Gift ideas: Original Artworks

René LOUVAT, Germaine KANOVA
Affiche de la France libre : "French resistance helps throttle the Boche"Free French poster: "French resistance helps throttle the Boche"
Londres [London] 1944|-|2|une feuille
Free French poster: “French resistance helps throttle the Boche”

Londres 1944 | 49 x 75 cm | one poster

Rare original Free French poster published in London in 1944, with the tagline: “French resistance helps throttle the Boche”.
One tear without loss, very skillfully repaired.

Executed by René Louvat after a photograph by Germaine Kanova, the first female war correspondent for the Armed Forces Film Service (SCA).

The color lithograph, signed “R. Louvat, 1944, photo G. Kanova” shows two hands with red-white-and-blue flames coming out of them strangling a German soldier, recognizable by his helmet...
€2,000
Georges TOURNON
Dessin original signé au fusain et rehauts de gouache : vendeurs de ballons au Jardin des Plantes
Paris 1932|15 x 9.50 cm|une feuille
Original drawing of the painter and draftsman Georges Tournon, in charcoal enhanced with gouache, signed "G. Tournon Jardin des plantes Paris 1932".
"Georges Tournon was to be a Parisian artist who had acquired a certain dexterity in the art of chewing the street people, he had a real predilection to identify and draw from the nature of characters misery among the two wars: tramps curled up by the cold and hunger, couples of old people sitting on a bench, stray wanderers ... he associated with those excluded "at the end of the roll", sellers of "almost nothing", which, against a few cents, yielded to the passers-by flowers, mimosa, feather duster ... or played the...
€230
ANONYME
Photographie originale - Girls playing on koto & samisen
Japon [Japan] s. d. [circa 1880]|26.80 x 20.70 cm|une photographie
Original albumen photograph. Caption at bottom right of image: "Girls playing on koto & samisen".
Some minimal traces of corner creases, inherent to previous framing.
The koto, on the left, is an instrument of Chinese origin but nonetheless part of Japanese musical culture. The shamisen - or samisen in English - is also Chinese and is likewise an inseparable element of Japan's traditional music.
The musician on the left has her fingers encircled with picks to pluck the strings of her instrument, while the second uses a large ivory plectrum.
Handsome impression with very good contrast.
€250
ANONYME
Photographie originale - Séchage du thé
Japon [Japan] s. d. [circa 1880]|27.50 x 21 cm|une photographie
Original albumen photograph, mounted on heavy paper and enhanced with watercolor.
This image shows a group of young women and a man proceeding with tea drying.
€250
André BRETON
"Cadavre exquis" d'André Breton, photographie originale prise à l'exposition surréaliste de Paris en 1938"Cadavre exquis" by André Breton, original photograph taken at the surrealist exhibition in Paris in 1938, contemporary silver halide print
Services photographiques The New York Times|18 janvier 1938|17.20 x 13 cm|Photograph|une photographie
Original photograph, contemporary silver halide print on crumière paper, taken at the surrealist exhibition in Paris in 1938. “Wide World Photos – Services photographiques The New York Times” imprinted on the verso.
This picture depicts the object “Cadavre exquis” by André Breton, which was exhibited in the room adjacent to the main room at the exhibition and surrounded by paintings by René Magritte and sculptures by Hans Arp.
Stencilled inset glued on the back of the picture: “International Surrealism Exhibition 1938 opens at the Beaux-arts gallery. Paris. What to think of this curious “chest of drawers” on a woman's legs? Photo NYT Paris Fre. 18.1.38 DB.”
€1,500
Paul-Albert LAURENS, Pierre LOUŸS
Suite de six eaux-fortes de Albert Laurens pour Aphrodite de Pierre Louÿs
Pierre Duffau|Paris 1897|23 x 32 cm|en feuilles
First edition, one of 40 copies on China, ours one of the 10 copies out of business literati with remark and signature of Paul Albert Laurens .
Nice copy despite tiny marginal freckles not serious at the head of some leaflets.
€500
Marc TRIVIER (René CHAR)
Portrait de René Char à l'Isle sur Sorgue. Photographie Originale de l'artiste[Portrait of René Char at L’Isle-sur-la-Sorgue. Original Photograph by the Artist]
Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille
Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, as with most of Trivier's works.
Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each, with particular concentration on rendering the whites, in contrast with...
€3,000
Marc TRIVIER (Michel FOUCAULT)
Portrait de Michel Foucault. Photographie Originale de l'artisteMichel Portrait of Michel Foucault. Original artist's photograph.
Par l'auteur|s. l. 1983|22 x 22 cm|1|une feuille
FOUCAULT Michel Portrait of Michel Foucault. Original artist's photograph.

Large original photographic portrait in black and white by Marc Trivier.
Original unsigned silver print, like most of Trivier's works.
Small tear to upper edge.
A handsome original silver print proof by the famous Belgian photographer, one of the most secretive contemporary artists, who - despite early international success - preferred to limit his output to preserve the coherence of his oeuvre. Marc Trivier doesn't do after-prints of his old portraits, and in any case, the paper he used for printing is no longer sold. The artist "prints his images himself on Ilford baryta paper, devoting several...
€1,700
Marc TRIVIER (Michel FOUCAULT)
Portraits de Michel Foucault. Photographie Originale de l'artiste
Par l'auteur|s. l. 1981|21.50 x 24 cm|1|une feuille
Set of 8 small-format portraits of Michel Foucault by Marc Trivier.
Original unsigned silver print, like most of Trivier's works.
Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare density. A Marc...
€1,500
Vue d'optique - Décoration du feu d'artifice tiré à Londres en réjouissance de la paix en 1763
Chez Mondhare (1734-1799)|Paris circa 1765|32 x 46 cm|une feuille
Original engraving. Optical view enhanced in watercolor, depicting a view of the fireworks display at Green Park, London in celebration of peace in 1763
Optical views, also called views, perspectives or "mondo nuovo", are engravings very much in vogue between the end of the 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was...
€230
Henri-Gabriel IBELS
Ouvrard - Le Café Concert
L'Estampe originale|Paris 1893|31.50 x 43 cm|2|en feuilles
Original print by Henri-Gabriel Ibels, from the series Café-Concert published by the Publications de l'Estamppe Originale. Very rare and beautiful lithography is one of the 500 original proofs drawn on vellum by Edouard Ancourt's printing press.
€200
Henri-Gabriel IBELS
Kam-Hill - Le Café Concert
L'Estampe originale|Paris 1893|31.50 x 43 cm|2|en feuilles
Original print by Henri-Gabriel Ibels, from the series Café-Concert published by the Publications de l'Estamppe Originale. Very rare and beautiful lithography is one of the 500 original proofs drawn on vellum by Edouard Ancourt's printing press.
€250
Henri de TOULOUSE-LAUTREC
Paula Brebion - Le Café Concert
L'Estampe originale|Paris 1893|31.50 x 43 cm|2|en feuilles
Original print by Henri de Toulouse, from the series Le Café-Concert published by the Publications de l'Estampe Originale. Very rare and beautiful lithography is one of the 500 original proofs drawn on vellum by Edouard Ancourt's printing press.
€1,000
[ECOLE NAPOLITAINE] Vue du temple de Vesta et de la fortune virile
(Naples) [Naples] circa. 1825|13 x 19 cm|une feuille sous marie-louise
Original gummed print, dating from the first quarter of the 19th century.
This print, taken from the Saint-Jean district in Geneva on the right bank of the Rhone, was later added to a set of Italian landscapes in an amicorum album among engravings, lithographs, drawings, and wash.
Executed in the first quarter of the 19th century, these prints summarize the stages of the "Grand Tour" of Italy and its surroundings, the obligatory journey of the post-Napoleonic nobility who came to Italy or Switzerland to make an artistic and bucolic pilgrimage to the great Renaissance works, urban panoramas and delightful mountain lakes. The European aristocracy was...
€700
ANONYME
Portrait féminin
Italie [Italy] circa. 1825|8.50 x 12.50 cm|une feuille sous marie-louise
Original drawing in pencil, probably from the first half of the nineteenth century.
Portrait of an elderly lady, dressed and dressed in the fashion of the 1820s, curly hair above the ears, separated in the middle of the forehead and enclosed in a cap trimmed with ribbons. The hair; Very worked by the artist, frames a face with simple and severe features.
This drawing is part of a collection of pencil portraits of the Prussian aristocracy made in Rome, collected in an amicorum album among engravings, lithographs, etchings, drawings, and washings of landscapes and Italian architecture.
€150
George BARBIER
Costumes parisiens. Blouse japonaise en soie sur une jupe plissée. Marin de toile blanche (pl.105, Journal des Dames et des Modes, 1913 n°47)
S. n.|Paris 1913|14 x 22.50 cm|une feuille
original print in color, printed on laid paper, signed on the top left of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for...
€150
(CARTIER)
Une pendulette et une montre. Bijoux, de Cartier (pl.27, La Gazette du Bon ton, 1924-1925 n°4)
Lucien Vogel éditeur|Paris 1924-1925|24 x 18 cm|une feuille
Original color print, printed on vergé paper, non signed.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right...
€130
George BARBIER (Charles-Frederick WORTH)
Eros. Robe et Manteau, pour le soir, de Worth (pl.51, La Gazette du Bon ton, 1924 n°9)
Lucien Vogel éditeur|Paris 1924|18 x 24 cm|une feuille
Original color print heightened with palladium, printed on vergé paper, signed in the plate.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
€180
Louis STRIMPL
L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)
Lucien Vogel éditeur|Paris Janvier 1914|36.50 x 24 cm|une feuille
Double original color print heightened with gold, printed on vergé paper, signed in the plate.

An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
€250
Jules COIGNET [attributed]
Arbre mort et homme au chien
S. n.|s. l. circa 1830|41 x 35 cm|une feuille sous marie-louise encadrée
Unsigned pencil drawing, depicting a large dead tree with a drowsing man and his dog at its foot.
Fine wooden frame showing some scratches.
A student of Jean-Victor Bertin, Jules Coignet adopted his master's predilection for landscape painting. He is the author of a great number of canvases representing views and landscapes painted during his numerous travels in Tyrol and the Baden region, in Switzerland, in Italy and Sicily, in Egypt and Lebanon in the Orient, as well as in several provinces of France, notably Brittany and the Isère valley.
€450
Raphaël COLLIN
L'Estampe Moderne. Le Départ. Lithographie Originale
Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris 1898|30 x 40 cm|une feuille
Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate. Very handsome copy.
Lithograph inspired by a poem by Francis Fièlé-Griffin, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the review by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle Epoque"...
€150
Eugène GRASSET
L'Estampe Moderne. Dans les bois. Lithographie Originale
Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris 1898|30 x 40 cm|une feuille
Original color lithograph executed specially by the artist for l'Estampe Moderne. Proof printed on heavy laid paper protected by a printed tissue guard, publisher's dry stamp in lower margin. Artist's signature in the plate. Handsome copy.
Lithograph inspired by the poem "Les Tendresses" by Armand Sylvestre, an extract of which is reproduced on the print's tissue guard.
Published by Ch. Masson and H. Piazza, the two years of l'Estampe Moderne constitute one of the finest lithographic achievements of the period. Each print is an original work created specially for the magazine by the greatest French and foreign artists representing Symbolist, Art Nouveau, Orientalist and "Belle...
€280
ANONYME
Nu féminin jouant de la flûte
circa 1920|41 x 51.50 cm|une feuille sous marie-louise encadrée
Original pastel drawing depicting a nude woman in profile playing the flute. Illegible signature at bottom right of the drawing.
Modern frame.
€180
Jules-Edmond CUISINIER
Paysage marin
S. n.|s. l. 1880|50 x 34 cm|encadré
Original oil on wood showing a rural landscape with the sea in the background in an imposing gilded frame.
Signed at lower right. One small insignificant lack to right of frame.
Edmond Cuisinier (1857-1917) was a minor painter of the Barbizon school.
€1,800
Achille DEVÉRIA
Portrait de femme
S. n.|s. l. circa 1840|30.50 x 39 cm|une feuille sous marie-louise encadrée
Original pencil drawing depicting a seated woman with crossed hands, wearing a dress with imposing drapery and flowers in her hair. Artist's stamp at bottom left of the sheet.
Achille Devéria (1800-1857) is a French painter, illustrator and engraver, student of Girodet-Trioson. He is a recognized illustrator and published numerous lithographs (Contes by Perrault, Don Quixote, Robinson Crusoe, La Henriade...). In 1849, he was appointed director of the prints department of the Bibliothèque Nationale and assistant curator of the Egyptian department of the Louvre.
The famous portrait of Honoré de Balzac as a young man (1825) is attributed to him. He...
€600
Vue d'optique - Vue du Palais de la Bourse
Chez Basset|Paris circa 1800|30.50 x 48.50 cm|une feuille
Original engraving. Optical view heightened in watercolor, depicting a view of the Palace of the Stock Exchange.
Optical views, also called vues, perspectives, or "mondo nuovo," are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be viewed through a series of mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered the forerunners of three-dimensional images and stereoscopes, which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were parlor entertainments. The process was first developed in Paris, then London, and...
€200
Vue d'optique - Vue de la Porte Saint Martin
Chez Basset|Paris circa 1800|30.50 x 48.50 cm|une feuille
Original engraving. Optical view enhanced with watercolor, depicting a view of the Porte Saint Martin taken from the Boulevard Saint Denis.
Optical views, also called views, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were drawing room entertainments. The process was...
€200
Vue d'optique - Vue intérieure de Saint Pierre de Rome.
Chez Daumont, Basset et Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
Original engraving. Optical view heightened in watercolour, depicting an interior view of St. Peter's Basilica in Rome.
Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlour entertainments. The process was first developed in Paris, then London and...
€150
Vue d'optique - Vue de la place et des casernes de Top-Hané à l'entrée du port de Constantinople.
Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
Original engraving. Optical view enhanced with watercolor, depicting a view of the square and barracks of Top-Hané at the entrance to the port of Constantinople.
Optical views, also called views, perspectives or "mondo nuovo", are engravings very much in vogue between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and are salon...
€300
Henri PILLE
Peinture d'histoire
(circa 1880)|21.50 x 35 cm|3|une feuille sous marie-louise et cadre
Original ink by Henri Pille depicting a historical scene, preserved under mat and gilt wood frame.
An appreciated figure in the Montmartre artistic milieu, whose work developed through history paintings and genre scenes often tinged with humor, Pille is especially renowned as a pen and ink artist. He executed numerous illustrations for publishing, notably for publisher Alphonse Lemerre, and contributed to reviews and newspapers such as Le Courrier Français, Le Rire, Le Monde illustré, Le Procope, journal parlé, Le Journal Amusant, La Vie moderne, Le Voleur and Le Petit Français illustré. He published drawings in the...
€500
Vue d'optique - Vue perspective de la grande Place du peuple, à Rome
Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
Original engraving.
Optical view heightened in watercolor, depicting a view of the great Piazza del Popolo, in Rome.
Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards.
Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris...
€150
CECILE, A.-B. DUHAMEL
DESCRIPTION DE L'EGYPTE. Qâou el Kebyreh (Antaeopolis). Vue du temple prise du côté du Sud-Ouest. (ANTIQUITES, volume IV, planche 40)
Imprimerie Impériale|Paris 1809-1829|71 x 54 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€400
Marc TRIVIER (Andy WARHOL)
Portrait d'Andy Warhol. Photographie Originale tirée par l'artiste.Portrait of Andy Warhol. Original photograph printed by the artist
Par l'auteur|s. l. 1981-1982|22 x 22 cm|1|une planche photographique
Portrait of Andy Warhol. Original photograph printed by the artist
Marc Trivier | 1981-1982, 22 x 22 cm | on Ilford paper 30 x 40 cm

Large original photograph portrait in black and white, made and printed by Marc Trivier. Unsigned silver print, as most of Trivier's works. Unique print from the artist. Small stain on the upper margin.
Artists, madmen, abattoirs, trees – Marc Trivier photographed each of his subjects with the same interrogative intensity. All his photographs are in the same square format, simple and confined, with no retouching or alteration of the framing, and seem less to show off a subject – famous or unknown, in or out of power, dead or alive...
€4,000
DUTERTRE, MONSALDY (sculpsit)
DESCRIPTION DE L'EGYPTE. Thèbes. Memnomium. Pilastre et bas-reliefs du temple de l'ouest. (ANTIQUITES, volume II, planche 36)
Imprimerie Impériale|Paris 1809-1829|53.50 x 71 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€120
LEGENTIL, Edme-François JOMARD
DESCRIPTION DE L'EGYPTE. Thèbes. Bybân el Molouk. Sujets mystérieux et détails de costumes, peints dans le cinquième tombeau des rois à l'est et dans d'autres tombeaux. (ANTIQUITES, volume II, planche 86)
Imprimerie Impériale|Paris 1809-1829|71 x 53.50 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€450
DUTERTRE, CARRE
DESCRIPTION DE L'EGYPTE. Thèbes. Bybân el Molouk. Enseignes, armes et instruments peints dans le cinquième tombeau des rois à l'est. (ANTIQUITES, volume II, planche 88)
Imprimerie Impériale|Paris 1809-1829|53.50 x 71 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€400
DUTERTRE, Edme-François JOMARD
DESCRIPTION DE L'EGYPTE. Thèbes. Hypogées. Momies d'ibis, Fragments de momies de chacal qui ont été dorées, Fragments de l'enveloppe des doigts d'une momie, tirées de la collection de Jules-César Savigny. (ANTIQUITES, volume II, planche 52)
Imprimerie Impériale|Paris 1809-1829|53.50 x 71 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€200
Johannes STRADANUS, Philippe GALLE
La capture du tigre
S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus.
Proof on watermarked laid paper, work from the end of the 16th or very beginning of the 17th century.
Artists' signatures in the plate.
Latin caption in the lower part of the engraving.
Manuscript translation in an old hand beneath the plate mark: "Le chasseur prend les petits du tigre et met dans des trappes des miroirs qui représentent les petits qu'il a enlevés. Cette bête stupide croyant les voir effectivement, entre dans les filets et hurle, étant prise." ["The hunter takes the tiger cubs and places mirrors in traps that represent the cubs he has taken. This foolish...
€250
Johannes STRADANUS, Adrian COLLAERT
La chasse aux porcs-épics
S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
Authentic original engraving executed with burin after a 16th century drawing by Johannes Stradanus.
Proof on watermarked laid paper, work from the late 16th or very early 17th century.
Artists' signatures in the plate.
Latin caption in the lower part of the engraving.
Manuscript translation in old handwriting below the plate mark: "In winter, the porcupine is taken by dogs or in nets, or when it flees to hide in dark holes, hunters pursue them with rakes and hoes".
Watermark visible by transparency.
The margins of the engraving have been backed with small pieces of old laid paper glued to the edges on the reverse, otherwise fine condition for this very...
€250
Johannes STRADANUS, Philippe GALLE
La chasse aux lions par le feu
S. n.|s. l. fin XVIe début XVIIe|34 x 25.50 cm|une feuille
Authentic original engraving executed in burin after a 16th-century drawing by Johannes Stradanus.
Proof on watermarked laid paper, work from the late 16th or very early 17th century.
Artists' signatures in the plate.
Latin caption in the lower part of the engraving.
Manuscript translation in old handwriting below the plate mark: "Ceux qui s'occupent à surprendre les lions dans des filets portent une torche de la main gauche et un bouclier de la droite pour se garantir du feu: les lions fuyant les flammes, se jettent dans les filets qu'on lui a tendu." ["Those who busy themselves with surprising lions in nets carry a torch in the left hand and a shield in the right to...
€250
Jean Jacques HENNER
Nu
S.d. (fin XIXe)|22.50 x 29 cm|une feuille
Etching printed on China paper. A tissue guard protects the engraving.
Proof before lettering, without the painter's and engraver's names. The painting from which this engraving is taken is in the Henner museum.
Perfect condition.

NB: This work is available at the bookshop on request within 48 hours.
€250
Maarten van HEEMSKERCK
Gravure originale du XVIIe siècle "Carcere clauduntur nigro mandate senatu Discipuli, sed lux Divina repagula porte Perfregit, duxitque viros ad limina templi, Sacra quibus iussum est miisteria pandere Christi." (Ac. Cap.5.19.)Original 17th century burin engraving [The disciples are locked in prison by the black command of the senate, but the divine light breaks through the bars of the gate and leads the men to the thresholds of the temple, to whom it is commanded to reveal the sacred mysteries of Christ]
S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
Original burin engraving after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen.
Printed on watermarked laid paper in the early 17th century. This is an illustration of a passage from the Acts of the Apostles, 5.19-20:

"But the angel of the Lord by night opened the prison doors, and brought them forth, and said, Go, stand and speak in the temple to the people all the words of this life."

Latin caption in the lower portion of the engraving. Artist's signature in the plate. Numbered notation "10" in the lower right corner, within the engraving. Manuscript notation "143" in the margin in the upper right corner of...
€180
Maarten van HEEMSKERCK
Conspectis constanter aquis, ardescere cepit Ennuchi fecunda fides, qui gurgite mersus Antiquos posuit lapsus, et nomine Christi Testatur totum purgatum lapsibus orbem. (Ac. Cap.8.38.) Gravure originale du XVIIe siècle[Constantly gazing at the waters, Ennuchi's fruitful faith began to burn, who, drowned in the whirlpool, laid the ancients to rest, and in the name of Christ testifies that the whole world has been cleansed of its sins]
S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
Original engraving executed with burin after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck, Marten, Maerten, Martin.
Impression on watermarked laid paper, work from the early 17th century. This is an illustration of a passage from the Acts of the Apostles, 8.38-39: "And he commanded the chariot to stand still: and they went down both into the water, both Philip and the eunuch; and he baptized him. And when they were come up out of the water, the Spirit of the Lord caught away Philip, that the eunuch saw him no more.". Latin caption in the lower portion of the engraving. Artist's signature in the plate. Numbered notation "15" in the lower...
€200
Maarten van HEEMSKERCK
Gravure originale du XVIIe siècle "Paulus acerba fremens miseris fera bella ciere Judaica feritate parat, sed corpore lapsus Post, maiora videt legisque excitus ab umbra Sub qua cecus erat, regiones lucet in omnes." (Ac. Cap.9.3.)Original 17th century burin engraving [Paul, roaring bitterly, prepares to wage savage wars against the wretched with Jewish ferocity, but after falling in body, he sees greater things and, awakened from the shadow of the law under which he was blind, shines upon all regions]
S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
Original burin engraving after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen.
Print on watermarked laid paper, early 17th-century work.

This is an illustration of a passage from Acts of the Apostles, 9.1-3:

"But Saul, still breathing threats and murder against the disciples of the Lord, went to the high priest and asked him for letters to the synagogues at Damascus, so that if he found any belonging to the Way, men or women, he might bring them bound to Jerusalem. Now as he went on his way, he approached Damascus, and suddenly a light from heaven shone around him".

Latin caption in the lower part of...
€120
Johannes STRADANUS, [Claes Jansz VISSCHER attributed]
In Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècle
S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
Original engraving executed with burin by Claes Jansz Visscher, called the Piscator, after a 16th century painting by Johannes Stradanus.
Proof on watermarked laid paper, early 17th century work.This illustrates a passage from Acts of the Apostles, 16.12-14: "From there we traveled to Philippi, a Roman colony and the leading city of that district of Macedonia. And we stayed there several days. On the Sabbath we went outside the city gate to the river, where we expected to find a place of prayer. We sat down and began to speak to the women who had gathered there. One of those listening was a woman from the city of Thyatira named Lydia, a dealer in purple cloth. She was a worshiper of...
€200
$Contremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècle$
Johannes STRADANUS, [Claes Jansz VISSCHER attributed]
Contremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècle
S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
, on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists, including Michelangelo, Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578, he devoted a large part of his activity to engraving.
€200
Maarten DE VOS
Esurivi enim et dedistis mihi manducare. (Matt. 25.35.). Gravure originale du XVIIe siècle
S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
Original unsigned engraving, probably executed in burin after a 16th century painting by Maarten de Vos (or Martin).
Proof on watermarked laid paper, early 17th century work.
This is an illustration of the Gospel according to Matthew 25.35, "For I was an hungred, and ye gave me meat".
Latin caption in the lower portion of the engraving.
Numbered mark "2" in the lower right corner in the engraving, and manuscript notation "110" in margin in the upper right corner. An old manuscript annotation in Greek characters under the right corner of the plate mark. Watermark visible by transparency. Tiny marginal foxing and stains, a tiny corner lack, a trace of corner fold, all...
€150
Maarten van HEEMSKERCK
Et dimitte nobis debita nostra sicut et nos dimitimus debitoribus nostris. (Matt. 6.12.). Gravure originale du XVIIe siècle[And forgive us our debts, as we also forgive our debtors]
S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
Original unsigned engraving, executed in burin, probably after a 16th-century painting by Maerten Jacobszoon Heemskerk van Veen or Maarten van Heemskerck, Marten, Maerten, Martin.
Impression on watermarked laid paper, work from the early 17th century.
This is an illustration of the Gospel according to Matthew 6-12, "Forgive us our trespasses, as we also forgive those who trespass against us." (from the Lord's Prayer).
Latin caption in the lower part of the engraving. Numbered mention "5" in the lower right corner within the engraving, and manuscript notation "51" in the margin in the upper right corner. Crown watermark visible by transparency. Minimal foxing and dampstains...
€180
Claes Jansz VISSCHER
Factum est autem ut moreretur mendicus, et protaretur ab angelis in sinum Abrahae. (Luc 16.22.). Gravure originale du XVIIe siècle
S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
Unsigned original engraving, probably executed in burin by Claes Jansz Visscher, known as Piscator.
Proof on watermarked laid paper, work from the early 17th century.
This is an illustration of the Gospel according to Luke 16.22, "The poor man died, and he was carried by the angels into Abraham's bosom."
Latin caption in the lower portion of the engraving.
Numbered notation "2" in the lower right corner within the engraving, and manuscript notation "81" in margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Crown watermark visible by transparency. Rare and minimal marginal foxing, small corner stains...
€150
Dominique VIVANT DENON, GALIEN (sculpsit)
Voyage dans la Basse et Haute Egypte : Planche 118 (Hiéroglyphes, bas-reliefs et obélisques).<br />
Didot|Paris 1803|39.50 x 54 cm|une feuille
Original print folio, taken from Travels in Upper and Lower Egypt Vivant Denon. Board decorated with an engraving subdivided into eight figures, and described by the author: No.1 The eastern face of the obelisk which was before the temple of Luxor (see Plate L, No. 1). I should desiré have time to draw the four sides which differ between them, except for the First figures of the summit, which is probably a kind of protocol of the dedication of the monument; I thought it would be advantageous to have this inscription to add further to those that we have that are obelisks in Rome and elsewhere. The work of these is such a franchise, we must believe that the Egyptians had a particular caliber...
€120
Dominique VIVANT DENON, BALTARD (sculpsit)
Voyage dans la Basse et Haute Egypte : 1. Vue de Thèbes du plus loin qu'on peut l'appercevoir. 2. Vue de Qarnâc. 3. Autre vue de Qarnâc. (Planche 43).<br />
Didot|Paris 1803|40.50 x 54 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€230
Dominique VIVANT DENON, L. PETIT
Voyage dans la Basse et Haute Egypte : Statues dites de Memnon. (Planche 44).<br />
Didot|Paris 1803|40.50 x 54 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€300
Dominique VIVANT DENON, BALTARD (sculpsit)
Voyage dans la Basse et Haute Egypte : Ruines du temple d'Hermopolis / Tombeau égyptien à Lycopolis / Plan du tombeau. (Planche 33).<br />
Didot|Paris 1803|40.50 x 54 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€180
Jean-Baptiste Prosper JOLLOIS, Edouard DEVILLIERS (delineavit)
DESCRIPTION DE L'EGYPTE. Ile de Philae. Vue perspective de l'édifice de l'est. (ANTIQUITES, volume I, planche 28)
Imprimerie Impériale|Paris 1809-1829|71 x 54 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€380
Louis ANQUETIN
Profil de femme
Fin XIXème - Début XXème|9.50 x 12 cm|10
Original pencil drawing, mounted on board.
Artist's signature stamp in the lower right corner of the work, and atelier signature stamp on verso.
Very fine condition.
Provenance: from the artist's studio, referenced in the catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08).
Louis Anquetin, born in Étrépagny in 1861 and died in Paris in 1932, is an important French painter. He began his career alongside avant-garde painters such as Vincent Van Gogh and Henri de Toulouse-Lautrec. With Émile Bernard, he was the inventor of Cloisonnism. From 1884 to 1893, Louis Anquetin continuously explored the new possibilities offered by the liberation introduced by...
€300
Louis ANQUETIN
Faune 5 - Crayon sur papier
Circa 1896|23 x 35 cm
Original pencil drawing. Artist's signature stamp in the lower right corner of the work, and workshop stamp signature on the verso. Very fine condition. Provenance: from the artist's workshop, referenced in the catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, born in Étrépagny in 1861 and died in Paris in 1932, is an important French painter. He began his career alongside avant-garde painters such as Vincent Van Gogh or Henri de Toulouse-Lautrec. With Émile Bernard, he invented Cloisonnism. From 1884 to 1893, Louis Anquetin continuously explored the new possibilities offered by the liberation introduced by Impressionism in French painting. From 1893 onwards...
€500
Louis ANQUETIN
Duel à l'épée : Étude 4"Sword Duel : Study no. 4" - Original charcoal drawing
Fin XIXème - Début XXème|25 x 16.25 cm|Drawing
Original charcoal drawing, presented under a two-colour mat frame.
With the workshop's stamp on the back.
Very good condition.

Provenance: artist's workshop, referenced in the Atelier Louis Anquetin catalogue (Thierry de Maigret, 28/11/08).
€1,000
Louis ANQUETIN
Etude de têtes de chiens. - Crayon sur papier
Fin XIXème - Début XXème|26.50 x 20.50 cm
Original pencil drawing, recto-verso. On the verso, various studies of dogs.
Stamp-signature of the artist in the lower right corner of the work, and workshop stamp-signature on the verso. Central fold mark, a small central tear affecting the drawing very slightly (4 cm), otherwise very fine condition.
Provenance: from the artist's studio, referenced in the catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08).
Louis Anquetin, born in Étrépagny in 1861 and died in Paris in 1932, is an important French painter. He began his career alongside avant-garde painters such as Vincent Van Gogh and Henri de Toulouse-Lautrec. With Émile Bernard, he invented Cloisonnism. From...
€300
BOUQUET
DESCRIPTION DE L'EGYPTE. Mammifères. Mangouste ichneumon, Lièvre d'Égypte. (Histoire Naturelle, planche 6)
Imprimerie Impériale|Paris 1809-1829|53.50 x 70 cm|une feuille
Original etching in plano, untrimmed, extracted from the so-called "Imperial" edition of the Description of Egypt or Collection of observations and research made in Egypt during the French expedition, published by order of His Majesty Emperor Napoleon the Great.
Executed between February 1802 and 1829 by order of Napoleon Bonaparte and published from 1809 [actually 1810], it was printed in 1000 copies on watermarked laid paper "Ancient and modern Egypt" and offered to institutions.
Plate belonging to the series of Mammals, whose study was conducted by Étienne Geoffroy Saint-Hilaire (1772-1844), French naturalist who participated in the Egyptian campaign...
€180
CHARLES
DESCRIPTION DE L'EGYPTE. Mammifères. Bélier à large queue, Moufflon à manchettes. (Histoire Naturelle, planche 7)
Imprimerie Impériale|Paris 1809-1829|53.50 x 70 cm|une feuille
Original etching in plano, untrimmed, extracted from the so-called "Imperial" edition of the Description de l'Égypte ou Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand.
Executed between February 1802 and 1829 by order of Napoleon Bonaparte and published from 1809 [actually 1810], it was printed in 1000 copies on laid paper watermarked "Égypte ancienne et moderne" and offered to institutions.
Plate belonging to the Mammals series, the study of which was conducted by Étienne Geoffroy Saint-Hilaire (1772-1844), French naturalist who participated in the...
€180
PROTAIN, REVILLE (sculpsit)
DESCRIPTION DE L'EGYPTE. Le Kaire [Le Caire]. Vue perspective extérieure de la mosquée de Soultân Hasan. (ETAT MODERNE, volume I, planche 38)
Imprimerie Impériale|Paris 1809-1829|53.50 x 70 cm|une feuille
Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.
Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.
€300

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Gift ideas: Original Artworks

Affiche de la France libre : "French resistance helps throttle the Boche"Free French poster: "French resistance helps throttle the Boche"

Dessin original signé au fusain et rehauts de gouache : vendeurs de ballons au Jardin des Plantes

Photographie originale - Girls playing on koto & samisen

Photographie originale - Séchage du thé

"Cadavre exquis" d'André Breton, photographie originale prise à l'exposition surréaliste de Paris en 1938"Cadavre exquis" by André Breton, original photograph taken at the surrealist exhibition in Paris in 1938, contemporary silver halide print

Suite de six eaux-fortes de Albert Laurens pour Aphrodite de Pierre Louÿs

Portrait de René Char à l'Isle sur Sorgue. Photographie Originale de l'artiste[Portrait of René Char at L’Isle-sur-la-Sorgue. Original Photograph by the Artist]

Portrait de Michel Foucault. Photographie Originale de l'artisteMichel Portrait of Michel Foucault. Original artist's photograph.

Portraits de Michel Foucault. Photographie Originale de l'artiste

Vue d'optique - Décoration du feu d'artifice tiré à Londres en réjouissance de la paix en 1763

Ouvrard - Le Café Concert

Kam-Hill - Le Café Concert

Paula Brebion - Le Café Concert

[ECOLE NAPOLITAINE] Vue du temple de Vesta et de la fortune virile

Portrait féminin

Costumes parisiens. Blouse japonaise en soie sur une jupe plissée. Marin de toile blanche (pl.105, Journal des Dames et des Modes, 1913 n°47)

Une pendulette et une montre. Bijoux, de Cartier (pl.27, La Gazette du Bon ton, 1924-1925 n°4)

Eros. Robe et Manteau, pour le soir, de Worth (pl.51, La Gazette du Bon ton, 1924 n°9)

L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)

Arbre mort et homme au chien

L'Estampe Moderne. Le Départ. Lithographie Originale

L'Estampe Moderne. Dans les bois. Lithographie Originale

Nu féminin jouant de la flûte

Paysage marin

Portrait de femme

Vue d'optique - Vue du Palais de la Bourse

Vue d'optique - Vue de la Porte Saint Martin

Vue d'optique - Vue intérieure de Saint Pierre de Rome.

Vue d'optique - Vue de la place et des casernes de Top-Hané à l'entrée du port de Constantinople.

Peinture d'histoire

Vue d'optique - Vue perspective de la grande Place du peuple, à Rome

DESCRIPTION DE L'EGYPTE. Qâou el Kebyreh (Antaeopolis). Vue du temple prise du côté du Sud-Ouest. (ANTIQUITES, volume IV, planche 40)

Portrait d'Andy Warhol. Photographie Originale tirée par l'artiste.Portrait of Andy Warhol. Original photograph printed by the artist

DESCRIPTION DE L'EGYPTE. Thèbes. Memnomium. Pilastre et bas-reliefs du temple de l'ouest. (ANTIQUITES, volume II, planche 36)

DESCRIPTION DE L'EGYPTE. Thèbes. Bybân el Molouk. Sujets mystérieux et détails de costumes, peints dans le cinquième tombeau des rois à l'est et dans d'autres tombeaux. (ANTIQUITES, volume II, planche 86)

DESCRIPTION DE L'EGYPTE. Thèbes. Bybân el Molouk. Enseignes, armes et instruments peints dans le cinquième tombeau des rois à l'est. (ANTIQUITES, volume II, planche 88)

DESCRIPTION DE L'EGYPTE. Thèbes. Hypogées. Momies d'ibis, Fragments de momies de chacal qui ont été dorées, Fragments de l'enveloppe des doigts d'une momie, tirées de la collection de Jules-César Savigny. (ANTIQUITES, volume II, planche 52)

La capture du tigre

La chasse aux porcs-épics

La chasse aux lions par le feu

Nu

In Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècle

Contremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècle

Esurivi enim et dedistis mihi manducare. (Matt. 25.35.). Gravure originale du XVIIe siècle

Et dimitte nobis debita nostra sicut et nos dimitimus debitoribus nostris. (Matt. 6.12.). Gravure originale du XVIIe siècle[And forgive us our debts, as we also forgive our debtors]

Factum est autem ut moreretur mendicus, et protaretur ab angelis in sinum Abrahae. (Luc 16.22.). Gravure originale du XVIIe siècle

Voyage dans la Basse et Haute Egypte : Planche 118 (Hiéroglyphes, bas-reliefs et obélisques).<br />

Voyage dans la Basse et Haute Egypte : 1. Vue de Thèbes du plus loin qu'on peut l'appercevoir. 2. Vue de Qarnâc. 3. Autre vue de Qarnâc. (Planche 43).<br />

Voyage dans la Basse et Haute Egypte : Statues dites de Memnon. (Planche 44).<br />

Voyage dans la Basse et Haute Egypte : Ruines du temple d'Hermopolis / Tombeau égyptien à Lycopolis / Plan du tombeau. (Planche 33).<br />

DESCRIPTION DE L'EGYPTE. Ile de Philae. Vue perspective de l'édifice de l'est. (ANTIQUITES, volume I, planche 28)

Profil de femme

Faune 5 - Crayon sur papier

Duel à l'épée : Étude 4"Sword Duel : Study no. 4" - Original charcoal drawing

Etude de têtes de chiens. - Crayon sur papier

DESCRIPTION DE L'EGYPTE. Mammifères. Mangouste ichneumon, Lièvre d'Égypte. (Histoire Naturelle, planche 6)

DESCRIPTION DE L'EGYPTE. Mammifères. Bélier à large queue, Moufflon à manchettes. (Histoire Naturelle, planche 7)

DESCRIPTION DE L'EGYPTE. Le Kaire [Le Caire]. Vue perspective extérieure de la mosquée de Soultân Hasan. (ETAT MODERNE, volume I, planche 38)