Illustrated Books

First edition of the Gospels in the translation by Pierre Dassance, illustrated with a chromolithographed frontispiece after a drawing by Langlois, engraved by Cyprien Jacquemin, an engraved title-page for each Gospel by Brevière, twelve steel-engraved plates after drawings by Tony Johannot, two hand-coloured maps, and ten engravings after drawings by Charles Marville on chine. Numerous ornamental borders, tailpieces, headpiece vignettes and initials. The frontispiece and the vignette with the initial letter on page IX of the first volume are gilt and hand-coloured.

Publisher's bindings in full long-grain midnight-blue morocco, covers blind-stamped, gilt central plaques on each...

Third edition, the second issued by Simon de Colines (cf. Renouard, Bibliogr. de Finé, 357-358. Brun, 189. Mortimer, French, 228 (not this ed.). Schreiber, 188. Not in Fairfax Murray.)

This edition constitutes a revised and improved reissue of the 1535 edition, with a newly cut woodcut architectural border to the title ("Quadrivium II").

Full vellum binding, smooth spine, manuscript title at the head of the spine, modern binding in the style of early vellum bindings,

A small tear to the title-page restored, a date inscribed in ink beside the printed date of publication.

A pleasing copy of one of Simon de Colines’ typographical masterpieces.

First bilingual English-French edition, illustrated with three engraved title pages and one hundred and thirty-two steel-engraved plates after drawings by Samuel Prout and James Duffield Harding, with tissue guards.

Publisher's brown half-chagrin bindings, boards in blind-stamped percaline, a gilt trophy at the centre of each board, a small gilt coat of arms at the head of the upper board of each volume, spines richly gilt with ornamental tooling, bilingual title and volume number gilt-lettered on the spines, yellow paper endpapers, gilt edges. Spines and corners lightly rubbed, some scuffing, one joint of the third volume split at the foot, occasional foxing.

...

First edition from the Imprimerie Royale, complete in nine quarto volumes with all 262 black-and-white engraved plates.

Contemporary full mottled calf, spines with raised bands decorated with guilloche tooling and gilt ornaments in the compartments, red morocco lettering-pieces and numbering-pieces, triple gilt fillet border on boards, double gilt fillet on board edges, marbled endpapers and pastedowns, marbled edges. Minor variations in the tooling on volume 3.

In...

Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.

Publisher’s full vellum binding, flat spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic...

First edition.

Illustrated with 16 drawings by Georges Adam.

A superb copy of this rare booklet by Louis Aragon, a true "anti-clerical, anti-capitalist, anti-colonialist, anti-patriotic" (Pierre Juquin) catechism for the children of the exploited working masses.

"On June 25, 1932, the Imprimerie centrale completed printing for the Bureau des éditions et de diffusion, 132, Faubourg Saint-Denis, Paris, a beautiful pamphlet, now a bibliophilic rarity [...] On the cover, a large red star - an important and recurrent image in Aragon's work - appears imprinted on children's brains. Sixteen quatrains, droll and didactic, punctuated for ease of...

First edition, with a frontispiece photograph depicting Gustave Eiffel in his laboratory, and 28 plates outside the text, some folding (an additional copy of plate 26 is included).

Publisher’s binding in white cloth-backed boards with corners, flat spine showing some soiling and small tears at head and foot, printed paper label mounted on spine, printed title on upper board, corners slightly rubbed.

Pleasant internal condition.

A light water stain in the left margin of the frontispiece and at the foot of the lower cover, some soiling to the bottom of the upper cover, and a few pencil annotations in the margins.

The author presents the results of experiments...

First edition, illustrated with 11 double-page folio plates, including 2 plans printed on tracing paper. (Not listed in Hage Chahine.)

The text fascicle is in wrappers and the suite of plates is loose, both housed in the publisher’s original black cloth-backed portfolio with corners, flat spine without lettering, title label centered on the upper board, sand-colored boards showing some stains and scuff marks, with flaps and ties.

On the inside flap of the publisher’s portfolio, autograph inscription signed by Henri Chevrier to Pierre Glénat: "... dans l'espoir de faire un jour sa connaissance sous le soleil der Thèbes..."

New edition printed on laid paper.
Some light foxing affecting mainly the endpapers.
Full marbled sheep binding, spine with five raised bands set with gilt garlands decorated with double compartments adorned with gilt typographical motifs, traces of rubbing on spine, gilt rolls on headcaps almost completely faded, triple gilt fillets framing the boards, some scratches on boards, marbled endpapers and pastedowns, gilt edges on leading edges which show some rubbing.
The work consists of 12 parts each comprising 6 engraved plates plus three engraved plates: the half-title page, the title page with a portrait of Gille Marie Oppenort and, finally, a plate with the letter "B"...

First edition printed in 700 numbered copies, ours being one of the 50 non-commercial copies.

Publisher's binding in full blue cloth, smooth spines, copies complete with their illustrated dust jackets.

Rich iconography.

Beautiful copy in two volumes, complete with its soft cardboard case.

First edition, one of 34 copies printed on Japan paper, this copy being one of 5 not-for-sale copies printed for presentation, a deluxe issue following the unique copy on Japan Imperial.

Illustrated with 9 original wood engravings by Maurice Savin.

Minor loss at foot of spine, occasional light spotting on some deckle edges, a handsome copy with full margins.

As stated in the colophon, our copy includes the additional suite of wood engravings printed on antique Japan paper.

Inscribed and signed by André Spire to Claude Aveline, for whom this copy was printed

Illustrated edition with 10 drawings, decorative headers and ornaments by Frans Masereel, one of 60 numbered copies on Lafuma paper.
Minor losses and small tears without loss to the head and tail of the upper cover, stains to the rear endpaper.

Illustrated edition featuring color compositions by Léon Lebègue, as well as a black-and-white frontispiece, one of the numbered copies printed on tinted Arches wove paper.
Bradel binding in red half morocco, smooth spine, black fillet framing on the gilt-effect paper-covered boards, endpapers and pastedowns of matching paper, original wrappers and spine preserved, top edge gilt, a refined period binding signed A. Lavaux.

A handsome copy in an attractive binding.

First edition, one of 50 copies numbered on pure white rag paper, deluxe printing.

Binding in red half-shagreen with corners, spine with five raised bands framed by black fillets, some small rubbing on a few of the bands, date in gilt at the tail, framed by black fillets on the boards of speckled paper, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on witnesses.

Illustrated with 60 heliogravure plates hors-texte.

Pleasant copy despite minor marginal spots of little significance on the endpapers.

Our copy is enriched with an autograph note dated June 1929 and signed by Pierre Abraham, mounted on tab, thanking Joseph Gabalda...

First edition of this issue entirely devoted to Guillaume Apollinaire.
With numerous contributions including those by Guillaume Apollinaire, Tristan Tzara, Pierre Albert-Birot, Paul Dermée, André Salmon, and Roche Grey. Iconography, illustrations, facsimiles; a complete copy including the portrait of Guillaume Apollinaire by Marcoussis.
Two small tears at the head and foot of the spine, a well-preserved copy.

Front cover illustrated with a portrait of Guillaume Apollinaire by Pablo Picasso.

Album of 50 full-page plates signed by Lange, each with captioned tissue guards (cf. Polak 6415).

Publisher's binding in red half shagreen, spine with five raised bands decorated with gilt dotted rolls and black fillets, gilt naval anchors, gilt title and naval anchor on the upper cover in red cloth, marbled endpapers and pastedowns.

Some minor foxing, a few faded spots along the edges of the covers, a well-preserved copy overall.

A fine visual survey of the French navy at the end of the 19th century, featuring 44 warships and 6 merchant vessels (from the Compagnie Générale Transatlantique, Messageries Maritimes, Chargeurs Réunis, Albert Méniér, and...

First edition, illustrated with drawings by the author.

Minor foxing to the upper cover, slight creasing to the upper outer corners of the final leaves.

A survey of various aerial navigation devices, their construction, the history of aviation, microlights, gliders, flying bicycles, and toy airplanes.

A rare work by Henry de Graffigny, who inspired the character of Roger-Marin Courtial des Pereires—an eccentric genius inventor—in *Mort à Crédit* by Louis-Ferdinand Céline.

First edition, illustrated with a frontispiece, 6 folding maps, 24 plates out of text, and 95 in-text reproductions.

Bradel binding in full blue cloth, cherry shagreen title label, original wrappers and spine preserved.

The botanist and biologist Auguste Chevalier (1873–1956) undertook numerous expeditions to Africa, Asia, and South America after earning his doctorate in 1901.

A handsome copy.

Inscribed and signed by Auguste-Jean-Baptiste Chevalier to Madame P. Lemoine at the head of the title page.

First edition, printed in 500 numbered copies on Arches wove paper, adorned with 48 black illustrations within the text and 32 full-page plates after drawings by Iacovleff, printed in bistre and black. A superb album, produced under the direction of Jacques de Brunhoff with the collaboration of Sergueï Grigorievitch Elisseeff (1889–1975).

In 1917, the Russian painter Aleksander Evgenevitch Iacovleff (1887–1938) spent six months on the Japanese island of Izu Ōshima, following a stay in China. He would never return to Russia, where the Soviets seized power that same year, but emigrated to France, where he would pursue the rest of his career. He became the official painter of the...

New edition, the most comprehensive to date, illustrated with 300 engravings, several maps, and followed by 18 appendices (cf. Cordier, Japonica, 694).

The original edition was published in 1899.

Contemporary half havana sheep binding, corners tipped with the same, smooth spine sunned and rubbed, decorated with blind fillets and floral tools, blind-tooled garland framing the bordeaux cloth boards, black paper endpapers and pastedowns, marbled edges.

Some minor foxing mainly affecting the endpapers, otherwise a clean and well-preserved copy.

Our copy lacks the atlas of 11 maps, which was not ready in time for printing, as stated on a slip mounted on the first...

First edition, one of 15 copies printed on japon impérial, most limited deluxe issue.

Bradel binding with grey box spine, front board in plexiglass revealing the original cover, back board in grey box, original wrappers and spine preserved, housed in a soft grey paper chemise lined with light grey felt; unsigned binding by Mercher.

Illustrated with three original lithographs, including the original colour illustration on the cover.

Discreet repairs to...

Rare first edition of this highly practical manual intended for sanitary inspection, each of the 90 plates featuring detailed explanatory text alongside corresponding illustrations.

The foreword is missing from our copy.

Publisher's binding in grey cloth-backed boards, plain spine showing some rubbing, illustrated upper cover, light dampstain to lower right corner of the upper board, minor rubbing to the lower cover.

Eugène Aureggio (1844–1924), a military veterinarian trained at Alfort, was then in charge of inspecting butcher’s meat.

First edition (a reprint was issued in 1963) of one of the two major works by Marcel Sarrazin, known as Vassal, now considered one of the leading French-speaking 'mentalists'—a modern term borrowed from English (cf. Fechner, p. 554). Only 2 copies listed in the CCF (BnF and Sainte-Geneviève).

Small stains to the lower right corner of the title page, otherwise a well-preserved copy.

Contemporary half tawny sheep binding, spine with four raised bands and gilt fleurons, minor rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original front wrapper preserved, sprinkled edges, very slight rubbing to corners.

Illustrated with in-text figures after...

Deluxe issue, enhanced by a remarkable original drawing presented to Léon Werth.

First edition under this title with illustrations by Saint-Exupéry, one of 20 numbered copies on Madagascar paper, a deluxe issue. Published just days after the original edition without illustrations, issued by Gallimard (Lettres de jeunesse 1923–1931).

The work features 10 colour illustrations by Antoine de Saint-Exupéry, as well as a cover vignette after a drawing by the author.

This copy is further enhanced by an exceptional blue and red pencil drawing by Saint-Exupéry on watermarked paper, inscribed in pencil on the verso: “Given to Léon Werth...

New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_

First edition, printed in 105 copies on Rives wove paper, this copy being one of the 60 with an original etching signed in pencil by Annie Proszynska.

Colophon signed in pencil by both Guy Rohou and Annie Proszynska.

Illustrated with 15 original etchings by Annie Proszynska, including a frontispiece, a full-page plate, a double-page plate, and 12 in-text illustrations.

A fine copy, complete with its original Siena moiré cloth chemise and slipcase.

First deluxe large octavo edition illustrated by George Roux.
Publisher’s pictorial binding by Hetzel signed Engel, known as "type 4 globe" design, with "lighthouse" spine and lower cover of Engel "i" type as per Jauzac, all edges gilt.
Original blue endpapers marginally faded, as usual; headcaps very slightly compressed; some foxing at the beginning and end of the volume.
Sequel to Robur le conquérant, Maître du monde recounts Robur’s return to civilization aboard an amphibious vehicle.
Un drame en Livonie is a detective novel centred on the story of an innocent man accused of a murder he did not commit in Livonia.

Illustrated edition comprising 68 illustrations by George Roux, including 20 large plates in chromotypography and a map.
Y catalogue at rear.
Publisher’s binding by Hetzel signed Engel, known as “au globe”, type 4, spine with lighthouse motif, lower cover type Engel “i” as per Jauzac, all edges gilt.
Headcaps slightly pushed and frayed, some foxing, offsetting from adhesive paper to the head and tail of the blue endpapers.
Le Sphinx des glaces is a fantastical novel intended as a sequel to Edgar Poe’s The Narrative of Arthur Gordon Pym, to which it is dedicated.
Copy not recorded by Jauzac.

New edition and first printing of the su­perb illustrations by Pierre Bonnard, one of 20 numbered copies on japon, the only deluxe paper issue.
Half blue percaline bradel binding with corners, smooth spine adorned with a central gilt fleuron and double gilt fillet at the foot, chocolate brown shagreen ti­tle label with minor scuffing, french curl on Turkish patterned paper boards, cov­ers and spine preserved, contemporary binding signed Carayon. Spine slightly browned, corners slightly dulled.
Our copy is housed under a half moroc­co chemise with five raised bands, “ill. de P. Bonnard” stamped in gilt at foot of spine, boards of tiger patterned paper, and a slipcase bordered with...

First edition of this rare and fragile promotional item for the Galeries Lafayette consisting of 47 cardboard pieces with an illustration in medallion drawn by Jack Roberts and a children's song of eight verses.

A handsome copy, complete with its original printed crystal paper envelope.
 

First printing of the 109 colored wood miniatures by Henry Lemarié, one of the numbered copies on Rives laid paper for each of the volumes.
Small tear at foot of spine of the Bluebeard slipcase, very light rubbing without significance to the slipcases, two small tears at foot of second board of the silent wrapper encasing Cinderella.

We include the illustrated catalogue of Jean Porson editions as well as the catalogue, printed on Rives, announcing the collection of Charles Perrault tales illustrated by Henry Lemarié. This descriptive catalogue is decorated with the frontispiece of Sleeping Beauty in black, two vignettes and two in-text illustrations by Henry...

First edition, one of 48 copies on pur fil, the only deluxe copies.

Work decorated with illustrations by Jean Hugo.

Light rubbing to extremities of the slipcase.

Superb binding in dark exotic wood marquetry signed Pierre-Lucien Martin, dated 1962.

Binding in chocolate brown box leather with bands, smooth spine, gilt title lengthwise, first cover formed of a mosaic arrangement of dark wood pieces, with grain arranged in opposite directions, bearing the title engraved vertically and the author's name revealed in acrostic, second...

Bibliothèque de La Pléiade edition printed on Bible paper.
Rhodoïd slightly yellowed as sometimes occurs.
Rich iconography.
Publisher's full brown grained sheepskin binding, orange top edge, smooth spine decorated with gilt fillets.
Fine copy complete with its rhodoïd, dust jacket and soft slipcase.