First edition, one of the 1000 numbered copies on vellum cloth, ours one of the hors commerce.
Illustrated book of 4 reproductions of works of Claude Garache.
Nice copy.
Signed autograph Yves Bonnefoy to his friend the sculptor and painter Raymond Mason and his wife: "For Raymond and Janine with affection Yves." enriched with the handwritten signature of Claude Garache in pencil.
First edition of the French translation, one of 210 numbered copies on pur fil paper, the deluxe issue.
Spine and boards lightly faded at the margins, as is often the case.
New edition illustrated with drawings by Jean-Jacques Sempé.
An attractive copy.
Signed presentation inscription from Jean-Jacques Sempé to Roger Karenvent, enhanced with an original drawing depicting a seated painter at work on a canvas.
First edition, one of 750 numbered copies signed by the author, the only grands papiers (deluxe) copies.
Publisher's binding in half black cloth, marbled paper boards.
Autograph signature of William Faulkner on the justification page.
A beautiful copy, complete with its original acetate dust jacket.
First issue, illustrated with 28 original burin engravings by Camille Paul Josso, one of 375 copies on vélin de Lana.
Cream wrappers with folded-in flaps, red suede cloth publisher's chemise and slipcase.
Chemise and slipcase somewhat soiled and scratched, corners bumped, a few edges chipped.
First edition of the French translation, by Raymond Queneau, of Nigerian author Amos Tutuola’s first novel. One of 86 copies on Lafuma-Navarre pur fil wove paper, the only deluxe issue.
A fine copy.
First edition, for which no large-paper copies were printed; one of the review copies.
A pleasing copy.
Laconic but significant autograph inscription, dated and signed by Annie Ernaux, to Gallimard's esteemed reader, the writer Christiane Baroche: « merci. »
First edition, superbly illustrated with 200 full-page plates and 120 in-text vignettes by Grandville. Second-issue printing, with the errors corrected. It may be identified by the fact that, in the first issue, the opening third of the volume was printed on tinted wove paper, whereas this second issue was entirely printed on uniform white paper; the frontispiece no longer bears the title Badigeneographie but instead Des affiches seront, d'après ses ordres....
Publisher's original full green ribbed percaline binding, decorated with special blocking tools commissioned by Hetzel specifically for this edition. Smooth spine stamped with tortoise, butterfly and beetle...
First edition, one of 150 numbered copies on Marais wove paper, the only deluxe-paper copies.
Illustrated by Edith Destouches.
A fine copy.
First edition, one of the review copies.
Signed presentation inscription from Violette Leduc to Claude Couffon, a specialist in and translator of the leading Spanish-language writers of the second half of the twentieth century: "... après un chaleureux entretien et mon souvenir intact de son article pour ce livre..."
Edition published in the same year as the first edition, stated eighteenth edition.
Spine sunned.
Dated and signed autograph inscription from Henri Calet to Claude Couffon, a scholar and translator of the leading Spanish-language writers of the second half of the twentieth century: "... ce roman-promenade..."
First edition of this celebrated illustrated issue featuring artwork by Le Barbier, with the plates engraved under his supervision. Engraved frontispiece portrait of the author by Le Mire and 15 finely engraved full-page plates after drawings by Le Barbier.
Contemporary full glazed red Russia leather binding, attributable to Bozérian l'aîné. Smooth spine tooled with four small concentric ornaments and gilt rules. Gilt fillet border to covers. Wine-coloured tabis silk endpapers. Gilt inner dentelles. All edges gilt. Light rubbing to the binding. Small loss of paper at the upper right corner of the title page in Volume I. Occasional foxing, particularly in the margins of several...
New illustrated edition with 43 drawings by Jules Férat, engraved by Charles Brabant for Les Indes noires; and by Edouard Riou and Jules Férat for the two other titles.
Catalogue CR at end.
Publisher's full polychrome cartonnage by Lenègre, type 3, known as the “Deux Éléphants” binding, on a red ground; headcaps slightly softened, as almost always; upper cover decorated with a plate by A. Souze featuring a fan-shaped design, with the title printed on two lines and no mention of Martin Paz; lower cover of Lenègre type “e”, with central medallion on a black ground; gilt lettering at foot of spine: Hetzel éditeur and A. Lenègre relieur (partly rubbed away).
Some...
First edition, one of 50 numbered copies on pur fil paper, the only deluxe-paper issue (cf. Claude Menguy).
Endpapers slightly and partially toned.
A rare and attractive copy.
New edition.
A fine copy.
Attractive presentation inscription signed by Anaïs Nin to Christiane Baroche’s wife: "Christiane Baroche this book I offer with uneasiness because I wrote it for american students, and France is the source and will only recognize the déjà vu. Your faithful friend. Anaïs Nin." (Christiane Baroche, je vous offre ce livre avec gêne car je l'ai écrit pour des étudiants américains, et la France est la source et n'y reconnaîtra que du déjà-vu. Votre amie fidèle, Anaïs Nin)".
First edition of the author's third book, with no copies printed on deluxe paper, here a review copy.
Spine very lightly sunned, without seriousness, faint spotting to the board edges.
Rare and desirable presentation copy signed by Patrick Modiano to the woman of letters Christiane Baroche: "Pour Christiane ces boulevards de ceinture avec lesquels elle est bien indulgente. Avec l'amitié de Patrick."
First edition, exceedingly scarce, of this light-hearted and engaging introduction to the principal ancient myths, prepared for a Polish aristocrat. Annopol (today Anopal) is a locality now situated in Belarus.
No copies recorded in the CCF. A single copy located in WorldCat (National Library of Poland, Biblioteka Narodowa, Warsaw).
Contemporary-style half sheep binding in brown, the smooth spine ruled with alternating thick and thin gilt fillets, marbled paper boards, comb-marbled endpapers and pastedowns; modern binding.
Losses to the title-page expertly filled and restored; the final two leaves also restored.
First edition.
With press clippings laid in.
Half bronze sheep binding, spine with four raised bands framed with gilt pointillé and decorated with double gilt fillets, red sheep lettering-piece, a few small black spots and a light scratch to the spine, marbled paper boards, cat’s-eye patterned endpapers and pastedowns, contemporary binding.
A pleasing copy.
First edition on standard paper.
A handsome copy, complete with its publisher’s wraparound band.
Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."
First edition of this almanac of the Neue Dichtung published by Kurt Wolff, featuring the first book-form appearance of Kafka’s short story "Vor dem Gesetz" (pp. 126-128). Covers sunned, tear to spine not lacking paper, chipping to spine-ends, and corners rubbed.
First edition of the short story "Vor dem Gesetz" (Before the Law), later published verbatim in Kafka’s masterpiece "Der Proceß" (The Trial).
Edition published in the same year as the first.
Spine and covers faintly sunned, without seriousness.
Attractive presentation copy signed by Anaïs Nin to the writer Christiane Baroche: "Christiane Baroche vos paroles "je la sais qui m'attend jusque dans ma mémoire. Anaïs Nin."
First edition on ordinary paper.
Pages 10–11 lightly sunned owing to the presence of a newspaper clipping.
Fine presentation inscription signed by André Pieyre de Mandiargues: "à Michel Tournier en très cordiale sympathie. André PM."
First edition of the French translation, one of 25 numbered copies on pur fil, the only copies printed on deluxe paper.
Blood red morocco binding, gilt title lengthwise, gold stingray boards framed in morocco, gilt decorative paper endleaves, original wrappers preserved, top edge gilt, an elegant binding signed Boichot. Front free endpaper slightly toned, otherwise a handsome untrimmed copy.
...
First edition on ordinary paper.
A pleasing copy, with only a few insignificant spots at the foot of the spine.
Warm presentation copy signed by Jean Echenoz to his friend, the writer, screenwriter, and filmmaker Jérôme Beaujour, also a specialist in Marguerite Duras’s cinema: "Pour mon cher Jérôme avec ma vive affection, Jean. 2.VI.10"
First edition, with no deluxe paper issue.
A fine copy.
Dated and signed presentation inscription from Annie Ernaux to the woman of letters Christiane Baroche: "Pour Christiane, très amicalement. Annie. 24/03/93."
First collected edition of the works by the author of Les Étourdis ou le Mort supposé, a comedy that enjoyed great success just before the Revolution.
The set includes a portrait frontispiece in the first volume, four engraved plates, and ten engraved headpieces.
Bound in contemporary full polished and mottled brown calf, gilt decoration, smooth spines with six false raised bands highlighted with gilt fillets and repeated gilt floral tools, gilt fillet frames on covers bordered with a garland roll, gilt tooling to head- and tailpieces, green morocco spine labels, marbled endpapers and pastedowns, gilt edges on boards, marbled edges, contemporary bindings.
Some...
First edition printed on ordinary paper.
A pleasing copy.
Affectionate signed presentation inscription from Jean Echenoz to his friend, the writer, screenwriter and filmmaker Jérôme Beaujour, also a specialist of Marguerite Duras’s cinema: "Pour Jérôme je t'embrasse, Jean. 6.XI.15"
First edition, one of 26 copies on pure wove paper, the only deluxe-paper issue.
A rare and handsome copy.
Antoine Tudal was the son-in-law and close confidant of Nicolas de Staël, who confided to him a few days before his death: "Tu sais, je ne sais pas si je vais vivre longtemps. Je crois que j'ai assez peint. Je suis arrivé à ce que je voulais..."
Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.
Publisher’s full vellum binding, flat spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic...
First French edition of the 50 colour plates by Arthur Rackham, tipped in with captioned tissue guards, a black vignette on the title page, and a further black vignette hors texte by Arthur Rackham, one of 200 copies on Whatman paper.
Publisher’s full vellum, smooth spine gilt-lettered, upper cover gilt-stamped with the title and a gilt illustration of Rip Van Winkle, illustrated endpapers, top edge gilt, uncut, original silk ties preserved. Occasional light foxing.
A splendid copy, remarkably fresh, of Washington Irving’s fantastical tale profusely illustrated by Arthur Rackham.
First edition on ordinary paper.
A pleasing copy.
Fine signed presentation inscription from Jean Echenoz to the writer, screenwriter, and filmmaker Jérôme Beaujour, also a specialist in Marguerite Duras’ cinema: "Pour Jérôme (qui m'a donné quelque chose p.109 à Pondichéry) et pour Elisabeth avec toute mon affection, Jean."
New edition, revised, corrected, and considerably enlarged.
Contemporary bindings in half mottled fawn calf over corners, smooth spines gilt with fillets, morocco title and volume labels, brown paper-covered boards, sprinkled edges.
Some minor rubbing to the spines, a few corners slightly bumped.
L'Esprit des lois occupies volumes I to IV; La Défense de l'Esprit des lois volume V (with a general index); Lettres persanes volume VI; volume VII gathers the Considérations and related pieces; volume VIII contains the posthumous works.
This collected edition of Montesquieu's works offers no particular bibliographical peculiarities in its...
First edition on ordinary paper.
Half black long-grain morocco binding, smooth spine tooled in palladium with author, title, and date, anthracite-grey paper boards, original wrappers and spine preserved (the latter with two small stains at head and foot), endpapers and pastedowns of anthracite-grey paper, binding signed Thomas Boichot.
Precious and exceptional signed presentation inscription by Louis-Ferdinand Céline: "A Mac Orlan son admirateur et ami fidèle. LFerd"
Very rare first edition of the Japanese translation, accompanied by Taiichi Ogawa’s annotated commentary.
Illustrated with a frontispiece portrait of Alphonse Daudet.
Spine with two tears at head and foot, soiling to the wrappers, a few minor spots internally.
First Japanese edition of Alphonse Daudet’s masterpiece. Harshly received in Provence upon its publication in 1872, despite the support of Frédéric Mistral, the novel soon came to be regarded as one of the landmarks of French literature, and the character of Tartarin became the emblem—and finest ambassador—of the city of Tarascon.
First and only Franco-Chinese edition, illustrated with six etchings reproduced by Frédéric Chevalier.
A single copy recorded in the CCFr (Bulac).
Sole edition of this contemporary curiosity born of the French vogue for all things Oriental: born in 1831, Tin-Tun-Ling (or Ding Dunling) was a Chinese scholar from Shanxi and a political exile in France. Théophile Gautier met him in Paris, grew fond of him, and hired him to teach Chinese to his daughter Judith. Steeped in Far Eastern culture, she delighted in presenting herself as the reincarnation of a Chinese princess. Tin-Tun-Ling then lived in a pavilion built in the Chinese style, set in the garden of the Pré aux Oiseaux –...
First edition, printed on thick wove paper.
Bound in contemporary half brown shagreen, smooth spines decorated with black typographic motifs, marbled paper boards, hand-marbled endpapers and pastedowns, modern slipcase edged in brown morocco with matching marbled paper sides and olive-green felt lining.
Some occasional foxing, the note "Henri Beyle" in black ink at the upper corner of the title page of the first volume, without the final catalogue leaf at the end of the second volume, small corner restorations to four leaves of the first volume.
"Very rare and extremely sought after. Usually quite simply bound at the time. Often foxed" (Clouzot). "This work is of great rarity in...
First edition of this periodical, the inaugural volume of which appeared in 1776. Publication continued until 1789 and ultimately comprised 112 volumes; sets are consequently very difficult to assemble, particularly in uniform bindings.
Copy bearing unidentified arms.
Contemporary full brown sheep. Smooth gilt-decorated spine. Red morocco lettering-piece and volume label. Upper cover stamped with armorial devices. Headcaps defective in five places. Various abrasions. A few early cracks at the head of the joints.
First edition, one of 45 numbered copies on Holland paper, the deluxe issue.
Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.
A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.
First edition, one of 100 numbered copies on Outhenin-Chalandre pure wove paper for each volume, the only deluxe paper issue after 10 copies on Japon and 30 on Hollande.
In original wrappers. Very good overall condition; two covers show a few minor surface marks.
Pleasant and uncommon set, untrimmed and with full margins, complete in 27 volumes.
Composite edition combining seven volumes from the very first collected edition with others from various reissues published between 1836 and 1852. Volumes 15 to 30 (1839-1852) each include an engraved title with a vignette and two illustrated plates; the earlier editions, covering volumes 1 to 15 (1830-1836) did not contain illustrations.
Half polished calf bindings in Restoration style. Smooth spines decorated with a central panel richly gilt in grotesque design, gilt and blind-tooled motifs at head and foot of spine, also ruled in gilt. Small tear to the spine-ends of volumes 5 and 9. Volumes 25 and 26 show some surface loss to the leather on the boards.
A handsome...
First edition of the French translation, of which no deluxe paper copies were issued.
A fine copy.
Preface by Salman Rushdie, the work illustrated with drawings by the author.
Signed autograph inscription from Glen Baxter to Michel Crépu.
New edition of the French translation.
Half saffron percaline Bradel binding, smooth spine slightly sunned and decorated with a central gilt motif and double gilt fillet at foot, brown shagreen title label with a few scuffs, marbled "cat’s-eye" paper boards, preserved wrappers, lightly rubbed corners, contemporary binding.
First edition in French, for which there were no large paper copies.
A good copy.
Autograph inscription dated and signed by Ernst Jünger to Madeleine Clouzot : "... après notre excellent déjeuner..."
First edition, one of the numbered copies on alfa paper reserved for the press.
Spine very slightly sunned, otherwise a well-preserved copy.
Signed autograph inscription from Irène Némirovsky to Charles Laval.
Second edition of the French translation prepared by François-Victor Hugo.
Half red shagreen bindings, slightly faded spines with four raised bands numerously framed in gilt and central gilt tooled motif, marbled paper boards, marbled endpapers, speckled edges, contemporary bindings.
Some occasional foxing, minor black specks on a few spines, upper corners of volume 10 slightly damaged.
Our set, attractively bound uniformly in contemporary bindings, is complete in 18 volumes including the often lacking final three volumes of apocryphal writings.
New edition of the French translation established by Amédée Pichot, partly original as it is enhanced with a historical notice on Lord Byron.
Half blue glazed calf bindings, spines partially faded with four raised bands framed by gilt garlands and richly decorated gilt compartments, navy blue glazed calf title and volume labels, blind-stamped floral tools at head and tail, marbled paper boards, gilt fillets at foot, marbled endpapers and pastedowns, marbled edges; a few lightly rubbed corners. Romantic bindings of the period.
Our copy contains 13 engraved plates, some serving as frontispieces.
Scattered foxing, a few leaves browned due to paper acidity.
A copy in...
First edition, one of 120 copies printed on pure laid paper.
Pleasant copy with wide margins throughout.
First octavo edition illustrated with 92 engravings by Benett, including one folding map in colour: this marks the very first use of polychromy in an illustration for a Jules Verne novel.
Publisher’s Hetzel binding "aux deux éléphants" in full red cloth, signed by Lenègre, type 3, upper cover signed by Souze, lower cover Lenègre type “e” as described by Jauzac, original blue endpapers, all edges gilt, publisher’s EL catalogue at rear.
Spine slightly faded as usual, small black marks along the hinges, spine-ends softened as often, a pleasant copy almost free of any foxing.
“Deux ans de vacances” is a Robinson Crusoe-like novel featuring fourteen schoolboys from New Zealand.
...
A fine set of the first four volumes of the French intégrale edition, identical to the original American structure. Volume 1 is housed in a metal case with embossed lettering and a folding map of Westeros. It is a copy of the highly sought-after very first French collector's edition of the series published in 2012. Volumes 2 and 3 followed in 2013, and volume 4 in 2014.
Each volume signed by George R.R. Martin on the title page. The signatures were obtained during the author's only public signing session for French...
First edition, one of 220 numbered copies printed on Vélin du Marais.
Rubbing to the slipcase and chemise, otherwise a clean and attractive copy.
Illustrated with 25 intaglio engravings by Elisabeth-Mary Burgin.
First edition, one of 50 numbered copies on alfa, only deluxe copies. Some light foxing, mainly on the endpapers.
Rare signed presentation copy in French: “To my friend René Jasinski, in token of gratitude and friendship, these few scenes of Jewish life in New York. T. Twersky”, with a sentence in Hebrew translated by the author in French on a laid-in leaf: “Translation of the Hebrew inscription: sixth day of the week ‘Pekoudè’, year 5692 since the creation of the world, in the holy community of Paris”, (Friday, 4 March 1932 according to our calculation).
First edition of the third series of Andersen’s tales. Two parts in one volume, published respectively on 30 March and 23 November 1872, each bearing an inscription by Andersen. He mentions the first in his diary (H. C. Andersens dagbøger, vol. IX, p. 247) and the second is recorded by Henry Tuxen (Anderseniana, vol. 4, 1958-59, p. 155).
Red cloth half binding, flat spine faded with gilt title and ruled in black, black cloth boards. First board with a slight lenghtwise crack, spine-ends and corners rubbed, small lack of material at the margin of the first board.
New edition.
A handsome copy.
Signed presentation inscription from Albert Cossery to a friend: "Pour Jean-Pierre à qui je souhaite une vie de miel. Albert Cossery."
New edition.
Pleasing copy.
Fine signed autograph inscription from Albert Cossery to a friend: "Pour Jean-Pierre que Dieu le garde des imbéciles. Albert Cossery."
First edition, one of 15 numbered copies on pure wove paper, the only deluxe copies.
A very handsome copy.
First edition of the French translation, one of 75 numbered copies on pur fil, the only deluxe paper issue.
Half brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, gilt top edge. An elegant binding signed Alix.
A handsome and carefully bound copy.
First edition for each volume.
Fine copy of Du côté de chez Swann in first edition, second printing, with all identifying points (front cover dated 1913, table of contents present, no publisher's catalogue at end); copy in first edition bearing the mention "quatrième édition" for À l'ombre des jeunes filles en fleurs (with the correct colophon dated November 30, 1918); although bearing the same colophon dated November 30, 1918, the 128 reimposed copies were not actually printed until a year later, together with the large paper copies of the Swann reissue; for the following 11 volumes...
First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.
Minor rubbing along the joints. A rare and attractive copy.
First edition on ordinary paper.
Small defects skillfully restored at the head and tail of the spine.
Rare inscribed presentation copy signed by Albert Cohen to Denise Mercier.
First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.
Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.
Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.
First edition on ordinary paper.
Half black shagreen binding, spine with five raised bands framed by gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge.
Scattered foxing, a few reading marks in red and blue pencil in the margins of certain paragraphs, printed stamp of the Armand Colin bookshop on the title page.
First edition, of which no copies were printed on deluxe paper.
Half black shagreen binding, spine with five raised bands decorated with gilt garlands, gilt date at foot, marbled paper boards, combed paper endpapers and pastedowns, gilt top edge, original wrappers preserved.
Scattered foxing, some reading marks in red and blue pencil in the margins of certain paragraphs, ink stamps of the Etienne Vion bookshop and stationery in Amiens on the title page, a library shelfmark at the head of the title page.
First edition, one of 10 numbered copies on Holland paper, deluxe issue.
Some minor foxing mostly at the beginning and end of the volume.
Inscribed and signed by Maurice Genevoix to Jacques Gommy: "... en pensant aux forêts qu'il aime, avec les hommages et les amitiés de Maurice Genevoix."
Partly first edition.
Half black shagreen binding, spine with five raised bands decorated with gilt garlands, date gilt at foot, marbled paper boards, combed paper endpapers and pastedowns, gilt edges.
Some scattered foxing.
Edition largely original.
Half black shagreen binding, spine with five raised bands decorated with gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt edges.
Some foxing, chiefly at the beginning and end of the volume.
The ‘Kehl edition’, the most renowned edition of Voltaire's works, illustrated and published on deluxe paper. It was printed on five different types of paper, and only the deluxe editions, such as ours on laid paper, feature engravings. These are naturally the most sought-after and rarest copies.
Binding in full painted sheep decorated with a “honeycomb” motif, smooth spine tooled with gilt fleurons, fillets and compartments, light beige calf lettering and volume pieces, gilt chain-roll border on covers, marbled endpapers, gilt roll on edges, all edges marbled, contemporary binding. Two volumes (nos. 50 and 70) with slight variations in gilt tools on the spines and...
