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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

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Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

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Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Caricature
  1. Lithographie originale en couleurs - "De l'esprit et du pain pour un jour."Lithographie originale en couleurs - "De l'esprit et du pain pour un jour."
    Paul GAVARNI

    Lithographie originale en couleurs - "De l'esprit et du pain pour un jour."

    Imprimerie d'Aubert|Paris s. d. [1839]|26.40 x 34.50 cm|une feuille
    Original lithograph heightened in colors and gum arabic, for Le Charivari, printed on fine paper.
    Armelhaut and Bocher 904.
    Plate uniformly shaded.
    €150
  2. Le Chat noir - Organe des intérêts de Montmartre - Deuxième année complète du n°53 du 13 janvier 1883 au n°103 du 29 décembre 1883Le Chat noir - Organe des intérêts de Montmartre - Deuxième année complète du n°53 du 13 janvier 1883 au n°103 du 29 décembre 1883
    Paul VERLAINE, Émile GOUDEAU

    Le Chat noir - Organe des intérêts de Montmartre - Deuxième année complète du n°53 du 13 janvier 1883 au n°103 du 29 décembre 1883

    Au cabaret Le Chat noir|Paris 1883|31 x 45 cm|broché
    First edition of this complete 1883 year containing 50 issues in original wrappers under blue temporary covers.
    Spine split with angular lacks to the covers.
    Each issue consists of four pages.
    Texts by Emile Goudeau, Alphonse Allais, Jean Richepin and Paul Verlaine ("Le Chat noir", "Langueur", "La Princesse Bérénice", "Pantoum négligé", "Paysage", "Conseil falot", "L'Aube à l'envers", "Un pouacre", "Madrigal") notably.
    Drawings by Willette, Rodolphe Salis, Henri de Sta, Tiret-Bognet, Henri Pille, Caran d'Ache etc.
    Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of...
    €1,200
  3. Carnet de chèquesCarnet de chèques
    CARAN D'ACHE

    Carnet de chèques

    E. Plon, Nourrit & Cie|Paris 1892|28 x 12.50 cm|relié
    First edition of this collection of ferociously anti-Semitic caricatures presented in the form of a booklet of 24 checks.
    Bradel binding in full olive cloth, smooth spine decorated with gilt fillets, very light scratches of no importance to the right margin of the front cover, endpapers and pastedowns of decorative patterned paper, front cover preserved.
    Some inevitable minor restorations to the check stub area, some foxing at the end of the volume, handsome copy.

    €300
  4. Esquisses originales, sur papier calque, au stylo bille et crayons noirs représentant quatre portraits de Jean CocteauEsquisses originales, sur papier calque, au stylo bille et crayons noirs représentant quatre portraits de Jean Cocteau
    Carlo RIM

    Esquisses originales, sur papier calque, au stylo bille et crayons noirs représentant quatre portraits de Jean Cocteau

    s. l. s. d. [circa 1955]|16 x 25 cm|une feuille
    Original sketches in black ballpoint pen and pencil by Carlo Rim depicting four portraits of Jean Cocteau in slight profile.
    One drawing is heightened with green felt-tip pen, another with black pen; two drawings being on the recto of the tracing paper sheet, the other two on the verso.

    Pencil annotations by Carlo Rim: "Voir portrait souvenir" and twice the mention "bon".
    A small hole in the upper left corner of the tracing paper and a red felt-tip scribble at the foot of the sheet.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol...
    €100
  5. Dessin original aux feutres bleu et noir rehaussé à l'encre noire représentant Robert Lamoureux souriant Dessin original aux feutres bleu et noir rehaussé à l'encre noire représentant Robert Lamoureux souriant
    Carlo RIM

    Dessin original aux feutres bleu et noir rehaussé à l'encre noire représentant Robert Lamoureux souriant

    s. l. s. d. [circa 1960]|16 x 25 cm|une feuille
    Original drawing in blue and black felt-tip pens and heightened with black ink by Carlo Rim representing Robert Lamoureux in profile, smiling with crossed hands.
    The drawing is captioned in pencil "Robert Lamoureux" in the upper right corner of the drawing.
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  6. Dessin original au styllo bille noir rehaussé au correcteur blanc représentant son grand ami le poète André SalmonDessin original au styllo bille noir rehaussé au correcteur blanc représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au styllo bille noir rehaussé au correcteur blanc représentant son grand ami le poète André Salmon

    s. l. 1956|20 x 25.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", and dated and captioned in pencil "André Salmon (twice) 1956" depicting in profile and with a pipe screwed to his lips, his great friend the writer and poet André Salmon.
    The drawing was made on tracing paper and pasted onto a sheet.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  7. Le Pêle-mêle - Année 1908 complète Le Pêle-mêle - Année 1908 complète
    Benjamin RABIER, Léon KERN

    Le Pêle-mêle - Année 1908 complète

    Le Pêle-mêle|Paris 5 Janvier 1908 - 27 Décembre 1908|23.50 x 34 cm|relié
    First edition.
    A large tear to the margin of the front page of the January 13, 1907 issue, otherwise a handsome copy.
    Half brown sheep binding, spine with five raised bands decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, some rubbing to spine and board edges, contemporary binding.
    Each issue is illustrated with a color front page by Benjamin Rabier, Alex, T. Barn, Léon Kern, Georges Omry, Haye, Luc Leguey, Maurice Motet...
    Issues illustrated with drawings by Benjamin Rabier, Georges Omry, Valvérane, Léon Kern, Moriss, Kotek, Luc Leguey, Maurice Motet, Carsten Carven, O'Galop, André Hellé, Alex...
    €150
  8. Dessin original à l'encre noire rehaussé au correcteur blanc représentant le poète Jules SupervielleDessin original à l'encre noire rehaussé au correcteur blanc représentant le poète Jules Supervielle
    Carlo RIM

    Dessin original à l'encre noire rehaussé au correcteur blanc représentant le poète Jules Supervielle

    s. l. s. d. [1945]|16 x 24 cm|une feuille
    Original ink drawing inscribed in pencil "Jules Supervielle" depicting Jules Supervielle in bust and profile with his right hand raised.
    The drawing is signed Carlo Rim in the lower right corner.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  9. Cent proverbesCent proverbes
    Jean Ignace Isidore Gérard GRANDVILLE

    Cent proverbes

    Garnier frères|Paris 1870 (S.d)|17.50 x 28.50 cm|relié
    First illustrated edition in color with 51 hand-colored plates on heavy paper under tissue guards and numerous black illustrations in the text. The first edition of 1845 was only in black.
    Contemporary half cherry red shagreen binding with corners. Spine with false raised bands decorated with compartments with thick blind fillets and gilt fillets. Gilt title. Thick blind and gilt fillets on boards. Top edge gilt. Some scattered foxing. Minor rubbing. A small hole in the lower margin of the title page.
    Fine copy.
    One hundred proverbs illustrated and commented.
    €600
  10. Dessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin FabreDessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin Fabre
    Carlo RIM

    Dessin original à l'encre noire rehaussé au correcteur blanc représentant l'acteur Saturnin Fabre

    s. l. s. d. [circa 1930]|15 x 21 cm|une feuille
    Original drawing in black ink heightened with white corrector fluid captioned in pencil "Saturnin Fabre" representing the actor Saturnin Fabre in bust and profile.
    A mention "Vol II" in red felt-tip pen in the lower right margin of the drawing.

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  11. Dessin original au crayon noir rehaussé au stylo bille bleu représentant Léo LarguierDessin original au crayon noir rehaussé au stylo bille bleu représentant Léo Larguier
    Carlo RIM

    Dessin original au crayon noir rehaussé au stylo bille bleu représentant Léo Larguier

    s. l. s. d. [circa 1940]|11.50 x 16 cm|une feuille
    Original drawing in black pencil heightened with blue ballpoint pen and white correction fluid, signed Carlo Rim in blue ballpoint pen and captioned in pencil "Léo Larguier" depicting Léo Larguier in bust and profile.
    A manuscript note in red ballpoint pen on page 18 (or 64) below the drawing.

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  12. Dessin original au stylo bille bleu rehaussé au crayon noir représentant son grand ami Raimu sur son lit de mortDessin original au stylo bille bleu rehaussé au crayon noir représentant son grand ami Raimu sur son lit de mort
    Carlo RIM

    Dessin original au stylo bille bleu rehaussé au crayon noir représentant son grand ami Raimu sur son lit de mort

    s. l. 1946|27 x 21 cm|une feuille
    Original drawing signed in blue ballpoint pen heightened with black pencil signed by Carlo Rim depicting his great friend Raimu on his deathbed at the American Hospital of Neuilly-sur-Seine.
    The drawing is captioned and signed in blue ink "20 sept. 1946 Carlo Rim" and "hôpital américain" in black felt-tip pen (the last three letters having smudged).

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €200
  13. Deux dessins originaux aux feutres noirs représentant Lugné-Poe dont l'un est rehaussé au feutre rougeDeux dessins originaux aux feutres noirs représentant Lugné-Poe dont l'un est rehaussé au feutre rouge
    Carlo RIM

    Deux dessins originaux aux feutres noirs représentant Lugné-Poe dont l'un est rehaussé au feutre rouge

    s. l. s. d. [circa 1935]|17.50 x 21 cm|une feuille
    Two original drawings in black felt-tip pen, the second heightened with red felt-tip pen by Carlo Rim depicting the actor and theater man Lugné-Poe in profile wearing a bow tie.
    The drawings are captioned in black and red felt-tip pen Lugne-Poe, the drawing is signed Carlo Rim in black felt-tip pen.
    Two manuscript notations by Carlo Rim on the verso of the drawing "bon" and " le crâne plus plat".

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  14. Dessin original à l'encre bleue et rehaussé aux crayons rouge, bleu et vert représentant Sancho Pança somnolant sur son âne RucioDessin original à l'encre bleue et rehaussé aux crayons rouge, bleu et vert représentant Sancho Pança somnolant sur son âne Rucio
    Carlo RIM

    Dessin original à l'encre bleue et rehaussé aux crayons rouge, bleu et vert représentant Sancho Pança somnolant sur son âne Rucio

    s. l. 1964|21 x 27 cm|une feuille
    Original ink drawing in blue ink, signed in black felt pen and captioned "Carlo Rim Cuenca 1964", heightened with blue, red and green pencils by Carlo Rim depicting Sancho Panza dozing on his donkey Rucio trotting along.
    The drawing is also captioned in the lower right margin in blue ink "Sancho".

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €50
  15. Dessin original au feutre noir et rehaussé aux feutres vert et orange représentant son grand ami le poète André SalmonDessin original au feutre noir et rehaussé aux feutres vert et orange représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au feutre noir et rehaussé aux feutres vert et orange représentant son grand ami le poète André Salmon

    Sanary-sur-Mer 1968|20 x 25.50 cm|une feuille
    Original drawing in black felt-tip pen and heightened with orange and green felt-tip pens, captioned in black felt-tip pen "André Salmon La Hune 1968 Carlo Rim" representing in bust with his head turned to the left, seated in an armchair, his great friend the writer and poet André Salmon of Christ-like thinness.
    The drawing on tracing paper is slightly creased at the head.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €70
  16. Dessin original au feutre noir représentant son ami le cinéaste René ClairDessin original au feutre noir représentant son ami le cinéaste René Clair
    Carlo RIM

    Dessin original au feutre noir représentant son ami le cinéaste René Clair

    s. l. s. d. [circa 1940]|16 x 25.50 cm|une feuille
    Original drawing in black felt-tip pen, lightly heightened with white correction fluid, captioned in black felt-tip pen "René Clair Carlo Rim" depicting in profile with his head turned to the right his friend the filmmaker René Clair, hands in his pockets.
    The drawing on tracing paper is captioned a second time in pink felt-tip pen "René Clair".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  17. Dessin original au crayon de papier rehaussé à l'encre noire représentant Jacques AudibertiDessin original au crayon de papier rehaussé à l'encre noire représentant Jacques Audiberti
    Carlo RIM

    Dessin original au crayon de papier rehaussé à l'encre noire représentant Jacques Audiberti

    s. l. 1959|16.50 x 14 cm|une feuille
    Original pencil drawing on paper heightened with black ink, signed by Carlo Rim, depicting Jacques Audiberti in frontal view.
    The drawing, captioned twice "Audiberti 1959" (on verso in green marker), was executed on tracing paper.

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as Max Jacob and André Salmon whom he met in Sanary.
    €80
  18. Dessin original au feutre noir rehaussé au feutre rouge représentant Jean RenoirDessin original au feutre noir rehaussé au feutre rouge représentant Jean Renoir
    Carlo RIM

    Dessin original au feutre noir rehaussé au feutre rouge représentant Jean Renoir

    s. l. 1950)|21 x 14.50 cm|une feuille
    Original drawing in black felt-tip pen heightened with red felt-tip pen by Carlo Rim depicting filmmaker Jean Renoir in bust, head turned to the left.
    The drawing is captioned in black felt-tip pen Jean Renoir on a sheet of tracing paper folded in half.

    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  19. Dessin original au feutre noir rehaussé au correcteur blanc représentant Paul ClaudelDessin original au feutre noir rehaussé au correcteur blanc représentant Paul Claudel
    Carlo RIM

    Dessin original au feutre noir rehaussé au correcteur blanc représentant Paul Claudel

    s. l. s. d. [circa 1935]|21 x 27.50 cm|une feuille
    Original signed drawing in black felt-tip pen heightened with white correction fluid by Carlo Rim depicting Paul Claudel in bust portrait.
    The drawing monogrammed "CR" in blue felt-tip pen is captioned in red felt-tip pen "Paul Claudel".

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  20. Dessin original à l'encre bleue représentant son ami Antonin Artaud
    Carlo RIM (Antonin ARTAUD)

    Dessin original à l'encre bleue représentant son ami Antonin Artaud[Original drawing in blue ink depicting his friend Antonin Artaud]

    s. l. s. d. [ca 1935]|10.50 x 10.50 cm|une feuille
    Original blue ink drawing by Carlo Rim depicting his friend Antonin Artaud in profile.
    The drawing, likely preparatory, was executed on tracing paper.

    Carlo Rim was a Provençal writer, notably the author of "Ma belle Marseille", as well as a caricaturist and filmmaker. He was a close friend of Fernandel, Raimu, and Marcel Pagnol, as well as of Max Jacob and André Salmon, whom he met in Sanary.
    €400
  21. Deux dessins originaux au styllo bille bleu représentant Charles Laughton sur le même feuilletDeux dessins originaux au styllo bille bleu représentant Charles Laughton sur le même feuillet
    Carlo RIM

    Deux dessins originaux au styllo bille bleu représentant Charles Laughton sur le même feuillet

    s. l. s. d. [circa 1950]|20.50 x 27 cm|une feuille
    Two original drawings in blue ballpoint pen both captioned "Charles Laughton" representing in the first drawing, bust and full-length, the cinema man walking with a determined step; in the second, younger and less corpulent, the face in close-up with a cigarette on his lips.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  22. Dessin original au styllo bille bleu représentant l'acteur Fernand Trignol également spécialiste de l'argot
    Carlo RIM

    Dessin original au styllo bille bleu représentant l'acteur Fernand Trignol également spécialiste de l'argot

    s. l. s. d. [circa 1950]|20.50 x 27 cm|une feuille
    Original drawing in blue ballpoint pen signed in turquoise felt-tip and captioned in pencil "Trignol" depicting the actor Fernand Trignol standing, with a good-natured air and arms crossed.
    Fernand Trignol was also a specialist in slang to the point of being the "Langue verte" consultant for several directors such as Jacques Tourneur, Sacha Guitry in "Les mémoires d'un tricheur", Claude Autant-Lara in "Fric-Frac" and Jacques Becker in "Casque d'or".
    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max...
    €60
  23. Amusant dessin original au stylo bille bleu représentant Carlo Rim passant devant une librairie Amusant dessin original au stylo bille bleu représentant Carlo Rim passant devant une librairie
    Maximilien VOX

    Amusant dessin original au stylo bille bleu représentant Carlo Rim passant devant une librairie

    s. l. s. d. [circa 1930]|20.50 x 25 cm|une feuille
    Original drawing in black ink signed depicting Carlo Rim, in golf attire and smoking a pipe, strolling in front of a bookshop displaying Emile Ludwig's recently published work entitled "Colloqui con Mussolini", Carlo Rim saying to himself "Tiens, voilà maintenant que je sais l'italien !" ["Well, now I know Italian!"]
    In the upper right corner of the drawing, Maximilien Vox has inscribed, quoting a phrase from Nouvelles littéraires "... tous les journaux italiens consacrent des articles enthousiastes du livre de E. Ludwig "Colloqui con Mussolini" qui vient de parâtre en librairie" ["... all Italian newspapers are devoting enthusiastic...
    €150
  24. Dessin original sur papier calque et au styllo bille bleu représentant le réalisateur Marcel L'Herbier
    Carlo RIM

    Dessin original sur papier calque et au styllo bille bleu représentant le réalisateur Marcel L'Herbier

    s. l. s. d. [circa 1930]|10.50 x 21 cm|une feuille
    Original drawing on tracing paper in blue ballpoint pen captioned "Marcel L''Herbier" in pencil, depicting the filmmaker in bust portrait.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as well as Max Jacob and André Salmon whom he met in Sanary.
    €90
  25. Humoristique dessin original sur papier calque et au styllo bille bleu représentant Max Linder tenant une raquette de tennis à la manière d'une mandoline
    Carlo RIM

    Humoristique dessin original sur papier calque et au styllo bille bleu représentant Max Linder tenant une raquette de tennis à la manière d'une mandoline

    s. l. 1959|17 x 21.50 cm|une feuille
    Original drawing on tracing paper in blue ballpoint pen captioned "Max Linder au tennis" in pencil, depicting the actor and director Max Linder hopping about, using a tennis racket like a mandolin.
    The drawing is ruled in blue pencil and includes annotations by Carlo Rim regarding dimensions, the latter having added a piece from another sheet which he glued to the lower right margin of the drawing and which bears his name.
    Finally, a printed stamp from France-Soir appears below the drawing.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol as...
    €90
  26. Dessin original au styllo bille noir représentant Léo LarguierDessin original au styllo bille noir représentant Léo Larguier
    Carlo RIM

    Dessin original au styllo bille noir représentant Léo Larguier

    s. l. 1950|18 x 24.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", dated and captioned in red felt-tip pen "Léo Larguier 1950" depicting Léo Larguier in bust and profile.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  27. Dessin original au styllo bille noir représentant son grand ami le poète André Salmon
    Carlo RIM

    Dessin original au styllo bille noir représentant son grand ami le poète André Salmon

    s. l. 1969|20 x 25.50 cm|une feuille
    Original drawing in black ballpoint pen, monogrammed in black ballpoint pen "CR", and dated and captioned in green felt-tip pen "André Salmon Sanary 1969" depicting in bust and with his head turned to the left, his great friend the writer and poet André Salmon with his Christ-like thinness.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  28. Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe
    Carlo RIM

    Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe

    s. l. s. d. [circa 1980]|19.50 x 21 cm|une feuille
    Original drawing heightened with black, green, red and blue felt-tip pens, captioned in blue felt-tip pen "Le grenier d'Arlequin" and in red "Maquette couverture du livre" representing a harlequin seated on a stool and working at his writing table, a black and red owl at his feet.
    This cover design project for the book was not retained but strongly inspired the cover finally illustrated with a harlequin posing standing slightly leaning backwards.
    The verso of the drawing contains annotations in blue felt-tip pen and an original portrait of Georges Simenon with pipe in mouth.

    Carlo Rim was a Provençal writer, author notably of "Ma belle...
    €180
  29. Ebauche d'un dessin original au feutre noir rehaussé au feutre rouge représentant le poète de Paris Léon-Paul Fargue
    Carlo RIM

    Ebauche d'un dessin original au feutre noir rehaussé au feutre rouge représentant le poète de Paris Léon-Paul Fargue

    s. l. 1969|20 x 25.50 cm|une feuille
    Original drawing sketch in black felt-tip pen heightened with red felt-tip pen representing a bust portrait with head slightly tilted of the poet and writer Léon-Paul Fargue with a cigarette in his lips.
    Numerous indications in black and blue felt-tip pens by Carlo Rim frame the drawing : L.P. Fargue / Revoir la bouche / Plus plat le crâne / Regard chinois." et voir L.P.F. par Beucler "Dimanche avec L.P. Fargue".

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  30. Dessin original à l'encre noire représentant son ami le caricaturiste, scénariste et cinéaste Carlo Rim
    Henry-Paul GASSIER [Henry-Paul DEYVAUX-GASIER]

    Dessin original à l'encre noire représentant son ami le caricaturiste, scénariste et cinéaste Carlo Rim

    s. l. 1925|13.50 x 11 cm|une feuille
    Original drawing in black ink depicting Carlo Rim in bust, wearing a smoking jacket and bow tie, with a cigarette holder between his lips.
    A piece from another sheet has been pasted in the lower left margin of the drawing, enriched with this signed autograph inscription from H. P. Gassier: "A Rim bien amicalement HP Gassier.",
    Carlo Rim having added in the right margin of the drawing in pencil: "Carlo Rim par HP Gassier 1925".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably a friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  31. Dessin original au feutre noir représentant Robert Lamoureux
    Carlo RIM

    Dessin original au feutre noir représentant Robert Lamoureux

    s. l. s. d. [circa 1960]|16 x 25 cm|une feuille
    Original drawing signed in black felt-tip by Carlo Rim depicting Robert Lamoureux smiling in profile.
    The drawing is captioned in pencil Robert Lamoureux.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €50
  32. Dessin original au feutre bleu et rehaussé aux crayons de couleurs jaune, bleu et touge représentant André Antoine
    Carlo RIM

    Dessin original au feutre bleu et rehaussé aux crayons de couleurs jaune, bleu et touge représentant André Antoine

    s. l. 1936|18.50 x 27 cm|une feuille

    Original drawing signed in blue felt-tip pen and heightened with red, blue and yellow colored pencils, by Carlo Rim depicting the theater director André Antoine, in a three-piece suit with the rosette of the Légion d'honneur pinned to his jacket. 
    The drawing is captioned in blue felt-tip pen "André Antoine".

    Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.

    €100
  33. Dessin original au feutre noir et rehaussé au crayon de bleu et au pastel rose représentant son ami Tristan Bernard sur son lit mortuaireDessin original au feutre noir et rehaussé au crayon de bleu et au pastel rose représentant son ami Tristan Bernard sur son lit mortuaire
    Carlo RIM

    Dessin original au feutre noir et rehaussé au crayon de bleu et au pastel rose représentant son ami Tristan Bernard sur son lit mortuaire

    s. l. 1947|27 x 21 cm|une feuille
    Original drawing signed in black felt-tip pen and heightened with blue pencil and pink pastel, by Carlo Rim depicting his friend Tristan Bernard on his deathbed.
    A pinhole in the lower left corner of the sheet and some small marginal tears of no consequence.
    The drawing is captioned in blue felt-tip pen "Carlo Rim. Tristan Bernard 7 dec. 1947".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  34. Dessin original au feutre noir et sur papier calque représentant Jean Cocteau
    Carlo RIM

    Dessin original au feutre noir et sur papier calque représentant Jean Cocteau

    s. l. 1957|16.50 x 23 cm|une feuille
    Original drawing signed in black felt-tip pen and lightly heightened with white correction fluid by Carlo Rim depicting Jean Cocteau in profile.
    The drawing, on tracing paper mounted on a sheet of paper, is captioned in red felt-tip pen "Jean Cocteau" and in black felt-tip pen "Carlo Rim 1957".
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €100
  35. Dessin original au feutre noir et rehaussé aux feutres rouge et vert représentant Sancho Pança et Don Quichotte chevauchant Rucio et Rossinante
    Carlo RIM

    Dessin original au feutre noir et rehaussé aux feutres rouge et vert représentant Sancho Pança et Don Quichotte chevauchant Rucio et Rossinante

    s. l. 1957|21 x 27 cm|une feuille
    Original drawing signed in black felt-tip pen and extensively heightened in red and green felt-tip pens by Carlo Rim depicting Sancho Panza and Don Quixote.
    The drawing is captioned in black felt-tip pen "Carlo Rim Cuenca 1964".
    In the foreground and abundantly heightened in red and green felt-tip pens, the good-natured Sancho Panza is represented perched on his donkey Rucio; in the background, the emaciated Don Quixote appears twice in the drawing: once in profile and heightened in red, once facing forward heightened in red and green.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably...
    €80
  36. Dessin original au stylo bille noir représentant son ami Roger Martin du Gard
    Carlo RIM

    Dessin original au stylo bille noir représentant son ami Roger Martin du Gard

    s. l. 1933|16.50 x 25 cm|une feuille
    Original drawing signed in black ink by Carlo Rim depicting his friend Roger Martin du Gard, slightly in profile with a pipe in his right hand.
    The drawing is signed with red ballpoint pen and captioned and dated in pencil "Roger Martin du Gard 1933", two spots of white gouache frame the drawing at the level of the pipe and a fold in the writer's right arm.

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €80
  37. Dessin original au crayon noir représentant son grand ami Max Jacob
    (Max JACOB) Carlo RIM

    Dessin original au crayon noir représentant son grand ami Max Jacob

    s. l. 1937|17.50 x 24 cm|une feuille
    Original drawing signed in black felt-tip pen on tracing paper by Carlo Rim depicting his great friend Max Jacob slightly in profile and sketching a discreet smile.
    The drawing on tracing paper is mounted on a sheet of paper and is monogrammed and inscribed in black felt-tip pen "Max J. 1937", Carlo Rim has inscribed in pencil "Max Jacob" at the foot of the second sheet.

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  38. Dessin original au stylo bille noir représentant Lugné-Poe
    Carlo RIM

    Dessin original au stylo bille noir représentant Lugné-Poe

    s. l. s. d. [circa 1935]|12 x 21 cm|une feuille
    Original drawing in black felt-tip pen heightened with ochre and green felt-tip pens by Carlo Rim depicting the actor and theater man Lugné-Poe.
    In black felt-tip pen, Lugné-Poe's name is erroneously spelled Lugné-Poé.

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €60
  39. Dessin original au stylo bille noir représentant son ami Raimu
    Carlo RIM

    Dessin original au stylo bille noir représentant son ami Raimu

    s. l. s. d. [circa 1935]|15.50 x 24 cm|une feuille
    Original drawing in black ballpoint pen heightened with white gouache to emphasize the cheekbones, eye and eyebrows, by Carlo Rim depicting Raimu, the emblematic Marseilles actor, slightly in profile, in suit and polka-dot bow tie, posing proudly.
    The drawing bears this legend in pencil and the monogrammed signature of Carlo Rim: "Raimu" in the lower left and right margins of the drawing.

    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  40. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°4 "Le Roi des Porcs"[AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°4 "Le Roi des Porcs"
    Victor LENEPVEU (Émile ZOLA)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°4 "Le Roi des Porcs"Original colour lithographed poster

    Imprimerie Lenepveu|Paris s. d. [novembre 1899]|49.80 x 65.20 cm|une affiche
    Musée des horreurs – Original colour lithographed poster – n° 4 “Le Roi des Porcs”
    Imprimerie Lenepveu | Paris [November 1898] | 49,8 x 65,2 cm | one poster
    Original colour lithographed poster depicting Émile Zola in the shape of a pig, sitting on a tub containing his fictional works and smearing “international poop” on the map of France.
    Transverse folds, some tiny tears, two small holes above Zola's head, without affecting the image.
    The representation of Émile Zola as a pig does not date back to Lenepveu, as Guillaume Doizy highlights in his article dedicated to pig caricatures (“Le porc dans la caricature politique (1870-1914)...
    €2,500
  41. [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°6 "Le Traître"[AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°6 "Le Traître"
    Victor LENEPVEU (Alfred DREYFUS)

    [AFFAIRE DREYFUS] Musée des horreurs - Affiche originale lithographiée en couleurs - n°6 "Le Traître"Original colour lithographed poster

    Imprimerie Lenepveu|Paris s. d. [novembre 1899]|49.80 x 65.20 cm|une affiche
    Musée des horreurs – Original colour lithographed poster – n° 6 “Le Traître”
    Imprimerie Lenepveu | Paris [Novembre 1899] | 49,8 x 65,2 cm | one poster
    Original colour lithographed poster depicting Alfred Dreyfus as a Gorgonian headed hydra pierced by a military sword.

    Far from the classic zoomorphic codes usually used by caricaturists, Alfred Dreyfus is associated here with the hydra, a mythical creature emblematic of evil. Beyond this symbolism, the choice of a monster with sprawling and perpetually regenerating heads gives the image a strong anti-Semitic charge, exceeding that of the Dreyfus Affair.
    Ironically, it is the...
    €2,500
  42. Dessin original au feutre bleu et rehaussé aux crayons de couleurs et au crayon de papier, sur papier calque, représentant son ami le compositeur Vincent Scotto
    Carlo RIM

    Dessin original au feutre bleu et rehaussé aux crayons de couleurs et au crayon de papier, sur papier calque, représentant son ami le compositeur Vincent Scotto

    s. l. 1947|10.50 x 13.50 cm|une feuille
    Original caricature, on tracing paper, dated and captioned "Scotto Nov.1947" in black felt-tip pen in upper right corner, by Carlo Rim executed in blue felt-tip pen and heightened with blue and red pencils and graphite pencil depicting his friend the composer Vincent Scotto, slightly scowling and wrapped in a scarf.
    Carlo Rim was a Provençal writer "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
    €150
  43. Dessins mal élevésDessins mal élevés
    Marc LARGE

    Dessins mal élevés

    La Lauze|Périgueux 2010|19.50 x 20 cm|broché
    First edition illustrated with drawings by Large.
    Texts by Siné, Denis Robert, Didier Porte, Etienne Liebig, Noël Godin known as "Le gloupier entarteur", Christophe Alevêque..
    Handsome copy.
    Autograph inscription signed by Marc Large to a charitable association called "Le Refuge" with an original drawing depicting a homeless person who has found shelter under a tent shaped like a book inscribed "Livre refuge".
    €70
  44. Scènes de la vie privée et publique des animauxScènes de la vie privée et publique des animaux
    Jean Ignace Isidore Gérard GRANDVILLE, Honoré de BALZAC

    Scènes de la vie privée et publique des animaux

    Chez Hetzel et Paulin|à Paris 1842|17.70 x 27 cm|2 volumes reliés
    First edition, admirably illustrated with 201 plates and 120 vignettes by Grandville. This first volume correctly has the first third of the work printed on tinted paper while the rest is on white paper, a characteristic of the first printing; most copies are from a second printing as the leaves are also white like the rest of the work. Moreover, Hetzel's publisher's preface, usually absent, is present here before the prologue. Most copies begin directly with the prologue. The frontispiece of volume 1 has been placed facing p. 32, the engraved half-title entitled Scène de moeurs serving as frontispiece; this half-title is often absent from most copies. The frontispiece and engraved title of...
    €700
  45. Oeuvres choisies. Etudes de moeurs contemporaines. 1- Les enfants terribles. Traductions en langue vulgaire. Les lorettes. Les actrices. Notices par Théophile Gautier et Laurent-Jan. 2- Fourberies de femmes en matière de sentiment. Clichy. Paris le soir. Notices par Laurent-Jan, Auguste Lireux et Léon Gozlan. 3- Le Carnaval à Paris. Paris le matin. Les étudiants de Paris. Notices par Théophile Gautier, A. Barthet et A. de Soubiran. 4- La vie de jeune homme. Les débardeurs. Notices par P.J. Stahl.Oeuvres choisies. Etudes de moeurs contemporaines. 1- Les enfants terribles. Traductions en langue vulgaire. Les lorettes. Les actrices. Notices par Théophile Gautier et Laurent-Jan. 2- Fourberies de femmes en matière de sentiment. Clichy. Paris le soir. Notices par Laurent-Jan, Auguste Lireux et Léon Gozlan. 3- Le Carnaval à Paris. Paris le matin. Les étudiants de Paris. Notices par Théophile Gautier, A. Barthet et A. de Soubiran. 4- La vie de jeune homme. Les débardeurs. Notices par P.J. Stahl.
    Paul GAVARNI

    Oeuvres choisies. Etudes de moeurs contemporaines. 1- Les enfants terribles. Traductions en langue vulgaire. Les lorettes. Les actrices. Notices par Théophile Gautier et Laurent-Jan. 2- Fourberies de femmes en matière de sentiment. Clichy. Paris le soir. Notices par Laurent-Jan, Auguste Lireux et Léon Gozlan. 3- Le Carnaval à Paris. Paris le matin. Les étudiants de Paris. Notices par Théophile Gautier, A. Barthet et A. de Soubiran. 4- La vie de jeune homme. Les débardeurs. Notices par P.J. Stahl.

    Hetzel|Paris 1845-1848|17.70 x 26.80 cm|4 volumes reliés
    First edition and first printing of the engravings.
    Contributions by Théophile Gautier, Laurent-Jan, Léon Gozlan, Auguste Lireux and Jules Hetzel under the pseudonym P.-J. Stahl among others.
    Contemporary publisher's binding in full black shagreen. Smooth spine decorated with 3 ornate compartments, blind and gilt fillets. Large rocaille composition on boards, thick triple fillet frame. Interior frieze. White watered silk endpapers. All edges gilt. Perimeter of watered silk endpapers brown-stained. Tailcap of volume 2 with a loss. Traces of rubbing. Thin scratch on the upper board of volume 1, lower board of volume 2. Some very occasional foxing on clean white paper. The binder...
    €1,800
  46. Les Bourgeois de Paris. Scènes comiquesLes Bourgeois de Paris. Scènes comiques
    Henri MONNIER

    Les Bourgeois de Paris. Scènes comiques

    Charpentier|Paris 1854|11.50 x 18.50 cm|relié
    First edition.
    Full navy blue cloth Bradel binding, smooth spine decorated with gilt floral motif, date and double gilt fillets at foot, brown shagreen title-label, binding signed in blind by Pierson.
    Some minor foxing of no consequence.
    €80
  47. Cham sa vie son oeuvreCham sa vie son oeuvre
    Félix RIBEYRE, CHAM [pen name of Amédée de NOE]

    Cham sa vie son oeuvre

    Librairie Plon|Paris 1884|13 x 19 cm|relié
    First edition of this monograph on the caricaturist Cham with a preface by Alexandre Dumas Fils illustrated with sixteen compositions and facsimiles hors-texte (two in color).
    Autograph inscription signed by the author: "Offerte à la tombola par l'auteur Félix Ribeyre" ["Offered to the raffle by the author Félix Ribeyre"].
    Contemporary half brown morocco binding, spine with five raised bands, compartments decorated with gilt tools depicting quills and pencil holders, gilt date at foot, marbled paper boards, combed paper endpapers and pastedowns, covers preserved, top edge gilt on deckled edges. Some light rubbing to upper joint.
    Scattered foxing, more...
    €450
  48. Romantic Paris in a painted binding
    Romantic Paris in a painted binding
    La grande ville. Nouveau tableau de Paris comique, critique et philosophiqueLa grande ville. Nouveau tableau de Paris comique, critique et philosophique
    Paul de KOCK, Charles-François D'AUBIGNY

    La grande ville. Nouveau tableau de Paris comique, critique et philosophique[The Great City. A New Picture of Comic, Critical and Philosophical Paris]

    Victor Magen • Au bureau central des publications nouvelles|Paris 1842 - 1843|16.50 x 26 cm|2 volumes reliés

    First edition illustrated with wood engravings in the text by Gavarni, Daumier, D'Aubigny...
    Bradel binding in full beige percaline, smooth spine with a black paper label, front cover decorated with an oil painting after the frontispiece, signed lower right "A. Dangleterre d'après document d'époque". Headcaps and joints skillfully restored.
    A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses’ office, flower sellers, baths, streetlamps, pavements, theatre outings, beards and moustaches, the Luxembourg Gardens, the Opera Ball, the auctioneers’ hall, lorettes and courtesans (Alexandre Dumas), restaurants and...

    €1,800
  49. Les étrangers à ParisLes étrangers à Paris
    COLLECTIF

    Les étrangers à Paris

    Charles Warée|Paris 1844 (S.d)|17 x 27 cm|relié

    First edition illustrated in first printing with numerous figures in the text and 30 plates printed outside the text, engraved on wood by Gavarni, Guérin, Emy...
    Contemporary half green Empire glazed sheep binding. Smooth spine richly decorated with rococo tools in mirror pattern. Fillet lines on boards. Traces of rubbing to joints, boards and corners. 3 corners folded. Scattered foxing.
    A publication that rides on the success of "Les Français peints par eux-mêmes" but focuses on visitors coming to Paris, not only from countries bordering France but also from China, Russia, Brazil... Satirical texts by Jules Janin, Old-Nick, Roger de Beauvoir, A. de Lacroix...

    €350
  50. Un trait c'est tout...Un trait c'est tout...
    PIEM

    Un trait c'est tout...

    Arthaud|Paris 1972|25 x 24.50 cm|reliure de l'éditeur
    Illustrated edition with drawings by Piem.
    Publisher's full white cardboard binding, smooth spine, illustrated front cover.
    Handsome copy.
    Amusing signed autograph inscription by Piem enriched with a drawing showing Piem watching a television whose screen is replaced by the two figures to whom this copy is dedicated: "Georges et Gilles, ça me change un peu. Amicalement. Piem." ["Georges and Gilles, this is a nice change for me. With friendship. Piem."]

    €100
  51. Lithographie originale en noir et blanc - Emotions Parisiennes - "Les crétins..." Lithographie originale en noir et blanc - Emotions Parisiennes - "Les crétins..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Emotions Parisiennes - "Les crétins..."

    Chez Aubert|Paris s. d. [1840]|25.80 x 34.50 cm|une feuille
    Original black and white lithograph, third state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 3515
    Some foxing.
    €90
  52. Lithographie originale en noir et blanc - Enfantillages - "J'veux aussi qu'on me fasse la barbe moi, na!.."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Enfantillages - "J'veux aussi qu'on me fasse la barbe moi, na!.."

    Chez Aubert|Paris s. d. [1851]|27.90 x 35.80 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 1703
    Monogrammed stamp "AB" on verso of the plate.
    Some foxing.
    €150
  53. Lithographie originale en couleurs - "De quoi! De quoi! Votre dot?..."Lithographie originale en couleurs - "De quoi! De quoi! Votre dot?..."
    Honoré DAUMIER

    Lithographie originale en couleurs - "De quoi! De quoi! Votre dot?..."

    Chez Aubert|Paris s. d. [1837]|26.80 x 35.20 cm|une feuille
    Original lithograph heightened in colors and gummed, for Le Charivari, printed on fine paper.
    Delteil, 1025
    Plate uniformly shaded and caption difficult to read.
    €250
  54. Lithographie originale en noir et blanc - Emotions Parisiennes - "Elle est bien cette petite femme là....mais faudra voir tout à l'heure!..."Lithographie originale en noir et blanc - Emotions Parisiennes - "Elle est bien cette petite femme là....mais faudra voir tout à l'heure!..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Emotions Parisiennes - "Elle est bien cette petite femme là....mais faudra voir tout à l'heure!..."

    Chez Aubert|Paris s. d. [1847]|27.90 x 35.90 cm|une feuille
    Rare original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 669
    Some foxing.
    €120
  55. Lithographie originale en noir et blanc - La Journée du Celibataire  - "8 Heures du matin" Lithographie originale en noir et blanc - La Journée du Celibataire  - "8 Heures du matin"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - La Journée du Celibataire - "8 Heures du matin"

    Chez Aubert|Paris s. d. [1839]|27.50 x 36 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 1999
    Monogrammed stamp "AB" from the collection of Dr. Albert Bloch on the verso of the plate.
    Some light foxing and ink numbering at the head of the plate.
    €100
  56. Lithographie originale en noir et blanc - La Journée du Celibataire  - "11 Heures du matin" Lithographie originale en noir et blanc - La Journée du Celibataire  - "11 Heures du matin"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - La Journée du Celibataire - "11 Heures du matin"

    Chez Aubert|Paris s. d. [1839]|24.80 x 31.20 cm|une feuille
    Original black and white lithograph, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 2002
    Some light foxing.
    €100
  57. Lithographie originale en noir et blanc - Les Banqueteurs  - "Il fait les délices du bal" Lithographie originale en noir et blanc - Les Banqueteurs  - "Il fait les délices du bal"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les Banqueteurs - "Il fait les délices du bal"

    Chez Aubert|Paris s. d. [ca 1848]|27.60 x 35.90 cm|une feuille
    Original black and white lithograph, second state, printed on heavy paper. Signed on the plate.
    Delteil, 683
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on verso of the plate.
    Good condition.
    €120
  58. Lithographie originale en noir et blanc - Au bal masqué - "Me reconnais-tu, maintenant?..." Lithographie originale en noir et blanc - Au bal masqué - "Me reconnais-tu, maintenant?..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Au bal masqué - "Me reconnais-tu, maintenant?..."

    Chez Aubert|Paris s. d. [1858]|25.90 x 34.40 cm|une feuille
    Original black and white lithograph, second state, printed on heavy paper. Signed on the plate.
    Delteil, 608
    Unidentified monogrammed stamp on verso of the plate.
    Good condition.
    €120
  59. Lithographie originale en noir et blanc - Bohémiens de Paris - "Le réfugié politique" Lithographie originale en noir et blanc - Bohémiens de Paris - "Le réfugié politique"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Bohémiens de Paris - "Le réfugié politique"

    Chez Aubert|Paris s. d. [1842]|25.90 x 34.50 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari printed on heavy paper. Signed on the plate.
    Delteil, 836
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on the reverse of the plate.
    Foxing on the lower margin and verso, ink numbering in the upper right.
    €100
  60. Lithographie originale en noir et blanc - Bohémiens de Paris - "Le préfet de l'empire" Lithographie originale en noir et blanc - Bohémiens de Paris - "Le préfet de l'empire"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Bohémiens de Paris - "Le préfet de l'empire"

    Chez Aubert|Paris s. d. [1841]|25.90 x 34.40 cm|une feuille
    Original black and white lithograph, third state, for Le Charivari printed on heavy paper. Signed on the plate.
    Delteil, 835
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on the reverse of the plate.
    Some foxing and ink numbering in the upper right.
    €90
  61. Lithographie originale en noir et blanc - Les saltimbanques - "Vous voyez ici les grandes célébrités de la France littéraire..." Lithographie originale en noir et blanc - Les saltimbanques - "Vous voyez ici les grandes célébrités de la France littéraire..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les saltimbanques - "Vous voyez ici les grandes célébrités de la France littéraire..."

    Chez Aubert|Paris s. d. [1839]|25 x 32.70 cm|une feuille
    Original black and white lithograph, in third state, for La Caricature, printed on heavy paper. Signed on the plate.
    Delteil, 374
    Foxing to margins and verso as well as a light crease at upper right.
    €120
  62. Lithographie originale en noir et blanc - Les trains de plaisir - "Ayant eu la fâcheuse idée d'aller faire une petite promenade en mer." Lithographie originale en noir et blanc - Les trains de plaisir - "Ayant eu la fâcheuse idée d'aller faire une petite promenade en mer."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les trains de plaisir - "Ayant eu la fâcheuse idée d'aller faire une petite promenade en mer."

    Chez Aubert|Paris s. d. [1852]|28.20 x 36 cm|une feuille
    Original black and white lithograph, in second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 2690
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on verso of the plate.
    Some pale foxing.
    €120
  63. Lithographie originale en noir et blanc - Physionomies des chemins de fer - "La gare du chemin de fer de Boulogne." Lithographie originale en noir et blanc - Physionomies des chemins de fer - "La gare du chemin de fer de Boulogne."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Physionomies des chemins de fer - "La gare du chemin de fer de Boulogne."

    Chez Aubert|Paris s. d. [1852]|27.10 x 35.10 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 2340
    Some pale foxing and tears to the top and bottom margins as well as the bottom right corner.
    €150
  64. Lithographie originale en noir et blanc - Bohémiens de Paris - "Le maraudeur" Lithographie originale en noir et blanc - Bohémiens de Paris - "Le maraudeur"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Bohémiens de Paris - "Le maraudeur"

    Chez Aubert|Paris s. d. [1841]|26.10 x 35 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 830
    Foxing to margins and tear to lower right margin.
    €120
  65. Lithographie originale en noir et blanc - Bohémiens de Paris - "La marcheuse" Lithographie originale en noir et blanc - Bohémiens de Paris - "La marcheuse"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Bohémiens de Paris - "La marcheuse"

    Chez Aubert|Paris s. d. [1841]|26.20 x 34.80 cm|une feuille
    Very rare original black and white lithograph, second state, for La Caricature, printed on heavy paper. Signed on the plate.
    Delteil, 405. Very rare.
    Some foxing to margins.
    €140
  66. Lithographie originale en noir et blanc - Les amis - "Mon cher ami, nous avons appris qu'hier soir au spectacle,..." Lithographie originale en noir et blanc - Les amis - "Mon cher ami, nous avons appris qu'hier soir au spectacle,..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les amis - "Mon cher ami, nous avons appris qu'hier soir au spectacle,..."

    Chez Aubert|Paris s. d. [1845]|27.60 x 35.90 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 588
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on the verso of the plate.
    Slight tears to the lower margin (less than one cm).
    €150
  67. Lithographie originale en noir et blanc - Les amis - "Un ami est un crocodile donné par la civilisation" Lithographie originale en noir et blanc - Les amis - "Un ami est un crocodile donné par la civilisation"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les amis - "Un ami est un crocodile donné par la civilisation"

    Chez Aubert|Paris s. d. [1845]|27.30 x 35.60 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 593
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on the verso of the plate.
    Good condition.
    €110
  68. Lithographie originale en noir et blanc - Les Annonces n°1 - "Vous mettrez aujourd'hui dans les faits Paris..." Lithographie originale en noir et blanc - Les Annonces n°1 - "Vous mettrez aujourd'hui dans les faits Paris..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les Annonces n°1 - "Vous mettrez aujourd'hui dans les faits Paris..."

    Chez Aubert|Paris s. d. [1838]|24.30 x 32.10 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 597
    Occasional light foxing, more pronounced at the bottom of the image.
    €90
  69. Lithographie originale en noir et blanc - Les bas-bleus - "Ah vous trouvez que mon dernier roman..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les bas-bleus - "Ah vous trouvez que mon dernier roman..."

    Chez Aubert|Paris s. d. [1844]|24.30 x 32.10 cm|une feuille
    Original black and white lithograph for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 718
    Occasional light foxing.
    €100
  70. Lithographie originale en noir et blanc - L'annonce et la reclame - "En fait-on avaler a ce pauvre public!!"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - L'annonce et la reclame - "En fait-on avaler a ce pauvre public!!"

    Chez Aubert|Paris s. d. [1839]|26 x 34.50 cm|une feuille
    Original black and white lithograph, third state, for La Caricature, printed on heavy paper. Signed in the plate.
    Delteil, 326
    Plate entirely affected by worming and slight tear in the lower right margin.
    €90
  71. Lithographie originale en noir et blanc - Les bas-bleus - "Le parterre de l'Odéon"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les bas-bleus - "Le parterre de l'Odéon"

    Chez Aubert|Paris s. d. [1844]|26.10 x 34.40 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed in the plate.
    Delteil, 701
    Some pale foxing including one more significant spot in the lower left margin.
    €130
  72. Lithographie originale en noir et blanc - Les bas bleus - "Allons !... on n'a pas encore rendu compte de mon roman aujourd'hui!..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les bas bleus - "Allons !... on n'a pas encore rendu compte de mon roman aujourd'hui!..."

    Chez Aubert|Paris s. d. [1845]|26.20 x 33.80 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 694
    Some foxing.
    €100
  73. Lithographie originale en noir et blanc - Les bas bleus - "Adieu mon cher, je vais chez mes éditeurs;..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les bas bleus - "Adieu mon cher, je vais chez mes éditeurs;..."

    Chez Aubert|Paris s. d. [1844]|25.90 x 34.40 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 687
    Some pale foxing.
    €120
  74. Lithographie originale en noir et blanc - Les bas-bleus - "Comment! encore une caricature sur nous,..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les bas-bleus - "Comment! encore une caricature sur nous,..."

    Chez Aubert|Paris s. d. [1844]|26.60 x 34.60 cm|une feuille
    Original black and white lithograph, third state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 689
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on the reverse of the plate.
    Some pale foxing.
    €90
  75. Lithographie originale en noir et blanc - Les beaux jours de la vie - "Le vin de propriétaire."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les beaux jours de la vie - "Le vin de propriétaire."

    Chez Aubert|Paris s. d. [1846]|26.10 x 33.50 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 823
    Some pale foxing and left margin clumsily trimmed.
    €100
  76. Lithographie originale en noir et blanc - Les baigneurs - "Allons lancez vous Père Goutot c'est une vrai lessive"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les baigneurs - "Allons lancez vous Père Goutot c'est une vrai lessive"

    Chez Aubert|Paris s. d. [1839]|25.40 x 34.50 cm|une feuille
    Original black and white lithograph, third state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 636
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on the reverse of the plate.
    Good condition, ink numbering upper left.
    €110
  77. Lithographie originale en noir et blanc - Les baigneurs - "Dites donc, père Coquardeau, il est joliment frais."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les baigneurs - "Dites donc, père Coquardeau, il est joliment frais."

    Chez Aubert|Paris s. d. [1840]|25.40 x 34.50 cm|une feuille
    Original black and white lithograph, third state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 642
    Monogrammed stamp "AB" from the collection of Dr Albert Bloch on the reverse of the plate.
    Ink numbering in upper left margin and lower right. A pale dampstain in right margin, as well as a small tear without loss skilfully restored on verso with a paper strip.

    €110
  78. Lithographie originale en noir et blanc - Les baigneurs - "C'est un petit diable un vrai Dauphin;..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les baigneurs - "C'est un petit diable un vrai Dauphin;..."

    Chez Aubert|Paris s. d. [1839]|25.70 x 34.20 cm|une feuille
    Original black and white lithograph, third state, for Le Charivari, printed on heavy paper.
    Delteil, 635
    Some pale foxing, yellowing, tear and crease to lower left corner.

    €120
  79. Lithographie originale en noir et blanc - Les baigneurs - "C'est un petit diable un vrai Dauphin;..."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les baigneurs - "C'est un petit diable un vrai Dauphin;..."

    Chez Aubert|Paris s. d. [1839]|25.70 x 34.20 cm|une feuille
    Original black and white lithograph, third state, for Le Charivari, printed on heavy paper.
    Delteil, 635
    Some pale foxing, yellowed, tear and crease to lower left corner.

    €120
  80. Lithographie originale en couleurs - "Mr de Robert-Macaire restaurateur" Lithographie originale en couleurs - "Mr de Robert-Macaire restaurateur"
    Honoré DAUMIER

    Lithographie originale en couleurs - "Mr de Robert-Macaire restaurateur"

    Chez Aubert, Galerie Vero-dodat|Paris s. d. [1836]|25.80 x 33.30 cm|une feuille
    Original lithograph heightened in colors and gum arabic highlights, in second state, for Le Charivari, printed on heavy paper.
    Delteil, 1000
    Plate uniformly shaded, some foxing including a more significant spot to the right of the lower margin.
    €600
  81. Lithographie originale en couleurs - "Robert-Macaire devant ses juges" Lithographie originale en couleurs - "Robert-Macaire devant ses juges"
    Honoré DAUMIER

    Lithographie originale en couleurs - "Robert-Macaire devant ses juges"

    Chez Aubert, Galerie Vero-dodat|Paris s. d. [1837]|26.20 x 34.60 cm|une feuille
    Original lithograph heightened in colors and gum arabic highlights, in first state, for Le Charivari, printed on heavy paper.
    Delteil, 1019
    Plate uniformly shaded.
    €750
  82. Lithographie originale en couleurs - "Que diable! Macaire, te voilà à la tête d'un bureau de charité est-ce que tu vas tout garder pour toi?"
    Honoré DAUMIER

    Lithographie originale en couleurs - "Que diable! Macaire, te voilà à la tête d'un bureau de charité est-ce que tu vas tout garder pour toi?"

    Chez Aubert, Galerie Vero-dodat|Paris s. d. [1837]|26.40 x 33.70 cm|une feuille
    Original lithograph heightened in colors and with gum arabic highlights, second state, for Le Charivari, printed on heavy paper.
    Delteil, 1021
    Plate uniformly shaded, some foxing and lack to right corner of upper margin.
    €300
  83. Lithographie originale en couleurs - Bohémiens de Paris - "Le marchand d'habits"
    Honoré DAUMIER

    Lithographie originale en couleurs - Bohémiens de Paris - "Le marchand d'habits"

    Chez Aubert|Paris s. d. [1842]|24.50 x 33.10 cm|une feuille
    Original lithograph heightened in colors and with gum arabic highlights, third state, printed on heavy paper.
    Delteil, 846
    Plate uniformly shaded.
    €300
  84. Lithographie originale en couleurs - Bohêmiens de Paris - "Le ravageur"
    Honoré DAUMIER

    Lithographie originale en couleurs - Bohêmiens de Paris - "Le ravageur"

    Chez Aubert|Paris s. d. [1842]|24.90 x 33 cm|une feuille
    Original lithograph heightened in colors and gummed, in second state, printed on thick paper.
    Delteil, 839
    Plate uniformly darkened.
    €300
  85. Lithographie originale en couleurs - Les bons bourgeois  - "Tiens, papa, pourquoi que l'eau arrive sur nous?..." Lithographie originale en couleurs - Les bons bourgeois  - "Tiens, papa, pourquoi que l'eau arrive sur nous?..."
    Honoré DAUMIER

    Lithographie originale en couleurs - Les bons bourgeois - "Tiens, papa, pourquoi que l'eau arrive sur nous?..."

    Chez Aubert|Paris s. d. [1854]|27.70 x 36 cm|une feuille
    Original lithograph heightened in colors and gummed, for Le Charivari, printed on thick paper.
    Delteil, 948
    Plate uniformly darkened and some foxing.
    €300
  86. Lithographie originale en couleurs - L'Exposition Universelle - "Vue prise à la buvette pendant la canicule" Lithographie originale en couleurs - L'Exposition Universelle - "Vue prise à la buvette pendant la canicule"
    Honoré DAUMIER

    Lithographie originale en couleurs - L'Exposition Universelle - "Vue prise à la buvette pendant la canicule"

    Maison Martinet|Paris s. d. [1855]|25.20 x 33.60 cm|une feuille
    Original lithograph heightened in colors and gummed, second state, for Le Charivari, printed on thick paper.
    Delteil, 1776
    Some light foxing.
    €350
  87. Lithographie originale en couleurs - Les Canotiers Parisiens - "-Eh bien! Rigobert...mon vieux flambard..." Lithographie originale en couleurs - Les Canotiers Parisiens - "-Eh bien! Rigobert...mon vieux flambard..."
    Honoré DAUMIER

    Lithographie originale en couleurs - Les Canotiers Parisiens - "-Eh bien! Rigobert...mon vieux flambard..."

    Chez Aubert|Paris s. d. [1843]|25.10 x 33.90 cm|une feuille
    Original lithograph heightened in colors and gummed, second state, for Le Charivari, printed on thick paper.
    Delteil, 969
    Unidentified stamp verso.
    Good condition.
    €250
  88. Lithographie originale en couleurs - Bohêmiens de Paris- "Le tondeur de chiens"
    Honoré DAUMIER

    Lithographie originale en couleurs - Bohêmiens de Paris- "Le tondeur de chiens"

    Chez Aubert|Paris s. d. [1842]|25.20 x 33.20 cm|une feuille
    Original lithograph enhanced with colors and gum arabic, third state, for Le Charivari, printed on heavy paper.
    Delteil, 845
    Plate uniformly shaded.
    €350
  89. Lithographie originale en couleurs - "Le président impatienté"Lithographie originale en couleurs - "Le président impatienté"
    Honoré DAUMIER

    Lithographie originale en couleurs - "Le président impatienté"

    Chez Aubert, Galerie Vero-dodat|Paris s. d. [838]|26.40 x 35.30 cm|une feuille
    Original lithograph enhanced with colors and gum arabic, for Le Charivari, printed on heavy paper.
    Delteil, 1384
    Plate with worming throughout.
    €600
  90. Lithographie originale en couleurs - Bohêmiens de Paris - "La glaneuse" Lithographie originale en couleurs - Bohêmiens de Paris - "La glaneuse"
    Honoré DAUMIER

    Lithographie originale en couleurs - Bohêmiens de Paris - "La glaneuse"

    Chez Aubert|Paris s. d. [1841]|24.40 x 33.20 cm|une feuille
    Original lithograph heightened in colors and gummed, in third state, for Le Charivari, printed on heavy paper.
    Delteil, 827
    Plate uniformly shaded.
    €300
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