First edition of the first of Étienne Geoffroy Saint-Hilaire’s essays on “Philosophie anatomique.”
Illustrated with 10 folding plates drawn by Huet and engraved by Plée père, containing 116 figures (cf. Agassiz III, p. 29, no. 51; British Museum (Natural History) II, p. 656; Engelmann I, p. 263; Quérard III, 320; DSB V, 355-358; Cahn (Th.), La vie et l’œuvre d’Étienne Geoffroy Saint-Hilaire, pp. 81-112).
Bradel binding in full marbled paper boards, smooth spine with black morocco title label, modern binding signed by Thomas Boichot.
Some foxing to the plates.
Based on a meticulous examination of the various anatomical structures of the respiratory organs in vertebrate animals, the author formulates several principles concerning their organization, the most important being that of the Unity of Composition. According to this principle, all vertebrate species share the same structural elements in equal number. Despite Cuvier’s criticisms, this theory gained traction and was later refined through embryology and paleontology. The work is divided as follows: 1. On the gill cover in fish, hitherto known as the operculum […] and on the four corresponding bones of the auditory canal in air-breathing animals, called the stapes, incus, lenticular and malleus. – 2. On the bones forming the external framework employed in the mechanics of respiration, or the bones of the sternum. – 3. On the anterior bones of the chest, or the hyoid. – 4. On the inner bones of the chest […] including, in air-breathing animals, the elements of the larynx, trachea and bronchi, and in fish, those of the branchial arches, gill teeth and cartilaginous lamellae of the gills. – 5. On the bones of the shoulder, with respect to their determination and their role in the phenomena of respiration. “Geoffroy revitalized comparative anatomy in France and created scientific teratology, experimental embryology, and the concept of paleontological evolution […]. He and his friend Lamarck lived too early to be completely understood” (DSB, V, p. 358).
Two further essays were later published: “Des monstruosités humaines” (1822) and “Fragmens sur la structure et les usages des glandes mammaires des cétacés” (1834).
A precious copy printed on deluxe paper (the two other essays were issued only on regular paper). The text is identical to the octavo edition published the same year, except for the errata, which here contains 12 lines (versus 20 in the regular edition).