Fiction works, fables, adventure stories, autofiction, autobiographical novels, epics, sagas, novelistic works

First edition, one of 115 numbered copies on alfa paper, the only deluxe copies aside from 35 on pure thread.

Two small spots of foxing on the front cover, a discreet crease, a handsome copy as issued.
 
Rare and highly sought after in deluxe paper.

First edition first issue for which no grand papier (deluxe copies) were printed, one of the rare service de presse (advance copies).
Some very discreet restorations to spine, paper browned, some discreet traces folds at the bottom of some leaves.

A handsome copy, as issued. The book is housed in a slipcase signed by Julie Nadot, reproducing the original design of the cover and spine.

This first edition of L'Étranger was printed on 21 April, 1942 with a run of 4,400 copies: 400 advance copies (service de presse), 500 copies without statement and 3,500 copies with false statements from the second to eighth...

Autograph letter signed by Emile Zola addressed to Henry Fouquier, written in black ink on a bifolium. Usual folds from mailing.
This letter was transcribed in the complete correspondence of Emile Zola published by the CNRS and the Presses de l'Université de Montréal.

First edition, one of 41 numbered copies on Holland paper, the deluxe issue.
Bound in full jansenist dark green morocco, smooth spine very lightly sunned, grey suede endpapers and pastedowns, original wrappers and spine preserved, all edges gilt, housed in a slipcase trimmed with dark green morocco, paper-covered boards with a wood-grain effect, grey paper lining; a superb full morocco binding signed by A. Bourdet.
A pleasant copy, finely bound and preserved.
Provenance: from the library of the distinguished bibliophile François Ragazzoni, with his bookplate mounted on an endpaper.

Victor HUGO
Les Misérables
A. Lacroix & Verboeckhoven & Cie, Bruxelles 1862, 14,5x22cm, 10 bound volumes.

First edition without statement published concomitantly with the Pagnerre's Paris edition.
Bound in half blue sheepskin, spine in four compartments decorated with double gilt fillets, blue paper plates, marbled paste-down and endpapers, mottled edges, English bindings of the time.
Scattered foxings, title page of the third volume slightly and marginally soiled, paper plates a little rubbed and a few tears on some edges, some joints repaired.

First edition, one of 41 numbered copies on Hollande paper, deluxe issue.

Binding in half black morocco-grained shagreen with bands, smooth spine, gilt date at tail, gilt fillet frame on mouse-grey paper boards, guards and pastedowns of black paper, original wrappers and spine preserved, top edge gilt, others uncut, full black morocco-grained shagreen slipcase with black paper interior, binding signed Montécot.

A fine copy.

Extremely important edition, comprising a large number of works appearing here in their first edition. The complete set of these 27 volumes is rare (Clouzot). The titles present in first edition are: Mattea, Lettres d’un Voyageur, La Dernière Aldini, Les Maîtres mosaïstes, L’Uscoque, Spiridion, Les Sept Cordes de la lyre, Gabriel,

First edition printed in 130 copies, all nominative and numbered, on Rives vellum.
Full chocolate-brown morocco binding, spine with four double raised bands framed by black fillets extending onto the covers, gilt date at foot, gilt rolls on the caps, endpapers and pastedowns of hand-made paper, quintuple gilt fillet borders on the pastedowns, double gilt fillets on the board edges, original wrappers and spine preserved, top edge gilt.
Illustrated with a frontispiece, 15 plates and 6 vignettes by Georges Leroux engraved on copper by Raoul Serres.
This copy is supplemented, at the end of the volume, with a suite of the 22 illustrations together with the printed menu for the dinner...

First edition for which was no grand papier (deluxe) copy.
Pleasant copy of this work which received the Prix Fémina in 1984.
Rare and precious handwritten inscripttion, dated and signed by Tchicaya U Tam'si to Régine Deforges: “Pour Régine Deforges qui a écrit quelques mots que j'aurais voulu mettre en guise de dédicace mais ma mémoire est moins fidèle que moi. à elle toute la poésie de ce 'roman'.” (“For Régine Deforges who wrote some words that I would have liked to include as a dedication but my memory is less faithful than me. To her, all the poetry of this 'novel'.”)

Provenance: from the library of Régine...

First edition, one of 35 numbered copies on Holland paper, deluxe copy.
Minor worming to spine without significance.
Rare and handsome copy.

New edition. Limited to 150 copies, numbered and initialed by the publisher in manuscript. Copy no. 82. All pages with Renaissance-style chromotypography borders. Initial letters and rules, titles in gold. Preliminary notice by Albert de Rochas.

Modern full raspberry morocco binding signed by Christiane Pesquet. Smooth spine with title along length. Boards with wide bands of fleur-de-lis paper. The same paper is found on the endpapers, the second endpapers with gold paper. Spine uniformly lightened, otherwise handsome copy.

Copy with covers and spine preserved, uncut, full-margined, as issued.

This tale was written at the beginning of the 16th century and...

First illustrated edition by Gustave Doré. 142 vignettes and 12 plates.
Includes: Autograph inscription by the author on a card with his red seal on the left side of the card, for an appointment.

Contemporary half brown shagreen binding. Spine with raised bands decorated with 4 fleurons and fillets. Spine slightly faded. Some foxing. Handsome copy.
One of the first books illustrated by Gustave Doré after Balzac's Contes drolatiques. A popular novel that enjoyed great success in its time and remains one of the classics of adventure novels for young people.

First edition, one of 450 numbered copies on Holland paper.
Work illustrated with 35 original woodcuts by Fernand Siméon.
Full brown morocco binding, smooth spine decorated with a vertical band of black mosaic morocco, black roulettes on the headcaps, slight rubbing to the upper headcap, gilt title struck to the center of the first cover, covers decorated with a large diamond and a wide horizontal band of black mosaic morocco, endpapers and pastedowns of paper with gilt floral motifs and moiré effect, frame of vertical and horizontal bands of black mosaic morocco on the pastedowns, covers and spine preserved, top edge gilt, double black fillets on the leading edges, slipcase...

First edition, one of 50 numbered copies reimposed on Japan Imperial paper, ours being one of the few hors commerce copies, deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan.
Illustrated work, as frontispiece, with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff.
Half chocolate brown morocco binding with corners, spine with five raised bands, gilt date at foot, black roulettes on headcaps, black fillet frame on wood-effect paper boards, wood-effect paper endpapers and pastedowns, covers and spine preserved, top edge gilt, perfect unsigned binding.
Very handsome copy...

First edition, one of 85 numbered copies on pur fil, deluxe copies after 36 on Holland paper.

Handsome copy.

The first part of Féerie pour une autre fois having failed to achieve the expected success, Céline wished to surround the release of the second part - Normance - with maximum publicity and restore his reputation after his years of exile in Germany and Denmark. Wishing to distance himself from the solemn form of the publisher's slip, he proposed to Gaston Gallimard this eulogy written in the manner of an imaginary interview between himself and Professor Y alias Colonel Réséda, a prostatic old man. The text of this zany « interviouwe » would be...