First edition, one of 40 numbered copies, the only copies printed on deluxe paper.
A handsome and scarce copy.
Illustrated with full-page color drawings by André François.
Pencil signature by Vincent Pachès at the colophon.
First edition, one of 950 copies on Vélin Vidalon signed by André Marchand, the only printing following 49 copies on Vélin d'Arches.
Bound in black morocco-backed boards with corners, smooth spine, gilt fillet borders on cat's eye paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine preserved, all edges gilt. Slipcase edged in black morocco, marbled paper panels. Binding signed by D. Saporito.
Illustrated with 50 splendid original lithographs by André Marchand, printed by Mourlot.
Featuring previously unpublished texts by Georges Spyridaki, René Lacôte, Georges Hugnet, Gabriel Audisio, Raymond Queneau, David Herbert Lawrenc
First illustrated edition, featuring 82 drawings by Tiret-Bognet and a color map of the Saint Lawrence River. Publisher's 1890 EX catalogue bound in at rear.
Binding with the two elephants, Lenègre type 3. Rear cover Lenègre type e.
Spine lightly faded, internally clean and well preserved.
In Famille sans nom, Verne recounts the story of a French-Canadian family during the Patriote Rebellion (1837–1838) against British injustice.
First edition (the work was reissued several times up to 1954), illustrated with a double map as frontispiece and numerous black-and-white in-text illustrations (cf. Hage Chahine 1925).
Contemporary binding in black half shagreen with corners, spine with five raised bands decorated with gilt floral motifs, gilt fillet framing on marbled paper boards, comb-marbled endpapers and pastedowns, all edges gilt, original illustrated wrappers preserved in color.
The title is somewhat misleading: the book is not a history of the cult of the Virgin Mary in Lebanon, but rather a richly illustrated travelogue across the country from one sanctuary to the next, featuring nearly 660 photograp
First edition, one of 300 numbered copies signed and justified by Frans de Geetere, reserved for the friends of La Marie-Jeanne, the only copies printed on deluxe paper.
As stated in the limitation, our copy is complete with a manuscript leaf from the work and an original drawing by the author depicting two reclining nude women, signed by him.
A desirable copy, complete with its rare promotional wraparound band: "le livre qu'aucun éditeur n'a osé publier".
First edition.
Publisher's full cloth-backed pictorial boards, front board with color illustration, pictorial endpapers, a newspaper clipping photograph of the Disney couple pasted on the front pastedown. Minor lacks to the upper cover, corners slightly creased.
Exceptional incribed copy by Walt Disney on the front pastedown: "Best wishes / Walt Disney," below a portrait of him with his wife and their dog.
First edition, one of 34 copies printed on Japan paper, this copy being one of 5 not-for-sale copies printed for presentation, a deluxe issue following the unique copy on Japan Imperial.
Illustrated with 9 original wood engravings by Maurice Savin.
Minor loss at foot of spine, occasional light spotting on some deckle edges, a handsome copy with full margins.
As stated in the colophon, our copy includes the additional suite of wood engravings printed on antique Japan paper.
Inscribed and signed by André Spire to Claude Aveline, for whom this copy was printed
Illustrated edition with 10 drawings, decorative headers and ornaments by Frans Masereel, one of 60 numbered copies on Lafuma paper.
Minor losses and small tears without loss to the head and tail of the upper cover, stains to the rear endpaper.
First edition, one of 800 numbered copies on Montgolfier paper.
Illustrated with two original hors-texte drypoints and in-text drawings by Jean Lurçat.
Spine and covers slightly and marginally faded, as usual; a well-preserved copy overall.
Illustrated edition featuring 15 original lithographs by Jean-Louis Boussingault, printed in 170 numbered copies on Arches paper.
Some light marginal foxing on a few leaves, otherwise a pleasant copy.
The slipcase is missing.
Illustrated edition featuring color compositions by Léon Lebègue, as well as a black-and-white frontispiece, one of the numbered copies printed on tinted Arches wove paper.
Bradel binding in red half morocco, smooth spine, black fillet framing on the gilt-effect paper-covered boards, endpapers and pastedowns of matching paper, original wrappers and spine preserved, top edge gilt, a refined period binding signed A. Lavaux.
A handsome copy in an attractive binding.
First trade edition, issued after just 50 deluxe copies.
A pleasant copy illustrated with drawings by the author.
First edition of the French translation by Dominique Aubier, printed in 150 numbered copies on Rives wove paper, ours being one of 30 copies including the original print, numbered and signed by Louis Chavignier.
Our copy is one of only 10 exceptionally enriched with an additional suite on chine appliqué of the etching by Alberto Giacometti and the 14 burin engravings by Louis Chavignier.
The work is illustrated with an original etching as frontispiece by Alberto Giacometti, and 14 full-page original burin engravings by sculptor Louis Chavignier.
A handsome and rare copy.
Enclosed is the printed report, on Rives paper, of the genera
Edition established, annotated, and commented by Le Roux de Lincy and Anatole de Montaiglon. Deluxe printing limited to 395 copies on deluxe paper, this one of 40 on Whatman paper (No. 301), including three suites of the engravings: one in black on Japan paper, one in bistre, and one in sanguine.
Illustrated with a portrait by T. de Mare, a frontispiece by Dunker, and 76 figures after Freudenberg engraved by De Longueil, Eichler, Le Roy, among others. Includes head- and tailpieces. One chromolithographed plate depicting the arms of Marguerite de Navarre. All engravings are presented in three states, except the chromolithograph.
Contemporary full citron morocco binding signed b
First edition, illustrated with 59 drawings by L. Bennet and P. Philippoteaux, 35 facsimiles of antique engravings, and 20 maps or plans. Double volume, AB catalogue for 1880.
Publisher's brick-red cloth binding known as "à La sphère ptolémaïque" (one of the most harmonious designs among Souze's publisher's bindings), bound by Engel. Specially designed cover plaque by Souze. Striking front board with bright gilt. Minor splits at headcaps and rubbed spine ends. Spine in very good condition, with well-preserved gilt lettering.
Rear board of type b, with a central rosette and darkened corner palmettes. Brown endpapers characteristic of the first edition. Foxing on the title page due to
First edition, with no deluxe copies printed.
Publisher's full illustrated boards.
Illustrated with drawings by André François.
Joints slightly rubbed and darkened at head and foot, as often; discreet blue ballpoint pen note at the top of the lower cover; a pleasant copy.
New edition of the Fables, more complete than previous ones, illustrated with a hand-coloured vignette on the title page and 110 hand-coloured half-page illustrations in the text, for a total of 111 engraved and coloured plates (cf. Rochambeau 305. Després, p. 142, no. 63).
Full olive calf binding, spine with gilt fillets, numerously tooled in gilt, gilt tooling to spine-ends, boards framed in gilt, marbled endpapers and pastedowns, inner gilt dentelle on pastedowns, all edges gilt, 20th-century binding.
Spine and covers faded, some foxing, a snag at head of rear cover. Lower right corners of pp. ix-xi restored.
An exceptional and finely watercoloured copy of
First edition, one of 15 copies printed on japon impérial, most limited deluxe issue.
Bradel binding with grey box spine, front board in plexiglass revealing the original cover, back board in grey box, original wrappers and spine preserved, housed in a soft grey paper chemise lined with light grey felt; unsigned binding by Mercher.
Illustrated with three original lithographs, including the original colour illustration on the cover.
Discreet repairs to th
First edition, one of 249 numbered copies on B. F. K. de Rives, the only printing other than 1 copy on Hollande and 24 on vélin crème de Renage. Illustrated with 4 original colour lithographs by Rufino Tamayo.
This copy further contains an additional suite of the 4 lithographs by Rufino Tamayo, usually reserved for the deluxe copies. Printed stamps to the versos of each engraving: "Annulation d’estampille pour annulation de vente".
Excepti
Deluxe issue, enhanced by a remarkable original drawing presented to Léon Werth.
First edition under this title with illustrations by Saint-Exupéry, one of 20 numbered copies on Madagascar paper, a deluxe issue. Published just days after the original edition without illustrations, issued by Gallimard (Lettres de jeunesse 1923–1931).
The work features 10 colour illustrations by Antoine de Saint-Exupéry, as well as a cover vignette after a drawing by the author.
This copy is further enhanced by an exceptional blue and red pencil drawing by Saint-Exupéry on watermarked paper, inscribed in pencil on the verso: “Given to Léon Werth [dedica
First edition, one of 50 numbered copies on China paper, the only copies printed on deluxe paper.
A pleasing copy.
Illustrated with plates by Louis Dunki.
First edition, complete with the 15 etched portraits by Jeanron.
At the beginning of the volume, the index listing the engraved portraits has been discreetly marked in pencil in the left margin beside each name.
Scattered light foxing.
Contemporary red half shagreen binding, spine with four raised bands framed by double gilt fillets and broad black rules, some rubbing to the spine, marbled paper-covered boards faintly and very marginally faded, marbled endpapers and pastedowns, one split to an edge.
First edition clandestinely printed in 175 copies on laid paper, each individually numbered.
Bound in full mint green morocco, spine with five raised bands framed by black fillets, subtle restoration to spine colour, date gilt at foot, endpapers and pastedowns of combed paper, gilt fillet border on pastedowns, original wrappers and spine preserved, all edges gilt, chemise edged in mint green morocco, covers of cat's eye paper, white felt interior, an elegant binding signed by Alix.
A very rare and handsome copy bound by one of the most distinguished binders of the second half of the twentieth century.
First edition, first issue, illustrated with 21 original etchings by Jules Lalauze. Printed in a limited edition following 220 copies on deluxe paper. One of 20 copies on Wattman paper, no. 40. Title pages printed in red and black. A fine impression. An exceptional copy with the engravings in four states (sometimes bound further within the volume), whereas even the copies on Japan paper contain only three states, two of which are proofs on Japan paper. Volume IV is unfortunately lacking in this set. Original wrappers and spines preserved.
Contemporary half orange morocco binding, signed by Canaps on the upper flyleaf. Spine with raised bands, tooled with four crosses composed of four t
Second edition, partly original, with 14 poems appearing here for the first time.
Bound in fawn half morocco with corners, spine very slightly darkened without consequence, marbled paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved.
Illustrated with a frontispiece by Félicien Rops.
A handsome copy, attractively bound.
New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_
First edition, printed in 105 copies on Rives wove paper, this copy being one of the 60 with an original etching signed in pencil by Annie Proszynska.
Colophon signed in pencil by both Guy Rohou and Annie Proszynska.
Illustrated with 15 original etchings by Annie Proszynska, including a frontispiece, a full-page plate, a double-page plate, and 12 in-text illustrations.
A fine copy, complete with its original Siena moiré cloth chemise and slipcase.
First deluxe large octavo edition illustrated by George Roux.
Publisher’s pictorial binding by Hetzel signed Engel, known as "type 4 globe" design, with "lighthouse" spine and lower cover of Engel "i" type as per Jauzac, all edges gilt.
Original blue endpapers marginally faded, as usual; headcaps very slightly compressed; some foxing at the beginning and end of the volume.
Sequel to Robur le conquérant, Maître du monde recounts Robur’s return to civilization aboard an amphibious vehicle.
Un drame en Livonie is a detective novel centred on the story of an innocent man accused of a murder he did not commit in Livonia.
First edition on ordinary paper.
Spine creased as often, otherwise a pleasant copy.
Illustrated.
Inscribed and signed by Jean Marais to Madame Romanini.
Illustrated edition comprising 68 illustrations by George Roux, including 20 large plates in chromotypography and a map.
Y catalogue at rear.
Publisher’s binding by Hetzel signed Engel, known as “au globe”, type 4, spine with lighthouse motif, lower cover type Engel “i” as per Jauzac, all edges gilt.
Headcaps slightly pushed and frayed, some foxing, offsetting from adhesive paper to the head and tail of the blue endpapers.
Le Sphinx des glaces is a fantastical novel intended as a sequel to Edgar Poe’s The Narrative of Arthur Gordon Pym, to which it is dedicated.
Copy not recorded by Jauzac.
New edition and first printing of the superb illustrations by Pierre Bonnard, one of 20 numbered copies on japon, the only deluxe paper issue.
Half blue percaline bradel binding with corners, smooth spine adorned with a central gilt fleuron and double gilt fillet at the foot, chocolate brown shagreen title label with minor scuffing, french curl on Turkish patterned paper boards, covers and spine preserved, contemporary binding signed Carayon. Spine slightly browned, corners slightly dulled.
Our copy is housed under a half morocco chemise with five raised bands, “ill. de P. Bonnard” stamped in gilt at foot of spine, boards of tiger patterned paper, and a slipcase bordered with bl
First edition of this rare and fragile promotional item for the Galeries Lafayette consisting of 47 cardboard pieces with an illustration in medallion drawn by Jack Roberts and a children's song of eight verses.
A handsome copy, complete with its original printed crystal paper envelope.
First printing of this edition illustrated with drawings by Delort engraved by Mongin. Small print run on vélin after 150 copies on deluxe paper. 14 plates on papier hollande. A frontispiece portrait. Preface by Judith Gautier.
Full bordeaux roan binding signed Bonleu (bottom of pastedown) with unidentified initials stamped in gilt, 2 interlaced English letters AC. Spine uniformly sunned, now light brown. Numerous gilt-tooled motifs on spine, ruled in gilt at head and foot of spine. Large inner dentelle numerously ruled and tooled in gilt. Traces of rubbing at heads of spine, joints and corners. Some scuffing along the joints. Some leaves protruding in volume II.
H
New edition, with 58 illustrated full-page plates including a frontispiece, all after P. A. Varin.
Full green velvet binding with silver edges, elaborately decorated with gilt gauffered rocaille motifs, and some blind stamped, with abundant onlays of blue, purple, cream and red velvet ; upper board with silver engraved crowned A[ve] M[aria] initials at center, "RGP" silver engraved initials at center of second board, both initials inside a wide red velvet inlay bordered with gilt gauffered motifs displaying the sheepskin of the Order of the Golden Fleece at bottom, spine elaborately decorated with gilt rocaille motifs, silver engraved title label, silver clasps with pierced leafy des
