First edition, limited to 1,100 copies, divided into four fictitious editions within the same year, in order to create the illusion of commercial success. These were subsequently reissued with a new title-page bearing an edition statement and the author’s name, together with a volume designation on the half-titles (cf. Clouzot). Our copy carries the designation “third edition.” Contemporary bookplate traces on the upper pastedowns. Expert restorations to headcaps and joints, with a tiny loss at the foot of the lower joint of vol. I. A clean copy, entirely free of foxing.
Contemporary half chocolate calf bindings, smooth spines decorated with gilt fillets and romantic fleurons with gilt Gothic motifs, marbled paper boards, pebbled paper endpapers and pastedowns, marbled edges, strictly contemporary bindings.
The title-pages are illustrated with two wood-engraved vignettes after Tony Johannot by Poiret, showing Esmeralda offering water to Quasimodo (vol. I) and L’Amende honorable (vol. II).
A fine copy, in handsome period bindings and entirely without foxing, a state of preservation very seldom encountered. “This first edition, in fine condition, is the rarest of all the author’s works; it enjoyed worldwide renown, and is among the most difficult to obtain from the Romantic period” (Carteret).