First painters' books and invention of lithography, steel engraving and end-grain wood engraving

First edition illustrated with a large folding plate inserted out of text reproducing the Greek portion of the Rosetta Stone (cf. Quérard I, 48.)

Our copy is preserved in its original wrappers, in temporary root-pattern paper covers.

A key figure in the establishment of literary repositories during the Revolution, and their transformation into libraries, the antiquarian Hubert-Pascal Ameilhon (1730-1811) remains an important, though far too neglected, figure in bibliography and the sciences.

This relative oblivion owes much to the small number of works published during his lifetime : the work offered here constitutes an essential link in the decipherment of the hierog

Very rare first edition, with the title printed in black, illustrated with 4 copper-engraved plates hors-texte (cf. Gumuchian, 5321.)

Contemporary half brown sheepskin over marbled boards, smooth spine tooled in gilt with fillets and dotted rolls, covers framed with a double gilt rule, marbled endpapers and pastedowns, two corners slightly bumped, speckled edges, period binding.

Expert restorations to the corners and spine ends, spine partially faded with light rubbing, occasional minor foxing.

With a highly interesting preface by the author, in which she explains that she herself directed a puppet theatre.

Brings together the following four adaptations for marione

Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.

Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.

Scattered foxing.

Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.

A handsomely preserved copy in a period romantic binding.

Rare first edition illustrated with 10 folding plates, including 5 grammatical tables and 5 plates of calligraphy.

Not recorded in Blackmer, Atabey or Hage Chahine.

Half olive-green calf, spine with four raised bands framed with gilt garlands and decorated with small blind-stamped floral tools, black morocco title and author labels, marbled paper boards, comb-marbled endpapers and pastedowns, modern binding.

Spine slightly darkened, small paper losses to the upper right corners of the first leaves not affecting the text, some foxing mainly at the end of the volume. Much better known for his role in the mission sent by Napoleon to the Shah of Persia to negotiate a counter

First edition of this splendid lithographed album by A. Bayot, Eugène Cicéri, and Morel Fatio, comprising a lithographed title on a tinted background, a line-engraved map by Avril, and 15 color lithographs on tinted grounds.

Contemporary black half shagreen binding with corners, spine with five raised bands and blind-stamped double fillets, cherry-red shagreen title label (with minor losses) mounted on the upper cover, black paper-covered boards, white moiré silk endpapers and pastedowns, endpapers slightly foxed and creased, all edges gilt, the binding recently restored.

Scattered foxing, a few faint marginal dampstains, one stain at the head of the final plate.

Second illustrated edition, with five plates, including one hand-coloured, one partly coloured, and one aquatint (cf. Sinkankas 4286; Borba de Moraes 542; not in Sabin).

Half beige sheep binding, smooth spine with some rubbing, marbled paper boards, marbled endpapers and pastedowns; modern binding signed Houdart.

Some light foxing; numerical notes in the upper right corner of the half-title.

An interesting work, largely devoted to the diamonds of Brazil.

First published in 1813 and reprinted in 1815, this edition—despite the statement on the title page—would thus be the third rather than the second (cf. Borba de Moraes). “Largely concerns Brazilian diamonds and

Composite edition combining seven volumes from the very first collected edition with others from various reissues published between 1836 and 1852. Volumes 15 to 30 (1839-1852) each include an engraved title with a vignette and two illustrated plates; the earlier editions, covering volumes 1 to 15 (1830-1836) did not contain illustrations.

Half polished calf bindings in Restoration style. Smooth spines decorated with a central panel richly gilt in grotesque design, gilt and blind-tooled motifs at head and foot of spine, also ruled in gilt. Small tear to the spine-ends of volumes 5 and 9. Volumes 25 and 26 show some surface loss to the leather on the boards.

A handsome set.

First edition of the first of Étienne Geoffroy Saint-Hilaire’s essays on “Philosophie anatomique.”

Illustrated with 10 folding plates drawn by Huet and engraved by Plée père, containing 116 figures (cf. Agassiz III, p. 29, no. 51; British Museum (Natural History) II, p. 656; Engelmann I, p. 263; Quérard III, 320; DSB V, 355-358; Cahn (Th.), La vie et l’œuvre d’Étienne Geoffroy Saint-Hilaire, pp. 81-112).

Bradel binding in full marbled paper boards, smooth spine with black morocco title label, modern binding signed by Thomas Boichot.

Some foxing to the plates.

Based on a meticulous examination of the various anatomical structures of the respiratory organs i

New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.

Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.

Our copy contains 13 engraved plates, some serving as frontispieces.

Scattered foxing, a few leaves browned due to paper acidity.

A copy in a

First illustrated edition, with four folding plates bound at the end of the volume (cf. Tailliart 1979).

Contemporary half green calf binding, flat spine faded and yellowed, decorated with a gilt cartouche and ornamental tooling at head and tail, caps trimmed, joints fragile, marbled paper boards, hand-marbled endpapers and pastedowns, sprinkled edges, period binding.

Some foxing.

In fact, this pamphlet was intended as the first of a series, hence the general title; however, only this installment was ever published. The secondary title specifies the subject of the volume: "Relation d'une excursion de Bône à Guelma et à Constantine, par sir Grenville Temple et le chev

First edition of the French translation prepared by A. J. B. Defauconpret (see Brunet III, 555; Quérard IV, 230; not in Field).

The work is illustrated with 20 charming aquatint plates, 6 of them hand-coloured, and a folding plan. The English first edition contained only 13 aquatints.

Contemporary Bradel bindings in full sand-coloured paper boards, red morocco spine labels for title and volume numbers (partly faded), flat spines gilt with a central floral tool, light rubbing to spines, upper caps slightly worn, two corners bumped, entirely uncut. Period bindings.

Pleasant, clean internal condition.

Johnson was a British officer in India who chose to return to Engla

Second edition; the first having been destroyed by the author himself. Cf. Louandre et Bourquelot, III, p. 149: "Il y a eu de cet ouvrage une première édition anéantie par l'auteur avant toute émission, et dont il n'est peut-être pas échappé un exemplaire." "(L'auteur) s'est efforcé de rendre avec fidélité les impressions qu'il a éprouvées, et les renseignemens qu'il a obtenus ont été puisés aux sources les plus respectables."

Half calf bindings in light brown, smooth spines decorated with double gilt fillets, black morocco title and volume labels, a small hole at the foot of the spine of the first volume, marbled paper boards, upper corners slightly rubbed, sprinkled edges

Fine copy of the illustrated new edition of 1820, printed in 4 volumes, enriched with The Influence of Women during the Empire and historical notes by Charles Nodier.

Half burgundy embossed shagreen, smooth spine decorated with gilt friezes and fillets, marbled paper boards, yellow-stained edges. Corners of headcaps rubbed, wear to joints and some foxing. Scratch to spine of volume 2.

This copy contains 4 frontispieces engraved by Ad. Godefroy after drawings by Chasselat. The title pages of the four volume

First edition in book form; the rare original edition was issued in parts between 1845 and 1856 (Brunet, I, 1707. Garrison and Morton reference three works by Cazenave on skin diseases).

Illustrated with 60 large and striking hand-colored plates.

Contemporary half red shagreen binding, spine with five raised bands adorned with double gilt and black fillets, sides covered in marbled “cat’s eye” paper, some rubbing to the upper portion of the front board, endpapers and pastedowns in combed marbled paper, corners a bit worn; later binding.

Minor foxing, a pleasing copy overall.

First edition and definitive and posthumous edition, arranged in strict chronological order, of a very rare iconographic series whose publication had begun as early as 1806 in somewhat disorderly instalments, but was never completed (only 49 instalments had appeared at the author’s death).

Cf Brunet V, 1453.

Work illustrated with 300 plates: lithographed and watercoloured title-frontispiece and 149 engraved plates, most finely hand-coloured, for the first volume; 150 plates for the second.

Contemporary bindings in half cherry-red morocco-grained shagreen with corners, spines with five raised bands decorated with blind fillets and panels, some minor rubbing to spines a

First edition of this important and early collection of 50 superb lithographs of Algiers printed on china paper mounted on heavy wove, executed by the two painters Emile-Aubert Lessore (1805–1876), a pupil of Ingres, and William Wyld (1806–1889), a friend of Vernet. The work was originally issued in five parts: buildings, landscapes, figures, scenes, etc.

See: Bibliothèque algérienne de Gérard Sangnier, no. 207. Not in Blackmer. Playfair, 517. Tailliart, 896. Gay, 919. Brunet III, 1018.

Contemporary binding in half green shagreen, flat spine with triple gilt fillets and blind-stamped fleurons, gilt decorative bands at head and foot of spine, the upper band partially faded; m

Complete set of 115 copper-engraved plates with an additional plate (116 plates), all printed on either laid or wove paper, all hand-colored with watercolor. Two entirely different plates 39 follow each other, in first issue: "Les Titus et les cache-folies" was published in the 1817 and 1822 sets, and the other "La Politicomanie" appeared in 1827. This is the most complete series, which also includes the 11 new plates published from 1818 to 1822, numbered 105 to 115.

According to Vicaire, the plates were probably all printed between 1801 and 1822, and only the text preceding the plates was reprinted in 1827.

3/4 long-grained cherry half-morocco, smoo

First edition of the translation by F. de Bretonne, assistant curator at the Sainte-Geneviève Library, based on a comparison of all earlier versions. The work is enriched with a suite of 10 vignettes by Charlet, retaining its original pink paper wrapper with vignette dated 1831; the volume also includes a portrait of Cervantes.

Half long-grain claret morocco binding with corners, signed at the head of the front endpaper S. David, late 19th century. Spine with four raised bands, decorated with complex and stippled tools within compartments. Gilt fillets on the bands. Double gilt ruling along boards and corners. Minor rubbing to some bands, joints, and corners. One corner slightly tur

First edition of this richly and exquisitely illustrated collection of songs. It comprises 122 songs (originally published in 84 installments), each accompanied by four fully engraved pages. Every song is preceded by a short introduction written by various authors, including the Bibliophile Jacob, and is followed by two pages of musical score. The volume also includes three frontispieces by Trimolet. The steel engravings are truly magnificent and rank among the finest produced in the 19th century. Illustrations by Daubigny, Trimolet, Meissonier...

Contemporary half black shagreen binding with corners. Spine with raised bands, compartments and gilt tooling. Triple gilt fillet along t

First edition of this fine collection comprising 72 numbered copper-engraved plates. (cf. Katalog der Ornamentstichsammlung Berlin, 2744. Brunet, V, 199 lists the author's name as Scheult).

Contemporary half calf binding with vellum-tipped corners, recently rebacked with a smooth spine decorated with gilt ornamental rolls and fleurons, olive green morocco label. Some rubbing to the spine, marbled paper-covered boards.

Scattered foxing, light dampstain to the upper outer corner of most leaves.

First and only edition of this beautiful album, illustrated with a double-page map and 12 mounted plates after drawings by the author, including 11 aquatints offering spectacular views of the island.

The half-title page bears the following title: Voyage pittoresque aux îles Hébrides.

Some occasional spotting, otherwise a pleasing copy of this album.

Contemporary full purple shagreen binding, spine with four raised bands, compartments decorated with blind-ruled panels, minor rubbing to spine, covers framed with double blind fillets and scrollwork, marbled endpapers and pastedowns, gilt dentelle border on pastedowns, gilt dots along the edges, all edges gilt. Half

First edition, illustrated with 11 lithographed plates by Théodule Devéria and printed by Kaeppelin.

Some occasional foxing.

Rare.

First edition of this exceptionally rare complete set of twelve dance scores, each comprising a color-printed wrapper and five leaves (title page, four numbered pages of engraved music, and one blank leaf). All covers were lithographed and hand-colored using stencil techniques by Adolphe Cathelin, whose name appears on the title pages.

The musical works are by composers Alexandre Croisez, Alexandre Artus, Eugène Dupuis, Camille Michel, Alphonse Leduc, Émile Waldteufel, Voctir-Auguste Dolmetsch, Félix Joufferoy, and Antony Lamotte.

Contemporary half green calf binding, smooth spine decorated with gilt and blind-stamped fillets and dotted lines, joints rubbed; granite-patterned

First edition of this beautifully lithographed album after various artists, alternating picturesque views with architectural details. (Not listed in the Ornamentstischsammlung catalogue, Berlin.)

This splendid album contains 51 lithographed plates outside the text, our copy with two additional duplicate plates bound in.

Contemporary binding in half black morocco, smooth spine decorated with gilt typographic motifs, original black moiré paper boards with gilt title on upper cover preserved, original delivery wrappers bound in, corners rubbed, some marginal tears and wear to board edges, modern binding.

Some occasional foxing.

First and only illustrated edition with 12 engraved plates on India paper, under serpents.

Restored spine with minor tears, slight marginal tears on the boards, a crease on the corner of the second board, otherwise in pleasant interior condition.

The eighth Duke of Luynes (1802-1867) gained a significant reputation as an archaeologist, numismatist, and art collector.

Album comprising 44 plates of Breton costumes, the first two drawn in pencil, the others delicately watercoloured, mounted on heavy paper, some with captions, unsigned.

Bound in contemporary half green sheep, spine decorated with gilt and black fillets, gilt garlands and fleurons, some rubbing to the spine, embossed cherry-red cloth boards, bumped corners, a few scuffs along the edges.

A handsome album of Breton costumes in the manner of Hippolyte Lalaisse and his Galerie armoricaine of 1848.

Particularly focused on the Breton-speaking departments (Western Morbihan and Finistère): 1. [Seated bagpipe player]. – 2. [Peasant dance]. – 3. Woman from the Auray area (

First edition, illustrated with a portrait of the author after Sir Thomas Lawrence in the text volume, and, in the atlas volume, with 1 engraved map (numbered 1) and 74 lithographed plates (numbered 2 to 75; plate 27 misnumbered 17), including 8 hand-coloured plates: plates 28 (Fresco of Dieudonné de Gozon), 41 (Tomb of Fabrice Caretti), and 61 to 66 (Frescoes from the crypts of Our Lady of Philerme).

See Atabey 1056. Blackmer 1450. Loukia Droulia 1474. Weber, I, 163.

Text volume bound in contemporary green half shagreen, spine with four raised bands adorned with gilt garlands and floral tools, marbled paper boards, marbled endpapers, rubbed corners; atlas volume in contempora

Extremely rare volume illustrated with 12 fine full-page lithographs by Ferdinand Perrot.

Contemporary binding in aubergine half shagreen, flat spine decorated with gilt fillets and dotted lines, some rubbing to the spine, marbled paper-covered boards, marbled endpapers and pastedowns, corners slightly bumped.

Scattered foxing, some leaves toned due to paper acidity, author's name handwritten in white ink at the head of the spine.

Bookplate of A. Hennique mounted on a blank endpaper, with the motto "la vie est un voyage".

For the first three volumes, first edition, complete with all 84 parts published between February 1842 and October 1843 of this "admirable publication printed on thick vellum paper [...] one of the finest of the 19th century, justly esteemed and comparable to the beautifully illustrated books of the 18th century" (Carteret), (see Carteret III, 143–153; Vicaire II, 234–248).

The first three volumes are bound in full violet morocco, spines with five raised bands bordered with gilt pointillé tooling, compartments richly gilt with double gilt frames, gilt rolls on caps, covers framed with quintuple gilt fillets, gilt monogram MG at the corners, comb-marbled endpapers and pasted

Highly interesting collection attributed either to the geographer Georges-Louis Le Rouge (according to Polak), or to the civil engineer La Serre (based on a manuscript version held at the Municipal Library of Le Havre).

Contemporary half Havana calf binding, smooth spine richly decorated with five gilt fillets and blind-stamped naval anchors, some minor restorations to joints, small green vellum corners, marbled paper boards, endpapers and pastedowns marbled à la cuve. Binding dating from the mid-19th century.

The work comprises 35 engraved plates depicting the plans of 42 ports.

From north to south, and west to east: 1. Antwerp. – 2. Flushing. – 3. Ostend. – 4. Dunkirk.

Handsome Greek printing of the Psalter according to the Septuagint, followed by traditional Biblical hymnology and a weekly recitation guide.

Illustrated with a charming woodcut depicting David.

Contemporary black cloth-backed marbled boards, spine unlettered and slightly faded, blue endpapers and pastedowns.

Occasional foxing, otherwise clean and well-preserved throughout.

Rare first edition including a general map of Africa, compiled from the most reliable observations and the latest discoveries, as well as 8 finely engraved plates (cf. Clozel 505; Gay 2897).

The 8 illustrations comprise: one folding view, three folding maps and plans, a key chart for the plan of Gorée, and three portraits of indigenous figures.

Some restorations and water stains affecting a few leaves.

Contemporary half calf binding, smooth spine decorated with gilt garlands, floral tools, and urns; red morocco title and volume labels, marbled edges.

Born in Colmar, Sylvain-Meinrad-Xavier de Golbéry (1742–1822) spent his entire military career in the Corps of Engin

First edition, illustrated with 18 copper-engraved plates in the first volume and 22 copper-engraved plates in the second.

Contemporary bindings in green half shagreen, spines with four raised bands, decorated with blind-ruled fillets and double gilt panels with ornamental cornerpieces; minor rubbing to the spines, boards in green paper-covered cardboard with blind-stamped frames and a few minor surface abrasions, heavily bumped corners. Endpapers and pastedowns of white moiré silk slightly soiled at margins as often, all edges gilt.

Foxing.

A compilation of selected excerpts from the most celebrated travel narratives.

Jacques-Bernard Hombron (1798–1852), a naval s

New edition of the Fables, more complete than previous ones, illustrated with a hand-coloured vignette on the title page and 110 hand-coloured half-page illustrations in the text, for a total of 111 engraved and coloured plates (cf. Rochambeau 305. Després, p. 142, no. 63).

Full olive calf binding, spine with gilt fillets, numerously tooled in gilt, gilt tooling to spine-ends, boards framed in gilt, marbled endpapers and pastedowns, inner gilt dentelle on pastedowns, all edges gilt, 20th-century binding.

Spine and covers faded, some foxing, a snag at head of rear cover. Lower right corners of pp. ix-xi restored.

An exceptional and finely watercoloured copy of

Very rare first edition illustrated with 40 lithographs (cf. Colas 1581, Mayfair, Algeria, 751, Tailliart, 1001, *Iconographie de l'Algérie*).

A few minor spots of foxing; the front free endpaper is slightly creased at the margin, not affecting the text.

The 40 plates, printed on 37 leaves, are arranged as follows: 37 black lithographs including one plan and one folding map (plates 11–12, [37–38], and [39–40] are printed on single leaves).

Among the rarest and most beautiful illustrated albums devoted to Algeria, this edition comprises 40 lithographic plates printed in black across 37 leaves. The map of the Regency of Algiers and the views of Algiers and Constantine, bei

First edition, illustrated with a folding map and 11 tinted lithographic plates (cf. Gay 3137).

Contemporary half aubergine sheep, smooth spine ruled and lettered in gilt, some rubbing to hinges, one joint fragile, marbled paper-covered boards, marbled endpapers, speckled edges.

Some repairs to the spine, occasional foxing.

Arbousset, a Protestant missionary and explorer, recounts the discovery of the Mont des Sources and offers vivid descriptions of the peoples among whom he lived: Bastaards or mixed-race communities, Hottentots, Bushmen, Kaffirs, etc.

Rare.

First edition of the French translation based on the second English edition, with additions drawn from Robert Adams's narrative in Africa, 1810. (cf. Gay 2788.)

Illustrated with 10 plates, including a frontispiece portrait of Mungo Park and a map showing his route from Kayee on the Gambia to Boussa on the Niger.

Contemporary full marbled tan sheep, smooth spine decorated with gilt fillets, garlands and fleurons, cream title labels, gilt dentelle and fillet frames on boards, marbled endpapers and pastedowns, gilt fillets on board edges, speckled edges.

Some wear with minor losses at head and foot of one joint, a few scuffs to the covers, occasional foxing, otherwise a ple

French edition translated from the English by Charles Athanase Walcknaer, illustrated with 8 folding maps inserted out of text: 5 in the first volume, 3 in the second (see Gay 2996).

Contemporary half purple sheep bindings, flat spines faded and decorated with gilt garlands, joints with some repairs, marbled paper boards, marbled endpapers, printed stamps to endpapers, occasional light foxing.

Very rare edition comprising the independent pre-publication of the first part of the major geological expedition to the Antilles and the islands of Tenerife and Fogo, a seven-volume quarto work also covering Guadeloupe, Martinique, and others.

Illustrated with 9 lithographed plates, including a folding map of the Cape Verde Islands and 6 tinted views.

Not recorded by Sabin in his entry on the Voyage.

Bound after, by the same author: Recherches sur les principaux phénomènes de météorologie et de physique générale aux Antilles, printed in Paris by Gide and J. Baudry in 1849.

Bradel binding in full black textured cloth, smooth spine decorated with blind fill

Illustrated edition featuring 6 charming lithographs, including 5 costume plates, executed by Madame Veuve Jobard in Dijon.

No copy listed in the CCF; not recorded by Vicaire or Colas.

Contemporary half brown sheepskin binding, spine slightly faded, gilt double fillets and decorative gilt rolls at head and foot, marbled paper boards, sprinkled edges.

Scattered foxing, small paper flaw on half-title.

A rare, wide-margined copy in period binding.

First edition, complete with the 15 etched portraits by Jeanron.
At the beginning of the volume, the index listing the engraved portraits has been discreetly marked in pencil in the left margin beside each name.
Scattered light foxing.

Contemporary red half shagreen binding, spine with four raised bands framed by double gilt fillets and broad black rules, some rubbing to the spine, marbled paper-covered boards faintly and very marginally faded, marbled endpapers and pastedowns, one split to an edge.

New edition, with 58 illustrated full-page plates including a frontispiece, all after P. A. Varin.
Full green velvet binding with silver edges, elaborately decorated with gilt gauffered rocaille motifs, and some blind stamped, with abundant onlays of blue, purple, cream and red vel­vet ; upper board with silver engraved crowned A[ve] M[aria] initials at center, "RGP" silver engraved initials at center of second board, both initials inside a wide red velvet inlay bordered with gilt gauffered motifs displaying the sheep­skin of the Order of the Golden Fleece at bottom, spine elaborately decorated with gilt rocaille motifs, silver engraved title label, silver clasps with pierced leafy des

First illustrated edition, in the very first issue and complete in a single volume; a three-volume issue, more common and published later in the course of 1836, was subsequently produced. With a frontispiece title and 11 steel-engraved plates hors-texte on heavy wove paper, after Johannot, Boulanger, Raffet, Rogier & Rouargue, engraved by Finden, Staines… The work is attractively printed in an airy type with generous margins, closely following the original edition published in 1831. The plate entitled "De l'utilité des fenêtres" is present; according to Clouzot it is most often lacking, as it was printed later than the initial release of the work.
Contemporary full wine-coloured morocc

First edition, illustrated with 72 hand-coloured plates hors texte (cf. Blackmer 300. Colas I, 545. Quérard II, 75. Brunet I, 1226.)

Uniformly bound in full mottled fawn calf, smooth spines slightly faded, decorated with gilt fillets, garlands and figures, red morocco lettering and volume labels, small wormholes at the foot of the spines of volumes 2 & 3, gilt rolls to the spine ends, covers framed with dog-tooth rolls, gilt fillets and garlands, marbled endpapers, gilt roll borders to the pastedowns, gilt dotted edges, all edges gilt, contemporary bindings.

Some rubbing to certain spines and spine ends, some corners bumped, our copy lacks the 5 leaves of binder's directions a

First edition illustrated with 80 plates hors texte. Each play is accompanied by one steel engraving and one wood engraving. The names appearing on the plates include Geoffroy, Verdeil, Rouargue, and Harvey, though most of the steel engravings — remarkably fine and often marked by a highly imaginative, at times visionary style — are unsigned.
Publisher’s original blue morocco-grain cloth binding, richly gilt, the spine lavishly decorated with a geometric interlace and foliate motifs; the boards with a large romantic blind-stamped frame and two distinct central designs, one depicting Falstaff, the other a composition with a lyre, a medallion, and related emblems. Slight damage at the up

First issue with three half-titles, three frontispieces, one heightened in gold, and richly illustrated with ornamental borders and in-text vignettes, together with fourteen full-page plates by Andrew Best Leloir and Levilly. Edition prepared from the 1704 text, revised and accompanied by a dissertation by Baron Silvestre de Sacy.
Rare publisher’s bindings in red half shagreen. Spines decorated with a large gilt ornamental panel featuring an oriental dancer at its centre, surrounded by multiple motifs inspired by the East. Large dark stain at the foot of volume two, as well as a narrow split to the leather measuring approximately 8 cm. Foxing and browning throughout. From p. 70 of volu

First-issue illustrated edition featuring 15 full-page plates and 100 in-text figures by Gustave Doré. This edition is considerably rarer than the well-known later Doré edition published by Garnier in folio format in 1873; moreover, the Garnier edition reused 98 illustrations from the Bry edition. Printed in two columns.
Twentieth-century half morocco binding with corners, in chocolate brown. Smooth spine decorated with gilt fillets. Brown calf title label. A good, fresh copy, with a few occasional scattered foxing.
"Cet ouvrage populaire est fort recherché aujourd'hui pour les puissantes compositions de Gustave Doré qui s'était fait la main pour son admirable illustration des Conte

First edition, never translated into english, and first issue of the fine steel engravings by Sainson.

The illustrations are distributed as follows:

• for the first volume: 141 plates hors-texte including a frontispiece, and 3 folding maps (Hawaii, Tahiti, and a general map of the voyages).
• for the second volume: 136 plates hors-texte, including a frontispiece, and 4 folding maps (Tonga Islands, Hawaii, Pacific Ocean, general map).
• Bindings in emerald green half polished sheep. Spines with four raised bands, decorated with rocaille tools. Red morocco title labels. Spines uniformly lightened. Minor rubbing.
• The steel-engraved plates, after drawi

A fine edition complete with all 12 steel engravings with tissue guards after paintings by Jean-Louis-Ernest Meissonier, Bartolomé Esteban Murillo, Philippe de Champaigne, and Hyacinthe Rigaud, and its chromolithographic title page. Leafs containing the Discourse on Universal History  framed by floral, zoomorphic, figural and armorial interlaced borders. This copy is further enhanced with elaborate decorated initials and tailpieces, and a black-and-white frontispiece opening each part.

First edition of the French translation by Grauert from the 1835 German first edition, specially revised by the author (hence the somewhat ambiguous designation of "new edition" on the title page and front board, as there was no previous French edition).

Illustrated with five engraved plates and eight vignette illustrations.

Contemporary half black calf with corners, spine with four raised bands decorated with gilt and blind fillets, slight rubbing to the spine, gilt fillet frames to the marbled paper boards, marbled endpapers and pastedowns, original pink wrappers preserved, bookplate pasted to a pastedown, contemporary binding signed J. Pernot at the foot of the spine.

First edition illustrated with 8 lithographed plates printed outside the text and protected by tissue guards.

Only two copies recorded in the CCF (BnF and ENC).

The sole edition, uncommon: in fact a miscellany assembled by Fanny Claudet (Madame Prosper Richomme), bringing together "orientalist" texts that had already become classics on this part of the Middle East (Chateaubriand, Lamartine, Poujoulat, Michaud, Francis Wey, etc.).

Very rare first edition, illustrated with two frontispieces, eighteen plates, and a folding map table bound at the end of the second volume.

Scattered foxing.

Half black shagreen bindings, smooth spines tooled in blind with fillets and small ornaments, gilt lettering at the foot of the spines showing some rubbing, marbled paper boards, marbled endpapers and pastedowns, light rubbing to the extremities, sprinkled edges, contemporary bindings.

Born at Versailles in 1809, Anne Jean-Baptiste Raffenel entered the Naval administration in 1825.

After several voyages, notably to Africa, the West Indies and the United States, he was posted to Senegal and from 1843 explo

First edition of this important first-hand account of the deportation and enforced stay in French Guiana of the counter-revolutionary journalist and songwriter Louis-Ange Pitou (1767–1846), placed under “preventive” arrest after the Directory’s coup d’état of 18 Fructidor, Year V [4 September 1797], sentenced to transportation, and released from exile only after 18 Brumaire (cf. Fierro, 1170. Sabin 63057. Leclerc 3445.)

The work is illustrated with two folding engraved frontispieces: La détention des déportés sur la frégate La Décade and Le désert de Konanama dans la Guyane.

Contemporary bindings in fawn calf, half-bound with small vellum corners, smooth spin

Different issue from the one dated An XI (1803), which itself is not firmly established as the true first edition (cf. Monglond VI 139–140; Quérard VI 326).

The work is illustrated with an etched frontispiece entitled « Frémissez ! voilà du joueur le sort inévitable !! » depicting a gambler blowing his brains out in a gaming room, amid general indifference.

Our copy is preserved in its original publisher’s wrappers, with a blank marbled paper provisional cover showing small losses at the corners.

A pleasing copy.

First edition of the illustrated French translation, with 2 maps (one folding), in-text figures, and 5 steel-engraved plates by Fauchery (see Chadenat 2669. Borba de Moraes does not mention the very brief passage devoted to the Rio stage of the journey (see volume III, p. 381), which is in fact rather insignificant).

Some foxing.

Contemporary romantic bindings in aubergine half sheep, smooth spines faded and decorated with gilt romantic arabesques, light wear to the headcaps, marbled paper boards, marbled endpapers and pastedowns, armorial bookplates pasted to the pastedowns, speckled edges.

The English traveller Richard Lander [1804–1834], originally trained as a pri

First edition, issued in a very small number as an offprint from the Bulletins de la Société d'encouragement pour l'industrie nationale, t. CXCI et CXCII.

Not recorded by Quérard.

The pamphlet is illustrated with three folding technical plates, engraved by Normand fils.

Bradel binding in paper-covered boards entirely clad in blue paper, with a black vertical spine label showing minor losses; a modern binding.

The work describes the apparatus devised by the chocolatier Auger, which made it possible to reduce any animal, vegetable or mineral substance to "poussières impalpables, aériformes ou éthérées".

Héricart de Thury, Chief Engineer in the Royal Co

First edition of the treatise "qui comprend la structure et les fonctions de la bouche, l'histoire de ses maladies, les moyens d'en conserver la santé et la beauté, et les opérations particulières à l'art du dentiste" (cf. Crowley 846. David p. 125. Poletti p. 49.)

Half brown calf binding, the smooth spine decorated with double gilt fillets and gilt panels; rubbing to the spine and joints; marbled paper boards, marbled endpapers and pastedowns; late 19th-century binding.

A few minor spots of foxing.

Illustrated with an engraved title-page, an allegorical frontispiece, and 13 copper-engraved plates printed hors texte.

Second edition, revised, corrected and enlarged, illustrated with 145 figures in the text (cf. Wellcome II, 457).

Spine and covers browned, with minor marginal losses; a few light foxing spots.

The first edition was published in 1847; this work constitutes only the second systematic treatise in French devoted to the subject, following that of Carron du Villards.

A former assistant to Sichel, Louis-Auguste Desmarres (1810-1882) was among the foremost ophthalmic surgeons of the nineteenth century.

First illustrated edition with 5 plates (cf. Coll. Émile Brouwet, II (2), 168).

Half black shagreen binding, smooth spine decorated with gilt and blind fillets, title lettered lengthwise in gilt, joints and caps rubbed, title repeated on the upper cover, paper labels pasted to the lower left corner of the upper cover and the upper left corner of the inside back cover, bookplate pasted to the inside back cover, original front wrapper preserved, corners worn, mid-19th-century binding.

Some light foxing.

The five finely line-engraved plates by Cavelier and Pierron after drawings by Pierre-Paul Prud’hon bring together a selection of pieces of imperial furniture.

The fi

First edition of this treatise, long regarded as the finest French-language work in its field (cf. Wellcome II, 305; Garrison & Morton 5853).

Contemporary-style half calf over marbled boards, the spine smooth and gilt with decorative garlands at head and tail, a reused black calf lettering-piece, marbled paper sides, blue-sprinkled edges, bookseller’s ticket of a distinguished firm mounted to a pastedown; a later binding.

Illustrated with 4 folding plates.

Foxing and some dampstaining to the plates, otherwise a clean and agreeable copy.

Carron du Villards (1801–1860), the son of a military physician distinguished during the Napoleonic campaigns, taught ophthalmolog

New edition, illustrated with a large folding line-engraved plate depicting all the animals mentioned in the text (cf. Cornet-Malagies, 158).

Half mottled fawn sheep with vellum tips, smooth spine gilt-ruled and tooled with gilt fillets, garlands and floral tools, marbled paper sides, marbled endpapers and pastedowns, marbled edges; a contemporary binding.

The author, a veterinary surgeon, had trained at Alfort.

Bound at the end, by DELACROIX, is a new edition of: "Le Nouveau maréchal-expert, ou Le Guide du du maréchal-ferrant, du vétérinaire, de l'écuyer, du propriétaire et de l'amateur ; avec un précis de la connaissance et du choix des chevaux, ânes et mulets ; de

First edition, with three folding plates and numerous hieroglyphs in the text.

A copy preserved in its original wrappers with temporary green paper covers, a title label affixed at the head of the spine.

Occasional foxing.

The German traveller and Orientalist Julius von Klaproth (1783–1835), one of the foremost linguists of his time, devoted himself chiefly to the languages of Asia, which he spoke almost all.

In this vehement critique of Champollion, published six months after the latter’s untimely death, he seeks—though not entirely in good faith—to call into question the method and results of the scholar from Grenoble, disputing in particular the priority and

First illustrated edition, featuring at the end of the volume 12 charming hand-coloured copper engravings depicting fashionable hairstyles and costumes (10), as well as furniture (2).

Contemporary binding in half midnight-blue calf, smooth spine decorated with lozenge tools and gilt fillets, gilt tail ornament, marbled paper boards, marbled endpapers, marbled edges.

The work is also illustrated with a portrait of Bonaparte as a frontispiece and one plate hors-texte.

Foxing, black ink stains to page 81.

This work, intended for an American readership, as stated in the Preface ("L'espèce de journal dont nous offrons ici le premier essai, ne contiendra que rarement

Rare first edition comprising a suite of 12 lithographs printed in colour on tinted grounds, numbered 1–12.

This series by the painter and lithographer Charles-Edouard de Beaumont (1821–1888), lithographed by Jaime, addresses the theme of children compelled to work from a very early age, exposed to street trades and itinerant entertainments.

Publisher’s half brown cloth over beige paper-covered boards, title stamped on the upper cover.

Some small tears and rubbing to the cloth spine, light dampstaining to the margins of the boards, occasional foxing, a small black mark to the upper cover.

The suite may be read either romantically or socially; in both cases it conve

First edition illustrated with 12 folding maps printed in outline and heightened with colour.

No copies recorded in the CCF.

Ink notes at the head of a front flyleaf; a few minor spots, not affecting the text.

Bradel binding in full boards covered with navy-blue paper, smooth spine ruled in gilt, yellow edges, corners rubbed; a contemporary binding.

Sole edition of this collection, conceived as a series of "touristic" itineraries.

Each section is separately paginated.

The author, a painter and naturalist based in Spa, also published several minor works on mineralogy (cf. Del Vaux, *Dictionnaire biographique de la province de Liège*, Liège, 1845).

New edition, partly original, expanded with a survey of Persia from the earliest times to the present day, together with annotations by the Orientalist and librarian Louis-Mathieu Langlès (cf. Quérard II, 133; Schwab p. 18; lacking in Blackmer and Atabey).

Contemporary full mottled calf, smooth spines gilt with decorative rolls and tools, black morocco-style shagreen lettering- and volume-pieces, gilt rolls on the caps (partly faded), gilt dentelle borders on the boards, marbled endpapers and pastedowns, marbled edges.

For the folio atlas: contemporary half calf in fawn, smooth spine gilt with rolls and tools, brown lettering-piece, spine with some rubbing and restorations,

First edition illustrated with 3 folding tables printed on separate leaves in the second text volume and 45 engraved plates, single or folding (3 maps, 42 plans and picturesque views), most with tissue guards, in the atlas volume.

Cf. Gay 266. Toussaint & Adolphe D1100. Ryckebusch II, 5713.

Some foxing throughout the text volumes and atlas.

Bindings in half black glazed calf with corners, smooth spines decorated with gilt fillets, circles and large gilt fleurons, burgundy calf lettering and volume-numbering labels, boards covered in paste paper with a cold-stamped garland border, light rubbing to spines and boards, bindings slightly later for the text volumes; the atl