New edition, with no deluxe copies printed.
A very good copy.
Henry de Monfreid's handwritten signature on the half-title.
New edition.
A handsome copy, covers very lightly browned, discreet restorations to the joints.
Rare presentation copy, signed and inscribed by Albert Camus: "to Madame Jean Labattut whom I thank three times, in respectful homage, Albert Camus."
Inscribed copies of Camus' masterpiece are exceedingly scarce.
The recipient could be Streline Mercedes Terradell, who served as a nurse in France during WW1. In 1929 she married Jean Labatut (also spelled Labattut), architect and teacher, who a primary force behind the development of Princeton University's School of Architecture, 1928-1967 and designed architectural projects around the...
First edition of the French translation, one of 28 numbered copies on Arches wove paper, the only deluxe copies.
Fine copy.
New edition, expanded from the novel entitled Amélina, épisode de la conquête et de la colonisation des Espagnols dans l'île d'Haïti (Tours, 1841), which comprised only the first narrative.
The following two, set respectively in the seventeenth and eighteenth centuries, are by a certain A***, who has not been identified.
Contemporary Romantic binding in full brown calf, smooth faded spine decorated with gilt Romantic arabesques, covers framed with gilt fillets and gilt Romantic arabesques, white moiré silk endpapers and pastedowns, corners bumped, gilt fillets to the board edges, all edges gilt.
Restorations to spine, a few minor spots of foxing.
...Illustrated edition with 11 drawings by De Neuville and Riou. Catalogue DX bound in at the end of the volume (12pp.), from the Magasin d'éducation et de récréation.
Publisher's pictorial cloth binding "with the two elephants," in the very rare aubergine colourway. Front board stamp signed Souze, with the A.L. et Cie binder's ticket at the foot (1887 variant); rear board of the Lenègre type, with a central blind-stamped medallion on a black ground.
Superb front board. Spine with crisp gilt; tailcap crushed. Rear board fine, with a few darker patches. Rubbing to the headcap and tailcap and to the corners. Edges evenly toned. Corners sharp. Colour retouched at the headcap, tailcap and...
First edition of Marthe Robert's French translation, one of 106 numbered copies on pur fil paper, the only large-paper issue.
Spine and boards slightly and marginally faded, as usual.
First edition of the French translation by Alexandre Vialatte, one of 148 numbered copies on alfa paper, the only grand papier copies.
Preface by Bernard Groethuysen.
Half gray morocco binding with corners, smooth spine, marbled paper sides, endpapers and pastedowns of marbled paper, original wrappers and spine preserved, gilt top edge, slipcase edged in mouse-gray morocco with marbled paper sides, contemporary binding signed Lévêque.
First edition of Alexandre Vialatte's French translation, one of 205 numbered copies on pur fil paper, the deluxe issue.
Spine and boards slightly and marginally faded, as usual.
First edition, on ordinary paper, of Philippe Jaccottet's French translation.
Very slight, insignificant rubbing to the joints.
A fine copy of this work, which was adapted for the screen by Volker Schlöndorff in 1966.
Illustrated edition with 600 original vignettes by Jean Gigoux, accompanied by an engraved frontispiece and a portrait of Gil Blas on chine, bound in between the address to the reader and the first chapter.
Copy of the first issue, complete with all the characteristics noted by Carteret that distinguish it from the second issue.
Half green long-grained Russia morocco binding, sides in green paste paper, smooth spine decorated with gilt compartments and three blind-stamped floral plaques with gilt accents, gilt title and date, stone paper pastedowns. Some rubbing to the binding, corners and edges slightly worn, occasional foxing and soiling to a few leaves.
Bookplate...
First edition, one of 20 numbered copies on vat-made vellum reserved for the Société bibliophilique des XX, this copy being that of Georges Calmann-Lévy, from the hors-commerce deluxe issue.
Manuscript signature of the Comtesse de Noailles beneath the limitation statement.
Below, a signed autograph presentation inscription from the president of the Société bibliophilique des XX.
Rare and handsome copy, preserved in sheets under double wrappers and spine, housed in a chemise and slipcase of full mauve moiré silk.
As usual, some rubbing to the joints of the chemise and to the slipcase.
Second edition, enlarged with the passages suppressed from the original edition of 1851.
Illustrated with a frontispiece portrait of the authors engraved by A. Descaves.
Contemporary red half shagreen, spine slightly faded, with five raised bands and black fillets, marbled-paper boards, upper board slightly and marginally faded along the left edge, marbled endpapers and pastedowns, original wrappers preserved and mounted.
Signed presentation copy from Edmond de Goncourt to the journalist and writer Louis Ulbach.
First edition, one of 80 numbered copies on Lana Ingres laid paper, this copy No. 1, the only deluxe issue.
A fine copy despite two yellow scratches to the right-hand margin of the rear cover.
First edition, with no deluxe copies issued.
A fine copy, complete with the publisher's promotional wraparound band.
Signed presentation inscription by Virginie Despentes on the title page.
First edition of Mademoiselle Fifi, published in Brussels by Henry Kistemaeckers in 1882. The volume brings together seven stories previously published in Gil Blas between December 1881 and March 1882, then revised by Maupassant for their first appearance in book form. The edition comprised 2,000 copies on laid paper and a further 50 on Japan paper; the present copy is from the regular issue on laid paper. Etched portrait of Maupassant by Just as frontispiece. Untrimmed.
Half raspberry...
First edition of the French translation, one of 41 numbered copies on pur fil paper, the sole large-paper issue.
Spine and boards slightly and marginally faded, as often; two small spots of foxing in the left margin of the front board.
Illustrated edition with decorative initials and 16 original lithographs by Lucien Moretti, each signed in pencil; one of 173 numbered copies on Arches wove paper.
Preface by Georges Brassens.
A fine copy, issued in loose sheets in a folder and burgundy cloth slipcase.
Signed presentation inscription from René Fallet: Pour madame et monsieur Prigent 13 apostoliquement leur René Fallet, together with a signed presentation inscription from Raymond Moretti to the same recipients.
Our copy is further enhanced by the autograph signature of Georges Brassens on the facing page.
First edition, one of 30 numbered copies on Imperial Japanese paper, the deluxe issue.
A fine copy.
First edition, one of 35 numbered copies on Madagascar paper, the deluxe issue.
A rare and fine copy, with full margins.
Rare first edition of the French translation, one of 350 numbered copies on alfa paper, the only deluxe issue after 50 copies on pur fil.
Spine and boards very slightly and marginally sunned, of no consequence.
Rare and attractive copy.
Edition limited to 125 numbered copies on B.F.K. de Rives paper, illustrated with 11 full-page colour illustrations by Loustal, one of the leading figures of contemporary comics.
Spine slightly pinched at foot, otherwise a rare and attractive copy, complete with its folder and slipcase in yellow and red cloth.
Fine page design by Sandrine Granon.
At the colophon, pencil signatures by Loustal and by the president of Les Cent Une, the bibliophile association responsible for publishing the work.
Edition illustrated with 159 original illustrations by Louis Jou, printed in a single issue of 135 named and numbered copies on Rives laid paper.
A shadow from newspaper clippings to the left margin of the front free endpaper.
Fine copy housed in a brown full-board chemise and slipcase.
First edition, one of the numbered copies on bouffant alfa calypso paper.
Publisher's full blue cloth binding after the original design by Massin, smooth spine, complete with its original acetate dust jacket and wraparound band.
A fine copy.
Signed presentation inscription from Marguerite Yourcenar to Mr Steiner: "... ces temps troublés comme les nôtres..."
First edition, one of 80 numbered copies on Lana Ingres laid paper, this copy numbered 1, the entire deluxe issue.
A fine copy.
First edition on ordinary paper.
A few small stains to the bottom edge, otherwise a pleasant copy.
Signed presentation inscription from Jean Raspail to Monsieur Patrier, dated 12 November 1973.
First edition, with no deluxe copies printed.
A pleasant copy.
Precious dated and signed presentation inscription from Jean Raspail: "A M. Marcel Jouhandeau de son ancien élève toujours fidèle. en respectueux hommage. Jean Raspail. 27 X 66".
New edition.
A fine copy.
Attractive presentation inscription signed by Anaïs Nin to Christiane Baroche’s wife: "Christiane Baroche this book I offer with uneasiness because I wrote it for american students, and France is the source and will only recognize the déjà vu. Your faithful friend. Anaïs Nin." (Christiane Baroche, je vous offre ce livre avec gêne car je l'ai écrit pour des étudiants américains, et la France est la source et n'y reconnaîtra que du déjà-vu. Votre amie fidèle, Anaïs Nin)".
First edition of the author's third book, with no copies printed on deluxe paper, here a review copy.
Spine very lightly sunned, without seriousness, faint spotting to the board edges.
Rare and desirable presentation copy signed by Patrick Modiano to the woman of letters Christiane Baroche: "Pour Christiane ces boulevards de ceinture avec lesquels elle est bien indulgente. Avec l'amitié de Patrick."
First edition, exceedingly scarce, of this light-hearted and engaging introduction to the principal ancient myths, prepared for a Polish aristocrat. Annopol (today Anopal) is a locality now situated in Belarus.
No copies recorded in the CCF. A single copy located in WorldCat (National Library of Poland, Biblioteka Narodowa, Warsaw).
Contemporary-style half sheep binding in brown, the smooth spine ruled with alternating thick and thin gilt fillets, marbled paper boards, comb-marbled endpapers and pastedowns; modern binding.
Losses to the title-page expertly filled and restored; the final two leaves also restored.
First edition.
With press clippings laid in.
Half bronze sheep binding, spine with four raised bands framed with gilt pointillé and decorated with double gilt fillets, red sheep lettering-piece, a few small black spots and a light scratch to the spine, marbled paper boards, cat’s-eye patterned endpapers and pastedowns, contemporary binding.
A pleasing copy.
First edition on standard paper.
A handsome copy, complete with its publisher’s wraparound band.
Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."
First edition of this almanac of the Neue Dichtung published by Kurt Wolff, featuring the first book-form appearance of Kafka’s short story "Vor dem Gesetz" (pp. 126-128). Covers sunned, tear to spine not lacking paper, chipping to spine-ends, and corners rubbed.
First edition of the short story "Vor dem Gesetz" (Before the Law), later published verbatim in Kafka’s masterpiece "Der Proceß" (The Trial).
Edition published in the same year as the first.
Spine and covers faintly sunned, without seriousness.
Attractive presentation copy signed by Anaïs Nin to the writer Christiane Baroche: "Christiane Baroche vos paroles "je la sais qui m'attend jusque dans ma mémoire. Anaïs Nin."
First edition on ordinary paper.
Pages 10–11 lightly sunned owing to the presence of a newspaper clipping.
Fine presentation inscription signed by André Pieyre de Mandiargues: "à Michel Tournier en très cordiale sympathie. André PM."
First edition of the French translation, one of 25 numbered copies on pur fil, the only copies printed on deluxe paper.
Blood red morocco binding, gilt title lengthwise, gold stingray boards framed in morocco, gilt decorative paper endleaves, original wrappers preserved, top edge gilt, an elegant binding signed Boichot. Front free endpaper slightly toned, otherwise a handsome untrimmed copy.
...
First edition on ordinary paper.
A pleasing copy, with only a few insignificant spots at the foot of the spine.
Warm presentation copy signed by Jean Echenoz to his friend, the writer, screenwriter, and filmmaker Jérôme Beaujour, also a specialist in Marguerite Duras’s cinema: "Pour mon cher Jérôme avec ma vive affection, Jean. 2.VI.10"
First edition, with no deluxe paper issue.
A fine copy.
Dated and signed presentation inscription from Annie Ernaux to the woman of letters Christiane Baroche: "Pour Christiane, très amicalement. Annie. 24/03/93."
First collected edition of the works by the author of Les Étourdis ou le Mort supposé, a comedy that enjoyed great success just before the Revolution.
The set includes a portrait frontispiece in the first volume, four engraved plates, and ten engraved headpieces.
Bound in contemporary full polished and mottled brown calf, gilt decoration, smooth spines with six false raised bands highlighted with gilt fillets and repeated gilt floral tools, gilt fillet frames on covers bordered with a garland roll, gilt tooling to head- and tailpieces, green morocco spine labels, marbled endpapers and pastedowns, gilt edges on boards, marbled edges, contemporary bindings.
Some...
First edition printed on ordinary paper.
A pleasing copy.
Affectionate signed presentation inscription from Jean Echenoz to his friend, the writer, screenwriter and filmmaker Jérôme Beaujour, also a specialist of Marguerite Duras’s cinema: "Pour Jérôme je t'embrasse, Jean. 6.XI.15"
First edition, one of 26 copies on pure wove paper, the only deluxe-paper issue.
A rare and handsome copy.
Antoine Tudal was the son-in-law and close confidant of Nicolas de Staël, who confided to him a few days before his death: "Tu sais, je ne sais pas si je vais vivre longtemps. Je crois que j'ai assez peint. Je suis arrivé à ce que je voulais..."
Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.
Publisher’s full vellum binding, flat spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic...
First French edition of the 50 colour plates by Arthur Rackham, tipped in with captioned tissue guards, a black vignette on the title page, and a further black vignette hors texte by Arthur Rackham, one of 200 copies on Whatman paper.
Publisher’s full vellum, smooth spine gilt-lettered, upper cover gilt-stamped with the title and a gilt illustration of Rip Van Winkle, illustrated endpapers, top edge gilt, uncut, original silk ties preserved. Occasional light foxing.
A splendid copy, remarkably fresh, of Washington Irving’s fantastical tale profusely illustrated by Arthur Rackham.
First edition on ordinary paper.
A pleasing copy.
Fine signed presentation inscription from Jean Echenoz to the writer, screenwriter, and filmmaker Jérôme Beaujour, also a specialist in Marguerite Duras’ cinema: "Pour Jérôme (qui m'a donné quelque chose p.109 à Pondichéry) et pour Elisabeth avec toute mon affection, Jean."
New edition, revised, corrected, and considerably enlarged.
Contemporary bindings in half mottled fawn calf over corners, smooth spines gilt with fillets, morocco title and volume labels, brown paper-covered boards, sprinkled edges.
Some minor rubbing to the spines, a few corners slightly bumped.
L'Esprit des lois occupies volumes I to IV; La Défense de l'Esprit des lois volume V (with a general index); Lettres persanes volume VI; volume VII gathers the Considérations and related pieces; volume VIII contains the posthumous works.
This collected edition of Montesquieu's works offers no particular bibliographical peculiarities in its...
First edition on ordinary paper.
Half black long-grain morocco binding, smooth spine tooled in palladium with author, title, and date, anthracite-grey paper boards, original wrappers and spine preserved (the latter with two small stains at head and foot), endpapers and pastedowns of anthracite-grey paper, binding signed Thomas Boichot.
Precious and exceptional signed presentation inscription by Louis-Ferdinand Céline: "A Mac Orlan son admirateur et ami fidèle. LFerd"
Very rare first edition of the Japanese translation, accompanied by Taiichi Ogawa’s annotated commentary.
Illustrated with a frontispiece portrait of Alphonse Daudet.
Spine with two tears at head and foot, soiling to the wrappers, a few minor spots internally.
First Japanese edition of Alphonse Daudet’s masterpiece. Harshly received in Provence upon its publication in 1872, despite the support of Frédéric Mistral, the novel soon came to be regarded as one of the landmarks of French literature, and the character of Tartarin became the emblem—and finest ambassador—of the city of Tarascon.
First and only Franco-Chinese edition, illustrated with six etchings reproduced by Frédéric Chevalier.
A single copy recorded in the CCFr (Bulac).
Sole edition of this contemporary curiosity born of the French vogue for all things Oriental: born in 1831, Tin-Tun-Ling (or Ding Dunling) was a Chinese scholar from Shanxi and a political exile in France. Théophile Gautier met him in Paris, grew fond of him, and hired him to teach Chinese to his daughter Judith. Steeped in Far Eastern culture, she delighted in presenting herself as the reincarnation of a Chinese princess. Tin-Tun-Ling then lived in a pavilion built in the Chinese style, set in the garden of the Pré aux Oiseaux –...
First edition, printed on thick wove paper.
Bound in contemporary half brown shagreen, smooth spines decorated with black typographic motifs, marbled paper boards, hand-marbled endpapers and pastedowns, modern slipcase edged in brown morocco with matching marbled paper sides and olive-green felt lining.
Some occasional foxing, the note "Henri Beyle" in black ink at the upper corner of the title page of the first volume, without the final catalogue leaf at the end of the second volume, small corner restorations to four leaves of the first volume.
"Very rare and extremely sought after. Usually quite simply bound at the time. Often foxed" (Clouzot). "This work is of great rarity in...
First edition of this periodical, the inaugural volume of which appeared in 1776. Publication continued until 1789 and ultimately comprised 112 volumes; sets are consequently very difficult to assemble, particularly in uniform bindings.
Copy bearing unidentified arms.
Contemporary full brown sheep. Smooth gilt-decorated spine. Red morocco lettering-piece and volume label. Upper cover stamped with armorial devices. Headcaps defective in five places. Various abrasions. A few early cracks at the head of the joints.
First edition, one of 45 numbered copies on Holland paper, the deluxe issue.
Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.
A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.
Paris, Ernest Flammarion, 1932-1946. Twenty-seven octavo volumes.
First edition, one of 100 numbered copies on Outhenin-Chalandre pure wove paper, the third deluxe paper after 10 copies on Japan paper and 30 on Dutch handmade paper, preceding 1,000 copies on alfa wove.
Volumes I-XVIII and XXV-XXVII are first editions. Volumes XIX-XXIV, first published in New York between 1941 and 1944 by the Éditions de la Maison française during Jules Romains’s wartime exile, are present in their Paris reissues of 1945 and 1946, uniformly printed on the same pure wove paper and incorporated into...
Composite edition combining seven volumes from the very first collected edition with others from various reissues published between 1836 and 1852. Volumes 15 to 30 (1839-1852) each include an engraved title with a vignette and two illustrated plates; the earlier editions, covering volumes 1 to 15 (1830-1836) did not contain illustrations.
Half polished calf bindings in Restoration style. Smooth spines decorated with a central panel richly gilt in grotesque design, gilt and blind-tooled motifs at head and foot of spine, also ruled in gilt. Small tear to the spine-ends of volumes 5 and 9. Volumes 25 and 26 show some surface loss to the leather on the boards.
A handsome...
First edition of the French translation, of which no deluxe paper copies were issued.
A fine copy.
Preface by Salman Rushdie, the work illustrated with drawings by the author.
Signed autograph inscription from Glen Baxter to Michel Crépu.
New edition of the French translation.
Half saffron percaline Bradel binding, smooth spine slightly sunned and decorated with a central gilt motif and double gilt fillet at foot, brown shagreen title label with a few scuffs, marbled "cat’s-eye" paper boards, preserved wrappers, lightly rubbed corners, contemporary binding.
First edition in French, for which there were no large paper copies.
A good copy.
Autograph inscription dated and signed by Ernst Jünger to Madeleine Clouzot : "... après notre excellent déjeuner..."
First edition, one of the numbered copies on alfa paper reserved for the press.
Spine very slightly sunned, otherwise a well-preserved copy.
Signed autograph inscription from Irène Némirovsky to Charles Laval.
Second edition of the French translation prepared by François-Victor Hugo.
Half red shagreen bindings, slightly faded spines with four raised bands numerously framed in gilt and central gilt tooled motif, marbled paper boards, marbled endpapers, speckled edges, contemporary bindings.
Some occasional foxing, minor black specks on a few spines, upper corners of volume 10 slightly damaged.
Our set, attractively bound uniformly in contemporary bindings, is complete in 18 volumes including the often lacking final three volumes of apocryphal writings.
New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.
Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.
Our copy contains 13 engraved plates, some serving as frontispieces.
Scattered foxing, a few leaves browned due to paper acidity.
A copy in...
First edition, one of 120 copies printed on pure laid paper.
Pleasant copy with wide margins throughout.
First octavo edition illustrated with 92 engravings by Benett, including one folding map in colour: this marks the very first use of polychromy in an illustration for a Jules Verne novel.
Publisher’s Hetzel binding "aux deux éléphants" in full red cloth, signed by Lenègre, type 3, upper cover signed by Souze, lower cover Lenègre type “e” as described by Jauzac, original blue endpapers, all edges gilt, publisher’s EL catalogue at rear.
Spine slightly faded as usual, small black marks along the hinges, spine-ends softened as often, a pleasant copy almost free of any foxing.
“Deux ans de vacances” is a Robinson Crusoe-like novel featuring fourteen schoolboys from New Zealand.
...
A fine set of the first four volumes of the French intégrale edition, identical to the original American structure. Volume 1 is housed in a metal case with embossed lettering and a folding map of Westeros. It is a copy of the highly sought-after very first French collector's edition of the series published in 2012. Volumes 2 and 3 followed in 2013, and volume 4 in 2014.
Each volume signed by George R.R. Martin on the title page. The signatures were obtained during the author's only public signing session for French...
First edition, one of 220 numbered copies printed on Vélin du Marais.
Rubbing to the slipcase and chemise, otherwise a clean and attractive copy.
Illustrated with 25 intaglio engravings by Elisabeth-Mary Burgin.
First edition, one of 50 numbered copies on alfa, only deluxe copies. Some light foxing, mainly on the endpapers.
Rare signed presentation copy in French: “To my friend René Jasinski, in token of gratitude and friendship, these few scenes of Jewish life in New York. T. Twersky”, with a sentence in Hebrew translated by the author in French on a laid-in leaf: “Translation of the Hebrew inscription: sixth day of the week ‘Pekoudè’, year 5692 since the creation of the world, in the holy community of Paris”, (Friday, 4 March 1932 according to our calculation).
First edition of the third series of Andersen’s tales. Two parts in one volume, published respectively on 30 March and 23 November 1872, each bearing an inscription by Andersen. He mentions the first in his diary (H. C. Andersens dagbøger, vol. IX, p. 247) and the second is recorded by Henry Tuxen (Anderseniana, vol. 4, 1958-59, p. 155).
Red cloth half binding, flat spine faded with gilt title and ruled in black, black cloth boards. First board with a slight lenghtwise crack, spine-ends and corners rubbed, small lack of material at the margin of the first board.
New edition.
A handsome copy.
Signed presentation inscription from Albert Cossery to a friend: "Pour Jean-Pierre à qui je souhaite une vie de miel. Albert Cossery."
New edition.
Pleasing copy.
Fine signed autograph inscription from Albert Cossery to a friend: "Pour Jean-Pierre que Dieu le garde des imbéciles. Albert Cossery."
First edition, one of 15 numbered copies on pure wove paper, the only deluxe copies.
A very handsome copy.
First edition of the French translation, one of 75 numbered copies on pur fil, the only deluxe paper issue.
Half brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, gilt top edge. An elegant binding signed Alix.
A handsome and carefully bound copy.
First edition for each volume.
Fine copy of Du côté de chez Swann in first edition, second printing, with all identifying points (front cover dated 1913, table of contents present, no publisher's catalogue at end); copy in first edition bearing the mention "quatrième édition" for À l'ombre des jeunes filles en fleurs (with the correct colophon dated November 30, 1918); although bearing the same colophon dated November 30, 1918, the 128 reimposed copies were not actually printed until a year later, together with the large paper copies of the Swann reissue; for the following 11 volumes...
First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.
Minor rubbing along the joints. A rare and attractive copy.
First edition on ordinary paper.
Small defects skillfully restored at the head and tail of the spine.
Rare inscribed presentation copy signed by Albert Cohen to Denise Mercier.
First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.
Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.
Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.
