Literature illustrated with engravings, lithographs, photographs, first edition drawings, beautiful illustrated books and artists' books

First complete edition.

It is illustrated with two frontispieces, twenty-four full-page engravings, and a folding map of Telemachus's travels. The portrait of Fénelon serving as frontispiece to the first volume is signed Baillieul and Duflos; the second frontispiece, together with the plates, is signed Bonnart fils and Giffart, while the map is drawn by Rousset and engraved by Berey. A few head-pieces, bandeaux, and ornamental initials. 

Bindings in full red morocco signed Chambolle-Duru, richly decorated covers, spine with five raised bands ruled in gilt, gilt panels and fleurons between the bands, author, title, volume number, place and date lettered in gilt on...

First edition printed in 45 numbered copies, signed in pencil by Ania Staritsky, ours is number 29. Original collage accompanied by the manuscript initials GW on the wrapper, 5 original engravings, and text presentation by Ania Staritsky.

Wrapper composed of two cardboard boards joined by cords, five kraft paper booklets containing bifolia of thick white paper. The year "1964" is inscribed in pencil on the first booklet. One of the three cords is missing, otherwise a fine copy.

Laid in are Gerhard Weber's handwritten visiting card, a clipped page from the bilingual French-German newspaper Pariser Kurier, and a postcard reproducing a work by Ania...

Illustrated edition with twenty-two copper-engraved vignettes, including one used as frontispiece. A few engraved tailpieces.

Plain wrappers in blue-grey, with manuscript title and date written lengthwise on the spine in ink. Wrappers slightly soiled, with a few creases and tears; scattered foxing and soiling to the leaves.

Original edition illustrated with reproductions of works by Ania Staritsky.
A pleasing copy.

New edition of this ancient pastoral romance, illustrated with a frontispiece and eight full-page engravings. With several headpieces, decorated initials and tailpieces.

Mustard morocco, spine with five raised bands, author, title and date lettered in gilt, gilt fillets to board edges and headcaps, gilt inner dentelle, all edges gilt; tan morocco case by Riviere & Son, spine with five raised bands, author, title and date lettered in gilt, blind-tooled fillets. Raised bands lightly rubbed, with a few scuffs to the slipcase, otherwise a handsome copy.

Mortimer L. Schiff's guilt red morocco bookplate on the front pastedown.

Revised and enhanced edition, illustrated with a frontispiece, an allegorical composition on the title page, and four full-page engravings by Bernard Picart. An allegorical figure within the text, several headpieces and tailpieces.

Contemporary mottled brown sheepskin binding, spine with five raised bands decorated with gilt motifs, red morocco title label, gilt roulette to the board edges, marbled paper pastedowns, red edges. Corners and headcap rubbed, some scuffing and losses at the joints, trifling soiling to a few leaves. Manuscript ex-libris "Messieurs Falconet et Lancelot" and ink date "8bre [October] 1785" on the title page. Manuscript note in ink on a front...

New edition with numerous full-page illustrations by Edouard Riou, one of the leading illustrators of Jules Verne's novels published in the Hetzel Collection.

Contemporary half green roan, flat spine tooled with seven gilt fillets, author and title gilt to spine, green speckled-paper boards. Binding rubbed and scratched, some foxing to the leaves.

First edition, illustrated with 10 compositions by Jean-Jacques Sempé, one of the numbered copies.

Publisher's full wood-grain style marbled boards, plain flat spine.

An attractive copy of this fable recounting the sudden disappearance of every form of paper, bringing modern society to a standstill.

Illustrated edition with 154 drawings by Jules Férat, engraved by Barbant.
Hetzel publisher's binding in full red percaline, in the "anchor spine" design, with Engel type "i" rear board as identified by Jauzac, original blue endpapers, all edges gilt. 
Spine ends slightly sagging, spine lightly faded, lower left-hand corner of the front board frayed, blue endpapers marginally faded as usual, small black marks to the outer margins of the boards, occasional foxing at the beginning and end of the volume, and a bibliophile's ink stamp in the upper left-hand corner of the front pastedown.
A pleasing copy of this novel, which forms a sequel to Twenty Thousand Leagues Under the...

Rare first collected edition, and the only edition produced for this title, illustrated by George Roux with 30 full-page plates, some printed in chromolithography.

Publisher's binding known as the "À l'éventail à un éléphant" design, with the title set within the fan, lighthouse spine slightly faded as usual, Engel type i rear cover with the JH monogram in upright letters at the centre of the rosette, all edges gilt. 
Spine ends slightly sagged, as often, a few minor spots of foxing.
A science-fiction novel whose protagonist, Storitz, acquires the power of invisibility by drinking a potion. The work appears to have been first written in the same year as the publication of H...

First edition, illustrated with 59 drawings by Léon Bennet and Paul Philippoteaux, 35 facsimiles of early engravings, and 20 maps or plans.

Catalogue S bound in at the end.
Publisher’s brick-red cloth binding in the so-called “Ptolemaic Sphere” design, one of Souze’s most harmonious binding compositions, bound by Engel; upper cover decorated with a special plaque designed by Souze, lower cover of type b with central rosette and darkened corner palmettes; brown endpapers characteristic of the first edition; all edges gilt. 

Scattered foxing. One lower corner bumped, minor rubbing to the upper cover along the joint, lower cover darkened and with a few small...

First edition of the catalogue for this exhibition, held from 25 October to 10 November 1923 at the Galerie du Nouvel Essor, rue des Saint-Pères, Paris.

Contributions by Jean-Emile Laboureur, Alfred Latour, Lespinasse, Ludovic Rodo, Mathurin Méheut, Louis Moreau, Morin-Jean, Paul-Emile Pissarro, Pierre Noury, Quillivic, Siméon, Philippe Burnot, Jules Galand and Pierre Gusman.

Rare and attractive copy, illustrated with 9 engraved vignettes.

First edition of the French translation, printed in an edition of 90 copies numbered on wove paper and signed by John Crombie and Sheila Bourne.

Illustrated throughout by Sheila Bourne.

A rare and fine copy of this artist's book created by Sheila Bourne and her husband, John Crombie.

First edition, one of 22 copies of the deluxe issue numbered in Roman numerals, together with 9 presentation copies, the only copies to feature an original collage cover by Olivier O. Olivier.

Illustrated with 25 reproductions of works by Olivier O. Olivier.

Signed presentation inscription in pencil from Olivier O. Olivier to a friend named Lise.

First collected edition, partly first edition, one of 129 numbered copies on wove paper, enhanced with an original engraving by Pierre Alechinsky, signed and numbered by the artist; our copy is one of the first 10 to contain a manuscript leaf, as stated in the limitation notice.

Signed by Yves Bonnefoy beneath the limitation notice.

A rare and fine copy.

New edition, partly original.
Publisher's full grey cloth, smooth spine, a pleasant copy complete with its illustrated dust jacket.
Richly illustrated.
Signed presentation inscription from Yves Bonnefoy to Jacques Hartmann and his wife Nancy.
 

Deluxe first edition on Oikos paper, limited to 200 copies, this copy being one of 5 presentation copies signed by the publisher and enriched with unpublished documents relating to the discovery of the manuscript.

Swiss binding with exposed stitching, smooth cloth spine, illustrated boards and slipcase.

Original French translation of the last manuscript recovered from a deportee assigned to the Sonderkommandos.

Marcel Nadjary (1917-1971), a Greek Jew from Thessaloniki, deported to Auschwitz in the spring of 1944, was assigned to the Sonderkommando. He wrote a...

Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.

Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.

Scattered foxing.

Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.

A handsomely preserved copy in a period romantic binding.

First edition, one of 50 numbered copies on Marais Crèvecoeur paper, issued as part of the publisher’s deluxe limitation.

Spine and boards faintly sunned and toned as usual, with a small spot to the lower outer corner of the front board.

As stated in the limitation, this copy includes its original etching by Jacques Villon, signed in the plate.

New edition.

Illustrated with engravings by Jean Hugo.

Signed autograph inscription from Anaïs Nin to her friend, the writer Christiane Baroche: "Christiane Baroche. Mais en ce jour damné décharné qui s’étire aux fenêtres 'c’est un peu moi j’assume...Anaïs Nin.'"

New edition.

Spine lightly toned.

Work illustrated with photomontages by Val Telberg.

Inscribed by Anaï Nin to her friend, the writer Christiane Baroche : "Christiane Baroche whose dreams are strong and have roots and bear fruit. Anaïs Nin."

First edition.

A pleasing copy.

Inscribed by Anaïs Nin to her friend, the writer Christiane Baroche: "Vos paroles Christiane Baroche : 'je veux cueillir le feu comme un dernier amant' amitié et concordances. Anaïs Nin."

Edition published in the same year as the first.

Spine and covers faintly sunned, without seriousness.

Attractive presentation copy signed by Anaïs Nin to the writer Christiane Baroche: "Christiane Baroche vos paroles "je la sais qui m'attend jusque dans ma mémoire. Anaïs Nin."

First edition, totalling 240 numbered copies, ours one of 10 copies on japon à la forme, the deluxe issue, complete at the end of the volume with its additional complete suite of illustrations in black as stated in the limitation.

Illustrated with 17 splendid pochoir plates in black, white, and gold by George Barbier.

A rare and...

New edition and the first printing of Jacques Tardi’s illustrations.
Publisher’s white boards, smooth spine.
A handsome copy.
Presentation inscription, dated and signed by Jacques Tardi to Joëlle Passani, with an original black-felt drawing depicting a sorrowful-faced Bardamu in a small vignette.
 

First French edition, illustrated by Arthur Rackham with 40 mounted colour plates on thick brown paper, each protected by a captioned tissue guard, along with 30 black-and-white line drawings within the text, one of the extremely rare 30 copies printed on japon, signed by Arthur Rackham on the limitation page; the deluxe issue.

Publisher’s Bradel binding in full vellum-style boards, smooth gilt-titled spine, upper board gilt-stamped with title and a tree design, top edge gilt; the silk tie on the lower board is lacking.

...

Illustrated edition with compositions by Arthur Rackham, 13 in colour tipped in with captioned tissue guards, and 52 black-and-white illustrations in the text, one of 55 copies on japon, signed by Arthur Rackham on the limitation page, deluxe issue.

Publisher’s full vellum binding, flat spine gilt-lettered with gilt-stamped animals, upper cover gilt-stamped with the title and an illustration of animals, top edge gilt, uncut, lower cover silk ties preserved.

A fine copy...

First collected edition of the works by the author of Les Étourdis ou le Mort supposé, a comedy that enjoyed great success just before the Revolution.

The set includes a portrait frontispiece in the first volume, four engraved plates, and ten engraved headpieces.

Bound in contemporary full polished and mottled brown calf, gilt decoration, smooth spines with six false raised bands highlighted with gilt fillets and repeated gilt floral tools, gilt fillet frames on covers bordered with a garland roll, gilt tooling to head- and tailpieces, green morocco spine labels, marbled endpapers and pastedowns, gilt edges on boards, marbled edges, contemporary bindings.

Some...

"New edition, with parts in first edition, incorporating an unpublished preface; the first edition had appeared in 1927 in Tokyo at the close of Claudel’s ambassadorship in Japan (1921–1927) and was issued in three fan-shaped quarto volumes. Work illustrated with Japanese characters calligraphed by Ikuma Arishima. Composed between June 1926 and January 1927, this essay (blending traditional calligraphy, haiku, and short Western-style verse) bears witness, among Claudel’s other creations, to the influence of the Far East on his poetic practice.

Moving and exceptional presentation inscription, signed and dated by Paul Claudel to his eldest daughter, Marie Claudel, known as...

Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.

Publisher’s full vellum binding, flat spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic...

Illustrated edition with 24 colour plates by Arthur Rackham tipped in with captioned tissue guards, 8 full-page black-and-white illustrations, together with numerous ornaments and vignettes in the text by Arthur Rackham, one of 300 copies printed on vélin à la forme, signed by Arthur Rackham on the limitation page.
Publisher’s Bradel binding in full bright white vellum, smooth spine lettered in gilt, upper cover gilt-stamped with the title and a design of fantastic animals within a vertical gilt rule, illustrated endpapers and pastedowns, top edge gilt, untrimmed edges preserved. 
A very well-preserved copy of Milton's baroque and Dionysian...

First French edition of the 50 colour plates by Arthur Rackham, tipped in with captioned tissue guards, a black vignette on the title page, and a further black vignette hors texte by Arthur Rackham, one of 200 copies on Whatman paper.
Publisher’s full vellum, smooth spine gilt-lettered, upper cover gilt-stamped with the title and a gilt illustration of Rip Van Winkle, illustrated endpapers, top edge gilt, uncut, original silk ties preserved. Occasional light foxing.

A splendid copy, remarkably fresh, of Washington Irving’s fantastical tale profusely illustrated by Arthur Rackham.

First and only Franco-Chinese edition, illustrated with six etchings reproduced by Frédéric Chevalier.

A single copy recorded in the CCFr (Bulac).

Sole edition of this contemporary curiosity born of the French vogue for all things Oriental: born in 1831, Tin-Tun-Ling (or Ding Dunling) was a Chinese scholar from Shanxi and a political exile in France. Théophile Gautier met him in Paris, grew fond of him, and hired him to teach Chinese to his daughter Judith. Steeped in Far Eastern culture, she delighted in presenting herself as the reincarnation of a Chinese princess. Tin-Tun-Ling then lived in a pavilion built in the Chinese style, set in the garden of the Pré aux Oiseaux –...

Second edition, illustrated with a macabre engraved frontispiece (cf. Quérard II, 516; Cioranescu, XVIII, 13544, for the original 1712 edition).

Contemporary handwritten annotations on the title leaf.

Full brown calf binding, spine with five raised bands richly gilt in compartments with decorative tools, red morocco title label largely missing, gilt fillet framing the covers, sprinkled edges, corners rubbed, contemporary binding.

Headcaps worn down, some rubbing to spine and boards.

Second edition of this highly engaging work of early “libertine” philosophy, in the original sense of the term.

The project of the Réflexions was inspired by a remark...

Composite edition combining seven volumes from the very first collected edition with others from various reissues published between 1836 and 1852. Volumes 15 to 30 (1839-1852) each include an engraved title with a vignette and two illustrated plates; the earlier editions, covering volumes 1 to 15 (1830-1836) did not contain illustrations.

Half polished calf bindings in Restoration style. Smooth spines decorated with a central panel richly gilt in grotesque design, gilt and blind-tooled motifs at head and foot of spine, also ruled in gilt. Small tear to the spine-ends of volumes 5 and 9. Volumes 25 and 26 show some surface loss to the leather on the boards.

A handsome...

New edition, illustrated with drawings by Ferat, engraved by Brabant and with 6 full-color hors-texte plates, and 2 maps. A portrait of Jules Verne as frontispiece.
Publisher's binding "with an elephant, title in the fan" signed at bottom of the plate Engel, spine with lighthouse, second cover of type "i" according to Jauzac.
Superb first cover, with gleaming gilt. Spine very fresh but lighthouse vignette slightly soiled. Corners very straight and sharp. Second cover very good, but a small white mark of one cm along a black fillet. Some foxing on an otherwise fresh set. Internal hinge slightly opened 5 cm at top, without mechanical problem or fragility.

Very handsome copy...

First edition of the French translation, of which no deluxe paper copies were issued.

A fine copy.

Preface by Salman Rushdie, the work illustrated with drawings by the author.

Signed autograph inscription from Glen Baxter to Michel Crépu.

First edition of this issue of the review consisting of two folded sheets.
Marginal lacks very skillfully filled on the sheets.
On the first, a color woodcut representing Paul Signac by Georges Seurat.
On the following ones, text by Félix Fénéon in first edition entitled "Signac".
Very rare issue.

First edition, one of 10 lettered copies on Holland paper, the only deluxe copies.

Illustrated on the cover with a portrait of Max Jacob by Pablo Picasso.

A rare and handsome copy.

New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.

Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.

Our copy contains 13 engraved plates, some serving as frontispieces.

Scattered foxing, a few leaves browned due to paper acidity.

A copy in...

First octavo edition illustrated with 92 engravings by Benett, including one folding map in colour: this marks the very first use of polychromy in an illustration for a Jules Verne novel.
Publisher’s Hetzel binding "aux deux éléphants" in full red cloth, signed by Lenègre, type 3, upper cover signed by Souze, lower cover Lenègre type “e” as described by Jauzac, original blue endpapers, all edges gilt, publisher’s EL catalogue at rear.
Spine slightly faded as usual, small black marks along the hinges, spine-ends softened as often, a pleasant copy almost free of any foxing.
“Deux ans de vacances” is a Robinson Crusoe-like novel featuring fourteen schoolboys from New Zealand.
...

First edition, one of 220 numbered copies printed on Vélin du Marais.

Rubbing to the slipcase and chemise, otherwise a clean and attractive copy.

Illustrated with 25 intaglio engravings by Elisabeth-Mary Burgin.

First edition, one of 42 numbered copies on Japon paper, the leading copies after 8 hors commerce on Chine paper.
Elegant Bradel binding in half black calf over floral paper boards by P. Goy & C. Vilaine, covers preserved (lightly soiled at edges), top edge gilt.
With a frontispiece portrait of the author on Chine paper by Jean-Louis Forain.
One tiny foxing as well as a small, clear marginal dampstain touching frontispiece.
A very good copy nicely bound.

Illustrated edition, limited to 68 copies. The illustrations comprise a title-frontispiece, 28 colored vignettes in the text and numerous colored wood-engraved tailpieces by Daragnès after pastels by Anna de Noailles, accompanied by the complete suite of thirty progressive states of a single plate, showing the color breakdown. 

Bound in full lemon morocco, mosaic boards composed of a border of brown morocco fillets in the form of stylized hearts, surrounding two concentric undulating gilt fillet frames, with hearts in brown and teal morocco fillets at the center of the boards, smooth spine with mosaic of...

New "À la bannière" edition with bevelled boards, violet on a red background, illustrated with 154 drawings by Férat engraved by Barbant.

Publisher’s decorative cloth binding "à la bannière" of type 6 signed by Lenègre, upper cover plate signed by Souze, lower cover of type e1 with central medallion on a black ground, framed with geometric motifs.
Attractive upper cover, with glossy percaline and sharp gilt, small black spots on the spine, head- and tailcaps collapsed as usual, some occasional foxing, small dark and light stains on the lower cover.
L’Île mystérieuse is linked, though not a sequel, to two other novels by Jules Verne, Vingt mille lieues sous les...

First edition, large octavo, illustrated with 78 engravings together with 12 chromotypographic plates by George Roux and 2 coloured maps.
Publisher’s binding by Hetzel in full red cloth signed A. Lenègre, with the "portrait collé" design: the upper cover signed Souze, polychrome, depicting various means of transport (balloon, locomotive, ships), with a sepia-toned portrait of the author mounted at the centre, and various navigational instruments highlighted in gilt in the foreground; lower cover of type "e" as recorded by Jauzac; spine decorated with several gilt and coloured illustrations; original blue endpapers; one upper corner slightly crimped; all edges gilt. HF catalogue at the...

First edition, one of 1,000 numbered copies on offset.

A fine copy.

Illustrated with 10 drawings by René Magritte.

The ‘Kehl edition’, the most renowned edition of Voltaire's works, illustrated and published on deluxe paper. It was printed on five different types of paper, and only the deluxe editions, such as ours on laid paper, feature engravings. These are naturally the most sought-after and rarest copies.

Binding in full painted sheep decorated with a “honeycomb” motif, smooth spine tooled with gilt fleurons, fillets and compartments, light beige calf lettering and volume pieces, gilt chain-roll border on covers, marbled endpapers, gilt roll on edges, all edges marbled, contemporary binding. Two volumes (nos. 50 and 70) with slight variations in gilt tools on the spines and...

Illustrated edition with 57 wood engravings drawn and engraved by Frans Masereel, one of the numbered copies on English paper.

Minor tears without consequence at the head and foot of the spine, a pleasing copy exceptionally enriched with a second state (on Japan or China paper) of 9 of the engravings.

Edition adorned with 65 original pochoir coloured illustrations by George Barbier, one of 877 numbered copies on Rives.
Bound in half navy blue morocco, spine in four compartments, gilt date at the foot, marbled paper boards, iridescent effect paper endpapers, wrappers and spine preserved, top edge gilt, binding signed Semet & Plumelle.
Pleasant, attractively set copy.

Edition of wich no leading copies exists.
Binding of the editor in full black fabric.
Iconography.
Slips slightly warped in margins, the book that had stayed in a damp place previously, otherwise nice copy.

Rare autograph signed Kenzo Takada Gilles Brochard.

Illustrated edition by Grandville, engraved by Geoffroy, comprising 29 hand-coloured plates hors-texte in the first volume, and in the second, 23 hand-coloured plates hors-texte along with 2 black botanical plates illustrating the physiology of plants, "Horticulture des dames" and "Culture des fleurs." For this edition, the plates were re-coloured by Maubert, with fresher and more vivid tones, considered superior to the first edition. Accompanied by 3 pages of sheet music for the romance Le myosotis. 
Contemporary half blue shagreen bindings. Spines with raised bands decorated with three gilt panels. Some scattered foxing, title-page of volume 2 with spotting. A few leaves slightly...

First edition, one of 25 copies on handmade laid paper, numbered and justified by the publisher, the only deluxe issue.
 
Bradel binding in half chocolate-brown morocco with corners, smooth spine, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, illustrated wrappers by Manuel Orazi and backstrip preserved.
Work illustrated with 136 black and colour drawings, in- and out-of-text, by Georges Bottini.
 
Bookplate mounted.
 
Our copy is enriched with a full-page original drawing, signed by Georges Bottini and heightened in black ink, depicting Jacques Beaudarmon wearing a bowler hat and conversing with the « môme...

First edition with 46 illustrations by Harry Furniss.
Publisher's binding over flexible paper boards, discreet and light repairs on the
joints, all edges gilt.
Autograph inscription dated and signed by Lewis Carroll to Mrs Cole.

First edition of this richly and exquisitely illustrated collection of songs. It comprises 122 songs (originally published in 84 installments), each accompanied by four fully engraved pages. Every song is preceded by a short introduction written by various authors, including the Bibliophile Jacob, and is followed by two pages of musical score. The volume also includes three frontispieces by Trimolet. The steel engravings are truly magnificent and rank among the finest produced in the 19th century. Illustrations by Daubigny, Trimolet, Meissonier...

Contemporary half black shagreen binding with corners. Spine with raised bands, compartments and gilt tooling. Triple gilt fillet along...

Edition illustrated with 16 original watercolours by Auguste Leroux, engraved on copper by Delzers and Feltesse, one of 90 numbered copies on Imperial Japan paper.
Bound in navy blue half morocco with corners, spine with four raised bands decorated with gilt pointillé and triple gilt panels with typographic motifs, gilt date at foot, gilt fillet borders on marbled paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, gilt edges, contemporary binding signed by Bernasconi. 
As stated in the justification of the print run for the copies on Imperial Japan paper, our copy is complete with its two suites: one in colour with remarques and the other in...

First edition on ordinary paper.

Work illustrated with wood engravings by Henri Jadoux.

A pleasing copy.

Autograph inscription signed by Sacha Guitry in pencil to Henry Sorensen.

New edition printed on laid paper.
Some light foxing affecting mainly the endpapers.
Full marbled sheep binding, spine with five raised bands set with gilt garlands decorated with double compartments adorned with gilt typographical motifs, traces of rubbing on spine, gilt rolls on headcaps almost completely faded, triple gilt fillets framing the boards, some scratches on boards, marbled endpapers and pastedowns, gilt edges on leading edges which show some rubbing.
The work consists of 12 parts each comprising 6 engraved plates plus three engraved plates: the half-title page, the title page with a portrait of Gille Marie Oppenort and, finally, a plate with the letter "B"...

Rare translation into Berber Tamasheq (spoken mainly by the Tuaregs of Mali) by Abdelkader ben El Hadj Ahmed.
Some of Saint-Exupéry’s original illustrations have been reused, others redrawn.
As often, a trace of vertical crease runs along the red cloth strip used for the binding; otherwise a handsome copy.

First edition, one of 40 numbered copies, the only copies printed on deluxe paper.

A handsome and scarce copy.

Illustrated with full-page color drawings by André François.

Pencil signature by Vincent Pachès at the colophon.

First edition, one of 950 copies on Vélin Vidalon signed by André Marchand, the only printing following 49 copies on Vélin d'Arches.

Bound in black morocco-backed boards with corners, smooth spine, gilt fillet borders on cat's eye paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine preserved, all edges gilt. Slipcase edged in black morocco, marbled paper panels. Binding signed by D. Saporito.

Illustrated with 50 splendid original lithographs by André Marchand, printed by Mourlot.

Featuring previously unpublished texts by Georges Spyridaki, René Lacôte, Georges Hugnet, Gabriel Audisio, Raymond Queneau, David Herbert...

First illustrated edition, featuring 82 drawings by Tiret-Bognet and a color map of the Saint Lawrence River. Publisher's 1890 EX catalogue bound in at rear.
Binding with the two elephants, Lenègre type 3. Rear cover Lenègre type e.
Spine lightly faded, internally clean and well preserved.
In Famille sans nom, Verne recounts the story of a French-Canadian family during the Patriote Rebellion (1837–1838) against British injustice.

First edition (the work was reissued several times up to 1954), illustrated with a double map as frontispiece and numerous black-and-white in-text illustrations (cf. Hage Chahine 1925).

Contemporary binding in black half shagreen with corners, spine with five raised bands decorated with gilt floral motifs, gilt fillet framing on marbled paper boards, comb-marbled endpapers and pastedowns, all edges gilt, original illustrated wrappers preserved in color.

The title is somewhat misleading: the book is not a history of the cult of the Virgin Mary in Lebanon, but rather a richly illustrated travelogue across the country from one sanctuary to the next, featuring nearly 660...

First edition, one of 300 numbered copies signed and justified by Frans de Geetere, reserved for the friends of La Marie-Jeanne, the only copies printed on deluxe paper.
As stated in the limitation, our copy is complete with a manuscript leaf from the work and an original drawing by the author depicting two reclining nude women, signed by him.
A desirable copy, complete with its rare promotional wraparound band: "le livre qu'aucun éditeur n'a osé publier".

First edition, one of 34 copies printed on Japan paper, this copy being one of 5 not-for-sale copies printed for presentation, a deluxe issue following the unique copy on Japan Imperial.

Illustrated with 9 original wood engravings by Maurice Savin.

Minor loss at foot of spine, occasional light spotting on some deckle edges, a handsome copy with full margins.

As stated in the colophon, our copy includes the additional suite of wood engravings printed on antique Japan paper.

Inscribed and signed by André Spire to Claude Aveline, for whom this copy was printed

Illustrated edition with 10 drawings, decorative headers and ornaments by Frans Masereel, one of 60 numbered copies on Lafuma paper.
Minor losses and small tears without loss to the head and tail of the upper cover, stains to the rear endpaper.

First edition, one of 800 numbered copies on Montgolfier paper.

Illustrated with two original hors-texte drypoints and in-text drawings by Jean Lurçat.

Spine and covers slightly and marginally faded, as usual; a well-preserved copy overall.

Illustrated edition featuring 15 original lithographs by Jean-Louis Boussingault, printed in 170 numbered copies on Arches paper.
Some light marginal foxing on a few leaves, otherwise a pleasant copy.

The slipcase is missing.

Illustrated edition featuring color compositions by Léon Lebègue, as well as a black-and-white frontispiece, one of the numbered copies printed on tinted Arches wove paper.
Bradel binding in red half morocco, smooth spine, black fillet framing on the gilt-effect paper-covered boards, endpapers and pastedowns of matching paper, original wrappers and spine preserved, top edge gilt, a refined period binding signed A. Lavaux.

A handsome copy in an attractive binding.

First trade edition, issued after just 50 deluxe copies.

A pleasant copy illustrated with drawings by the author.