First painters' books and invention of lithography, steel engraving and end-grain wood engraving

First edition illustrated with a large folding plate inserted out of text reproducing the Greek portion of the Rosetta Stone (cf. Quérard I, 48.)

Our copy is preserved in its original wrappers, in temporary root-pattern paper covers.

A key figure in the establishment of literary repositories during the Revolution, and their transformation into libraries, the antiquarian Hubert-Pascal Ameilhon (1730-1811) remains an important, though far too neglected, figure in bibliography and the sciences.

This relative oblivion owes much to the small number of works published during his lifetime : the work offered here constitutes an essential link in the decipherment of the...

First edition of this new Histoire générale des voyages, arranged and brought up to date with contemporary discoveries by Baron Charles-Athanase Walckenaer (1771-1852). Published in Paris between 1826 and 1831 in twenty-one octavo volumes, it constitutes the only portion ever completed of a project originally intended to extend to some sixty volumes. The final four volumes were prepared by Jean-Baptiste-Benoît Eyriès. Brunet V, 1041; Quérard X, 472; Gay 299; Hoefer XLVI, 498.

Contemporary half red Russia morocco with corners, spines with five raised bands, boards framed with blind fillets, marbled...

First edition illustrated with 12 folding maps printed in outline and heightened with colour.

No copies recorded in the CCF.

Ink notes at the head of a front flyleaf; a few minor spots, not affecting the text.

Bradel binding in full boards covered with navy-blue paper, smooth spine ruled in gilt, yellow edges, corners rubbed; a contemporary binding.

Sole edition of this collection, conceived as a series of "touristic" itineraries.

Each section is separately paginated.

The author, a painter and naturalist based in Spa, also published several minor works on mineralogy (cf. Del Vaux, *Dictionnaire biographique de la province de Liège*, Liège, 1845).

Paris, Louis Janet and later Madame Veuve Louis Janet, from circa 1840 and subsequent years. 17 octavo volumes, 14.8 x 23.7 cm.

A set comprising the ten volumes of the first series and the seven volumes of the second, corresponding to the complete collection as described by Gumuchian. Uniformly bound in contemporary full burgundy calf, the smooth spines faded and decorated with gilt Romantic arabesques, gilt ornamental bands at head and foot, boards framed with double gilt fillets and gilt cornerpieces, marbled endpapers and pastedowns, gilt lines to the board edges. Some corners slightly bumped. Scattered...

Generally regarded as the most complete early edition of Chardin’s Travels, this imposing publication in ten volumes with a separate atlas was prepared in 1811 by Louis-Mathieu Langlès. The orientalist added a historical survey of Persia from the earliest times and an extensive critical apparatus, confronting Chardin’s text with the historical, geographical and philological scholarship of his own day. It remained the standard edition until Philip Stewart’s complete modernised and annotated text appeared in 2018.

The ten text volumes are bound in contemporary full tree calf, smooth spines richly decorated...

First edition of the Voyage pittoresque à l'Île-de-France, au Cap de Bonne-Espérance et à l'Île de Ténériffe, published in Paris by Auguste Nepveu in 1812 and printed by Le Normant. Two octavo text volumes with an accompanying atlas. The second text volume contains three folding tables; the atlas in the present copy comprises 45 engraved plates, both single-page and folding, including three maps and 42 plans and picturesque views, most retaining their tissue guards. 

Some foxing in the text volumes and atlas.

The text volumes in slightly later...

First edition, limited to 1,100 copies, divided into four fictitious editions within the same year, in order to create the illusion of commercial success. These were subsequently reissued with a new title-page bearing an edition statement and the author’s name, together with a volume designation on the half-titles (cf. Clouzot). Our copy carries the designation “third edition.” Contemporary bookplate traces on the upper pastedowns. Expert restorations to headcaps and joints, with a tiny loss at the foot of the lower joint of vol. I. A clean copy, entirely free of foxing.

Contemporary half chocolate calf bindings...

First edition of this vast illustrated undertaking, published in Brussels by the Librairie historique-artistique in 1843-1844, in four octavo volumes. The present copy contains 210 costume plates, hand-coloured and heightened with gum, together with four coloured title vignettes. The number of plates varies considerably from copy to copy; with its 210 plates, all retaining their tissue guards, this is one of the more extensively illustrated examples.

Contemporary half dark blue morocco. Spines with false bands, the compartments decorated with...

Complete set of 13 original lithographs by Eugène Delacroix, in first edition, first issue with the letter, one of 20 copies on Chine paper pasted on laid paper:

"It was originally printed in a few proofs on Chine, the format of which exceeds the square line by one or two centimeters. They are highly sought-after, even though they bear the letter" (Robaut).

Bound in the original publisher's brown half-shagreen binding, title gilt stamped on first board, original first cover wrapper preserved. Small restored tear to the margin of the wrapper over 5 cm, sunned spine, joints and corners rubbed, scattered foxing and a dampstain to the lower part of the laid paper...

First edition of this complete suite of 18 numbered intaglio plates enhanced in colour, on 'J. Honig & Zoonen' laid paper, depicting 72 merchants accompanied by captions beneath each figure.
First printing, subsequent editions will feature individually numbered figures surrounded by a border.

Bound in half sienna morocco with corners, smooth spine, title stamped in gilt throughout, tiger patterned paper boards, combed paper endpapers and flyleaves, first cover retained, gilt head.
 
Extremely rare and the earliest known suite of prints depicting itinerant merchants and pedlars in Spain. Each figure is...

New illustrated edition with 22 plates by Célestin Nanteuil, and some headpieces. Text adapted for young readers. Translation by Le Prince Le brun. First edition of this version for young readers.
Publisher's polychrome mosaic cartonnage binding. Smooth spine with ornaments on red, green and cream ground. Upper cover decorated with 4 shields, 2 red and 2 blue, and a portrait of Tasso on cream ground, all set against Renaissance interlacing patterns. Blind-ruled frame on covers. Edges gilt. On the lower cover, a very elaborate shield on green ground. Tinted paper throughout. Dark traces on the lemon endpapers. Some very occasional and light foxing.

A very handsome...

First and only edition. This copy is one of the rare examples complete with the 64 full-page plates. The work is also illustrated with a title vignette depicting the artist Ambroise-Louis Garneray in a small boat, sketching the entrance to the port of Brest.

Contemporary binding of half tan sheep with corners, smooth spine richly decorated in gilt and blind with multiple large typographic tools, discreet restorations to the joints, marbled-paper boards, marbled endpapers and pastedowns.

A magnificent work on the ports of France, and one of the finest collections ever...

Album of lithographed plates in third state, first cover printed in 3 tones, black, bistre with gradients and white highlights, followed by 24 lithographs in black on 12 double-sided pages.

Gray half calf binding, smooth spine, some foxing, original soft cover preserved, binding signed by Charles Septier.

Created in 1851, this youthful work influenced by Rodolphe Töppfer's style, is now considered an incunabulum of comic strips.

20 full-page lithographs in black by Gustave Doré, in second state.
Red half oblong Bradel-style cloth binding, smooth spine, black morocco title label, marbled paper boards, beige paper endpapers and flyleaves, corners slightly dulled.

2 frontispieces and 12 numbered engravings bound at rear of the second volume.
Small lack of paper to upper right corner and marginal restoration to the first volume's title page. Minor foxing, a light halo to the right margin of each of the 12 engravings at rear of the second volume.
Red half morocco binding, smooth spines with arabesques motifs in gilt, marbled paper boards, snags and rubbing to boards and edges, corners bent.
The book was first published as The Universal Cook in London in 1792; its fourth edition was translated into French...

First edition of this rare portfolio, published in Paris by the artist around 1823, comprising thirty lithographs after drawings made by Jean-Baptiste Isabey during his journey through Italy in 1822. Complete with the table leaf giving the exact titles of all thirty subjects.

Original portfolio of heavy grey-brown paper, the printed upper cover serving as title-page and bearing the address of Isabey’s own studio in the rue des Trois-Frères; with a printed label reading “Œuvre complet” pasted on. A few pale spots of foxing to the table leaf; spine split for about 11 cm at...

First edition illustrated with wood engravings in the text by Gavarni, Daumier, D'Aubigny...
Bradel binding in full beige percaline, smooth spine with a black paper label, front cover decorated with an oil painting after the frontispiece, signed lower right "A. Dangleterre d'après document d'époque". Headcaps and joints skillfully restored.
A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses’ office, flower sellers, baths, streetlamps, pavements, theatre outings, beards and moustaches, the Luxembourg Gardens, the Opera Ball, the auctioneers’ hall, lorettes and courtesans (Alexandre Dumas), restaurants and...

First edition illustrated in first printing with numerous figures in the text and 30 plates printed outside the text, engraved on wood by Gavarni, Guérin, Emy...
Contemporary half green Empire glazed sheep binding. Smooth spine richly decorated with rococo tools in mirror pattern. Fillet lines on boards. Traces of rubbing to joints, boards and corners. 3 corners folded. Scattered foxing.
A publication that rides on the success of "Les Français peints par eux-mêmes" but focuses on visitors coming to Paris, not only from countries bordering France but also from China, Russia, Brazil... Satirical texts by Jules Janin, Old-Nick, Roger de Beauvoir, A. de Lacroix...

A very rare first edition of 15 lithographed views in bistre tint, mounted in an accordion pleat, forming a panorama of 6.75 ft and showing the Parisian procession of the return of Napoleon's mortal remains (his "ashes" used here as a metaphor since he was not cremated). The parade started from the Arc de Triomphe to his resting place in Invalides. In the lower margin, the caption presents the different groups forming the procession: Ajaccio delegation, Paris Municipal Council, Prince of Joinville Commission of Saint-Helena...in the centre of the panorama stands the spectacular...

First edition illustrated with wood engravings in text by Gavarni, Daumier, D'Aubigny... The second volume published in 1843 contains texts by Balzac, Alexandre Dumas, Soulié, Edouard Ourliac, Eugène de Mirecourt... 29 illustrations by Daumier signed in volume 1, 10 in volume 2. 17 plates in the second volume.
Contemporary half dark green sheep binding. Smooth spine decorated with series of fillets. Blue cloth boards. Boards rubbed, corners slightly bumped. Scattered foxing.

Rare publication on the Paris of Louis-Philippe. The work proceeds by subject and articles: The wet nurses' bureau, flower sellers, baths, street lamps, sidewalks, theatre exits, beards and...

New illustrated edition with 232 figures, principally by Borel. Volume XIV contains an additional suite by Moreau, a suite by Marillier and another anonymous suite. Copy on vellum paper, the figures on heavy vellum. At the end of the publisher's notice, a leaf with the price of works: the 20 volumes in-18, fine paper, in wrappers with 18 engravings...30Fr. The same with 212 engravings, in wrappers...60Fr. The same, 17 volumes, deluxe vellum paper, figures from first proofs...120Fr. The volumes may be purchased separately by works. While at Princeton University and the Royal Library of Denmark one finds only the edition in 20 volumes with 18 engravings, this copy proves more desirable in...

First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who...

First edition of this revised and illustrated version of François de Ligny’s Histoire de la vie de Jésus-Christ, published in Paris in 1804 under the supervision of the Abbé de Sambucy. The work is illustrated with 75 plates - 40 in volume I, including the frontispiece, and 35 in volume II, likewise including the frontispiece - engraved under the direction of L. Petit after paintings from the Italian, French and Flemish schools, together with a folding map of Palestine. Entirely printed on laid paper watermarked “Vie de J.C.”