
With contributions by Léouzon le Duc and Gérôme among others.
Contrary to what the volume's title page announces, this volume contains the complete year 1859, as well as the December 1858 issues.
8-page journal extensively illustrated with wood engravings by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine ornately tooled in gilt arabesques, one joint cracked at foot, sextuple fillet stamped in blind framing the boards, title and vignette representing an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very lightly bumped, headcaps damaged, small lacks to spine, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Henri Muller and Gérôme among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
A very handsome copy in its rare publisher's binding.

First edition.
Full ochre cloth binding, one joint cracked at foot, headcaps damaged, small lacks to spine, corners very bumped, lacks to boards and surface wear, publisher's binding.
Contributions by Albéric Second and Marie Ferrié among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, six-fold blind-ruled frame to boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt to center of front board, corners very slightly bumped and small stain to front board, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Jules Noriac, Claude Bonin and Victorien Sardou among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Contrary to what the title page indicates, this volume contains all issues from December 1859 to November 1860.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, sextuple fillet stamped in blind framing the boards, title and vignette representing an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Justin Améro, Jules Sandeau and Emmanuel des Essarts among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Contrary to what the volume page indicates, this volume groups together all issues from December 1862 to May 1863.
Very fine copy in its rare publisher's binding.

First edition.
Half blue shagreen binding, spine with raised bands decorated with gilt fleurons. Binding heavily rubbed and worn.
Handsome interior condition.
Contributions by Raoul Ponchon, Jules Ulrich and Georges Tis notably; drawings by Riscuité, Hermann Paul, Henri Pille, Willette and Widhopff among others.
Each issue contains 5 pages. Numerous black and white illustrations, sometimes full-page or even double-page.
Le Courrier français is an illustrated weekly founded and directed by Jules Roques. It was published from 1884 to 1913. Under his direction, the journal became the most representative satirical organ of the period. Its contributors included Maurice Bouchor, Raoul Ponchon, Georges Montorgueil, Hugues Delorme, Jean Lorrain, and its illustrators included Adolphe Willette, David Ossipovitch Widhopff, Jean-Louis Forain, Jules Chéret, Hermann-Paul, Henri Pille, Pierre Jeannot. It featured sections on literature, fine arts, theaters, medicine and finance.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, one joint cracked at foot, cold-stamped sextuple fillet framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Contrary to what the title page indicates, this volume contains all issues from December 1859 to November 1860.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, sextuple blind-ruled frame to boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt to center of front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Half red shagreen binding, corners slightly bumped, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art magazine, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, joints scuffed, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years, it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, joints scuffed, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years, it was a worldwide reference in art history.

First edition.
A small tear at the foot of the spine, slight marginal lacks to the first cover, otherwise handsome copy.

First edition.
Work illustrated with 14 plates and in-text photographs.
Handsome copy in its chemise and full green cloth slipcase, front cover of the slipcase stamped at center with the gilt arms of the city of Paris, slipcase split at head and foot.

First edition.
Publisher's brown paper boards, smooth spine, frame of blind fillets on covers struck in their centers with a blind roundel, brown paper endpapers and pastedowns.
Contributions by J. Paul-Boncour, C. Marsin, L. Descaves, L. Bodin, A. Merrheim, Allain, V. Snell, A. Roubakine, M. Audoux, A. Ferdinand-Hérold, L. Jouhaux, J. Germain, A. Pierre, V. Margueritte, Séverine, H. Béraud, M. Gorki, J. Pellerin, M. Bouchor...
The cover of each issue is illustrated by G. des Champs, G. dorival, Steinlen, M. Watt, G. Viardot, Diligent...
It should be noted that a special issue on the Paris Commune appears in our six-month collection.
Also concerning the German Revolution, the war of independence in Ireland, Soviet Russia...
Rare and handsome head of collection of this magazine.

First edition.
Half red cloth binding, covers scuffed, corners slightly bumped, publisher's binding. Complete volume with its title page; each issue contains eight pages.
Contributions by Amédée Achard, Chamfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré and Cham among others and engravings by Chapon and Méaulle among others.
Magazine illustrated with numerous full-page black and white engravings, some double-page engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

First edition.
Half sea-green cloth binding, publisher's binding. Volume complete with its volume title page.
Contributions by Champfleury, Paul Féval and Charles Yriarte notably, drawings by Gustave Doré and Cham among others, engravings notably by Chapon and Méaulle.
Magazine illustrated with numerous full-page black and white engravings and a folding plate.
Le Monde illustré was a weekly news magazine published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

First edition.
Contributions by P. Ginisty, M. Rieu, E. Cottinet, J. Clary...
Small lack at foot of one joint, handsome interior condition.

First edition of the catalogue for this exhibition held at the Galerie Georges Petit from January 25th to February 6th, 1899.
Illustrations at rear.
Spine split, handsome interior condition.
Rare.

First edition of this report of the round table organized by the Entomological Society of France in Paris on May 28, 1975.
Handsome copy.

First edition printed in a very small number of copies.
Account of the excursion by Dr Peyronnet, contribution to the fauna of myriapods of the Fanges forest by J. Chalande and list of coleoptera collected by L. Gavoy.
Rare and handsome pamphlet presented with plain yellow wrappers.

First edition printed on Holland paper.
This volume contains: The Memoirs of Nicolas Chorier, continuation and conclusion. Index to the Memoirs of Nicolas Chorier.
Boccaccio's Decameron: reproduction of woodcuts from 16th-century Italian editions. The Marquis de Morante; his library and catalogue, by R.C. Christie.
A light marginal dampstain affecting the head of the second part of the work, otherwise a handsome full-margined copy.

First edition printed in 400 numbered copies.
Contributions by M. Béalu, J. Desrives, L. Estang, L. Del Vasto, A. Salmon...
Handsome copy.
Rare.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Paul Féval, Alexandre Dumas and George Sand among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
The leaf containing pages 781-782 is missing.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque ornaments, sextuple blind-stamped fillet framing the boards, title and vignette representing an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper endpapers and pastedowns, publisher's binding.
Contributions by Paul Féval, Alexandre Dumas and Stendhal among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Copy complete with the large double-page folding engraving.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, one joint cracked at foot, sextuple blind-stamped fillet framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal abundantly illustrated with woodcuts by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Honoré de Balzac and Charles Baudelaire among others.
8-page journal abundantly illustrated with woodcuts by the greatest artists of the time.
One torn page with loss to text at No. 689
Our copy is complete with the large double-page folding engraving.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, joints cracked at head and foot, sextuple fillet stamped in blind framing the boards, title and vignette representing an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Eugène Sue among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Very fine copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tooling, sextuple blind-stamped fillet frame to boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt to center of front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Paul Féval, Alexandre Dumas and Stendhal among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
A very handsome copy in its rare publisher's binding.

First edition.
Half bottle-green shagreen binding, spine with five raised bands decorated with gilt fleurons, some wear to surface, small splits at foot of one joint, contemporary binding, handsome copy.
Le Charivari is a French illustrated satirical daily newspaper, which was published from 1832 to 1937. Founded in 1832, during the reign of Louis-Philippe, by the republican journalist Charles Philipon, it quickly became a means of communication for the opposition, in the same mocking spirit as the weekly La Caricature created in 1830. It enthusiastically ridiculed the July Monarchy and the bourgeoisie and was often condemned by the courts.
In 1858, the change in format of the daily brought new journalists and illustrators to collaborate, such as Pierre Veron, Henri Rochefort, Albert Wolff, Louis Leroy, Louis Adrien Huart, G. Naquet, P. Gigard, J. Denizet, Zabban, Pilotell, as well as four caricaturists from the Journal amusant, Vernier, Darjou, Hadol and Pelcoq.

First edition.
Contemporary half black percaline binding, smooth spine, marbled endpapers, contemporary binding, handsome copy.
Camées artistiques is a weekly journal appearing on Saturdays, each issue 4 pages in folio with portrait in Goupil photoglyptie (12 x 8.5 cm format) pasted in a frame at the center of the first leaf presenting portraits and biographies of contemporary celebrities.
Issues devoted to: Paul Baudry (Cliché Mulnier), Marie Van Zandt (Benque), Alphonse de Neuville (Mulnier), Blanche Barretta (Nadar), Guillemet (Dagron), Léonid Leblanc (Benque), Henner (Dagron), Christine Nilsson (Benque), Mihaly Munkacsy (Dagron), Marie Lamare (Dagron), Jean-Baptiste Auguste Clesinger (Ladrey), Louise Massin (Benque), Charles Nicot (Carjat), Blanche Pierson (Nadar), Charles Garnier (Mieczkowski), Marie Laurent (Nadar), Taillade (Carjat), Elisa Piron (Benque), Adolphe Duchesne (Dagron), Elisabeth Janvier (Benque), Frédéric Febvre (Nadar), Edith Ploux (Mulnier), Louis Morlet (Benque), Noémie Vernon (Benque), Dumaine (Pierre Petit), Edile Riquer (Walery), Jospeh-François Dailly (Benque), Conchita Jélabert (Liébert), Auguste Dubulle (Dagron), Marguerite Ugalde (Franck Chalot), Berthelier (Liébert), Thérésa (Liébert), Adolphe Dupuis (Franck Chalot), Desclauzas (Franck Chalot), Capoul (Liébert), Esther Chevalier (Franck Chalot), Lucien Fugère (Frank Chalot), Gabrielle Tholer (Franck Chalot), Lhéritier (Franck Chalot), Alice Reine (Benque), Victor Maurel (Liébert), Louise Thuillier (Franck Chalot), Alexandre Taskin (Franck Chalot), Raphaële Sisos (Franck Chalot), Laray (Carjat), Madame Pasca (Benque), Milher (Franck Chalot), Clémentine Jouassain (Waléry), Emile Bertin (Franck Chalot), Marie Bergé (Franck Chalot), Ernest Guiraud (Franck Chalot), Marie Montbazon (Franck Chalot),

First edition printed on laid paper.
Work illustrated with 123 engraved plates.
Spine restored, reinforced (lined) and browned, joints slightly cracked at head and foot, small corner lacks to boards, some foxing affecting mainly the beginning of the volume, traces of adhesive tape on endpapers.
Rare.

First edition printed on laid paper.
Work illustrated with 118 engraved plates.
Spine restored, lined and reinforced, small corner wear to boards, some foxing, faint corner dampstain on first leaves, traces of adhesive tape on endpapers.
Provenance: from the library of Prince Roland Bonaparte with his pasted bookplate.

First edition.
Numerous contributions.
Tears affecting the covers.
Rare.

First edition.
Contributions by P.G. La Chesnais "Le baccalauréat d'Ibsen", F. Challaye "A propos du socialisme impérialiste en Allemagne", M. Toubeau "L'évolution du droit corporatif"...
Light worming to covers and spine.

First edition.
Literary contributions by P. Mac Orlan "Le fantastique et le cinéma" ["The fantastic and cinema"], H. Jeanson, J.G. Auriol, E. Gréville...
Pictorial contributions by E. Delessalle and Galanis.
Spine and covers slightly and marginally sunned.
Rare.

First edition.
Half black sheep binding, smooth spine decorated with double gilt fillets, marbled paper boards.
Issues illustrated with figures in the text.
Rare gathering of these two complete years.
Light foxing mainly marginal, handsome copy.

First edition.
Half black sheep binding, smooth spine decorated with double gilt fillets, marbled paper boards.
Issues illustrated with figures in the text.
Rare gathering of these two complete years.
Minor foxing mainly marginal, handsome copy.

First edition.
Half black sheep binding, smooth spine decorated with double gilt fillets, marbled paper boards.
Issues illustrated with figures in the text.
Rare gathering of these two complete years.
Minor foxing mainly marginal, handsome copy.

First edition.
Half black sheep binding, smooth spine decorated with double gilt fillets, marbled paper boards.
Issues illustrated with figures in the text.
Rare gathering of these two complete years.
Light foxing mainly marginal, handsome copy.

First edition printed in a small number of copies of this offprint.
A small and light marginal dampstain to the head of the front cover, handsome copy.

First edition on ordinary paper.
Publisher's full green cloth binding, smooth unlettered spine, black paper endpapers and pastedowns, complete with its acetate dust jacket.
Rich iconography, handsome copy.

First edition.
Richly illustrated.
A very good copy complete with plastic wrappers.

First collective edition of this issue entirely devoted to Guy de Maupassant.
Contributions by E. Zola, A. Lanoux, R. André, P. Abraham, L. Le Sidaner...

First edition of this catalogue whose sale began on Monday 13 and Tuesday 14 June 1932.
Volume 1 only. Manuscripts on vellum with miniatures, illustrated books from the 15th to 18th century, books with the arms of famous figures, precious ancient mosaic bindings.
Iconography.
Marginal worming to head of front cover.

First edition of the first 11 years.
Half black cloth bindings, smooth spines, original wrappers preserved, contemporary bindings.
Rare head of collection.

First edition.
Spine and boards very lightly and marginally faded, tiny tear at foot of spine, handsome copy.

First edition.
Full green cloth Bradel binding, smooth spine, minor spotting to boards without consequence.
Rich iconography.
Auction prices noted marginally in pen, fine copy.

First edition of this journal dedicated to literature, arts and philosophy.
Contributions by J.K. Huysmans "L'obsession", L. Cladel "Mademoiselle Watteau", C. Morice "La tête laurée", J. Hochequinte "Chronique"...
Foxing to second cover, otherwise handsome copy.
Very rare.

First edition on ordinary paper published under the aegis of General de Boissieu, Grand Chancellor of the Legion of Honor.
Publisher's binding in full mint green boards, smooth spine, front board decorated with gilt frames, all edges gilt.
Rich iconography.

First edition.
Contributions by A. Dandieu "Résumé de nos principes", D. de Rougemont "Destin du siècle ou destin de l'homme", R. Aron "Bonne vie et moeurs", D. Ardouint "Guerre civile ou révolution"...
Handsome copy.

First edition.
Contributions by S. Mallarmé "Vers et musique en France", P. Adam "Les heures préparatoires", with an unpublished work by J. Laforgue "Pierrot fumiste", B. lazare "Les livres".
Spine and boards slightly faded and foxed, stains on the second board as well as on the first and last pages of the text.

First edition.
Other contributions by M. Jouhandeau "Minos et Moi", C. Vermorel "Marche de Nuit", B. Fay "Caractère de l'Esprit français", J. Merrien "Le Breton", Alain "Les aventure du Coeur", R. Fernandez "De Melville à Giono"...
Handsome copy.

First edition.
Other contributions by Alain "Les Aventures du coeur (I)", A. Bonnard "Changement d'époque", G. Izard "Notes dur la débâcle", Saint-Pol-Roux "La Magdeleine aux parfums", R. "Henri Bergson"...
Handsome copy.

First edition.
Contributions by J. Follain "The immense inflamed distress of Rimbaud", L. Bérimont "A hypertrophied childhood", U. Piscopo "The futurists and Rimbaud"...
Fine copy.

First edition.
Contributions by P. Gamarra "Maupassant ancient and modern", M. Cury "The notion of time in the short story" J.-P. Han "A precursor of the nouveau roman?"...
Handsome copy.

First edition.
Iconography and illustrations in and out of text.
Handsome copy.

First edition.
Other contributions by J. Giono "Provence (I)", P. Leforestier "Les affamés", C. Autran "Des origines du Christianisme", Alain "La frivolité", R. Fernandez "Charles Péguy"...
Handsome copy.

First edition.
Other contributions by J. Giono "Description de Marseille (I)", J. Chardonne "Dialogue", C. Autran "Classiques", R. Fernandez "Tocqueville", J. Bazaine "Le musée de l'art moderne"...
Handsome copy.

First edition.
Other contributions by A. Petitjean "France-Allemagne 42", Goethe "Satyros ou le Faune fait Dieu", A. Mary "Guingamor", Guillevic "Elégies", R. Fernandez "Corneille"...
Handsome copy.

First edition.
Other contributions by A. Petitjean "Ligne de vie de la France", C. Roy "Poèmes", A. Adamov "Journal Terrible", A. Martin "Verlaine et Rimbaud"...
Handsome copy.

First edition.
Other contributions by F. Jammes & C.L. Philippe "Lettres", P. Léautaud "Journal littéraire", Lanza del Vasto "Poèmes", L. Guilloux "Le pain des rêves", R. Rolland de Renéville "L'activité poétique", J. Bazaine "dessins de Matisse et de Dufy"...
Handsome copy.

First edition.
Other contributions by J. Estelrich "Le Schéma des Crises" (I), P. Guégen "L'anguille des mots", E. Aegerter "Mystique et métapsychique", M. Manoll "Poèmes", A. Petitjean "Occident et révolution", Holderlin "Ainsi Ménon pleurait Diotima", R. Fernandez "Claude Bernard", Fieschi "Un poète : Claude Roy"...
Handsome copy.

First edition.
Other contributions by M. Jouhandeau "Voyage en Italie", L. de Vilmorin "Poèmes", E. Aegerter "Apulée et la Métapsychique au IIe siècle", M. Crout "Deux Lettres", A. Rolland de Renéville "Poémes", J. Fougère "Clara", Essénine "Quarante Cris", C.-L. Paron " Les Chiens du Ciel", R. Fernandez "Rappel de Maupassant", J. Bazaine "Autour d'une dispute"...
Handsome copy.

First edition.
Contributions by G. Eekhoud "Chevalerie rustique", C. Van Leberghe "Panthée", I. Gilkin "Les dernières fêtes", E. Demolder "La nouvelle Carthage"...
Second cover loose, covers partially faded with slight corner lacks, handsome interior condition.

First edition.
Contributions by G. Eekhoud, B. Lazare, P. Verlaine, H. de Régnier, F. Viélé-Griffin, M. Maeterlinck, E. Verhaeren, G. Kahn, P. Quillard, C. van Leberghe...
Spine worn, second board detached, boards partially discolored and foxed with slight corner lacks, handsome interior condition.