18th Century Illustrated Books

First edition, illustrated with four tinted plates, including a frontispiece (cf. O'Reilly & Reitman, Tahiti, 6452).

Contemporary half plum sheep, the spine faded and decorated with gilt garlands and floral tools, some rubbing to the spine, marbled-paper boards, marbled endpapers and pastedowns, a few worn spots along the edges.

Scattered foxing, the plates evenly toned.

The work offers a history of the island, written in the aftermath of its annexation following the cession of his domains by King Pomare V. It provides an overview of the voyages of Quirós, Wallis, Bougainville and Cook, a portrait of Tahitian life a century earlier, and a sketch of the island’s development since the arrival of the first missionaries.

Chapter V is devoted to the principal episodes of Captain Cook’s three voyages to Tahiti: encounters with the inhabitants, meetings with local chiefs, the revolt on the island of Eimeo, visits to the surrounding islands... (pp. 107–220).

Joseph Bournichon (1839–1924) was a priest and the author of several edifying monographs.

New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates some of which in color.
Publisher's gilt Globe binding, upper plate signed Blancheland, Engel relieur, spine with lighthouse, second plate of Engel H type, publisher's catalogue Y at end of volume.
Fine copy despite the last endpaper hinge partly split.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.

Unique ensemble of works devoted to the philanthropic achievements of the Marquise d'Aligre (1776–1843).

Full olive-green calf, the spine slightly darkened, with five raised bands framed by triple gilt fillets and decorated with double gilt panels; gilt roll tools on the partially worn headcaps, rubbing to joints, gilt scrolling borders on the covers, gilt armorial device stamped at the centre of the upper cover, large blind-stamped fleuron at the centre of the lower cover; marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt edges somewhat dulled on the board edges, all edges gilt; lower corners softened; contemporary binding.

A few scattered spots.

The volume is bound with the arms of the Marquise d'Aligre’s husband, Étienne-Jean-François-Charles, Marquis d'Aligre (1770–1847), member of the Conseil général de la Seine in 1803, chamberlain to Caroline Murat (1804), peer of France under the Restoration, and supporter of the constitutional and liberal monarchy.

Louise Camus de Pontcarré, whom he married in 1810, was his second wife—and his first cousin.

"Femme de bien, possédant, comme son mari, une fortune considérable, elle s'associa à toutes ses oeuvres, les développant et en créant des nouvelles. Parmi celles-ci, il faut citer notamment l'asile d'Aligre à Chartres, l'hôpital d'Aligre à Bonneval (Eure-et-Loir), l'hôpital de Bourbon-Lancy (Saône-et-Loire)" [Dict. de biogr. française].

We provide below a detailed list of the pieces gathered in this volume:

• GRANDPERRET (Th.). Eloge de madame la marquise d'Aligre (…) Mémoire couronné par l'Académie royale des Sciences, Belles-Lettres et Arts de Lyon. Lyon, Impr. et Lith. de Chanoine et Comp., 1846, 1 unnumbered leaf, 69 pp., double lithographed portrait on a tinted background. "La ville de Lyon se glorifie de posséder les plus beaux établissements que les particuliers aient élevés au soulagement des malheureux. Madame d'Aligre les vit et fut inspirée par ces grands exemples ! Il appartenait donc à l'Académie de Lyon de mettre au concours l'éloge de cette noble et charitable dame". These are the opening lines printed on the leaf bound after the half-title, followed by another leaf setting out the competition’s terms. – Inauguration de la chapelle et de la fontaine élevées à la mémoire de madame d'Aligre à Bourbon-Lancy. S.l., Impr. Gratiot, [1845], 2 unnumbered leaves.
• – CHALONS D'ARGE (A.P.). Madame la marquise d'Aligre. Sa vie, ses fondations, sa mort. [Paris], Impr. Gratiot, 1847, 2 unnumbered leaves and 29 pp. This pamphlet repeats the two introductory announcement leaves and the double lithographed portrait described above under "Grandperret". The half-title has been bound upside down.
• – GOUIN (Ed.). La marquise d'Aligre. Paris, Impr. Gratiot, 1847, 2 unnumbered leaves and 53 pp. With the two announcement leaves and the portrait.

Rare first edition, illustrated with two vignettes: one on the title page and another at the head of the opening text leaf (cf. Backer & Sommervogel VII, 185, no. 58.)

See Brunet, "Recherches sur les imprimeries imaginaires, clandestines et particulières", p. 19.

Printed on the private presses of the Turin Court of Appeal, the work offers a detailed account of the miraculous phenomena reported in Rome between July 1796 and January 1797. The author rebuts, in particular, the sceptical reactions of the "fiers à bras du philosophisme".

Our copy is preserved in its original drab paper wrappers, the spine cracked, the covers soiled, a few spots, a pale dampstain at the head of the first leaves, and an inked stamp on the title-page.

Jean-Joseph Rossignol, born in Vallouise or La Pisse (Hautes-Alpes) on 3 July 1726, entered the Society of Jesus in 1742. He taught the classics, rhetoric, and philosophy at Marseille and, after the suppression in France (1762), at Vilna, where he directed the observatory. After 1773 he joined the Collegio dei Nobili in Milan, where he taught physics and mathematics for eighteen years. He died in Turin in 1817.

Second illustrated edition, comprising 15 engraved plates outside the text. (cf. Kayser, Bücher-Lexicon VI, 265.)

Thirteen plates have been delicately hand-coloured at the time, several set against scenic alpine backgrounds; one of the two uncoloured plates depicts traditional alpine cheesemaking tools.

The French text is printed on the verso of the German text.

Very rare suite presented with its original upper wrapper, housed in a modern black box with flat spine, red morocco title-piece, and a large matching morocco label on the upper cover; light and inconsequential surface wear to the boards.

Some text leaves are toned and trimmed short in the margins; one marginal tear to the uncoloured plate; minor foxing in places.

Despite what the title might suggest (as the author explains in his preface), the work is dedicated to Swiss cattle breeds.

A rare and strikingly complete suite.

Very rare first edition.

This printing does not include the two maps later added by the publisher in the second issue, intended to illustrate the itinerary for readers who had not acquired the atlas (corresponding to plates XVIII and XXIV of the atlas), cf. Hage Chahine 3995. Röhricht 480-481. Chadenat 1712.

The text volume is largely unopened and includes one full-page plate.

The atlas volume, housed in a red full-cloth box and slipcase, is complete with all 27 plates (numbered I to XXVI, XVIII [bis]; plates XIX-XX are printed on a single sheet).

A very fine and rare copy in its original condition.

First edition of this rare album illustrated with 18 lithographed plates, including the title-frontispiece (see Inventaire du Fonds Français, VII, 243, no. 21).

This unbound suite is housed in a grey cloth chemise and matching modern slipcase, spine unlettered with two tears at head and tail, plain boards, light soiling to the lower board.

Some scattered foxing.

First edition of this splendid lithographed album by A. Bayot, Eugène Cicéri, and Morel Fatio, comprising a lithographed title on a tinted background, a line-engraved map by Avril, and 15 color lithographs on tinted grounds.

Contemporary black half shagreen binding with corners, spine with five raised bands and blind-stamped double fillets, cherry-red shagreen title label (with minor losses) mounted on the upper cover, black paper-covered boards, white moiré silk endpapers and pastedowns, endpapers slightly foxed and creased, all edges gilt, the binding recently restored.

Scattered foxing, a few faint marginal dampstains, one stain at the head of the final plate.

First edition of this rare work, offering the very first description in French of this small canton, still nominally under Ottoman rule—though in fact largely autonomous—and which appeared as exotic to early 19th-century Westerners as the most remote corners of China.

Illustrated with 13 hand-coloured plates, including a large folding map, two botanical plates, two depicting festivals, three views of churches, and five costume plates. (cf. Atabey 1286. Lipperheide 1443. Not in Blackmer or Colas.)

Contemporary half calf binding, smooth spines decorated with gilt fillets, garlands, and floral tools, red morocco title labels, black morocco volume labels, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges.

Joints rubbed and split, hinges fragile, scattered foxing.

Jacques-Louis-Claude Vialla, known as de Sommières after his birthplace in the Gard (1764–1849), served as governor of Cattaro (in the then French Illyrian provinces) from April 1811 to April 1812. In this capacity, he was officially commissioned in October to approach Vladika (Prince-Bishop) Petar I of Montenegro (reigned 1781–1830), ancestor of the Petrović-Njegoš dynasty, in an attempt to win him over to the cause of the Empire.

This was the first time an official Western embassy had reached these remote, largely self-sufficient regions. Written at a time when the author, placed on half-pay after the Restoration, needed to earn a living, his account abounds in fascinating detail.

First collected edition of the works by the author of Les Étourdis ou le Mort supposé, a comedy that enjoyed great success just before the Revolution.

The set includes a portrait frontispiece in the first volume, four engraved plates, and ten engraved headpieces.

Bound in contemporary full polished and mottled brown calf, gilt decoration, smooth spines with six false raised bands highlighted with gilt fillets and repeated gilt floral tools, gilt fillet frames on covers bordered with a garland roll, gilt tooling to head- and tailpieces, green morocco spine labels, marbled endpapers and pastedowns, gilt edges on boards, marbled edges, contemporary bindings.

Some foxing to a few leaves of volume IV and to the endpapers, with minor surface abrasions to the covers.

Poet and playwright F.-G.-J.-S. Andrieux (1759–1833) was for a time drawn to politics under the Consulate.

He is remembered for his famous retort to Bonaparte, who reproached him for his opposition in the Tribunate: « Citoyen Premier Consul, on ne s'appuie que sur ce qui résiste ».

In literature, however, his ultra-classical tastes prevented him from recognizing the genius of Balzac, of whom he said, after hearing Cromwell: « Ce jeune homme doit faire quoi que ce soit, excepté de la littérature ». A splendid copy in Bradel-Derome le jeune bindings (cf. Coligny, Bradel-Derome, type A-T2), bearing a printed label on the pastedown of the first volume and, beneath it, the bookplate of the library of Vicomte E. de Bourbon-Busset (1799–1863).

First edition illustrated with two etched plates under tissue guards.

Claude Bernard’s (1813–1878) laboratory notes on alcoholic fermentation (see pp. 3–33) record his experiments on the search for yeast germs on grape clusters, the formation of alcohol in grape juice without ferment, on sound and rotten grapes, on the search for a soluble alcoholic ferment and the influence of decay, and on the production of alcohol. All these experiments were conducted on his estate at Saint-Julien in October 1877, during the grape harvest.

This conception of a soluble ferment as the origin of yeast, a living organism, marked the starting point of the famous controversy between Pasteur and Berthelot.

Rare and appealing copy, largely uncut.

Fourth edition, partly original, revised and considerably enlarged from these lectures given at the Paris School of Pharmacy. The work is illustrated with 600 figures within the text. 

Slight losses or small corner tears to the spines and boards, minor scattered foxing.

A pleasant copy.

First and only Franco-Chinese edition, illustrated with six etchings reproduced by Frédéric Chevalier.

A single copy recorded in the CCFr (Bulac).

Sole edition of this contemporary curiosity born of the French vogue for all things Oriental: born in 1831, Tin-Tun-Ling (or Ding Dunling) was a Chinese scholar from Shanxi and a political exile in France. Théophile Gautier met him in Paris, grew fond of him, and hired him to teach Chinese to his daughter Judith. Steeped in Far Eastern culture, she delighted in presenting herself as the reincarnation of a Chinese princess. Tin-Tun-Ling then lived in a pavilion built in the Chinese style, set in the garden of the Pré aux Oiseaux – Judith’s home in Saint-Enogat. After Gautier’s death in 1872, Tin-Tun-Ling married a Frenchwoman, Caroline Julie Liégeois, who later accused him of bigamy (he was in all likelihood already married in China); following a trial in 1873, he was nevertheless acquitted. A triple photographic portrait of Tin-Tun-Ling by Nadar survives, taken in 1874, one year before the publication of this work.

This copy is preserved in its original state, in flexible yellow cloth wrappers showing small spots and, as often, minor marginal tears.

 Second issue of the first illustrated edition of Victor Hugo’s masterpiece, distinguished by the small bat vignette on the title-page.

Publisher’s neo-Gothic binding in full brown polychrome cloth, the smooth spine gilt-stamped with an allegory of Notre-Dame de Paris, the boards adorned with an extensive gilt and polychrome design (red, blue, and pink) depicting scenes from Notre-Dame de Paris, yellow endpapers and pastedowns, shaded white flyleaves, all edges gilt, a characteristic Romantic publisher’s cloth binding. Spine evenly faded. Minute split at the head of the upper joint. One leaf detached, two others working loose. Occasional marginal foxing.

Work embellished with illustrations by Charles François Daubigny, Valentin Foulquier, Thoedor Josef Hoffbauer, Tony Johannot, Aimé de Lemud, Ernest Meissonier, Célestin Nanteuil, Camille Roqueplan, Louis Henri de Rudder, and Louis Steinheil...

A handsome copy of Victor Hugo’s timeless masterpiece, preserved in its polychrome Romantic cloth binding.

Second illustrated edition, with five plates, including one hand-coloured, one partly coloured, and one aquatint (cf. Sinkankas 4286; Borba de Moraes 542; not in Sabin).

Half beige sheep binding, smooth spine with some rubbing, marbled paper boards, marbled endpapers and pastedowns; modern binding signed Houdart.

Some light foxing; numerical notes in the upper right corner of the half-title.

An interesting work, largely devoted to the diamonds of Brazil.

First published in 1813 and reprinted in 1815, this edition—despite the statement on the title page—would thus be the third rather than the second (cf. Borba de Moraes). “Largely concerns Brazilian diamonds and their comparison with stones found elsewhere” (Maggs).

The plates depict: “Colored Stones” (hand-coloured frontispiece), “Peculiar Diamonds” (partly coloured), various types of diamonds (black plates nos. I and II), and “Diamond cutter [and] Diamond polisher” (two aquatint vignettes).

First edition of the first of Étienne Geoffroy Saint-Hilaire’s essays on “Philosophie anatomique.”

Illustrated with 10 folding plates drawn by Huet and engraved by Plée père, containing 116 figures (cf. Agassiz III, p. 29, no. 51; British Museum (Natural History) II, p. 656; Engelmann I, p. 263; Quérard III, 320; DSB V, 355-358; Cahn (Th.), La vie et l’œuvre d’Étienne Geoffroy Saint-Hilaire, pp. 81-112).

Bradel binding in full marbled paper boards, smooth spine with black morocco title label, modern binding signed by Thomas Boichot.

Some foxing to the plates.

Based on a meticulous examination of the various anatomical structures of the respiratory organs in vertebrate animals, the author formulates several principles concerning their organization, the most important being that of the Unity of Composition. According to this principle, all vertebrate species share the same structural elements in equal number. Despite Cuvier’s criticisms, this theory gained traction and was later refined through embryology and paleontology. The work is divided as follows: 1. On the gill cover in fish, hitherto known as the operculum […] and on the four corresponding bones of the auditory canal in air-breathing animals, called the stapes, incus, lenticular and malleus. – 2. On the bones forming the external framework employed in the mechanics of respiration, or the bones of the sternum. – 3. On the anterior bones of the chest, or the hyoid. – 4. On the inner bones of the chest […] including, in air-breathing animals, the elements of the larynx, trachea and bronchi, and in fish, those of the branchial arches, gill teeth and cartilaginous lamellae of the gills. – 5. On the bones of the shoulder, with respect to their determination and their role in the phenomena of respiration. “Geoffroy revitalized comparative anatomy in France and created scientific teratology, experimental embryology, and the concept of paleontological evolution […]. He and his friend Lamarck lived too early to be completely understood” (DSB, V, p. 358).

Two further essays were later published: “Des monstruosités humaines” (1822) and “Fragmens sur la structure et les usages des glandes mammaires des cétacés” (1834).

A precious copy printed on deluxe paper (the two other essays were issued only on regular paper). The text is identical to the octavo edition published the same year, except for the errata, which here contains 12 lines (versus 20 in the regular edition).

First edition of this important work on cryptogams, illustrated with 36 hand-coloured plates (cf. Pritzel 3345).

Contemporary half calf with vellum corners, flat spine decorated with gilt floral rolls, partly rubbed, joints worn, lower cap trimmed with a small loss, black morocco title label, blue paper-covered boards.

Endpapers soiled, a few small spots of foxing.

Justin Girod-Chantrans, writer and naturalist [Besançon, 1750–1841], was one of the founders of the Société d’Agriculture du Doubs.

He was elected a member of the legislative body in 1802 (cf. Hoefer).

First edition of the French translation, illustrated with 34 plates, including one in colour.

See Garrison & Morton, 2465 (for the original German edition).

Contemporary full marbled cream paper boards, smooth spine with some rubbing and small losses, decorative motif of three acorns stamped in the centre of the covers, modern bookplate pasted on the verso of the front board.

Some light foxing.

First French translation of Abhandlung über die Saamen- und Infusionsthierchen, und über die Erzeugung, nebst mikroskopischen Beobachtungen des Saamens der Thiere in verschiedenen Infusionen (1778).

The biologist Wilhelm Friedich von Gleichen-Russwurm (1717–1783) was the first to develop the staining of bacteria (with carmine and indigo) to facilitate their microscopic observation.

First edition illustrated with 24 plates, including 18 views and cross-sections, and 6 folding maps and plans (cf. Tailliart, 1229).

Half brown shagreen binding, spine faded with five raised bands, gilt date at foot, marbled paper boards, brown endpapers and pastedowns, modern binding signed Honnelaître.

First and last leaves lightly and partially soiled.

This volume gathers the official reports of the exploration mission led by Mircher (1820–1878), Vatonne, and Polignac, which departed from Tripoli in 1862 and returned via El-Oued after signing a trade treaty with the people of Ghadamès and the Tuareg. This agreement enabled the inclusion of the locality within Algeria until 1951, when it was returned to Libya. In addition to Mircher’s reports, the work contains a notice on Sudanese trade, an account of the political and social state of the “land of the Negroes,” studies on the terrain and water of the regions traversed by the mission, as well as medical observations collected during the journey to Ghadamès, among others.

First edition of the thesis presented by Paul Bert to the Faculty of Sciences in Paris in fulfilment of the requirements for the degree of Doctor of Natural Sciences.

Illustrated with two lithographed plates at the end of the volume.

Some occasional foxing.

Contemporary half red morocco-grained shagreen binding, smooth spine decorated with gilt floral tools, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved (rear cover restored with an adhesive patch), modern binding.

Rare biological thesis by Paul Bert (1833–1886), who was a physician, physiologist, educator, and above all a committed republican politician.

Inscribed and signed by Paul Bert at the head of the title page, addressed to Dr. Comol.

First edition illustrated with in-text figures.

Spine split, small losses to the spine and boards, otherwise a clean and pleasant copy internally.

One of Pasteur’s principal collaborators, Charles Chamberland (1851–1908) served as deputy director of Pasteur’s laboratory on rue d’Ulm from 1879 to 1888.

First edition illustrated with a copper-engraved plate (showing some dampstains) from the second part of this brief communication, which served as an invitation to the public meeting of the Imperial Society of Naturalists of Moscow.

According to the CCF, only the Natural History Museum holds all three parts, published respectively in 1809, 1810, and 1811.

Very rare copy preserved in its original stitched wrappers with the printed pink cover.

Covers slightly discoloured and foxed at the margins, two dampstains affecting the lower edge throughout. Manuscript notes at the head of the front wrapper identifying the author and title.

The Saxon naturalist Fischer von Waldheim (1771–1853) was, in 1805, the founder of the Imperial Society of Naturalists of Moscow, whose aim was to promote the study of natural history in Russia—a society still active today under a different name.

He worked across all fields of natural history, carrying out extensive research on the classification of invertebrates, and published Entomographia Imperii Rossici, issued between 1820 and 1851.

He also studied fossils in the region of Moscow, as well as molluscs and other marine organisms.

Copy from the library of the French naturalist André-Constant Duméril (1774–1860), with his handwritten ex-libris at the lower right corner of the front cover.

First edition, illustrated with two plates, one of which in colour, comprising thirteen figures (cf. Quérard IV, 49).

Half green shagreen binding, spine with four raised bands decorated with gilt tools, light rubbing to the spine, marbled paper boards, marbled endpapers, mid-19th-century binding.

Occasional foxing, three small holes to the lower right corner of the title page, manuscript ex-libris: Antoine Delarue – June 1810.

“One of the most remarkable works on natural history of this century. The author devotes an entire chapter to the history of the females; he describes their loves, the way in which new colonies are established and old ones preserved. Passing from the relations between the workers and the winged individuals to those between the workers themselves, he follows them in their migrations, their travels, their particular conduct; he observes the battles fought between ants of different species, etc.”

New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.

Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.

Our copy contains 13 engraved plates, some serving as frontispieces.

Scattered foxing, a few leaves browned due to paper acidity.

A copy in an attractive decorative and romantic period binding.

First octavo edition illustrated with 92 engravings by Benett, including one folding map in colour: this marks the very first use of polychromy in an illustration for a Jules Verne novel.
Publisher’s Hetzel binding “with the two elephants” in full red cloth, signed by Lenègre, type 3, upper cover signed by Souze, lower cover Lenègre type “e” as described by Jauzac, original blue endpapers, all edges gilt, publisher’s EL catalogue at the end of the volume.
Spine slightly faded as usual, small black marks along the hinges, head- and tailcaps softened as often, a pleasant copy virtually free of foxing.
“Deux ans de vacances” is a Robinsonade featuring fourteen schoolboys from New Zealand.
 

First edition, one of the rare copies printed on laid paper.
This issue consists of 4 pages and includes a comic strip by Achille Lemot alias Uzès : "L'honneur est satisfait".
Literary contributions by Albert Samain ("Une"), Rodolphe Darzens with the poem "Crainte d'aimer", George Auriol ("La mort du démon d'oubli"), Paul Cary ("Les deux sorties de ma tante"), Rodolphe Salis...
A handsome copy despite a few faint marginal dampstains.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name, of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris.

First illustrated edition, with four folding plates bound at the end of the volume (cf. Tailliart 1979).

Contemporary half green calf binding, flat spine faded and yellowed, decorated with a gilt cartouche and ornamental tooling at head and tail, caps trimmed, joints fragile, marbled paper boards, hand-marbled endpapers and pastedowns, sprinkled edges, period binding.

Some foxing.

In fact, this pamphlet was intended as the first of a series, hence the general title; however, only this installment was ever published. The secondary title specifies the subject of the volume: "Relation d'une excursion de Bône à Guelma et à Constantine, par sir Grenville Temple et le chevalier Falbe, délégués de la société établie à Paris pour l'exploration de Carthage. Premier fascicule de l'ouvrage, accompagné d'un recueil d'inscriptions et de quatre planches représentant des monumens antiques, des mosaïques et des peintures à fresque découvertes à Carthage."

The two archaeologists had in fact accompanied the French divisions during the second expedition to Constantine, and their account combines scholarly and military perspectives, characteristic of the early period of French colonization in Algeria.

Provenance: Copy from Honoré-Théodoric d'Albert, 8th Duke of Luynes (1802–1867), with the bookplate of the Château de Dampierre affixed to a pastedown.

First edition illustrated with six folding lithographed plates (cf. Tailliart 1862).

Contemporary full tan sheepskin binding, smooth spine decorated with gilt fillets and floral motifs, partially faded, brown morocco title label, some rubbing to the spine, surface abrasions to the boards, marbled endpapers and pastedowns, marbled edges, contemporary binding.

Two library ink stamps on the endpaper, a few small spots of foxing inside.

A work serving both as a firsthand account and a collection of documents (from page 109 onward) on the events surrounding the conquest of Algiers.

Pierre-Paul Denniée (1781–1848) was Chief Intendant of the Army of Africa.

First edition of this first part illustrated with three copperplate engravings.

Contemporary flexible boards covered with marbled paper, smooth brown percaline spine with a small snag at foot, red morocco title label on the front cover, rubbed corners.

Rare.

First edition of the French translation prepared by Joseph Lavallée.

The atlas volume is illustrated with 16 plates (portrait, views, birds, insects), 12 engraved music plates (printed on 6 leaves), and a large folding map on thick paper (cf. Quérard, I, 6; British Museum (Natural History), I, 8 for the atlas only; Pritzel, 6 for the original English edition).

Bound in contemporary half calf, smooth spines gilt-tooled with floral ornaments, rolls and motifs, sometimes slightly faded, orange calf title and volume labels, marbled paper boards, a few rubs and minor defects along the joints, sprinkled red edges; the atlas volume in contemporary half brown calf, smooth gilt-tooled spine with a few small losses at foot, some rubbing to joints and boards, marbled endpapers and pastedowns.

Our copy is complete with the Finnish bath plate, often lacking.

Head of the collection of this technical periodical, which appeared for only three years (1839, 1840, and 1841); this set comprises all the issues published from January 1839 to December 1840.

Half lavallière calf bindings with corners, smooth spines lightened and decorated with gilt and blind fillets, red calf title labels, green volume labels, some rubbing to the spines, marbled paper boards, marbled edges, contemporary bindings.

Some occasional foxing.

The first volume is illustrated with in-text figures and 3 plates out of text; the second contains in-text figures.

The articles abound in practical details on the state of science and technology during the July Monarchy.

All manner of precise papers address an extraordinary variety of topics: beer (domestic and economical), autopsies, glanders in horses, rabid dogs, details on the daguerreotype and Daguerre’s process (vol. I, pp. 434–439 and 529–537, and vol. II, three articles), potatoes (starch, use, bread-making, price, vol. I), lithography, mummification, vine-growing (in Russia, vol. I), methods for bleaching and cleaning engravings and removing stains from books (vol. I, pp. 276–278), vaccination (vol. I, pp. 567–574), steam baths (Duval’s apparatus, vol. II), steamships, the budget of the city of Paris for the year 1840 (vol. II, pp. 278–282), coffee, the opium trade in India and China (vol. II, pp. 102–106), paper, etc.

The editor, Jean-Baptiste-Alphonse Chevallier (1793–1879), taught at the Paris School of Pharmacy and played a key role in two fields: urban public hygiene (disinfection of sewers, sanitation of the Canal Saint-Martin, etc.) and industrial toxicology related to occupational diseases.

First edition of the French translation (cf. Gay 368).

Rare copy preserved in its original wrappers, complete with the accompanying atlas volume containing 7 maps, including 2 large folding ones.

Some light foxing, a few marginal tears to the wrappers of the atlas volume.

The English geographer Hugh Murray [1779-1846] devoted many years to enlarging and completing this work begun by the English orientalist John Leyden [1775-1811].

Pirate edition of 1812, imprint dated 1796. It features the exact pagination of the genuine 1796 edition, as well as the 13 plates and 2 frontispieces by Monnet, Mlle Gérard and Fragonard fils engraved by Baquoy, Duplessi-Bertaux, Dupréel, Godefroy, Langlois, Lemire, Lingée, Masquelier, Patas, Pauquet, Simonet and Trière. The pirate edition is identified by the letters “R. p. D.” in the plates' lower margins, as they have been retouched by Delvaux. In addition, the fillet preceding the date on the title-page is wavy, and the title is presented in seven lines rather than eight.

Bound in full morocco, slight rubbing on the corners, all edges gilt, splendid binding signed by Hardy.

A very fine copy in a magnificent decorated full morocco binding by Hardy.

New "À la bannière" edition with bevelled boards, violet on a red background, illustrated with 154 drawings by Férat engraved by Barbant.

Publisher’s decorative cloth binding "à la bannière" of type 6 signed by Lenègre, upper cover plate signed by Souze, lower cover of type e1 with central medallion on a black ground, framed with geometric motifs.
Attractive upper cover, with glossy percaline and sharp gilt, small black spots on the spine, head- and tailcaps collapsed as usual, some occasional foxing, small dark and light stains on the lower cover.
L’Île mystérieuse is linked, though not a sequel, to two other novels by Jules Verne, Vingt mille lieues sous les mers and Les enfants du capitaine Grant.

The author notably drew inspiration from Robinson Crusoe for the castaways’ life on a deserted island.

This work, one of Jules Verne’s most celebrated, was adapted eight times for cinema and television.

First edition of this uncommon work, originally written in French.

Illustrated with two engraved frontispieces and two folding maps bound at the end of the first volume.

Bradel binding in bottle-green half cloth, flat spine gilt with a central floral tool and double gilt fillet at foot, marbled paper-covered boards, black morocco title label; modern binding signed Boichot.

Three of the four original wrappers preserved, occasional scattered foxing.

Prince Emmanuel Mikhailovich Galitzine or Golitsyn (1804–1853) was a member of the Imperial Russian Geographical Society.

First edition in book form; the rare original edition was issued in parts between 1845 and 1856 (Brunet, I, 1707. Garrison and Morton reference three works by Cazenave on skin diseases).

Illustrated with 60 large and striking hand-colored plates.

Contemporary half red shagreen binding, spine with five raised bands adorned with double gilt and black fillets, sides covered in marbled “cat’s eye” paper, some rubbing to the upper portion of the front board, endpapers and pastedowns in combed marbled paper, corners a bit worn; later binding.

Minor foxing, a pleasing copy overall.

Head of collection of this important medical periodical, whose significance needs no further demonstration. It was published until 1914 (volume XLII) and included most of the essential contributions to the advancement of medical science in the 19th century.

The set is illustrated with 61 plates hors-texte, some lithographed and/or folding.

Half cherry calf bindings, smooth spines decorated with gilt fillets, romantic arabesques and blind-stamped fleurons, a few small rubs to some headcaps or joints, marbled paper boards, marbled endpapers and pastedowns, some corners slightly bumped, marbled edges, period bindings.

Beautiful set in a contemporary romantic binding signed by Bunetier.

Illustrated edition with a frontispiece and 60 in-text engravings.

No copy listed in the CCF.

Publisher's brown cloth binding, flat spine, spine and covers decorated with gilt African-inspired motifs, blind-stamped border on covers, marbled edges, minor bumping to lower corners.

A pleasing copy.

This work is a popular biography of David Livingstone, focused solely on his African expeditions, intended for a German-speaking readership.

First edition illustrated with wood engravings in the text by Gavarni, Daumier, D'Aubigny...
Bradel binding in full beige percaline, smooth spine with a black paper label, front cover decorated with an oil painting after the frontispiece, signed lower right "A. Dangleterre d'après document d'époque". Headcaps and joints skillfully restored.
A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses’ office, flower sellers, baths, streetlamps, pavements, theatre outings, beards and moustaches, the Luxembourg Gardens, the Opera Ball, the auctioneers’ hall, lorettes and courtesans (Alexandre Dumas), restaurants and cheap eateries, the pawnshop, Monographie de la presse parisienne (Balzac), Jockey Club, etc.
"A very important work, remarkable for the fine gathering of writers and artists of the Romantic period who contributed to it." Carteret (Le trésor du bibliophile romantique et moderne).

First edition adorned with numerous copper-engraved reproductions of medals and coins distributed across 4 plates outside the text, together with 19 vignettes within the text.

Half blue sheep binding with corners, unlettered spine with five raised bands, moiré-patterned paper boards, marbled endpapers and pastedowns, covers preserved, front cover marginally soiled, modern binding.

Rare collection of twelve letters focused on coinage.

The Lorrain scholar Nicolas-Damas Marchant (1767-1833) was a military physician, numismatist, and also served as mayor of Metz from 1 November 1805 to 6 May 1815, spanning almost the entire Imperial period.

Illustrated edition of the first series which had previously appeared in 1836. Rare. Very fine printing on tinted laid paper, of great modernity when compared to French printings of the same period. Third edition statement on title page.

Preface to the first and second edition. 2 frontispieces and 7 plates on heavy laid paper in each volume by George Cruikshank. John Ruskin declared that after Rembrandt, no one had engraved scenes so fine. Although it is noted in manuscript on the endpaper "First illustrated edition", this is doubtless an error since the first series in first edition and the second were equally illustrated by Cruikshank. 

Late 19th-century English bindings in full blonde calf signed July File. Spines with raised bands decorated with gilt compartments. Red morocco title labels, red morocco volume labels. Complex shaped frames on boards. Top edge gilt. Brown marbled paper slipcase with tan morocco borders. A few small brown spots on spines, otherwise exceptional copy with immaculate paper, of perfect freshness, which is of very great rarity for Dickens's works, notably the engravings. The paper used is different from those habitually used for Dickens's works and resembles a deluxe paper printing, thicker.

Dickens's first published book, most of the sketches appeared previously in different newspapers under the pseudonym Boz.

First edition and definitive and posthumous edition, arranged in strict chronological order, of a very rare iconographic series whose publication had begun as early as 1806 in somewhat disorderly instalments, but was never completed (only 49 instalments had appeared at the author’s death).

Cf Brunet V, 1453.

Work illustrated with 300 plates: lithographed and watercoloured title-frontispiece and 149 engraved plates, most finely hand-coloured, for the first volume; 150 plates for the second.

Contemporary bindings in half cherry-red morocco-grained shagreen with corners, spines with five raised bands decorated with blind fillets and panels, some minor rubbing to spines and joints, one joint of volume 1 split at foot, double blind fillet border on marbled paper boards, comb-marbled endpapers and pastedowns, bindings of the period. 

Pleasing copy, complete with its 300 plates.

Rare first edition illustrated with 9 plates, including a large folding map.

Publisher’s binding in full havana cloth, smooth spine decorated in black, vignette of a ship within a double black circle on the upper cover, black endpapers and pastedowns, joints split, corners slightly rubbed.

The author was a former officer of the 90th Light Infantry Regiment and wrote several works on various military subjects.

Manuscript ex-libris of R. B. Knight on the half-title, blue ink stains on the edges at the beginning of the volume.

First edition, printed in 500 numbered copies, of this splendid archaeological album featuring 78 in-text illustrations and 13 full-page plates with tissue guards (including 7 double-page or folding plates).

Text by Henri Lechat.

Publisher’s Bradel binding in full forest green cloth, smooth spine, headcaps slightly crushed, one joint split at head, spine and boards ruled in ochre, corners slightly rubbed, bookplate affixed to the front pastedown.

Copy from the library of industrialist Anatole Descamps (1833–1907), with engraved ex-libris by Devambez mounted on the pastedown.

A handsome copy.

First edition illustrated with 5 plates outside the text, including 4 folding lithographs printed in Marseille by Charavel: Plan of the camp at the foot of Mount Elbrus, View of Mount Elbrus, Inscription in Russian, Huno-Scythian alphabet, Inscription on two white marbles found at Magyar (cf. Blackmer 131, Atabey 105).

Spine split with small losses, some corner defects to the boards.

"The author was interested in tracing the origins of the Magyars to the Caucasian peoples. In 1829-1830 he travelled through the Caucasus and then into Armenia. He also produced a Turkish grammar,"

Abrégé de la Grammaire Turque, Pest, 1829 [Leonora Navari].

On the verso of the half-title appear the author’s and the publisher’s stamps and autograph signatures.

Printed ex-libris of J. de Sainte-Foy.

First edition, one of 15 numbered copies on Corée paper, the tirage de tête after three on 3 Japon.
Illustrated with 3 images by Irène Lagut.
Two small insignificant tears to head and foot of spine.
This copy has a chemise and slipcase of paper boards covered in snakeskin-effect paper with black and green scales, the slipcase edged with black cloth. 

Complete set of 115 copper-engraved plates with an additional plate (116 plates), all printed on either laid or wove paper, all hand-colored with watercolor. Two entirely different plates 39 follow each other, in first issue: "Les Titus et les cache-folies" was published in the 1817 and 1822 sets, and the other "La Politicomanie" appeared in 1827. This is the most complete series, which also includes the 11 new plates published from 1818 to 1822, numbered 105 to 115.

According to Vicaire, the plates were probably all printed between 1801 and 1822, and only the text preceding the plates was reprinted in 1827.

3/4 long-grained cherry half-morocco, smooth spine elaborately framed in gilt lentghwise, gilt tooled center of spine, gilt lettered title at head of spine framed in gilt, marbled boards, marbled paper endpapers and flyleaves. Minor brown spots are mainly confined to the 24 pp. of text, with very few on the plates, mainly on the margins and versos.

A rare and famous collection of costumes, genre and entertainment scenes from the French First Empire and Restoration eras, with very wide margins and magnificently hand-colored at the time. A veritable encyclopedia of thrills, pleasures and pageantry, published by Pierre de la Mésangère, leading fashion editor at the turn of the century. This copy includes two versions of plate 39, both of which are extremely scarce.
 

First edition of the translation by F. de Bretonne, assistant curator at the Sainte-Geneviève Library, based on a comparison of all earlier versions. The work is enriched with a suite of 10 vignettes by Charlet, retaining its original pink paper wrapper with vignette dated 1831; the volume also includes a portrait of Cervantes.

Half long-grain claret morocco binding with corners, signed at the head of the front endpaper S. David, late 19th century. Spine with four raised bands, decorated with complex and stippled tools within compartments. Gilt fillets on the bands. Double gilt ruling along boards and corners. Minor rubbing to some bands, joints, and corners. One corner slightly turned in. Occasional spotting in an otherwise fresh copy.

Original wrappers and spines preserved. Binding executed on untrimmed paper gatherings.

A very handsome copy.

Illustrated edition by Grandville, engraved by Geoffroy, comprising 29 hand-coloured plates hors-texte in the first volume, and in the second, 23 hand-coloured plates hors-texte along with 2 black botanical plates illustrating the physiology of plants, "Horticulture des dames" and "Culture des fleurs." For this edition, the plates were re-coloured by Maubert, with fresher and more vivid tones, considered superior to the first edition. Accompanied by 3 pages of sheet music for the romance Le myosotis. 
Contemporary half blue shagreen bindings. Spines with raised bands decorated with three gilt panels. Some scattered foxing, title-page of volume 2 with spotting. A few leaves slightly protruding. Spines somewhat darkened. Signs of rubbing. Tip of one corner lacking. A good copy.

First edition printed in 51 copies numbered and initialled by the author on Whatman.
Playful and striking signed presentation inscription from Jean Ajalbert to Henry Fèvre: "... ex-écrevisse de rempart, ces vers de l'auteur des bastions..."
Illustrated with an original lithograph by Paul Signac as frontispiece.
Minor spots on the lower cover, a rare and handsome copy.

First edition illustrated with 81 engraved plates, drawn by Antoine-Marie Chenavard and engraved on steel by various artists, comprising: a route map, a plan of Athens, and 79 plates numbered I to LXXV, including plates XXVIIIbis, XLVIIIbis (these two not listed in the table), LVIbis, and LVIIbis.

Cf. Blackmer 334. Atabey 230. Brunet II, 1831.

Each plate is accompanied by a leaf of explanatory text.

Plates LIX and LX are transposed in this copy.

Bound in modern half green sheep with corners, spine with four raised bands decorated with black fillets, black sheep lettering-piece and author’s name, sides covered in almond-green felted paper, a scratch to the lower cover.

The leaves are mounted on cloth guards, the preliminary leaves with some marginal soiling, a few light dampstains in the margins of certain pages, all leaves with marginal sunning.

First edition with 46 illustrations by Harry Furniss.
Publisher's binding over flexible paper boards, discreet and light repairs on the
joints, all edges gilt.
Autograph inscription dated and signed by Lewis Carroll to Mrs Cole.

First edition of this richly and exquisitely illustrated collection of songs. It comprises 122 songs (originally published in 84 installments), each accompanied by four fully engraved pages. Every song is preceded by a short introduction written by various authors, including the Bibliophile Jacob, and is followed by two pages of musical score. The volume also includes three frontispieces by Trimolet. The steel engravings are truly magnificent and rank among the finest produced in the 19th century. Illustrations by Daubigny, Trimolet, Meissonier...

Contemporary half black shagreen binding with corners. Spine with raised bands, compartments and gilt tooling. Triple gilt fillet along the edges of the covers. Occasional light foxing, otherwise a clean and fresh copy. Minor rubbing. A handsome copy.

The extremely rare wrappers—among the scarcest of the Romantic period—are present. In the first volume, instead of being green, the wrappers are blue, representing an initial trial in this color. All the covers were printed on chamois paper and include engravings within gilt chromolithographed borders.

New edition printed on laid paper.
Some light foxing affecting mainly the endpapers.
Full marbled sheep binding, spine with five raised bands set with gilt garlands decorated with double compartments adorned with gilt typographical motifs, traces of rubbing on spine, gilt rolls on headcaps almost completely faded, triple gilt fillets framing the boards, some scratches on boards, marbled endpapers and pastedowns, gilt edges on leading edges which show some rubbing.
The work consists of 12 parts each comprising 6 engraved plates plus three engraved plates: the half-title page, the title page with a portrait of Gille Marie Oppenort and, finally, a plate with the letter "B" represented three times.

First edition of the most significant 19th-century scientific expedition to Iceland and Greenland.

A few light spots of foxing, otherwise a very good copy.

The 8 volumes of text include:

- History of the voyage, by Joseph-Paul Gaimard and Eugène Robert: 2 volumes with a portrait.

- History of Iceland, by Xavier Marmier: 1 volume.

- Icelandic Literature, by Xavier Marmier: 1 volume.

- Travel journal, by E. Mecquet: 1 volume.

- Zoology and medicine, by Eugène Robert: 1 volume, with folding table.

- Physics, by V. Lottin: 1 volume.

The 4 atlas volumes comprise:

- Mineralogy and geology, by Eugène Robert: 1 volume. Atlas:

- Mineralogy and geology: 1 volume with 36 black plates, some printed on China paper and mounted.

- Historical: 2 volumes with 150 lithographed plates and views in black, printed on China paper and mounted.

- Zoological, medical, and geographical: 1 volume with 51 plates, 35 of which are finely hand-colored (one plate present in both states: black and colored).

Bound in modern half blond calf, flat spines richly gilt with garlands and gilt and blind-stamped fillets, gilt decorative bands at foot of spines, red and dark green morocco spine labels, marbled paper boards, bindings signed by Laurenchet.

A very rare and attractive uniformly bound complete set.

First edition of this fine collection comprising 72 numbered copper-engraved plates. (cf. Katalog der Ornamentstichsammlung Berlin, 2744. Brunet, V, 199 lists the author's name as Scheult).

Contemporary half calf binding with vellum-tipped corners, recently rebacked with a smooth spine decorated with gilt ornamental rolls and fleurons, olive green morocco label. Some rubbing to the spine, marbled paper-covered boards.

Scattered foxing, light dampstain to the upper outer corner of most leaves.

First and only edition of this beautiful album, illustrated with a double-page map and 12 mounted plates after drawings by the author, including 11 aquatints offering spectacular views of the island.

The half-title page bears the following title: Voyage pittoresque aux îles Hébrides.

Some occasional spotting, otherwise a pleasing copy of this album.

Contemporary full purple shagreen binding, spine with four raised bands, compartments decorated with blind-ruled panels, minor rubbing to spine, covers framed with double blind fillets and scrollwork, marbled endpapers and pastedowns, gilt dentelle border on pastedowns, gilt dots along the edges, all edges gilt. Half-title: Voyage pittoresque aux îles Hébrides, title, 32 pp., a double-page map and 12 mounted plates after drawings by the author, including 11 aquatints depicting striking island views.

Publisher Charles-Louis-Fleury Panckoucke (1780–1844), son of the renowned Charles-Joseph, recounts a journey to the islands of Skye, Iona, and Staffa from Glasgow, with particular emphasis on the latter. Staffa is famed for its basalt cave, known as "Fingal's Cave" in homage to Ossian and his pseudo-Gaelic creations, which in the 19th century drew numerous writers and artists enchanted by the wild majesty of its interior.

Second edition of the French translation (Sabin 98442).

Bound in modern pastiche half beige calf, smooth spines ruled in gilt with double fillets, red morocco title labels and brown morocco volume labels, marbled paper boards.

The final two leaves of volume two have been restored, with loss of text: a few letters are missing from page 381, and there is a loss of text on pages 383–384, which comprise the table of contents; occasional light spotting, blind stamps to the lower right corner of title-pages.

Complete set including the atlas, sixth and final volume, illustrated with 17 plates and 9 maps.

A handsome copy of this celebrated voyage of exploration through the Pacific and along the west coast of America.

First edition, one of the rare copies printed on laid paper.
This issue comprises 4 pages and features an illustration by Steinlen: "Le plus vexé des trois".
With literary contributions by Alphonse Allais ("Absinthes", dedicated to Adolphe Willette), Rodolphe Darzens with the poem "Le conseil de la chair", Camille de Sainte-Croix ("Paul Margueritte"), Louis Marsolleau ("Villon"), among others.
A handsome copy, despite a small paper flaw at the head of the first page due to a printing defect.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name, which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence.

First edition, illustrated with 11 lithographed plates by Théodule Devéria and printed by Kaeppelin.

Some occasional foxing.

Rare.

First edition, one of the rare copies printed on laid paper.
This four-page issue is illustrated with drawings by Jean-François Raffaëlli.
Contains literary contributions by Alphonse Allais ("Episode"), Georges d'Esparbès ("Délila"), George Auriol ("Chroniques de province"), Rodolphe Darzens ("Pour celle qui boude")...
A handsome copy despite a faint dampstain to the center of the issue.
Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name, of which it served as the living memory. It featured texts recited during performances. The review also stands as an important literary and artistic testimony to the late 19th century, centered on the bohemian spirit and the unique effervescence of Paris at the time.

First edition, one of the rare copies printed on laid paper.
This issue comprises 4 pages and features an illustration by Steinlen: "Coqs et poule".
Literary contributions by Alphonse Allais with "Le pauvre bougre et le bon génie" dedicated to Henry Somm, François Villon with the poem "Rondel", George Auriol with "Au diable vert" dedicated to Steinlen, Rodolphe Salis...
A handsome copy.
Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly, it constitutes a major literary and artistic record of the late 19th century, centered on bohemian life and the unique creative fervor of Paris at the time.

First edition, one of the rare copies printed on laid paper.
This issue comprises 4 pages and includes a comic strip by Albert Robida: "Vient de paraître !"
Literary contributions by Alphonse Allais ("La bonne fille"), George Auriol ("La statue de César Dupeauprez"), and Gaston Méry ("Au parc Monceau"), dedicated to Albert Tinchant...
A pleasant copy, with only a few faint marginal spots.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name, of which it served as a lasting record. It published texts recited during the performances. The magazine stands as a significant literary and artistic document of the late 19th century, reflecting the bohemian spirit and the vibrant Parisian atmosphere of the era.

First edition, one of the rare copies printed on laid paper.
The issue comprises 4 pages and features a comic strip by Godefroy: "Question de cabinet".
Literary contributions by Victor Meusy ("Les prunes de monsieur"), Alphonse Allais ("Le médecin (monologue pour Cadet)"), Rolla ("Tombes de fleurs")...
A faint dampstain along the left margin of the journal, otherwise a pleasing copy.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Émile Goudeau, published from 1882 to 1897 to promote the famous cabaret of the same name, acting as its living archive. It published the texts performed during the shows and stands as a major literary and artistic testimony of late 19th-century bohemian life and the vibrant Parisian scene it embodied.

First edition, one of the rare copies printed on laid paper.
This four-page issue features a comic strip by Louis-Christian, known as Döes: "La bonne galette".
Includes literary contributions by Francisque Sarcey on "La Terre" by Emile Zola, Charles Cros "Psaume CCCCXXXIV", Alfred Béjot "Épitre à Allais", Georges Auriol "Malabar", among others.
One tear with loss and some light staining to the margins of the covers.
Le Chat Noir was a weekly review founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name and to serve as its chronicle. It featured the texts recited during performances and constitutes an important literary and artistic record of late 19th-century bohemian life and the unique vibrancy of Paris during that era.

First edition, one of the rare copies printed on laid paper.
This issue comprises 4 pages and features a comic strip by Steinlen, "Du dernier bien avec le général", as well as drawings by Henry Somm on the facing page.
Literary contributions by Alphonse Allais, "La forêt enchantée" dedicated to George Auriol, Raoul Gineste "Les vieux chats", and José Rolla "A l'église"...
A well-preserved copy, despite a few faint marginal stains.
Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897 to promote the famous cabaret of the same name, of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century, capturing the bohemian spirit and vibrant Parisian scene of the time.

First edition, one of the rare copies printed on laid paper.
This four-page issue features a large double-page illustration by Steinlen.
Literary contributions by Alphonse Allais (“Bébert”), Pimpinelli (“Pose de lapin”, dedicated to Albert Tinchant), and Narcisse Lebeau (“Paravent”)...
Some marginal tears and stains.
Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, intended to promote the famous cabaret of the same name, which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era.

First edition of this exceptionally rare complete set of twelve dance scores, each comprising a color-printed wrapper and five leaves (title page, four numbered pages of engraved music, and one blank leaf). All covers were lithographed and hand-colored using stencil techniques by Adolphe Cathelin, whose name appears on the title pages.

The musical works are by composers Alexandre Croisez, Alexandre Artus, Eugène Dupuis, Camille Michel, Alphonse Leduc, Émile Waldteufel, Voctir-Auguste Dolmetsch, Félix Joufferoy, and Antony Lamotte.

Contemporary half green calf binding, smooth spine decorated with gilt and blind-stamped fillets and dotted lines, joints rubbed; granite-patterned paper boards framed with double gilt fillets (thick and thin), gilt monogram "C.B." at center of front board, marbled endpapers and pastedowns, bumped corners, marbled edges, bookplate mounted on one pastedown. Contemporary binding.

Some foxing, mainly at the end of the volume.

A handsome and exceptionally rare period-bound collection.

First edition and first issue of the suite of 24 color lithographs.

Publisher’s original soft illustrated folder, flat red cloth spine without lettering (expertly restored), red cloth framing on the boards, showing some soiling; original cloth ties intact and present.

Some occasional foxing.

Very rare first edition, printed in only 80 copies (According to CCFr, copies are held only at the BnF and in Lille).

This edition was printed on August 27, 1867, in the presence of Emperor Napoleon III, during his visit to northern France with Empress Eugénie from August 26 to 30, 1867.

Publisher’s binding in full green grained cloth, flat spine decorated with blind fillets, panels framed with blind fillets, slightly bumped corners, pink edges.

Minor foxing mainly affecting the endpapers; a handsome copy.

On a blank endpaper, an autograph inscription signed by Léonard-Jean-Baptiste Danel (1818–1905), nephew and successor of Louis Danel since 1843, addressed to Auguste Ohnet, likely the paternal uncle of the novelist Georges Ohnet (1848–1918), in which case he lived from 1808 to 1882.

Laid in: a chromolithographed broadside (39 x 29 cm) presenting a copy to the Empress ("Offert à S.M. l'Impératrice Eugénie par le personnel de l'imprimerie Danel à Lille").

First edition of this beautifully lithographed album after various artists, alternating picturesque views with architectural details. (Not listed in the Ornamentstischsammlung catalogue, Berlin.)

This splendid album contains 51 lithographed plates outside the text, our copy with two additional duplicate plates bound in.

Contemporary binding in half black morocco, smooth spine decorated with gilt typographic motifs, original black moiré paper boards with gilt title on upper cover preserved, original delivery wrappers bound in, corners rubbed, some marginal tears and wear to board edges, modern binding.

Some occasional foxing.

First edition, illustrated in the text and with 7 plates out of text, including two heliogravure views, one black-and-white map, and 4 folding maps in colour.

Contemporary half green morocco binding, spine with five raised bands decorated with gilt fleurons, marbled paper boards ("cat's eye" pattern), marbled endpapers and pastedowns, speckled edges. A fine period binding.

A few minor spots, mostly on the endpapers; a handsome copy.

First edition and first issue of the illustrations, without the table of plates which was later printed at the bottom of page XLIII and the beginning of page XLIV of the text volume (cf. Louandre et Bourquelot, I, p. 46. Blackmer, 33, mentions a large folding map bound in the atlas which, in fact, does not belong to the work).

The atlas volume contains the complete set of 10 plates, including 4 lithographs engraved by Faure after drawings by Préaux and lithographed by Langlumé.

Text volume bound in contemporary full tree calf, flat spine gilt with double fillets and naval anchors, red morocco label, gilt roll tooling to head- and tailpieces, gilt rolls framing the boards, marbled endpapers and pastedowns, red edges, gilt fillets on board edges.

Atlas volume bound in contemporary half marbled calf, flat spine with gilt double fillets, red morocco label, marbled paper-covered boards.

Some minor foxing to the atlas, small restoration to the title-page of the text volume.

A rare and appealing set.

First edition of this significant publication issued by the Commission of Inquiry tasked with collecting all available data and documentation on the cultivation, production, and sale of tobacco.

Illustrated with numerous folding tables and a folding map of France, printed in lithography by A. Cabassol and bound out of text.

Apparently not recorded in the Bibliothèque nationale de France.

Contemporary half calf binding, flat spine rebacked and decorated with gilt fillets, morocco labels in light brown, some rubbing to the spine, marbled paper boards with minor marginal flaws, marbled endpapers, sprinkled edges.

Some spotting to top edge; an embossed ownership stamp appears on the first leaf, with the initials CA in a medallion (possibly Caroline Augusta of the Two Sicilies, Duchess of Aumale?).

Comprehensive alphabetical index at the end of the volume.