DESCRIPTION DE L'EGYPTE. Mammifères. Mangouste ichneumon, Lièvre d'Égypte. (Histoire Naturelle, planche 6)

Original etching in plano, untrimmed, extracted from the so-called "Imperial" edition of the Description of Egypt or Collection of observations and research made in Egypt during the French expedition, published by order of His Majesty Emperor Napoleon the Great.
Executed between February 1802 and 1829 by order of Napoleon Bonaparte and published from 1809 [actually 1810], it was printed in 1000 copies on watermarked laid paper "Ancient and modern Egypt" and offered to institutions.
Plate belonging to the series of Mammals, whose study was conducted by Étienne Geoffroy Saint-Hilaire (1772-1844), French naturalist who participated in the Egyptian campaign, and collected on this occasion numerous observations on mammals, reptiles and fish in particular.
Minimal and marginal worming not touching the engraving, two wormholes in left margin, otherwise excellent state of freshness and preservation.


NATURAL HISTORY volume, mammals:
These engravings show the scientific genius of French scholars at work on Egyptian soil, preparing it to become a French colony. This colonizing project in gestation since the reign of Louis XIV was accompanied with Bonaparte's arrival by an in-depth study of fauna and flora through the work of the greatest naturalists, mineralogists, entomologists of the time. The Description of Egypt reveals the entirety of this immense scientific enterprise through its engravings, after drawings by members of the Academy of Sciences including Etienne Geoffroy Saint-Hillaire, Alire Raffenau-Delile or Henri-Joseph Redouté. According to Geoffroy Saint-Hilaire's words "We have gathered the materials for the most beautiful work that a nation could undertake. While deploring the fate of so many brave warriors, who after so many glorious exploits succumbed in Egypt, one will be consoled by the existence of such precious works."

THE DESCRIPTION OF EGYPT, IMPERIAL edition (1809-1829):
The Description of Egypt is one of the masterpieces of French publishing and the starting point of a new science: Egyptology. Titanic exposition of Egypt at the time of Bonaparte's conquests between 1798 and 1799, it is divided into 23 volumes including 13 volumes of engravings gathering nearly 1000 plates in black and 72 in color. The 6 volumes of plates entitled Antiquities are devoted to the splendors of Pharaonic Egypt. Natural History is divided into 3 volumes of engravings. One volume is devoted to Geographical and topographical maps while the 3 volumes : Modern State present a striking portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's armies of the Orient.

The "Egyptian campaign", military disaster, reveals through the engravings of the Description of Egypt the scientific success it became, thanks to the some 167 scholars members of the Commission of Sciences and Arts of the Institute of Egypt who followed Napoleon's army. The Institute brought together in Egypt the mathematician Monge, the chemist Berthollet, the naturalist Geoffroy Saint-Hilaire, as well as numerous artists, engineers, architects, doctors... They were charged with rediscovering modern and ancient Egypt, showing its natural riches, and the know-how of its inhabitants.

The first edition, called "Imperial", of the Description of Egypt was executed in four large formats, two of them specially created for it and named "Middle-Egypt" and "Grand-Egypt" formats. A specific press was built for its printing, which spread over twenty years, between 1809 and 1829. The Imperial edition proved so popular that a second edition in 37 volumes entirely in black and without the watermark "Ancient and modern Egypt", called "Panckoucke" edition, was published from 1821 by the C.-L.-F. Panckoucke printing house (Paris).
The realization of this monument of erudition owes much to baron Dominique Vivant Denon, illustrator, diplomat, collector and subsequently director of the Napoleon Museum of the Louvre who accompanied Napoleon to Egypt with numerous other scholars but decided alone to venture into the South of the country, while the other invited scientists remained confined in the Cairo region. The fabulous sketches brought back by Denon during his romantic ride gave Bonaparte the idea to send the other members of the Institute there and thus draw a faithful and complete portrait of the territory. Following Denon, it was therefore the greatest French scientists and artists who ventured along the Nile as far as Nubia. Among them, the painter at the museum of natural history H.J. Redouté (brother of Pierre-Joseph Redouté, author of the Roses), the mineralogist Dolomieu, the draughtsman Joly, and the engineers Fourier and Costaz, charged with the scientific study of the ancient vestiges of Upper Egypt.
Probably for the first time assembled in such an expedition, the French scientific and artistic elite, composed of more than 160 "scholars" including nearly 50 artists, methodically studied Egypt for three years. They then realized, under the aegis and to the glory of Napoleon, the most vast historical, geographical, scientific, economic and ethnological analysis ever conducted on a country. But it is perhaps the engravings that constituted the major technical challenge of this Description of Egypt, as testified by Yves Laissus, curator of the exhibition organized in 2009 by the RMN and the Army Museum at Les Invalides:
"The illustration, 836 plates including about sixty in colors, etched and engraved in formats hitherto unused (the largest covers nearly one square meter), required the construction of new forms and vats for paper manufacture, justified the invention, by Nicolas Conté, of a machine designed to lighten the burden of the engravers, and demanded the realization of new presses capable of printing these immense images. Some of them required two years of work. Nearly 200 engravers reproduced on copper the works of 62 draughtsmen of whom 46 participated in the expedition."
Rare and superb original engraving of exceptional workmanship and graphic quality, testimony to one of the most ambitious French editorial adventures.