COLLECTIF

First edition.
Contributions by P. Fort, G. Duhamel, P.J. Jouve, A. Gleizes.
A lack to foot and tear to head of spine, trace of glued label on front cover, handsome interior condition.

First edition.
Work illustrated with photographs and folding plans outside the text.
First cover clumsily restored with adhesive pieces, small lacks and angular tears on the covers also with foxing, handsome interior condition.

First edition.
Work illustrated with photographs and color plates.
Spine split and crudely repaired with an adhesive strip, a loss at foot of second board, handsome interior condition.

First edition.
Work illustrated with photographic plates.
Spine split and crudely repaired with adhesive strips, a loss at head of spine, foxing to boards, handsome interior condition.

First edition.
Contributions by C. Du Bos, H. Besse, presentation by G. Marcel.
Spine and covers lightly and marginally sunned, handsome interior condition.

First edition.
Contributions by C. Silve, M. Leleu, C. Du Bos with 5 unpublished letters and an unpublished journal fragment...
Spine and covers lightly and marginally sunned without consequence, a small stain on the front cover, handsome interior condition.

First edition.
Contributions by H. Dieckmann, C. Du Bos with unpublished letters and an unpublished journal fragment...
Spine and covers lightly and marginally sunned without significance, handsome interior condition.

First edition.
Contributions by E. Montfort, J.A. Nau, L. Codet, M. Coulon, F. Fleuret...
Handsome copy.

First edition.
Contributions by F. Divoire, J.L. Vaudoyer, C. Pitollet, J. Borély...
A handsome copy.

First edition.
Half-sheep binding in fir green, smooth spine faded and decorated with gilt and black fillets, gilt friezes at head and foot, headcaps lightly rubbed without damage, marbled paper boards, marbled endpapers and pastedowns, light scratches without damage to edges, contemporary binding.
Handsome and rare copy.

First edition.
Half-sheep binding in fir green, smooth spine faded and decorated with gilt and black fillets, gilt friezes at head and foot, headcaps lightly rubbed without damage, scratches with skin losses to joints, marbled paper boards, marbled endpapers and pastedowns, light scratches without damage to edges, contemporary binding.
Iconography.
Rare copy.

First edition.
Half fir green sheep binding, smooth spine with gilt and black fillets and gilt friezes at head and foot, headcaps lightly rubbed without damage, scratches with loss of leather on joints, marbled paper boards, marbled endpapers and pastedowns, light scratches to edges without damage, contemporary binding.
Iconography.
Rare copy.

First edition.
Contributions by G. Duhamel, A. Essebac, G. Polti, L. Bazalgette on "Verhaeren et l'Allemagne", M. Rieu on Renée Vivien...
Lacking back board, otherwise handsome copy.

First edition of this periodical printed in a small number of copies on laid paper.
Contributions by L. Moland, Dumonceau, Mondorge...
Small tears and minor corner lacks without consequence to the spine and boards, handsome interior condition.
"Mettre en rapport, les amateurs, les collectionneurs, les bibliographes, répandre les sources d'information, (...) et former de véritables Archives Molièresques tel est notre but ." ["To connect amateurs, collectors, bibliographers, to spread sources of information, (...) and to form true Molière Archives, such is our goal."]
G. Monval, director of the periodical, archivist of the Académie française.

First edition of this periodical printed in a small number of copies on laid paper.
Contributions by E. Cottinet, J. de Filippi, du Monceau, Mondorge...
Minor marginal lacks without consequence to the boards, a light dampstain to the head of the first cover, handsome interior condition.
"Mettre en rapport, les amateurs, les collectionneurs, les bibliographes, répandre les sources d'information, (...) et former de véritables Archives Molièresques tel est notre but ." ["To connect amateurs, collectors, bibliographers, to spread sources of information, (...) and to form true Molière Archives, such is our goal."]
G. Monval, director of the periodical, archivist of the Académie française.

First edition of this journal published in a small number of copies on laid paper.
Contributions by C. Humbert, H. Fritsche, H. Tivier...
Light corner lacks to spine and covers, a light dampstain at foot of front cover, handsome interior condition.
"Mettre en rapport, les amateurs, les collectionneurs, les bibliographes, répandre les sources d'information, (...) et former de véritables Archives Molièresques tel est notre but." ["To bring together amateurs, collectors, bibliographers, to spread sources of information, (...) and to form true Molièresque Archives - such is our goal."]
G. Monval, director of the journal, archivist of the Académie française.

First edition of this journal published in a small number of copies on laid paper.
Contributions by C.L. Livet, A. Baluffe, L. de Veyran...
Spine and covers lightly and marginally sunned with small tears, handsome interior condition.
"Mettre en rapport, les amateurs, les collectionneurs, les bibliographes, répandre les sources d'information, (...) et former de véritables Archives Molièresques tel est notre but." ["To bring together amateurs, collectors, bibliographers, to spread sources of information, (...) and to form true Molièresque Archives - such is our goal."]
G. Monval, director of the journal, archivist of the Académie française.

First edition of this periodical printed in a small run on laid paper.
Contributions by P. d'Estrée, A. Baluffe, Mondorge...
Light tears and small marginal lacks to spine and boards, light dampstain to head of boards, handsome interior condition.
"Mettre en rapport, les amateurs, les collectionneurs, les bibliographes, répandre les sources d'information, (...) et former de véritables Archives Molièresques tel est notre but ." ["To bring together amateurs, collectors, bibliographers, to spread sources of information, (...) and to form true Molièresque Archives, such is our goal."]
G. Monval, director of the periodical, archivist of the Académie française.

First edition of this periodical printed in a small run on laid paper.
Contributions by P. Mesnard, A. Baluffe, L. Moland...Small tears and slight marginal lacks to spine and boards, handsome interior condition.
"Mettre en rapport, les amateurs, les collectionneurs, les bibliographes, répandre les sources d'information, (...) et former de véritables Archives Molièresques tel est notre but ." ["To bring together amateurs, collectors, bibliographers, to spread sources of information, (...) and to form true Molièresque Archives, such is our goal."]
G. Monval, director of the periodical, archivist of the Académie française.

First edition of this journal printed in a small number of copies on laid paper.
Contributions by E. Garraud, Mondorge, A. Baluffe, R. de Semallé...
Small lacks and marginal tears to spine and boards, two dampstains to boards, handsome interior condition.
"To bring together amateurs, collectors, bibliographers, to spread sources of information, (...) and to form true Molièresque Archives, such is our goal."
G. Monval, director of the journal, archivist of the Académie française.

First edition of this journal printed in a small number of copies on laid paper.
Contributions by A. Houssaye, A. Rousselet, E. Thoinan...
Handsome copy.
"To bring together amateurs, collectors, bibliographers, to spread sources of information, (...) and to form true Molièresque Archives, such is our goal." G. Monval, director of the journal, archivist of the Académie française. Issue illustrated with a chromolithograph representing the arms of the Poquelin de Beauvais.

First edition of this photographic album.
Publisher's full dark green morocco-grained shagreen binding, smooth spine lightly browned with gilt monogram at head and gilt date at foot, first cover illustrated with vegetal motifs and gilt caduceus, frame of gilt dentelle on the endpapers, endpapers and pastedowns of moiré-effect paper, rubbing with angular leather losses on the second cover, all edges gilt.
Work complete with 30 engravings representing the decorations of the hospital guard rooms as well as 32 sepia group photographs of interns with their names.
Rare and handsome complete copy.

First edition of this photographic album.
Publisher's full brown cardboard binding, smooth unlettered spine, boards covered with snakeskin-effect paper, frame of double gilt fillets on the first cover.
Work complete with 29 engravings or photographs representing the decorations of the guard rooms or a group of hospital interns mentioned as well as 32 sepia group photographs of interns with their names.
Rare and handsome complete copy.

First edition of this photographic album.
Publisher's binding in full red morocco-grained shagreen, smooth spine unlettered and slightly, one joint cracked at foot, two tiny lacks of leather to front cover, endpapers and pastedowns of pink moiré-effect paper, rubbing with corner leather lacks to rear cover, all edges gilt.
Work complete with 28 vignettes depicting the decorations of hospital guard rooms as well as 29 sepia group photographs of interns with their names.
Light foxing without serious damage affecting mainly the foot of the photographs.
Rare and handsome complete copy.

First edition.
Half brown sheep binding, smooth spine decorated with gilt tools, traces of rubbing to spine and joints, marbled paper boards, gilt lettering at foot of spine: commissaire de police d'Ervy (Aube), contemporary binding.
Library stamps on endpapers, handsome interior condition.

First edition.
Richly illustrated.
Spine cracked, internally good.

First edition.
Small marginal tears with tiny lacks to head of spine and to covers, handsome interior condition.

First edition for each of the volumes.
Spine of the first volume cracked, otherwise handsome set.

First edition.
Publisher's full flexible boards, smooth spine, illustrated front cover.
Rich iconography.
Fine copy.

First edition.
Contents include poems by Jiddu Krishnamurti, Rabindranath Tagore, Benjamin Fondane "Brancusi", Joë Bousquet "Une nuit odorante", Carlo Suarès...
Two small tears at head and foot of spine, handsome copy.

First edition.
Half mint green sheep binding, smooth spine with gilt and blind fillets, gilt friezes at head and tail, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped without consequence, contemporary binding.
Handsome and rare copy.

First edition.
Half mint sheep binding, smooth spine faded, decorated with gilt and blind fillets, gilt friezes at head and foot, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped without significance, contemporary binding.
Handsome and rare copy.

The first edition, published in a small number of copies.
Illustrated pamphlet with a portrait of A. Mas as frontispiece.
Handsome copy.

First edition consisting of a special issue of ""Studio"" from spring 1911.
Rich iconography.
Light foxing mainly affecting margins, otherwise a handsome copy.

First edition.
Half green shagreen binding with corners, spine faded with four raised bands showing slight scuffs, marbled paper boards, corners slightly bumped, original wrappers preserved.
Some foxing mainly affecting the endpapers.

First edition.
Contributions by A. Spire, Willy, G. Hoffmann...
Issue illustrated by Emile Bressler.
Spine faded, first cover detached, corner loss at head of entire magazine body caused by rodent damage, foxing to covers.

First edition.
Contributions by P. Fort, C. Chinet, F. Fosca...
Issue illustrated with 2 reproductions of canvases by Edgar Degas and unpublished drawings by André Rouveyre and Georges Le Traz.
Two small lacks at head and foot of spine, one joint slightly cracked at foot, worming to boards.

First edition.
Brochure illustrated with 8 maps and 2 charts.
Two small ballpoint pen marks on the half-title page, a tiny marginal tear of no consequence on the front cover, occasional worming, otherwise a handsome copy.
Rare brochure.

First edition printed in a small number of copies on vellum.
Texts by G. Soulier, A. Rossi, C. Terrasse, P. Sée...
Issue with illustrations in etching, lithography, aquatint, original woodcuts... hors-texte by C. Celestini, J. Ribera, Steinlen, F.L. Schmied, Orr, de Carolis...
A pale, minor dampstain at head of first cover, handsome copy.

First edition printed in a small number of copies on vellum.
Texts by C. Saunier, A. Marie, C. Zervos "Les reliures de Pierre Legrain"...
Issue with illustrations in etching, lithography, aquatint, original woodcuts... hors-texte by A. Lepère, C. Jouas, C. Nanteuil, C. Fouqueray, two reproductions of bindings by P. Legrain...
Minor tear at foot of spine, handsome copy.

First edition printed in small numbers on laid paper.
Texts by R. Escholier, G. Janneau, P. Gusman...
Issue with original etching, lithograph, aquatint, woodcut, soft-ground etching illustrations... hors-texte by A. Ouvré, A.J. Neuhuys, F. Goya ...
A light dampstain of no consequence at head of first cover, handsome copy.

First edition printed in small numbers on laid paper.
Texts by C. Janin, L. Delteil, H. Lefuel...
Issue with original etching, lithograph, aquatint, woodcut illustrations... hors-texte by J. Frélaut, W. Hollar, T. Johannot, T.F. Simon...
A minor tear at foot of spine, handsome copy.

First edition published in a small number of copies on laid paper.
Texts by R. Rey, L. Delteil ...
Issue with illustrations in etching, lithography, aquatint, original woodcut... hors-texte by A. Kravtchenko, N. Piskaref, V. Massioutine, D. Mitrochine, J. Tcherkessof...
One tear on the spine extending to the front cover, handsome copy.

First edition published in a small number of copies on laid paper.
Texts by C. Roger-Marx, A. Thomas, P. Pia...
Issue with illustrations in etching, lithography, aquatint, original woodcut... hors-texte by P. Falké, E. Manet, E. Degas, A. Zorn, O. Redon, Webster, A. Collot, ...
Handsome copy.

New edition.
Half black sheep binding, smooth spine decorated with gilt double fillets and blind fillets, black paper boards with minor scuffs, corners slightly bumped, marbled endpapers and pastedowns, contemporary binding.
Under the direction of Charles Nodier, contributions by Jules Janin, Marco de Saint-Hilaire Etienne Arago, Louis Lurine, Arsène Houssaye, Maurice Alhoy, Amédée Achard, Léon Gozlan...
Work illustrated with 16 wood-engraved plates hors-texte as well as numerous in-text illustrations.
Some light foxing.

First edition. Half red shagreen with corners, spine with five raised bands set with gilt fillets decorated with gilt double compartments adorned with gilt floral motifs, spine with slight superficial scratches without concern, date gilt at foot, double gilt fillets on marbled paper boards, marbled endpapers and pastedowns, one upper corner with minor traces of rubbing, top edge gilt, original wrappers preserved, contemporary binding. Iconography. Rare and beautiful copy.

First collected edition.
Two tiny lacks to foot of spine, otherwise handsome copy.
Rare.

First edition.
In original wrappers, blue cover with frontispiece ornament; some stains to front cover.
Contributions by Champfleury ("Forgotten Romantics: Siméon Chaumier"), Spire Blondel ("The writer's tools: the pencil") notably.
Journal divided into two sections: early bibliography and modern bibliography (foreign correspondences, questions of the day, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover with frontispiece ornament, some stains to front cover.
Contributions by Eugène Forgues ("Book illustrators of the 19th century: Jean-François Gigoux") among others.
Journal divided into two sections: early bibliography and modern bibliography (reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece, front cover lightly stained.
Contributions by Eugène Forgues ("Les illustrateurs de livres au XIXe siècle : Camille Rogier"), Arthur Pougin ("La bibliothèque du conservatoire de musique") among others.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by E. Dutuit ("Quel est l'inventeur de l'imprimerie") notably.
Review divided into two sections: early bibliography and modern bibliography (foreign correspondence, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a black engraving hors-texte representing a binding.

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by A. Chaudin ("Un nouveau document sur Gutemberg") among others.
Review divided into two sections: early bibliography and modern bibliography (foreign correspondence, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains an etching hors-texte by Vogel.

First edition.
In original wrappers, blue cover decorated with a frontispiece, a few very light stains on the upper cover.
Contributions by Champfleury ("Les reliures romantiques"), Arsène Arüss ("Voyage à travers l'oeuvre de Dickens") among others.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a color plate depicting a cathedral binding, as well as numerous wood engravings in the text.

First edition.
In original wrappers, blue cover decorated with a frontispiece. Contributions by L. Derome ("La première revue de Paris"), B.-H.-G. de Saint-Heraye ("Le premier journal bibliographique"), Octave Uzanne ("La bibliothèque d'un bibliophile") among others.
Review divided into two sections: ancient bibliography and modern bibliography (La bibliothèque d'un bibliophile, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a color plate depicting a cathedral binding, as well as numerous wood engravings in the text.

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Review divided into two sections: ancient bibliography and modern bibliography (Reviews of recent books, bibliographic gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by Emile Mahé ("Edition inconnue de la "Pucelle" de Voltaire"), Charles Glinel ("Alexandre Dumas et l'Académie française"), Meysenheim ("Les Bibliothèques publiques de la ville de New York") among others. Review divided into two sections: ancient bibliography and modern bibliography (Reviews of recent books, bibliographic gazette, summary of French periodical publications).
Illustration hors-texte: binding by Luc Cranach on a Catullus from 1536.

First edition.
In original wrappers, blue covers decorated with a frontispiece.
Contributions by L. Derôme ("Une édition originale de trois contes de La Fontaine"), Spire Blondel ("Les outils de l'écrivain : Le Cachet, la Cire à cacheter, les Enveloppes"). Review divided into two sections: early bibliography and modern bibliography (Reviews of recent books, bibliographical gazette, summary of French periodical publications).
Illustration hors-texte: La Lecture à Cythère, etching by Manesse, after the composition by Albert Lynch.

First edition.
In original wrappers, blue covers decorated with a frontispiece. Contributions by Charles Glinel ("Alexandre Dumas intime") among others.
Review divided into two sections: early bibliography and modern bibliography (Reviews of recent books, bibliographical gazette, summary of French periodical publications). Illustration hors-texte: Portrait of John-Murray II, publisher of Walter Scott - Sepia heliogravure.

First edition of this review directed by Octave Uzanne.
Articles respectively signed L.B., Eugène Forgues, Arthur Pougin.
Engravings in and outside the text by Camille Rogier.
Front cover soiled, otherwise good copy.

First edition.
Contributions by D. de Rougemont "Contre Nietzsche", R. Vittoz, C.F. Ramuz, H. Perrochon, A. Béguin...
Issue illustrated with 2 reproductions by P.R. Perrin and M. Bariatinsky.
Light foxing to covers, handsome copy.

First edition.
Full red cloth binding, corners slightly bumped, headcaps worn, joints cracked, stains on boards, one endpaper detached, publisher's binding.
Contributions by Frantz Jourdain, Emmanuel Signoret and Raoul Ponchon among others; drawings by Riscuité, Hermann Paul, Henri Pille, Willette, Jules Chéret, Anquetin and Widhopff among others.
Each issue contains 5 pages. Numerous black and white illustrations, sometimes full-page or even double-page.
Le Courrier français is an illustrated weekly founded and directed by Jules Roques. It was published from 1884 to 1913. Under his direction, the journal became the most representative satirical organ of the era. Its contributors included Maurice Bouchor, Raoul Ponchon, Georges Montorgueil, Hugues Delorme, Jean Lorrain, and its illustrators included Adolphe Willette, David Ossipovitch Widhopff, Jean-Louis Forain, Jules Chéret, Hermann-Paul, Henri Pille, Pierre Jeannot. It featured sections on literature, fine arts, theatre, medicine and finance.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tooling, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very slightly worn, headcaps torn, yellow paper pastedowns and endpapers, publisher's binding.
With contributions by Victorien Sardou, Méry among others.
Contrary to what the volume's title page announces, this volume contains the issues from late December 1861 to late May 1862.
8-page journal extensively illustrated with wood engravings by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Half emerald sheep binding, smooth spine decorated with gilt arabesque tooling, corners very worn, headcaps torn, and edges scuffed, yellow paper pastedowns and endpapers, publisher's binding.
With contributions by Léouzon le Duc and Gérôme among others.
Contrary to what the volume's title page announces, this volume contains the complete year 1859, as well as the December 1858 issues.
8-page journal extensively illustrated with wood engravings by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine ornately tooled in gilt arabesques, one joint cracked at foot, sextuple fillet stamped in blind framing the boards, title and vignette representing an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very lightly bumped, headcaps damaged, small lacks to spine, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Henri Muller and Gérôme among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
A very handsome copy in its rare publisher's binding.

First edition.
Full ochre cloth binding, one joint cracked at foot, headcaps damaged, small lacks to spine, corners very bumped, lacks to boards and surface wear, publisher's binding.
Contributions by Albéric Second and Marie Ferrié among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, six-fold blind-ruled frame to boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt to center of front board, corners very slightly bumped and small stain to front board, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Jules Noriac, Claude Bonin and Victorien Sardou among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Contrary to what the title page indicates, this volume contains all issues from December 1859 to November 1860.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, sextuple fillet stamped in blind framing the boards, title and vignette representing an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Justin Améro, Jules Sandeau and Emmanuel des Essarts among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Contrary to what the volume page indicates, this volume groups together all issues from December 1862 to May 1863.
Very fine copy in its rare publisher's binding.

First edition.
Half blue shagreen binding, spine with raised bands decorated with gilt fleurons. Binding heavily rubbed and worn.
Handsome interior condition.
Contributions by Raoul Ponchon, Jules Ulrich and Georges Tis notably; drawings by Riscuité, Hermann Paul, Henri Pille, Willette and Widhopff among others.
Each issue contains 5 pages. Numerous black and white illustrations, sometimes full-page or even double-page.
Le Courrier français is an illustrated weekly founded and directed by Jules Roques. It was published from 1884 to 1913. Under his direction, the journal became the most representative satirical organ of the period. Its contributors included Maurice Bouchor, Raoul Ponchon, Georges Montorgueil, Hugues Delorme, Jean Lorrain, and its illustrators included Adolphe Willette, David Ossipovitch Widhopff, Jean-Louis Forain, Jules Chéret, Hermann-Paul, Henri Pille, Pierre Jeannot. It featured sections on literature, fine arts, theaters, medicine and finance.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, one joint cracked at foot, cold-stamped sextuple fillet framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Contrary to what the title page indicates, this volume contains all issues from December 1859 to November 1860.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tools, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, sextuple blind-ruled frame to boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt to center of front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Half red shagreen binding, corners slightly bumped, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art magazine, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, joints scuffed, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years, it was a worldwide reference in art history.

First edition.
Half red shagreen binding, corners slightly bumped, joints scuffed, spine with five raised bands, publisher's binding.
La Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002.
For nearly one hundred and fifty years, it was a worldwide reference in art history.

First edition.
A small tear at the foot of the spine, slight marginal lacks to the first cover, otherwise handsome copy.

First edition.
Work illustrated with 14 plates and in-text photographs.
Handsome copy in its chemise and full green cloth slipcase, front cover of the slipcase stamped at center with the gilt arms of the city of Paris, slipcase split at head and foot.

First edition.
Publisher's brown paper boards, smooth spine, frame of blind fillets on covers struck in their centers with a blind roundel, brown paper endpapers and pastedowns.
Contributions by J. Paul-Boncour, C. Marsin, L. Descaves, L. Bodin, A. Merrheim, Allain, V. Snell, A. Roubakine, M. Audoux, A. Ferdinand-Hérold, L. Jouhaux, J. Germain, A. Pierre, V. Margueritte, Séverine, H. Béraud, M. Gorki, J. Pellerin, M. Bouchor...
The cover of each issue is illustrated by G. des Champs, G. dorival, Steinlen, M. Watt, G. Viardot, Diligent...
It should be noted that a special issue on the Paris Commune appears in our six-month collection.
Also concerning the German Revolution, the war of independence in Ireland, Soviet Russia...
Rare and handsome head of collection of this magazine.

First edition.
Half red cloth binding, covers scuffed, corners slightly bumped, publisher's binding. Complete volume with its title page; each issue contains eight pages.
Contributions by Amédée Achard, Chamfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Gustave Doré and Cham among others and engravings by Chapon and Méaulle among others.
Magazine illustrated with numerous full-page black and white engravings, some double-page engravings.
Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

First edition.
Half sea-green cloth binding, publisher's binding. Volume complete with its volume title page.
Contributions by Champfleury, Paul Féval and Charles Yriarte notably, drawings by Gustave Doré and Cham among others, engravings notably by Chapon and Méaulle.
Magazine illustrated with numerous full-page black and white engravings and a folding plate.
Le Monde illustré was a weekly news magazine published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...

First edition.
Contributions by P. Ginisty, M. Rieu, E. Cottinet, J. Clary...
Small lack at foot of one joint, handsome interior condition.

First edition of the catalogue for this exhibition held at the Galerie Georges Petit from January 25th to February 6th, 1899.
Illustrations at rear.
Spine split, handsome interior condition.
Rare.

First edition of this report of the round table organized by the Entomological Society of France in Paris on May 28, 1975.
Handsome copy.

First edition printed in a very small number of copies.
Account of the excursion by Dr Peyronnet, contribution to the fauna of myriapods of the Fanges forest by J. Chalande and list of coleoptera collected by L. Gavoy.
Rare and handsome pamphlet presented with plain yellow wrappers.

First edition printed on Holland paper.
This volume contains: The Memoirs of Nicolas Chorier, continuation and conclusion. Index to the Memoirs of Nicolas Chorier.
Boccaccio's Decameron: reproduction of woodcuts from 16th-century Italian editions. The Marquis de Morante; his library and catalogue, by R.C. Christie.
A light marginal dampstain affecting the head of the second part of the work, otherwise a handsome full-margined copy.

First edition printed in 400 numbered copies.
Contributions by M. Béalu, J. Desrives, L. Estang, L. Del Vasto, A. Salmon...
Handsome copy.
Rare.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Paul Féval, Alexandre Dumas and George Sand among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
The leaf containing pages 781-782 is missing.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque ornaments, sextuple blind-stamped fillet framing the boards, title and vignette representing an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper endpapers and pastedowns, publisher's binding.
Contributions by Paul Féval, Alexandre Dumas and Stendhal among others.
8-page journal extensively illustrated with woodcuts by the greatest artists of the time.
Copy complete with the large double-page folding engraving.
Very handsome copy in its rare publisher's binding.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesques, one joint cracked at foot, sextuple blind-stamped fillet framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at the center of the front board, corners very slightly bumped, yellow paper pastedowns and endpapers, publisher's binding.
Contributions by Victorien Sardou, Méry among others.
8-page journal abundantly illustrated with woodcuts by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.