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Much like the papal procession that ends at Saint-Michel, named for the archangel shared by the three religions of the Book, we offer you a heavenly Abrahamic selection. It would take the very devil to keep you from finding your numinous bliss here...

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<p>Woodcuts, intaglio, lithographs, miniatures... From medieval illuminated manuscripts to <em>livres d'artiste</em>, the art of illustration began with the book and reinvents itself with it on every page of their history.</p>
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18th Century Illustrated Books

Woodcuts, intaglio, lithographs, miniatures... From medieval illuminated manuscripts to livres d'artiste, the art of illustration began with the book and reinvents itself with it on every page of their history.

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18th Century Illustrated Books
  1. Le Chat noir N°15 de la première année du samedi 22 Avril 1882Le Chat noir N°15 de la première année du samedi 22 Avril 1882
    Émile GOUDEAU, COLLECTIF

    Le Chat noir N°15 de la première année du samedi 22 Avril 1882

    Au cabaret Le Chat noir|Paris 1882|31 x 45 cm|en feuillets
    First edition.
    The issue consists of 4 pages and is illustrated with a drawing by Latude.
    Literary contributions by Jules de Marthold, Amélie Villetard, Constant Chaouard, A. Kempis for the funeral eulogy of Rodolphe Salis who was still alive...
    A few small marginal tears of no consequence.
    Le Chat noir was a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It forms, moreover, an important literary and artistic testimony of the late 19th century, around bohemia and the Parisian effervescence that was...
    €40
  2. Le Chat noir N°27 de la première année du samedi 15 Juillet 1882Le Chat noir N°27 de la première année du samedi 15 Juillet 1882
    Émile GOUDEAU, COLLECTIF

    Le Chat noir N°27 de la première année du samedi 15 Juillet 1882

    Au cabaret Le Chat noir|Paris 1882|31 x 45 cm|en feuillets
    First edition.
    The issue consists of 4 pages and is illustrated with a drawing "Le Chat noir. Oui !! mort aux lapins !... qu'on voudrait lui poser !!!".
    Literary contributions by Edmond Haraucourt, A' Kempis, Félix Decori...
    Handsome copy.
    Le Chat noir was a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It forms, moreover, an important literary and artistic testimony of the late 19th century, around bohemia and the Parisian effervescence that was characteristic of it.
    €40
  3. Un drame interastral - In Le Chat noir N°239 de la cinquième année du samedi 7 Août 1886Un drame interastral - In Le Chat noir N°239 de la cinquième année du samedi 7 Août 1886
    Théophile Alexandre STEINLEN, Charles CROS

    Un drame interastral - In Le Chat noir N°239 de la cinquième année du samedi 7 Août 1886

    Au cabaret Le Chat noir|Paris 1886|31 x 45 cm|en feuillets
    First edition, one of the rare copies printed on laid paper.
    The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen "La rose".
    Literary contributions by Charles Cros "Un drame interastral", Caran d'Ache "Carnet de la semaine", Albert Tinchant "Philanthropie"...
    Handsome copy.
    Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name of which it considered itself the memory. It published texts recited during the shows. It is, moreover, an important literary and artistic testimony of the late nineteenth century, around...
    €180
  4. Le Chat noir - Organe des intérêts de Montmartre - Deuxième année complète du n°53 du 13 janvier 1883 au n°103 du 29 décembre 1883Le Chat noir - Organe des intérêts de Montmartre - Deuxième année complète du n°53 du 13 janvier 1883 au n°103 du 29 décembre 1883
    Paul VERLAINE, Émile GOUDEAU

    Le Chat noir - Organe des intérêts de Montmartre - Deuxième année complète du n°53 du 13 janvier 1883 au n°103 du 29 décembre 1883

    Au cabaret Le Chat noir|Paris 1883|31 x 45 cm|broché
    First edition of this complete 1883 year containing 50 issues in original wrappers under blue temporary covers.
    Spine split with angular lacks to the covers.
    Each issue consists of four pages.
    Texts by Emile Goudeau, Alphonse Allais, Jean Richepin and Paul Verlaine ("Le Chat noir", "Langueur", "La Princesse Bérénice", "Pantoum négligé", "Paysage", "Conseil falot", "L'Aube à l'envers", "Un pouacre", "Madrigal") notably.
    Drawings by Willette, Rodolphe Salis, Henri de Sta, Tiret-Bognet, Henri Pille, Caran d'Ache etc.
    Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of...
    €1,200
  5. Le Chat noir N°141 de la troisième année du samedi 20 Septembre 1884Le Chat noir N°141 de la troisième année du samedi 20 Septembre 1884
    Théophile Alexandre STEINLEN, Rodolphe SALIS

    Le Chat noir N°141 de la troisième année du samedi 20 Septembre 1884

    Au cabaret Le Chat noir|Paris 1884|31 x 45 cm|en feuillets
    First edition.
    This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen "Le chat et la grenouille" ["The cat and the frog"].
    Literary contributions by Georges Auriol "Fleur d'orange" ["Orange blossom"], Rodolphe Salis, Léo Niversac "Bulletin du Chat Noir" ["Chat Noir bulletin"], Jules Jouy...
    A few minor marginal tears of no consequence.
    Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, of which it served as the memory. It published texts recited during the shows. It is, moreover, an important...
    €100
  6. Carnet de chèquesCarnet de chèques
    CARAN D'ACHE

    Carnet de chèques

    E. Plon, Nourrit & Cie|Paris 1892|28 x 12.50 cm|relié
    First edition of this collection of ferociously anti-Semitic caricatures presented in the form of a booklet of 24 checks.
    Bradel binding in full olive cloth, smooth spine decorated with gilt fillets, very light scratches of no importance to the right margin of the front cover, endpapers and pastedowns of decorative patterned paper, front cover preserved.
    Some inevitable minor restorations to the check stub area, some foxing at the end of the volume, handsome copy.

    €300
  7. La Montagne - Notices historiques et philosophiques sur les principaux membres de la Montagne La Montagne - Notices historiques et philosophiques sur les principaux membres de la Montagne
    Jean-Barthélémy HAURÉAU

    La Montagne - Notices historiques et philosophiques sur les principaux membres de la Montagne

    J. Breauté|Paris 1834|16 x 24 cm|relié
    First edition illustrated with 15 etched portraits by Jeanron. The portrait of Camille Desmoulins appears before letters.
    A few discreet marginal pencil annotations, likely in Champfleury’s hand.
    Some occasional foxing.
    Bradel binding in olive green half cloth, flat spine decorated with a gilt fleuron, double gilt fillet and date at foot, tan shagreen label, marbled paper boards, original wrappers preserved despite some marginal losses, corners rubbed.
    This copy includes all 15 engravings depicting the most illustrious figures of the Montagne.
    Provenance: From the library of Champfleury (no. 519 in the catalogue published by Léon Sapin in 1890), then from the library...
    €750
  8. Le diable boiteuxLe diable boiteux
    Alain-René LESAGE

    Le diable boiteux

    Ernest Bourdin et Cie|Paris 1840|17.20 x 26.50 cm|relié
    Illustrated edition with first printing of a title vignette, 140 half-page vignettes, all by Tony Johannot, engraved by Brevière. Moorish-style bandeaux and drop capitals. Text framed with a double black fillet.
    The original frontispiece has been replaced by an original signed watercolor by Adolphe Lalauze (1838-1906) for an illustration of Le Diable boiteux, and an original ink drawing by the painter and illustrator Henri Pille (1844-1897), dedicated to his friend Dr. Laffont and dated May 3, 1896. Furthermore, the copy has been enhanced with 9 etchings engraved by Louis Monziès after drawings by Henri Pille for the Lemerre edition of 1879, in two states, on vellum before...
    €2,500
  9. Cinq-Mars ou une conjuration sous Louis XIIICinq-Mars ou une conjuration sous Louis XIII
    Alfred de VIGNY

    Cinq-Mars ou une conjuration sous Louis XIII

    Maison Quantin|Paris 1889|15.50 x 23.50 cm|2 volumes reliés
    Illustrated edition in first printing limited to 1000 copies on handmade laid paper. No. 480. A portrait of the author drawn and etched by Gaujean and 10 plates etched by Gaujean after Albert Dawant, as well as headpieces, ornamental letters and tailpieces by Emile Mas after Sébastien Leclerc. Original wrappers preserved with titles in gold and vignettes printed in blue and red.
    Contemporary half pink morocco binding with corners. Raised bands in Jansenist style. Titles and volume numbers gilt. Top edge gilt. Entirely uncut, superbly fresh. Spine uniformly sunned. Light traces of rubbing. Scattered speckling on the spine of volume I. Small brown mark on the top of the first compartment...
    €450
  10. SalammboSalammbo
    Gustave FLAUBERT

    Salammbo

    Alphonse Lemerre|Paris 1886 (S.d)|9 x 15.80 cm|2 volumes reliés
    New edition, undated, with the characteristics of the 1879 edition: identical collation and printing on tinted laid paper. Copy expanded with the eight etchings drawn and engraved by Pierre Vidal, including a frontispiece, published by Lemerre in 1884; All these plates have been printed on Holland paper. The Lemerre edition of 1879 forms the definitive edition corrected by the author, with 470 variants compared to the 1874 Charpentier edition, removing and modifying passages and words. Original wrappers preserved.
    Contemporary half red shagreen binding. Smooth spine decorated with a mirrored iron tool lengthwise, gilt fillets, traces of staining on the spine. Top edge gilt. Foxing...
    €400
  11. Les voyageurs du XIXe siècleLes voyageurs du XIXe siècle
    Jules VERNE

    Les voyageurs du XIXe siècle

    J. Hetzel|Paris 1880|18 x 28.20 cm|relié
    First edition illustrated with 51 drawings by Benett and 57 facsimiles and maps by Mathis and Morieu. At end, 1880 AI catalogue, a particularity which distinguishes the first edition.
    Publisher's brick-colored boards "à la sphère armillaire ptolémaïque". Brown endpapers. Second board Engel type b with rosette, corner palmettes and frame of Greek fret. Fine upper plate. Corners good. Spine good, slightly faded. Smooth edges without steps. Headcaps folded, with a micro cut at head. Second board with some soiling. Scattered foxing. Volume well bound and uniform.
    Handsome copy.

    €600
  12. Un capitaine de quinze ansUn capitaine de quinze ans
    Jules VERNE

    Un capitaine de quinze ans

    J. Hetzel|Paris 1892|18 x 28 cm|relié
    New edition. It was in 1892 that the era of "pasted portrait" publisher's bindings with the "lighthouse" spine began, which would end in 1895. 95 illustrations including one full-page map, most by Meyer. GK catalogue at rear.
    Publisher's binding called "With printed portrait". Signed Souze plate. Lighthouse spine. Back cover of Lenègre e type. Edges gilt.
    Fine first plate, one area under the portrait without gold, revealing the red underneath; a line across the globe. Corners slightly rubbed and turned. Spine very lightly faded but quite sharp. Headcaps depressed. Back cover good but with some soiling. Paper very fresh, white with 3 pale foxing spots on 3 pages. Volume very solid...
    €900
  13. Durendal - Revue catholique d'art et de littérature, 5ème année - Année 1898 complèteDurendal - Revue catholique d'art et de littérature, 5ème année - Année 1898 complète
    COLLECTIF

    Durendal - Revue catholique d'art et de littérature, 5ème année - Année 1898 complète

    Lyon-Claesen|Bruxelles [Brussels] • & Paris 1898|17.50 x 27 cm|reliure de l'éditeur
    First edition.
    Some light foxing.
    Publisher's Bradel binding in red half-cloth with corners, smooth spine decorated with gilt fillets, burgundy cloth boards, two stains on the second cover, a small paper loss on the first cover, sky blue paper endpapers and pastedowns, one corner slightly bumped.
    Pictorial contributions by painters of the Beuron school, Léon Frédéric, Joseph Janssens...
    Numerous literary contributions including those by Jules Barbey d'Aurevilly, Paul Cuylits, Eugène Demolder, Ernest Hello, Joris-Karl Huysmans, Francis Jammes, Sébastien-Charles Lecomte, Georges Marlow, Georges Rodenbach, Emile Verhaeren...
    €250
  14. Durendal - Revue catholique d'art et de littérature, 7ème année - Année 1900 complèteDurendal - Revue catholique d'art et de littérature, 7ème année - Année 1900 complète
    COLLECTIF

    Durendal - Revue catholique d'art et de littérature, 7ème année - Année 1900 complète

    Lyon-Claesen|Bruxelles [Brussels] • & Paris 1900|17.50 x 27 cm|reliure de l'éditeur
    First edition.
    Some light foxing.
    Publisher's Bradel binding in red half-cloth with corners, smooth spine decorated with gilt fillets, burgundy cloth boards, stains on the first cover, sky blue paper endpapers and pastedowns.
    Pictorial contributions by Giotto, Franz Haels, Rembrandt, Van Eyck, Vermeer de Delft, Joseph Janssens, Albrecht De Vriendt, Alexandre Hannotiau...
    Numerous literary contributions including those by Franz Ansel, Henri Carton de Wiart, Eugène Demolder, Gaston Della Faille de Leverghem, Maurice des Ombiaux, Edouard Ducoté, Henri Mazel, Maurice Olivaint, Edouard Schuré, Léopold Wallner...
    €250
  15. Durendal - Revue catholique d'art et de littérature, 8ème année - Année 1901 complèteDurendal - Revue catholique d'art et de littérature, 8ème année - Année 1901 complète
    COLLECTIF

    Durendal - Revue catholique d'art et de littérature, 8ème année - Année 1901 complète

    Lyon-Claesen|Bruxelles [Brussels] • & Paris 1901|17.50 x 27 cm|reliure de l'éditeur
    First edition.
    Some minor foxing.
    Publisher's Bradel binding in half red boards with corners, smooth spine decorated with gilt fillets, burgundy boards, sky blue paper endpapers and pastedowns.
    Pictorial contributions by Giotto, Giorgione, Perugino, painters from the Beuron school, Anton Van Welie...
    Numerous literary contributions including those by Henry Bordeaux, Georges Brigode, Eugène Demolder, Gaston Della Faille de Leverghem, Charles de Sprimont, Iwan Gilkin, Edouard Ducoté, Louis le Cardonnel, Charles Lagasse de Locht, Joris-Karl Huysmans, Georges Ramaekers, Pierre Verhaegen...
    €250
  16. Oeuvres complètesOeuvres complètes
    Georges-Louis Leclerc, comte de BUFFON

    Oeuvres complètes

    A. Eymery|Paris 1825 -1828|13.50 x 21 cm, longueur totale de la série 103 cm|26 volumes reliés

    Complete new edition of Buffon's works, published in Paris by Eymery between 1825 and 1828 according to the arrangement established by the Comte de Lacépède and completed by the supplementary volume issued in 1828. A handsome complete set in 26 bound volumes (13.5 × 21 cm; total shelf length: 103 cm), illustrated with 245 plates: Buffon's portrait engraved by Devéria as the frontispiece, 216 hand-coloured plates - some heightened with gold - including 91 devoted to mammals and 126 to birds, 13 plates in black, and 4 folding maps. Most of the coloured plates were executed by Jean-Gabriel Prêtre, the animal painter successively attached to Empress Joséphine's menagerie...

    €5,500
  17. Cent proverbesCent proverbes
    Jean Ignace Isidore Gérard GRANDVILLE

    Cent proverbes

    Garnier frères|Paris 1870 (S.d)|17.50 x 28.50 cm|relié
    First illustrated edition in color with 51 hand-colored plates on heavy paper under tissue guards and numerous black illustrations in the text. The first edition of 1845 was only in black.
    Contemporary half cherry red shagreen binding with corners. Spine with false raised bands decorated with compartments with thick blind fillets and gilt fillets. Gilt title. Thick blind and gilt fillets on boards. Top edge gilt. Some scattered foxing. Minor rubbing. A small hole in the lower margin of the title page.
    Fine copy.
    One hundred proverbs illustrated and commented.
    €600
  18. La France - Types, moeurs et merveilles de la natureLa France - Types, moeurs et merveilles de la nature
    C. de RIBELLE, J. ROSTAING

    La France - Types, moeurs et merveilles de la nature

    Amable Rigaud|Paris 1860|14 x 22.50 cm|reliure de l'éditeur
    First edition.
    Publisher's binding in full black paper boards, smooth spine, spine and covers richly decorated with gilt ornamental motifs, blind-ruled frame on covers, yellow paper endpapers and pastedowns, contemporary Romantic binding.
    Some light foxing.
    Work illustrated with 12 engravings devoted to the different regions of France.

    €120
  19. La vie des boulevards Madeleine-BastilleLa vie des boulevards Madeleine-Bastille
    Georges MONTORGUEIL, Pierre VIDAL

    La vie des boulevards Madeleine-Bastille

    1896|18.50 x 28 cm (In-8)|relié

    First edition illustrated with 200 color drawings by Pierre Vidal. Limited to 700 numbered copies, No. 294. Original illustrated covers and spine preserved. Printed on tinted coated vellum.
    Modern chocolate half morocco Bradel binding with corners. Jansenist spine with 4 raised bands. Leaf 49 with censoring in lower margin (a hole with paper rubbing). Spine faded on the first 2 compartments. Good copy.


    €500
  20. L'Irlande au dix neuvième siècleL'Irlande au dix neuvième siècle
    J. J. PREVOST

    L'Irlande au dix neuvième siècle

    Léon Curmer|Paris 1845|22.50 x 28.50 cm|relié
    First edition illustrated with 62 steel-engraved plates by Bartlett including a frontispiece and engraved title, all on heavy laid paper. Introduction by Baron Taylor. One map.
    Contemporary binding in half black shagreen with corners, spine with four false raised bands elaborately gilt in compartments, paper boards in the manner of cardboard highlighted with double gilt fillets, marbled endpapers and pastedowns. Some rubbing, marginal foxing.
    Provenance: from the library of Henri Gouin, founder with André Malraux of the Royaumont Foundation.
    €400
  21. ŒuvresŒuvres
    Walter SCOTT

    Œuvres

    Furne • Ch. Gosselin • Perrotin|Paris 1835 - 1836|13 x 21.80 cm|22 volumes reliés

    Edition translated by Defaucompret. Each volume has an engraved title accompanied by a vignette and at least 2 steel engravings per work (all on strong laid paper), the animated scenes are by Tony Johannot, the views are English engravings. 23 folding maps heightened in colors.
    Contemporary half morocco binding with long grain in wine-lees color. Smooth spine decorated with rocaille tools. Marbled edges. Spines have become uniformly blonde. In volume II, a small lack to the lower joint at head. Pale scattered foxing, but the set relatively fresh, with paper remaining white, as well as the engravings.


    Important critical edition, with all the author's prefaces for the...

    €1,100
  22. Lithographed cover by Henri de Toulouse-Lautrec
    Lithographed cover by Henri de Toulouse-Lautrec
    Hors les LoisHors les Lois
    Henri de TOULOUSE-LAUTREC, Louis MARSOLLEAU

    Hors les Lois

    P.V. Stock|Paris 1898|13 x 19 cm|broché
    First edition, with no deluxe paper copies issued.
    Two small spots of foxing on the upper cover.
    A handsome copy, with an ex-libris pasted on the verso of the upper cover.
    Work illustrated on the covers with an original lithograph by Henri de Toulouse-Lautrec.
    €400
  23. Revue du Salon de 1844Revue du Salon de 1844
    Arsène HOUSSAYE, Narcisse DIAZ DE LA PENA

    Revue du Salon de 1844

    Martinon|Paris 1844|25 x 32 cm|relié

    First edition published in 20 instalments, illustrated with wood-engraved vignettes in the text after Célestin Nanteuil, Français, Karl Girardet, Jules David, etc., and 20 copper-engraved or lithographed plates after Diaz, Decamps, Hazé, A. Guignet, E. Hedouin, Théodore Chasseriau, Alophe, Couture, etc. The original covers of all instalments are bound at the end. The covers erroneously announce 30 engravings instead of the 20 actually included.
    Later binding in red Russian half morocco with corners, spine in five raised bands richly gilt, date in gilt at foot, gilt fillet frame on pasteboard covers. Considerable rubbing and bumped corners.

    €600
  24. Les TréteauxLes Tréteaux
    Félix BRACQUEMOND, Charles MONSELET

    Les Tréteaux

    Poulet Malassis & De Broise|Paris 1859|12.50 x 19.50 cm|5|relié
    The first edition, published in a small number of copies.
    Half red morocco with corners, spine with five raised bands set with gilt and black fillets, gilt fillet on combed paper boards, marbled endpapers and pastedowns, top edge gilt, contemporary binding.
    The work illustrated with a beautiful frontispiece drawn and engraved by Félix Bracquemond.
    Handsome copy attractively bound.
    €300
  25. Charles Perrault, Contes, Le Petit Poucet, "L'Ogre et sa Femme" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "L'Ogre et sa Femme" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "L'Ogre et sa Femme" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A light marginal dampstain, not affecting the design.
    These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known...
    €90
  26. Charles Perrault, Contes, Frontispice, "La lecture des contes en famille" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Frontispice, "La lecture des contes en famille" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Frontispice, "La lecture des contes en famille" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A light marginal dampstain, not affecting the design.
    These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known...
    €80
  27. Charles Perrault, Contes, Le Petit Poucet, "Tu vois bien que nous ne pouvons plus nourrir nos enfants" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Tu vois bien que nous ne pouvons plus nourrir nos enfants" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Tu vois bien que nous ne pouvons plus nourrir nos enfants" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving on end-grain wood signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image, as well as a discreet black spot in the center of the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details...
    €90
  28. Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet se leva de bon matin & alla au bord d'un ruisseau, où il remplit es poches de petits cailloux blancs" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet se leva de bon matin & alla au bord d'un ruisseau, où il remplit es poches de petits cailloux blancs" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Charles MAURAND, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet se leva de bon matin & alla au bord d'un ruisseau, où il remplit es poches de petits cailloux blancs" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving on end-grain wood signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €90
  29. Charles Perrault, Contes, Le Petit Poucet, "Lorsque les enfants se virent suls, sil se mirent à crier & à pleurer de toutes leurs forces" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Lorsque les enfants se virent suls, sil se mirent à crier & à pleurer de toutes leurs forces" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PIERDON, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Lorsque les enfants se virent suls, sil se mirent à crier & à pleurer de toutes leurs forces" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pierdon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image, as well as some worming in the margin.
    These illustrations for the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying...
    €90
  30. Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet grimpa en haut d'un arbre pour voir s'il ne découvrirait rien" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet grimpa en haut d'un arbre pour voir s'il ne découvrirait rien" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet grimpa en haut d'un arbre pour voir s'il ne découvrirait rien" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image, as well as a small tear without loss and not affecting the engraving at the bottom and wormhole in the lower margin.
    These illustrations for the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the...
    €100
  31. Charles Perrault, Contes, Le Petit Poucet, "Ils mangèrent d'un appétit qui faisait plaisir à voir au père et à la mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Ils mangèrent d'un appétit qui faisait plaisir à voir au père et à la mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Hélène BOETZEL, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Ils mangèrent d'un appétit qui faisait plaisir à voir au père et à la mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition by Gustave Doré and engraved by Hélène Boetzel on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate a terrifying realism through the technique known as "tinted...
    €80
  32. Charles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Georges Léon Alfred PERRICHON, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Georges Perrichon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A faint marginal dampstain, not affecting the design.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique...
    €100
  33. Charles Perrault, Contes, Le Petit Poucet, "En disant ces mots, il coupa, sans balancer, la gorge de ses septs filles" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "En disant ces mots, il coupa, sans balancer, la gorge de ses septs filles" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "En disant ces mots, il coupa, sans balancer, la gorge de ses septs filles" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A faint marginal dampstain, not affecting the design, as well as some spotting in the margins.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate...
    €100
  34. Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet, s'étant approché de l'ogre, lui tira doucement ses bottes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet, s'étant approché de l'ogre, lui tira doucement ses bottes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet, s'étant approché de l'ogre, lui tira doucement ses bottes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A light marginal dampstain, not affecting the design, as well as some foxing in the margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  35. Charles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A very light marginal dampstain, not affecting the design, as well as some soiling in the left margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that...
    €120
  36. Charles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Very faint marginal dampstain not affecting the drawing and foxing in upper margin not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details...
    €100
  37. Charles Perrault, Contes, La Belle au bois dormant, "Il entra dans la salle des gardes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Il entra dans la salle des gardes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Emile DESCHAMPS, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Il entra dans la salle des gardes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Emile Deschamps on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional light foxing in margins, not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  38. Charles Perrault, Contes, La Belle au bois dormant, "Ce n'étaient que des corps étendus d'hommes & d'animaux qui paraissaient morts" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Ce n'étaient que des corps étendus d'hommes & d'animaux qui paraissaient morts" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Ce n'étaient que des corps étendus d'hommes & d'animaux qui paraissaient morts" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Light lack to lower right corner of margin not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism...
    €100
  39. Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare and light worming to margins not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the...
    €120
  40. Charles Perrault, Contes, Cendrillon, "On n'entendait qu'un bruit confus : 'Ah ! qu'elle est belle !' " - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Cendrillon, "On n'entendait qu'un bruit confus : 'Ah ! qu'elle est belle !' " - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Jules FAGNION, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "On n'entendait qu'un bruit confus : 'Ah ! qu'elle est belle !' " - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jules Fagnion on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Excellent condition.
    These illustrations of the Contes are considered the most successful treatment of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique called "tinted wood." He uses...
    €90
  41. Charles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Jean François Prosper DELDUC, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jean Delduc on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862.
    Very rare foxing in the margin not affecting the design.
    These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism thanks to the technique called...
    €100
  42. Charles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862.
    Some soiling and foxing in the margins not affecting the engraving.
    These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  43. Charles Perrault, Contes, Riquet à la houppe, "Elle vit sous ses pieds comme une grande cuisine pleine de cuisiniers, de marmitons, & de toutes sortes d'officiers nécessaires pour faire un festin magnifique" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Riquet à la houppe, "Elle vit sous ses pieds comme une grande cuisine pleine de cuisiniers, de marmitons, & de toutes sortes d'officiers nécessaires pour faire un festin magnifique" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Riquet à la houppe, "Elle vit sous ses pieds comme une grande cuisine pleine de cuisiniers, de marmitons, & de toutes sortes d'officiers nécessaires pour faire un festin magnifique" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Worming to margins not affecting the engraving.
    These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as...
    €80
  44. Charles Perrault, Contes, Peau d'Âne, "Les grands de l'Etat s'asemblèrent & vinrent en corps prier le roi de se remarier. Cette proposition lui parut dure" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "Les grands de l'Etat s'asemblèrent & vinrent en corps prier le roi de se remarier. Cette proposition lui parut dure" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Les grands de l'Etat s'asemblèrent & vinrent en corps prier le roi de se remarier. Cette proposition lui parut dure" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare worming to margins not affecting the engraving and crease to lower left corner of margin.
    These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate...
    €100
  45. Charles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    BOETZEL, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Boetzel on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional light worming in margins not affecting the engraving.
    These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the composition to the smallest details that generate terrifying realism through the...
    €100
  46. Charles Perrault, Contes, Peau d'Âne, "La joie de se trouver si belle lui donna envie de s'y baigner, ce qu'elle exécuta" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "La joie de se trouver si belle lui donna envie de s'y baigner, ce qu'elle exécuta" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "La joie de se trouver si belle lui donna envie de s'y baigner, ce qu'elle exécuta" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Fold in the lower right corner and very rare worming.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique...
    €90
  47. Charles Perrault, Contes, Peau d'Âne, "Il vint des rois de tous les pays" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "Il vint des rois de tous les pays" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    HEBERT, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Il vint des rois de tous les pays" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Hébert on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Fold in the lower left corner and very rare and pale worming.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known...
    €100
  48. Charles Perrault, Contes, Les Fées, "Un jour qu'elle était à cette fontaine, il vint à elle une pauvre femme qui lui pria de lui donner à boire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Les Fées, "Un jour qu'elle était à cette fontaine, il vint à elle une pauvre femme qui lui pria de lui donner à boire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Charles MAURAND, Gustave DORÉ

    Charles Perrault, Contes, Les Fées, "Un jour qu'elle était à cette fontaine, il vint à elle une pauvre femme qui lui pria de lui donner à boire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional worming and soiling to lower right corner, not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying...
    €80
  49. Charles Perrault, Contes, La Barbe bleue, "Les voisines & les amies tant elles avaient d'impatience de voir toutes les richesses de sa maison" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Barbe bleue, "Les voisines & les amies tant elles avaient d'impatience de voir toutes les richesses de sa maison" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Les voisines & les amies tant elles avaient d'impatience de voir toutes les richesses de sa maison" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Small fold to lower right corner not affecting the engraving and occasional light worming to margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism...
    €100
  50. Charles Perrault, Contes, La Barbe bleue, "Ils lui passèrent leur épée au travers du corps" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Barbe bleue, "Ils lui passèrent leur épée au travers du corps" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Ils lui passèrent leur épée au travers du corps" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Worming in margins not touching the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as...
    €80
  51. Charles Perrault, Contes, La Barbe bleue, "Dieu soit loué ! s'écria-t-elle, ce sont mes frères" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Barbe bleue, "Dieu soit loué ! s'écria-t-elle, ce sont mes frères" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Dieu soit loué ! s'écria-t-elle, ce sont mes frères" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Two scratches in the margin, a small tear in the upper margin without loss and very rare worming not touching the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the...
    €100
  52. Perles et Parures, Les Joyaux, fantaisie par Gavarni, texte par Méry. Minéralogie des dames par le Cte Foelix. [suivi de] Les Parures, fantaisie par Gavarni, texte par Méry. Histoire de la mode par le Cte Foelix.Perles et Parures, Les Joyaux, fantaisie par Gavarni, texte par Méry. Minéralogie des dames par le Cte Foelix. [suivi de] Les Parures, fantaisie par Gavarni, texte par Méry. Histoire de la mode par le Cte Foelix.
    Paul GAVARNI, Joseph MÉRY

    Perles et Parures, Les Joyaux, fantaisie par Gavarni, texte par Méry. Minéralogie des dames par le Cte Foelix. [suivi de] Les Parures, fantaisie par Gavarni, texte par Méry. Histoire de la mode par le Cte Foelix.

    G. de Gonet|Paris 1850 (S.d)|18.80 x 27.80 cm|2 volumes reliés
    First edition, illustrated with a repeated frontispiece and 30 plates by Gavarni engraved on steel by Geoffroy. Printed on fine vellum. Copy from the deluxe issue with plates finely heightened in watercolor; These engravings are presented in very beautiful frames with lace-cut margins. Illustrated orange-tinted covers preserved (spine and back covers with advertisements also preserved).
    Half lemon yellow morocco binding with corners, late 19th century. Spine with false raised bands richly decorated with roses in compartments ornamented with stars and other decorations. Red morocco title labels, second title labels in soft green shagreen. Some rubbing. Small brown spots on the leather of...
    €1,600
  53. Un Tour au Bois. Fantaisie équestre Un Tour au Bois. Fantaisie équestre
    Léon VANIER, Henri de STA

    Un Tour au Bois. Fantaisie équestre

    Léon Vanier|Paris 1883|16.50 x 24.50 cm|broché
    First edition.
    Work illustrated with 13 drawings by Henry de Sta including the cover.
    Spine with restorations as well as lacks to head and foot, small corner lacks to boards, some foxing.
    Rare.
    €150
  54. Joseph BalsamoJoseph Balsamo
    Alexandre DUMAS

    Joseph Balsamo

    Dufour, Mulat et Boulanger|Paris 1857|16.70 x 26.70 cm|2 volumes reliés
    First illustrated edition with 64 plates by Philippoteaux. Clouzot erroneously announces 1863 for this first illustrated edition by Dufour, Mulat and Boulanger, confusing it with the edition published by Legrand and Boulanger. Placement sheet for the engravings at the end of volume 2.
    Contemporary half black shagreen binding. Spine with false raised bands decorated with blind-tooled compartments and gilt fillets. Gilt title and volume number. Traces of rubbing. A tear at the foot of volume 1. Lower corners bumped. Scattered foxing. Lower edges rubbed.
    Novel inspired by the life of Count Cagliostro, whose goal, at the head of a secret organization, is to overthrow the French...
    €700
  55. La Grèce pittoresque et historique, ancienne et moderneLa Grèce pittoresque et historique, ancienne et moderne
    Christopher WORDSWORTH

    La Grèce pittoresque et historique, ancienne et moderne

    L. Curmer|Paris 1841|18.30 x 28.50 cm|relié
    First French illustrated edition with 366 in-text woodcut figures.
    Publisher's binding in full gilt black percaline cloth. Smooth spine decorated with ornamental compositions. Upper cover stamped with a large plate featuring a central urn. On the second cover a rosette overloaded with ornaments. Foxing on the first and last leaves, signatures browned from p. 165 to 216, otherwise the set is rather clean and white with some occasional foxing.


    €200
  56. L'histoire de France, racontée à mes petits enfantsL'histoire de France, racontée à mes petits enfants
    François Pierre Guillaume GUIZOT

    L'histoire de France, racontée à mes petits enfants

    Librairie Hachette et Cie|Paris 1877 - 1879|19 x 27.50 cm|5 volumes reliés
    Illustrated edition with 75 wood-engraved plates for volume 1, 66 for volume 2, 74 for volume 3, 94 for volume 4, and 85 for volume 5, all designed by Alphonse de Neuville, Philipoteaux... The fifth volume was written by Madame de Witt, the author's daughter, based on notes left by him. Several colored maps.
    Publisher's binding signed at foot Charles Magnier, red and gold. Half red shagreen with cloth boards. Spine with false raised bands decorated with four emblems of French royalty: the salamander, the sun, the dolphins and a crescent moon. Boards decorated with a large red and gold plate bearing in medallions the ciphers of several kings, on a background of red foliage. White...
    €600
  57. Among the most handsome achievements of "Fin de Siècle" art publishing
    Among the most handsome achievements of "Fin de Siècle" art publishing
    L'Image : revue artistique et littéraire ornée de figures sur boisL'Image : revue artistique et littéraire ornée de figures sur bois
    Jules RAIS, Léon RUFFE

    L'Image : revue artistique et littéraire ornée de figures sur bois

    Floury|décembre 1896-décembre 1897 (le mois de novembre n'est pas paru)|23 x 31 cm|13 numéros en feuilles sous couvertures le tout sous une chemise

    One of 100 copies of the magazine printed on China paper for issues 1 to 11. The specimen issue and no. 12 are on laid paper. Our copy is complete with the spine and covers of the general binding, and the twelve illustrated covers.
    First edition of the complete collection of L'image, published between 1896 and 1897.
    All issues of the magazine are bound together under a half sheep binding with corners, spine with five raised bands titled in gilt, marbled paper boards. Some rubbing.
    Scattered foxing and marginal tears.
    Complete copy of this magazine founded by the young French corporation of wood engravers, and published by the publisher of...

    €2,300
  58. Les JoyauxLes Joyaux
    Joseph MÉRY, Paul GAVARNI

    Les Joyaux

    G. de Gonet|Paris s. d. [1850]|18 x 27 cm|relié
    First edition and first issue, illustrated with 16 hors-texte engravings by Paul Gavarni engraved on steel by Charles Geoffroy and heightened in colors. Each plate features lace-cut decorative borders standing out against a pink paper background.
    Publisher's full pictorial boards, original yellow paper endpapers and pastedowns somewhat soiled at margins as usual. Some corners slightly rubbed, as well as the headcaps; rear joint very slightly opened. Scattered foxing more pronounced on certain leaves.
    Very handsome publication preserved in its romantic pictorial boards.
    €800
  59.  Le Petit Poucet Revue de la littérature, des théâtres et des modes Le Petit Poucet Revue de la littérature, des théâtres et des modes
    COLLECTIF

    Le Petit Poucet Revue de la littérature, des théâtres et des modes

    Souverain • Pagnerre|Paris 1832-1833|11 x 17 cm|4 volumes brochés
    First edition of this complete collection, each volume illustrated with a wood engraving frontispiece and some wood engravings in text.
    All volumes as issued in the publisher's green wrappers. The first volume has been restored at head and foot with two paper strips.
    Of the utmost rarity.
    €600
  60. Persiles et Sigismonde, ou Les pélerins du nordPersiles et Sigismonde, ou Les pélerins du nord
    Miguel de CERVANTES

    Persiles et Sigismonde, ou Les pélerins du nord

    Méquignon-Marvis|Paris 1822|13 x 21.50 cm|2 volumes reliés
    New edition, quite rare, of Bouchon Dubournial's translation, illustrated in first printing with an engraved portrait by Cazenave and 6 figures by Desenne engraved by Laugier, Leroux...
    Contemporary half glazed wine-colored calf binding. Smooth spine decorated with 3 tools, fillets and roulettes at head and tail. Gilt title and volume number. Traces of rubbing. Scattered foxing.
    Benjamin Pernelle bookplate.
    Cervantes' last work completed 4 days before his death and published posthumously in 1617. In his epistle, Cervantes declares he had never written anything better. The novel is a sort of rewriting of Heliodorus's Latin novel: The Aethiopica, but Cervantes placed his heroes...
    €350
  61. Scènes de la vie privée des animauxScènes de la vie privée des animaux
    Honoré de BALZAC, Alfred de MUSSET

    Scènes de la vie privée des animaux[Scenes from the Private Lives of Animals]

    J. Hetzel • et Paulin|Paris 1842|18.50 x 27 cm|2 volumes reliés
    First edition illustrated with 200 plates and 120 vignettes by Grandville, engraved by Brévière. One plate missing from volume 2 ("Tous l'aimaient éperdument..." in the chapter entitled "Les peines de coeur d'une chatte française". In volume 1, the plates from pages 241 and 378 are incorrectly bound at pages 140 and 275. The frontispiece of the first volume is different in the first volume from most other copies, however the usual frontispiece has been placed further along.
    Contemporary half red calf bindings, smooth spines decorated with large uniformly faded gilt tools, marbled paper boards with some minor rubbing as well as on the bindings overall, pebbled paper endpapers and...
    €1,000
  62. Scènes de la vie privée et publique des animauxScènes de la vie privée et publique des animaux
    Jean Ignace Isidore Gérard GRANDVILLE, Honoré de BALZAC

    Scènes de la vie privée et publique des animaux

    Chez Hetzel et Paulin|à Paris 1842|17.70 x 27 cm|2 volumes reliés
    First edition, admirably illustrated with 201 plates and 120 vignettes by Grandville. This first volume correctly has the first third of the work printed on tinted paper while the rest is on white paper, a characteristic of the first printing; most copies are from a second printing as the leaves are also white like the rest of the work. Moreover, Hetzel's publisher's preface, usually absent, is present here before the prologue. Most copies begin directly with the prologue. The frontispiece of volume 1 has been placed facing p. 32, the engraved half-title entitled Scène de moeurs serving as frontispiece; this half-title is often absent from most copies. The frontispiece and engraved title of...
    €700
  63. Physiologie du poètePhysiologie du poète
    SYLVIUS, Honoré DAUMIER

    Physiologie du poète

    J. Laisné|Paris 1841|9 x 14 cm|broché
    Rare first edition of this physiology by Edmond Tixier published under the pseudonym Sylvius.
    Numerous wood engravings in text by Honoré Daumier, not mentioned in the catalogue raisonné.
    Spine entirely restored.
    €100
  64. Un hivernage dans les glacesUn hivernage dans les glaces
    Jules VERNE

    Un hivernage dans les glaces

    J. Hetzel|Paris 1878 (S.d)|13.50 x 19.50 cm|relié
    The rare first edition. 16 out-of-text engravings by Adrien Marie. Un hivernage dans les glaces is one of the first titles in Hetzel's famous white collection; the collection was launched with 9 titles including Un hivernage dans les glaces.
    A primitive first version had previously appeared in the Musée des familles in 1855 spread over several issues of the magazine. This official version was rewritten by Verne, revised and modified, and is the same as found in the collective editions. The primitive version was naturally forgotten, until the Bulletin de la société Jules Verne republished the version in 2003, in a limited edition of 50 copies.
    Publisher's binding type 1, "with oval...
    €1,600
  65. MémoiresMémoires
    Marguerite Jeanne Cordier de Launay, baronne de STAAL

    Mémoires

    Jouaust|Paris 1890|11 x 18 cm|2 volumes reliés
    Illustrated edition in first issue with 41 etchings by Adolphe Lalauze, 9 plates including a frontispiece portrait and 32 in-text.
    Unnumbered copy on Holland paper.
    Contemporary half brown morocco binding. Spine with raised bands ornately decorated in compartments. Author, title, volume number and date in gilt. Peacock-eye paper boards. Top edge gilt. Spine slightly faded. Some rubbing. Original wrappers preserved. Paper perfectly fresh. Handsome copy.

    €400
  66. Contes fantastiquesContes fantastiques
    Ernst Theodor Amadeus HOFFMANN

    Contes fantastiques

    Lavigne|Paris 1843|14.50 x 24 cm|relié
    First edition of the new French translation by Christian, illustrated with first printing of 10 plates by Gavarni on wood and multiple vignettes, initials, tailpieces by the same. Preface on Hoffmann by Christian.
    Half lemon yellow morocco binding with corners, late 19th century, signed Champs at the top of the first endpaper. Raised bands spine richly decorated. Red morocco title label. Decorative fillets on boards. Peacock eye paper on boards. Top edge gilt. Small dark spots on upper board. Small dent at foot over 2 mm. Fresh tinted paper free from foxing, rare condition for this edition usually covered with foxing and browning.
    Very handsome copy.
    17 tales (Salvator Rosa...
    €600
  67. Mémoires de Jacques CasanovaMémoires de Jacques Casanova
    Jacques CASANOVA DE SEINGALT

    Mémoires de Jacques Casanova

    J. Rozez|Bruxelles [Brussels] 1863|12 x 18.70 cm|6 volumes reliés
    New illustrated edition of the rare anonymous erotic suite of 48 engravings found in some copies. 8 engravings per volume.
    Contemporary half glazed navy calf binding. Spine with raised bands elegantly decorated. Author, title, volume number and date in gilt. Top edge gilt. Some traces of rubbing on the raised bands. Borders slightly rubbed. Some corners rubbed. Lower right corner of volume 1 having received an impact. Fine laid paper perfectly fresh (some foxing on the first engraving of volume V). Uncut copy.
    This edition was made from the Paulin edition of 1842. Carteret (Le trésor du bibliophile): "There exists a suite of 48 line engravings, unsigned, which are added to this...
    €1,000
  68. Le Tour du monde en 80 jours. Le Docteur OxLe Tour du monde en 80 jours. Le Docteur Ox
    Jules VERNE

    Le Tour du monde en 80 jours. Le Docteur Ox[Around the World in Eighty Days. Doctor Ox’s Experiment]

    Hetzel|Paris 1896|18 x 28 cm|Reliure de l'éditeur
    New Edition. In-text drawings by Neuville and Benett, Bertrand, Bayard and Marie, 7 colour chromotypographs by Benett.
    Publisher's cloth binding “Au globe doré” on the first cover (Jauzac), with the second cover of type "Engel h". Upper corner of the first cover a little creased. Spine ends skillfully restored. Volume very lightly warped. Some small foxing.
    One of Jules Verne's most famous titles, in which a London gentleman bets with his club to circumnavigate the globe in 80 days. Jules Verne's mythical title, one of the most popular adventure novels ever written, has known many film adaptations.
    €1,200
  69. Sur l'Alfred de Vigny d'Anatole FranceSur l'Alfred de Vigny d'Anatole France
    Claude AVELINE

    Sur l'Alfred de Vigny d'Anatole France

    Aux dépens d'un amateur|Paris 1928|22.50 x 28 cm|broché
    Rare hors commerce first edition printed in 50 copies numbered and justified in the colophon by Jacques Lion.
    Some light foxing.
    Precious autograph inscription dated and signed by Claude Aveline: "A Georges Duhamel, ces souvenirs dont Jacques Lion a voulu faire une plaquette, parce qu'ils me sont chers, son ami. Claude Aveline. Font Romeu août 1928..." ["To Georges Duhamel, these memories that Jacques Lion wanted to make into a booklet, because they are dear to me, his friend. Claude Aveline. Font Romeu August 1928..."]
    €150
  70. MomeriesMomeries
    Lucien JACQUES

    Momeries

    Cahiers du Contadour|Saint-Paul 1938|16.50 x 21.50 cm|broché
    First edition, one of 500 numbered copies on antique laid paper, the only issue after 2 Japan and 5 Lafuma.
    Worming to head and foot of front cover.
    Work illustrated with 4 drawings by Lucien Jacques.
    Autograph inscription dated and signed by Lucien Jacques to D(aniel) Hirsch and his wife.
    €100
  71. Les Etoiles Dernière féerie [avec] Astronomie des dames par le Comte FoelixLes Etoiles Dernière féerie [avec] Astronomie des dames par le Comte Foelix
    Joseph MÉRY, Jean Ignace Isidore Gérard GRANDVILLE

    Les Etoiles Dernière féerie [avec] Astronomie des dames par le Comte Foelix

    G. de Gonet|Paris s. d. [1849]|19.50 x 28.50 cm|relié
    G. de Gonet | Paris [1849] | 19 x 28,5 cm | publisher‘s binding
    First edition of this posthumous work illustrated with 15 insert steel-engraved plates by Charles Geoffroy and enhanced in color, including two frontispieces and a portrait of Grandville.

    Publisher's binding with full historiated cream boards, first board illustrated, browned endpapers as is usual for this period.
    Rare interior foxing.

    Superb publication, arguably one of Grandville's most poetic, in which – as for his Fleurs animées – the artist represents celestial bodies with young women.
    €2,800
  72. Soirs de ParisSoirs de Paris
    Raoul GINESTE

    Soirs de Paris

    Imprimé pour Henri Béraldi|Paris 1903|14.50 x 22.80 cm|relié

    First edition, illustrated with drawings by Minartz engraved on wood by Paillard. Limited edition of only 138 numbered copies on Marais laid paper. 3 plates including one frontispiece, 56 headpieces illustrating Parisian nightlife, shows... The illustration achieving close correspondence with the poems (the opera, merry-go-rounds, cabarets...).
    Near-contemporary Bradel binding in half morocco with old rose corners. Smooth Jansenist spine. Author and title in gilt. Covers and spine preserved. Fine paper freshness, with foxing on fore edge and very rare and pale internal foxing. Spine slightly faded, or having turned uniformly.



    Engraved bookplate of Jacques Crépineau...

    €600
  73. Oeuvres choisies. Etudes de moeurs contemporaines. 1- Les enfants terribles. Traductions en langue vulgaire. Les lorettes. Les actrices. Notices par Théophile Gautier et Laurent-Jan. 2- Fourberies de femmes en matière de sentiment. Clichy. Paris le soir. Notices par Laurent-Jan, Auguste Lireux et Léon Gozlan. 3- Le Carnaval à Paris. Paris le matin. Les étudiants de Paris. Notices par Théophile Gautier, A. Barthet et A. de Soubiran. 4- La vie de jeune homme. Les débardeurs. Notices par P.J. Stahl.Oeuvres choisies. Etudes de moeurs contemporaines. 1- Les enfants terribles. Traductions en langue vulgaire. Les lorettes. Les actrices. Notices par Théophile Gautier et Laurent-Jan. 2- Fourberies de femmes en matière de sentiment. Clichy. Paris le soir. Notices par Laurent-Jan, Auguste Lireux et Léon Gozlan. 3- Le Carnaval à Paris. Paris le matin. Les étudiants de Paris. Notices par Théophile Gautier, A. Barthet et A. de Soubiran. 4- La vie de jeune homme. Les débardeurs. Notices par P.J. Stahl.
    Paul GAVARNI

    Oeuvres choisies. Etudes de moeurs contemporaines. 1- Les enfants terribles. Traductions en langue vulgaire. Les lorettes. Les actrices. Notices par Théophile Gautier et Laurent-Jan. 2- Fourberies de femmes en matière de sentiment. Clichy. Paris le soir. Notices par Laurent-Jan, Auguste Lireux et Léon Gozlan. 3- Le Carnaval à Paris. Paris le matin. Les étudiants de Paris. Notices par Théophile Gautier, A. Barthet et A. de Soubiran. 4- La vie de jeune homme. Les débardeurs. Notices par P.J. Stahl.

    Hetzel|Paris 1845-1848|17.70 x 26.80 cm|4 volumes reliés
    First edition and first printing of the engravings.
    Contributions by Théophile Gautier, Laurent-Jan, Léon Gozlan, Auguste Lireux and Jules Hetzel under the pseudonym P.-J. Stahl among others.
    Contemporary publisher's binding in full black shagreen. Smooth spine decorated with 3 ornate compartments, blind and gilt fillets. Large rocaille composition on boards, thick triple fillet frame. Interior frieze. White watered silk endpapers. All edges gilt. Perimeter of watered silk endpapers brown-stained. Tailcap of volume 2 with a loss. Traces of rubbing. Thin scratch on the upper board of volume 1, lower board of volume 2. Some very occasional foxing on clean white paper. The binder...
    €1,800
  74. La Belgique monumentale, historique et pittoresqueLa Belgique monumentale, historique et pittoresque
    COLLECTIF

    La Belgique monumentale, historique et pittoresque

    A. Jamar et Ch. Hen|Bruxelles [Brussels] 1844|16.50 x 26.20 cm|2 volumes reliés
    First edition, abundantly illustrated with 68 plates including 7 in colors hand-colored and gum arabic highlights (costumes in picturesque scenes), all on tinted paper.
    Contemporary half light green glazed calf binding. Smooth spine decorated with rocaille tools throughout and panels. Gilt title and volume number in medallions. Small leather loss at head of volume 1, headcap present. Traces of rubbing. One corner bumped, the others slightly turned. Relatively fresh set, with pale scattered foxing mainly in margins. Good copy.
    The descriptions proceed by province (Hainaut, Liège, Brabant...). In addition, current state of literature and sciences in Belgium.

    €450
  75. PhocasPhocas
    Remy de GOURMONT

    Phocas

    L'Ymagier • Mercure de France|Paris 1895|15 x 15.50 cm|broché
    First edition printed with a small number of copies on laid.
    Work illustrated with a cover and three engraved wooden vignettes by Remy de Gourmont.
    €700
  76. Chansons fragilesChansons fragiles
    Paul ROMILLY

    Chansons fragiles

    Flammarion|Paris 1898|12.50 x 19 cm|broché
    First edition of these songs set to music by Marcel Legay.
    Fine illustrated cover.
    Preface by Francisque Sarcey.
    One small repaired tear to verso of front board with adhesive repair, otherwise handsome copy.
    €80
  77. Chansons d'Hier & d'Aujourd'hui. Chansons d'Hier & d'Aujourd'hui.
    Victor MEUSY, Eugène RAPP

    Chansons d'Hier & d'Aujourd'hui.

    Librairie documentaire|Paris 1889|17 x 23 cm|broché
    First edition.
    Beautiful illustrated cover by Eugène Rapp.
    Work adorned with illustrations by Rapp, Joanon-Mairer.
    Preface by Coquelin-Cadet.
    Some foxing on the first endpaper, endpapers partially darkened, otherwise handsome copy.
    €100
  78. Chansons galantesChansons galantes
    Paul DELMET, Léonce BURRET

    Chansons galantes

    Enoch & Cie • Flammarion|Paris s. d. [circa 1900]|20 x 29 cm|broché
    First edition.
    Work adorned with a beautiful illustrated cover and drawings by Léonce Burret.
    Preface by Maurice Lefevre.
    Handsome copy despite some foxing, notably on the front cover.
    €150
  79. Les Nuits de RomeLes Nuits de Rome
    Jules de SAINT-FELIX, Godefroy DURAND

    Les Nuits de Rome

    E. Dentu|Paris 1864|13 x 18.50 cm|broché
    First edition, one of the rare copies on Holland paper of which there is no mention.
    Spine slightly split at head, otherwise handsome copy with full margins.
    Work illustrated with 11 engravings by Godefroy Durand.




    €150
  80. La Barbe bleueLa Barbe bleue
    Jacques LE LORRAIN, Gaston DUBREUILH

    La Barbe bleue

    Mathot|Paris 1910|19.50 x 29 cm|reliure de l'éditeur
    First edition of this sung tale by Jacques Le Lorrain set to music by Gaston Dubreuilh.
    Publisher's binding in half steel-blue percaline, smooth spine unlettered, grey paper boards, illustrated front board, blue paper endpapers and pastedowns.
    Handsome copy.
    Work illustrated by Maurice de Lambert.
    Rare copy of this sung tale created by Gabriel de Montoya at the shadow theatre of the Quat-z-Arts.



    €200
  81. Au Pays des ChansonsAu Pays des Chansons
    Georges MONTORGUEIL, JOB

    Au Pays des Chansons

    Boivin & Cie|Paris s. d. [1912]|23.50 x 32 cm|reliure de l'éditeur
    First edition.
    Publisher's binding in full blue percaline, smooth unlettered spine, beveled boards, front cover illustrated with a large composition by Job on a plate made by Engel, blue paper endpapers and pastedowns.
    One endpaper with a fold and very light adhesive paper residue, light discoloration to second cover
    Handsome copy.
    Work decorated with full-page illustrations by Job.




    €150
  82. La Chanson des CabotsLa Chanson des Cabots
    Paul CHAMBOT, Ambroise GIRIER

    La Chanson des Cabots

    Librairie Gueteville|Paris 1895|12.50 x 19.50 cm|relié
    First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen.
    Bradel binding in half red shagreen, smooth spine, date in gilt at foot, pebbled paper boards, covers illustrated by Théophile Alexandre Steinlen and spine preserved in one piece.
    Handsome copy despite a small restoration to the upper corner of page 93, a slight lack at foot of the second cover of the illustrated wrapper.




    €150
  83. La Vie en ChansonsLa Vie en Chansons
    Eugène LEMERCIER, Emmanuel BRUN

    La Vie en Chansons

    Georges Ondet|Paris 1891|12.50 x 19.50 cm|relié
    First edition illustrated with a cover and frontispiece by Emmanuel Brun.
    Bradel binding in half brown cloth, smooth spine, date in gilt at foot, pebbled paper boards, illustrated cover by Emmanuel Brun and spine preserved.
    Handsome copy of this collection of songs interpreted by Yvette Guilbert.




    €80
  84. Chansons de la RoulotteChansons de la Roulotte
    Jacques FERNY, Lucien MÉTIVET

    Chansons de la Roulotte

    E. Fromont|Paris 1900|12.50 x 19 cm|relié
    First edition illustrated with a cover and nearly 100 drawings by Lucien Métivet
    Half brown shagreen binding, spine slightly faded with five raised bands decorated with gilt fleurons, marbled paper boards, combed paper endpapers and pastedowns, illustrated covers by Lucien Métivet preserved, top edge gilt, contemporary binding.
    Some minor foxing, light rubbing to joints, one lack to upper corner of page 287.
    Handsome copy of this collection of songs performed by Jacques Ferny at the "La roulotte" theatre from 1896 to 1899 and at the Carillon and Tréteau de Tabarin in Montmartre in 1899-1900.




    €80
  85. Le petit MondeLe petit Monde
    Adolphe LALAUZE

    Le petit Monde

    A. Cadart|Paris 1875|29 x 36 cm|reliure de l'éditeur
    First edition consisting of an album of 10 original etchings by Adolphe Lalauze and a sanguine frontispiece around the theme of childhood.
    Publisher's full red cardboard binding, smooth spine without lettering, some scratches on the headcaps, title and illustrator's name stamped in gold on the first cover, blind-ruled frame on covers, covers slightly faded at foot, marbled endpapers and pastedowns.
    Pleasant interior condition, three of the ten etchings being signed in the plate.
    Presentation by Eugène Montrosier.
    Provenance: from the library of Ludovic Halévy with his bookplate pasted on a pastedown.
    €400
  86. Poèmes parisiensPoèmes parisiens
    Émile GOUDEAU

    Poèmes parisiens

    Imprimé pour Henri Beraldi|Paris 1897|16.50 x 24.50 cm|relié
    First edition, abundantly illustrated by Charles Jouas with a frontispiece and in-text compositions, engraved on wood by H. Paillard. Unique edition limited to 138 numbered copies on China paper, No. 77. This edition was produced by the celebrated bibliophile and bibliographer Henri Beraldi who launched Charles Jouas's career with this publication.
    Bradel binding in half tender green morocco with mosaic corners signed Charles Meunier at the top of the first endpaper. Smooth spine decorated with an iris on stem with its buds (flowers and buds in orange and brown mosaic). Separating fillets on the boards. Spine having uniformly turned to brown. One corner slightly bumped. Traces of...
    €900
  87. Chansons tendresChansons tendres
    Paul DELMET, Léonce BURRET

    Chansons tendres

    Enoch & Cie|Paris 1900|13 x 19 cm|broché
    First edition.
    Work decorated with a beautiful illustrated cover and 150 drawings by Léonce Burret
    Handsome copy.
    €70
  88. Scènes de la BohèmeScènes de la Bohème
    Henry MURGER

    Scènes de la Bohème

    Jouaust|Paris 1889|13.50 x 23 cm|relié
    New illustrated edition in first printing with a frontispiece and 12 etchings by Alphonse Bichard. Edition printed in 118 copies "pour les amis des livres". The first 100 copies bearing the names of subscribers. This one to Monsieur Bouret, No. 52. All engravings in double state, before and after lettering. Printed on Arches laid paper.
    Full brown morocco binding signed on the rear pastedown by Wampflug. Jansenist spine with raised bands. Author, title, place and date in gilt. Top edge gilt. Wide inner decorative border. Uncut copy, full-margined, perfectly fresh.
    Copy from the Ader sale of Jacques Crépineau's library, with the Ader bookmark reproducing Crépineau's bookplate.
    €900
  89. L'Amour chanteL'Amour chante
    Xavier PRIVAS, Jean TILD

    L'Amour chante

    Paul Ollendorff|Paris 1904|12 x 19 cm|broché
    First edition.
    Fine illustrated cover by Jean Tild.
    Tears at head and foot of spine with slight lacks without gravity.
    Fine and bohemian autograph inscription dated and signed by Xavier Privas: "A mon ami Emile Bessière pêcheur de lunes et (je l'espère) de thunes en confraternel hommage. Xavier Privas 8 Février 1904." ["To my friend Emile Bessière, fisher of moons and (I hope) of cash in fraternal tribute. Xavier Privas 8 February 1904."]
    €80
  90. La Roche-qui-tueLa Roche-qui-tue
    Pierre MAËL, SCOTT

    La Roche-qui-tue

    A. Mame & fils|Tours 1898|22 x 28.50 cm|reliure de l'éditeur
    Edition illustrated by Scott.
    Publisher's full mouse-grey cloth binding, smooth spine, front cover decorated with a large plate by Paul Souze, grey-blue paper endpapers and pastedowns, all edges gilt, corners slightly bumped without significance.
    Fine copy.
    €80
‹14567812›
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