Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.
Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.
Scattered foxing.
Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.
A handsomely preserved copy in a period romantic binding.
Rare first edition illustrated with 10 folding plates, including 5 grammatical tables and 5 plates of calligraphy.
Not recorded in Blackmer, Atabey or Hage Chahine.
Half olive-green calf, spine with four raised bands framed with gilt garlands and decorated with small blind-stamped floral tools, black morocco title and author labels, marbled paper boards, comb-marbled endpapers and pastedowns, modern binding.
Spine slightly darkened, small paper losses to the upper right corners of the first leaves not affecting the text, some foxing mainly at the end of the volume. Much better known for his role in the mission sent by Napoleon to the Shah of Persia to negotiate a...
First edition of this splendid lithographed album by A. Bayot, Eugène Cicéri, and Morel Fatio, comprising a lithographed title on a tinted background, a line-engraved map by Avril, and 15 color lithographs on tinted grounds.
Contemporary black half shagreen binding with corners, spine with five raised bands and blind-stamped double fillets, cherry-red shagreen title label (with minor losses) mounted on the upper cover, black paper-covered boards, white moiré silk endpapers and pastedowns, endpapers slightly foxed and creased, all edges gilt, the binding recently restored.
Scattered foxing, a few faint marginal dampstains, one stain at the head of the final plate.
...
Second illustrated edition, with five plates, including one hand-coloured, one partly coloured, and one aquatint (cf. Sinkankas 4286; Borba de Moraes 542; not in Sabin).
Half beige sheep binding, smooth spine with some rubbing, marbled paper boards, marbled endpapers and pastedowns; modern binding signed Houdart.
Some light foxing; numerical notes in the upper right corner of the half-title.
An interesting work, largely devoted to the diamonds of Brazil.
First published in 1813 and reprinted in 1815, this edition—despite the statement on the title page—would thus be the third rather than the second (cf. Borba de Moraes). “Largely concerns Brazilian diamonds and...
Composite edition combining seven volumes from the very first collected edition with others from various reissues published between 1836 and 1852. Volumes 15 to 30 (1839-1852) each include an engraved title with a vignette and two illustrated plates; the earlier editions, covering volumes 1 to 15 (1830-1836) did not contain illustrations.
Half polished calf bindings in Restoration style. Smooth spines decorated with a central panel richly gilt in grotesque design, gilt and blind-tooled motifs at head and foot of spine, also ruled in gilt. Small tear to the spine-ends of volumes 5 and 9. Volumes 25 and 26 show some surface loss to the leather on the boards.
A handsome...
First edition of the first of Étienne Geoffroy Saint-Hilaire’s essays on “Philosophie anatomique.”
Illustrated with 10 folding plates drawn by Huet and engraved by Plée père, containing 116 figures (cf. Agassiz III, p. 29, no. 51; British Museum (Natural History) II, p. 656; Engelmann I, p. 263; Quérard III, 320; DSB V, 355-358; Cahn (Th.), La vie et l’œuvre d’Étienne Geoffroy Saint-Hilaire, pp. 81-112).
Bradel binding in full marbled paper boards, smooth spine with black morocco title label, modern binding signed by Thomas Boichot.
Some foxing to the plates.
Based on a meticulous examination of the various anatomical structures of the respiratory organs...
New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.
Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.
Our copy contains 13 engraved plates, some serving as frontispieces.
Scattered foxing, a few leaves browned due to paper acidity.
A copy in...
First illustrated edition, with four folding plates bound at the end of the volume (cf. Tailliart 1979).
Contemporary half green calf binding, flat spine faded and yellowed, decorated with a gilt cartouche and ornamental tooling at head and tail, caps trimmed, joints fragile, marbled paper boards, hand-marbled endpapers and pastedowns, sprinkled edges, period binding.
Some foxing.
In fact, this pamphlet was intended as the first of a series, hence the general title; however, only this installment was ever published. The secondary title specifies the subject of the volume: "Relation d'une excursion de Bône à Guelma et à Constantine, par sir Grenville Temple et le...
First edition of the French translation prepared by A. J. B. Defauconpret (see Brunet III, 555; Quérard IV, 230; not in Field).
The work is illustrated with 20 charming aquatint plates, 6 of them hand-coloured, and a folding plan. The English first edition contained only 13 aquatints.
Contemporary Bradel bindings in full sand-coloured paper boards, red morocco spine labels for title and volume numbers (partly faded), flat spines gilt with a central floral tool, light rubbing to spines, upper caps slightly worn, two corners bumped, entirely uncut. Period bindings.
Pleasant, clean internal condition.
Johnson was a British officer in India who chose to return to...
Second edition; the first having been destroyed by the author himself. Cf. Louandre et Bourquelot, III, p. 149: "Il y a eu de cet ouvrage une première édition anéantie par l'auteur avant toute émission, et dont il n'est peut-être pas échappé un exemplaire." "(L'auteur) s'est efforcé de rendre avec fidélité les impressions qu'il a éprouvées, et les renseignemens qu'il a obtenus ont été puisés aux sources les plus respectables."
Half calf bindings in light brown, smooth spines decorated with double gilt fillets, black morocco title and volume labels, a small hole at the foot of the spine of the first volume, marbled paper boards, upper corners slightly rubbed, sprinkled...
Fine copy of the illustrated new edition of 1820, printed in 4 volumes, enriched with The Influence of Women during the Empire and historical notes by Charles Nodier.
Half burgundy embossed shagreen, smooth spine decorated with gilt friezes and fillets, marbled paper boards, yellow-stained edges. Corners of headcaps rubbed, wear to joints and some foxing. Scratch to spine of volume 2.
This copy contains 4 frontispieces engraved by Ad. Godefroy after drawings by Chasselat. The title pages of the four...
First edition in book form; the rare original edition was issued in parts between 1845 and 1856 (Brunet, I, 1707. Garrison and Morton reference three works by Cazenave on skin diseases).
Illustrated with 60 large and striking hand-colored plates.
Contemporary half red shagreen binding, spine with five raised bands adorned with double gilt and black fillets, sides covered in marbled “cat’s eye” paper, some rubbing to the upper portion of the front board, endpapers and pastedowns in combed marbled paper, corners a bit worn; later binding.
Minor foxing, a pleasing copy overall.
First edition and definitive and posthumous edition, arranged in strict chronological order, of a very rare iconographic series whose publication had begun as early as 1806 in somewhat disorderly instalments, but was never completed (only 49 instalments had appeared at the author’s death).
Cf Brunet V, 1453.
Work illustrated with 300 plates: lithographed and watercoloured title-frontispiece and 149 engraved plates, most finely hand-coloured, for the first volume; 150 plates for the second.
Contemporary bindings in half cherry-red morocco-grained shagreen with corners, spines with five raised bands decorated with blind fillets and panels, some minor rubbing to spines...
First edition of this important album devoted to Algiers and several towns of the Regency, published in Paris by Charles Motte in 1835. The work comprises 50 lithographs on mounted China paper after drawings by Émile-Aubert Lessore and William Wyld, printed by Charles Motte. It was first issued in five thematic parts devoted to buildings, landscapes, types and scenes, before being gathered into a single volume. Cf. Gérard Sangnier, Bibliothèque algérienne, no. 207; Playfair, 517; Tailliart, 896; Gay, 919; Brunet III, 1018. Not in Blackmer.
Complete set of 115 copper-engraved plates with an additional plate (116 plates), all printed on either laid or wove paper, all hand-colored with watercolor. Two entirely different plates 39 follow each other, in first issue: "Les Titus et les cache-folies" was published in the 1817 and 1822 sets, and the other "La Politicomanie" appeared in 1827. This is the most complete series, which also includes the 11 new plates published from 1818 to 1822, numbered 105 to 115.
According to Vicaire, the plates were probably all printed between 1801 and 1822, and only the text preceding the plates was reprinted in 1827.
3/4 long-grained cherry half-morocco...
First edition of this architectural collection, published in Paris in 1821 by Bance aîné and comprising seventy-two numbered etched plates. These are preceded by two distinct preliminary elements: a letterpress title page giving the author’s name as “Schuelt”, and a fully engraved title with a vignette signed by Henry J. Picou, retaining the earlier title Recueil de divers motifs d’architecture and spelling the name “Seheult”. The coexistence of these forms reflects the historical instability of the family name, which was only gradually standardised as Seheult through subsequent civil-status corrections.
First and only edition of this beautiful album, illustrated with a double-page map and 12 mounted plates after drawings by the author, including 11 aquatints offering spectacular views of the island.
The half-title page bears the following title: Voyage pittoresque aux îles Hébrides.
Some occasional spotting, otherwise a pleasing copy of this album.
Contemporary full purple shagreen binding, spine with four raised bands, compartments decorated with blind-ruled panels, minor rubbing to spine, covers framed with double blind fillets and scrollwork, marbled endpapers and pastedowns, gilt dentelle border on pastedowns, gilt dots along the edges, all edges gilt...
First edition, illustrated with 11 lithographed plates by Théodule Devéria and printed by Kaeppelin.
Some occasional foxing.
Rare.
First edition of this exceptionally rare complete set of twelve dance scores, each comprising a color-printed wrapper and five leaves (title page, four numbered pages of engraved music, and one blank leaf). All covers were lithographed and hand-colored using stencil techniques by Adolphe Cathelin, whose name appears on the title pages.
The musical works are by composers Alexandre Croisez, Alexandre Artus, Eugène Dupuis, Camille Michel, Alphonse Leduc, Émile Waldteufel, Voctir-Auguste Dolmetsch, Félix Joufferoy, and Antony Lamotte.
Contemporary half green calf binding, smooth spine decorated with gilt and blind-stamped fillets and dotted lines, joints rubbed; granite-patterned...
First and only edition of this remarkable lithographed album devoted to Toledo, published in parts at Madrid between 1847 and 1848 under the direction of Doroteo Bachiller, Lithographer to the King, with the collaboration of several distinguished artists, among them José Vallejo y Galeazo, Andreas Pic de Leopold and Luis Carlos Legrand.
Picturesque views of the city alternate with studies of its most remarkable architectural details, forming one of the most ambitious Spanish lithographic enterprises of the mid-nineteenth century. The work is absent from the Katalog der Ornamentstichsammlung of...
First and only illustrated edition with 12 engraved plates on India paper, under serpents.
Restored spine with minor tears, slight marginal tears on the boards, a crease on the corner of the second board, otherwise in pleasant interior condition.
The eighth Duke of Luynes (1802-1867) gained a significant reputation as an archaeologist, numismatist, and art collector.
Album comprising 44 plates of Breton costumes, the first two drawn in pencil, the others delicately watercoloured, mounted on heavy paper, some with captions, unsigned.
Bound in contemporary half green sheep, spine decorated with gilt and black fillets, gilt garlands and fleurons, some rubbing to the spine, embossed cherry-red cloth boards, bumped corners, a few scuffs along the edges.
A handsome album of Breton costumes in the manner of Hippolyte Lalaisse and his Galerie armoricaine of 1848.
Particularly focused on the Breton-speaking departments (Western Morbihan and Finistère): 1. [Seated bagpipe player]. – 2. [Peasant dance]. – 3. Woman from the Auray area...
First edition, in its first issue with the imprint of the Imprimerie de Tencé frères, Brussels, 1828. The text volume is illustrated with a portrait of Bernard Eugène Antoine Rottiers, lithographed by J. Van Genk after Sir Thomas Lawrence; the atlas contains an engraved map, numbered 1, and 74 lithographic plates numbered 2 to 75, plate 27 being mistakenly numbered 17. Eight plates are hand-coloured: nos. 28, 41, and 61 to 66. The text volume was reissued in 1830 under a new imprint; the present issue is the true first publication of the work.
The text volume is bound in contemporary half dark green morocco, the spine with four raised...
Extremely rare volume illustrated with 12 fine full-page lithographs by Ferdinand Perrot.
Contemporary binding in aubergine half shagreen, flat spine decorated with gilt fillets and dotted lines, some rubbing to the spine, marbled paper-covered boards, marbled endpapers and pastedowns, corners slightly bumped.
Scattered foxing, some leaves toned due to paper acidity, author's name handwritten in white ink at the head of the spine.
Bookplate of A. Hennique mounted on a blank endpaper, with the motto "la vie est un voyage".
First edition of this celebrated illustrated publication, issued in Paris by H.-L. Delloye in 84 parts between February 1842 and October 1843 and subsequently gathered into three volumes. Carteret described it as an “admirable publication printed on stout wove paper [...] one of the finest of the 19th century”, comparing the quality of its production to that of the great illustrated books of the 18th century. Carteret III, 143-153; Vicaire II, 234-248.
The first volume comprises 5 unnumbered leaves - half-title...
Highly interesting collection attributed either to the geographer Georges-Louis Le Rouge (according to Polak), or to the civil engineer La Serre (based on a manuscript version held at the Municipal Library of Le Havre).
Contemporary half Havana calf binding, smooth spine richly decorated with five gilt fillets and blind-stamped naval anchors, some minor restorations to joints, small green vellum corners, marbled paper boards, endpapers and pastedowns marbled à la cuve. Binding dating from the mid-19th century.
The work comprises 35 engraved plates depicting the plans of 42 ports.
From north to south, and west to east: 1. Antwerp. – 2. Flushing. – 3. Ostend. – 4. Dunkirk...
Handsome Greek printing of the Psalter according to the Septuagint, followed by traditional Biblical hymnology and a weekly recitation guide.
Illustrated with a charming woodcut depicting David.
Contemporary black cloth-backed marbled boards, spine unlettered and slightly faded, blue endpapers and pastedowns.
Occasional foxing, otherwise clean and well-preserved throughout.
Rare first edition including a general map of Africa, compiled from the most reliable observations and the latest discoveries, as well as 8 finely engraved plates (cf. Clozel 505; Gay 2897).
The 8 illustrations comprise: one folding view, three folding maps and plans, a key chart for the plan of Gorée, and three portraits of indigenous figures.
Some restorations and water stains affecting a few leaves.
Contemporary half calf binding, smooth spine decorated with gilt garlands, floral tools, and urns; red morocco title and volume labels, marbled edges.
Born in Colmar, Sylvain-Meinrad-Xavier de Golbéry (1742–1822) spent his entire military career in the Corps of...
First edition, illustrated with 18 copper-engraved plates in the first volume and 22 copper-engraved plates in the second.
Contemporary bindings in green half shagreen, spines with four raised bands, decorated with blind-ruled fillets and double gilt panels with ornamental cornerpieces; minor rubbing to the spines, boards in green paper-covered cardboard with blind-stamped frames and a few minor surface abrasions, heavily bumped corners. Endpapers and pastedowns of white moiré silk slightly soiled at margins as often, all edges gilt.
Foxing.
A compilation of selected excerpts from the most celebrated travel narratives.
Jacques-Bernard Hombron (1798–1852), a naval...
Paris, Auguste Nepveu, bookseller, Passage des Panoramas, 1821. Quarto, xxviii and 462 pages.
A new edition of the Fables, described on the title page as "more complete than the preceding editions", illustrated with 110 half-page intaglio engravings printed within the text and an engraved title vignette. In the present copy, all 111 compositions have been finely coloured by hand. Rochambeau, 305; Desprès, p. 142, no. 63.
Twentieth-century full green calf, smooth spine decorated with gilt fillets, rolls and floral tools, gilt rolls to the headcaps...
Very rare first edition illustrated with 40 lithographs (cf. Colas 1581, Mayfair, Algeria, 751, Tailliart, 1001, *Iconographie de l'Algérie*).
A few minor spots of foxing; the front free endpaper is slightly creased at the margin, not affecting the text.
The 40 plates, printed on 37 leaves, are arranged as follows: 37 black lithographs including one plan and one folding map (plates 11–12, [37–38], and [39–40] are printed on single leaves).
Among the rarest and most beautiful illustrated albums devoted to Algeria, this edition comprises 40 lithographic plates printed in black across 37 leaves. The map of the Regency of Algiers and the views of Algiers and Constantine...
First edition, illustrated with a folding map and 11 tinted lithographic plates (cf. Gay 3137).
Contemporary half aubergine sheep, smooth spine ruled and lettered in gilt, some rubbing to hinges, one joint fragile, marbled paper-covered boards, marbled endpapers, speckled edges.
Some repairs to the spine, occasional foxing.
Arbousset, a Protestant missionary and explorer, recounts the discovery of the Mont des Sources and offers vivid descriptions of the peoples among whom he lived: Bastaards or mixed-race communities, Hottentots, Bushmen, Kaffirs, etc.
Rare.
First edition of the French translation based on the second English edition, with additions drawn from Robert Adams's narrative in Africa, 1810. (cf. Gay 2788.)
Illustrated with 10 plates, including a frontispiece portrait of Mungo Park and a map showing his route from Kayee on the Gambia to Boussa on the Niger.
Contemporary full marbled tan sheep, smooth spine decorated with gilt fillets, garlands and fleurons, cream title labels, gilt dentelle and fillet frames on boards, marbled endpapers and pastedowns, gilt fillets on board edges, speckled edges.
Some wear with minor losses at head and foot of one joint, a few scuffs to the covers, occasional foxing, otherwise a...
French edition translated from the English by Charles Athanase Walcknaer, illustrated with 8 folding maps inserted out of text: 5 in the first volume, 3 in the second (see Gay 2996).
Contemporary half purple sheep bindings, flat spines faded and decorated with gilt garlands, joints with some repairs, marbled paper boards, marbled endpapers, printed stamps to endpapers, occasional light foxing.
Very rare edition comprising the independent pre-publication of the first part of the major geological expedition to the Antilles and the islands of Tenerife and Fogo, a seven-volume quarto work also covering Guadeloupe, Martinique, and others.
Illustrated with 9 lithographed plates, including a folding map of the Cape Verde Islands and 6 tinted views.
Not recorded by Sabin in his entry on the Voyage.
Bound after, by the same author: Recherches sur les principaux phénomènes de météorologie et de physique générale aux Antilles, printed in Paris by Gide and J. Baudry in 1849.
Bradel binding in full black textured cloth, smooth spine decorated with blind...
Illustrated edition featuring 6 charming lithographs, including 5 costume plates, executed by Madame Veuve Jobard in Dijon.
No copy listed in the CCF; not recorded by Vicaire or Colas.
Contemporary half brown sheepskin binding, spine slightly faded, gilt double fillets and decorative gilt rolls at head and foot, marbled paper boards, sprinkled edges.
Scattered foxing, small paper flaw on half-title.
A rare, wide-margined copy in period binding.
First edition, complete with the 15 etched portraits by Jeanron.
At the beginning of the volume, the index listing the engraved portraits has been discreetly marked in pencil in the left margin beside each name.
Scattered light foxing.
Contemporary red half shagreen binding, spine with four raised bands framed by double gilt fillets and broad black rules, some rubbing to the spine, marbled paper-covered boards faintly and very marginally faded, marbled endpapers and pastedowns, one split to an edge.
New edition, with 58 illustrated full-page plates including a frontispiece, all after P. A. Varin.
Full green velvet binding with silver edges, elaborately decorated with gilt gauffered rocaille motifs, and some blind stamped, with abundant onlays of blue, purple, cream and red velvet ; upper board with silver engraved crowned A[ve] M[aria] initials at center, "RGP" silver engraved initials at center of second board, both initials inside a wide red velvet inlay bordered with gilt gauffered motifs displaying the sheepskin of the Order of the Golden Fleece at bottom, spine elaborately decorated with gilt rocaille motifs, silver engraved title label, silver clasps with pierced leafy...
Seven octavo volumes bringing together, in uniform contemporary bindings, the greater part of La Fontaine’s Works in the critical edition prepared by Charles-Athanase Walckenaer and published in Paris by Lefèvre in the early 1820s, with one important distinction: in place of the volume of Contes et nouvelles en vers originally intended for the set, an independent edition, abundantly illustrated after Eisen and published in Paris by the Libraires associés in 1791-1796, has been substituted.
First collected edition, partly first edition, of the works of Bernardin de Saint-Pierre, published in Paris by Méquignon-Marvis in 1818, four years after the author’s death. Twelve octavo volumes, printed by L.-T. Cellot.
The illustration comprises a frontispiece portrait of Bernardin, drawn by Girodet-Trioson and engraved by Frédéric Lignon, together with 26 hors-texte plates after Girodet, Desenne, Lafitte, Moreau le Jeune, Prud’hon, Vernet and Isabey; these include a folding map of the Atlantic hemisphere and several botanical plates. As is often the case with this edition, the engravings have been bound in a somewhat irregular order, several suites having their own...
A uniformly bound set of four volumes, comprising the three authentic Tours of Doctor Syntax by William Combe and Thomas Rowlandson, together with the celebrated apocryphal volume devoted to London.
The first volume, The Tour of Doctor Syntax in Search of the Picturesque, is the fifth edition, published in London by R. Ackermann on 16 August 1813, with new plates. The next two volumes are the first editions of The Second Tour of Doctor Syntax in Search of Consolation, London, R. Ackermann, 1820, and The Third Tour of Doctor Syntax in Search of a Wife, London, R. Ackermann, 1821, whose preface is signed and dated 1 May. The fourth, The...
Illustrated edition with 600 original vignettes by Jean Gigoux, accompanied by an engraved frontispiece and a portrait of Gil Blas on chine, bound in between the address to the reader and the first chapter.
Copy of the first issue, complete with all the characteristics noted by Carteret that distinguish it from the second issue.
Half green long-grained Russia morocco binding, sides in green paste paper, smooth spine decorated with gilt compartments and three blind-stamped floral plaques with gilt accents, gilt title and date, stone paper pastedowns. Some rubbing to the binding, corners and edges slightly worn, occasional foxing and soiling to a few leaves.
Bookplate...
First edition of the Gospels in the translation by Pierre Dassance, illustrated with a chromolithographed frontispiece after a drawing by Langlois, engraved by Cyprien Jacquemin, an engraved title-page for each Gospel by Brevière, twelve steel-engraved plates after drawings by Tony Johannot, two hand-coloured maps, and ten engravings after drawings by Charles Marville on chine. Numerous ornamental borders, tailpieces, headpiece vignettes and initials. The frontispiece and the vignette with the initial letter on page IX of the first volume are gilt and hand-coloured.
Publisher's bindings in full long-grain midnight-blue morocco, covers blind-stamped, gilt central plaques on each...
First bilingual English-French edition, illustrated with three engraved title pages and one hundred and thirty-two steel-engraved plates after drawings by Samuel Prout and James Duffield Harding, with tissue guards.
Publisher's brown half-chagrin bindings, boards in blind-stamped percaline, a gilt trophy at the centre of each board, a small gilt coat of arms at the head of the upper board of each volume, spines richly gilt with ornamental tooling, bilingual title and volume number gilt-lettered on the spines, yellow paper endpapers, gilt edges. Spines and corners lightly rubbed, some scuffing, one joint of the third volume split at the foot, occasional foxing.
...
First French edition, with a colour frontispiece, two engraved title pages from the English edition, and sixty-one full-page plates under tissue guards, two volumes bound in one.
Full green glazed calf, covers blind-stamped with gilt-tooled borders, spine with four raised bands decorated with gilt fillets, blind-stamped motifs between the bands, gilt fillets on the headcaps, title and gilt-stamped ex-dono inscription ("offert à Madame Ramaeckers") on the spine, gilt-tooled board edges, blind-stamped border on the pastedowns, pink paper pastedowns, gilt edges, a fine Romantic binding attributable to Thouvenin jeune. Binding sunned and lightly rubbed with...
First edition, first issue, illustrated with an engraved frontispiece printed on mounted China paper and 120 wood-engraved plates by Grandville. From 1839 onwards, subsequent printings incorporated the wood engravings within the text and the frontispiece was printed on ordinary paper. Two issues were published by Fournier in 1838. The first issue may be identified by the captions to the engravings ending with a full stop; on page XIII of the Life of Aesop, the capital letter N is formed of looping lines, whereas in the second issue it is composed of small black-and-white squares. This distinction between the two issues is seldom noted. Our copy combines features of both issues: all the...
First edition, superbly illustrated with 200 full-page plates and 120 in-text vignettes by Grandville. Second-issue printing, with the errors corrected. It may be identified by the fact that, in the first issue, the opening third of the volume was printed on tinted wove paper, whereas this second issue was entirely printed on uniform white paper; the frontispiece no longer bears the title Badigeneographie but instead Des affiches seront, d'après ses ordres....
Publisher's original full green ribbed percaline binding, decorated with special blocking tools commissioned by Hetzel specifically for this edition. Smooth spine stamped with tortoise, butterfly and beetle...
Revised and expanded edition, corrected throughout and supplemented with previously unpublished documents, preceded by a biographical notice of the author and followed by notes by Edmond Biré.
Contemporary half red shagreen binding, smooth spine richly decorated with gilt Romantic arabesques, marbled paper boards framed with a gilt fillet, marbled endpapers, top edge gilt, signed binding by Flammarion.
Illustrated with 59 etchings engraved by Adolphe Lalauze after the watercolours of Eugène Lami.
A pleasing copy, attractively bound.
This illustrated volume with 58 engraved plates numbered 1-57 (including a plate 15bis) serves as the atlas to the two text volumes of the Manual of Navigation to the West Coast of Africa, issued in 1851.
Not in Polak, although that bibliography carefully records all the author’s other works, as well as the extracts derived from the Manual.
Some foxing, a light marginal waterstain to the right margin of all leaves.
Contemporary half navy blue cloth, smooth spine ruled in blind, paper losses and abrasions to the marbled paper boards, a small label pasted at the head of the upper cover, a few nicks to the edges, corners rubbed.
A lieutenant in the French Navy...
Belgian edition reproducing the text of the original edition published in Paris by Charpentier in 1854, issued here in only two volumes.
Illustrated with 6 plates hors-texte, including 3 engraved frontispieces and 3 views (cf. Cordier, Sinica, 2118.)
Contemporary half black shagreen binding, spine with four raised bands decorated with blind fillets and gilt garlands, rubbing to the spine, marbled paper boards, marbled endpapers and pastedowns, corners worn, small chips to the edges, speckled edges, contemporary binding.
The map present in the original edition was not included by the Belgian publishers, although the engravings are specific to this issue.
Published...
First edition of the French translation, illustrated with 14 hand-coloured engravings depicting costumes (cf. Colas 961.)
Bindings in blue half morocco, spines slightly faded, with five raised bands and minor rubbing, dates gilt at the foot, illustrated wrappers preserved, marbled paper boards, comb-marbled endpapers and pastedowns, marbled top edges, corners slightly bumped.
Foxing, small paper flaw to the corner of page 37 and misbound leaves in volume 1.
First edition, published in Paris by Nepveu in 1812 in six volumes, illustrated with 72 engraved plates by Lambert, most of them reduced from those in Dalvimart’s Costume of Turkey, published in London in 1802. Complete with all plates; without the binder’s directions and the leaf concerning the orthography of Arabic words, both of which are absent from many copies.
Contemporary full mottled tan calf. Smooth spines, slightly faded, decorated with gilt...
First edition illustrated with 80 plates hors texte. Each play is accompanied by one steel engraving and one wood engraving. The names appearing on the plates include Geoffroy, Verdeil, Rouargue, and Harvey, though most of the steel engravings — remarkably fine and often marked by a highly imaginative, at times visionary style — are unsigned.
Publisher’s original blue morocco-grain cloth binding, richly gilt, the spine lavishly decorated with a geometric interlace and foliate motifs; the boards with a large romantic blind-stamped frame and two distinct central designs, one depicting Falstaff, the other a composition with a lyre, a medallion, and related emblems. Slight damage at the...
First issue with three half-titles, three frontispieces, one heightened in gold, and richly illustrated with ornamental borders and in-text vignettes, together with fourteen full-page plates by Andrew Best Leloir and Levilly. Edition prepared from the 1704 text, revised and accompanied by a dissertation by Baron Silvestre de Sacy.
Rare publisher’s bindings in red half shagreen. Spines decorated with a large gilt ornamental panel featuring an oriental dancer at its centre, surrounded by multiple motifs inspired by the East. Large dark stain at the foot of volume two, as well as a narrow split to the leather measuring approximately 8 cm. Foxing and browning throughout. From p. 70 of...
First-issue illustrated edition featuring 15 full-page plates and 100 in-text figures by Gustave Doré. This edition is considerably rarer than the well-known later Doré edition published by Garnier in folio format in 1873; moreover, the Garnier edition reused 98 illustrations from the Bry edition. Printed in two columns.
Twentieth-century half morocco binding with corners, in chocolate brown. Smooth spine decorated with gilt fillets. Brown calf title label. A good, fresh copy, with a few occasional scattered foxing.
"Cet ouvrage populaire est fort recherché aujourd'hui pour les puissantes compositions de Gustave Doré qui s'était fait la main pour son admirable illustration des...
First edition, never translated into english, and first issue of the fine steel engravings by Sainson.
The illustrations are distributed as follows:
A fine edition complete with all 12 steel engravings with tissue guards after paintings by Jean-Louis-Ernest Meissonier, Bartolomé Esteban Murillo, Philippe de Champaigne, and Hyacinthe Rigaud, and its chromolithographic title page. Leafs containing the Discourse on Universal History framed by floral, zoomorphic, figural and armorial interlaced borders. This copy is further enhanced with elaborate decorated initials and tailpieces, and a black-and-white frontispiece opening each part.
First edition of the French translation by Grauert from the 1835 German first edition, specially revised by the author (hence the somewhat ambiguous designation of "new edition" on the title page and front board, as there was no previous French edition).
Illustrated with five engraved plates and eight vignette illustrations.
Contemporary half black calf with corners, spine with four raised bands decorated with gilt and blind fillets, slight rubbing to the spine, gilt fillet frames to the marbled paper boards, marbled endpapers and pastedowns, original pink wrappers preserved, bookplate pasted to a pastedown, contemporary binding signed J. Pernot at the foot of the spine.
...New illustrated edition featuring 15 naive woodcuts, including one on the rear cover.
No copies recorded in the CCF (Collective Catalogue of France).
Pleasant and rare copy.
This small illustrated tale, primarily serving as an opportunity to showcase all familiar animals within a single narrative, is part of the "penny books" series—the equivalent of our own chapbooks intended for the most modest audiences.
It is traditionally attributed to the publisher, John Golby Rusher (1784–1877), who took over his father’s printing business (William Rusher) and specialized in children’s literature.
First edition illustrated with 8 lithographed plates printed outside the text and protected by tissue guards.
Only two copies recorded in the CCF (BnF and ENC).
The sole edition, uncommon: in fact a miscellany assembled by Fanny Claudet (Madame Prosper Richomme), bringing together "orientalist" texts that had already become classics on this part of the Middle East (Chateaubriand, Lamartine, Poujoulat, Michaud, Francis Wey, etc.).
Very rare first edition, illustrated with two frontispieces, eighteen plates, and a folding map table bound at the end of the second volume.
Scattered foxing.
Half black shagreen bindings, smooth spines tooled in blind with fillets and small ornaments, gilt lettering at the foot of the spines showing some rubbing, marbled paper boards, marbled endpapers and pastedowns, light rubbing to the extremities, sprinkled edges, contemporary bindings.
Born at Versailles in 1809, Anne Jean-Baptiste Raffenel entered the Naval administration in 1825.
After several voyages, notably to Africa, the West Indies and the United States, he was posted to Senegal and from 1843...
First edition of this important first-hand account of the deportation and enforced stay in French Guiana of the counter-revolutionary journalist and songwriter Louis-Ange Pitou (1767–1846), placed under “preventive” arrest after the Directory’s coup d’état of 18 Fructidor, Year V [4 September 1797], sentenced to transportation, and released from exile only after 18 Brumaire (cf. Fierro, 1170. Sabin 63057. Leclerc 3445.)
The work is illustrated with two folding engraved frontispieces: La détention des déportés sur la frégate La Décade and Le désert de Konanama dans la Guyane.
Contemporary bindings in fawn calf, half-bound with small vellum corners, smooth...
Different issue from the one dated An XI (1803), which itself is not firmly established as the true first edition (cf. Monglond VI 139–140; Quérard VI 326).
The work is illustrated with an etched frontispiece entitled « Frémissez ! voilà du joueur le sort inévitable !! » depicting a gambler blowing his brains out in a gaming room, amid general indifference.
Our copy is preserved in its original publisher’s wrappers, with a blank marbled paper provisional cover showing small losses at the corners.
A pleasing copy.
First edition of the illustrated French translation, with 2 maps (one folding), in-text figures, and 5 steel-engraved plates by Fauchery (see Chadenat 2669. Borba de Moraes does not mention the very brief passage devoted to the Rio stage of the journey (see volume III, p. 381), which is in fact rather insignificant).
Some foxing.
Contemporary romantic bindings in aubergine half sheep, smooth spines faded and decorated with gilt romantic arabesques, light wear to the headcaps, marbled paper boards, marbled endpapers and pastedowns, armorial bookplates pasted to the pastedowns, speckled edges.
The English traveller Richard Lander [1804–1834], originally trained as a...
First edition, issued in a very small number as an offprint from the Bulletins de la Société d'encouragement pour l'industrie nationale, t. CXCI et CXCII.
Not recorded by Quérard.
The pamphlet is illustrated with three folding technical plates, engraved by Normand fils.
Bradel binding in paper-covered boards entirely clad in blue paper, with a black vertical spine label showing minor losses; a modern binding.
The work describes the apparatus devised by the chocolatier Auger, which made it possible to reduce any animal, vegetable or mineral substance to "poussières impalpables, aériformes ou éthérées".
Héricart de Thury, Chief Engineer in the Royal...
First edition, illustrated with 11 plates printed outside the text and bound in at the end of the volume.
Some tears with small losses to the spine and to the margins of the covers, a dampstain to the right-hand margin (not affecting the text) on the text leaves.
A copy preserved in its original wrappers.
First edition of the treatise "qui comprend la structure et les fonctions de la bouche, l'histoire de ses maladies, les moyens d'en conserver la santé et la beauté, et les opérations particulières à l'art du dentiste" (cf. Crowley 846. David p. 125. Poletti p. 49.)
Half brown calf binding, the smooth spine decorated with double gilt fillets and gilt panels; rubbing to the spine and joints; marbled paper boards, marbled endpapers and pastedowns; late 19th-century binding.
A few minor spots of foxing.
Illustrated with an engraved title-page, an allegorical frontispiece, and 13 copper-engraved plates printed hors texte.
Second edition, revised, corrected and enlarged, illustrated with 145 figures in the text (cf. Wellcome II, 457).
Spine and covers browned, with minor marginal losses; a few light foxing spots.
The first edition was published in 1847; this work constitutes only the second systematic treatise in French devoted to the subject, following that of Carron du Villards.
A former assistant to Sichel, Louis-Auguste Desmarres (1810-1882) was among the foremost ophthalmic surgeons of the nineteenth century.
First edition of this remarkable collection illustrated with five finely engraved outline plates by Adrien-Louis-Marie Cavelier and Pierron after designs by Pierre-Paul Prud'hon (cf. Collection Émile Brouwet, II, 168).
Large quarto (27.8 × 40.5 cm). Two pages of text and five engraved plates.
Mid-nineteenth-century half black goatskin, smooth spine decorated in gilt and...
First edition of this treatise, long regarded as the finest French-language work in its field (cf. Wellcome II, 305; Garrison & Morton 5853).
Contemporary-style half calf over marbled boards, the spine smooth and gilt with decorative garlands at head and tail, a reused black calf lettering-piece, marbled paper sides, blue-sprinkled edges, bookseller’s ticket of a distinguished firm mounted to a pastedown; a later binding.
Illustrated with 4 folding plates.
Foxing and some dampstaining to the plates, otherwise a clean and agreeable copy.
Carron du Villards (1801–1860), the son of a military physician distinguished during the Napoleonic campaigns, taught...
New edition, illustrated with a large folding line-engraved plate depicting all the animals mentioned in the text (cf. Cornet-Malagies, 158).
Half mottled fawn sheep with vellum tips, smooth spine gilt-ruled and tooled with gilt fillets, garlands and floral tools, marbled paper sides, marbled endpapers and pastedowns, marbled edges; a contemporary binding.
The author, a veterinary surgeon, had trained at Alfort.
Bound at the end, by DELACROIX, is a new edition of: "Le Nouveau maréchal-expert, ou Le Guide du du maréchal-ferrant, du vétérinaire, de l'écuyer, du propriétaire et de l'amateur ; avec un précis de la connaissance et du choix des chevaux, ânes et mulets ; de...
Very rare first edition, with the title printed in black, illustrated with 4 copper-engraved plates hors-texte (cf. Gumuchian, 5321.)
Contemporary half brown sheepskin over marbled boards, smooth spine tooled in gilt with fillets and dotted rolls, covers framed with a double gilt rule, marbled endpapers and pastedowns, two corners slightly bumped, speckled edges, period binding.
Expert restorations to the corners and spine ends, spine partially faded with light rubbing, occasional minor foxing.
With a highly interesting preface by the author, in which she explains that she herself directed a puppet theatre.
Brings together the following four adaptations for...
First edition illustrated with 4 hors-texte plates of line-engraved Greek coins.
Our copy is preserved in its original wrappers.
Appointed professor of archaeology at the Sorbonne in 1820, succeeding Quatremère de Quincy,
Désiré Raoul-Rochette (1789-1854) specialized principally in Greek antiquity. He also served as curator of the Cabinet des médailles.
First edition, with three folding plates and numerous hieroglyphs in the text.
A copy preserved in its original wrappers with temporary green paper covers, a title label affixed at the head of the spine.
Occasional foxing.
The German traveller and Orientalist Julius von Klaproth (1783–1835), one of the foremost linguists of his time, devoted himself chiefly to the languages of Asia, which he spoke almost all.
In this vehement critique of Champollion, published six months after the latter’s untimely death, he seeks—though not entirely in good faith—to call into question the method and results of the scholar from Grenoble, disputing in particular the priority and...
First illustrated edition, featuring at the end of the volume 12 charming hand-coloured copper engravings depicting fashionable hairstyles and costumes (10), as well as furniture (2).
Contemporary binding in half midnight-blue calf, smooth spine decorated with lozenge tools and gilt fillets, gilt tail ornament, marbled paper boards, marbled endpapers, marbled edges.
The work is also illustrated with a portrait of Bonaparte as a frontispiece and one plate hors-texte.
Foxing, black ink stains to page 81.
This work, intended for an American readership, as stated in the Preface ("L'espèce de journal dont nous offrons ici le premier essai, ne contiendra que rarement...
Rare first edition comprising a suite of 12 lithographs printed in colour on tinted grounds, numbered 1–12.
This series by the painter and lithographer Charles-Edouard de Beaumont (1821–1888), lithographed by Jaime, addresses the theme of children compelled to work from a very early age, exposed to street trades and itinerant entertainments.
Publisher’s half brown cloth over beige paper-covered boards, title stamped on the upper cover.
Some small tears and rubbing to the cloth spine, light dampstaining to the margins of the boards, occasional foxing, a small black mark to the upper cover.
The suite may be read either romantically or socially; in both cases it...
First edition illustrated with a large folding plate inserted out of text reproducing the Greek portion of the Rosetta Stone (cf. Quérard I, 48.)
Our copy is preserved in its original wrappers, in temporary root-pattern paper covers.
A key figure in the establishment of literary repositories during the Revolution, and their transformation into libraries, the antiquarian Hubert-Pascal Ameilhon (1730-1811) remains an important, though far too neglected, figure in bibliography and the sciences.
This relative oblivion owes much to the small number of works published during his lifetime : the work offered here constitutes an essential link in the decipherment of the...
