Mardi
Very handsome copy.
Cover illustrated by Max Ernst reproduced as frontispiece.

First edition, one of 60 numbered copies on vergé d'Arches paper, deluxe copies ("tirage de tê").
Bound in brown half morocco, covers and spine preserved, top edge gilt, binding signed by Thomas Boichot.
Nice copy.
First edition, one of 50 numbered copies on Japan, deluxe copies ("tirage de tête").
Two small tears in the head and foot of the spine, nice copy wide-margined.
First illustrated edition. Collection Edouard Guillaume Lotus bleu. The cover is dated 1896, the title page 1897. A frontispiece in double state, black and sanguine, 6 plates and head-pieces, tailpieces... The whole delicately erotic by Mittis. Printed on white glazed laid paper. Ordinary issue after 50 numbered copies on Japan paper and 50 numbered copies on China paper. Original wrappers preserved.
Contemporary full black shagreen binding. Smooth spine decorated with 2 small mirrored tools at head and a stylized tulip on spine. Gilt fillet frame on covers. Interior border. Top edge gilt. Wide margins. Some occasional pale scattered foxing.
Very...
First edition, one of 70 numbered copies on Lafuma de Voiron and reimposed in quarto Tellière format, only deluxe copies ("tirage de tête").
Spine and cover slightly and marginally sunned.
Nice copy.
First edition, one of the publisher’s press copies.
Some light spotting to the boards and spine.
Exceptional signed autograph inscription from Raymond Queneau to his very close friend and biographer Jean Queval, himself a leading figure and co-founder of Oulipo.
This dedication is followed by a second one — in English and heavily corrected — by Jean Queval: "To the [?], in friendship. NB. I smoke no more. This is a rather nice book, one on which I worked. There's also Beowulf. There is a university in Limoges. Untest uncheck ! Nan is none too well."
First edition, one of 80 numbered copies on vélin pur chiffon de Lana, the only grand papier (deluxe) copies.
A very nice copy.
First edition, one of 10 numbered copies on Japan paper, the deluxe issue.
Bradel binding in half chocolate-brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, brown endpapers and pastedowns, original wrappers and spine preserved, gilt edges, binding signed Honnelaître.
Scarce first French edition issued in Hetzel’s Bibliothèque d’éducation et de récréation series.
Translated and adapted by G. Lemaire, with a preface and postface by Bentzon.
Publisher’s red half morocco binding, signed Lenègre at foot, spine with false raised bands richly decorated in gilt and blind, white moiré endpapers, covers framed with blind fillets, light rubbing to edges and corners.
EK catalogue at end.
A few occasional foxing spots and faint browning. A few leaves slightly sprung, otherwise a very good copy.
King Solomon's Mines was first published in London in 1885. The novel recounts the adventures of a party of English explorers venturing into...
Very rare and highly sought-after first edition of Balzac's first novel signed by his name. Published a small number of copies, this first novel whose original title is inspired by the last of the Mohicans James Cooper, reappeared, reworked in 1834 under a new title: The Chouans .
This first important work of Balzac also marks the beginning of the comedy Humaine which she constitura since 1845 a scene of the military life .
Bindings in half red Russian leather, smooth backs adorned with gilt and black threads, gold friezes in heads and tails, marbled paper plates, Contemporary binding.
A restored bit and a flap sheet of the first volume changed, some...
First edition, one of the 1000 numbered copies on vellum cloth, ours one of the hors commerce.
Illustrated book of 4 reproductions of works of Claude Garache.
Nice copy.
Signed autograph Yves Bonnefoy to his friend the sculptor and painter Raymond Mason and his wife: "For Raymond and Janine with affection Yves." enriched with the handwritten signature of Claude Garache in pencil.
New edition. It is known that the first volumes 1 to 8 appeared in 1777, then the rest staggered until 1789. This edition does not contain Bachaumont's name on the title page, unlike the original. It is not known whether the address is fictitious or real, but the typographical material appears to be Dutch. Bachaumont wrote the first volumes but they were edited by Pidansat de Mairobert who continued writing the volumes until his death in 1779, then it was Moufle d'Angersville's turn. The complete collection contains 36 volumes.
Bindings in half chocolate sheep with corners. Spine with raised bands decorated with 3 fleurons. Title and volume numbering gilt. Boards rubbed.