New edition printed in 3100 numbered copies on chestnut paper, ours one of the 100 hors commerce copies.
Publisher's full cardboard binding made after Paul Bonet's original design.
Spine lightly sunned without any consequence and as generally found.
First edition, one of 750 numbered copies signed by the author, the only grands papiers (deluxe) copies.
Publisher's binding in half black cloth, marbled paper boards.
Autograph signature of William Faulkner on the justification page.
A beautiful copy, complete with its original acetate dust jacket.
First edition, one of 115 numbered copies on alfa paper, the only deluxe copies aside from 35 on pure thread.
Two small spots of foxing on the front cover, a discreet crease, a handsome copy as issued.
Rare and highly sought after in deluxe paper.
First edition first issue for which no grand papier (deluxe copies) were printed, one of the rare service de presse (advance copies).
Some very discreet restorations to spine, paper browned, some discreet traces folds at the bottom of some leaves.
A handsome copy, as issued. The book is housed in a slipcase signed by Julie Nadot, reproducing the original design of the cover and spine.
This first edition of L'Étranger was printed on 21 April, 1942 with a run of 4,400 copies: 400 advance copies (service de presse), 500 copies without statement and 3,500 copies with false statements from the second to eighth...
Autograph letter signed by Emile Zola addressed to Henry Fouquier, written in black ink on a bifolium. Usual folds from mailing.
This letter was transcribed in the complete correspondence of Emile Zola published by the CNRS and the Presses de l'Université de Montréal.
First edition, one of 41 numbered copies on Holland paper, the deluxe issue.
Bound in full jansenist dark green morocco, smooth spine very lightly sunned, grey suede endpapers and pastedowns, original wrappers and spine preserved, all edges gilt, housed in a slipcase trimmed with dark green morocco, paper-covered boards with a wood-grain effect, grey paper lining; a superb full morocco binding signed by A. Bourdet.
A pleasant copy, finely bound and preserved.
Provenance: from the library of the distinguished bibliophile François Ragazzoni, with his bookplate mounted on an endpaper.
Victor HUGO
Les Misérables
A. Lacroix & Verboeckhoven & Cie, Bruxelles 1862, 14,5x22cm, 10 bound volumes.
First edition without statement published concomitantly with the Pagnerre's Paris edition.
Bound in half blue sheepskin, spine in four compartments decorated with double gilt fillets, blue paper plates, marbled paste-down and endpapers, mottled edges, English bindings of the time.
Scattered foxings, title page of the third volume slightly and marginally soiled, paper plates a little rubbed and a few tears on some edges, some joints repaired.
First edition, one of 41 numbered copies on Hollande paper, deluxe issue.
Binding in half black morocco-grained shagreen with bands, smooth spine, gilt date at tail, gilt fillet frame on mouse-grey paper boards, guards and pastedowns of black paper, original wrappers and spine preserved, top edge gilt, others uncut, full black morocco-grained shagreen slipcase with black paper interior, binding signed Montécot.
A fine copy.
Extremely important edition, comprising a large number of works appearing here in their first edition. The complete set of these 27 volumes is rare (Clouzot). The titles present in first edition are: Mattea, Lettres d’un Voyageur, La Dernière Aldini, Les Maîtres mosaïstes, L’Uscoque, Spiridion, Les Sept Cordes de la lyre, Gabriel,
First edition printed in 130 copies, all nominative and numbered, on Rives vellum.
Full chocolate-brown morocco binding, spine with four double raised bands framed by black fillets extending onto the covers, gilt date at foot, gilt rolls on the caps, endpapers and pastedowns of hand-made paper, quintuple gilt fillet borders on the pastedowns, double gilt fillets on the board edges, original wrappers and spine preserved, top edge gilt.
Illustrated with a frontispiece, 15 plates and 6 vignettes by Georges Leroux engraved on copper by Raoul Serres.
This copy is supplemented, at the end of the volume, with a suite of the 22 illustrations together with the printed menu for the dinner...
