First edition, one of 30 numbered copies on alfa vellum, ours being No. 1, the only copies on deluxe paper.
Rare and handsome copy.
First edition, one of 13 numbered copies on pure rag Rives vellum, the tête-de-tirage.
Rare and handsome copy.
First edition, an advance (service de presse) copy.
Covers and spine very skillfully repaired.
Handsome autograph inscription from Pierre Drieu La Rochelle to Henri Béraud.
First edition, one of the review copies.
Bradel binding in full wood-patterned boards, smooth spine, red morocco title-piece, covers and spine preserved, binding signed by Thomas Boichot.
A fine copy, handsomely bound.
Precious autograph presentation signed by Jacques Chardonne to Henri Béraud.
First edition published in the author’s collected works.
Some occasional foxing.
Half black morocco shagreen binding, smooth spine decorated with triple blind fillets and gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Signed autograph inscription by George Sand : "to my friend Charles Fournier."
Handwritten note by George Sand beneath the title on the title page: "suite de Flamarande" published the same year and by the same publisher as "Les deux Frères".
First edition on ordinary paper, with the correct colophon dated 26 February 1926.
A pleasant copy.
First edition, one of 10 numbered copies on imperial japon, ours one of 3 hors commerce lettered copies, a deluxe issue following 6 on chine.
Bound in full sienna morocco, flat spine, gilt date at foot, moiré-effect endpapers and pastedowns, gilt fillet border on pastedowns, original wrappers and spine preserved (spine restored and backed), gilt edges, chemise edged in sienna morocco, slipcase in wood-effect board with white felt lining, contemporary binding signed by Roger Arnoult.
Our copy is enriched with a one-page signed autograph letter by Jean Cocteau, mounted on a guard, written from La Roche-Posay in Vienne, probably addressed to Pierre Benoit, in which he hum
First edition, one of 500 numbered copies on pure wove paper.
Bound in full sienna morocco, flat spine with a slight snag at head, date gilt at foot, moiré endpapers and pastedowns, single gilt fillet framing the pastedowns, original wrappers and spine preserved, gilt edges, chemise edged in sienna morocco, slipcase of wood-grained boards lined with white felt, contemporary binding signed by Roger Arnoult.
Our copy is enriched with a signed autograph letter, one page, by Jean Cocteau mounted on a tab, dated April 1959, probably addressed to Pierre Benoit: "Nôtre Pierre fantôme... c'est autour de votre souvenir qu'on se réunit. C'est une chaîne bien étonnante que celle
Edition with some parts in first edition.
Half green straight-grained morocco with corners, smooth spines faded and decorated with gilt romantic arabesques, gilt friezes at head and foot, almond paper boards, covers and spine preserved, top edges gilt, handsome pastiche romantic bindings.
The Poésies nouvelles and the Oeuvres posthumes are here in first edition, and the Comédies et proverbes in edition with some parts in first edition.
This set comprises: "Oeuvres posthumes" (2 volumes), "Poésies nouvelles" (3 volumes), "Poésies complètes", "Mélanges de littérature & de critique", "Contes", "Comédies et proverbes" (2 volumes).
Some light foxing of no consequenc
First edition, an advance (service de presse) copy.
Some lacks to foot of spine, clear stains and scratches to head and foot of upper cover, tiny foxing to the endpapers, the last endpaper is covered with notes in pencil made by the dedicatee.
Autograph inscription from Irène Némirovsky to Michel Corday.
First edition on ordinary paper, without edition statement, bearing the correct colophon dated 30 November 1918.
The 128 deluxe paper copies would only be issued six months later, during the summer of 1919.
Light spotting to the margins of the endleaves, small l and a faint dampstain to the title page and following leaves, a bluish stain to the margins of pp. 339-340 inherent to the quality of the paper.
Bound in contemporary half forest-green morocco over corners, spine with five raised bands ruled in black, gilt date at foot, cat’s-eye patterned paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed
Illustrated edition of the first series which had previously appeared in 1836. Rare. Very fine printing on tinted laid paper, of great modernity when compared to French printings of the same period. Third edition statement on title page.
Preface to the first and second edition. 2 frontispieces and 7 plates on heavy laid paper in each volume by George Cruikshank. John Ruskin declared that after Rembrandt, no one had engraved scenes so fine. Although it is noted in manuscript on the endpaper "First illustrated edition", this is doubtless an error since the first series in first edition and the second were equally illustrated by Cruikshank.
Late 19th-century Engli
First edition on ordinary paper.
Spine slightly sunned with a small defect and a repaired tear at the foot.
Inscribed and signed by Georges Bernanos to Robert Garric: "... bien fraternellement et fidèlement..."
First edition, one of 50 numbered copies on pur fil.
Spine slightly sunned, a small scratch to the front cover, corner creases at the preserved margins.
Rare copy as issued.
First edition, a Service de Presse (advance) copy.
Some worming to margins of covers.
Precious autograph inscription signed by Marcel Aymé: "A monsieur Valery Larbaud en sincère hommage. Marcel Aymé." ["To Mr. Valery Larbaud with sincere homage. Marcel Aymé."]
First edition on ordinary paper.
A moving and appealing copy.
Fine signed autograph presentation inscription from Dominique de Roux to his brother: "Pour mon cher Xavier père et maître des circonvolutions de ce récit. Et sans qui la vie n'aurait aucun sens. Affection fraternelle. Dominique."
First edition on ordinary paper.
Small pale dampstains on the spine.
Inscribed, signed and dated by Maurice Genevoix to Nicole and Philippe Derez.
First edition of the translation by F. de Bretonne, assistant curator at the Sainte-Geneviève Library, based on a comparison of all earlier versions. The work is enriched with a suite of 10 vignettes by Charlet, retaining its original pink paper wrapper with vignette dated 1831; the volume also includes a portrait of Cervantes.
Half long-grain claret morocco binding with corners, signed at the head of the front endpaper S. David, late 19th century. Spine with four raised bands, decorated with complex and stippled tools within compartments. Gilt fillets on the bands. Double gilt ruling along boards and corners. Minor rubbing to some bands, joints, and corners. One corner slightly tur
Illustrated edition by Grandville, engraved by Geoffroy, comprising 29 hand-coloured plates hors-texte in the first volume, and in the second, 23 hand-coloured plates hors-texte along with 2 black botanical plates illustrating the physiology of plants, "Horticulture des dames" and "Culture des fleurs." For this edition, the plates were re-coloured by Maubert, with fresher and more vivid tones, considered superior to the first edition. Accompanied by 3 pages of sheet music for the romance Le myosotis.
Contemporary half blue shagreen bindings. Spines with raised bands decorated with three gilt panels. Some scattered foxing, title-page of volume 2 with spotting. A few leaves slightly pro
First edition, one of 25 copies on handmade laid paper, numbered and justified by the publisher, the only deluxe issue.
Bradel binding in half chocolate-brown morocco with corners, smooth spine, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, illustrated wrappers by Manuel Orazi and backstrip preserved.
Work illustrated with 136 black and colour drawings, in- and out-of-text, by Georges Bottini.
Bookplate mounted.
Our copy is enriched with a full-page original drawing, signed by Georges Bottini and heightened in black ink, depicting Jacques Beaudarmon wearing a bowler hat and conversing with the « môme
Second complete edition of Krylov's Fables with a preface by the poet and highly regarded literary critic Piotr Pletnev (1792-1866).
Half tan goatskin binding with corners, smooth spine decorated lengthwise in rocaille style in blind with tears and losses, joints fragile, gilt fillet framing the red pebbled paper boards, gilt Cyrillic inscription at the center of the upper cover, grey edges, rubbed corners, chips and losses along the edges, contemporary binding.
Foxing, library stamps and markings.
Prize book "Pour Succès et Bonne Conduite".
Manuscript ex-libris in ink, in Russian, on the front endpaper, dated Vilnius, 6 August 1857, and on the verso in Latin chara
New edition.
Contemporary binding in half green shagreen, spine in four compartments set with gilt stippling, gilt fillets and gilt fleurons in the corner pieces, multiple blind tooled frames on the boards, white iridescent paper endpapers, all edges gilt.
Some leaves shorter in the bottom margin.
Handwritten inscription signed by George Sand on the first endpaper: “à mon bon ami Edmond Plauchut. G. Sand".
Today the only outsider to the family buried in the cemetery of the Nohant house, is Lucien-Joseph-Edmond Plau
chut (1824-1909) who began an epistolary relationship with George Sand in the autumn of 1848 when he was a voluntary expatriate after th
First edition with 46 illustrations by Harry Furniss.
Publisher's binding over flexible paper boards, discreet and light repairs on the
joints, all edges gilt.
Autograph inscription dated and signed by Lewis Carroll to Mrs Cole.
First edition of the French translation, for which no deluxe copies were issued.
Precious autograph presentation inscription signed by Italo Calvino to his friend, the Argentine photographer José María “Pepe” Fernández.
Our copy is further enriched with an original photograph by Pepe Fernández depicting Italo Calvino leaning on a stack of books.
Signed by the photographer at the foot of the image, with handwritten notes and Pepe Fernández’s stamp on the verso.
Double autograph signature of Pepe Fernández on the front endpaper and the title page as presentation inscriptions, spine faded.
First edition on ordinary paper, with no mention of large paper copies.
Occasional light spotting, a small angular lack to half-title.
Elegant pastiche marbled paper Bradel binding by Thomas Boichot, brown morocco title label, covers preserved.
Handsome autograph inscription signed by the author: "A Guy de Maupassant, son ami [For Guy de Maupassant, his friend]."
First edition printed on alfa paper.
A small tear at the foot of one joint discreetly restored, a pleasant copy.
Precious autograph inscription signed by Philippe Soupault to René Crevel in pencil.
Edition from the year of the original, stating 78th thousand.
Copy complete with its wraparound band announcing the award of the 1965 Prix Renaudot.
A minute tear without consequence at the foot of one joint.
Autograph inscription signed by Georges Perec to Jean Berthou and his wife.
First edition, one of 500 numbered copies on Featherweight, the only deluxe issue.
Small loss and foxing to the headcap and upper edge, a crease and minor tears to the front cover, endpapers slightly toned without consequence.
Exceptional signed autograph presentation from Benjamin Fondane: « A Jacques Prévert cordialement. B. Fondane. Paris / 3 / 33. »
First edition, one of 20 deluxe copies on Holland paper, the only large-paper issue, reimposed in octavo format (the ordinary edition being in duodecimo).
Cf. Vicaire III, 305-306. Carteret I, 222.
Contemporary full stiff ivory vellum, smooth spine, marbled endpapers and pastedowns.
Fine copy.
Bibliographers mention 25 copies, which seems difficult to account for, as the limitation is clearly stated on the verso of the half-title. This procedure was customary for the author (Les Six aventures, 1857, was issued in the same dual printing).
Precious presentation copy inscribed and signed by Maxime Du Camp to the celebrated critic Jules Janin (1804–1
Second edition only one month after the first edition.
Spine lightly wrinkled, small signs of folding in the margins of the boards, a light mark on the second board.
Claude Couffon, a French specialist and translator of the major Spanish-speaking writers of the second half of the 20th century, translated
First edition.
Half beige cloth Bradel binding, flat spine, date at foot, black shagreen title-piece skillfully restored, marbled paper boards, contemporary binding.
Inscribed by Guy de Maupassant to his friend the writer Catulle Mendès.
A fine copy, attractively bound.
Provenance: from the library of Arthur Christian with his bookplates on the front pastedown.
First edition of the author's second work, one of 10 numbered copies on Holland paper, the only deluxe paper issue.
Bound in yellow half morocco with corners, spine with five raised bands, gilt date at foot, a small black spot at head of spine, floral and moiré patterned paper boards, pale green paper endpapers and pastedowns, original wrappers preserved, gilt edges, bookplate of Gérard Pesme Baron de Saint-Genies pasted on a pastedown, binding signed by Thomas Boichot.
Half-title entirely toned.
A fine copy, handsomely bound.
First illustrated edition, featuring 82 drawings by Tiret-Bognet and a color map of the Saint Lawrence River. Publisher's 1890 EX catalogue bound in at rear.
Binding with the two elephants, Lenègre type 3. Rear cover Lenègre type e.
Spine lightly faded, internally clean and well preserved.
In Famille sans nom, Verne recounts the story of a French-Canadian family during the Patriote Rebellion (1837–1838) against British injustice.
First edition, one of 300 numbered copies signed and justified by Frans de Geetere, reserved for the friends of La Marie-Jeanne, the only copies printed on deluxe paper.
As stated in the limitation, our copy is complete with a manuscript leaf from the work and an original drawing by the author depicting two reclining nude women, signed by him.
A desirable copy, complete with its rare promotional wraparound band: "le livre qu'aucun éditeur n'a osé publier".
First edition of the French translation, one of 31 numbered copies on pur fil, the only copies printed on deluxe paper.
Spine and covers slightly and marginally faded, a pleasant copy.
First edition, with a photographic portrait of H.G. Wells as frontispiece to the first volume.
Illustrated throughout.
Some minor foxing, mostly to the edges.
Contemporary black half-shagreen bindings with cornerpieces, spines with three raised bands, gilt-stamped marine anchors at the foot (a few showing some loss), and gilt medallions on the upper boards featuring the ocean liner Normandie with three inlaid red and black shagreen pieces representing its smokestacks; marbled endpapers and pastedowns, with small red dots in the upper corners of the first flyleaves. Bound at the time for the Normandie.
A handsome copy with distinguished provenance.
First edition, one of 35 numbered copies printed on vélin pur chiffon B.F.K. de Rives, the only limited deluxe issue.
A small tear at the top of the lower cover, barely noticeable.
Very handsome copy.
Illustrated edition featuring color compositions by Léon Lebègue, as well as a black-and-white frontispiece, one of the numbered copies printed on tinted Arches wove paper.
Bradel binding in red half morocco, smooth spine, black fillet framing on the gilt-effect paper-covered boards, endpapers and pastedowns of matching paper, original wrappers and spine preserved, top edge gilt, a refined period binding signed A. Lavaux.
A handsome copy in an attractive binding.
First edition, one of the 200 numbered copies on Hollande paper, the only large paper edition.
A stain on the front cover near the title, fading on the half-title page, shaded endpapers.
Rare copy with full margins.
First edition. The third volume includes the four-page William Blackwood catalogue of recent publications and twenty pages of the general Blackwood catalogue. This extensive catalogue is seldom found at the end of the volume; however, the presence of the four-page catalogue is a known indicator of the first issue. Brick-red cloth covers and spine preserved and mounted at the end of the volume. The edition was issued in five different bindings; this copy is in the very first state, A, with 'Wm. Blackwood' printed at the foot of the spines.
Late 19th-century English binding in brown half morocco over marbled boards. Spine with raised bands in Jansenist style. Gilt lettering f
First edition. Bibliothèque des chemins de fer series. Quite scarce. The novel was previously serialized in the Moniteur universel from March to May 1857. 12-page Hachette catalogue bound in at the end.
Full early 20th-century tan morocco binding, signed at the foot of the inside front cover by A. J. Gonon, housed in a beige slipcase trimmed with morocco. Spine with raised bands, compartments decorated. Wide gilt fillet border on pastedowns. Untrimmed copy. Occasional foxing. Spine slightly sunned. Original wrappers preserved, spine portion missing. A good copy.
First edition, first printing copy with the uncorrected errors on page 5 "effraya" instead of "effrayèrent" and page 251 "Scissites" instead of "Syssites".
Half-shagreen binding in fir green, spine with five false raised bands set with cold and gilt fillets. Some light foxing.
A handsome copy.
Edition established, annotated, and commented by Le Roux de Lincy and Anatole de Montaiglon. Deluxe printing limited to 395 copies on deluxe paper, this one of 40 on Whatman paper (No. 301), including three suites of the engravings: one in black on Japan paper, one in bistre, and one in sanguine.
Illustrated with a portrait by T. de Mare, a frontispiece by Dunker, and 76 figures after Freudenberg engraved by De Longueil, Eichler, Le Roy, among others. Includes head- and tailpieces. One chromolithographed plate depicting the arms of Marguerite de Navarre. All engravings are presented in three states, except the chromolithograph.
Contemporary full citron morocco binding signed b
Elzevirian "à la sphère" edition based on the first one printed in 1623, with the same features, including a red-and-black title page for the first volume and a black title page for the second. Brunet suggests it may have been printed in Brussels (IV, 1050).
Numerous headbands, culs-de-lampe, and initials.
Full dark green morocco binding, spine with five raised bands, with gilt fleurons and framed in blind, gilt date at foot. Covers with a Du Seuil-style double panel of blind-ruled borders, gilt fleurons at the corners of the inner panel, marbled endpapers and pastedowns, inner gilt dentelle, gilt edges, edges and spine-ends ruled in gilt. Binding signed "Petit succede Simi
First edition, one of the review copies.
Spine and covers faded, small chips to the corners of the covers and margins of some leaves, brittle and yellowed paper, front free endpaper detached, a delicate copy.
Exceptional and moving signed autograph inscription by Raymond Guérin: "Pour vous mon cher Calet ces Poulpes où vous savez tout ce que j'ai mis de foi et de désespoir. avec l'admiration et l'amitié du grand Dab. R. Guérin 11.5.53. P.S. Nous sommes au Madison jusqu'au 15 mai, puis, du 29 mai au 5 juin. R.G."
First edition, numbered copies on vélin pur fil, most limited deluxe issue.
A handsome copy complete with the publisher’s announcement slip.
Rare and important presentation copy inscribed by Irène Némirovsky: "A Benjamin Crémieux hommage de l'auteur. Irène Némirovsky". Némirovsky died in Auschwitz in 1942, and Crémieux in Buchenwald in 1944.
Crémieux had published a glowing review of Némirovsky’s first novel, David Golder. Its film adaptation by Julien Duvivier was among the earliest French talkies. On this short stories collection fittingly titled Films parlés (Talking Films) Némirovsky, the émigré writer, paid homage to Crémieux,
First edition, one of 55 numbered copies on Rives vellum, the deluxe issue.
A fine copy with wide margins.
First edition of this text dedicated to Jean-Paul Sartre, one of the 43 numbered copies on pure rag paper, the only large paper copies.
Beautiful copy.
New edition of the Fables, more complete than previous ones, illustrated with a hand-coloured vignette on the title page and 110 hand-coloured half-page illustrations in the text, for a total of 111 engraved and coloured plates (cf. Rochambeau 305. Després, p. 142, no. 63).
Full olive calf binding, spine with gilt fillets, numerously tooled in gilt, gilt tooling to spine-ends, boards framed in gilt, marbled endpapers and pastedowns, inner gilt dentelle on pastedowns, all edges gilt, 20th-century binding.
Spine and covers faded, some foxing, a snag at head of rear cover. Lower right corners of pp. ix-xi restored.
An exceptional and finely watercoloured copy of
First edition of the French translation, one of 50 numbered copies on pur fil, the only deluxe copies.
Tiny marginal chips of no consequence on the wrappers, a crease to the upper right corner of the front cover, final page slightly darkened due to the presence of a folding facsimile.
This volume comprises three previously unpublished chapters from the novel "Les possédés".
First edition, one of 30 numbered copies on pure rag vellum, the only copies printed on deluxe paper.
A fine copy.
First edition, one of 45 numbered copies on Arches wove paper, the deluxe issue.
A handsome copy, untrimmed, despite two pale vertical sunspots on the upper cover.
Inscribed and signed by Michel de Saint-Pierre to Maurice Gorrée, dated: "... ce roman qui est devenu champ-clos, alors que je voulais unir... Amicalement Michel de Saint-Pierre."
First edition, one of 30 numbered copies printed on Corvol l'orgueilleux, the only copies on deluxe paper along with a few hors commerce copies on the same paper.
A handsome copy.
Inscribed and signed by Armand Lanoux to Maurice Gorrée: "voici le commandant Watrin histoire d'hommes de bonne volonté," with an original drawing of a flower.
