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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Painting & Drawing
  1. FenosaFenosa
    Apel·les Fenosa i Florensa, dit FENOSA, Roger CAILLOIS

    Fenosa

    Fernand Mourlot|Paris 1972|45 x 32.50 cm|en feuilles sous étui
    First edition printed in 140 numbered copies on Arches vellum.
    Work illustrated with 20 original lithographs by Apel·les Fenosa.
    At the beginning of the work, manuscript signatures, in pencil, by Roger Caillois & Apel·les Fenosa.
    Some light foxing stains on the first cover of the slipcase, otherwise a handsome copy.
    €500
  2. Comprimé d'essor - Livre illustré imprimé à 2 exemplairesComprimé d'essor - Livre illustré imprimé à 2 exemplaires
    Joël LEICK, Michel BUTOR

    Comprimé d'essor - Livre illustré imprimé à 2 exemplaires

    s. n.|Thionville • & Lucinges 1997|8.50 x 8 cm|broché
    First edition entirely recopied by hand by Michel Butor and printed in 2 numbered copies.
    The work, adorned with original paintings by Joël Leick, consists of two folded sheets forming eight pages, each with one page cut out.
    In pencil, autograph signatures of Michel Butor and Joël Leick at the colophon.


    €450
  3. AidsAids
    Niki de SAINT PHALLE

    Aids

    Verlag C.J. Bucher GmbH|München • & Luzern 1989|19.50 x 25.50 cm|reliure de l'éditeur
    New edition of the German translation.
    Publisher's white paper boards, smooth spine.
    Handsome copy despite a tiny insignificant nick at foot of front board.
    Work illustrated with color drawings by Niki de Saint Phalle.
    We include two postcards reproducing works by Niki de Saint Phalle.
    Rare autograph inscription signed and beautifully calligraphed by Niki de Saint Phalle, in English, to a man named Axel wishing him happy birthday: "Pour Janine et Raymond with warmest greetings. It was wonderful seeing you. Love. Niki."

    €800
  4. "Je n'avais pas besoin que vous soyez officier pour avoir pour vous ma vieille et amicale sympathie...""Je n'avais pas besoin que vous soyez officier pour avoir pour vous ma vieille et amicale sympathie..."
    Edouard DETAILLE

    "Je n'avais pas besoin que vous soyez officier pour avoir pour vous ma vieille et amicale sympathie..."Autograph letter dated and signed addressed to Philippe Gille

    1er Novembre 1889|10 x 15.90 cm|une feuille
    Autograph letter dated and signed by the painter and illustrator of military scenes Edouard Detaille to his friend Philippe Gille, 21 lines in black ink, in telegram form.
    The painter congratulates Philippe Gille, recent recipient of the Légion d'Honneur: "Bravo ! Nom de nom ! et mille bonnes félicitations. Bien heureux de votre rosette qui me fait un vrai et sincère plaisir." (Bravo! Good Lord! And a thousand congratulations. So happy about your rosette which gives me true and sincere pleasure.) for whom his friendship remains unwavering: "Je n'avais pas besoin que vous soyez officier pour avoir pour vous ma vieille et amicale sympathie...
    €150
  5. La chambre des écureuils - Exemplaire de Joseph BreitbachLa chambre des écureuils - Exemplaire de Joseph Breitbach
    MARIE-LAURE (to Joseph BREITBACH)

    La chambre des écureuils - Exemplaire de Joseph Breitbach

    Plon|Paris 1955|12 x 18.50 cm|broché
    The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
    Spine lightly yellowed, complete with publisher's (advertising) slip.
    Rare full-page autograph inscription signed by Marie-Laure de Noailles to the writer Joseph Breitbach: "Pour mon cher Joseph, que je ne rencontre plus jamais chez le libraire (prière de me dire cet automne celle qu'il fréquente à son ordinaire). Je pars dans la région voisine des écureuils (St Bernard Hyères Var) jusqu'en Octobre. Il y serait, s'il passe par là le bienvenue. Amitié fidèle Marie-Laure." (For my dear Joseph, whom I never meet at the bookshop anymore (please tell me this autumn which one he usually...
    €700
  6. Carton d'invitation pour le vernissage de l'exposition des oeuvres récentes de Maï-Thu à la galerie du PéristyleCarton d'invitation pour le vernissage de l'exposition des oeuvres récentes de Maï-Thu à la galerie du Péristyle
    MAI-THU

    Carton d'invitation pour le vernissage de l'exposition des oeuvres récentes de Maï-Thu à la galerie du Péristyle

    Galerie du Péristyle|Paris 1960|13.50 x 16 cm|une carte dépliante
    Invitation card for the opening of the exhibition of recent works on silk by the painter of Vietnamese origin Maï-Thu at the Péristyle gallery, 45 rue de la Boëtie (March 15-April 16, 1960).
    Corners very lightly rubbed.
    €300
  7. Carton d'invitation au nom d'André Breton pour le vernissage de l'exposition "Le surréalisme - Sources - Histoire - Affinités"Carton d'invitation au nom d'André Breton pour le vernissage de l'exposition "Le surréalisme - Sources - Histoire - Affinités"
    [André BRETON]

    Carton d'invitation au nom d'André Breton pour le vernissage de l'exposition "Le surréalisme - Sources - Histoire - Affinités"

    Galerie Charpentier|Paris 15 Avril 1964|14 x 10.50 cm|une feuille
    Personal invitation card for the opening of the exhibition organized by Raymond Nacenta and entitled "Surrealism - Sources - History - Affinities" at the Charpentier gallery, 76, faubourg Saint-Honoré, on April 15, 1964
    Our card, B 242, is made out to André Breton.
    A handsome copy.
    €300
  8. " Ceci n'est pas de l'art brut. "" Ceci n'est pas de l'art brut. "
    Louis PONS

    " Ceci n'est pas de l'art brut. "Handwritten envelope sent to his friend Georges Raillard enriched with an original drawing on the back

    S. n.|Lagnes 12 Avril 2002|23 x 16 cm|une feuille
    Manuscript envelope by Louis Pons addressed to his friend art critic Georges Raillard, specialist in the works of Joan Miro and Antoni Tapies, on the verso of which he created an original drawing, signed with his initials and bearing this humorous note: "Ceci n'est pas de l'art brut."
    The envelope, reimagined by Louis Pons in his whimsical manner, features, below his personal address in Vaucluse, a human face staring at an eye.










    €150
  9. Portrait photographique original avec envoi autographe de Mai-ThuPortrait photographique original avec envoi autographe de Mai-Thu
    MAI-THU

    Original portrait of the painter Mai Trung Thu, known as Mai-Thu

    1957|8.70 x 11.50 cm|une photographie

    Original portrait of the painter Mai Trung Thu, known as Mai-Thu, inscribed on verso with his emblematic monogram in colored pen: "à l'abbé Guéniart en souvenir du séjour au S.U.J.A / Maï Thu / 14.6.57".


    In this handsome portrait, Mai-Thu is surrounded by his paintings on silk - no fewer than seven, including a children scene closely related to his 1965 masterpiece (Aguttes sale, September 26, 2023). The great themes that made the Hanoi School painter famous are to be found here: ideal women, children's games, tea ceremonies... Each canvas is carefully framed, often in Mai-Thu's own tireless perfectionist hands.


    The painter underwent several cures in...

    €1,800
  10. Poème autographe inédit daté et signé de Robert de Montesquiou intitulé "A la mémoire de Jean Carriès"Poème autographe inédit daté et signé de Robert de Montesquiou intitulé "A la mémoire de Jean Carriès"
    Robert de MONTESQUIOU

    Poème autographe inédit daté et signé de Robert de Montesquiou intitulé "A la mémoire de Jean Carriès"

    S. n.|s. l. Novembre 1904|33.50 x 40.50 cm|une page
    Autograph poem dated and signed in four stanzas of alexandrines by the dandy count, 18 lines written in black ink on watermarked tracing paper.
    Traces of folds inherent to the folding of the missive.
    Very fine poem appearing to be unpublished although it resembles the text he devoted to Jean-Joseph-Marie Carriès, talented sculptor-ceramist artist, in his work "Autels Privilégiés" published by Charpentier in 1898.
    "Nous qui l'avons connu sous son charmant visage,
    Avec son rire enfant, sa jeunesse de coeur,
    Nous sommes les heureux de le savoir vainqueur
    Après qu'il a, des jours, traversé le paysage...
    ...
    Beaux vases, versez sous le conseil...
    €800
  11. Vallotton inconnu - Catalogue des oeuvres exécutées par Félix Vallotton entre 1884 et 1909Vallotton inconnu - Catalogue des oeuvres exécutées par Félix Vallotton entre 1884 et 1909
    Félix VALLOTTON

    Vallotton inconnu - Catalogue des oeuvres exécutées par Félix Vallotton entre 1884 et 1909

    Galerie Druet|Paris 1929|13.50 x 18.50 cm|agrafé

    Exhibition catalogue listing 66 paintings by Félix Vallotton exhibited at the Druet gallery, 20, rue Royale in Paris, from 22 April to 3 May 1929.
    Light worming to the first cover, otherwise a handsome copy.
    Catalogue illustrated with 7 photographic reproductions of works by Félix Vallotton.

    €350
  12. Exposition Claude Monet organisée au bénéfice des victimes de la catastrophe du JaponExposition Claude Monet organisée au bénéfice des victimes de la catastrophe du Japon
    Claude MONET

    Exposition Claude Monet organisée au bénéfice des victimes de la catastrophe du Japon

    Galerie Druet|Paris 1929|14 x 18.50 cm|agrafé
    Exhibition catalogue listing 65 paintings by Claude Monet exhibited at the Georges Petit gallery, 8, rue de Sèze, from 4 to 18 January 1924.
    Spine and boards slightly yellowed, a small storage label pasted to the upper left margin of the first cover.
    Catalogue illustrated with a photographic reproduction of Claude Monet's work "Femmes dans un jardin" and, as frontispiece, a photographic portrait of the painter.
    Text by Gustave Geoffroy.
    This exhibition was organized to provide aid to the victims of the terrible earthquake that struck the Japanese island of Honshu on 1 September 1923, destroying 70% of Tokyo and 80% of Yokohama.
    €800
  13. La chambre des écureuils - Exemplaire de Stephen HecquetLa chambre des écureuils - Exemplaire de Stephen Hecquet
    MARIE-LAURE

    La chambre des écureuils - Exemplaire de Stephen Hecquet

    Plon|Paris 1955|12 x 18.50 cm|broché
    The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
    Paper yellowed.
    Rare autograph inscription signed by Marie-Laure de Noailles to the Hussar writer and lawyer Stephen Hecquet: "A monsieur Stéphane Hecquet avec la considération de Marie-Laure."
    €800
  14. Un ange américain - Exemplaire de Stephen HecquetUn ange américain - Exemplaire de Stephen Hecquet
    Yves SALGUES

    Un ange américain - Exemplaire de Stephen Hecquet

    Pierre Horay|Paris 1956|14 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Paper yellowed.
    Rare and fine autograph inscription signed by Yves Salgues to the Hussar writer and lawyer Stephen Hecquet: "Pour monsieur Stephen Hecquet, dont j'admire la redoutable plume d'or et de sang mêlés. En respectueux hommage d'un journaliste : Yves Salgues." ("For Mr. Stephen Hecquet, whose formidable pen of gold and blood mingled I admire. In respectful tribute from a journalist: Yves Salgues.")
    €150
  15. [URBANISATION DU QUARTIER DE LA DEFENSE A PARIS] Le parisien de 1970 face à l'image de la ville qu'on échafaude pour l'an 2000[URBANISATION DU QUARTIER DE LA DEFENSE A PARIS] Le parisien de 1970 face à l'image de la ville qu'on échafaude pour l'an 2000
    COLLECTIF

    [URBANISATION DU QUARTIER DE LA DEFENSE A PARIS] Le parisien de 1970 face à l'image de la ville qu'on échafaude pour l'an 2000

    S. n.|s.l. (Paris) s.d.(ca 1970)|18.50 x 24.50 cm|agrafé
    First edition with illustrations.
    A rare and handsome copy of this pamphlet concerning the urban development project for the La Défense district in Paris.
    €200
  16. BruineBruine
    Julius BALTAZAR, Michel BUTOR

    Bruine

    S. n.|Ivry-sur-Seine • & Nice 1982|8 x 11.50 cm|en feuilles
    First edition entirely hand-copied by Michel Butor and printed in 4 numbered copies.
    The work is illustrated, as frontispiece, with a copperplate engraving by Julius Baltazar.
    In pencil, manuscript signatures of Michel Butor and Julius Baltazar at the colophon.


    €450
  17. Le dégelLe dégel
    Julius BALTAZAR, Michel BUTOR

    Le dégel

    S. n.|Ivry-sur-Seine • & Doucy-en-Bauges 1982|17.50 x 10.50 cm|en feuilles
    First edition entirely hand-copied by Michel Butor and printed in 10 numbered copies.
    The work is illustrated with a double-page copperplate engraving by Julius Baltazar.
    In pencil, autograph signatures of Michel Butor and Julius Baltazar at the colophon.


    €450
  18. "je crois que nous en obtiendrons un très bel objet...""je crois que nous en obtiendrons un très bel objet..."
    Jean COCTEAU

    "je crois que nous en obtiendrons un très bel objet..."Autograph letter dated and signed concerning a painting he has almost finished

    Saint-Jean-Cap-Ferrat 8 Novembre 1952|21 x 27 cm|une page
    Autograph letter dated and signed by Jean Cocteau, 15 lines in blue ink, addressed to a friend from Saint-Jean-Cap-Ferrat about a painting he is about to complete.
    Fold marks inherent to postal delivery.
    Jean Cocteau questions his correspondent about the shipping arrangements for his work which he plans to finish the day after writing this letter: "Should I bring it back to Paris or send it elsewhere if that suits you? The best would be to remove the canvas from its frame and roll it. Please be so kind as to reply quickly so that I can prepare the packaging." ; he briefly describes the work: "... will be 92 cm in height and 1 m 26 wide. It...
    €500
  19. Berceuse d'automneBerceuse d'automne
    Julius BALTAZAR, Michel BUTOR

    Berceuse d'automne

    S. n.|Vitry-sur-Seine • & Lucinges 2001|8.50 x 8 cm|broché
    First edition entirely hand-copied by Michel Butor and printed in 6 numbered copies.
    The work is adorned with original paintings by Julius Baltazar including the covers.
    In pencil, manuscript signatures of Michel Butor and Julius Baltazar at the colophon.


    €450
  20. PistePiste
    Julius BALTAZAR, Michel BUTOR

    Piste

    S. n.|Ivry-sur-Seine • & Doucy-en-Bauges 1982|10.50 x 10.50 cm|en feuilles
    First edition printed in 13 copies on vellum and entirely calligraphed by Michel Butor's hand.
    The work is illustrated with an original engraving on PVC by Julius Baltazar printed in black on double page.
    Autograph signatures of Michel Butor and Julius Baltazar in pencil at the colophon.


    €250
  21. Autre berceuseAutre berceuse
    Julius BALTAZAR, Michel BUTOR

    Autre berceuse

    S. n.|Vitry-sur-Seine • & Lucinges 2001|10.50 x 7.50 cm|broché
    First edition entirely handwritten and printed in 6 copies on vellum.
    The work is entirely illuminated by Julius Baltazar.
    Autograph signatures of Michel Butor and Julius Baltazar at the colophon.


    €400
  22. Je ne fais que passerJe ne fais que passer
    Jean-Marie LERAT, MISS-TIC

    Je ne fais que passer

    Editions Florent Massot|Paris 1998|21.50 x 24.50 cm|broché
    First edition illustrated with photographs of Miss-Tic's frescoes by Jean-Marie Lerat.
    Handsome copy.
    Autograph inscription signed by Miss-Tic to a couple of friends with an additional autograph inscription signed by Jean-Marie Lerat on the facing page: "... ces murs-murs capitale..."


    €350
  23. Histoire des peintres impressionnistes. Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, GuillauminHistoire des peintres impressionnistes. Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin
    Claude MONET, Auguste RENOIR

    Histoire des peintres impressionnistes. Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin[History of the Impressionnist Painters]

    H. Floury|Paris 1906|20.50 x 27 cm|relié

    First edition, one of 100 copies on Japon, the only deluxe issue.


    Navy blue half shagreen with slight color restoration, spine with five raised bands abundantly framed in gilt, blue watered silk flyleaves, marbled endpapers and pastedowns, original wrappers and spine preserved, gilt top edge, binding signed J. Querelle.

     

    €10,000
  24. Couleurs et motsCouleurs et mots
    Wou-Ki ZAO

    Couleurs et mots

    Le cherche midi|Paris 1998|23 x 28 cm|reliure de l'éditeur
    First edition illustrated with reproductions of works by Zao Wou-Ki.
    Publisher's full blue cloth binding, smooth spine, fine copy complete with its illustrated dust jacket.
    Autograph inscription signed by Zao Wou-Ki to Pierre Bourgeois.


    €700
  25. Corneille aujourd'huiCorneille aujourd'hui
    CORNEILLE

    Corneille aujourd'hui

    Galleri Kända Mälare|Jönköping 1978|25 x 30.50 cm|reliure de l'éditeur
    First edition illustrated with reproductions of works by Corneille.
    Publisher's binding in full black cloth, smooth spine, illustrated boards.
    Text by André Laude in French with Swedish translation en regard.
    Autograph inscription signed by Corneille to a couple of friends: "... par delà la furie des temps..." enriched with an original drawing in colors representing a woman's face facing a bird.


    €600
  26. 'Balthus's painting is topical enough to dispense with topicality'
    'Balthus's painting is topical enough to dispense with topicality'
    "La peinture de Balthus est d'une actualité suffisante pour se passer de l'actualité""La peinture de Balthus est d'une actualité suffisante pour se passer de l'actualité"
    Antonin ARTAUD, BALTHUS

    "La peinture de Balthus est d'une actualité suffisante pour se passer de l'actualité"Autograph letter dated and signed on Balthus' first exhibition in Paris

    Paris 27 Avril 1934|21 x 27 cm|une feuille

    Autograph letter dated and signed by Antonin Artaud on Le Dôme brasserie letterhead, addressed to Maurice Martin du Gard, founder and director of Nouvelles Littéraires. 29 lines in blue ink in a nervous handwriting.
    Traces of folds and small marginal tears inherent to postal dispatch and handling. Minor stains at the beginning of the letter.


    Antonin Artaud fought to have his article on Balthus's painting, exhibited for the first time in France, published. He fiercely defended the artist he considered his 'double', so similar were they physically and intellectually.

     

    €3,000
  27. "Pliée en deux. Vous l'avez malmener. Je ne la signe pas - ni je vous l'envoie""Pliée en deux. Vous l'avez malmener. Je ne la signe pas - ni je vous l'envoie"
    Leonor FINI

    "Pliée en deux. Vous l'avez malmener. Je ne la signe pas - ni je vous l'envoie"An amusing handwritten letter, dated, signed and addressed to Gérard Leman in which she is offended by the treatment he has reserved for one of his photographs

    Paris 11 Avril 1986|21 x 29.50 cm|une feuille + une enveloppe
    Manuscript letter dated and signed by Léonor Fini, 22 lines in black ink addressed to Gérard Leman from her Parisian residence.
    Fold marks inherent to postal dispatch, envelope included.
    Gérard Leman wishes the artist to dedicate a photograph he sent her, but Leonor Fini is not pleased with the poor treatment her portrait has suffered: "Mais - mais - mais -vous monsieur vous m'envoyez aussi une photographie (belle à à signer et dédicacer. Pour cette photographie vous ne vous êtes même pas donné le peine de chercher une enveloppe longue ou plus grande. Pliée en deux. Vous l'avez malmener. Je ne la signe pas - ni je vous l'envoie." (But - but - but - you sir, you also send me...
    €300
  28. Lettre manuscrite datée signée et adressée à Gérard Leman sur un papier à motifs psychédéliques lui adressant ses bons voeux pour 1968Lettre manuscrite datée signée et adressée à Gérard Leman sur un papier à motifs psychédéliques lui adressant ses bons voeux pour 1968
    Leonor FINI

    Lettre manuscrite datée signée et adressée à Gérard Leman sur un papier à motifs psychédéliques lui adressant ses bons voeux pour 1968

    Paris 29 Janvier 1968|21 x 29.50 cm|une feuille
    Manuscript letter dated 29 January 1968 and signed to Gérard Leman on a colorful psychedelic paper.
    12 lines in red felt-tip pen, usual folding traces. 
    Leonor Fini reports a biography about her: "The publisher Pauvert has a book about me, with text by Brion and several illustrations - some in color. You can order it in any bookshop" as well as a forthcoming publication: 'In October, a major monograph on me will be published by the Book Guild in Switzerland'.

     
    €250
  29. "je vous remercie pour votre lettre qui me prouve que je n'ai pas eu tort de sortir des rails...""je vous remercie pour votre lettre qui me prouve que je n'ai pas eu tort de sortir des rails..."
    Jean COCTEAU

    "je vous remercie pour votre lettre qui me prouve que je n'ai pas eu tort de sortir des rails..."Autograph letter dated and signed thanking his admirer

    Saint-Jean-Cap-Ferrat 6 Janvier 1960|21 x 27 cm|une page + une enveloppe
    Autograph letter dated and signed by Jean Cocteau, 9 lines in black ink, to his friend Georges Bachelard from his villa at Santo Sospir in Saint-Jean-Cap-Ferrat.
    Fold marks inherent to postal dispatch, envelope included and extensively written by Jean Cocteau.
    Jean Cocteau extends all his wishes for success to his friend and thanks him for his last letter which comforted him in the path he is pursuing.



    €450
  30. Lettre manuscrite datée et adressée à Gérard Leman à propos d'un portrait photographique qu'elle lui envoieLettre manuscrite datée et adressée à Gérard Leman à propos d'un portrait photographique qu'elle lui envoie
    Leonor FINI

    Lettre manuscrite datée et adressée à Gérard Leman à propos d'un portrait photographique qu'elle lui envoie

    Saint Dyé sur Loire 16 mai 1978|21 x 27 cm|deux feuilles
    Handwritten letter dated and signed by Léonor Fini, 8 lines in black ink addressed to Gérard Leman from her residence in Saint Dyé sur Loire (Loire-et-Cher), concerning the photographic reproduction of one of her portraits that her correspondent had requested.
    We include this famous photographic portrait on which Leonor Fini added these few words: "ma sympathie pour Gérard Leman. Leonor Fini."
    Fold marks inherent to postal delivery.




    €250
  31. "le public est fanatique (presque) pour moi"le public est fanatique (presque) pour moi
    Leonor FINI

    "le public est fanatique (presque) pour moiHandwritten letter dated and addressed to Gérard Leman about the success of his recent exhibitions

    Saint Dyé sur Loire 28 Décembre 1978|21 x 29.50 cm|un feuillet recto-verso + une enveloppe
    Manuscript letter dated and signed by Léonor Fini, 41 lines in black ink addressed to Gérard Leman from her residence in Saint Dyé sur Loire (Loire-et-Cher), on a recto-verso sheet of blue-tinted paper.
    Fold marks inherent to postal delivery, envelope included.
    Leonor Fini is satisfied with the recent exhibitions of her works and has even sent one of her catalogues to her correspondent: "Je vous envoie à part un petit livre-catalogue de la dernière exposition de peinture (fermée pour les fêtes, elle va se réouvrir le 8 janvier- les dessins sont toujours visibles dans l'autre galerie qui est ouverte) Les deux expositions ont eu un succès et une foule journalière assez...
    €450
  32. Suzanne ValadonSuzanne Valadon
    Adolphe BASLER

    Suzanne Valadon

    Georges Crès & Cie|Paris 1929|14.50 x 19.50 cm|broché
    First edition illustrated with 32 heliogravure reproductions
    Printed stamps of the Dufraine Foundation of the Institut de France on verso of front cover, on half-title page (below the autograph inscription) and at head of page 75.
    Autograph inscription signed by Adolphe Basler to historian and patron Charles Kunstler.
    €150
  33. Zao Wou-KiZao Wou-Ki
    Wou-Ki ZAO, Claude ROY

    Zao Wou-Ki

    Georges Fall|Paris 1957|14 x 18.50 cm|broché
    First edition.
    Text by Claude Roy.
    Work illustrated with 12 reproductions of works by Zao Wou-Ki
    Handsome copy.
    Autograph inscription signed by Claude Roy enhanced with a Chinese ideogram by Zao Wou-Ki to Carmen Tessier on the front cover.


    €600
  34. Catalogue de l'exposition d'Oeuvres inconnues Catalogue de l'exposition d'Oeuvres inconnues
    Paul GAUGUIN

    Catalogue de l'exposition d'Oeuvres inconnues

    Galerie Barbazanges|Paris 1919|15 x 23.20 cm|cousu

    Exhibition catalogue of Paul Gauguin's works at the Galerie Barbazanges, 109 Faubourg Saint-Honoré, from 10 to 30 October 1919.
    Illustrated with Gauguin's splendid colour self-portrait with halo and serpent, wood-engraved by Jules Germain.
    Essay by François Norgelet, entitled "Gauguin au Pouldu".
    Catalogue of 28 works by Gauguin, including two lithographs and two plaster casts. Minute black spot in the margin of the front wrapper.

    €700
  35. Impressions sur la peintureImpressions sur la peinture
    Alfred STEVENS

    Impressions sur la peinture

    Librairie des bibliophiles L. Jouaust|Paris 1886|13.50 x 16.50 cm|broché
    First edition, one of 20 numbered copies on whatman paper, the only deluxe copies after 15 on japan paper.
    Spine cracked, front board detached, small worming to boards and some deckled edges.
    Rare full-margined copy.
    €450
  36. Hippolyte FlandrinHippolyte Flandrin
    Louis FLANDRIN

    Hippolyte Flandrin

    Librairie Renouard|Paris 1902|16.50 x 25.50 cm|relié
    First edition printed on laid paper and illustrated with 20 plates.
    Half red shagreen binding, spine with five raised bands outlined with black fillets, spine with some rubbing and black stains, marbled paper boards, combed paper endpapers and pastedowns, top edge gilt.
    Some light foxing, otherwise handsome interior condition.

    €150
  37. Chagall ou l'orage enchantéChagall ou l'orage enchanté
    Raïssa MARITAIN

    Chagall ou l'orage enchanté

    Desclée de Brouwer|Bruges 1965|12.50 x 19 cm|reliure de l'éditeur
    Edition with numerous illustrations by Marc Chagall including 8 in color at the beginning of the volume.
    Publisher's full sand-colored cloth binding, smooth spine, complete with its illustrated dust jacket which has some minor marginal tears of no consequence.
    Handsome copy.

    €120
  38. Description des tableaux qui ornent le grand appartement de l'hôtel de Montcalm Description des tableaux qui ornent le grand appartement de l'hôtel de Montcalm
    ANONYME

    Description des tableaux qui ornent le grand appartement de l'hôtel de Montcalm

    imprimerie d'Isidore Tournel|Montpellier 1836|10 x 17.50 cm|broché
    First edition.
    Some minor foxing of no consequence.
    Handsome and rare copy presented in original wrappers as issued.


    €300
  39. Numéro de La Plume consacré à Alphonse MuchaNuméro de La Plume consacré à Alphonse Mucha
    COLLECTIF, Alfons MUCHA

    Numéro de La Plume consacré à Alphonse Mucha

    La Plume|Paris 1897|17.50 x 24 cm|broché
    First edition of this issue entirely devoted to Alfons Mucha.
    Two tears and a lack to spine, a light dampstain at head of first cover, small stains at head of second.
    Numerous literary contributions including those by Léon Deschamps, Frantz Jourdain, Sarah Bernhardt, Paul Redonnel, Yvanoé Rambosson, Charles Chincholle...
    Issue decorated with 127 illustrations by Alfons Mucha, including the cover, and a portrait of the latter by David Ossipovitch Whidhopff.
    €500
  40. Meissonier - Ses souvenirs - ses entretiens précédés d'une étude sur sa vie et son oeuvre par M. O. GréardMeissonier - Ses souvenirs - ses entretiens précédés d'une étude sur sa vie et son oeuvre par M. O. Gréard
    Jean-Louis ERNEST, Octave GRÉARD

    Meissonier - Ses souvenirs - ses entretiens précédés d'une étude sur sa vie et son oeuvre par M. O. Gréard

    Hachette & Cie|Paris 1897|17.50 x 26.50 cm|relié
    Illustrated edition with 34 hors-texte plates as well as 236 illustrations in the text.
    Half-cherry red shagreen binding with corners, spine with five raised bands highlighted with black fillets, some black stains on the spine, marbled paper boards, endpapers and pastedowns of combed paper, corners slightly bumped.
    Handsome interior condition.

    €170
  41. A propos de peintureA propos de peinture
    Eduardo GARCÍA BENITO

    A propos de peinture

    Publications techniques et artistiques|Paris 1945|12.50 x 19 cm|broché
    First edition on ordinary paper.
    Spine warped, boards soiled, a blue ink stain on the fore edge.
    Rare dated and signed autograph inscription from Edouard Garcia Benito to the Uruguayan painter Pablo Mané and his wife.
    €350
  42. De la révolte à la renaissance - Au delà du tachismeDe la révolte à la renaissance - Au delà du tachisme
    Georges MATHIEU

    De la révolte à la renaissance - Au delà du tachisme

    Gallimard|Paris 1973|11.50 x 18.50 cm|relié
    New edition, of which there were no deluxe copies.
    Full flexible navy blue paper boards binding, smooth spine, sky blue paper endpapers and pastedowns, top edge gilt.
    Autograph inscription dated and signed by Georges Mathieu: "Pour SAR monseigneur le comte de Paris avec les pensées déférentes et sensibles de Mathieu. 80." (For His Royal Highness Monseigneur the Count of Paris with the deferential and heartfelt thoughts of Mathieu. 80.)
    €150
  43. Outamaro - Le peintre des maisons vertes. - Exemplaire de Pierre LotiOutamaro - Le peintre des maisons vertes. - Exemplaire de Pierre Loti
    Edmond de GONCOURT (inscribed to Pierre LOTI)

    Outamaro - Le peintre des maisons vertes. - Exemplaire de Pierre Loti[Outamaro – The Painter of the Green Houses – Pierre Loti’s Copy]

    Charpentier|Paris 1891|11 x 18.50 cm|relié
    First edition.
    Half dark green shagreen binding, spine with five raised bands decorated with gilt floral motifs, marbled paper boards, marbled endpapers and pastedowns, contemporary binding with the pasted label of Henry Mériot on the front pastedown, bookbinder established in Rochefort since 1878 and friend of Pierre Loti.
    Precious autograph inscription signed by Edmond de Goncourt: "A Loti, avec ses amitiés, E. de Goncourt" (To Loti, with his friendship, E. de Goncourt).
    €1,200
  44. "Rien, et la porte était bouclée. (J'ai même rencontré M. Benoist-Méchin, qui s'imaginait voir Balthus)""Rien, et la porte était bouclée. (J'ai même rencontré M. Benoist-Méchin, qui s'imaginait voir Balthus)"
    Jean PAULHAN

    "Rien, et la porte était bouclée. (J'ai même rencontré M. Benoist-Méchin, qui s'imaginait voir Balthus)"Autograph note signed and addressed to Felia Leal, publisher of her book Paroles transparents illustrated by Georges Braque

    Paris s. d. [circa 1955]|13 x 9 cm|une feuille
    Autograph letter signed by Jean Paulhan, 16 lines written in blue ink addressed to Felia Leal, publisher of "Paroles transparentes", a work by Jean Paulhan decorated with 14 original lithographs by Georges Braque.
    Jean Paulhan regrets their missed appointment at an exhibition: "Votre jolie carte portait : cocktail à 4 heures. J'étais là à 4h. Je suis revenu à 4h 1/2, à 4h 3/4... Alors il m'a bien fallu partir sans vous avoir vue." (Your lovely card read: cocktail at 4 o'clock. I was there at 4. I came back at 4:30, at 4:45... So I had to leave without having seen you.) and mentions an incongruous encounter: "Rien, et la porte était bouclée...
    €120
  45. "... à ce propos, je pense bien que vous et M. Léal avez déjà adhéré au Comité "pour le salut et le renouveau de l'Algérie". C'est un comité énergique et qui fera du bon travail.""... à ce propos, je pense bien que vous et M. Léal avez déjà adhéré au Comité "pour le salut et le renouveau de l'Algérie". C'est un comité énergique et qui fera du bon travail."
    Jean PAULHAN

    "... à ce propos, je pense bien que vous et M. Léal avez déjà adhéré au Comité "pour le salut et le renouveau de l'Algérie". C'est un comité énergique et qui fera du bon travail."Autograph note signed and addressed to Felia Leal, publisher of her book Paroles transparents illustrated by Georges Braque

    Paris s. d. [circa 1955]|9.50 x 15.50 cm|une feuille
    Autograph letter signed by Jean Paulhan, 29 lines written in blue ink addressed to Felia Leal the publisher of "Paroles transparentes", a work by Jean Paulhan decorated with 14 original lithographs by Georges Braque.
    Felia Leal wanting to organize a reception in honor of Henri Mondor, Jean Paulhan asks her to verify her information carefully in order to avoid any faux pas: "Are you sure that Mondor wasn't already grand-officier? Find out properly, before organizing the cocktail."
    He recommends to his correspondent to take note of the latest article he has written and encourages her, if not already done, to commit to the Algerian cause: "...
    €120
  46. Carte postale autographe signée à son ami l'éditeur, galeriste et marchand d'art Louis SoulliéCarte postale autographe signée à son ami l'éditeur, galeriste et marchand d'art Louis Soullié
    Othon FRIESZ

    Carte postale autographe signée à son ami l'éditeur, galeriste et marchand d'art Louis Soullié

    Falaise 28 Juin 1904|14 x 9 cm|une carte postale
    Autograph postcard signed by Othon Friesz addressed from his property in Falaise to Louis Soullié, who was a French bookseller specializing in art sale catalogues, a publisher, an art dealer, a gallery owner and an art bibliographer.
    On the front, the postcard shows the reproduction of an engraving entitled "Foire de Guilbray, au XVIe siècle." Othon Friesz has added these few words: "Falaise Juin 04. Très amical souvenir ainsi qu'aux vôtres. EOFriesz." (Falaise June 04. Very friendly regards as well as to yours. EOFriesz.)



    €150
  47. Carte postale autographe signée et adressée à Felia Leal, éditrice de son ouvrage Paroles transparentes illustré par Georges BraqueCarte postale autographe signée et adressée à Felia Leal, éditrice de son ouvrage Paroles transparentes illustré par Georges Braque
    Jean PAULHAN

    Carte postale autographe signée et adressée à Felia Leal, éditrice de son ouvrage Paroles transparentes illustré par Georges Braque

    Saint-Paul de Vence [Saint-Paul de Vence] s. d. [1956]|14 x 9 cm|une carte postale
    Autograph postcard signed by Jean Paulhan, 12 lines, addressed from Saint-Paul de Vence to Felia Leal, publisher of "Paroles transparentes", a work by Jean Paulhan decorated with 14 original lithographs by Georges Braque.
    The recto of the postcard is a photograph of the orange blossom harvest in Saint-Paul de Vence.
    "Tuesday,
    dear Felia.
    Chagall is still in Italy for another ten to twelve days. But he tells me he has just written you the letter you wanted. And I am working on my story, as best I can. I embrace you. Jean P."

    At the top of the postcard, after the word "Tuesday", Felia Leal has noted the date of receipt: received...
    €150
  48. Lettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis SoulliéLettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis Soullié
    Othon FRIESZ

    Lettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis Soullié

    Falaise 24 juin 1904|10.50 x 13.50 cm|trois pages et quart sur un double feuillet + une enveloppe
    Autograph letter dated and signed by Othon Friesz, from his property in Falaise, 43 lines in black ink, to Louis Soullié who was a French bookseller specializing in art sale catalogues, a publisher, art dealer, gallery owner and art bibliographer.
    Fold traces inherent to mailing, envelope included.
    "Val d'Ante Falaise,
    dear sir,
    I am informed that I may collect my canvases as the exhibition is finished. If it does not inconvenience you, would you keep them in storage until October. If not, write to me - I will arrange to have them collected. Did the exhibition yield anything? Any sales? I am in the midst of work at the moment, favored by superb weather. I...
    €400
  49. "Il y a dans la Parisienne de très amusants croquis de Braque dans sa jeunesse, par H.P. Roché. Je vous les garde""Il y a dans la Parisienne de très amusants croquis de Braque dans sa jeunesse, par H.P. Roché. Je vous les garde"
    Jean PAULHAN

    "Il y a dans la Parisienne de très amusants croquis de Braque dans sa jeunesse, par H.P. Roché. Je vous les garde"Autograph letter signed and addressed to Felia Leal, publisher of her book Paroles transparents illustrated by Georges Braque

    Paris s. d. [circa 1955]|13.50 x 20.50 cm|deux feuilles
    Autograph letter signed by Jean Paulhan, 20 lines written in black ink on NRF letterhead, addressed to Felia Leal, publisher of "Paroles transparentes", a work by Jean Paulhan decorated with 14 original lithographs by Georges Braque.
    Two sheets held together by a paper clip which has left slight rust stains and creases.
    Jean Paulhan asks his publisher Felia Leal for money and feels he will encounter difficulties with new projects, notably for writing a preface: "... la "mescaline" n'est pas encore montrable. Je dois y ajouter des tas de choses. Mais je ne l'oublie pas." ("...the 'mescaline' is not yet ready to show. I must add loads of things to...
    €200
  50. Lettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis SoulliéLettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis Soullié
    Othon FRIESZ

    Lettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis Soullié

    Falaise 12 Octobre 1904|11.50 x 18 cm|une page et demie sur un double feuillet + une enveloppe
    Autograph letter dated and signed by Othon Friesz, from his property at Falaise, 21 lines in blue ink, to Louis Soullié who was a French bookseller specializing in art sale catalogues, a publisher, art dealer, gallery owner and art bibliographer.
    Fold marks inherent to postal handling, envelope included.
    "Hautes Folies Falaise,
    dear sir,
    can my canvases wait another 4 or 6 days at most at Clarc's? as it would be easy for me to have them collected at that time by my friend Dufy. I hope you are well as are yours? Our kind regards most devoted. OFRiesz 12 Oct. 04"


    €300
  51. Lettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis SoulliéLettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis Soullié
    Othon FRIESZ

    Lettre autographe datée et signée à son ami l'éditeur, galeriste et marchand d'art Louis Soullié

    Falaise 17 Septembre 1904|11.50 x 18 cm|deux pages sur un double feuillet + une enveloppe
    Autograph letter dated and signed by Othon Friesz, from his property in Falaise, 34 lines in blue ink, to Louis Soullié who was a French bookseller specializing in art sale catalogues, a publisher, art dealer, gallery owner and art bibliographer.
    Fold marks inherent to mailing, envelope included.
    "Hautes Folies Falaise,
    monsieur Soullié,
    J'ai appris avec ennui votre insuccès momentané dans les affaires. Mauvaise chance qui je l'espère ne durera pas. Tout confiant en votre honneteté en laquelle, j'ai foi. Je vous serais obligé de me dire quand je pourrais faire retirer les toiles entreposées chez vous. Répondez-moi ici à Falaise. Si je dois avoir affaire à...
    €400
  52. Compendium à l'usage des artistes peintres et des amateurs de tableauxCompendium à l'usage des artistes peintres et des amateurs de tableaux
    Jacques BLOCKX fils

    Compendium à l'usage des artistes peintres et des amateurs de tableaux

    Ludovic Baschet|Paris s. d. [ca 1892]|12.50 x 19 cm|broché
    Second edition.
    Spine split with small lack at foot, boards marginally and lightly soiled, pleasant interior condition.
    Autograph inscription signed by Jacques Blockx fils to the critic and military historian (Edouard) de La Barre Duparcq.
    €300
  53. Les artistes du livre : Laboureur - Exemplaire exceptionnellement enrichi de 26 gravures dont 2 inéditesLes artistes du livre : Laboureur - Exemplaire exceptionnellement enrichi de 26 gravures dont 2 inédites
    André DUNOYER DE SEGONZAC, Jean-Émile LABOUREUR

    Les artistes du livre : Laboureur - Exemplaire exceptionnellement enrichi de 26 gravures dont 2 inédites

    Henri Babou|Paris 1929|21 x 26 cm|en feuilles sous chemise
    First edition, one of 650 numbered copies on Johannot laid paper, ours unnumbered, ours one of the few hors commerce copies, the only issue after 50 Japan.
    Fine copy.
    Letter-preface by Jean-Giraudoux.
    Frontispiece with a portrait of Jean-Emile Laboureur by André Dunoyer de Segonzac.
    Work illustrated with vignettes, initials, tailpieces, drawings, in text and full-page by Jean-Emile Laboureur.
    Our hors commerce copy and probably artist's copy is exceptionally enhanced with 24 additional engravings by Jean-Emile Laboureur as well as 2 engravings not reproduced in this volume of the collection Les artistes du livre.
    €300
  54. "Exposer pour m'entendre dire c'est toujours la même chose ce n'est pas la peine et je voudrais tant faire un pas non tant pour les autres mais pour moi.""Exposer pour m'entendre dire c'est toujours la même chose ce n'est pas la peine et je voudrais tant faire un pas non tant pour les autres mais pour moi."
    Jean-Jacques HENNER

    "Exposer pour m'entendre dire c'est toujours la même chose ce n'est pas la peine et je voudrais tant faire un pas non tant pour les autres mais pour moi."Signed autograph letter addressed to his friend, the influential art critic Emile Durand-Gréville

    S. n.|s. l. s. d. [26 Mars1894]|10.50 x 17 cm|quatre pages sur un double feuillet
    Autograph letter signed by Jean-Jacques Henner to his friend Emile Durand-Gréville, 49 lines in black ink, four pages on a double sheet.
    Fold marks inherent to mailing. A manuscript note concerning the recipient's name and the date of the letter at the head of the first sheet.
    "Mon cher ami,
    vous avez eu tort de ne pas emporter cette feuille. Elle est à nous ainsi que tout ce qui peut nous faire plaisir. Ce ne sera jamais en d'aussi bonnes mains. Je voulais aller voir madame Madame Durand Gréville hier après midi mais je me suis laissé aller à travailler chez moi. Je suis bien découragé et bien troublé en ce moment et je ne sais plus où j'ai la tête. Exposer pour...
    €200
  55. "Bon gré mal gré, comme tous les rêves, on est retenu à l'intérieur de ce b... mental où interfèrent les symbolismes chrétien, alchimique, sexuel, sinon d'autres encore et dont les desservants ne le cèdent pas en impassibilité aux protagonistes d'Histoire d'O [...] En dépit de la météorologie, toujours un peu "à la traîne", le printemps de 1955 s'annonce magnifique à Paris"
    "Bon gré mal gré, comme tous les rêves, on est retenu à l'intérieur de ce b... mental où interfèrent les symbolismes chrétien, alchimique, sexuel, sinon d'autres encore et dont les desservants ne le cèdent pas en impassibilité aux protagonistes d'Histoire d'O [...] En dépit de la météorologie, toujours un peu "à la traîne", le printemps de 1955 s'annonce magnifique à Paris"
    Manuscrit autographe signé "Printemps secret" sur la poésie et la peintureManuscrit autographe signé "Printemps secret" sur la poésie et la peinture
    André BRETON (Max Walter SVANBERG)

    Manuscrit autographe signé "Printemps secret" sur la poésie et la peinture

    s. l. • [Paris] 1955|21 x 27 cm|2 pages sur 2 feuillets

    Autograph manuscript signed by André Breton, written in black ink on two sheets of green paper.
    Horizontal fold to each sheet, pagination in red pencil on the 2nd sheet. Published in the journal Art, 1955.

    €3,500
  56. Wagner's influence on literary and artistic avant-garde
    Wagner's influence on literary and artistic avant-garde
    Revue wagnérienne, collection complèteRevue wagnérienne, collection complète
    Richard WAGNER, Catulle MENDÈS

    Revue wagnérienne, collection complète

    Imprimeries Morellet • Boyer & Cie|Paris 1885-1888|16.80 x 24.60 cm|3 volumes reliés

    Complete collection in 36 issues (including three double issues) bound in three volumes - First year: 12 issues, from 8 February 1885 to 6 January 1886 - Second year: 12 issues, from 8 February 1886 to 15 January 1887 - Third year: 12 issues, from February 1887 to January 1888.
    Illustrated with 4 full-page lithographs by Fantin-Latour: L'Évocation d'Erda - Odilon Redon : Brünnhilde - Jacques-Emile Blanche : Tristan et Isolde and Le pur-simple.
    Three quarter brown morocco binding, smooth spine titled in gilt, marbled paper boards, marbled paper endpapers and pastedowns, orignal wrappers preserved, binding signed by Dupré.
    Numerous contributions...

    €10,000
  57. "Bref, je suis terrifié, ne sachant pas que faire pour survivre" ["In short, I am terrified, not knowing what to do to survive"]
    "Bref, je suis terrifié, ne sachant pas que faire pour survivre" ["In short, I am terrified, not knowing what to do to survive"]
    "Bref, je suis terrifié, ne sachant pas que faire pour survivre""Bref, je suis terrifié, ne sachant pas que faire pour survivre"
    Hans BELLMER

    "Bref, je suis terrifié, ne sachant pas que faire pour survivre"Signed autograph letter addressed to his patron Claude Richard

    Paris 31 décembre 1950|20.80 x 27 cm|deux pages sur deux feuillets, enveloppe jointe
    Autograph letter by Hans Bellmer signed "H.B", addressed to Claude Richard, dated by the author December 31, 1950. Two pages in black ink on two sheets of fine pink paper, with autograph envelope enclosed.
    Discrete fold marks inherent to the sending of the letter.
    Exceptional lament of a cursed artist, sacrificing his life to his art. Endangering his health, Bellmer carefully supervises the printing of the first retrospective catalogue of his works (Vingt-cinq reproductions) of which he had received the first copies "le soir de la Noël" ["on Christmas evening"]. He addresses his Bordeaux collector-patron, Claude Richard, from his...
    €2,000
  58. D'un réalisme sans rivages - Picasso, Saint-John Perse, KafkaD'un réalisme sans rivages - Picasso, Saint-John Perse, Kafka
    Roger GARAUDY

    D'un réalisme sans rivages - Picasso, Saint-John Perse, Kafka

    Plon|Paris 1963|11.50 x 18.50 cm|broché
    The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
    Light foxing to rear endpaper.
    Preface by Louis Aragon.
    Autograph inscription signed by Roger Garaudy to journalist Gilbert Gilleminault.
    €70
  59. "... je ne veux pas être photographiée à 71 ans ou alors morte...""... je ne veux pas être photographiée à 71 ans ou alors morte..."
    Marie LAURENCIN

    "... je ne veux pas être photographiée à 71 ans ou alors morte..."Signed autograph letter addressed to Roger Nimier

    Paris 23 Décembre 1954|12.20 x 20.20 cm|une page + une enveloppe
    Autograph letter signed by Marie Laurencin addressed to Roger Nimier, 15 lines written in black ink, envelope included.
    Folds inherent to mailing.
    Marie Laurencin responds favorably to a request from Roger Nimier who had proposed that she illustrate one of his texts to appear in the magazine Le Nouveau fémina: "Cher Roger - Je veux bien vous illustrer une nouvelle si j'en suis capable." ["Dear Roger - I would be happy to illustrate a short story for you if I am capable of it."] and refuses to be photographed at her age: "... je ne veux pas être photographiée à 71 ans ou alors morte..." ["... I don't want to be photographed at 71 years old, unless...
    €200
  60. Enveloppe manuscrite envoyée à son ami Georges Raillard enrichie d'un dessin original en son versoEnveloppe manuscrite envoyée à son ami Georges Raillard enrichie d'un dessin original en son verso
    Louis PONS

    Enveloppe manuscrite envoyée à son ami Georges Raillard enrichie d'un dessin original en son verso

    S. n.|Paris 15 Octobre 2001|25 x 17.50 cm|une feuille
    Signed manuscript envelope by Louis Pons addressed to his friend art critic Georges Raillard, specialist in the works of Joan Miro and Antoni Tapies, on the verso of which he created an original drawing
    The kraft paper envelope, reworked by Louis Pons, features an original drawing depicting a good-natured gentleman gazing at a brilliant sun in the sky.











    €120
  61. Enveloppe manuscrite envoyée à son ami Georges Raillard enrichie d'un dessin original en son versoEnveloppe manuscrite envoyée à son ami Georges Raillard enrichie d'un dessin original en son verso
    Louis PONS

    Enveloppe manuscrite envoyée à son ami Georges Raillard enrichie d'un dessin original en son verso

    S. n.|Paris 15 Octobre 2001|28 x 15.50 cm|une feuille
    Manuscript envelope by Louis Pons which he addressed to his friend the art critic Georges Raillard, specialist in the works of Joan Miro and Antoni Tapies, on the verso of which he created an original drawing, signed with his initials.
    The kraft paper envelope, recomposed by Louis Pons in his whimsical manner, features, below his Parisian address, a rat.

    We include an invitation card to an exhibition of works by Louis Pons on Tuesday October 8, 1974 at the "Le point cardinal" gallery.









    €120
  62. Carte postale autographe signée adressée à Georges RaillardCarte postale autographe signée adressée à Georges Raillard
    Hans HARTUNG

    Carte postale autographe signée adressée à Georges Raillard

    Turin 6 Juin 1966|15 x 10.50 cm|une carte postale
    Signed autograph postcard by Hans Hartung addressed to his friend art critic Georges Raillard, specialist in the works and biographer of Joan Miro and Antoni Tapies (14 lines in blue ballpoint pen written from Turin).
    The postcard shows on the verso the Piazza Castello and the Palazzo Real, Georges Raillard being at that time director of the French Institute in Barcelona.
    "Nous avons très mauvaise conscience de ne pas encore vous avoir remercié (et chaleureusement) de tout ce que vous avez fait pour nous..." ["We have a very bad conscience for not yet having thanked you (and warmly) for all that you have done for us..."]
    €350
  63. "...nous aurons le plaisir de vous voir de nouveau à Paris où nous désirons vivement pouvoir continuer notre amitié...""...nous aurons le plaisir de vous voir de nouveau à Paris où nous désirons vivement pouvoir continuer notre amitié..."
    Antoni TÀPIES

    "...nous aurons le plaisir de vous voir de nouveau à Paris où nous désirons vivement pouvoir continuer notre amitié..."Autograph letter dated and signed from Antoni Tàpies to his friend and biographer Georges Raillard and his wife Alice

    Barcelone [Barcelona] 8 Juillet 1969|21.50 x 27.50 cm|une feuille + une enveloppe

    Autograph letter dated and signed by Antoni Tàpies addressed to his close friend, art critic Georges Raillard, the greatest French specialist of his work (16 lines in blue ballpoint pen from Barcelona).
    Fold marks inherent to the letter's mailing, envelope included.
    Having directed the French Institute of Barcelona from 1964 to 1969, Georges Raillard befriended and collaborated with numerous Spanish and Catalan artists including Joan Miro and Antoni Tapies, whose biographies he would also write.
    The Catalan artist regrets not being able to participate in the farewell dinner organized by his friends Georges and Alice Raillard but does not despair of seeing...

    €800
  64. Lettre autographe datée et signée adressée à son ami et biographe Georges Raillard à propos de la notion "d'art impliqué" Lettre autographe datée et signée adressée à son ami et biographe Georges Raillard à propos de la notion "d'art impliqué"
    Antoni TÀPIES

    Lettre autographe datée et signée adressée à son ami et biographe Georges Raillard à propos de la notion "d'art impliqué"

    Barcelone [Barcelona] 11 Février 1973|21.50 x 28 cm|une feuille + une enveloppe

    Autograph letter dated and signed by Antoni Tàpies addressed to his close friend the art critic Georges Raillard, the greatest French specialist of his work (19 lines in blue ballpoint pen from Barcelona).
    Fold marks inherent to the letter's envelope placement, envelope included.
    Having directed the French Institute of Barcelona from 1964 to 1969, Georges Raillard formed friendships and collaborated with numerous Spanish and Catalan artists including Joan Miro and Antoni Tapies, whose biographies he would also write.
    The Catalan artist relays the notion of "art impliqué" recently employed in Catalonia: "... je viens de voir une citation... dans...

    €800
  65. Lettre autographe datée et signée adressée à son ami et biographe Georges RaillardLettre autographe datée et signée adressée à son ami et biographe Georges Raillard
    Antoni TÀPIES

    Lettre autographe datée et signée adressée à son ami et biographe Georges Raillard

    Hodder and Stoughton|Barcelona 16 Novembre 1968|21.50 x 18.50 cm|une feuille + une enveloppe
    Autograph letter signed and dated by Antoni Tàpies addressed to his close friend the art critic Georges Raillard, the leading French specialist on his work (12 lines in blue ballpoint pen from Barcelona).
    Crease mark inherent to the folding of the letter for mailing, envelope included.
    Having directed the French Institute of Barcelona from 1964 to 1969, Georges Raillard became friends and collaborated with numerous Spanish and Catalan artists including Joan Miro and Antoni Tapies, whose biographies he would also write.
    The Catalan artist sends his friend Georges Raillard an article published in a magazine which they had already discussed; he also asks him if he can take care...
    €500
  66. De la palette à l'écritoireDe la palette à l'écritoire
    André LHOTE

    De la palette à l'écritoire

    Corrêa & Cie|Paris 1948|12 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Work illustrated with a photographic frontispiece.
    Copy with pages inevitably yellowed due to the poor quality of this post-war paper.
    Signed autograph inscription from André Lhote to Lucie and Charles André Julien.
    Socialist militant delegate to the congresses of Strasbourg and Tours in 1920, collaborator of Léon Blum when President of the Council, Charles André Julien was professor of colonial history at the Sorbonne and former dean of the faculty of letters at Rabat.
    €150
  67. " ... je malmène trop cerveau et coeur et alors se vengent mes organes si sensibles et qu'avec l'âge on doit beaucoup plus ménager..."" ... je malmène trop cerveau et coeur et alors se vengent mes organes si sensibles et qu'avec l'âge on doit beaucoup plus ménager..."
    Georges ROUAULT

    " ... je malmène trop cerveau et coeur et alors se vengent mes organes si sensibles et qu'avec l'âge on doit beaucoup plus ménager..."Signed autograph letter about a postponed appointment for health reasons

    S. n.|s. l. s. d. [circa 1930]|21.50 x 18 cm|une page
    Autograph letter signed by the painter Georges Rouault (19 lines in blue ink on one page) apologizing for having to hastily postpone an appointment due to feeling unwell.
    Fold marks inherent to being placed in an envelope.
    His mind clouded by pain, Georges Rouault presents his apologies for their appointment which he cancelled and attempts, despite his correspondent's tight schedule, to meet with him nonetheless: "Je ne sais ce que j'ai pu écrire hier ayant été pris de violentes douleurs de tête et pressé de vous prévenir de l'impossibilité où j'étais..." ["I don't know what I could have written yesterday having been seized with violent...
    €600
  68. Portrait photographique original de Nicolas de Staël contemplatif et signé par Denise ColombPortrait photographique original de Nicolas de Staël contemplatif et signé par Denise Colomb
    (Nicolas de STAËL) Denise COLOMB

    Portrait photographique original de Nicolas de Staël contemplatif et signé par Denise Colomb

    Paris 1990|18 x 26.50 cm|une feuille
    Original portrait of Nicolas de Staël signed by Denise Colomb

    Silver pint portrait of Nicolas de Staël by Denise Colomb. Later print made by the photographer in the 1990s from her 1954 negatives.
    Signed by Denise Colomb in the lower right-hand corner. On the back:
    "N. D. S. 1954" with a signed inscription by Denise Colomb to photographer Serge Tamagnot: "Pour mon cher ami Serge/ Le roi des collages. Denise Colomb 7-5-2000 Bon anniversaire à Serge, je penserai à toi le 9 mai" (For my friend Serge/The king of collages. Denise Colomb 7-5-2000 Happy birthday Serge, I'll be thinking of you on May 9).
    An exceptional...
    €1,800
  69. "... Rougissez ! Le dessin est signé d'Ingres et daté de 1835. Ce qui, selon moi, et contrairement à votre insinuation, le signe davantage, c'est précisément son inimitable faire, au point que si, contre toute vraisemblance, l'oeuvre était d'un autre maître, il faudrait le regretter pour Ingres.""... Rougissez ! Le dessin est signé d'Ingres et daté de 1835. Ce qui, selon moi, et contrairement à votre insinuation, le signe davantage, c'est précisément son inimitable faire, au point que si, contre toute vraisemblance, l'oeuvre était d'un autre maître, il faudrait le regretter pour Ingres."
    Robert de MONTESQUIOU

    "... Rougissez ! Le dessin est signé d'Ingres et daté de 1835. Ce qui, selon moi, et contrairement à votre insinuation, le signe davantage, c'est précisément son inimitable faire, au point que si, contre toute vraisemblance, l'oeuvre était d'un autre maître, il faudrait le regretter pour Ingres."Autograph letter signed by Robert de Montesquiou about the authenticity of a drawing by Ingres in his collection

    S. n.|s. l. s. d. [1920]|22.50 x 18 cm|une page recto-verso
    Autograph letter signed by the dandy count, 55 lines written in black ink, probably addressed to his friend and bibliographer the critic Henri Lapauze in which Robert de Montesquiou, refined and confirmed collector, rebels against the fact that his correspondent contests the authenticity of an Ingres drawing that forms part of his private collection. Stung to the quick as an experienced collector, he nevertheless consents, with grateful magnanimity, not to hold it against Henri Lapauze.
    Fold marks inherent to mailing.
    "7 décembre,
    je vous ferai tout d'abord remarquer, mon cher confrère, que me voici de votre part, en butte à cette forme d'indignité qui menace les...
    €800
  70. Lettre autographe signée adressée à son ami Carlo Rim lui présentant ses voeux pour l'année 1934 et enrichie d'un humoristique dessin original légendé représentant un guérillero cubain tirant au pistoletLettre autographe signée adressée à son ami Carlo Rim lui présentant ses voeux pour l'année 1934 et enrichie d'un humoristique dessin original légendé représentant un guérillero cubain tirant au pistolet
    Jean EFFEL

    Lettre autographe signée adressée à son ami Carlo Rim lui présentant ses voeux pour l'année 1934 et enrichie d'un humoristique dessin original légendé représentant un guérillero cubain tirant au pistolet

    Paris 1934|21 x 31 cm|une feuille
    Autograph letter signed addressed to his friend Carlo Rim presenting his wishes for the year 1934, 4 lines in black ink : "Je tiens à souhaiter, à Carlo Rim, une bonne année 1934. Je lui dois un heureux 1933. Jean Effel." ["I wish to wish Carlo Rim a good year 1934. I owe him a happy 1933. Jean Effel."]
    On the left side of the letter has been glued an original signed drawing by Jean Effel in black and orange felt-tip pens, blue pencil and white correction fluid depicting a Cuban guerrilla firing a pistol which he captioned thus: "A Cuba les gouvernements changent trop vite : on n'a même plus le temps de viser !" ["In Cuba governments change too fast: there's no...
    €250
  71. [PHOTOGRAPHIE] Portrait photographique de Gustave Doré[PHOTOGRAPHIE] Portrait photographique de Gustave Doré
    Gustave DORÉ, Étienne CARJAT

    [PHOTOGRAPHIE] Portrait photographique de Gustave Doré

    Carjat et Cie|Paris 1865 ca|6 x 10.70 cm|une photographie
    Original albumen photograph, carte-de-visite format, mounted on card, with photographer's stamp on verso and lower margin.
    Full-length standing portrait of Gustave Doré, dressed in white, around age 35, wearing moustache and goatee. Very rare photograph of the painter in his youth, who was roughly the same age as Carjat.
    The painter, with an absent and detached air, almost melancholy, in a very dandy pose, holds a cigar in his right hand with his left hand slipped into his trouser pocket.
    Fine print. A copy held by the Musée Carnavalet in Paris, but in a much darker tonality.







    €1,400
  72. L'humidité N°21 - Numéro consacré à Hervé FischerL'humidité N°21 - Numéro consacré à Hervé Fischer
    Jean-Louis BORY, Hervé FISCHER

    L'humidité N°21 - Numéro consacré à Hervé Fischer

    Jean Petihory|Paris Février 1974|23 x 29 cm|agrafé
    First edition of this issue of the magazine edited by Jean-Louis Bory, with Pierre Bourgeade as editor-in-chief.
    This entire issue is devoted to the work of Hervé Fischer.
    Illustrated throughout.
    A well-preserved copy, complete with the insert "hygiène de l'art : peinture à déchirer (campagne prophylactique)".
    €100
  73. Pierre SoulagesPierre Soulages
    Pierre SOULAGES

    Pierre Soulages

    Beaux arts magazine|Paris 1996|22 x 28.50 cm|broché
    First edition of this issue of Beaux-Arts magazine published on the occasion of Pierre Soulages' exhibition at the Musée d'Art moderne de la ville de Paris.
    Fine copy.
    Iconography.
    Autograph inscription signed by Pierre Soulages to a man named Jean-Claude.
    €750
  74. Carte d'invitation au Bal des Quat'Z'Arts 1930Carte d'invitation au Bal des Quat'Z'Arts 1930
    Yves BRAYER, Olivier RABAUD

    Carte d'invitation au Bal des Quat'Z'Arts 1930

    Paris 1930|19 x 32.50 cm|une feuille
    Superb invitation poster-card for the 1930 edition of the Bal des Quat'Z'Arts, still bearing its stub in the lower section. Very fine color illustration by Yves Brayer and O. Rabaud depicting a menacing Aragonese knight being charmed by an oriental dancer.
    The theme of the famous fine arts students' ball, which took place on June 21 at the Porte de Versailles, was the capture of Granada by the Aragonese knights - on the invitation, one can read the following text: "Le sultan Abou-Abdillah se fait vider de Grenade par les bandes d'Aragon, ainsi que la chose s'est très véridiquement passée en 1492. Viens voir ça ma jolie, et accourt avec nous vers l'Alhambra, pour y boire...
    €450
  75. Portrait photographique original de Nicolas de Staël dans son atelier Portrait photographique original de Nicolas de Staël dans son atelier
    (Nicolas de STAËL) Denise COLOMB

    Portrait photographique original de Nicolas de Staël dans son atelier

    Paris s. d. [circa 1954]|14.50 x 20.40 cm|une photographie
    Original photographic portrait of Nicolas de Staël in his atelier.
    Paris n.d. (circa 1954), photo: 14,5x20,4cm ; leaf : 18,2x24cm.
    Original silver print portrait of Nicolas de Staël by Denise Colomb.
    The painter sits in his Parisian atelier in rue Gauget, one year before his death.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.

    “It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments...
    €1,800
  76. Portrait photographique original de Nicolas de Staël assis devant une de ses toilesPortrait photographique original de Nicolas de Staël assis devant une de ses toiles
    (Nicolas de STAËL) Denise COLOMB

    Portrait photographique original de Nicolas de Staël assis devant une de ses toiles

    Paris s. d. [circa 1954]|17.40 x 20.40 cm|une feuille
    Original photographic portrait of Nicolas de Staël sitting in front of one of his paintings
    Paris s.d. (circa 1954), photograph: 17.4 x 20.4cm; leaf: 18.2 x 24cm

    Original silver print portrait of Nicolas de Staël by Denise Colomb.
    Beautiful candid shot of the painter, preparing to speak, in his atelier in rue Gauget in Paris, one year before his death. Seated in front of one of his works, we see the piling up of the painter's canvases in the room behind him.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio...
    €2,300
  77. Portrait photographique original de Nicolas de Staël contemplatifPortrait photographique original de Nicolas de Staël contemplatif
    (Nicolas de STAËL) Denise COLOMB

    Portrait photographique original de Nicolas de Staël contemplatif

    Paris s. d. [circa 1954]|19.10 x 29 cm|une feuille
    Original photographic portrait of Nicolas de Staël in his atelier.
    Paris n.d. (circa 1954), photo: 19,1x29cm ; leaf: 20,5x30,5cm.
    Exceptional original silver print portrait of Nicolas de Staël by Denise Colomb.
    A small tear in the lower part of the leaf, not affecting the photograph.
    Large format picture of the painter, eyes lost in the distance, in his Parisian atelier rue Gauguet one year before his death. Sitting in front of one of his works, we see the piling up of the painter's canvases in the room behind him.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud...
    €2,300
  78. "Nature morte" photographique originale de l'atelier de Nicolas de Staël "Nature morte" photographique originale de l'atelier de Nicolas de Staël
    (Nicolas de STAËL) Denise COLOMB

    "Nature morte" photographique originale de l'atelier de Nicolas de Staël

    Paris s. d. [circa 1954]|24.20 x 31.10 cm|une feuille
    Original view of Nicolas de Staël's atelier
    Paris n.d. (circa 1954), 24,2x31,1cm, one leaf.
    Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb.
    Traces of folds, small pieces of paper missing in the lower left corner.
    Splendid "still life" in large format of the painter's Parisian atelier rue Gauguet, taken one year before his death. His masterpieces are jumbled together with firewood and numerous pots of paint.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.
    “It is said that...
    €800
  79. Vue photographique de l'atelier de Nicolas de Staël avec deux toilesVue photographique de l'atelier de Nicolas de Staël avec deux toiles
    (Nicolas de STAËL) Denise COLOMB

    Vue photographique de l'atelier de Nicolas de Staël avec deux toiles

    Paris s. d. [circa 1954]|17.30 x 12.20 cm|une feuille
    Original view of Nicolas de Staël's atelier with his palette and three paintings
    Paris n.d. (circa 1954), photo:17,3x12,2cm ; leaf: 24x18,2cm.
    Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb.
    Small trace of rust on the upper right corner.
    Charming view of the painter's atelier, 7 rue Gauguet in Paris, taken one year before his death. Featuring his palette as well as two paintings from his Flowers series (1952-1953), and an abstract composition on the right.
    Taken by Denise Colomb, great portraitist of the 20th century known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in...
    €800
  80. Vue photographique originale de l'atelier de Nicolas de Staël avec sa palette et ses pinceauxVue photographique originale de l'atelier de Nicolas de Staël avec sa palette et ses pinceaux
    (Nicolas de STAËL) Denise COLOMB

    Vue photographique originale de l'atelier de Nicolas de Staël avec sa palette et ses pinceaux

    Paris s. d. [circa 1954]|17.30 x 12.20 cm|une feuille
    Original view of Nicolas de Staël's atelier with his palette and brushes
    Paris n.d. (circa 1954), photograph :17,3x12,2cm ; leaf : 24x18,2cm.
    Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb.
    Intimate view of the painter's atelier, 7 rue Gauguet in Paris, taken one year before his death. In the background is one of his paintings from his famous series Flowers (1952-1953).
    Taken by Denise Colomb, great portraitist of the 20th century known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studios.
    “It is said that his workshop was the cave of a...
    €800
  81. Ensemble de 11 vues photographiques originales autour de l'atelier de Nicolas de Staël Ensemble de 11 vues photographiques originales autour de l'atelier de Nicolas de Staël
    (Nicolas de STAËL) Denise COLOMB

    Ensemble de 11 vues photographiques originales autour de l'atelier de Nicolas de Staël

    Paris s. d. [circa 1954]|18 x 23.90 cm|une feuille
    Set of 11 original photographs of Nicolas de Staël's studio by Denise Colomb, in period printing.

    Small fold marks at the corners of some photographs.

    Superb views of the building housing the painter's studio, at 7 rue Gauguet in Paris, taken one year before his tragic end. The cracked and textured walls bear a striking resemblance to his "brushed, indeed masoned painting" (Marcelin Pleynet and Michel Seuphor), those knife-applied impastos that had considerable influence on abstract painting in the second half of the century.

    The photographs were taken by Denise Colomb, great portraitist of the 20th century, who immortalized Antonin Artaud...
    €2,300
  82. Ensemble de 3 vues photographiques originales d'oeuvres de Nicolas de Staël Ensemble de 3 vues photographiques originales d'oeuvres de Nicolas de Staël
    (Nicolas de STAËL) Denise COLOMB

    Ensemble de 3 vues photographiques originales d'oeuvres de Nicolas de Staël

    Paris s. d. [circa 1954]|33 x 23 cm|une feuille
    Original black and white photographs of 3 Nicolas de Staël's paintings
    Paris n.d. (circa 1954), two nudes: 33x23cm ; flowers and nude painting: 24x30,5cm, three leaves.
    Set of 3 original silver prints of Nicolas de Staël's paintings by Denise Colomb.
    Folds and small tears to the margins of the photo featuring two nudes. Traces left by a typed paper to the margins of the flower painting. Darker traces and folds to the margins of the standing nude.
    Photos of de Staël's paintings taken in the painter's Parisian atelier rue Gauguet, one year before his death: a painting from his famous Flowers series (1953-1954), as well as two paintings of...
    €1,350
  83. Ensemble de 8 photographies de famille : Nicolas de Staël, sa compagne Jeannine Guillou et leur fille Anne Ensemble de 8 photographies de famille : Nicolas de Staël, sa compagne Jeannine Guillou et leur fille Anne
    (Nicolas de STAEL)

    Ensemble de 8 photographies de famille : Nicolas de Staël, sa compagne Jeannine Guillou et leur fille Anne

    Paris s. d. [circa 1944]|formats divers |10 feuilles
    Set of 8 photographs of Nicolas de Staël's family circa 1942-1944, in original silver gelatin prints.

    The photographs were taken around 1944, two years after the birth of Anne de Stäel, daughter of the painter and his companion, the artist Jeannine Guillou. In September 1943, the family consisting of Anne and young Antek (future writer known under the name Antoine Tudal), son from Jeannine Guillou's previous marriage, arrived in Paris and settled, thanks to the friendship of gallerist Jeanne Bucher, at 54, rue Nollet, in the private mansion of architect Pierre Chareau. Staël transformed the large ground-floor salon into a studio where he devoted himself entirely...
    €2,000
  84. Hôtes de passageHôtes de passage
    André MALRAUX (Léopold Sédar SENGHOR)

    Hôtes de passage

    Gallimard|Paris 1975|12.50 x 20 cm|broché

    First edition, one of 120 numbered copies on holland paper, deluxe copy.
    Very handsome copy.
    Autograph inscription signed by André Malraux to his friends Minka and Karl-Hans [Strauss] enhanced with two small drawings in red and blue ink representing cats.
    Minka, a Rothschild descendant, and Karl-Hans Strauss, were important patrons and collectors of art and music close to André Malraux. Their correspondence seems to reveal that in the 1970s the elderly writer was hunting around the world, with his last companion Sophie de Vilmorin, for works for their collection. At the end of his life, he thus rediscovered this youthful passion that inspired his first work...

    €2,500
  85. Désormais seul en face de dieuDésormais seul en face de dieu
    Georges MATHIEU

    Désormais seul en face de dieu

    L'âge d'homme|Lausanne 1998|15.50 x 22.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy, with gift inscription in blue ink to upper right corner of front endpaper.
    Autograph inscription signed by Georges Mathieu to Pierre Troillard.
    €250
  86. Catalogue de l'exposition de lithographies, pastels et dessins d'Hermann-Paul à la galerie Bernheim jeuneCatalogue de l'exposition de lithographies, pastels et dessins d'Hermann-Paul à la galerie Bernheim jeune
    HERMANN-PAUL

    Catalogue de l'exposition de lithographies, pastels et dessins d'Hermann-Paul à la galerie Bernheim jeune

    Galerie Bernheim jeune|Paris s. d. [circa 1900]|10.50 x 14 cm|broché
    First edition of this catalogue presenting 61 works by Hermann-Paul, lithographs, pastels and drawings, exhibited at the Galerie Bernheim jeune in Paris from 1 to 20 February.
    A handsome and rare copy.
    Catalogue illustrated with 6 drawings by Hermann-Paul.
    Text by Arsène Alexandre.

    €300
  87. Camille BryenCamille Bryen
    (Camille BRYEN) Jacques AUDIBERTI

    Camille Bryen

    Galerie des deux îles|Paris 1949|10.50 x 13.50 cm|agrafé
    First edition of this exhibition catalogue of works by Camille Bryen at the Galerie des deux îles in Paris from 24 May to 18 June 1949.
    A handsome copy.
    Text by Jacques Audiberti.
    €50
  88. Catalogue de l'exposition de peintures de Charles Guérin à la Galerie E. DruetCatalogue de l'exposition de peintures de Charles Guérin à la Galerie E. Druet
    Charles GUÉRIN

    Catalogue de l'exposition de peintures de Charles Guérin à la Galerie E. Druet

    Galerie E. Druet|Paris 1905|13.50 x 18.50 cm|broché
    First edition of this catalogue presenting 52 paintings by Charles Guérin exhibited at the E. Druet gallery in Paris from February 27 to March 18, 1905.
    Handsome and rare copy.
    Catalogue illustrated with a reproduction of a painting by Charles Guérin.


    €200
  89. Catalogue de l'exposition de peintures de Charles Guérin à la Galerie E. DruetCatalogue de l'exposition de peintures de Charles Guérin à la Galerie E. Druet
    Charles GUÉRIN

    Catalogue de l'exposition de peintures de Charles Guérin à la Galerie E. Druet

    Galerie E. Druet|Paris 1913|13.50 x 18.50 cm|broché
    First edition of this catalogue presenting 40 paintings by Charles Guérin exhibited at the E. Druet gallery in Paris from March 3 to 15, 1913.
    Handsome and rare copy despite some light stains in the left margin of the back cover.
    Catalogue illustrated with a reproduction of a painting by Charles Guérin.


    €200
  90. Catalogue de l'exposition des oeuvres d'Enrique Zanartu à la Galerie du DragonCatalogue de l'exposition des oeuvres d'Enrique Zanartu à la Galerie du Dragon
    (Enrique ZANARTU) Hubert JUIN

    Catalogue de l'exposition des oeuvres d'Enrique Zanartu à la Galerie du Dragon

    Galerie du Dragon|Paris 1955|14.50 x 19 cm|broché
    First edition of this catalogue presenting works by the painter Enrique Zanartu exhibited at the Galerie du Dragon in Paris on June 3rd, 1955, one of 1000 numbered copies, ours unnumbered.
    A handsome and rare copy.
    Catalogue illustrated with reproductions of works by Enrique Zanartu.


    €60
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