Fiction works, fables, adventure stories, autofiction, autobiographical novels, epics, sagas, novelistic works

New edition prepared by Lenglet Du Fresnoy, with his notes and a glossary. A handsome title vignette. The last early edition.

19th-century binding in red half morocco with corners, signed Bauzonnet. Spine with five raised bands richly decorated in the grotesque style. Double gilt fillet on the boards. Top edge gilt on deckled edges. Spine somewhat faded. Some marginal worming, otherwise a handsome copy.

Ex-libris of the L. Pasquier library pasted on the first endpaper.

First edition, one of 13 numbered copies on vélin pur fil Lafuma-Navarre paper, the only large paper copies.
A very good, unsophisticated copy. 

Eighth edition statement, illustrated with eight unsigned frontispieces. Les journées amusantes were originally published from 1722 to 1731. Title pages in red and black.

Contemporary full blonde sheep binding. Decorated spine with raised bands. Lacks to upper joints at head of volumes I and IV. Lack to headcap of volume III. Tail headcap of volume IV split. Some corners slightly bumped. Despite the noted defects, the set is in good condition overall.

A prolific author, Madame de Gomez achieved great favor in Europe with Les journées amusantes, which were undoubtedly one of the bestsellers of the period. These journées are similar in structure to Boccaccio's Decameron and to Marguerite de Navarre's Heptameron. Composed of 18 days within which six narrators tell stories. What characterizes the writing of the Journées amusantes is the encyclopedic and erudite richness, characteristic of the work, which ultimately worked against it over time; it aimed, with a certain deliberate archaism, to pay homage to 17th-century French gallant literature.

Second edition on ordinary paper.

Bradel binding in half orange cloth, smooth spine very slightly faded decorated with gilt floral motif, double gilt fillet at foot, chocolate shagreen title label, marbled paper boards, original wrappers preserved, contemporary binding.

Precious signed autograph inscription from Octave Mirbeau to Jean Ajalbert.

Provenance: library of Jean Ajalbert with his Japanese-style bookplate in the style of the Nabis, wood engraved in a very small number, signed with a monogram, probably that of Félicien Rops.

First edition, one of the rare copies on Japan paper, ours specially printed for Paul Ollendorff.

Half navy blue morocco binding with corners, spine with five raised bands set with gilt dots decorated with double gilt compartments richly embellished with gilt typographical motifs as well as a mosaic piece of hazel morocco, gilt date at foot, very light traces of rubbing without consequence on the spine, double gilt fillet frame on marbled paper boards, marbled endpapers and pastedowns, top edge gilt, contemporary unsigned binding but attributable to Lancelin.

Handsome copy agreeably bound.
Provenance: from the library of Paul Ollendorff.

First edition, one of the rare copies on Holland paper of which no mention is made

Half cherry red morocco binding, spine with five raised bands set with gilt dotted lines decorated with double gilt compartments richly embellished with gilt typographical motifs as well as mosaic pieces of havana morocco, gilt date at tail, double gilt fillet frame on marbled paper boards, marbled endpapers and pastedowns, top edge gilt retaining deckled edges, contemporary unsigned binding but attributable to Lancelin.

Fine copy perfectly executed.
Provenance: from the library of Paul Ollendorff.

First edition, one of 5 numbered copies on Japan paper, deluxe issue.

Half havana morocco binding with corners, spine with five raised bands decorated with gilt stippling and ornamented with double gilt compartments richly embellished with gilt floral motifs as well as a mosaic navy morocco piece, gilt date at foot, light rubbing to spine without consequence, frame of gilt fillets on marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt retaining its deckled edges, contemporary binding signed by Lancelin.

Work illustrated with a portrait of the author on the cover and title page.
Handsome full-margined copy in fine condition.
Provenance: from the library of Paul Ollendorff.

First edition, one of 50 numbered copies on Holland paper, this copy bearing No. 1, the only deluxe copies.

Half dark green morocco binding with corners, spine with five raised bands decorated with gilt stippling and ornamented with double gilt compartments richly embellished with gilt typographical motifs, gilt date at foot, frame of gilt fillets on marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt retaining its deckled edges, contemporary binding signed by Lancelin.

Handsome full-margined copy in fine condition.
Provenance: from the library of Paul Ollendorff.

New edition.

Half sheep bindings in bottle green, smooth spines decorated with quadruple fillets and gilt typographical motifs, two upper headcaps slightly worn, marbled paper boards, marbled endpapers and pastedowns, some corners very slightly bumped, contemporary bindings signed by Flore.

Some minor foxing of no consequence. Handsome set.

New edition adorned with seven frontispieces by Scotin the elder. The journal first appeared in volume form in 1712.

Contemporary full speckled brown sheep binding. Spine with five raised bands, red morocco title and volume labels, gilt compartments and floral fleurons. All edges red. Head caps of volumes 1, 2, 3, 4, 5, 7 and 8 and foot caps of volumes 2, 3, 4 and 9 abraded (some damaged). Corners slightly bumped. Four joints cracked. Pale marginal dampstains to the second volume.