Fine Bindings

First edition, illustrated with 72 hand-coloured plates hors texte (cf. Blackmer 300. Colas I, 545. Quérard II, 75. Brunet I, 1226.)

Uniformly bound in full mottled fawn calf, smooth spines slightly faded, decorated with gilt fillets, garlands and figures, red morocco lettering and volume labels, small wormholes at the foot of the spines of volumes 2 & 3, gilt rolls to the spine ends, covers framed with dog-tooth rolls, gilt fillets and garlands, marbled endpapers, gilt roll borders to the pastedowns, gilt dotted edges, all edges gilt, contemporary bindings.

Some rubbing to certain spines and spine ends, some corners bumped, our copy lacks the 5 leaves of binder's directions a

First complete collected edition and first illustrated edition. The first edition of Dom Garcie de Navarre, L’Impromptu de Versailles, Dom Juan ou le Festin de Pierre, Les Amans magnifiques, and La Comtesse d’Escarbagnas. With thirty copper engraved illustrations by Jean Sauvé after Pierre Brassart, 9 of them included in the pagination.19th-century red full morocco binding, spines with five raised bands, date gilt at foot, double gilt fillets to edges of covers and spine-ends, large inner gilt dentelle, marbled endpapers, all edges gilt. Bindings s

Fourth collective edition for the first part and third for the second and third parts, published by Corneille himself. Our copy is adorned with the frontispiece of the first two editions (dated 1645), and the portrait of Corneille by Michel Lasne, dated 1644.

Later bindings in full blue morocco, Jansenist spines with five raised bands, endpapers and pastedowns framed with gilt dentelles of marbled paper, all edges gilt, marbled paper slipcases bordered with morocco, bindings signed by Alix.

Rare and beautiful copy elegantly bound.

First edition displaying all the distinctive features of its publication: it presents no capital letters except at the beginning of paragraphs and it is the very first work to have been printed with Voltaire's spelling. Our copy is complete with its errata leaf, which is often missing.
Later bindings (19th century) in full red morocco, Jansenist spines with five raised bands, dates and places gilt at foot, boards struck at center with large gilt typographical fleurons, double gilt fillets on leading edges and headcaps, pastedowns lined with blue morocco presenting a wide gilt decorative border, monogrammed bookplates mounted on the pastedowns of each volume, following endpapers of comb

First quarto edition, complete with all volumes and plates, commonly referred to as the “Third Edition” of the Encyclopédie, and also known as the “Encyclopédie de Pellet” or “Encyclopédie de Lyon” or “Encyclopédie du Lac” by Simon-Nicolas-Henri Linguet.

Full marbled and polished brown sheepskin contemporary bindings, spines with five raised bands and four gilt compartments decorated with pomegranate gilt tools, two gilt decorative rolls at foot, title and volume lettering-pieces in red and green morocco, boards twice framed in blind, board edges gilt, all red edges, marbled pastedowns and endpapers

Rare first edition under this title, complete with the engraved title-page. The first edition of 1607, Remonstrance faicte au Roy Très Chrétien pour la réunion des religions à la foy catholique, was printed in Tournon in only 96 pages. This second edition, of which there were probably two issues from the same bookseller, was substantially revised and enlarged by the author.

Contemporary limp vellum with turn-ins, smooth spine, faded ink manuscript title to spine, original ties present,

Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.

Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.

Scattered foxing.

Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.

A handsomely preserved copy in a period romantic binding.

Third edition, revised, corrected, and enlarged with several important Additions by the author published posthumously, and with Remarks by the Translator (our own translation), with the portrait of John Locke by Godfrey Kneller, engraved by François Morellon de La Cave.

Contemporary full brown calf, spine with five raised bands decorated with gilt compartments, brown morocco lettering-piece, triple fillet border to covers in blind, red edges, marbled pastedowns and endpapers.

Headcaps missing, surface los

Very rare first edition (125 copies printed according to Quérard) of this remarkable exposition of Talma’s dramaturgical principles, still regarded as a “revolutionary” actor despite his immense success (his friendship with Napoleon never wavered); the text was inserted the same year, 1825, at the beginning of the new edition of the Memoirs of Henri-Louis Caïn, known as Lekain (1729–1778), who was still considered in the early nineteenth century as one of the greatest tragedians of the eighteenth century.

See Quérard IX, 333.

Scattered foxing.

Full cherry-red long-grain morocco, smooth spine tooled with gilt fillets, garlands and fleurons, gilt rolls at head and tail, gi

First edition.

With press clippings laid in.

Half bronze sheep binding, spine with four raised bands framed with gilt pointillé and decorated with double gilt fillets, red sheep lettering-piece, a few small black spots and a light scratch to the spine, marbled paper boards, cat’s-eye patterned endpapers and pastedowns, contemporary binding.

A pleasing copy.

New edition, partly original, revised, corrected and enlarged.

Bound in full red morocco, spines with five raised bands decorated with gilt garlands and compartments adorned with crowned “LL” monograms, gilt rolls on the caps, triple gilt fillets framing the covers, gilt armorial stamps of Louis XV at the centre of each board, gilt dentelle border on the turn-ins, gilt fillets along the edges, marbled edges. Slightly rubbed corners. Contemporary bindings.

Some leaves slightly yellowed, minor paper flaw on page 101 of the second volume.

Extensive and highly useful table of contents at the end of the second volume. Jean-Antoine Soulatges, lawyer at the Parliament of Toulou

Second edition of this monumental work of historiography.

The collation of the text volumes (74 steel-engraved plates) conforms to the list of plates given in volume XX (with the exception of the plate depicting the French before Moscow, which is lacking), but does not match the plate count of the first edition, as certain plates were not reissued. The atlas corresponds to that of the first edition and is complete with its 66 maps.

Some foxing, mainly affecting the edges.

Handsome bindings of red half morocco with corners, the spines with five raised bands and triple blind-ruled compartments, a few minor abrasions without consequence to three spines, marbled paper sides,

First French edition, illustrated by Arthur Rackham with 40 mounted colour plates on thick brown paper, each protected by a captioned tissue guard, along with 30 black-and-white line drawings within the text, one of the extremely rare 30 copies printed on japon, signed by Arthur Rackham on the limitation page; the deluxe issue.

Publisher’s Bradel binding in full vellum-style boards, smooth gilt-titled spine, upper board gilt-stamped with title and a tree design, top edge gilt; the silk tie on the lower board is lacking.

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Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.

Publisher’s full vellum binding, flat spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic c

Illustrated edition with 24 colour plates by Arthur Rackham tipped in with captioned tissue guards, 8 full-page black-and-white illustrations, together with numerous ornaments and vignettes in the text by Arthur Rackham, one of 300 copies printed on vélin à la forme, signed by Arthur Rackham on the limitation page.
Publisher’s Bradel binding in full bright white vellum, smooth spine lettered in gilt, upper cover gilt-stamped with the title and a design of fantastic animals within a vertical gilt rule, illustrated endpapers and pastedowns, top edge gilt, untrimmed edges preserved. 
A very well-preserved copy of Milton's baroque and Dionysian spectacl

First French edition of the 50 colour plates by Arthur Rackham, tipped in with captioned tissue guards, a black vignette on the title page, and a further black vignette hors texte by Arthur Rackham, one of 200 copies on Whatman paper.
Publisher’s full vellum, smooth spine gilt-lettered, upper cover gilt-stamped with the title and a gilt illustration of Rip Van Winkle, illustrated endpapers, top edge gilt, uncut, original silk ties preserved. Occasional light foxing.

A splendid copy, remarkably fresh, of Washington Irving’s fantastical tale profusely illustrated by Arthur Rackham.

First edition, one of 45 numbered copies on Holland paper, the deluxe issue.

Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.

A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.

First edition, one of 30 numbered copies on Holland paper, the deluxe issue.
Bound in full ebony morocco, smooth spine decorated with small inlays of garnet morocco and pearl-grey box calf, the latter framing the author’s initials and the title; the first numeral of the date, given in Roman numerals, appears within a square of pearl-grey box calf. Morocco boards framed with wide panels of chocolate suede, the upper cover with a large granulated paper panel lettered with the title and date of the edition set in garnet morocco, the initials framed by a rectangle of paper taken from a map of Haute-Savoie; bluish paper endpape

New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.

Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.

Our copy contains 13 engraved plates, some serving as frontispieces.

Scattered foxing, a few leaves browned due to paper acidity.

A copy in a

First edition of these significant memoirs by a close companion and comrade-in-arms of Napoleon Bonaparte.

Half aubergine sheep bindings, smooth spines slightly faded and decorated with gilt romantic arabesques, some rubbing with small losses to a few spines and joints, embossed aubergine paper boards, marbled endpapers and pastedowns, marbled edges; romantic bindings of the period.

Some foxing, a light marginal dampstain on the final leaves of volume 8.

A pleasant set, attractively bound in contemporary romantic bindings.

First edition of the French translation, one of 75 numbered copies on pur fil, the only deluxe paper issue.

Half brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, gilt top edge. An elegant binding signed Alix.

A handsome and carefully bound copy.

Illustrated edition, limited to 68 copies. The illustrations comprise a title-frontispiece, 28 colored vignettes in the text and numerous colored wood-engraved tailpieces by Daragnès after pastels by Anna de Noailles, accompanied by the complete suite of thirty progressive states of a single plate, showing the color breakdown. 

Bound in full lemon morocco, mosaic boards composed of a border of brown morocco fillets in the form of stylized hearts, surrounding two concentric undulating gilt fillet frames, with hearts in brown and teal morocco fillets at the center of the boards, smooth spine with mosaic of br

First edition. Quérard I, 271 lists only one edition: "Paris, Née de La Rochelle, 1789." Kress B.1163; Goldsmiths 13858. Not in Einaudi."

With loose printed title pages for each volume, dated 1789.

The first volume, with an engraved pictorial title after Meunier, contains 52 double-page or folding plates inserted into the pagination, without following its numbering logic.

The second volume has an engraved pictorial title by Zaveris after Meunier and includes 154 etched plates of coins.

Full mottled calf, spines with six raised bands, gilt fillets and double gilt panels, red morocco lettering-pieces, green morocco numbering-pieces, gilt rolls on

First edition, one of 15 numbered copies on Hollande Van Gelder paper and signed with the publisher's initials.
Full green morocco, the spine in five compartments, the first cover inlayed with a large and superb plate by Marguerite Lecreux of a horn sculpted in Cameo, featuring a sailboat with its sails unfurled, on the calm sea appears an engraved silverfish set under the plate of the horn and visible in transparency, pastedown in silk decorated with a submarine pattern (coral, jellyfish, starfishes and algae) framed in morocco embellished with quintuple gilt fillets, endpages of iridescence cloth, the following pages in marbled paper, the headband highlighted with a

The ‘Kehl edition’, the most renowned edition of Voltaire's works, illustrated and published on deluxe paper. It was printed on five different types of paper, and only the deluxe editions, such as ours on laid paper, feature engravings. These are naturally the most sought-after and rarest copies.

Binding in full painted sheep decorated with a “honeycomb” motif, smooth spine tooled with gilt fleurons, fillets and compartments, light beige calf lettering and volume pieces, gilt chain-roll border on covers, marbled endpapers, gilt roll on edges, all edges marbled, contemporary binding. Two volumes (nos. 50 and 70) with slight variations in gilt tools on the spines and

First edition.
Elegant half navy blue morocco over marbled paper boards by Pierre-Lucien Martin, spine in six compartments with gilt fillets to bands and geometric decoration of red morocco onlays, date gilt at foot of spine, gilt fillet to boards, marbled endpapers and pastedowns, gilt dentelle frame to pastedowns, covers and spine preserved, top edge gilt.

A very good copy in a handsome binding. 
Exceptional autograph inscription from Claude Farrère : "A Pierre Louÿs son très petit disciple [To Pierre Louÿs, his very humble disciple]", along with Chinese ideograms.

First edition, one of 10 numbered copies on imperial japon, ours one of 3 hors commerce lettered copies, a deluxe issue following 6 on chine.

Bound in full sienna morocco, flat spine, gilt date at foot, moiré-effect endpapers and pastedowns, gilt fillet border on pastedowns, original wrappers and spine preserved (spine restored and backed), gilt edges, chemise edged in sienna morocco, slipcase in wood-effect board with white felt lining, contemporary binding signed by Roger Arnoult.

Our copy is enriched with a one-page signed autograph letter by Jean Cocteau, mounted on a guard, written from La Roche-Posay in Vienne, probably addressed to Pierre Benoit, in which he hum

First edition.

Full red morocco binding, round spine with five raised bands decorated with gilt fleurons, slight rubbing on the caps, double frame of blind-stamped gilt fillets on the covers, with fleurons at the corners of the inner frame, edges slightly blunt, marbled paper endpapers and back covers, gilt edges and heads, very elegant 19th-century binding ‘a la Du Seuil’ signed Quinet on the first endpaper. 

Rare first edition of Chamblain de Marivaux's first theatrical success, The Surprise of Love, published four years before The Second Surprise of Love. This play, performed in the spring of 1722 before being published the foll

Edition adorned with 65 original pochoir coloured illustrations by George Barbier, one of 877 numbered copies on Rives.
Bound in half navy blue morocco, spine in four compartments, gilt date at the foot, marbled paper boards, iridescent effect paper endpapers, wrappers and spine preserved, top edge gilt, binding signed Semet & Plumelle.
Pleasant, attractively set copy.

First edition of the translation by F. de Bretonne, assistant curator at the Sainte-Geneviève Library, based on a comparison of all earlier versions. The work is enriched with a suite of 10 vignettes by Charlet, retaining its original pink paper wrapper with vignette dated 1831; the volume also includes a portrait of Cervantes.

Half long-grain claret morocco binding with corners, signed at the head of the front endpaper S. David, late 19th century. Spine with four raised bands, decorated with complex and stippled tools within compartments. Gilt fillets on the bands. Double gilt ruling along boards and corners. Minor rubbing to some bands, joints, and corners. One corner slightly tur

First edition of Breviarum studiosorum, Prague and Nuremberg, Johann Fridriech Rutiger, 1744 [with] New edition of De arte rhetorica. Cologne, Wilhelm Metternich, 1723 [with] Ars rhetorica. Cologne, Wilhelm Metternich, 1725. New edition.

Contemporary German binding in full blonde sheep. Smooth spine richly decorated and unlettered. Boards entirely covered with rococo ornaments forming a decorative composition. Edges gilt. Traces of ties. Lacking at one tie location. Tail slightly and partially worn. 3 corners bumped.

Rich rococo prize binding with very fine arms on the boards.

First edition, one of 25 copies on handmade laid paper, numbered and justified by the publisher, the only deluxe issue.
 
Bradel binding in half chocolate-brown morocco with corners, smooth spine, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, illustrated wrappers by Manuel Orazi and backstrip preserved.
Work illustrated with 136 black and colour drawings, in- and out-of-text, by Georges Bottini.
 
Bookplate mounted.
 
Our copy is enriched with a full-page original drawing, signed by Georges Bottini and heightened in black ink, depicting Jacques Beaudarmon wearing a bowler hat and conversing with the « môme

First edition, one of the rare copies printed on deluxe paper.

Full cherry-red shagreen binding, spine with four raised bands decorated with gilt fillets and triple gilt panels, some rubbing to headcaps and bands, gilt rolls at the headcaps, gilt fillet, dotted and garland borders on the covers, scratches and stains to the lower portion of the front cover, white moiré silk endpapers and pastedowns, gilt garland borders on the pastedowns, all edges gilt, gilt dots on the edges, contemporary binding.

One wormhole at the foot of the final leaves not affecting the text, some foxing, particularly on the white endpapers, library shelf labels pasted on a pastedown.

Important of

First edition of the French translation by Jean-Baptiste Dupuy-Demportes of the work originally published in 1689 under the title "La Morale dei principi osservata nell'istoria di tutti gl'imperadori, che regnarono in Roma" (cf. Quérard II, 260. Barbier III, 353b. Conlon VII, 54-572. Hoefer XI, 314).

Contemporary full red morocco bindings, spines with five raised bands decorated with gilt fillets and double gilt panels with gilt floral tools, boards framed by gilt roll-tooled floral and bird motifs, gilt fillets on the board edges, marbled endpapers and pastedowns, all edges gilt over marbling.

Some gatherings bound out of sequence in volumes 1 and 3; headcap of volum

First edition.

Bound in full cherry red morocco, smooth spine richly gilt with romantic typographic ornaments, gilt roll tooling on the caps, boards framed with double gilt fillets and interlaced motifs with gilt corner fleurons, gilt AO monogram stamped at the center of the boards, gilt garland border on the pastedowns, moiré sky-blue silk endpapers and pastedowns, trace of a removed bookplate on one pastedown, gilt fillets on the edges, all edges gilt, contemporary binding.

The sections relating to the colonies are as follows: Martinique, pp. 199–203; Guadeloupe and dependencies, pp. 204–209; French Guiana, pp. 210–212; Bourbon, pp. 216–220; French settlements in Oceania, pp

First edition, with a photographic portrait of H.G. Wells as frontispiece to the first volume.

Illustrated throughout.

Some minor foxing, mostly to the edges.

Contemporary black half-shagreen bindings with cornerpieces, spines with three raised bands, gilt-stamped marine anchors at the foot (a few showing some loss), and gilt medallions on the upper boards featuring the ocean liner Normandie with three inlaid red and black shagreen pieces representing its smokestacks; marbled endpapers and pastedowns, with small red dots in the upper corners of the first flyleaves. Bound at the time for the Normandie.

A handsome copy with distinguished provenance.

First edition of the proceedings from the inaugural congress of the newly founded International Maritime Association, established on 16 January 1901.

Contemporary full black shagreen binding, spine with five raised bands framed by gilt fillets and adorned with triple gilt compartments, gilt roll tooling on the caps, covers framed with triple gilt fillets, large gilt armorial stamp and the inscription “A S.A.R. la princesse Waldemar” on the upper board, comb-marbled endpapers and pastedowns, gilt dentelle borders on pastedowns, all edges gilt.

The congress, held in Monaco from 12 to 15 April under the high patronage of Prince Albert I, featured some thirty presentations on topi

For the first three volumes, first edition, complete with all 84 parts published between February 1842 and October 1843 of this "admirable publication printed on thick vellum paper [...] one of the finest of the 19th century, justly esteemed and comparable to the beautifully illustrated books of the 18th century" (Carteret), (see Carteret III, 143–153; Vicaire II, 234–248).

The first three volumes are bound in full violet morocco, spines with five raised bands bordered with gilt pointillé tooling, compartments richly gilt with double gilt frames, gilt rolls on caps, covers framed with quintuple gilt fillets, gilt monogram MG at the corners, comb-marbled endpapers and pasted

First edition.

Official series not listed in Polak.

Full red morocco binding, smooth spine decorated with gilt Romantic arabesques, gilt roll-tooled bands at head and foot, elaborate gilt quadruple fillet frame, garland and lozenge design with gilt corner motifs on covers, gilt crowned monogram stamped in gilt at center of each board, blue moiré silk endleaves and doublures, gilt dentelle borders on doublures, gilt dotting on board edges, all edges gilt; a superb Romantic period binding.

Copy bearing the crowned monogram "FO" of Ferdinand Philippe, Duke of Orléans (1810–1842), eldest son of King Louis-Philippe. 

A very fine copy, beautifully preserved in an out

Edition established, annotated, and commented by Le Roux de Lincy and Anatole de Montaiglon. Deluxe printing limited to 395 copies on deluxe paper, this one of 40 on Whatman paper (No. 301), including three suites of the engravings: one in black on Japan paper, one in bistre, and one in sanguine.

Illustrated with a portrait by T. de Mare, a frontispiece by Dunker, and 76 figures after Freudenberg engraved by De Longueil, Eichler, Le Roy, among others. Includes head- and tailpieces. One chromolithographed plate depicting the arms of Marguerite de Navarre. All engravings are presented in three states, except the chromolithograph.

Contemporary full citron morocco binding signed b

First edition, first issue, with every feature described by Cohen. The illustration includes a frontispiece, three dedication plates, four printed titles in red and black with engraved vignette, thirty vignettes, and a fine tailpiece concluding the final volume. In addition, there are 140 engraved full-page plates (including the frontispiece, numbered 2 to 140), by Boucher, Eisen, Gravelot, Leprince, Monnet, and Moreau, and engraved by Baquoy, Basan, Binet, Duclos, and de Ghendt - 48 in the first volume, 33 in the second, 37 in the third, and 22 in the last. The frontispiece, the fleurons in the first three volumes, and

First edition of the bilingual Greek-Latin text of Iamblichus' Life of Pythagoras by Ludolf Küster from the manuscript held at the Laurentian Library. The facing Latin translation is the work of Frédéric Ulrich Obrecht and Konrad Rittershausen. Bound at the end is Porphyry’s Life of Pythagoras.

Illustrated with a large frontispiece portrait of Pythagoras, based on a coin from the collection of Fulvio Orsini.

Contemporary Dutch gilt-panelled vellum boards, spine with 5 raised bands and gilt ornaments with the arms of the city of Amsterdam, large gilt arms of the city of Amsterdam

First edition.

Bradel binding in full brown roan, flat spine gilt-tooled, covers  with Alfred Piat's gilt monogram in the corners, central gilt stamp of his ex-libris, marbled endpapers and pastedowns, top edge gilt. Contemporary binding for Alfred Piat. Rubbing to corners and lower spine-end, some foxing.

Illustrated with two portraits of Hugo as frontispieces.

The finest copy of this biography of Victor Hugo published during his lifetime, bearing the supralibros of the great bibliophile Alfred Piat.

First edition, only one other copy recorded (BnF).

Full dark purple morocco binding, spine with five raised bands with gilt floral motifs, gilt date at foot, spine slightly faded, covers numerously framed in gilt, gilt-tooled corners each adorned with a blue onlaid morocco medallion stamped with a central gilt fleuron, marbled endpapers and pastedowns, pastedown bookplate of Ernest Stroehlin, inner gilt dentelle, spine-ends ruled in gilt, very light rubbing to corners, all edges gilt. A tiny restored lack of paper to the upper part of the title page, not affecting the text.

Very rare anti-Protestant satire in the form of a dialogue between the renown

First edition, illustrated with 11 plates including a frontispiece. This copy has been enriched with a second frontispiece inserted before the half-title: the frontispiece from the Relation de la bataille de Marengo présentée à l'empereur par le Maréchal Berthier, published in 1808. This image, depicting Napoleon on horseback listening to Marshal Berthier outlining the battle plan held by a guard, has been mounted on red cloth. The booklet contains only a half-title, as the original cover—which has not been preserved—appears to have served as the title page: beneath a central imperial eagle, it simply bore the date and the mention “Paris, En vente chez tous les libraires.”

First edition, one of 110 copies printed on pure Lana wove paper, the only copies on deluxe paper.

Half maroon shagreen binding with corners, spine with four raised bands adorned with black fillets, gilt patterned paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy, finely bound.

First edition, one of 50 copies on pur fil, ours being one of 4 hors commerce copies, the only deluxe papers after 5 hors commerce copies on Arches.

Bound in burgundy half morocco with corners, spine with five raised bands ruled in black, cat's-eye patterned paper-covered boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, bookplate affixed to a pastedown, top edge gilt, untrimmed. A handsome unsigned binding, likely by Devauchelle.

First edition, very difficult to find complete, as the third volume was published eight years after the first two.

Bound in full mottled bronze-green calf, smooth spines richly decorated with gilt floral compartments, red morocco labels for title and volume number, gilt rolls on the caps, joints slightly rubbed, gilt roll-tooled borders on the covers entirely adorned with oblong geometric patterns in blind, marbled endpapers and pastedowns, gilt Greek-key borders framing the pastedowns, bookplate mounted on the pastedown of the first volume, gilt fillets on the edges, all edges gilt, contemporary bindings.

Contains anecdotes about Rousseau, Poivre, Turgot, Helvétius, Benjamin

First edition, one of 100 copies numbered on Renage wove paper, the only deluxe issue.

Bound in burgundy half shagreen with corners, spine with four raised bands ruled in black, date gilt-stamped at foot, marbled paper boards, marbled endpapers, gilt top edge.

A handsome copy in an attractive binding.

First edition clandestinely printed in 175 copies on laid paper, each individually numbered.
 
Bound in full mint green morocco, spine with five raised bands framed by black fillets, subtle restoration to spine colour, date gilt at foot, endpapers and pastedowns of combed paper, gilt fillet border on pastedowns, original wrappers and spine preserved, all edges gilt, chemise edged in mint green morocco, covers of cat's eye paper, white felt interior, an elegant binding signed by Alix.
 
A very rare and handsome copy bound by one of the most distinguished binders of the second half of the twentieth century.

 

New edition. A steel-engraved portrait frontispiece, printed on China paper and mounted. Printed in very small type, arranged in two columns.

Full polished blond calf binding, signed by Thouvenin at foot of spine. Smooth spine with blind-stamped Gothic architectural elements heightened with gilt dots, gilt fillets and title. Covers blind-stamped with a large Gothic window surrounded by architectural ornaments. Multiple blind-ruled frames with corner fleurons and gilt fillets. Inner dentelles. All edges gilt. Joints discreetly cracked at head. Some foxing and occasional browning to a few pages. Minor rubbing. Spine slightly dulled. A handsome copy.

First edition, first issue, illustrated with 21 original etchings by Jules Lalauze. Printed in a limited edition following 220 copies on deluxe paper. One of 20 copies on Wattman paper, no. 40. Title pages printed in red and black. A fine impression. An exceptional copy with the engravings in four states (sometimes bound further within the volume), whereas even the copies on Japan paper contain only three states, two of which are proofs on Japan paper. Volume IV is unfortunately lacking in this set. Original wrappers and spines preserved.
Contemporary half orange morocco binding, signed by Canaps on the upper flyleaf. Spine with raised bands, tooled with four crosses composed of four t

Collective edition, partly original. It is illustrated with 3 frontispiece titles and 23 figures by François Chauveau. The three frontispiece titles dated 1660, the title page of the second volume with the date 1664, the other two title pages dated 1660. In the second volume, the privilege is also dated 1664, while the other two volumes have the privilege dated 1660. The second volume is therefore the 1664 reprint, identical in every respect to the 1660 edition, with the exception of the collation of the preliminary pieces. The three discourses as well as the examinations of each piece appear for the first time.

Binding in full 20th-century chocolate morocco signed Alix at the botto

First edition, partly original, of the author's complete works.

Our copy retains the engraved frontispiece portrait of Madame de Staël by Müller, present in the first volume.

Some minor foxing, rare minor scratches on a few covers, holes at the bottom of the last marbled paper flyleaf in the ninth volume.

Full pinkish-red glazed calf bindings, smooth spines with richly

First edition, this one the no. 1 of 25 numbered copies on Japon, most limited deluxe issue.

Bound in grey half morocco, smooth spine, marbled paper boards, mould-made endpapers, original wrappers preserved, pastedown bookplate, top edge gilt, contemporary binding signed by L. Pouillet.

A rare and handsome copy in an attractive contemporary binding.

First edition.

Full celadon blue morocco binding, later (ca 1920). Smooth spine decorated with mirror-tooled ornaments at tail and head connected by fillets. Fillet frame on boards. Top edge gilt. Covers and spine preserved. Uncut copy. Scattered pale foxing. 

Handsome copy in full morocco.

Last flame of late romanticism, Dominique is a sentimental novel, imbued with profound melancholy, largely inspired by autobiographical events and narrating the story of an impossible love. It is the only novel by this celebrated painter, and remains one of the great works of 19th-century French literature.

New edition, with 58 illustrated full-page plates including a frontispiece, all after P. A. Varin.
Full green velvet binding with silver edges, elaborately decorated with gilt gauffered rocaille motifs, and some blind stamped, with abundant onlays of blue, purple, cream and red vel­vet ; upper board with silver engraved crowned A[ve] M[aria] initials at center, "RGP" silver engraved initials at center of second board, both initials inside a wide red velvet inlay bordered with gilt gauffered motifs displaying the sheep­skin of the Order of the Golden Fleece at bottom, spine elaborately decorated with gilt rocaille motifs, silver engraved title label, silver clasps with pierced leafy des

First edition for which no deluxe copies are mentioned, one of the first issue copies numbered at the press.
Modern Bradel binding in full late 19th century watered silk, smooth spine, black oasis title label, covers and spine (with some lacks) preserved, elegant pastiche binding.
Cover illustrated by Guillaume.
Rare copy of this novel written almost entirely by Jean de Tinan.

First edition, one of 48 copies on pur fil, the only deluxe copies.

Work decorated with illustrations by Jean Hugo.

Light rubbing to extremities of the slipcase.

Superb binding in dark exotic wood marquetry signed Pierre-Lucien Martin, dated 1962.

Binding in chocolate brown box leather with bands, smooth spine, gilt title lengthwise, first cover formed of a mosaic arrangement of dark wood pieces, with grain arranged in opposite directions, bearing the title engraved vertically and the author's name revealed in acrostic, second co

First edition of this ambitious work recounting the history of power in France from Clovis, by a man of letters who two years later would be elected to the Académie des Inscriptions et Belles-Lettres.

Contemporary bindings in marbled brown calf, spines with five raised bands framed by a gilt roulette, further decorated with compartments of gilt fleurons in the form of pomegranates, light brown morocco title and numbering pieces, gilt fillet on the board edges, red edges, pastedowns and endpapers of shell-pattern