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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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<p>To offer a unique work of art is to share the singularity of an artistic gesture. A piece that exists in only one example carries an immediate presence, a direct trace of creation. It is a rare gift, establishing a tangible link between the artist and the person who receives it.</p>
  1. Selections

Gift ideas: Original Artworks

To offer a unique work of art is to share the singularity of an artistic gesture. A piece that exists in only one example carries an immediate presence, a direct trace of creation. It is a rare gift, establishing a tangible link between the artist and the person who receives it.

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Gift ideas: Original Artworks
  1. Unique photograph
    Unique photograph
    Photographie d'un détail de reliure de Prisciani grammatici caesariensi Libri omnes : fermoir doré, contrecollée sur aluminiumPhotographie d'un détail de reliure de Prisciani grammatici caesariensi Libri omnes : fermoir doré, contrecollée sur aluminium

    Photographie d'un détail de reliure de Prisciani grammatici caesariensi Libri omnes : fermoir doré, contrecollée sur aluminiumPhotograph of a binding detail from Prisciani grammatici caesariensi Libri omnes: gilt clasp. Mounted on aluminium [FOR DECORATION]

    Librairie Le Feu Follet|Paris 2025|60 x 60 cm|autre
    €270
  2. A unique photograph
    A unique photograph
    Photographie de l'édition originale dédicacée de Salammbô de Gustave Flaubert, contrecollée sur aluminiumPhotographie de l'édition originale dédicacée de Salammbô de Gustave Flaubert, contrecollée sur aluminium

    Photographie de l'édition originale dédicacée de Salammbô de Gustave Flaubert, contrecollée sur aluminiumPhotograph of the first edition, signed, of Salammbô by Gustave Flaubert, mounted on aluminum. [FOR DECORATION]

    Librairie Le Feu Follet|Paris 2025|60 x 60 cm|autre
    €350
  3. A unique photograph
    A unique photograph
    Photographie de l'édition originale de Histoire de ma vie de George Sand, contrecollée sur aluminiumPhotographie de l'édition originale de Histoire de ma vie de George Sand, contrecollée sur aluminium

    Photographie de l'édition originale de Histoire de ma vie de George Sand, contrecollée sur aluminiumPhotograph of the first edition of Histoire de ma vie by George Sand, mounted on aluminum. [FOR DECORATION]

    Librairie Le Feu Follet|Paris 2025|60 x 60 cm|autre
    €270
  4. A unique photograph
    A unique photograph
    Photographie d'un détail de Coran ottoman manuscrit enluminé [القرآن الكريم] contrecollée sur aluminiumPhotographie d'un détail de Coran ottoman manuscrit enluminé [القرآن الكريم] contrecollée sur aluminium

    Photographie d'un détail de Coran ottoman manuscrit enluminé [القرآن الكريم] contrecollée sur aluminiumPhotograph of a detail of an illuminated Ottoman Qur'an manuscript [القرآن الكريم], mounted on aluminum. [FOR DECORATION]

    Librairie Le Feu Follet|Paris 2025|60 x 60 cm|autre
    €270
  5. Photographie noir et blanc de l'édition originale de Des Hommes de Joseph Kessel contrecollée sur aluminiumPhotographie noir et blanc de l'édition originale de Des Hommes de Joseph Kessel contrecollée sur aluminium

    Photographie noir et blanc de l'édition originale de Des Hommes de Joseph Kessel contrecollée sur aluminiumPhotograph of the first edition of Des Hommes by Joseph Kessel, mounted on aluminum. [FOR DECORATION]

    Librairie Le Feu Follet|Paris 2025|60 x 60 cm|autre

    Original photograph of the first edition of Des Hommes by Joseph Kessel on a library background.
    Printed on Premium Luster 270 g...

    €270
  6. Rare portrait of the Sapphic Queen of the Folies-Bergère
    Rare portrait of the Sapphic Queen of the Folies-Bergère
    Représentations. Liane de PougyReprésentations. Liane de Pougy
    (after Léopold-Émile REUTLINGER) A. Gallice

    Représentations. Liane de PougyOriginal large format lithograph poster

    s. d. [circa 1890-1900]|100 x 140 cm|Une feuille entoilée

    Original linen-backed lithograph, featuring a large portrait of Liane de Pougy by A. Gallice after a photograph by Léopold-Émile Reutlinger (“cliché Reutlinger” stated on the plate). Printed by G. Bataille. Horizontal and vertical fold marks, discreet traces of rolling at the hem of the dress, four pasted and stamped tax stamps, and a shadow in the left margin.

    ◊

    Exceptionally rare original poster advertising a performance by the dancer and courtesan Liane de Pougy, renowned...

    €4,500
  7. A Surrealist ink-blot artwork
    A Surrealist ink-blot artwork
    Décalcomanie surréaliste signée [et] carte postale signéeDécalcomanie surréaliste signée [et] carte postale signée
    (Valentine HUGO) Marie-Laure de NOAILLES

    Original ink drawing signed and manuscript postcard signed

    s. n.|No Location s. d. [1951] ; carte postale : 29 juin 1951|9.2 x 15 cm [carte postale 8,9x14cm]|Une feuille et une carte postale

    Original ink drawing by Marie-Laure de Noailles, signed “Marie-Laure” within the artwork (appearing twice as a result of folding the paper while the ink was still wet). With an autograph postcard signed to Valentine Hugo, with two inscriptions and some parts of the photograph drawn over. 

     

    €2,000
  8. Collage original réalisé sur une photographie originale de Robert DoisneauCollage original réalisé sur une photographie originale de Robert Doisneau
    Jacques PRÉVERT, Robert DOISNEAU

    Collage original réalisé sur une photographie originale de Robert DoisneauOriginal collage produced on an original photograph portrait of Robert Doisneau enriched with a handwritten presentation signed by Jacques Prevert

    s. l. • (Paris) s. d. [1955]|18.70 x 27 cm|une photographie
    Original collage produced on an original photograph portrait of Robert Doisneau enriched with a handwritten presentation signed by Jacques Prévert
    [Paris 1955] | 18.7 x 27 cm | one photograph
    Original photograph in contemporary silver print showing Jacques Prévert, in front of the pediment of a church, on which the poet glued an old engraving depicting a bird and which he enriched with a signed handwritten presentation to his friend Jean Mattei. Prévert also, using paint, reddened the end of his cigarette.
    Stamp of the Doisneau studio in Montrouge on the back of the picture. One central fold.

    On this rare photograph, reproduced in the book...
    €4,500
  9. La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)
    Jacques MAGNIN (Georges DOEUILLET)

    La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  10. L'Enfant à l'épée - Eau-forte originale
    Edouard MANET, Félix BRACQUEMOND

    L'Enfant à l'épée - Eau-forte originale[The Child with a Sword – Original Etching]

    s. l. • (Paris) s. d. [ca 1870]|23.40 x 28.10 cm|une feuille
    Original etching on Chine appliqué mounted on heavy paper, engraved by Félix Bracquemond after Manet’s 1861 painting, probably depicting Léon Leenhoff, the painter’s natural son.
    €500
  11. Colette, the "nude dancer" in her stage costume
    Colette, the "nude dancer" in her stage costume
    Portrait photographique de Colette à la peau de lionPortrait photographique de Colette à la peau de lion
    (COLETTE) Léopold-Émile REUTLINGER

    Portrait photographique de Colette à la peau de lionPhotographic portrait of Colette stretched out on a lion's skin

    s. l. • (Paris) s. d. [1907]|28.70 x 20.40 cm|une photographie contrecollée sur carton
    Rare and superb original contemporary mounted albumen print showing Colette languidly stretched out on a lion skin and covered with a leopard skin. Photographer's penciled number and studio stamp on the back of the mount.
     

    A substantially cropped print bearing the same penciled number on the back of our photograph (11214), is in the Reutlinger archives at the Bibliothèque nationale de France (Album Reutlinger de portraits divers vol. 53, p.3). We have been unable to find any other examples of this photograph in other public collections. A similar photograph belatedly dedicated to Maurice Chevalier went on sale in 2008.


    A beautiful, sultry shot of...

    €6,800
  12. [PHOTOGRAPHIE] Portrait photographique de Richard Wagner[PHOTOGRAPHIE] Portrait photographique de Richard Wagner
    Richard WAGNER

    [PHOTOGRAPHIE] Portrait photographique de Richard Wagner

    Ghemar Frères|Bruxelles [Brussels] s. d. [circa 1860]|6 x 9.30 cm|une photographie
    Original albumen print, in carte de visite format, mounted on a card from the Ghemar Brothers' studio in Brussels, depicting Richard Wagner in profile.
    Handwritten annotations on the verso.
    Richard Wagner made only one visit to Belgium, to conduct two concerts in the capital on 25 and 28 March 1860. It was most likely on this occasion that he posed before the Ghemar Brothers' camera.
    We have not located any other copy of this photograph in international public collections.
    €1,200
  13. Trois photographies de Maurice Béjart enfant, et son faire-part de naissanceTrois photographies de Maurice Béjart enfant, et son faire-part de naissance
    Maurice BÉJART

    Trois photographies de Maurice Béjart enfant, et son faire-part de naissance[Three photographs of Maurice Béjart as a child, and his birth announcement]

    s. d. [après 1927]|12.20 x 17.20 cm|trois photographies et une carte

    Three original childhood photographs of Maurice Béjart, and his birth announcement 
    [after 1927] | 12.2 x 17.2 cm| three photographs and a card
    Three original photographs of Maurice Béjart as a child beside his mother, taken in Mougins.
    We attach the birth announcement, dated 1 January 1927, printed with his name “Maurice Jean Berger.”
    Provenance: Maurice Béjart's personal archives.

    €3,000
  14. [PHOTOGRAPHIE] Portrait photographique d'Hector Berlioz[PHOTOGRAPHIE] Portrait photographique d'Hector Berlioz
    Hector BERLIOZ

    [PHOTOGRAPHIE] Portrait photographique d'Hector Berlioz

    Nadar|Paris s. d. [circa 1860]|6.50 x 10.30 cm|une photographie
    Original albumen photograph, carte-de-visite format, mounted on card from Nadar studio, 35 boulevard des Capucines.
    Manuscript annotations on verso.
    A copy of this photograph is held in the Music Department of the Bibliothèque Nationale de France.
    €1,350
  15. Portrait photographique de Martin Barré fumant une cigarettePortrait photographique de Martin Barré fumant une cigarette
    Michel RAGON (Martin BARRÉ)

    Portrait photographique de Martin Barré fumant une cigarettePhotographic portrait of Martin Barre smoking a cigarette

    s. l. s. d. [ca 1960]|12.50 x 17.80 cm|une photographie
    Photographic portrait of Martin Barré smoking a cigarette
    s.ls.d(ca 1960), 12.5 x 17.8 cm, one photograph
    Black and white photographic portrait, contemporary silver print on gloss paper, of the painter Martin Barré. Stamp of the photographer Michel Ragon on the back of the photograph, as well as some handwritten annotations in felt-tip pen, in ballpoint pen and in pencil.
    “À partir du milieu des années 1950, Martin Barré inaugure la voie d'une abstraction singulière, ni informelle ni géométrique. Sa peinture est vite remarquée comme l'une des plus ambitieuses du moment en cherchant davantage à révéler l'espace qu'à produire des formes. Dès 1958, le Guggenheim Museum le fait...
    €1,000
  16. Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)
    Georges LEPAPE

    Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  17. "Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)"Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)
    Georges LEPAPE

    "Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print heightened in gold, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  18. A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)
    Maurice TAQUOY

    A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €170
  19. Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)
    André-Edouard MARTY

    Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|36.50 x 24 cm|une feuille

    Original double-page colour engraving, printed on laid paper, signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €230
  20. George Barbier, “one of the fascinating figures of Art Deco” and “master of Indian ink” (Guillaume Garnier)
    George Barbier, “one of the fascinating figures of Art Deco” and “master of Indian ink” (Guillaume Garnier)
    5 compositions de mode pour La Vie Parisienne5 compositions de mode pour La Vie Parisienne
    George BARBIER

    Original ink drawing - 5 fashion compositions for "La Vie Parisienne"

    s. n.|No Location 1923|24.2 x 30.2 cm|Une feuille

    Five compositions in Indian ink signed and dated 1923 by George Barbier on a leaf of thick paper. Traces of paper pasted down at the four corners on the back, a few very faint traces of previous pencil inscriptions on the front.

    An exceptional ink drawing by the eminent fashion illustrator George Barbier for the “Elegances” section of the newspaper La Vie Parisienne, featuring four silhouettes at the height of 1920s fashion, with boyish haircuts, dressed in flowing, low-waisted tube dresses or wrapped in luxurious furs.

    €2,500
  21. Photographie originale - Christopher Street Liberation Day March, New York - Le Baiser, Judy Bowen et Philip RaiaPhotographie originale - Christopher Street Liberation Day March, New York - Le Baiser, Judy Bowen et Philip Raia
    Jean-Pierre LAFFONT

    Photographie originale - Christopher Street Liberation Day March, New York - Le Baiser, Judy Bowen et Philip Raia

    Paris 1970|19.50 x 30 cm|une photographie

    "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

    Original photo - Christopher Street Liberation Day March, New York - "The Kiss, Judy Bowen and Philip...
    €1,000
  22. 'I don't know what came over me; I draw all day, and the hours seem less fleeting as a result. I've discovered my true calling: the charcoal Conté pencil.'
    'I don't know what came over me; I draw all day, and the hours seem less fleeting as a result. I've discovered my true calling: the charcoal Conté pencil.'
    Personnage fantastique à la mine de plomb et crayons de couleurPersonnage fantastique à la mine de plomb et crayons de couleur
    Antoine de SAINT-EXUPERY

    Personnage fantastique à la mine de plomb et crayons de couleurOriginal drawing signed : Fantastical character in graphite and coloured pencil

    s. l. s. d.|13.40 x 20.90 cm|une feuille

    Original drawing in graphite and blue and pink colored pencils signed by Antoine de Saint-Exupéry, on a sheet of watermarked paper "Navarre". Horizontal fold.


    One of Saint-Exupéry's quirky characters in a suit and bow tie, spawn from the baroque and overflowing imagination of the Little Prince's author. The writer-aviator-artist very rarely signed his graphic works.




     
     
     

    €10,000
  23. Caricature à la mine de plomb et crayons de couleurCaricature à la mine de plomb et crayons de couleur
    Antoine de SAINT-EXUPERY

    Original drawing signed (Caricature in graphite and coloured pencil)

    s. l. s. d.|13.40 x 20.90 cm|Drawing|une feuille

    Original drawing with graphite, blue and pink colored pencils signed by Antoine de Saint-Exupéry, on a sheet of watermarked paper “Navarre”. Hor­izontal fold, pencil annotation in the upper left margin, very small loss of paper in the lower right margin.

    A remarkable caricature signed by Saint-Exupéry, akin to a cartoon character. The writer-aviator-artist very rarely signed his graphic works.

    €10,000
  24. Dessin à l'encre. CarnavalDessin à l'encre. Carnaval
    [Paul GAVARNI]

    Dessin à l'encre. Carnaval

    1864|14.50 x 22.20 cm|une feuille
    Original drawing attributed to Gavarni created for the carnival series. This drawing indeed appears engraved in the published album Gens de Paris, Carnaval (1864), and reprinted in the second printing of Le Diable à Paris in 1868. We provide a photograph of the engraving in the description. Hatching drawing technique which allows faithful reproduction by the engraver, and often used by Gavarni.
    One card sheet. Mounting traces on verso. Ensemble lightly browned.

    €800
  25. Les Nymphéas, 25 photographies sous forme de films-contacts transparents en couleur Les Nymphéas, 25 photographies sous forme de films-contacts transparents en couleur
    (Claude MONET) LAUROS-GIRAUDON

    Les Nymphéas, 25 photographies sous forme de films-contacts transparents en couleur

    Bussière Arts Graphiques|vers 1984 ?|17.70 x 12.70 cm|1|25 films-contacts dans une boîte en carton
    25 color shots of Claude Monet's Water Lilies, in the form of transparent contact films, individually preserved in a plastic sleeve. Each photograph is captioned in the margins with white marker. The entire set is stored in the original box of 'Typon graphic arts film' transparent supports, bearing a label from the Bussière Arts Graphiques company, with the inscription 'Nymphéas de Monet / Jeu de Paume / Avant Restauration'.
    The contact films were used to produce high-quality offset prints, a specialty of the Bussière company, which notably collaborated with Gallimard for its prestigious art publications.

    A true 'condition report' of exceptional rarity of the Water Lilies...
    €1,500
  26. Ex-libris dessiné et gravé par Marie LaurencinEx-libris dessiné et gravé par Marie Laurencin
    Marie LAURENCIN

    Bookplate designed and engraved by Marie Laurencin

    S. n.|s. d.|10.90 x 15.90 cm|une feuille

    Engraved bookplate of Eward Wasserman by Marie Laurencin with the words "Ex-libris Edward Wasserman" inscribed on the plate.


    Outstanding print on japon with wide margins of Laurencin's engraving for bibliophile Edward Wasserman.





     

    €450
  27. Carte postale photographique dédicacée au peintre Jacques Martin Carte postale photographique dédicacée au peintre Jacques Martin
    Sacha GUITRY

    Carte postale photographique dédicacée au peintre Jacques Martin

    S. n.|Paris s. d. [ca 1910]|9 x 14 cm|une feuille
    Photographic postcard inscribed by Sacha Guitry to the painter Jacques Martin showing him in costume reading a book.
    Handsome copy.
    €400
  28. Tolstoy in Peasant Garb
    Tolstoy in Peasant Garb
    Portrait photographique de TolstoïPortrait photographique de Tolstoï
    Leo TOLSTOY

    Portrait photographique de TolstoïPhotographic portrait of Leo Tolstoy

    Везенберг и К°|Saint Petersburg s. d. [1900]|6.3 x 10.5 cm|une photographie

    Albumen print, mounted on cardboard with a printed brown ink border  published by the Wesenberg studio in St Petersburg. Tolstoy's name has been stamped in Cyrillic on the verso. Slightly sun-faded, as usual. One spot and a slight white mark to the lower portion.
    A handsome copy of this photograph depicting Count Tolstoy in peasant clothing.
     

    €800
  29. Braque's celestial inferno
    Braque's celestial inferno
    Lithographie originale sur Japon - « Descente aux Enfers »Lithographie originale sur Japon - « Descente aux Enfers »
    Georges BRAQUE

    Lithographie originale sur Japon - « Descente aux Enfers »Original lithograph on Japan - "Descent into Hell"

    Mourlot|s. d. [1961]|25.4 x 32 cm|Lithograph|Une feuille encadrée

    Original lithograph printed by Mourlot on nacré Japan paper, signed in pencil by Georges Braque.

     

    In 1961, Georges Braque created four lithographs to illustrate Marcel Jouhandeau's Descente aux Enfers, published by the Nouveau Cercle parisien du livre in 200 copies on Rives paper. A suite on Japan paper was included with a small number of copies, most of them unsigned.

    €3,000
  30. Dessin original en couleurs représentant Hector MalotDessin original en couleurs représentant Hector Malot
    (Hector MALOT) J. DECLUSEAUX

    Dessin original en couleurs représentant Hector Malot

    S. n.|s. l. 1882|16.50 x 24.50 cm|une feuille
    Original colored drawing signed and dated by J. Descluseaux depicting Hector Malot full-length holding a pen in his right hand and a bundle of books in his left.
    Drawing executed in pencil, blue and red ink.

    This copy by J. Descluseaux is strongly inspired by, with some variations, André Gill's caricature of Hector Malot published in No. 116 of 1881.
    In André Gill's drawing, Hector Malot's blouse is red (blue in Descluseaux's version), the pen yellow (colorless in the copy) and the bundle of books yellow (red in the Descluseaux).
    The drawing is captioned Mr Hector Malot and J. Descluseaux 1882 in pencil.

    €150
  31. " Ceci n'est pas de l'art brut. "" Ceci n'est pas de l'art brut. "
    Louis PONS

    " Ceci n'est pas de l'art brut. "Handwritten envelope sent to his friend Georges Raillard enriched with an original drawing on the back

    S. n.|Lagnes 12 Avril 2002|23 x 16 cm|une feuille
    Manuscript envelope by Louis Pons addressed to his friend art critic Georges Raillard, specialist in the works of Joan Miro and Antoni Tapies, on the verso of which he created an original drawing, signed with his initials and bearing this humorous note: "Ceci n'est pas de l'art brut."
    The envelope, reimagined by Louis Pons in his whimsical manner, features, below his personal address in Vaucluse, a human face staring at an eye.










    €150
  32. Portrait photographique original avec envoi autographe de Mai-ThuPortrait photographique original avec envoi autographe de Mai-Thu
    MAI-THU

    Original portrait of the painter Mai Trung Thu, known as Mai-Thu

    1957|8.70 x 11.50 cm|une photographie

    Original portrait of the painter Mai Trung Thu, known as Mai-Thu, inscribed on verso with his emblematic monogram in colored pen: "à l'abbé Guéniart en souvenir du séjour au S.U.J.A / Maï Thu / 14.6.57".


    In this handsome portrait, Mai-Thu is surrounded by his paintings on silk - no fewer than seven, including a children scene closely related to his 1965 masterpiece (Aguttes sale, September 26, 2023). The great themes that made the Hanoi School painter famous are to be found here: ideal women, children's games, tea ceremonies... Each canvas is carefully framed, often in Mai-Thu's own tireless perfectionist hands.


    The painter underwent several cures in...

    €1,800
  33. Dessin original pour un projet de décor de sa pièce PalsambleuDessin original pour un projet de décor de sa pièce Palsambleu
    [Sacha GUITRY]

    Dessin original pour un projet de décor de sa pièce Palsambleu

    S. n.|s.d. [ca 1953)|21 x 27 cm|trois feuilles
    Large original drawing in green ink for a set design project for his final play "PALSAMBLEU" depicting the interior of an apartment overlooked by a staircase.
    Numerous annotations in green ink in the left margin of the drawing and inscription in red ink "PALSAMBLEU" at the head of the drawing.
    We also include two pencil sketches representing a bathroom and a cat's head.




    €450
  34. Hamlet. Treize sujets dessinés par Eug. DelacroixHamlet. Treize sujets dessinés par Eug. Delacroix
    Eugène DELACROIX, Jean-François VILLAIN

    Hamlet. Treize sujets dessinés par Eug. Delacroix

    Chez Gihaut frères, Edit. Boulevard des Italiens, 5|Paris s.d. (1843)|36.40 x 49.80 cm|relié

    Complete set of 13 original lithographs by Eugène Delacroix, in first edition, first issue with the letter, one of 20 copies on Chine paper pasted on laid paper:

    "It was originally printed in a few proofs on Chine, the format of which exceeds the square line by one or two centimeters. They are highly sought-after, even though they bear the letter" (Robaut).



    Bound in the original publisher's brown half-shagreen binding, title gilt stamped on first board, original first cover wrapper preserved. Small restored tear to the margin of the wrapper over 5 cm, sunned spine, joints and corners rubbed, scattered foxing and a dampstain to the lower part of the laid paper...

    €30,000
  35. Carte cadeau livre, manuscrit ou œuvre d'art

    Carte cadeau livre, manuscrit ou œuvre d'art

    9 décembre 2024|-


    Offer the choice among more than 30,000 references online and in store:
    Rare & antiquarian books, First editions, Authors' autograph inscriptions, Engravings, Manuscripts...

    Gift card valid on the entire Edition-Originale.com site and in our Paris bookstore.

    This card allows you to choose among more than 30,000 books and engravings
    by ordering directly online, by telephone, email or in person.

    Valid for 1 year. Not exchangeable for its monetary value.







    ***



    For any information contact...

    €150
  36. [PHOTOGRAPHIE] Tableau photographique original de 10 portraits de Michael Jackson sur fond de rideau rouge[PHOTOGRAPHIE] Tableau photographique original de 10 portraits de Michael Jackson sur fond de rideau rouge
    Arno BANI (Michael JACKSON)

    [PHOTOGRAPHIE] Tableau photographique original de 10 portraits de Michael Jackson sur fond de rideau rouge

    1999|29.70 x 25 cm|deux planches-contact encadrées sous passe-partout
    Original unique printing of this double series of color photographs presented as three contact sheets, numbered, dated and signed on the verso by the artist in black ink: "1/1, sept 2010, Arno Bani". September 2010 is the date of the sale of these unpublished photographs at Pierre Bergé et Associés.

    It was in 1999 during a stay in London that Michael Jackson noticed Arno Bani's work in an issue of the Sunday Times magazine. Fascinated by his fashion photographs, he brought the young 23-year-old photographer to New York and asked him not only to photograph him, but also to define his look for the next ten years. This meeting was followed by several working sessions and...
    €1,500
  37. Léo Malet. PortraitLéo Malet. Portrait
    (Léo MALET) Bruno de MONES

    Léo Malet. Portrait

    S. n.|s. l. • [Paris] 1983|24 x 30.50 cm|une feuille
    Original photograph. Vintage silver print in black and white. Artist's proof signed on verso. Stains on verso.
    Portrait of writer Léon Malet.
    In 1983 began a regular collaboration between Bruno de Monès and Le Magazine littéraire which would endure until the mid-1990s.
    €300
  38. "Aphrodite" Dans les Jardins de la Déesse (pl.43, La Gazette du Bon ton, 1914 n°5)"Aphrodite" Dans les Jardins de la Déesse (pl.43, La Gazette du Bon ton, 1914 n°5)
    Charles MARTIN

    "Aphrodite" Dans les Jardins de la Déesse (pl.43, La Gazette du Bon ton, 1914 n°5)

    Lucien Vogel éditeur|Paris Mai 2014|36.50 x 24 cm|une feuille
    Original double color print heightened with gold, printed on laid paper, unsigned.
    Some small stains at bottom left of the plate.
    Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000...
    €250
  39. L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)
    André-Edouard MARTY (Georges DOEUILLET)

    L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)

    Lucien Vogel éditeur|Paris Mars 1914|19 x 24.50 cm|une feuille
    Original color print on laid paper, signed at bottom right of the plate.
    Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French designers and artists during the flourishing of Art Deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2,000 copies and is illustrated notably with 573 color plates and 148...
    €150
  40. L'Indiscrète. Robes de garden-party de Chéruit (pl.59, La Gazette du Bon ton, 1914 n°6)L'Indiscrète. Robes de garden-party de Chéruit (pl.59, La Gazette du Bon ton, 1914 n°6)
    Pierre BRISSAUD (Louise CHERUIT)

    L'Indiscrète. Robes de garden-party de Chéruit (pl.59, La Gazette du Bon ton, 1914 n°6)

    Lucien Vogel éditeur|Paris Juin 1914|36.50 x 24 cm|une feuille
    Original double color print, printed on laid paper, signed at lower left of the plate.
    Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full flowering of Art Deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color...
    €250
  41. Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)
    George BARBIER (John REDFERN)

    Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)

    Lucien Vogel éditeur|Paris Avril 1914|19 x 24.50 cm|une feuille
    Original color print on laid paper, signed at lower right of the plate.
    Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
    The famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consisted of 69 issues printed in only 2000 copies and was illustrated notably with 573 color plates...
    €180
  42. Rosalinde. Robe du soir, de Worth (pl.75, La Gazette du Bon ton, 1922 n°10)Rosalinde. Robe du soir, de Worth (pl.75, La Gazette du Bon ton, 1922 n°10)
    George BARBIER (Charles-Frederick WORTH)

    Rosalinde. Robe du soir, de Worth (pl.75, La Gazette du Bon ton, 1922 n°10)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
    Original color print heightened in gold, printed on laid paper, signed at bottom left of the plate.
    Original engraving created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full flourishing of Art Deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with...
    €180
  43. La Commode en laque. Robe du soir de Worth (pl.49, La Gazette du Bon ton, 1914 n°5)La Commode en laque. Robe du soir de Worth (pl.49, La Gazette du Bon ton, 1914 n°5)
    Bernard BOUTET DE MONVEL (John REDFERN)

    La Commode en laque. Robe du soir de Worth (pl.49, La Gazette du Bon ton, 1914 n°5)

    Lucien Vogel éditeur|Paris Mai 1914|19 x 24.50 cm|une feuille
    Original color print heightened with gold, printed on laid paper, signed at bottom left of the plate.
    Original engraving created to illustrate La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is notably illustrated with 573...
    €120
  44. Portrait photographique dédicacé de Gustave EiffelPortrait photographique dédicacé de Gustave Eiffel
    Gustave EIFFEL, WALERY

    Portrait photographique dédicacé de Gustave EiffelOriginal signed photograph of Gustave Eiffel

    London 1889|28.70 x 38.40 cm|une photographie encollée sur carton
    London 1889, Mount: 28,7x38,4cm - photograph : 18,3x27,4cm, a photograph mounted.

    Rare original portrait of Gustave Eiffel, carbon print mounted with the stamp of the Walery studio on mount.
    Signed and inscribed to lower right corner of mount: "Au Camarade Richard Souvenir du banquet du 22 Nbre [18]89 G. Eiffel" (To fellow comrade Richard Souvenir of the banquet from 22 November [18]89 G. Eiffel)
    This striking portrait of the engeneering legend was shot in the year of the tower's inauguration. Built on the occasion of the Paris Universal Exhibition, it was the tallest man-made structure at the time, towering 300 meters over the Parisian...
    €3,800
  45. [PHOTOGRAPHIE] Portrait photographique de John Steinbeck pris sur le tournage du film "O. Henry's Full House"[PHOTOGRAPHIE] Portrait photographique de John Steinbeck pris sur le tournage du film "O. Henry's Full House"
    (John STEINBECK)

    [PHOTOGRAPHIE] Portrait photographique de John Steinbeck pris sur le tournage du film "O. Henry's Full House"[PHOTOGRAPH] Photographic portrait of John Steinbeck taken during the filming of "O. Henry's Full House"

    s. d. [1952]|20.80 x 25.50 cm|une photographie
    Original silver print portrait of the American writer John Steinbeck in front of a library.
    This beautiful photograph was taken on the set of O. Henry's Full House in 1952, an anthology film narrated by Steinbeck, who introduces a quintet of five of O. Henry's most celebrated stories.
    The author of The Grapes of Wrath made his only on-camera appearance in this role of narrator.
    Some very slight marginal traces of folding. Handwritten annotations in pencil on the back.
    Rare.
    €750
  46. [PHOTOGRAPHIE] Portrait photographique de Sonia Delaunay au milieu de ses tableaux[PHOTOGRAPHIE] Portrait photographique de Sonia Delaunay au milieu de ses tableaux
    (Sonia DELAUNAY) Etienne HUBERT

    [PHOTOGRAPHIE] Portrait photographique de Sonia Delaunay au milieu de ses tableaux

    Paris s. d. [ca 1950]|23.20 x 17.60 cm|une photographie
    Black and white photographic portrait of the artist Sonia Delaunay seated among her paintings, vintage silver gelatin print. Manuscript annotations and studio stamp of Etienne Hubert on verso.
    €700
  47. Humoristique dessin original, sous forme de rébus, réalisé à l'aide de plusieurs crayons de couleurs et adressé à son ami Carlo RimHumoristique dessin original, sous forme de rébus, réalisé à l'aide de plusieurs crayons de couleurs et adressé à son ami Carlo Rim
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Humoristique dessin original, sous forme de rébus, réalisé à l'aide de plusieurs crayons de couleurs et adressé à son ami Carlo Rim

    s. l. s. d. [circa 1935]|21.50 x 25 cm|une feuille
    Original drawing executed in several colored pencils consisting of a rebus whose meaning his friend Carlo Rim must discover.
    Folds inherent to mailing.
    Provenance: from the Carlo Rim collection, friend of Henry-Paul Gassier, who was a Provençal writer, author notably of"Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €200
  48. Physionomies caractéristiques de quatre Botocudes avec la tête d'une Momie - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied. Physionomies caractéristiques de quatre Botocudes avec la tête d'une Momie - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.
    Maximilien de WIED-NEUWIED

    Physionomies caractéristiques de quatre Botocudes avec la tête d'une Momie - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.

    Chez Arthus Bertrand|Paris 1822|52 x 36.40 cm|une feuille
    Fine original plate with portraits of Botocudos wearing labrets and discs inserted in their earlobes. Plate engraved in copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil, first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian, Prince of Wied-Neuwied's first voyage to Brazil.
    One marginal tear skillfully restored, some small tears and marginal worming.
    €700
  49. Les Puris dans leurs forêts - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied. Les Puris dans leurs forêts - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.
    Maximilien de WIED-NEUWIED

    Les Puris dans leurs forêts - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.

    Chez Arthus Bertrand|Paris 1822|52 x 36.40 cm|une feuille
    Fine original plate depicting members of the indigenous Puri people by Friedrich Auguste Seyffer (landscape) and G. Rist (figures), copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil, first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian, Prince of Wied-Neuwied's first voyage to Brazil.
    Some marginal worming and minor marginal tears.
    €700
  50. Une famille de Botocudes en route - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied. Une famille de Botocudes en route - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.
    Maximilien de WIED-NEUWIED

    Une famille de Botocudes en route - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.

    Chez Arthus Bertrand|Paris 1822|52 x 36.40 cm|une feuille
    Fine original plate depicting a family of indigenous Botocudos people, intaglio engraved in folio format. From the atlas of the French first edition of this Brazilian travel account, first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian, Prince of Wied-Neuwied's first voyage to Brazil.
    Some marginal worming, a small marginal tear not affecting the plate.
    €700
  51. Armes, ornemens et utensiles des Puris, Botocudes, Machacaris et des Indiens de la côte - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied. Armes, ornemens et utensiles des Puris, Botocudes, Machacaris et des Indiens de la côte - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.
    Maximilien de WIED-NEUWIED

    Armes, ornemens et utensiles des Puris, Botocudes, Machacaris et des Indiens de la côte - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.

    Chez Arthus Bertrand|Paris 1822|52 x 36.40 cm|une feuille
    Beautiful original plate by Johann C. Bock heightened in watercolor, copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil, first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian, Prince of Wied-Neuwied.
    Some minimal marginal worming, small tear in the upper right corner.
    €400
  52. Ornements et utensiles des Camacans - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied. Ornements et utensiles des Camacans - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.
    Maximilien de WIED-NEUWIED

    Ornements et utensiles des Camacans - Voyage au Brésil, Dans les années 1815, 1816 et 1817, par S. A. S. Maximilien, Prince de Wied-Neuwied.

    Chez Arthus Bertrand|Paris 1822|52 x 36.40 cm|une feuille
    Fine original plate by Johann C. Bock heightened in watercolor, copperplate engraving in folio format. It is from the atlas of the French first edition of this Brazilian travel account, first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of Maximilian, Prince of Wied-Neuwied's first voyage to Brazil.
    Some marginal worming, ink marks on verso.
    €450
  53. Humoristique dessin original, sous forme de rébus, réalisé à l'aide de plusieurs crayons de couleurs et adressé à son ami Carlo RimHumoristique dessin original, sous forme de rébus, réalisé à l'aide de plusieurs crayons de couleurs et adressé à son ami Carlo Rim
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Humoristique dessin original, sous forme de rébus, réalisé à l'aide de plusieurs crayons de couleurs et adressé à son ami Carlo Rim

    s. l. s. d. [circa 1935]|21.50 x 27 cm|une feuille
    Original drawing created with several colored pencils consisting of a rebus whose meaning his friend Carlo Rim must discover.
    Creases inherent to mailing.
    Provenance: from the Carlo Rim collection, friend of Henry-Paul Gassier, who was a Provençal writer author notably of"Ma belle Marseille" ["My beautiful Marseille"], a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €200
  54. Photographie originale - Christopher Street Liberation Day March, New York - Master and SlavePhotographie originale - Christopher Street Liberation Day March, New York - Master and Slave
    Jean-Pierre LAFFONT

    Photographie originale - Christopher Street Liberation Day March, New York - Master and Slave

    Paris 1970|19.50 x 30 cm|une photographie

    "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

    Original photo from Christopher Street Liberation Day March, New York - "Master and Slave"
    €1,500
  55. Dessin original à l'encre bleue représentant son ami Antonin ArtaudDessin original à l'encre bleue représentant son ami Antonin Artaud
    Carlo RIM

    Dessin original à l'encre bleue représentant son ami Antonin Artaud

    s. l. 1928|8 x 11 cm|une feuille
    Original drawing in blue ink, on tracing paper, by Carlo Rim depicting his friend Antonin Artaud in profile.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €300
  56. Humoristique bande dessinée originale au feutre noir et rehaussée au correcteur blanc mettant en scène son célèbre personnage Monsieur Virgule poursuivant un écrivain chez les bouquinistes des quais de Seine afin de lui soutirer un autographeHumoristique bande dessinée originale au feutre noir et rehaussée au correcteur blanc mettant en scène son célèbre personnage Monsieur Virgule poursuivant un écrivain chez les bouquinistes des quais de Seine afin de lui soutirer un autographe
    Carlo RIM

    Humoristique bande dessinée originale au feutre noir et rehaussée au correcteur blanc mettant en scène son célèbre personnage Monsieur Virgule poursuivant un écrivain chez les bouquinistes des quais de Seine afin de lui soutirer un autographe

    s. l. s. d. [circa 1945]|49.50 x 9.50 cm|une feuille
    Original humorous comic strip executed in black felt-tip pen and heightened with white correction fluid, illustrating Monsieur Virgule pursuing a writer strolling among the bouquinistes of the Seine quays in order to obtain an autograph from him, a dedication which he hastens to show to his friends.
    Central fold.
    Monsieur Virgule is the creation of Carlo Rim for "Les nouvelles littéraires" in the 1930s then for "Les Lettres françaises" after 1945.
    Manuscript annotations by Carlo Rim in black felt-tip pen and red pencil on the verso of the strip.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker...
    €400
  57. Portrait photographique de Blaise CendrarsPortrait photographique de Blaise Cendrars
    Pablo VOLTA, Blaise CENDRARS

    Portrait photographique de Blaise Cendrars

    1956|12.20 x 14.40 cm|une photographie
    Original photograph of Blaise Cendrars by Pablo Volta in vintage silver gelatin print. Stamp "Photographie de Pablo Volta" as well as a discreet pencil annotation on the verso.

    Charming mirror portrait of Blaise Cendrars taken by Pablo Volta in January 1956, on rue Jean-Dolent where the writer lived.
    This photograph was taken by photographer Pablo Volta (1926-2011) in the company of his wife Ornella. One of the five founding members of the Italian photographic agency, I Fotografi associati, Pablo Volta became known for his portraits of writers and artists, such as Aragon, Breton, Ionesco, Tzara, Vian, Duchamp, Foujita, Calder...
    €680
  58. Portrait photographique original de Nicolas de Staël assis devant une de ses toilesPortrait photographique original de Nicolas de Staël assis devant une de ses toiles
    (Nicolas de STAËL) Denise COLOMB

    Portrait photographique original de Nicolas de Staël assis devant une de ses toiles

    Paris s. d. [circa 1954]|17.40 x 20.40 cm|une feuille
    Original photographic portrait of Nicolas de Staël sitting in front of one of his paintings
    Paris s.d. (circa 1954), photograph: 17.4 x 20.4cm; leaf: 18.2 x 24cm

    Original silver print portrait of Nicolas de Staël by Denise Colomb.
    Beautiful candid shot of the painter, preparing to speak, in his atelier in rue Gauget in Paris, one year before his death. Seated in front of one of his works, we see the piling up of the painter's canvases in the room behind him.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio...
    €2,300
  59. "Nature morte" photographique originale de l'atelier de Nicolas de Staël "Nature morte" photographique originale de l'atelier de Nicolas de Staël
    (Nicolas de STAËL) Denise COLOMB

    "Nature morte" photographique originale de l'atelier de Nicolas de Staël

    Paris s. d. [circa 1954]|24.20 x 31.10 cm|une feuille
    Original view of Nicolas de Staël's atelier
    Paris n.d. (circa 1954), 24,2x31,1cm, one leaf.
    Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb.
    Traces of folds, small pieces of paper missing in the lower left corner.
    Splendid "still life" in large format of the painter's Parisian atelier rue Gauguet, taken one year before his death. His masterpieces are jumbled together with firewood and numerous pots of paint.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.
    “It is said that...
    €800
  60. Vue photographique de l'atelier de Nicolas de Staël avec deux toilesVue photographique de l'atelier de Nicolas de Staël avec deux toiles
    (Nicolas de STAËL) Denise COLOMB

    Vue photographique de l'atelier de Nicolas de Staël avec deux toiles

    Paris s. d. [circa 1954]|17.30 x 12.20 cm|une feuille
    Original view of Nicolas de Staël's atelier with his palette and three paintings
    Paris n.d. (circa 1954), photo:17,3x12,2cm ; leaf: 24x18,2cm.
    Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb.
    Small trace of rust on the upper right corner.
    Charming view of the painter's atelier, 7 rue Gauguet in Paris, taken one year before his death. Featuring his palette as well as two paintings from his Flowers series (1952-1953), and an abstract composition on the right.
    Taken by Denise Colomb, great portraitist of the 20th century known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in...
    €800
  61. Photographie originale de Pablo Picasso dans son atelier avec une de ses céramiquesPhotographie originale de Pablo Picasso dans son atelier avec une de ses céramiques
    (Pablo PICASSO) Michel SIMA

    Photographie originale de Pablo Picasso dans son atelier avec une de ses céramiques

    s. d. [vers 1948]|17.30 x 21.30 cm|une feuille
    n.d. [around 1948], Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm, one leaf.

    Rare original photograph of Pablo Picasso turning towards one of his ceramic creations, taken by Michel Sima.
    Contemporary silver print. Pencil inscription on the back. Very light scratch on the surface, not affecting the image.

    “In September 1946, Pablo Picasso set up his workshop in the attic of the Château Grimaldi in Antibes, in a former “guards room” to which the curator Romuald Dor de la Souchère gave him the keys so that he could work there as he pleased. It is the artist Michel Sima, sculptor and photographer, who introduced the two men. Arriving from his...
    €1,800
  62. Photographie originale de Pablo Picasso dans son atelier de Vallauris avec ses céramiques et un plâtrePhotographie originale de Pablo Picasso dans son atelier de Vallauris avec ses céramiques et un plâtre
    (Pablo PICASSO) Michel SIMA

    Photographie originale de Pablo Picasso dans son atelier de Vallauris avec ses céramiques et un plâtreOriginal photograph of Pablo Picasso in his workshop in Vallauris with his ceramics and plaster

    s. d. [vers 1948]|17.30 x 21.30 cm|une feuille
    Original photograph of Pablo Picasso in his workshop in Vallauris with his ceramics and plaster
    s.d. [around 1948], Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm, one leaf.

    Splendid portrait of Pablo Picasso, taken by Michel Sima in Picasso's Madoura workshop in Vallauris with his ceramics and a plaster model of his Centaure (1948).

    Contemporary silver print. Pencil inscription on the back.
    Thanks to the author of this superb portrait, Picasso began his impressive ceramic production at the Madoura workshop, in the small town of Vallauris known for its pottery tradition. Sima photographed with vigour the master and his many creations...
    €2,300
  63. VivreVivre
    François-Marie BANIER

    Vivre

    Pinacoteca do Estado • Museu de Arte Moderna|Sao Paulo [São Paulo] • & Rio de Janeiro 1999|22 x 33 cm|broché
    First edition of this exhibition catalogue of the painted works and photographs of François-Marie Banier.
    Handsome copy, rich iconography.
    Dated autograph inscription signed by François-Marie Banier to Ulrike (Bergweiler) expanded with an original multicolored double-page composition.



    €250
  64. Lithographie originale en couleurs - "De l'esprit et du pain pour un jour."Lithographie originale en couleurs - "De l'esprit et du pain pour un jour."
    Paul GAVARNI

    Lithographie originale en couleurs - "De l'esprit et du pain pour un jour."

    Imprimerie d'Aubert|Paris s. d. [1839]|26.40 x 34.50 cm|une feuille
    Original lithograph heightened in colors and gum arabic, for Le Charivari, printed on fine paper.
    Armelhaut and Bocher 904.
    Plate uniformly shaded.
    €150
  65. Photographie originale représentant Edith Piaf enlacée par Norbert Glanzberg aux côtés d'Alice et Carlo Rim dans le port de Cassis en 1940Photographie originale représentant Edith Piaf enlacée par Norbert Glanzberg aux côtés d'Alice et Carlo Rim dans le port de Cassis en 1940
    (Edith PIAF) Norbert GLANZBERG

    Photographie originale représentant Edith Piaf enlacée par Norbert Glanzberg aux côtés d'Alice et Carlo Rim dans le port de Cassis en 1940Original photograph depicting Edith Piaf embraced by Norbert Glanzberg next to Alice and Carlo Rim in the port of Cassis in 1940

    S. n.|s. l. • [Cassis] 1940|8.50 x 13.50 cm|une feuille
    Original photograph depicting Édith Piaf embraced by Norbert Glanzberg next to Alice and Carlo Rim in the port of Cassis in 1940
    [Cassis] 1940 | 8,5 x 13,5 cm | one photograph
    Original photograph depicting Edith Piaf embraced and kissed on the neck by the composer Norbert Glanzberg, then a refugee in France, with, to their right, Alice and Carlo Rim, the latter slightly set back, the first three being perched on a low wall, contemporary silver print. While Edith Piaf and Alice Rim are all smiling, Carlo Rim is the only one to take an ironically solemn break, standing almost to attention and with his eyes closed.

    Back in France, to...
    €1,000
  66. Photographie originale représentant le cinéaste Carlo Rim conseillant Fernandel pour une scène de "L'armoire volante", film de Carlo RimPhotographie originale représentant le cinéaste Carlo Rim conseillant Fernandel pour une scène de "L'armoire volante", film de Carlo Rim
    FERNANDEL, Carlo RIM

    Photographie originale représentant le cinéaste Carlo Rim conseillant Fernandel pour une scène de "L'armoire volante", film de Carlo Rim

    R. Bègue photo|Paris 1948|11 x 8.50 cm|une feuille
    Original photograph taken during the filming of "L'armoire volante," a humorous police intrigue, starring Fernandel.
    The photograph shows Carlo Rim from behind, his hands resting on a window balcony, offering his advice to Fernandel facing him, vintage silver gelatin print.

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary."
    Manuscript annotations in pencil by Carlo Rim on the verso of the photograph: "Carlo Rim Fernandel L'armoire volante 1948."
    €300
  67. Photographie originale de Tristan Bernard prise à Cannes en 1943
    (Tristan BERNARD)

    Photographie originale de Tristan Bernard prise à Cannes en 1943

    Cannes 1943|6 x 9 cm|une photographie
    Original photograph probably taken by Carlo Rim showing Tristan Bernard bearded, in overcoat, posing slightly in profile in front of a palm tree, vintage silver gelatin print.
    Manuscript annotations on verso, by Carlo Rim (who certainly photographed Tristan Bernard): "Tristan Bernard Cannes", in blue pen, then continuing in pencil when his pen failed: "Cannes 1943".
    Provenance: from the library of the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably a friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    During the Occupation, Tristan Bernard took...
    €80
  68. Charles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Georges Léon Alfred PERRICHON, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Georges Perrichon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A faint marginal dampstain, not affecting the design.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique...
    €100
  69. Charles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Very faint marginal dampstain not affecting the drawing and foxing in upper margin not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details...
    €100
  70. Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare and light worming to margins not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the...
    €120
  71. Charles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862.
    Some soiling and foxing in the margins not affecting the engraving.
    These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  72. Charles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    BOETZEL, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Boetzel on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional light worming in margins not affecting the engraving.
    These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the composition to the smallest details that generate terrifying realism through the...
    €100
  73. Partition pour piano "Paris la nuit - Tango"Partition pour piano "Paris la nuit - Tango"
    ANONYME, Hippolyte ACKERMANS

    Partition pour piano "Paris la nuit - Tango"

    Mado éditeur|Bruxelles [Brussels] 1920|27 x 35 cm|une feuille rempliée
    First edition of this piano score, first cover illustrated by an unknown artist.
    Very handsome copy.
    €230
  74. Partition piano et chant "Die Blume von Hawaii"Partition piano et chant "Die Blume von Hawaii"
    ANONYME, Paul ABRAHAM

    Partition piano et chant "Die Blume von Hawaii"[Piano and vocal score "The Flower of Hawaii"]

    Dreima Bühnen|Wiesbaden • Berlin s. d. [ca 1931]|27.20 x 33.90 cm|une feuille rempliée
    First edition of this vocal and piano score, first cover illustrated by an anonymous artist. Apart from the title piece, this set comprises five other scores.
    Fine copy despite some marginal creases.
    €80
  75. Partition piano et chant "Parisian Fashion"Partition piano et chant "Parisian Fashion"
    Roger de VALERIO, Gaston GABAROCHE

    Partition piano et chant "Parisian Fashion"

    Editions Francis Salabert|Paris 1924|27 x 34.80 cm|une feuille repliée
    First edition of this vocal (bilingual) and piano score, first cover illustrated by Roger de Valerio.
    A very handsome copy.
    €100
  76. Partition piano et chant "La Parisienne y'a qu'ça"Partition piano et chant "La Parisienne y'a qu'ça"
    Frères CLERICE, Auguste BOSC

    Partition piano et chant "La Parisienne y'a qu'ça"

    A. Bosc éditeur|Paris 1905|27.20 x 35 cm|une feuille rempliée sous couverture
    First edition of this piano score with a large color illustration by Clérice Frères on the front cover.
    A very fine copy.
    €100
  77. L'Estampe Moderne. Jeune fille aux coquelicots. Lithographie Originale
    Gaston DARBOUR

    L'Estampe Moderne. Jeune fille aux coquelicots. Lithographie Originale

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Août 1897)|30 x 40 cm|une feuille
    Original color lithograph executed especially by the artist for l'Estampe Moderne. Proof printed on heavy laid paper, publisher's blind stamp in lower margin.
    Artist's signature in the plate. Fine copy in the artist's Belle Époque style.
    Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created especially for the journal by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Époque" movements.
    €100
  78. [PHOTOGRAPHIE] Portrait photographique d'Eugène Delacroix[PHOTOGRAPHIE] Portrait photographique d'Eugène Delacroix
    Eugène DELACROIX

    [PHOTOGRAPHIE] Portrait photographique d'Eugène DelacroixPhotographic portrait of Eugene Delacroix

    Carjat et Cie|Paris s. d. [circa 1860]|6 x 10.30 cm|une photographie

    Photographic portrait of Eugène Delacroix

    Carjat et Cie | Paris [ca 1860] | 6 x 10,3 cm | one photograph

    Original photograph on albumen paper, in carte de visite format, mounted on a board. Some small foxing.

    Rare copy of this photograph, only found at Carnavalet, Louvre and Orsay museums.

    €2,000
  79. Photographie de l'édition originale de Madame Bovary de Gustave Flaubert contrecollée sur aluminiumPhotographie de l'édition originale de Madame Bovary de Gustave Flaubert contrecollée sur aluminium

    Photographie de l'édition originale de Madame Bovary de Gustave Flaubert contrecollée sur aluminiumPhotograph of the first edition of Madame Bovary by Gustave Flaubert, mounted on aluminum. For decoration.

    Librairie Le Feu Follet|Paris 2022|60 x 60 cm|Photograph|autre

    Original photograph of the first edition of Gustave Flaubert's Madame Bovary dressed in a signed binding on a library background.
    Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
    Hanging system on reverse.


    Certificate of authenticity provided by Librairie Le Feu Follet.


    Photo credits @Librairie Le Feu Follet. All rights reserved.

    €270
  80. Les Immémoriaux - Bois dessiné, gravé et tiré en couleur par George-Daniel de Monfreid pour le frontispice du roman de Victor Segalen
    George-Daniel de MONFREID, [Paul GAUGUIN after]

    Les Immémoriaux - Bois dessiné, gravé et tiré en couleur par George-Daniel de Monfreid pour le frontispice du roman de Victor SegalenLes Immemoriaux - Woodcut drawn, engraved and printed in color by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel

    s. d. [1907]|12.40 x 18.90 cm|une feuille
     

    Original color proof of a woodcut inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux.

    Only one other original color proof and one print run, in black and white (see below), are known to date.
    Printed in two tones, green and brown, on old Japan and enhanced with gilt painting by the artist.

    This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen...

    €4,000
  81. Aquarelle originale signée - Hippocrate "...et si, appliquant l'oreille contre la poitrine, vous écoutez longtemps"
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "...et si, appliquant l'oreille contre la poitrine, vous écoutez longtemps"

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrate “...et si, appliquant l'oreille contre la poitrine, vous écoutez longtemps” “...and if, placing the ear against the chest, you listen for a long time”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the top right of the plate, produced for the illustration of Œuvres by Hippocrates; Book II paragraph 61 (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken from the book in pencil in the lower margin of the leaf.
    A beautiful copy of this...
    €1,200
  82. Tehura. Noa Noa. Epreuve unique gravée d'après le tableau Merahi metua no tehamana de Paul Gauguin par George-Daniel de MonfreidTehura. Noa Noa. Epreuve unique gravée d'après le tableau Merahi metua no tehamana de Paul Gauguin par George-Daniel de Monfreid
    Paul GAUGUIN, George-Daniel de MONFREID

    Tehura. Noa Noa. Epreuve unique gravée d'après le tableau Merahi metua no tehamana de Paul Gauguin par George-Daniel de MonfreidTehura. Original proof engraved after

    s. d. [1924]|9.30 x 7.80 cm|autre
    Tehura. Original proof engraved after
    the painting "Merahi Metua no Tehamana".
    Intermediate state for Noa Noa
    [between 1904 & 1924] | 9,3 x 7,8 cm | one sheet
    Original proof, likely unique, of this intermediate state of “Tehura”, wood drawn and engraved after Paul Gaughin's painting “Merahi Metua no Tehamana” by George-Daniel de Monfreid.
    Print on fine cream laid paper, annotation by the artist in the left-hand margin.

    The definitive wood served as the head of chapter VI, “Le Conteur parle”, page 81 of the true first edition of Noa Noa published by Crès in 1924, the first illustrated work from Paul Gauguin and
    a...
    €2,300
  83. Portrait photographique de Salvador DaliPortrait photographique de Salvador Dali
    ANONYME (Salvador DALÍ)

    Portrait photographique de Salvador DaliPhotographic portrait of Salvador Dali

    Paris 1970|14.90 x 20.20 cm|une photographie
    Photographic portrait of Salvador Dalí
    Paris 1970 | 14,9 x 20,2 cm | one photograph
    Photographic portrait of Salvador Dalí, contemporary silver print in black and white. Interpress stamp at the bottom of the photograph and handwritten annotations in pencil. Roneotyped sticker: « Service spécial page radio TV FR3, Dimanche 6 avril 20 heures. Une certaine idée de la Correra avec Salvador Dalí » (Special service radio TV page FR3, Sunday 6 April 8 pm, "A certain idea of the Correra with Salvador Dalí").

    A very beautiful photograph taken at a press conference given by Salvador Dali at the Gustave Moreau Museum in Paris on 1st April 1970...
    €800
  84. Photographie originale inédite de Pablo Picasso à la Maison de Marcus Lucretius Fronto, Pompéi printemps 1917Photographie originale inédite de Pablo Picasso à la Maison de Marcus Lucretius Fronto, Pompéi printemps 1917
    (Pablo PICASSO) Jean COCTEAU

    Photographie originale inédite de Pablo Picasso à la Maison de Marcus Lucretius Fronto, Pompéi printemps 1917

    Paris 1917|6.30 x 8.60 cm|une photographie
    Original photograph, likely unique and unpublished, of Pablo Picasso at the Casa di Marco Lucrezio, Pompeii spring 1917
    Paris 1917 | 6,3 x 8,6 cm | one photograph
    Original photograph depicting Pablo Picasso in the spring of 1917 at the Casa di Marco Lucrezio in Pompeii, holding a twig, in front of a wall on which there is a Pompeian fresco.

    Contemporary silver print, perhaps unique, from Jean Cocteau's personal archives then the Maurice Sachs collection.
    Exceptional almost undiscovered and probably unpublished photograph taken by Jean Cocteau during the stay.

    On 16 April 1917, Picasso visits...
    €10,000
  85. Photographie originale probablement unique de Pablo Picasso à Montparnasse devant le café La Rotonde, le 12 août 1916
    (Pablo PICASSO) Moïse KISLING

    Photographie originale probablement unique de Pablo Picasso à Montparnasse devant le café La Rotonde, le 12 août 1916

    Paris 12 août 1916|6.30 x 8.60 cm|une feuille
    Original photograph likely unique taken by Jean Cocteau showing Pablo Picasso and Co in Montparnasse in front of the café La Rotonde, the 12 August 1916
    Paris 12 august 1916 | 6,3 x 8,6 cm | one photograph
    Original photograph by Jean Cocteau taken on 12 August 1916, showing Manuel Ortiz de Zárate, Moïse Kisling, Max Jacob, Pablo Picasso and the model Pâquerette, his girlfriend at the time, posing in front of the famous café La Rotonde on Boulevard du Montparnasse in Paris.

    Contemporary silver print, probably unique, from Jean Cocteau's personal archives then the Maurice Sachs collection.

    This image was...
    €10,000
  86. Aquarelle originale signée - Hippocrate "...saisissant le vase, buvait avidement..."
    Joseph KUHN-RÉGNIER

    Aquarelle originale signée - Hippocrate "...saisissant le vase, buvait avidement..."

    s. l. s. d. [ca 1930]|24.10 x 30.40 cm|une feuille
    Original signed watercolour - Hippocrates “..saisissant le vase, buvait avidement...” “...seizing the vase, drinking avidly...”
    s.ls.d(ca 1930), 24.1 x 30.4 cm, one leaf
    Original watercolour signed by Joseph Kuhn-Régnier on laid paper, signed at the top left of the plate, produced for the illustration of Œuvres by Hippocrates (Paris, Javal and Bourdeaux, 1932-1934). The colours of this original drawing differ very slightly from the final version chosen for the illustration of the book. There is a caption taken from the book in pencil in the lower margin of the leaf.
    A beautiful copy of this drawing by one of the masters of Art Deco illustration.
    €1,200
  87. Le récit de Panurge à Pantagruel. Dessin original signé en couleurLe récit de Panurge à Pantagruel. Dessin original signé en couleur
    Louis ICART (François RABELAIS)

    Le récit de Panurge à Pantagruel. Dessin original signé en couleur

    1936|18 x 23 cm|une feuille
    Original signed drawing in color created in 1936 for the illustration of Rabelais' works by Le Vasseur & Cie. Watercolor and pencils on vellum.
    This drawing was undoubtedly reserved for one of the 29 deluxe copies on Japon nacré paper.

    €900
  88. Portrait photographique dédicacé de Léopold Sédar SenghorPortrait photographique dédicacé de Léopold Sédar Senghor
    Léopold Sédar SENGHOR

    Portrait photographique dédicacé de Léopold Sédar Senghor

    S. n.|s. l. s. d. [circa 1990]|13.50 x 22 cm|une feuille
    Photographic portrait of Léopold Sédar Senghor shown slightly in profile and wearing a pair of glasses.
    Handsome copy.
    Autograph inscription signed by Léopold Sédar Senghor, in blue ink on the verso of the photograph, to (Frédéric) Brion and his wife.
    €200
  89. Eau-forte originale
    Alberto GIACOMETTI

    Eau-forte originale

    Louis Broder|Paris s. d. [1965]|20 x 24.10 cm|une feuille
    Original etching by Giacometti printed on japon and created for the work Feuilles éparses in homage to René Crevel.
    Handsome copy.
    €1,500
  90. Lithographie originale
    [Jean ARP] Hans ARP

    Lithographie originale

    Louis Broder|Paris s. d. [ca 1961]|20 x 24.10 cm|une feuille
    Original print by Jean Arp printed on japon and created for the work Feuilles éparses in homage to René Crevel.
    Handsome copy.
    €700
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