Masterpieces of Literature

First edition, with all the points of the first issue, including the misprint "Sénart" on the dedication leaf.
Elegant half hazel morocco bindings with corners by Blanchetière, spines with five raised bands, very slightly faded, dates gilt at foot, marbled paper sides, combed paper endleaves and pastedowns, original wrappers bound in, with the original spine preserved for the first volume, top edges gilt.
Complete with the publisher's catalogue at the end of the first volume.

Occasional light foxing.
A handsome and desirable copy, retaining its rare original wrappers and finely bound by Henri Blanchetière.

Illustrated edition with 154 drawings by Jules Férat, engraved by Barbant.
Hetzel publisher's binding in full red percaline, in the "anchor spine" design, with Engel type "i" rear board as identified by Jauzac, original blue endpapers, all edges gilt. 
Spine ends slightly sagging, spine lightly faded, lower left-hand corner of the front board frayed, blue endpapers marginally faded as usual, small black marks to the outer margins of the boards, occasional foxing at the beginning and end of the volume, and a bibliophile's ink stamp in the upper left-hand corner of the front pastedown.
A pleasing copy of this novel, which forms a sequel to Twenty Thousand Leagues Under the...

First edition, one of 750 numbered copies signed by the author, the only grands papiers (deluxe) copies.
Publisher's binding in half black cloth, marbled paper boards.
Autograph signature of William Faulkner on the justification page.
A beautiful copy, complete with its original acetate dust jacket.

First edition, one of the press copies.

Full emerald-green morocco, flat spine with a gilt rule lengthwise, title and author gilt-stamped, frontdecorated with multiple gilt rules framing a central onlaid panel of blue shagreen, light green suede endpapers and pastedowns, original wrappers preserved, top edge gilt, binding signed Boichot.

Exceptional and highly desirable presentation copy inscribed and signed by Louis-Ferdinand Céline: "A mons. Pierre Jean Jouve cordial hommage Louis Celine."

New quarto edition, revised and corrected by the author, with numerous decorated headpieces, initials and tailpieces.

Full brown calf, spine in six compartments with five raised bands richly gilt-tooled, red morocco lettering-piece, triple blind fillet border to boards, double gilt fillet to board edges, red edges, marbled pastedowns and endpapers.

Light scratches and scuffing to boards, corners slightly bumped, otherwise a very...

Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.

Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.

Scattered foxing.

Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.

A handsomely preserved copy in a period romantic binding.

First edition of the English translation of "De Logomachiis eruditorum" (Amsterdam, 1688) by the Swiss Reformed theologian Samuel Werenfels (1657–1740), a notably engaging essay on the obstacles to concord among Christians created by the endless disputes over the terminology used to define points of belief.

A few small spots of foxing.

Full speckled fawn calf, the spine with five raised bands decorated with gilt compartments and gilt tools; rubbing to the spine, the gilt title almost entirely effaced, headcaps trimmed down with a small loss to the tailcap; gilt double-fillet border with gilt corner tools on the covers; some wear to the board edges...

Third edition, revised, corrected, and enlarged with several important Additions by the author published posthumously, and with Remarks by the Translator (our own translation), with the portrait of John Locke by Godfrey Kneller, engraved by François Morellon de La Cave.

Contemporary full brown calf, spine with five raised bands decorated with gilt compartments, brown morocco lettering-piece, triple fillet border to covers in blind, red edges, marbled pastedowns and endpapers.

Headcaps missing, surface...

Second edition of this monumental work of historiography.

The collation of the text volumes (74 steel-engraved plates) conforms to the list of plates given in volume XX (with the exception of the plate depicting the French before Moscow, which is lacking), but does not match the plate count of the first edition, as certain plates were not reissued. The atlas corresponds to that of the first edition and is complete with its 66 maps.

Some foxing, mainly affecting the edges.

Handsome bindings of red half morocco with corners, the spines with five raised bands and triple blind-ruled compartments, a few minor abrasions without consequence to three spines, marbled paper sides...

Very rare first edition, illustrated in each volume with a copper-engraved frontispiece by Tardieu after Monnet.

Half black grained cloth bindings, smooth spines decorated with blind fillets, marbled paper boards with light rubbing, sprinkled edges, modest late 19th-century bindings.

Some foxing and a few pale waterstains at the end of the second volume.

This work is an essay whose concerns are strikingly close to our own, though expressed in a very different context.

A founder of French ecological thought, the civil engineer François-Antoine Rauch (1762–1837) demonstrated the direct relationship between deforestation and the increase in extreme weather, calling...

A rare first edition, of which no subsequent reprint exists, complete with all his Neo-Latin poems, chiefly composed in Rome. The volume also contains two Greek poems at ff. 60 and 62, together with a poem which inspired the celebrated sonnet Happy he who like Ulysses.

Modern binding in full limp vellum, smooth spine, red edges, white pastedowns and endleaves.

Some defects within: discreet restoration to inner margin of title verso; small tear without loss at foot of ff. 2-3; dampstaining to lower margin of ff. 25-28 and 45-48; minimal marginal defect to f. 44, not affecting...

New edition and the first printing of Jacques Tardi’s illustrations.
Publisher’s white boards, smooth spine.
A handsome copy.
Presentation inscription, dated and signed by Jacques Tardi to Joëlle Passani, with an original black-felt drawing depicting a sorrowful-faced Bardamu in a small vignette.
 

First French edition, illustrated by Arthur Rackham with 40 mounted colour plates on thick brown paper, each protected by a captioned tissue guard, along with 30 black-and-white line drawings within the text, one of the extremely rare 30 copies printed on japon, signed by Arthur Rackham on the limitation page; the deluxe issue.

Publisher’s Bradel binding in full vellum-style boards, smooth gilt-titled spine, upper board gilt-stamped with title and a tree design, top edge gilt; the silk tie on the lower board is lacking.

...

Illustrated edition with compositions by Arthur Rackham, 13 in colour tipped in with captioned tissue guards, and 52 black-and-white illustrations in the text, one of 55 copies on japon, signed by Arthur Rackham on the limitation page, deluxe issue.

Publisher’s full vellum binding, flat spine gilt-lettered with gilt-stamped animals, upper cover gilt-stamped with the title and an illustration of animals, top edge gilt, uncut, lower cover silk ties preserved.

A fine copy...

First edition, printed on vélin d’Angoulême, with the usual typographical errors, and containing the six banned poems; one of the few author’s copies “intended for friends who render no literary services”.

Full bordeaux red morocco binding, spine with five raised bands richly decorated with multiple gilt- and blind-tooled fillets; third-state covers; boards framed with multiple blind-tooled fillets; marbled endpapers; gilt turn-ins; all edges gilt; marbled paper slipcase with morocco border; signed binding by Semet & Plumelle.

Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.

Publisher’s full vellum binding, flat spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic...

Illustrated edition with 24 colour plates by Arthur Rackham tipped in with captioned tissue guards, 8 full-page black-and-white illustrations, together with numerous ornaments and vignettes in the text by Arthur Rackham, one of 300 copies printed on vélin à la forme, signed by Arthur Rackham on the limitation page.
Publisher’s Bradel binding in full bright white vellum, smooth spine lettered in gilt, upper cover gilt-stamped with the title and a design of fantastic animals within a vertical gilt rule, illustrated endpapers and pastedowns, top edge gilt, untrimmed edges preserved. 
A very well-preserved copy of Milton's baroque and Dionysian...

New edition, revised, corrected, and considerably enlarged.

Contemporary bindings in half mottled fawn calf over corners, smooth spines gilt with fillets, morocco title and volume labels, brown paper-covered boards, sprinkled edges.

Some minor rubbing to the spines, a few corners slightly bumped.

L'Esprit des lois occupies volumes I to IV; La Défense de l'Esprit des lois volume V (with a general index); Lettres persanes volume VI; volume VII gathers the Considérations and related pieces; volume VIII contains the posthumous works.

This collected edition of Montesquieu's works offers no particular bibliographical peculiarities in its...

Very rare first edition of the Japanese translation, accompanied by Taiichi Ogawa’s annotated commentary.

Illustrated with a frontispiece portrait of Alphonse Daudet.

Spine with two tears at head and foot, soiling to the wrappers, a few minor spots internally.

First Japanese edition of Alphonse Daudet’s masterpiece. Harshly received in Provence upon its publication in 1872, despite the support of Frédéric Mistral, the novel soon came to be regarded as one of the landmarks of French literature, and the character of Tartarin became the emblem—and finest ambassador—of the city of Tarascon.

First edition, printed on thick wove paper.
Bound in contemporary half brown shagreen, smooth spines decorated with black typographic motifs, marbled paper boards, hand-marbled endpapers and pastedowns, modern slipcase edged in brown morocco with matching marbled paper sides and olive-green felt lining. 
Some occasional foxing, the note "Henri Beyle" in black ink at the upper corner of the title page of the first volume, without the final catalogue leaf at the end of the second volume, small corner restorations to four leaves of the first volume.
"Very rare and extremely sought after. Usually quite simply bound at the time. Often foxed" (Clouzot). "This work is of great rarity in...

First edition, one of 45 numbered copies on Holland paper, the deluxe issue.

Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.

A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.

Rare and sought-after first edition, first issue.

Includes the subscribers' list and the foreword, later removed when the remainder of this edition passed into the hands of another publisher, Dion-Lambert. It also features the pagination error in volume two: page 164 instead of 364. 

Black half-morocco bindings, smooth spines with double gilt fillets and double blind-stamped compartments, black paper boards...

New edition of the French translation.

Half saffron percaline Bradel binding, smooth spine slightly sunned and decorated with a central gilt motif and double gilt fillet at foot, brown shagreen title label with a few scuffs, marbled "cat’s-eye" paper boards, preserved wrappers, lightly rubbed corners, contemporary binding.

First appearance of the 18 poems by Charles Baudelaire published on pages 1079–1093 of the Revue des Deux Mondes, showing numerous variations from the text of the first edition issued in 1857 by Poulet-Malassis & De Broise.

Full black shagreen binding, smooth spine, double blind-ruled borders on covers, comb-marbled endpapers and pastedowns, slightly later binding.

A rare and attractive copy.

Second edition of the French translation prepared by François-Victor Hugo.

Half red shagreen bindings, slightly faded spines with four raised bands numerously framed in gilt and central gilt tooled motif, marbled paper boards, marbled endpapers, speckled edges, contemporary bindings.

Some occasional foxing, minor black specks on a few spines, upper corners of volume 10 slightly damaged.

Our set, attractively bound uniformly in contemporary bindings, is complete in 18 volumes including the often lacking final three volumes of apocryphal writings.

New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.

Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.

Our copy contains 13 engraved plates, some serving as frontispieces.

Scattered foxing, a few leaves browned due to paper acidity.

A copy in...

First edition, one of 120 copies printed on pure laid paper.

Pleasant copy with wide margins throughout.

First edition of these significant memoirs by a close companion and comrade-in-arms of Napoleon Bonaparte.

Half aubergine sheep bindings, smooth spines slightly faded and decorated with gilt romantic arabesques, some rubbing with small losses to a few spines and joints, embossed aubergine paper boards, marbled endpapers and pastedowns, marbled edges; romantic bindings of the period.

Some foxing, a light marginal dampstain on the final leaves of volume 8.

A pleasant set, attractively bound in contemporary romantic bindings.

A fine set of the first four volumes of the French intégrale edition, identical to the original American structure. Volume 1 is housed in a metal case with embossed lettering and a folding map of Westeros. It is a copy of the highly sought-after very first French collector's edition of the series published in 2012. Volumes 2 and 3 followed in 2013, and volume 4 in 2014. 

Each volume signed by George R.R. Martin on the title page. The signatures were obtained during the author's only public signing session for French...

First edition for each volume.

Fine copy of Du côté de chez Swann in first edition, second printing, with all identifying points (front cover dated 1913, table of contents present, no publisher's catalogue at end); copy in first edition bearing the mention "quatrième édition" for À l'ombre des jeunes filles en fleurs (with the correct colophon dated November 30, 1918); although bearing the same colophon dated November 30, 1918, the 128 reimposed copies were not actually printed until a year later, together with the large paper copies of the Swann reissue; for the following 11 volumes...

First edition dedicated to Louis Jouvet, one of 108 numbered copies on Lafuma Navarre laid paper, reimposed in quarto tellière format, deluxe issue.
Half red morocco-backed marbled boards, spine with five raised bands framed with blind fillets, date gilt at foot, marbled paper sides, comb-marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, binding signed by D.H. Mercher.
Premiered by Louis Jouvet at the Comédie des Champs-Élysées on 14 December 1923. The actor also oversaw the staging and set design; in 1933, the play was later adapted for the screen by Roger Goupillières, again starring Louis Jouvet in the leading role.

Third edition, partly original, expanded with 25 poems, along with a lengthy introduction by the poet Théophile Gautier and several articles and letters by Barbey d'Aurevilly, Dulamon, Sainte-Beuve, Charles Asselineau, Custine, Edouard Thierry et Émile Deschamps selected by Baudelaire.
With a steel-engraved frontispiece portrait of the author by Nargeot.
One of the rare first issue copies with the correct date of 1868 on the title and without statement of edition.
This comprehensive edition contains 25 unpublished poems, totaling 151 poems (100 poems in the 1857 edition). Among the new poems, eleven are from Les Épaves.
Although...

First edition printed on vélin d'Angoulême. Complete copy with the six banned poems and the usual misprints.

Half shagreen binding, spine with four raised bands twice ruled in gilt with gilt fleurons, marbled paper boards, marbled pastedowns and flyleaves, contemporary binding. Some foxing scattered foxing.  

First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.

Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.

Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.

New "À la bannière" edition with bevelled boards, violet on a red background, illustrated with 154 drawings by Férat engraved by Barbant.

Publisher’s decorative cloth binding "à la bannière" of type 6 signed by Lenègre, upper cover plate signed by Souze, lower cover of type e1 with central medallion on a black ground, framed with geometric motifs.
Attractive upper cover, with glossy percaline and sharp gilt, small black spots on the spine, head- and tailcaps collapsed as usual, some occasional foxing, small dark and light stains on the lower cover.
L’Île mystérieuse is linked, though not a sequel, to two other novels by Jules Verne, Vingt mille lieues sous les...

New edition with hitherto unpublished material, printed three years after the first edition.
Contemporary full brown sheepskin binding, smooth spine with 7 gilt compartments decorated with friezes and classical vases, leather lettering piece, inscription "Lycée impérial de Marseille, prix de l'an XIII (1805)" gilt-stamped on upper cover, gilt rolls on board edges, tooled spine-ends, white pastedowns and endpapers, price label with the "Lycée's" header affixed to front pastedown. Usual wear to joints with a small hole, lower spine-end missing and leather loss at foot of spine, wormhole affecting several letters of the word...

The ‘Kehl edition’, the most renowned edition of Voltaire's works, illustrated and published on deluxe paper. It was printed on five different types of paper, and only the deluxe editions, such as ours on laid paper, feature engravings. These are naturally the most sought-after and rarest copies.

Binding in full painted sheep decorated with a “honeycomb” motif, smooth spine tooled with gilt fleurons, fillets and compartments, light beige calf lettering and volume pieces, gilt chain-roll border on covers, marbled endpapers, gilt roll on edges, all edges marbled, contemporary binding. Two volumes (nos. 50 and 70) with slight variations in gilt tools on the spines and...

First edition on ordinary paper, with the correct colophon dated 26 February 1926.

A pleasant copy.

First edition on ordinary paper, without edition statement, bearing the correct colophon dated 30 November 1918.

The 128 deluxe paper copies would only be issued six months later, during the summer of 1919.

Light spotting to the margins of the endleaves, small l and a faint dampstain to the title page and following leaves, a bluish stain to the margins of pp. 339-340 inherent to the quality of the paper.

Bound in contemporary half forest-green morocco over corners, spine with five raised bands ruled in black, gilt date at foot, cat’s-eye patterned paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed...

First edition, one of 50 numbered copies on pur fil.
Spine slightly sunned, a small scratch to the front cover, corner creases at the preserved margins.
Rare copy as issued.

First edition of the French translation, one of 325 numbered copies on alfa paper, the only deluxe issue together with a few alfa mousse copies not for sale.
Minor tears without loss at the head of the spine, which also shows slight sunning at the foot, final endpaper partially shaded.
A rare and pleasing copy.

First edition.

Full red morocco binding, round spine with five raised bands decorated with gilt fleurons, slight rubbing on the caps, double frame of blind-stamped gilt fillets on the covers, with fleurons at the corners of the inner frame, edges slightly blunt, marbled paper endpapers and back covers, gilt edges and heads, very elegant 19th-century binding ‘a la Du Seuil’ signed Quinet on the first endpaper. 

Rare first edition of Chamblain de Marivaux's first theatrical success, The Surprise of Love, published four years before The Second Surprise of Love. This play, performed in the spring of 1722 before being published the...

First edition, one of 55 numbered copies on pure wove paper, the only deluxe paper issue.
Bound in half brown morocco, spines with five raised bands, gilt dates at foot, boards covered with abstract patterned paper, endleaves and doublures of brown paper, original wrappers and backstrips preserved, gilt edges, bindings signed by Thomas Boichot.
A precious copy of this foundational text of modern feminism.

New edition.
Contemporary binding in half green shagreen, spine in four compartments set with gilt stippling, gilt fillets and gilt fleurons in the corner pieces, multiple blind tooled frames on the boards, white iridescent paper endpapers, all edges gilt.
Some leaves shorter in the bottom margin.

Handwritten inscription signed by George Sand on the first endpaper: “à mon bon ami Edmond Plauchut. G. Sand".

Today the only outsider to the family buried in the cemetery of the Nohant house, is Lucien-Joseph-Edmond Plau
chut (1824-1909) who began an epistolary relationship with George Sand in the autumn of 1848 when he was a voluntary expatriate after...

First edition of the French translation (cf. Sabin, 33726 (original edition). Humboldt Library, 4696.)

Complete text, without the Atlas, which was published many years later (1867) and is frequently lacking.

Tears and small marginal losses to some leaves, spine of the second volume split, slight splitting at head and tail of the other volumes, foot of the spine of the first volume restored, some minor foxing.

First complete French edition, translated by H. Faye, of this seminal work by one of the greatest scholars and explorers of the nineteenth century; a masterful synthesis through which Alexander von Humboldt founded physical geography (P. Rousseau, Hist. de la...

Edition from the year of the original, stating 78th thousand.
Copy complete with its wraparound band announcing the award of the 1965 Prix Renaudot.
A minute tear without consequence at the foot of one joint.

Autograph inscription signed by Georges Perec to Jean Berthou and his wife.

Second edition only one month after the first edition.
Spine lightly wrinkled, small signs of folding in the margins of the boards, a light mark on the second board.

Claude Couffon, a French specialist and translator of the major Spanish-speaking writers of the second half of the 20th century, translated...

First edition, one of the review copies.
Preface by Raymond Queneau.
Rare and appealing copy.

Rare signed autograph presentation from Boris Vian to Marc Bernard.

Edition illustrated with 16 original watercolours by Auguste Leroux, engraved on copper by Delzers and Feltesse, one of 90 numbered copies on Imperial Japan paper.
Bound in navy blue half morocco with corners, spine with four raised bands decorated with gilt pointillé and triple gilt panels with typographic motifs, gilt date at foot, gilt fillet borders on marbled paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, gilt edges, contemporary binding signed by Bernasconi. 
As stated in the justification of the print run for the copies on Imperial Japan paper, our copy is complete with its two suites: one in colour with remarques and the other in...

Rare first edition of the French translation prepared by Thomas-François Dalibard at the request of the Comte de Buffon (cf Wheeler Gift 367d. Waller 11339. DSB V, pp. 129-139).

Full mottled calf, spine with five raised bands ruled in gilt and decorated with double gilt compartments with floral tools, red morocco lettering-piece, gilt rolls on the caps (partly rubbed), restorations to head and tail of spine as well as to the corners of the boards, marbled endpapers and pastedowns, gilt fillets on the edges, marbled edges, contemporary binding.

Some foxing, a dampstain to the upper right corner of the first endpaper.

The English first edition was published in London in...

First edition of the French translation by Jean Dutourd, one of 86 numbered copies on pur fil, only grand papier (deluxe) copies. 

Anthracite morocco binding, gilt title lengthwise, date at the foot, black stingray boards framed in morocco, gilt decorative paper endleaves, original wrappers preserved, gilt edges, an elegant binding signed Boichot. Like most copies, two sunned spots to head and foot of spine, title-page and half-title slightly shaded due to the paper’s acidity.

Rare deluxe-paper copy of one of the most influential...

Extremely rare printing by Fauvelle, official printer for the Tribunaux de la Seine, contemporary and textually identical to the octavo and quarto editions by the Imprimerie de la République. Only four copies with Fauvelle's imprint in OCLC (BnF, National Library of Spain, Royal Danish Library, Stadtbibliothek Worms).

Bradel-style binding in full marbled paper boards, flat spine with red roan label, light foxing to the first three leaves.

First version of the Napoleonic Code, presented by the four members of Bonaparte's commission appointed to draft the civil code. Also contains the important “Preliminary Address to the First Draft of the Civil Code,” outlining the...

First edition of this magnificent work, one of Gustave Le Bon’s (1841–1931) contributions to anthropology, in which he applied his pioneering theories to the Arab world. One of the few copies printed on japon paper, unrecorded in bibliographies.

Illustrated with 10 chromolithographs, 4 maps, and 366 engravings, including 70 large plates, after the author’s photographs or the most reliable documentary sources. Cf. Vicaire V, 134.

Contemporary half cherry-red shagreen, spine with five raised bands adorned with gilt fillets and double gilt compartments, double gilt fillet frame on marbled paper-covered boards, comb-marbled endpapers and pastedowns, top edge gilt.

Minor...

First edition of the French translation by Nicolas-Gabriel Vaquette d'Hermilly (1705 or 1710–1778), later revised by La Harpe (Quérard II, 30; Cioranescu, XVIII, 33 926).

Despite its very late date, this was only the second attempt at a French translation of Os Lusiadas (1572), following that of 1735 by Duperron de Castéra, which had failed to convince contemporary readers.

This edition includes 10 copper-engraved plates out of text, and is further enriched with notes and a biography of the author.

Bound in early 19th-century green bottle Russian morocco over pink paper boards, corners reinforced, flat spines with gilt double fillets and black ruling; some...

First edition of this French translation prepared by Abbé J.B. Morvan de Bellegarde, who here renders six of the nine books of the celebrated Brevissima relación by Las Casas, first published in Seville in 1552 (cf. Sabin 11273. Medina BHA 1085n. Streit I:733. Palau 46966. JCB (4) 344-345. Leclerc 337. "European Americana" 697/33).

Contemporary full marbled calf binding, spine gilt in compartments with decorative tooling, red morocco label, gilt rolls to head and tail caps, marbled endpapers and pastedowns, gilt fillets to board edges, red edges.

Minor repairs to joints, discreet restoration in the inner margin of the frontispiece.

A handsome copy.

Las...

First edition with all first printing  features, one of the press copies.

Exceptional presentation copy inscribed by the author to the famous singer Yvette Guilbert, to whom Céline himself sang and offered one of his scandalous compositions, “Katika la putain,” [Katika the Whore] later renamed “À Nœud coulant” [With a Slipknot"] "A madame Yvette Guilbert en témoignage de ma profonde admiration. LFCéline.” 

Beneath Céline's inscription, the actor Fabrice Luchini added: “A Yvette Guilbert in memoriam. FLuchini” ; and on the half-title, actor Jean-François Balmer wrote in turn: “Merci en bon...

For the first three volumes, first edition, complete with all 84 parts published between February 1842 and October 1843 of this "admirable publication printed on thick vellum paper [...] one of the finest of the 19th century, justly esteemed and comparable to the beautifully illustrated books of the 18th century" (Carteret), (see Carteret III, 143–153; Vicaire II, 234–248).

The first three volumes are bound in full violet morocco, spines with five raised bands bordered with gilt pointillé tooling, compartments richly gilt with double gilt frames, gilt rolls on caps, covers framed with quintuple gilt fillets, gilt monogram MG at the corners, comb-marbled endpapers and...

First edition. Bibliothèque des chemins de fer series. Quite scarce. The novel was previously serialized in the Moniteur universel from March to May 1857. 12-page Hachette catalogue bound in at the end.
Full early 20th-century tan morocco binding, signed at the foot of the inside front cover by A. J. Gonon, housed in a beige slipcase trimmed with morocco. Spine with raised bands, compartments decorated. Wide gilt fillet border on pastedowns. Untrimmed copy. Occasional foxing. Spine slightly sunned. Original wrappers preserved, spine portion missing. A good copy.

Edition established, annotated, and commented by Le Roux de Lincy and Anatole de Montaiglon. Deluxe printing limited to 395 copies on deluxe paper, this one of 40 on Whatman paper (No. 301), including three suites of the engravings: one in black on Japan paper, one in bistre, and one in sanguine.

Illustrated with a portrait by T. de Mare, a frontispiece by Dunker, and 76 figures after Freudenberg engraved by De Longueil, Eichler, Le Roy, among others. Includes head- and tailpieces. One chromolithographed plate depicting the arms of Marguerite de Navarre. All engravings are presented in three states, except the chromolithograph.

Contemporary full citron morocco binding signed...

New edition of the Fables, more complete than previous ones, illustrated with a hand-coloured vignette on the title page and 110 hand-coloured half-page illustrations in the text, for a total of 111 engraved and coloured plates (cf. Rochambeau 305. Després, p. 142, no. 63).

Full olive calf binding, spine with gilt fillets, numerously tooled in gilt, gilt tooling to spine-ends, boards framed in gilt, marbled endpapers and pastedowns, inner gilt dentelle on pastedowns, all edges gilt, 20th-century binding.

Spine and covers faded, some foxing, a snag at head of rear cover. Lower right corners of pp. ix-xi restored.

An exceptional and finely watercoloured copy of...

First edition of the French translation, one of 240 numbered copies on alfa paper, the only deluxe copies after 7 on Japan paper, 10 on Arches, and 21 on pure rag vellum.
Restored tear at head of spine, which is also cracked, slight tears along the right margin of the front cover, internally clean and appealing.

Rare and highly sought-after first edition.
Contemporary binding in black half shagreen, flat spines richly decorated with gilt ornamental rolls, discreet and skilful restoration to the foot of one joint, black paper-covered boards, marbled endpapers and pastedowns, sprinkled edges. Discreet restoration to the lower hinge of the first volume.
Exceptionally clean copy, virtually free of foxing (a rarity according to Clouzot, who notes that most copies are usually heavily spotted).
Provenance: from the libraries of Saint-Germain (with printed crowned bookplate beneath the titles on the half-titles); Count de Bonvouloir (with his printed bookplate, Château de Magny in Calvados...

First edition on ordinary paper, bearing the correct colophon dated August 25, 1978.

With a printed stamp to the upper right corner of the half-title page; publisher's price sticker affixed to the foot of the lower cover.
A handsome copy.

New edition. A steel-engraved portrait frontispiece, printed on China paper and mounted. Printed in very small type, arranged in two columns.

Full polished blond calf binding, signed by Thouvenin at foot of spine. Smooth spine with blind-stamped Gothic architectural elements heightened with gilt dots, gilt fillets and title. Covers blind-stamped with a large Gothic window surrounded by architectural ornaments. Multiple blind-ruled frames with corner fleurons and gilt fillets. Inner dentelles. All edges gilt. Joints discreetly cracked at head. Some foxing and occasional browning to a few pages. Minor rubbing. Spine slightly dulled. A handsome copy.

Collective edition, partly original. It is illustrated with 3 frontispiece titles and 23 figures by François Chauveau. The three frontispiece titles dated 1660, the title page of the second volume with the date 1664, the other two title pages dated 1660. In the second volume, the privilege is also dated 1664, while the other two volumes have the privilege dated 1660. The second volume is therefore the 1664 reprint, identical in every respect to the 1660 edition, with the exception of the collation of the preliminary pieces. The three discourses as well as the examinations of each piece appear for the first time.

Binding in full 20th-century chocolate morocco signed Alix at the...

First edition, one of 62 numbered copies on madagascar paper, deluxe copy.
Some light foxing affecting mainly the edges.
Half dark blue morocco binding, spine with five raised bands, cat's-eye paper boards, combed paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed by Devauchelle.
Handsome copy beautifully executed.

First edition of the French translation, one of 150 numbered copies on pur fil, the only deluxe copies issued after 25 copies on Holland paper.

A fine copy with all edges untrimmed.

First French edition of the translation, with no copies printed on deluxe paper.

A handsome copy complete with its illustrated dust jacket, which shows minor tears to the head of the spine and panels.

The book was adapted for the screen in 2006 by Tom Tykwer, starring Ben Whishaw and Dustin Hoffman.

New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_

First edition, untrimmed with wide margins, very rare and highly sought-after (see Clouzot). Some occasional foxing.

Illustrated on the title pages of both volumes with two engraved vignettes by Porrêt. This copy contains the publisher’s notice leaf in the first volume and the author’s note leaf in the second volume.

Contemporary red half calf over marbled boards, calf corners, spines ruled in gilt with...

New edition.

Spine very slightly sunned, but an attractive and well-preserved copy.

Signed by Jean-Paul Sartre on the half-title.

First edition, one of 120 numbered copies on Lafuma pure wove paper, the only large-paper issue.

Endpapers very slightly and marginally toned, two small tears at foot of spine.

A rare and much sought-after copy in original state.

First edition, "very rare and extremely sought-after" (Clouzot), one of 750 copies on laid paper, with title vignettes engraved by Henri Porret after Henry Monnier.

Skilful restoration of a tear at the foot of a page, with slight damage to a letter. A rare copy with no foxing.

Green half calf binding, smooth spines with arabesques stamped in gilt, black title labels and volume labels; marbled paper boards, spine boards and endpapers, speckled edges, later bindings in the Romantic style.