First painters' books and invention of lithography, steel engraving and end-grain wood engraving

Complete set of 13 original lithographs by Eugène Delacroix, in first edition, first issue with the letter, one of 20 copies on Chine paper pasted on laid paper:

"It was originally printed in a few proofs on Chine, the format of which exceeds the square line by one or two centimeters. They are highly sought-after, even though they bear the letter" (Robaut).

Bound in the original publisher's brown half-shagreen binding, title gilt stamped on first board, original first cover wrapper preserved. Small restored tear to the margin of the wrapper over 5 cm, sunned spine, joints and corners rubbed, scattered foxing and a dampstain to the lower part of the laid paper

First edition of this complete suite of 18 numbered intaglio plates enhanced in colour, on 'J. Honig & Zoonen' laid paper, depicting 72 merchants accompanied by captions beneath each figure.
First printing, subsequent editions will feature individually numbered figures surrounded by a border.

Bound in half sienna morocco with corners, smooth spine, title stamped in gilt throughout, tiger patterned paper boards, combed paper endpapers and flyleaves, first cover retained, gilt head.
 
Extremely rare and the earliest known suite of prints depicting itinerant merchants and pedlars in Spain. Each figure is accompani

New illustrated edition with 22 plates by Célestin Nanteuil, and some headpieces. Text adapted for young readers. Translation by Le Prince Le brun. First edition of this version for young readers.
Publisher's polychrome mosaic cartonnage binding. Smooth spine with ornaments on red, green and cream ground. Upper cover decorated with 4 shields, 2 red and 2 blue, and a portrait of Tasso on cream ground, all set against Renaissance interlacing patterns. Blind-ruled frame on covers. Edges gilt. On the lower cover, a very elaborate shield on green ground. Tinted paper throughout. Dark traces on the lemon endpapers. Some very occasional and light foxing.

A very handsome co

First and only edition. This copy is one of the rare examples complete with the 64 full-page plates. The work is also illustrated with a title vignette depicting the artist Ambroise-Louis Garneray in a small boat, sketching the entrance to the port of Brest.

Contemporary binding of half tan sheep with corners, smooth spine richly decorated in gilt and blind with multiple large typographic tools, discreet restorations to the joints, marbled-paper boards, marbled endpapers and pastedowns.

A magnificent work on the ports of France, and one of the finest collections ever produ

Album of lithographed plates in third state, first cover printed in 3 tones, black, bistre with gradients and white highlights, followed by 24 lithographs in black on 12 double-sided pages.

Gray half calf binding, smooth spine, some foxing, original soft cover preserved, binding signed by Charles Septier.

Created in 1851, this youthful work influenced by Rodolphe Töppfer's style, is now considered an incunabulum of comic strips.

20 full-page lithographs in black by Gustave Doré, in second state.
Red half oblong Bradel-style cloth binding, smooth spine, black morocco title label, marbled paper boards, beige paper endpapers and flyleaves, corners slightly dulled.

2 frontispieces and 12 numbered engravings bound at rear of the second volume.
Small lack of paper to upper right corner and marginal restoration to the first volume's title page. Minor foxing, a light halo to the right margin of each of the 12 engravings at rear of the second volume.
Red half morocco binding, smooth spines with arabesques motifs in gilt, marbled paper boards, snags and rubbing to boards and edges, corners bent.
The book was first published as The Universal Cook in London in 1792; its fourth edition was translated into French

First edition illustrated with wood engravings in the text by Gavarni, Daumier, D'Aubigny...
Bradel binding in full beige percaline, smooth spine with a black paper label, front cover decorated with an oil painting after the frontispiece, signed lower right "A. Dangleterre d'après document d'époque". Headcaps and joints skillfully restored.
A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses’ office, flower sellers, baths, streetlamps, pavements, theatre outings, beards and moustaches, the Luxembourg Gardens, the Opera Ball, the auctioneers’ hall, lorettes and courtesans (Alexandre Dumas), restaurants and

First edition illustrated in first printing with numerous figures in the text and 30 plates printed outside the text, engraved on wood by Gavarni, Guérin, Emy...
Contemporary half green Empire glazed sheep binding. Smooth spine richly decorated with rococo tools in mirror pattern. Fillet lines on boards. Traces of rubbing to joints, boards and corners. 3 corners folded. Scattered foxing.
A publication that rides on the success of "Les Français peints par eux-mêmes" but focuses on visitors coming to Paris, not only from countries bordering France but also from China, Russia, Brazil... Satirical texts by Jules Janin, Old-Nick, Roger de Beauvoir, A. de Lacroix...

A very rare first edition of 15 lithographed views in bistre tint, mounted in an accordion pleat, forming a panorama of 6.75 ft and showing the Parisian procession of the return of Napoleon's mortal remains (his "ashes" used here as a metaphor since he was not cremated). The parade started from the Arc de Triomphe to his resting place in Invalides. In the lower margin, the caption presents the different groups forming the procession: Ajaccio delegation, Paris Municipal Council, Prince of Joinville Commission of Saint-Helena...in the centre of the panorama stands the spectacular

First edition illustrated with wood engravings in text by Gavarni, Daumier, D'Aubigny... The second volume published in 1843 contains texts by Balzac, Alexandre Dumas, Soulié, Edouard Ourliac, Eugène de Mirecourt... 29 illustrations by Daumier signed in volume 1, 10 in volume 2. 17 plates in the second volume.
Contemporary half dark green sheep binding. Smooth spine decorated with series of fillets. Blue cloth boards. Boards rubbed, corners slightly bumped. Scattered foxing.

Rare publication on the Paris of Louis-Philippe. The work proceeds by subject and articles: The wet nurses' bureau, flower sellers, baths, street lamps, sidewalks, theatre exits, beards and mous

New illustrated edition with 232 figures, principally by Borel. Volume XIV contains an additional suite by Moreau, a suite by Marillier and another anonymous suite. Copy on vellum paper, the figures on heavy vellum. At the end of the publisher's notice, a leaf with the price of works: the 20 volumes in-18, fine paper, in wrappers with 18 engravings...30Fr. The same with 212 engravings, in wrappers...60Fr. The same, 17 volumes, deluxe vellum paper, figures from first proofs...120Fr. The volumes may be purchased separately by works. While at Princeton University and the Royal Library of Denmark one finds only the edition in 20 volumes with 18 engravings, this copy proves more desirable in 1

First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who