18th Century Illustrated Books

Complete series of illustrations the tale of Red Riding Hood hand-painted on 12 glass plates intended for a magic lantern, the ancestor of the projector and the cinema.
Publisher's cardboard box, with the titles on the top board: “12 Superior English Made lantern slides”. Handwritten: “Red Riding Hood”. Signs of rubbing on the box. A stop in the split lid at 2cm. On plate 9, paper is missing which circles the plate in a border. On plate 12, the black part has a small scratch, this part encircling the medallion which is projected by the lantern. Otherwise collection in excellent condition.
Millikin & Lawley carried out their trade in magic lanterns and plates between 1860...

Illustrated edition with 15 original compositions by Jacques Wagrez engraved with etching by L. Boisson, one of 150 numbered copies on Marais vellum.
Half bordeaux morocco with corners binding, smooth spine decorated with gilt cartouches enhanced with gilt typographic motifs enriched with yellow, green and blue mosaic morocco pieces, place and date gilt at foot, fillet frame on pebbled paper boards, combed paper endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding signed Ruban.
Handsome copy perfectly executed in a half mosaic morocco binding by Ruban.

First edition illustrated with wood engravings in the text by Gavarni, Daumier, D'Aubigny...
Bradel binding in full beige percaline, smooth spine with a black paper label, front cover decorated with an oil painting after the frontispiece, signed lower right "A. Dangleterre d'après document d'époque". Headcaps and joints skillfully restored.
A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses’ office, flower sellers, baths, streetlamps, pavements, theatre outings, beards and moustaches, the Luxembourg Gardens, the Opera Ball, the auctioneers’ hall, lorettes and courtesans (Alexandre Dumas), restaurants and...

First edition illustrated in first printing with numerous figures in the text and 30 plates printed outside the text, engraved on wood by Gavarni, Guérin, Emy...
Contemporary half green Empire glazed sheep binding. Smooth spine richly decorated with rococo tools in mirror pattern. Fillet lines on boards. Traces of rubbing to joints, boards and corners. 3 corners folded. Scattered foxing.
A publication that rides on the success of "Les Français peints par eux-mêmes" but focuses on visitors coming to Paris, not only from countries bordering France but also from China, Russia, Brazil... Satirical texts by Jules Janin, Old-Nick, Roger de Beauvoir, A. de Lacroix...

A very rare first edition of 15 lithographed views in bistre tint, mounted in an accordion pleat, forming a panorama of 6.75 ft and showing the Parisian procession of the return of Napoleon's mortal remains (his "ashes" used here as a metaphor since he was not cremated). The parade started from the Arc de Triomphe to his resting place in Invalides. In the lower margin, the caption presents the different groups forming the procession: Ajaccio delegation, Paris Municipal Council, Prince of Joinville Commission of Saint-Helena...in the centre of the panorama stands the spectacular...

First illustrated edition by Gustave Doré. 142 vignettes and 12 plates.
Includes: Autograph inscription by the author on a card with his red seal on the left side of the card, for an appointment.

Contemporary half brown shagreen binding. Spine with raised bands decorated with 4 fleurons and fillets. Spine slightly faded. Some foxing. Handsome copy.
One of the first books illustrated by Gustave Doré after Balzac's Contes drolatiques. A popular novel that enjoyed great success in its time and remains one of the classics of adventure novels for young people.

First edition illustrated with 19 original lithographs by Alexandre Lunois, one of 140 numbered copies on Japan paper, the only printing with 60 other Japan copies containing separate proofs of the illustrations.
Two light halos on the first cover, small worming on the second cover.
Handsome copy.

First edition illustrated with 19 original lithographs by Alexandre Lunois, one of 140 numbered copies on Japan paper, the only printing with 60 other Japan copies containing the separate suite of illustrations.
Half salmon morocco binding with corners, smooth spine decorated with gilt cartouches, gilt double fillets framing the marbled paper boards, pebbled paper endpapers and pastedowns, original wrappers preserved, bookplate pasted to one pastedown, top edge gilt, elegant contemporary binding.
Handsome copy in perfect condition.

First edition printed in 500 numbered copies on Japan paper.
Work illustrated with drawings by Job after pencil sketches.
Handsome copy despite light worming of no consequence to the boards.
Manuscript signatures of Job and Stéphen Liégeard below the justification page.

First edition illustrated with text illustrations and plates by Hermann Vogel and ornaments by Adolphe Giraldon, one of 60 numbered copies on China paper, the only deluxe copies after 20 on Japan.
Full blue morocco binding, spine very slightly faded with five raised bands, date and place gilt at foot, gilt borders on the headcaps, gilt fillet border on the pastedowns in full purple morocco, purple watered silk endpapers, following endpapers of combed paper, covers preserved, all edges gilt, double gilt fillets on the edges, slipcase edged with blue morocco, marbled paper boards, superb full morocco binding with doublure signed Blanchetière Bretault.
Each plate appears in triple...

New edition, illustrated with a full-length portrait frontispiece of Lavater by Stober and 30 plates for volume 1, 30 for the second volume, 30 for the third, 29 for volume 4 and 2 facsimiles of his handwriting; all these plates are contained in an atlas. The four volumes are bound in two volumes. Each plate contains 2 to 12 figures.
Contemporary 3/4 burgundy shagreen binding, spine with false raised bands decorated with gilt and blind fillets, marbled paper boards, all edges marbled.
Bindings skillfully restored. Scattered foxing throughout text.

First edition illustrated with wood engravings in text by Gavarni, Daumier, D'Aubigny... The second volume published in 1843 contains texts by Balzac, Alexandre Dumas, Soulié, Edouard Ourliac, Eugène de Mirecourt... 29 illustrations by Daumier signed in volume 1, 10 in volume 2. 17 plates in the second volume.
Contemporary half dark green sheep binding. Smooth spine decorated with series of fillets. Blue cloth boards. Boards rubbed, corners slightly bumped. Scattered foxing.

Rare publication on the Paris of Louis-Philippe. The work proceeds by subject and articles: The wet nurses' bureau, flower sellers, baths, street lamps, sidewalks, theatre exits, beards and...

First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who...

First edition of this revised and illustrated version of François de Ligny’s Histoire de la vie de Jésus-Christ, published in Paris in 1804 under the supervision of the Abbé de Sambucy. The work is illustrated with 75 plates - 40 in volume I, including the frontispiece, and 35 in volume II, likewise including the frontispiece - engraved under the direction of L. Petit after paintings from the Italian, French and Flemish schools, together with a folding map of Palestine. Entirely printed on laid paper watermarked “Vie de J.C.”

Illustrated edition with first printing of 28 etched compositions by O. Cortazzo engraved by Abot and Clapes. Limited to 1000 copies, one of 825 on tinted laid paper, hand-numbered 209 and justified by the publisher.
Half chocolate morocco with corners ca 1920, signed at top of endpaper Yseux, successor to Simier. Spine with raised bands decorated with ornate compartments and a central mirrored tool. Covers and spine preserved. Top edge gilt. Uncut copy. Paper perfectly white, free from foxing. Spine slightly faded.

Handsome copy, with very beautiful engravings perfectly integrated into the text.

First illustrated edition, published in 1898 under the imprint of the Librairie des Bibliophiles, textually reprinting the first edition of 1838. The work is illustrated with 24 original colour lithographs by Alexandre Lunois. One of 100 deluxe copies on Japan or China paper, this copy on China paper, no. XLIII, numbered in ink and justified; the total edition was limited to 600 copies, the remaining 500 on Marais wove paper.

A particularly notable feature of the present copy is that all 24 compositions are present in three states - outline, black, and colour - making 72 impressions in all. As stated in the...